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  • The ‘Dune’ Dictionary

    The ‘Dune’ Dictionary

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    The universe of Frank Herbert’s Dune is famously dense, littered with a mishmash of terminology about as complex and varied as the languages J.R.R. Tolkien made up for The Lord of the Rings. Dune takes place thousands of years into humanity’s future, within a vast interstellar empire built upon the foundations of human history, dating back millennia. The result is a lot of weird religious stuff, a lot of non-English words, and a lot of groovy psychedelic drugs.

    In preparation for the release of Dune: Part Two, the second installment of Denis Villeneuve’s epic adaptation, we’ve compiled a reference guide like the chunky appendices in the back of every Dune novel. Come for a refresher on who’s who in the endless conflict between House Atreides and House Harkonnen, stay for a lengthy description of what “Kwisatz Haderach” actually means.

    This dictionary may have minor spoilers, we suppose? This book is decades old.


    Arrakis: The world in which most of the events in Dune take place; a desert spice planet. Arrakis is the third planet orbiting the star Canopus (a real star), possessing two moons, one of which has a giant crater in the shape of a human hand. Arrakis is habitable to a degree, supporting some human life as well as a number of local fauna, but it’s mostly made of endless plains of sand, giving it the colloquial nickname “Dune.” Arrakis is also the only place where you can mine spice, a hallucinogenic drug on which the entire interstellar economy is based. (These books were written in the 1960s.)

    Atreides: One of 10 major Houses in the galactic-wide Corrino Empire that make up a sort of feudal U.N. assembly called the Landsraad, the governing body in charge of the imperial economy. Paul Atreides (Timothée Chalamet) is the young male heir of this House, meant to succeed his father, Duke Leto Atreides (Oscar Isaac). House Atreides is simultaneously popular in the galaxy and hated in the galaxy because of that very popularity. (In the Dune universe, being at all well-liked makes you a target, and everyone is constantly trying to figure out sneaky ways to kill each other.) At the beginning of Dune, the Atreides are presented as the good, normal family fighting against the weird freaks. At the end of the Dune series, the last Atreides heir is himself a weird freak. Really makes you think!

    Baliset: A nine-stringed zither-like instrument that is Dune’s version of a guitar. House Atreides’s war master, Gurney Halleck (Josh Brolin), is a fiend for the baliset, and word on the street is he plays a song or two in Dune: Part Two.

    Bene Gesserit: The witchy order of highly trained, semi-psychic priestesses that not-so-secretly run basically everything in the Dune universe. They do this by using a combination of superhuman abilities, government infiltration, and religious manipulation. Duke Leto Atreides’s concubine, Lady Jessica (Rebecca Ferguson), is a Bene Gesserit priestess who ignited the ire of her sisterhood by changing the sex of her unborn child from daughter to son (they can do that) because she loved Leto so much. That son is born Paul, an outcome that essentially wrecks the centuries-long breeding program the Bene Gesserit had devised to create the all-powerful Kwisatz Haderach (see below).

    The dealings of the Bene Gesserit are overseen by an extra-powerful Reverend Mother (Charlotte Rampling) who has access to the “genetic memories” of every Reverend Mother who came before her. An offshoot of the Bene Gesserit called the Missionaria Protectiva has spent the last few hundred years subtly preparing all of the planets in the empire for the coming of the Kwisatz Haderach by sowing mythology and prophecies into their respective religions.

    Butlerian Jihad: The fanatical war waged against any and all “thinking machines” hundreds of years before Dune begins, and the reason why there are no computers in the Dune universe. Way before the events of Dune, the fledgling human space empire was taken over by man-made artificial intelligence, and the centuries of struggle against the machines led to a near-religious hatred and fear of computers in all forms. No one is even allowed to build computers anymore, according to one of the central tenets of the Orange Catholic Bible: “Thou shalt not make a machine in the likeness of a human mind.”

    The Butlerian Jihad is in essence a plot device for Frank Herbert’s vision of a far-future society where everything is analog, and where the algorithmic and navigational computations that would normally be done by machines are instead done by drugged-up humans with ultra-enhanced cognitive abilities.

    Crysknife: A Fremen weapon made of the tooth of a sandworm. Once unsheathed, the incredibly sharp and usually poisoned blade can’t be put away until it has drawn blood. Knives are the weapons of choice on Arrakis, since the use of guns or body shields would create vibrations that attract sandworms.

    “Fear is the mind-killer”: The most iconic part of the Bene Gesserit’s Litany Against Fear, a mantra about controlling your body physically and mentally against outside stresses.

    Fremen: The native humans of Arrakis, a desert-dwelling society that wages guerilla war against whichever noble House is mining spice from the planet’s surface. The Fremen are experts at navigating a dry, desolate world, and as such, water has become sacred to them—so sacred that when a person dies, they hook them up to a machine that sucks the moisture and blood out of their body and recycles it. Fremen live in underground communes called “sietches” and have kept their true numbers secret from the empire. They’ve also been waiting for the coming of the Kwisatz Haderach, and are prepared to follow a proven leader to liberate their planet with fanatic devotion.

    Gom jabbar: A deadly poisoned needle often used by the Bene Gesserit to test a person’s humanity—i.e., whether they were controlled by their instincts or by their mental awareness. “Gom jabbar” is also very fun to say out loud.

    Harkonnen: The other major Noble House in the Dune universe, and House Atreides’s mortal enemy. The Harkonnens, stationed on their homeworld Giedi Prime, are a brutal family of greedy bureaucrats and warmongers, overseen by their leader Baron Vladimir Harkonnen (Stellan Skarsgard), an enormous and terrifying villain who moves around using a hover suit. The Dune series begins with the Harkonnens’s reign over Arrakis being handed over to House Atreides, and the Harkonnens hate that.

    Josh Brolin’s poetry: Josh Brolin wrote a bunch of poems about his Dune co-stars for a coffee table book about the making of the two movies. It’s called Dune: Exposures. Here is a very melancholy treatise on Timothée Chalamet’s youth:

    Kanly: The practice by which two noble Houses officially and publicly feud with each other, with the end result being either a truce or the obliteration of one bloodline. House Atreides and House Harkonnen have been engaged in kanly since the Butlerian Jihad ended. Drama!

    Kwisatz Haderach: “The Shortening of the Way,” a term derived from Hebrew (almost every non-English word in the Dune universe is derived from another language) referring to the prophesied messiah that would set the empire on the “Golden Path” towards a new enlightenment. Paul Atreides is proven to be the Kwisatz Haderach, possessing powerful precognitive abilities that allow him to see into the future, as well as his ability to use the powers of the Bene Gesserit, something men can’t do without going insane. The Fremen have their own words for this, inducing “Lisan al Gaib” from Arabic, meaning a foreign prophet, and “Mahdi,” also from Arabic, meaning “the one who will lead us to paradise.”

    “May thy knife chip and shatter”: A threat used in Fremen pre-duel shit-talk. It essentially means, “I hope your weapon breaks,” but its deeper essence refers to the Fremen practice of water preservation: If your opponent’s knife breaks, the duel will finish quickly, and less water (blood) will be wasted.

    Mentat: A highly trained human computer whose mental abilities have been honed by discipline and psychotropic drugs. The mentats are used by the noble Houses as advisors and calculators, and they’re used by the Spacing Guild (see below) to navigate their interstellar ships.

    Movie theater: The place you’ll want to go to see Dune: Part Two. None of this “waiting for streaming” nonsense.

    Muad’dib: The Fremen nickname for Paul Atreides, which is also their word for the hopping mouse found on the surface of the desert, as well as one of the moons that looks like it has a mouse-shaped mark on its visible side.

    Padishah Emperor: The ruler of the human empire and master of the Known Universe. The Padishah Emperor at the time of the Dune series is Shaddam IV of House Corrino (Christopher Walken), who feels threatened by the popularity of the Atreides, using their beef with the Harkonnens to his advantage. The Padishah Emperor is protected by his own army of loyal Sardaukar, terrifying bloodthirsty warriors who have their own war-centric religion.

    Popcorn bucket: The vessel through which you will eat your popcorn if you see Dune: Part Two at an AMC theater. Fashioned to resemble the mouth of the iconic sandworm, the bucket requires you to stick your hand into a many-toothed opening—not unlike Paul Atreides sticking his hand into the Reverend Mother’s box of pain—which apparently feels about as good as it looks.

    Sandworm: The famed local animals of the planet Arrakis. The giant sandworms are hundreds of feet long and patrol the desert, breaching the surface and eating anything tasty like a giant killer whale. Only the Fremen know that the sandworms aren’t simply an ecological nuisance—the worms create the spice that every House wants to exploit Arrakis to get. The creatures were inspired by the dragons of European mythology that jealously guard hordes of treasure. Fremen often ride the worms using “maker sticks” that fasten onto their bodies and keep them from diving under the sand.

    Shai-Hulud: The Fremen term for sandworm, also derived from Arabic. To the Fremen, the sandworms are the physical embodiment of the god who created the universe, and so they are sacred. The Fremen also call them “makers,” referring to the sandworm’s ability to make spice. Bless the Maker and His water:

    Spacing Guild: The organization of mutated humans and their ships that facilitate space travel. The Spacing Guild is secretly the society that controls everything else in the empire—without the Guild, no people or goods could get from planet to planet, the trade organization called CHOAM would collapse, and planetbound fiefdoms would fall into isolation. The ships are flown through space by Guild navigators, humans that have been mutated beyond recognition to use spice for faster-than-light travel. Like the mentats, the Guild navigators are the result of the anti-machine crusade.

    Spice: The most important substance in the universe. Spice, also called “melange,” is mined on Arrakis and taken as a drug to prolong the user’s life and give them higher physical and cognitive functions. For some, like the Bene Gesserit and the Guild navigators, spice gives the user precognitive abilities one can use to travel space or see into the future. Spice is highly addictive, and its users develop startling “blue-within-blue” eyes after prolonged use.

    Stillsuit: The bodysuits used by the Fremen to walk around the desert of Arrakis. Stillsuits are designed to cover all parts of the body except the head to preserve the most water possible, constantly recycling the wearer’s bodily fluids—yes, they pee in the suits and then drink the pee. In the first movie, we see the Atreides’s local guide, Dr. Liet Kynes, remark to Paul that he’s attached his stillsuit shoes “slip-fashion,” like a native would, despite never having set foot on Arrakis in his life.

    Thumper: A device the Fremen use to summon a sandworm. Sandworms respond to any regular vibrations coming from the surface of the sand, like those given off by machinery or a person walking (that’s why you have to “walk without rhythm” on Dune), and a thumper makes a noise that can be heard by a sandworm miles away.

    Voice: A special vocal timbre used by the Bene Gesserit to control the actions of another person, or to get someone to give information they otherwise would keep secret.

    Water of life: The substance used in the “spice agony” that turns Bene Gesserit priestesses into Reverend Mothers. Taking the water of life involves drinking a liquid created by drowning a larval sandworm, and it’s lethal to anyone without the total mental and physical control of the most highly trained Bene Gesserit. In a Fremen sietch, when their Sayyadina (their own type of Reverend Mother) is close to death, another future priestess undergoes the spice agony to gain the Sayyadina’s genetic memories before they’re lost.

    Emma Stefansky is a writer based in New York City who covers television, film, and books. Her work can be found in Vanity Fair, GQ, IndieWire, and Thrillist. Follow her on X @stefabsky.

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    Emma Stefansky

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  • Is There a Fan First Premiere for ‘Dune: Part Two’?

    Is There a Fan First Premiere for ‘Dune: Part Two’?

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    Paul Atreides, played by Timothée Chalamet, on the days House Atreides leaves its home planet of Caladan

    If you want to see Dune: Part Two before the busy opening night crowds, there is an option. The highly anticipated sequel to Denis Villenevue’s adaptation of Frank Herbert’s sci-fi masterpiece is one of the most beloved stories in the genre. So can you see it early in theaters?

    Fan First Premieres offers fans the opportunity to see some of their favorite movies before their release. Dune: Part Two has had a few release date changes and delays, and will now hit theaters on March 1. Many fans are ready to finally see the second part of Paul Atreides’ (Timothée Chalamet) story and see how he handles living among the Fremen with his mother, Lady Jessica (Rebecca Ferguson).

    New additions to the cast include Princess Irulan (Florence Pugh) and Feyd-Rautha (Austin Butler), along with some other mysterious cameos. The anticipation is real so here is what we know about the Fan First Premiere!

    When is the Fan First Premiere?

    The premiere is set for Sunday, February 25. While that is not a huge advantage, you are seeing Dune: Part Two roughly four days before the general public heads into theaters. After waiting for months after its original release date, that four-day head start will give you time to ponder everything that happens in Part Two before you return to theaters to see it again on March 1!

    The premieres start at 7:00 PM on the night of the 25th!

    Where can you buy tickets?

    Timothée Chalamet standing looking at the camera in
    (Warner Bros.)

    If you don’t know where the Fan First screenings are, don’t worry! You can check out theaters and timing on Fandango to see what theater near you has a premiere available. It’s pretty nice to have all your options in one place!

    For the rest of fans who maybe don’t have a Fan First screening near them, you can get your tickets now for Villeneuve’s latest film when it hits theaters nationwide the following Friday.

    (featured image: Warner Bros.)

    Have a tip we should know? [email protected]

    Rachel Leishman

    Rachel Leishman (She/Her) is an Assistant Editor at the Mary Sue. She’s been a writer professionally since 2016 but was always obsessed with movies and television and writing about them growing up. A lover of Spider-Man and Wanda Maximoff’s biggest defender, she has interests in all things nerdy and a cat named Benjamin Wyatt the cat. If you want to talk classic rock music or all things Harrison Ford, she’s your girl but her interests span far and wide. Yes, she knows she looks like Florence Pugh.

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    Rachel Leishman

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  • Music has always been a huge part of Dune adaptations

    Music has always been a huge part of Dune adaptations

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    The world of Dune is a wild one. On any given day you’ve got clairvoyant sisterhoods poking your neck, giant spicy worms, and Javier Bardem spitting on your floor — and I haven’t even started on the really weird stuff. Capturing the tone and flavor of this eccentric setting isn’t easy, and while I’m not opposed to getting a lengthy monologue from Virginia Madsen, the right audio direction can do a better job of laying the groundwork for a sci-fi epic. And music has always played an important role in the various adaptations of Frank Herbert’s Dune universe across movies, TV, and games.

    The soundtrack to David Lynch’s 1984 Dune adaptation features a sweeping orchestral soundtrack by Toto. A special appearance was also made by Brian Eno, who recorded the more moody and haunting stuff. Dune is the only soundtrack Toto has ever worked on, and how they came to be involved with the movie is a much longer story that you can read more about in A Masterpiece in Disarray (David Lynch’s Dune — An Oral History).

    The soundtrack for the ’84 film is just as epic as Hans Zimmer’s score for the 2021 movie, but takes a different approach. At the time, the work of James Horner and John Williams was dominating sci-fi at the box office, and the theme for the original Dune movie follows a similarly bombastic approach but avoids some of the more uplifting melodies (an explicit request from Lynch).

    Much like the movie’s vibe itself, the score for the original is far groovier than the later adaptations, with a heavy reliance on synths punctuated with guitar riffs. The main title suite sounds like a rock opera version of “Ride of the Valkyries,” while the theme for Baron Harkonnen immediately evokes Mike Oldfield’s haunting “Tubular Bells.” However, if you just need the CliffsNotes, the score is best summarized with the sci-fi rock ballad “Take My Hand,” which plays over the movie’s closing credits and runs through the key movements in the score in under three minutes.

    While Zimmer’s score for Denis Villeneuve’s Dune movies is certainly a drastic departure from Lynch’s film, you can still hear echoes of the ’84 soundtrack in it. In particular, the track “Stillsuits” pays direct homage to the opening measures of the main title of the original movie. The score isn’t a massive departure from Zimmer’s work on a myriad of other blockbusters, but makes a greater effort to feel unique.

    I’m a pretty big Hans Zimmer fan, and while much of his work is guilty of sounding a bit same-y, I’d argue his score for the 2021 movie Dune: Part One is some of his best work. Zimmer’s identity is still very present in Dune, with aggressive instruments and percussion, but the score places a greater emphasis on vocals and unconventional instruments that sound otherworldly when layered together.

    The score for Dune: Part One is best described as very dry and very old, thanks to its intentional use of woodwinds and hollow percussion to convey not only the arid environment of Dune, but its enigmatic atmosphere as well. Those words often sound like a bad thing, but here, it really works. The deep, heavy rhythms from tracks like “Armada” and “Leaving Caladan” are the most reminiscent of Zimmer’s previous work. However, it’s with tracks like “Sanctuary” and “Ripples in the Sand” where those feelings of mystery and wonder really manifest.

    The soundtracks for the Dune video games are a whole other can of sandworms, but it’s important to discuss them because they not only occupy a critical place in video game history, but have been handled by some of the most prolific composers in the gaming industry.

    1992’s Dune 2: The Building of a Dynasty, by the now-defunct Westwood Studios, is perhaps the most famous game based on the Dune franchise, and is frequently cited as the game that popularized the real-time strategy genre. The soundtracks for Dune 2 and its 1998 remake Dune 2000 were handled by Frank Klepacki, who was also responsible for scoring every entry in the legendary Command & Conquer franchise.

    Klepacki’s work on Dune 2 was intended to emulate the soundtrack for the original Dune adventure game by Cryo Interactive. And while solid, the soundtrack definitely bumps up against the technical limitations of producing music for a game with a file size of under 5 MB. However, when Klepacki revisited the classic score, he had the freedom to not only remake higher fidelity versions of his original Dune 2 soundtrack, but inject them with homages to Toto’s work on the ‘84 Dune movie. This is most apparent when listening to the Dune 2000 track “Rise of Harkonnen,” which is a remastered version of Dune 2’s “Rulers of Arrakis,” with an opening that’s an effective tribute to Toto’s Baron Harkonnen theme.

    The most recent Dune game title, Dune: Spice Wars, featured a soundtrack composed by Jesper Kyd, whose credits include work on franchises like Hitman, Assassin’s Creed, and Borderlands, to name a few. While Kyd hasn’t cited any specific inspirations for his Spice Wars soundtrack, the score mirrors the style of the game, borrowing concepts and themes from across the existing franchise without sounding derivative. The two hours of music features ambient, dreamlike tracks that echo the work of Brian Eno on the ‘84 Dune film, while also including rhythmic synth beats that will feel familiar to fans of the classic Westwood titles.

    Frank Herbert’s Dune was originally published in 1965, and it’s remarkable that almost 60 years later — and across its spectrum of adaptations — every composition manages to evoke similar feelings in its audience. Whether it’s the appropriately epic work from Toto, the more primal version produced by Hans Zimmer, or the stellar video game soundtracks, Dune has inspired a wealth of composers and musicians to provide a cohesive sense of identity to Frank Herbert’s strange and enigmatic universe.

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    Alice Jovanée

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  • Frank Herbert always thought Star Wars was a Dune ripoff

    Frank Herbert always thought Star Wars was a Dune ripoff

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    Much like the mystical religions spread by its Bene Gesserit, the influences of Dune spread to every corner of the universe of science fiction. In some stories, the inspirations are woven so tightly into the fabric of the story they’re nearly impossible to pick up, maybe even for the author themself. In others, the homages to Dune are unmissable, occasionally to the point of being distracting. And then there’s Star Wars, the most blatant ripoff of all — at least, according to Frank Herbert.

    The Dune author didn’t talk much about George Lucas’ landmark science fiction film before his death in 1986, but he answered a few questions about it over the years, and he always seemed at least a little annoyed at the similarities between the two stories.

    The first public comments he seems to have made about the movie come from an interview with the Associated Press from 1977, the year A New Hope was released. The article is pretty straightforward shit-stirring, but it’s clear that while Herbert hadn’t yet seen the movie, he did have some thoughts about its similarities to his seminal series, which was already three books in.

    Herbert starts by saying an editor for the Village Voice had called him and asked if he had seen Star Wars, and whether or not he was going to sue. It’s a strong lead-in, but apparently that’s what was top of mind of Herbert.

    “I will try hard not to sue,” Herbert told the Associated Press. “I have no idea what book of mine it fits, but I suspect it may be Dune since in that I had a Princess Alia and the movie has a Princess Leia. And I hear there is a sandworm carcass and hood dwellers in the desert, just like in Dune.”

    Herbert goes on to brag, rightfully, about the ubiquity of Dune, both in popular culture and even as a college textbook on subjects like “architecture, psychology, writing, English, human living, space analysis, and some I’ve forgotten.” Herbert doesn’t get too specific in this early article, but it’s clear the movie’s reported similarities to his own work didn’t sit quite right with him. And later it would be even clearer that they stuck in his craw, one way or another.

    Image: Warner Bros. Pictures

    Now, with decades of hindsight and years of interviews, it’s easy to see that Star Wars, particularly the first film, is an amalgamation of many genres and stories, including (but not limited to) science fiction, mythical fantasy, and the samurai movies of Akira Kurosawa. There’s also an entire expanded universe of history in the Star Wars galaxy that borrows from all over the sci-fi canon, and has helped inspire just as many future writers.

    But if you consider the time when Star Wars was just one tremendously successful summer blockbuster, it’s easy to understand why Herbert might have had a bone to pick. And as the years went by, it’s clear that he thought quite a bit about the subject, enough to count the similarities between the titles.

    “Lucas has never admitted that they copied a lot of Dune, and I’m not saying they did,” Herbert said in 1985, during a speaking engagement at UCLA. “I’m just saying there are 16 points of identity between the book Dune and Star Wars. Now you’ve had stat — what is it? It’s 16 times 16 times 16 times… over 1, the odds against that being coincidence? There aren’t that many stars in the universe.”

    Herbert’s frustrated quote stemmed from a question about whether or not Lucas ever bought Herbert dinner — a reference to a long-standing joke of Herbert’s that even if Lucas didn’t blatantly steal his ideas to make Star Wars, he at least owes Herbert dinner for the coincidence.

    But Frank Herbert was one to lose out on a war of pettiness. A year before that UCLA interview, he published Heretics of Dune, the fifth book in the series and the second to last written by him. Late in the book, which is mostly about the future of humanity after the death of The God Emperor, Herbert has a small, inconspicuous passage that certainly feels like a reference to Star Wars. He doesn’t seem to have ever said that officially, so we’ll let you judge:

    In the time of the Old Empire and even under the reign of Maud’Dib, the region around the Gammu Keep had been a forest reserve, high ground rising well above the oily residue that tended to cover Harkonnen land. On this ground, the Harkonnens had grown some of the finest pilingitam, a wood of steady currency, always valued by the supremely rich. From the most ancient times, the knowledgeable had preferred to surround themselves with fine woods rather than with the mass-produced artificial materials known then as polestine, polaz, and pormabat (latterly: tine, laz, and bat). As far back as the Old Empire there had been a pejorative label for the small rich and Families Minor arising from the knowledge of the rare wood’s value.
    “He’s a three P-O,” they said, meaning that such a person surrounded himself with cheap copies made from déclassé substances.

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    Austen Goslin

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  • Timothée Chalamet Stuns At ‘Dune’ Premiere With Metal Saucepan On Head

    Timothée Chalamet Stuns At ‘Dune’ Premiere With Metal Saucepan On Head

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    LONDON—Eliciting loud gasps from spectators as he posed for photos, actor Timothée Chalamet stunned at the Dune: Part Two premiere Thursday night by wearing a metal saucepan on his head. “It was a daring fashion choice, but Chalamet certainly made a statement by donning a 3-quart All-Clad stainless steel saucepan on the red carpet,” said fashion critic Eric Jeffries, adding that the pan, which was a vintage 1995 model, covered his hair, eyes, and nose, making it difficult for the 28-year-old to see. “Although Timothée initially had trouble walking due to the pan obscuring his vision, he was ultimately able to pull off it off with confidence and panache. And to top it all off, he completed his cyborg-chic look with a whisk in his left hand and a big wooden spoon in his right. Fashion will never be the same.” According to reports the crowd at the premiere gasped when Chalamet changed into a big cardboard box covered in duct tape with the word “robot” written on the front.

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  • We Know Who Anya Taylor-Joy Is Playing in Dune: Part Two (Probably)

    We Know Who Anya Taylor-Joy Is Playing in Dune: Part Two (Probably)

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    Dune: Part Two, the upcoming sequel to Denis Villeneuve’s 2021 sci-fi epic based on the Frank Herbert novels, is releasing in just two weeks, but somehow the team behind it kept one major star’s involvement a total secret. During the February 15 world premiere in London, The Queen’s Gambit actor Anya Taylor-Joy appeared on the red carpet to confirm that she is, indeed, a member of the sequel’s cast. This came after an eagle-eyed Letterboxd user noticed that Dune: Part Two was listed under Taylor-Joy’s credits on the review aggregation app.

    Variety confirmed that Taylor-Joy is a part of the cast, which includes Timothée Chalamet as Paul Atreides, Zendaya as Chani, Rebecca Ferguson as Lady Jessica, Florence Pugh as Princess Irulan, Austin Butler as Feyd-Rautha, and many more huge Hollywood stars. But, Variety refused to “spoil” who Taylor-Joy is playing, and it doesn’t appear that anyone else is willing to say who, either.

    Except me. Dune novel spoilers below, but let’s be real, the book came out in 1965.

    Anya Taylor-Joy is probably Alia Atreides in Dune: Part Two 

    First, an attempt at a brief Dune synopsis. In the far future, an interstellar society is comprised of noble houses whose fiefdoms are entire planets. The Atreides family, led by Duke Leto (played by Oscar Isaac in Dune: Part One), is ordered to take a harsh desert planet known as Arrakis as its new fief. Though the planet is virtually inhospitable, it is the only source of the highly sought after resource known as “spice,” a psychedelic drug that is used in space navigation. But as soon as the Atreides family arrives on Arrakis, it’s clear that they’ve walked into a trap set by the rival House Harkonnen, who wants to wipe them out entirely.

    Read More: The Dune Ornithopter Lego Set Is Almost Too Good To Be True

    As seen in Dune: Part One, the Harkonnens’ plan results in Leto’s death, and forces Paul and his mother, Jessica, to flee into the desert. It’s there that they come into contact withe the Fremen, Arrakis’ native people who have learned how to thrive (not just survive) on the harsh planet. There’s a whole messianic thing that I can’t even begin to get into, but what’s important here in regards to Taylor-Joy is this: Jessica is pregnant, and submits to the “spice agony,” a ritual where she takes a deadly amount of spice. Because she’s with child, the baby is exposed to the spice in utero, and is born possessing all the knowledge of a fully grown adult.

    Alia Atreides looks and sounds like a child, but is a full-blown Reverend Mother, the highest tier attainable amongst the Bene Gesserit (a matriarchal order that has religious and political power). In David Lynch’s Dune from 1984, Alia is played by a child actor, but I think (especially when seeing what Taylor-Joy wore to the premiere, and how it compares to what Alia wears in Lynch’s film) that Villeneuve has figured out a way to present Alia as an adult.

    I await confirmation that I am correct.

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    Alyssa Mercante

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  • The NSFW Dune Popcorn Bucket Has Made It to SNL

    The NSFW Dune Popcorn Bucket Has Made It to SNL

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    It was only a matter of time before Saturday Night Live tackled AMC’s unsettling Dune: Part 2 popcorn bucket, which looks like a sandworm and nothing else. In the sketch, a group of teenagers (Marcello Hernández, Ayo Edebiri, and Bowen Yang) sing a romantic song about it finally being the big night that they’ll lose their virginity…to the Dune popcorn bucket. The music video features Hernández sharing a glass of champagne with the bucket, Edebiri taking it to prom, and a haunting trip to the butter station. “We didn’t make this up, this is a real thing,” they sing, for those blissfully out of the loop, before finishing with, “Can’t wait to see Dune 2, eating popcorn out of my bucket…then I’ll take it home and f*ck it.”

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    Tom Smyth

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  • What’s Leaving Streaming This Month: February 2024

    What’s Leaving Streaming This Month: February 2024

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    Rebecca Ferguson, Zendaya, Javier Bardem, and Timothee Chalamet (from left) in Dune. Ryan Stetz/HBO

    Whether you want surprisingly funny family dramas, international excellence, or a refresher on one of the decade’s biggest sci-fi franchises, you’re in luck. From indies to blockbusters, these are the titles you need to watch before they leave streaming this month.

    What’s leaving Netflix

    The Farewell 

    While Lulu Wang’s star-studded series Expats is still unfurling, why not watch the movie that catapulted the director into the mainstream? The Farewell stars Awkwafina as Billi, an aspiring writer who’s struggling to find work and her place as a Chinese American woman. When she hears that her beloved grandmother, Nai Nai, has been diagnosed with cancer, though, she drops everything to go see her in China. However, there’s another issue: the family is keeping Nai Nai’s diagnosis a secret from her, and a reluctant Billi must do so too. The Farewell will be available to stream until February 29th.

    Dune 

    After a lengthy, strike-related delay, Dune: Part Two is finally on the horizon. The second installment of Denis Villeneuve’s sci-fi epic (out March 1st) features a sprawling cast (with new additions Austin Butler and Florence Pugh) on top of a dense mythos, so there’s no time like the present to catch up by watching Dune. Timothée Chalamet stars as Paul, heir to the House Atreides within the galactic empire, who must contend with political threats to his father (Oscar Isaac) and strange trials courtesy of his mother (Rebecca Ferguson). Along the way, he encounters friends and foes alike, played by Zendaya, Javier Bardem, Jason Momoa, and Josh Brolin. Dune streams through the end of the month.

    What’s leaving Hulu

    Paddington 

    As winter truly begins to wear on us all, it’s the perfect time to watch some of the coziest movies of the 21st century. Paddington and its sequel are the rare family movie franchise to truly appeal to all ages, from the title bear’s expertly animated cuddliness to the A-list actors who get to play cartoonish villains (Nicole Kidman and Hugh Grant, the latter in a BAFTA-nominated performance). Though sweet little Paddington gets himself into quite the precarious predicaments, his mantra of “if we’re kind and polite, the world will be right” always holds true. Paddington streams until the end of the month, while Paddington 2 is available through February 26th.

    What’s leaving Max

    Drive My Car 

    Layered, lengthy, and packed with a lot of languages, Drive My Car is one of the most daring dramas of the decade so far. The film follows a theater actor and director who discovers his wife’s infidelity before her untimely death. Bereft and unmoored, he decides to accept a theater residency that will have him directing a multilingual production of Uncle Vanya. Ultimately, it’s a movie about understanding, and how we may never be able to achieve it when it comes to those we love. Everything about the film is superb, and there’s a reason why the movie was nominated for four Oscars. Drive My Car streams through the end of the month.

    What’s leaving Peacock

    Five Nights at Freddy’s 

    One of last year’s biggest horror hits is departing streaming later this month. Five Nights at Freddy’s became a smash success when it was released in theaters and on Peacock last October, bringing the thrills from the beloved video game to screens both big and small. Josh Hutcherson stars as Mike, a man so desperate for a job that he takes on a gig as a nighttime security guard at Freddy Fazbear’s Pizza, a family pizzeria-slash-arcade with plenty of skeletons in its supply closets. Before long, things begin to go bump in the night, leaving Mike to solve a decades-old mystery. Five Nights at Freddy’s streams through February 25th.

    The Descendants 

    While The Holdovers currently stands as a favorite at the Oscars, it’s far from the first time that filmmaker Alexander Payne has seen success with the Academy. In fact, he won his second Oscar in 2012 for The Descendants, a complex family dramedy. George Clooney stars as Matt, a man who’s inherited and attained great wealth (including a large swath of land in Hawaii), but all of that stability vanishes when his wife gets in an accident that leaves her comatose. He must grapple with his role as a cousin, a husband and a father to his two daughters (Shailene Woodley and Amara Miller). The Descendants streams through the end of the month.


    What to Watch is a regular endorsement of movies and TV worth your streaming time.

    What’s Leaving Streaming This Month: February 2024



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    Laura Babiak

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  • ‘Dune: Part Two’ Is a Cliffhanger—But It May Be Years Before Part Three Arrives

    ‘Dune: Part Two’ Is a Cliffhanger—But It May Be Years Before Part Three Arrives

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    The end, it turns out, is not near. Without revealing any details from the finale of Dune: Part Two, fans of Denis Villeneuve’s ethereal space epic should enter it braced for something of a cliff-hanger rather than a full-on resolution to the saga of Timothée Chalamet’s futuristic warrior prince.

    When Villeneuve set out to adapt Frank Herbert’s 1965 novel, about warring factions on a valuable but desolate sand world, he cleaved the narrative neatly into two parts. Since then, he has openly speculated about also adapting Herbert’s 1969 sequel, Dune: Messiah, to transform the two-parter into a trilogy. In Dune: Part Two, which opens on March 1, Villeneuve creates a path to that next installment, but notes that this isn’t his own invention. It remains faithful to Herbert’s climax in the original novel.

    “That’s how the book ends,” Villeneuve tells Vanity Fair. “The Dune book ends with the beginning of something that is out of control, and I thought this was a very powerful ending. I feel that both movies complete the adaptation of the book, and I feel very good about that. When people ask me, is there a world where I could do Messiah? Yes…”

    The Messiah novel takes place 12 years after the conclusion of the first book, so Chalamet’s Paul Atreides may be hanging from that cliff for a while before the audience revisits his situation. “I will respect again Frank Herbert’s idea to jump in time. That’s what I would love to do,” Villeneuve says.

    Although Villeneuve has cleared a path for that next installment, he’s not sure yet when he wants to make the journey in his own personal timeline. “I did Part One and Part Two back-to-back,” he says. “I remember that the next morning after the Academy Awards ceremony, I was having a chat with Jane Campion…[who had just won best director for The Power of the Dog]. Jane was saying to me, ‘Oh, I’m going on a retreat to meditate for a month now.’ Another director was saying, ‘I’m going on this island to have fun with my family for three weeks. I need a six-month break right now.’”

    He and his wife, Tanya Lapointe, a producer of the Dune movies, had no such breather. “Tanya and I, we were going back to Budapest and our crew was waiting for us. We were in full pre-production. We didn’t have a second to rest between Part One and Part Two,” Villeneuve says. “I’m not complaining! I’m explaining that now I would just like to settle down a little bit and to think about how to approach a third chapter, the adaptation of Dune: Messiah, which makes absolute sense because it’s the end of the arc of Paul Atreides.”

    Herbert wrote several other Dune novels, progressing through subsequent generations of his searing universe, but Villeneuve, who was a fan of the books as a child, finds himself most closely aligned with Chalamet’s character. 

    That doesn’t mean he intends to wait a dozen years to get back to work. The filmmaker says a break from Dune would help recharge his creativity and hopefully encourage him to take some bigger risks as the trilogy reaches its finale.

    “I want to make sure that if we go back there a third time that it’ll be worth it, and that it would make something even better than Part Two,” Villeneuve says. “It needs to be different. I don’t want to fall into dogmas. I don’t want to fall into a vocabulary that has been predefined by the first two movies. I would love to make something different. We are figuring that out right now.”

    The in-between time he seeks before returning relates mainly to producing and actually shooting a third Dune. Villeneuve admits that he has already started writing. “The screenplay’s in progress. I’m very happy where it’s going, but it’s not finished, and I don’t know how healthy it’ll be to go straight to Messiah right away,” he says. “It would be healthy to do something in between.”

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    Anthony Breznican

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  • Denis Villeneuve Will Stop Making ‘Dune’ Movies After ‘Dune 3,’ Despite More Books in the Series: ‘Dune Messiah Should Be the Last for Me’

    Denis Villeneuve Will Stop Making ‘Dune’ Movies After ‘Dune 3,’ Despite More Books in the Series: ‘Dune Messiah Should Be the Last for Me’

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    Denis Villeneuve has been quite vocal about his intention to make a third “Dune” movie, which would be based on Frank Herbert’s second novel in the series, “Dune Messiah.” Warner Bros. has not yet given the official greenlight on “Dune 3,” but should the studio move forward it will most likely mark Villeneuve’s final installment in the franchise despite Herbert’s literary series continuing with various sequels such as “Children of Dune,” “God Emperor of Dune,” “Heretics of Dune,” and “Chapterhouse: Dune.”

    “’Dune Messiah’ should be the last ‘Dune’ movie for me,” Villeneuve confirmed to Time magazine in a new interview ahead of the theatrical release of “Dune: Part Two.”

    The director said last December that “Dune Messiah” is “being written right now,” adding: “The screenplay is almost finished but it is not finished. It will take a little time…There’s a dream of making a third movie…it would make absolute sense to me.”

    Zendaya, who stars as Chani in Villeneuve’s “Dune” movies, was recently asked by Fandango whether or not she would want to return for a third movie.

    “Would we be down? I mean of course,” Zendaya said when asked about making another. “Any time Denis calls it’s a yes from me. I’m excited to see what happens. I started ‘Messiah’ and I was like, ‘Woah, I’m only shooting the first movie. Let me just go back to the first one.’ It’s so much to take in, but there’s no better hands with better care and love for it than Denis.”

    “The idea excites me very much,” franchise leading man Timothee Chalamet later added to Total Film magazine. “If the time and opportunity comes to complete the story with ‘Messiah,’ I think we’re all super-enthusiastic about that.”

    If Villeneuve gets the chance to direct “Dune Messiah,” it might not happen for a bit of a time. He’s spent the last six years devoted to making his first two “Dune” movies, and he might need a palette cleanser before he makes a third. He said at a press conference in South Korea last year that “there was no gap” between the first two movies, and he’ll want space before “Messiah.”

    “I don’t know exactly when I will go back to Arrakis,” Villeneuve said. “I might make a detour before just to go away from the sun. For my mental sanity I might do something in bet

    “Dune: Part Two” opens in theaters March 1 from Warner Bros.

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    Zack Sharf

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  • Zendaya Says She Would “Of Course” Return for ‘Dune 3’: “Anytime Denis [Villeneuve] Calls It’s a Yes”

    Zendaya Says She Would “Of Course” Return for ‘Dune 3’: “Anytime Denis [Villeneuve] Calls It’s a Yes”

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    With Denis Villeneuve‘s upcoming Dune: Part Two, Zendaya has shared that she would totally be down to return for a third film in the franchise.

    During a cast interview with Fandango, posted online Friday, the Euphoria actress revealed she would “of course” reprise her role of Chani in a potential Dune Messiah film.

    “Would we be down? I mean of course,” Zendaya said. “Anytime Denis calls it’s a yes from me, at least. I’m excited to see what happens. I started Messiah and I was like, ‘Woah, I’m only shooting the first movie. Let me just go back to the first one.’ It’s so much to take in, and I think there’s no better hands with better care and love for it than him [Villeneuve].”

    Dune: Part Two, which also stars Timothée Chalamet, Florence Pugh, Austin Butler, Josh Brolin and Rebecca Ferguson, is set to hit theaters on March 1. As for the future of the movie franchise, Zendaya added that she’s “just excited to see … It’s just anticipation.”

    She continued, “Whenever he is ready. I know he’s a perfectionist in many ways and doesn’t want to share things unless he’s fully ready to do that. So [I’m] respecting that and waiting until he’s ready.”

    While a third film hasn’t been confirmed, Villeneuve told Empire magazine last year that he’s very interested in creating a third movie based on Frank Herbert’s Dune Messiah, the second book in his Dune series.

    “If I succeed in making a trilogy, that would be the dream,” the director said at the time. “I will say, there are words on paper [for a third film].”

    Dune, released in 2021, grossed more than $402 million at the worldwide box office. It also won six Oscars, including best achievement in film editing and best original score.

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    Carly Thomas

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  • I Can't Wait to Go to the Movies in 2024

    I Can't Wait to Go to the Movies in 2024

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    I remember exactly where I was when I first watched it: the trailer for Challengers starring Zendaya, Mike Faist, and Josh O’Connor. That was my Super Bowl. It had everything: besties, bisexuality, and Zendaya in that Blonde bob.

    I had waited months to finally get a glimpse of Zendaya’s collaboration with Luca Guadagnino. Ever since the film had been announced, we’d savored clips of Zendaya practicing her tennis game, Tomdaya strolling around Boston on location, and even her judgemental looks (and flawless courtside fashion) at Wimbledon and the US Open.


    And just when we were on the precipice of a legendary press tour — that was supposed to include a stop at the Venice International Film Festival — it was taken away from us by the SAG strike.

    Challengers was originally slated to premiere on September 15, 2023. Due to the strike, it was pushed back to April 26th, 2024. You can understand my devastation. Especially since Challengers was not the only casualty of the strike. Many films were pushed from late 2023 release dates and into 2024. Luckily, we had some bangers to close out the year. But we have been so brave and, in the new year, we are about to be rewarded.

    2024 promises a slew of highly anticipated films. And not just delayed projects, but other cinematic delights that we’ve been waiting years for. And with the press circuit back and better than ever, we also have promotional interviews, red carpets, and more to look forward to. After Barbie put on a marketing masterclass, next year promises to take it up a notch. And I, quite frankly, cannot wait.

    Here are some of our most anticipated titles in 2024:

    Challengers, April 26

    It goes without saying that I’ll be first in line when tickets are finally released. Join me to watch Zendaya play a retired tennis star in the middle of a years-long love triangle. All directed by the man who made Call Me By Your Name.

    Dune: Part II, March 15

    Speaking of delayed Zendaya projects, Dune’s long-awaited sequel is finally coming. Timothee Chalamet and Zendaya will be joined by Austin Butler and Florence Pugh — which is enough for me.

    Argylle, February 2

    https://www.youtube.com/watch?v=hGtBhaafq70

    ​If you can’t wait until the Spring, don’t worry, Argylle will be out in February. It promises to be a hilarious take on the spy genre that subverts all the old tropes and cliches. It stars Dua Lipa and Henry Cavill. We’re in for a delightfully ridiculous treat.

    The Fall Guy, May 3

    Another comedic action film, The Fall Guy stars Ryan Gosling as a stunt man who becomes the hero of the screen when he has to save his ex, Emily Blunt. If you liked Sandra Bullock and Channing Tatum in The Lost City, you’ll love this.

    Spaceman, March 1

    Based on the book Spaceman of Bohemia by Jaroslav Kalfař, Adam Sandler is returning to dramatic roles with a movie that promises to be his next Uncut Gems or Punch Drunk Love. He stars alongside Paul Dano, Carey Mulligan, and Kunal Nayyar stars as an astronaut whose life unravels while he is on a mission.

    Mean Girls: The Musical, January 12

    While this might not be as giant as Barbie, this musical remake of the 2000s classic is already a hit. Starring Renee Rapp as Regina George, a role she has been playing on Broadway for years, I can’t wait to relive all the iconic Mean Girls moments on the big screen.

    The American Society of Magical Negroes, March 22

    Black satire is back in a big way. After the success of 2023’s American Fiction, I am excited to see another film that examines Black representation in pop culture. This satire stars Justice Smith as a man who enters a secret society of Black people who embody the “magical negro” trope.

    Bob Marley: One Love, February 14

    Biopics can be hit or miss, so fingers crossed that Kingsley Ben-Adir’s turn as Jamaican singer and songwriter Bob Marley hits the right notes. Produced in partnership with the Marley family, the film spotlights his life and career, including his political activism and fight for peace.

    Mickey 17, March 29

    One thing about me? I love an unsettling film — hence my devotion to Saltburn. Bong Joon-ho’s first movie after Parasite, Mickey 17, promises to fit the bill. It stars A-List weirdo Robert Pattinson in an adapted tale about a man who dies and is reborn with memories of his past life.

    Deadpool 3, July 26

    Deadpool 3 might be the last good Marvel movie we get because it’s looking pretty bleak for the next generation. Hugh Jackman and Ryan Reynolds team up for this tale of Deadpool and Wolverine. The summer blockbuster we deserve.

    Kraven: The Hunter, August 30

    Hear me out: Aaron Taylor Johnson. Marvel is trying their best to replicate the success of Joker with their own villain origin story. Kraven is a Spiderman villain but, more than that, I would like to reiterate: Aaron Taylor Johnson.

    Joker: Folie à Deux, October 4

    Following the Oscar-winning success of the first Joker , DC is hoping this sequel will save them from the despair of 2023’s The Flash. More than anything else, I’m curious to see Lady Gaga join Joaquin Phoenix as Harley Quinn.

    Wicked, November 27

    While movie-musicals have a spotty history (think: Cats and Les Mis), Wicked is so iconic I want to believe in it. It stars Cynthia Erivo, Ariana Grande, Jonathan Bailey, Ethan Slater, Marissa Bode, Michelle Yeoh, and Jeff Goldblum. The cast has already made headlines for Slater’s relationship with Grande — it’s giving Don’t Worry Darling presstour-levels of chaos already.

    Gladiator 2, November 22

    ​Will 2024 make me an action movie stan? If Paul Mescal has anything to do with it, it’s more likely than you think. Gladiator, the 2000 film starring Russell Crowe, spawned a generation of men thinking about the Roman Empire. Ridley Scott returns with this long-awaited sequel to hope he can strike lightning twice.

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    LKC

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  • Rebel Moon — Part One Is A Soulless Regurgitation Of Better Movies

    Rebel Moon — Part One Is A Soulless Regurgitation Of Better Movies

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    From his critically maligned but fan-favorite Sucker Punch to his infamous internet darling “Snyder Cut” of 2017’s Justice League, Zack Snyder is no stranger to drumming up discourse whenever one of his films nears release. His latest effort for Netflix, Rebel Moon — Part One: A Child of Fire, has already sparked discussions of an R-rated, three-hour director’s cut to give his fans an alternate taste before Rebel Moon — Part Two hits the streaming platform early next year. But while Snyder may do his best to invent a dark, gripping universe to engross viewers, Rebel Moon is a limp, soulless regurgitation of tropes stolen from much more formidable films.

    Written, directed, produced, and shot by Snyder, Rebel Moon follows Kora (Sofia Boutella), a battle-hardened soldier with a tragic past. Though she’s attempting to live a low-profile life on a peaceful farming colony, Kora is forced to once again take up the mantle of warrior when the Motherworld sends a military contingent led by the brutal Admiral Noble (Ed Skrein) to occupy her new home. With the help of a humble farmer (Michiel Huisman) Kora sets off on a galaxy-spanning adventure to recruit a ragtag group of fighters to defend her homeland.

    Attempting to establish an original, engrossing science-fiction world is no small task, even for the most adept of writers, and it’s painfully clear that Snyder took heavy aesthetic and stylistic notes from genre classics like Star Wars and Dune, without understanding the story and emotional beats that made those aforementioned franchises so beloved. Certainly, there’s all manner of science-fiction spectacle in Rebel Moon to gawk at: the characters are all dressed in tattered greyscale robes, wielding retrofuturist weapons and talking about the “Motherworld” and the “Imperium.”

    But while every element of production design, costuming, and worldbuilding is certainly specific, none of them are inspired or purposeful. Instead, Rebel Moon’s stylistic sensibilities feel like Snyder simply tossed all the sci-fi greats into a blender and called it a day. Extensive attention is paid to plotting out lore and history, but Snyder forgets to flesh out the characters that populate his meticulously detailed universe.

    Aside from Kora, whose tragic backstory and brutal upbringing are delivered entirely through clunky monologues of exposition that bleed into extensive flashback sequences, the rest of Rebel Moon’s sizable ensemble cast are eacg allotted five minutes of dialogue, if that. Kora and her crew flit to a new planet, are treated to a dazzling display of their new ally’s combat prowess, given the CliffsNotes version of their tragic backstory (is there any other kind?), and then that character simply falls in among the ranks, never to be examined or explored with any real intentionality again.

    As for Kora herself, Boutella brings the customary strength and stoicism expected of a YA dystopian protagonist with none of the heart or passion. Constantly glowering out from underneath her dark crop of hair, Kora is a painfully uninteresting hero whose stoicism is certainly understandable given her history, but whose personality could not make for a more tepid protagonist. Though she’s plenty ferocious in combat, Kora is detached and distant when not embroiled in a fight, giving the entire film a remote, inaccessible emotional core. At two hours and 15 minutes, Rebel Moon is a laborious moviegoing experience—why should the audience care about the film’s events when the protagonist herself barely seems to?

    Rebel Moon – Part One: A Child of Fire | Official Trailer | Netflix

    Rebel Moon’s lack of interest in exploring its own characters is made all the more frustrating by the cruel, visceral nature of its villains—while we don’t get much personality from Kora, Gunnar, and the other wannabe heroes, we are treated to several extended sequences that revel in the cruelty and violence of the Imperium. The vaguely fascist ruling faction is clearly an underbaked stand-in for Star Wars’ Empire, but Snyder mistakes onscreen brutality for effective writing. The film’s first act subjects viewers to an extended sequence of Imperium soldiers attempting to rape a villager, a scene that serves no other purpose than making explicitly clear to the audience that the authoritarian military occupiers are, in fact, bad guys.

    The world Snyder has created is a cold, brutal one, utterly lacking in any kind of charm, whimsy, or excitement. The closest Rebel Moon ever comes to eliciting any kind of emotional response is during the action-packed, slo-mo heavy combat sequences. Stories like Star Wars and Dune soar by using far-fetched worlds and fantastical settings to interrogate relatable, deeply human ideas. Rebel Moon, on the other hand, trades in the aesthetic trappings of those classics without making the effort to engage on any emotional or philosophical level.

    Though Rebel Moon ends on a relative cliffhanger with the promise of a sequel on the horizon, it’s difficult to imagine why one would want to subject themselves to another two hours in this soulless slog of a universe. Certainly, Snyder is a master of his particular brand of highly stylized action sequences, but the sheer lack of emotional stakes and memorable characters renders Rebel Moon toothless.

    Rebel Moon — Part One: A Child Of Fire begins streaming on Netflix December 21.

    This review originally appeared on The A.V. Club.

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    Lauren Coates

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  • Timothée Chalamet's Best Film Roles

    Timothée Chalamet's Best Film Roles

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    Whenever the subject of Timothée Chalamet comes up with my friends, I try really hard to pretend that I don’t find him just as attractive as everyone else in my friend group does, because it just feels like it’s too easy. Like, yeah, he’s adorable. He’s got sharp features that could easily cut the nice French cheese he probably eats on a daily basis. Got it, nice, moving on—what else?

    Well, thankfully, there’s a lot else. While it’s fair to point out that he, like many young actors, is a product of nepotism, however mild, I truly acknowledge him as one of the most talented actors in our age group. He’s got a very distinct style and range, and he picks really interesting projects to work on. These are the projects highlighted in this list of Chalamet’s best roles.

    Call Me By Your Name (2017)

    In the years since Call Me By Your Name was released, there’s been a lot of negative dialogue surrounding it, and for valid reasons. It does romanticize a relationship with an unhealthy age gap, and, consequently, an uncomfortable power dynamic. The days of gawking at “the peach scene” have passed and given way to a more critical analysis, and I understand where it’s coming from. Not even gonna get into all the Armie Hammer stuff, blech.

    However, there still remains something to be said about just how authentically and beautifully Timmy sold this performance. It was his first major role in a film as an adult, and he took to it like a fish to water (or, rather, like a young Italian boy to disco). When I was younger, I was mainly excited for this movie because of Sufjan Stevens’ work on its soundtrack, but Timmy was the reason it stayed with me for so many years. He was able to come into his role so tenderly, it made you feel like you were the one in a riverside field, trying to articulate your feelings to someone for the first time. (Madeline Carpou)

    Lady Bird (2017)

    (A24)

    I have a lot of love for Lady Bird, because it was my own Boyhood—i.e. it was my younger life to a T, almost unsettlingly so. And while I wasn’t brazen enough to pursue the pretty boy that made my inner thoughts a persistent nightmare to endure, I could definitely recognize who Timmy’s character in this movie was trying to be.

    As soon as Lady Bird went into his bedroom, I found myself shaking my head, saying, “No, no, bad idea, he’s gonna wreck your shit.” And then he did. But as horrible a plot point as that whole situation was, it’s a testament to Timmy’s acting skills that he was able to play into the art-hoe-douche stereotype so bloody well.

    (Especially since he high-key looks the part, but hey, don’t we all dress for some sort of role?) (M.C.)

    Beautiful Boy (2018)

    (Uploaded by user mclovin)

    My god, this movie made me weep. It’s arguably the campiest movie on this entire list, and at times it feels a little heavy-handed in its emotional beats, but as someone who has experienced personal tragedies similar to the ones at the center of this film, I have to say that Beautiful Boy is as beautiful as its name implies.

    And Timothee is at the heart of it all. While credit must absolutely go to Steve Carrell for his role as Timmy’s father, Timmy himself is able to play his role in an almost invasively accurate way. I had to pause the movie a couple times, just to collect myself, and even though I had a personal connection to the subject matter, I don’t believe it would have felt so devastating if it weren’t for how well Timothee embodied his role as Nic. (M.C.)

    The King (2019)

    (Uploaded by user fuckinggoodmovies)

    Yes, yes, Robert Pattinson was a meme in this movie, and the movie itself was kind of a meme (albeit a damn good movie, don’t get me wrong). But where Timothee really shone was in how seamlessly he transitioned from his more typical roles (a somewhat feminine and sensitive character) into King Fucking Henry.

    I say this as someone who hated reading Shakespeare in high school, and still finds conversations about Shakespeare annoying: Timmy nailed this shit and made this movie infinitely more interesting than it would have been otherwise. He was a subtle badass all the way through, and even from the very beginning, you could see his character’s potential to grow into the king he was meant to be. He just made this movie so cool, my family watched it three separate times in one week. (M.C.)

    Little Women (2019)

    Gotta admit, as much as I love Greta Gerwig, I wasn’t totally sold on Little Women like everyone else seemed to be. It felt a little choppy and fast-paced for as ambitious as it was trying to be, but all the actors did a phenomenal job, every single one of them. And of course, Timmy killed it as Laurie.

    Dude, I fell in love with Laurie. That scene where he and Jo slipped off? Good god, it was almost too fan-fictiony for me, but I loved it. Sometimes you just gotta let the pretty boy lean into his natural role, and Greta really lets him loose in that regard. (M.C.)

    The French Dispatch (2021)

    (Uploaded by ONE Media)

    And sometimes, you gotta tickle a young leftie’s heartstrings a little and make the pretty boy a collegiate revolutionary. Thanks a lot, Wes Anderson, I didn’t need anyone fueling my already woeful attraction towards these types of dudes. And thanks a lot, Timmy, for once again playing the part so damn well.

    But in all seriousness, thank you Wes Anderson for giving the boy a chance to speak in his native tongue. There’s a lot to love about The French Dispatch and it feels unfair to call out just one good role amongst many, but Timmy did phone home with this one, and was only elevated further by Anderson’s superbly sophisticated writing. (M.C.)

    Dune (2021)

    Trust me on this. I have great intuition for things I know I’ll be impressed by. And part of why I haven’t watched Dune yet is because I know it’ll occupy all the space in my brain that I’m currently reserving for work, love, and Disco Elysium.

    But I already know it’s damn good, and that Timothee is damn good in it. Tell me more in the comments, why don’t ya? (M.C.)

    Don’t Look Up (2021)

    Don’t Look Up fictionalizes the apathy people have about world-ending events. Scientists tell everyone a planet-ending asteroid is hurtling towards Earth. They can literally just look up to see it, but many don’t want to. As a chaotic towny teen named Yule, Chalamet provides a strange comic relief to the frustrating events unfolding.

    He’s the kind of guy everyone has in their hometowns who thought they were cooler than they actually were. This guy may act tough, but he’s just a baby underneath his faux leather jacket. One of the funniest scenes is when he delivers an out of nowhere heartfelt prayer to his new friends as they share a final meal before Earth is obliterated. (D.R. Medlen)

    Bones and All (2022)

    Timothée Chalamet reunited with Call Me By Your Name director Luca Guadagnino on Bones and All. Once again Guadagnino pulled a brilliant performance out of Chalamet, even though he played a supporting role to Taylor Russell’s main character, Maren. As Lee, Chalamet is a drifter who serves as a guide and love interest for Maren. Both Maren and Lee suffer from the same affliction that compels them to eat other humans.

    Chalamet leans into the oddity of Lee. There’s something strangely sexual about the way he phrases eating another person. I became instantly obsessed with his crop tops and rope belt. He brought the character from the book to life while making Lee completely his own. (D.R.M.)

    Wonka (2023)

    Wonka tells the story of a young Willy Wonka trying to make his name in the chocolate business. Don’t trust the trailer, the movie is so much fun and enjoyable for audiences of all ages. Chalamet outdoes himself as Willy Wonka. He’s sweet, naive, charming, and maybe a little dumb. You can’t help but love him. He just wants people to share in his happiness while eating chocolate. It’s an admirable dream.

    The most surprising part of Wonka for me was that Chalamet sings! His voice isn’t perfect, yet it fits the character so well. It’s earnest and clear while conveying all the deep emotions Willy feels on his journey. I kind of hope Chalamet decides to do more musicals in the future. Or maybe he could play a sleazy rockstar, I would enjoy that too. (D.R.M.)

    Honorable Mentions: “Tiny Horse”

    I’d watch a “Tiny Horse” movie. In any case, Timmy, if you see this: you were excellent on SNL and your eagerness to be good at this style of comedy only made you a more endearing actor to follow. Please consider hosting again, s’il vous plait. (M.C.)

    “Giant Horse”

    “Tiny Horse” was too good not to get a sequel. The year: 2057. Our heroes hide underground against the raging and world-ending force known only as Giant Horse. The only hope left is for one man to talk to his old horse friend, who used to be tiny. The power of friendship can save the world from a sci-fi dystopian future. There he is, my tiny horse. (D.R.M.)

    (featured image: Warner Bros.)

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  • ‘Dune: Part Two’ Abandons 2023 Release Date Amid Hollywood Strikes

    ‘Dune: Part Two’ Abandons 2023 Release Date Amid Hollywood Strikes

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    The movie exodus from 2023 has claimed another victim. The Dune: Part Two release date has been changed from Nov. 3rd and will now move to March 25, 2024, Warner Bros. confirmed. 

    The second half of filmmaker Denis Villeneuve‘s sci-fi saga fell victim to the ongoing Hollywood writer and actor strikes, which have been expected to cause a massive movement of films to avoid being caught up in the publicity blackouts that have prevented talent from promoting their new projects. In some cases, the strikes also prevent completion of a film, since post-production can involve voice recording to fix scenes where new dialogue might be needed.

    While it’s unclear when the strikes will come to an end, there seems to be little resolution in sight between the two guilds and the networks and studios represented by the Alliance of Motion Picture and Television Producers. The most pessimistic projections forecast the strikes dragging on until the end of the year, but few expect it to go on beyond that.

    A number of high-profile films have already fled from 2023 and moved into next year to avoid having their marketing campaigns derailed by the guild-imposed ban on members promoting new projects released by struck companies. 

    Dune: Part Two is the second high profile film from Zendaya to fall victim to the strikes. One of the first movies to move away from 2023 was Challengers, the Zendaya love-triangle drama which canceled a late-August appearance at the Venice Film Festival and changed its release from September 15 to April 26, 2024.

     

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    Anthony Breznican

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  • Is Dune 2 aiming for an extended run in theaters? Here’s what we know

    Is Dune 2 aiming for an extended run in theaters? Here’s what we know

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    Hold on to your seats, sci-fi fans, because Dune: Part Two is about to gears up for its release! The hotly anticipated sequel to the 2021 hit Dune is on track to surpass its predecessor’s box office performance and treat audiences to an extended run in IMAX theaters. Directed by Denis Villeneuve and produced by Warner Bros., the sci-fi epic promises stunning visuals and a star-studded cast that will leave fans on the edge of their seats. Fans are eagerly awaiting the next installment in theaters on November 3, 2023. With an extended IMAX run, its box office potential is looking brighter than ever.

    Anticipation peaks for Dune’s epic sequel

    READ MORE: Dune Part Two Official Trailer: Timothee Chalamet, Austin Butler gear up for a dangerous face-off

    IMAX to elevate Dune’s cinematic experience

    The prospect of an extended IMAX run and the absence of major competition bode well for Dune: Part Two’s box office potential. Unlike its predecessor, the sequel won’t face the challenges of a pandemic release, offering a clear path to audience engagement. With no simultaneous streaming release, fans are encouraged to flock to theaters, contributing to the film’s projected box office triumph.

    Warner Bros. assures fans that Dune: Part Two picks up right where the first part left off, promising a captivating continuation filled with stunning cinematography and an ensemble cast that includes Timothée Chalamet, Josh Brolin, Jason Momoa, Zendaya, and Rebecca Ferguson.

     

    About Dune

    Dune captivates audiences with its immersive storytelling. Part one of the film sets the stage flawlessly, delving into the history and politics of the planet Arrakis. The story leaves us on a thrilling cliffhanger, as Paul Atreides and Lady Jessica join forces with the Fremen to bring peace to Arrakis. With Villeneuve’s plan to split the 800-page novel into two parts, fans can look forward to Dune 2.

    Dune: Part Two continues the epic tale of Paul Atreides, portrayed by the talented Timothée Chalamet, as he navigates a treacherous desert planet in search of the valuable resource known as ‘spice’. Villeneuve’s visionary direction and the stellar performances of the cast bring Herbert’s intricate world to life, garnering critical acclaim and audience adoration.

    With accolades from the 94th Academy Awards and the overwhelming success of its predecessor, the stage is set for Dune: Part Two to claim its rightful place among sci-fi masterpieces. While fans eagerly await its release, Warner Bros. is already working on a television spinoff, Dune: The Sisterhood, exclusively for their streaming platform Max.

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  • ‘Dune 2‘ May Be Delayed Due To Strikes

    ‘Dune 2‘ May Be Delayed Due To Strikes

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    While there are plenty of highly-anticipated movies on the horizon, Dune: Part Two might be the most eagerly awaited of them all. But we may have to wait a bit longer. As a result of the ongoing SAG-AFTRA and WGA strikes, lavish press junkets and red-carpet premieres are pretty much on hold. Normally, when a movie is released, all of the actors involved go on to do publicity appearances, interviews, events, and of course, the premiere night itself. As a result of the strike, they’re expressly forbidden from doing so. Promoting any kind of past or future work made by a company that the union is striking against is a big no-no.

    According to Variety, Warner Bros. is considering moving Dune: Part Two to 2024 as a result of the strikes, and the challenges that would cause in promoting the movies. What’s more worrying is that Warners is reportedly considering moving several of its upcoming 2023 films. Most of them, like Aquaman and The Lost KingdomDune: Part Two, and The Color Purple are supposed to come out in November or December. If the studio doesn’t think that the strike will end by then, this is gonna be a long one.

    READ MORE: 10 Futuristic Sci-Fi Movies That Are Now Set in the Past

    It’s extremely likely that other studios will follow suit from here. Between The MarvelsNapoleon and others, studios can’t really afford to put projects out without proper marketing. If actors can’t do their usual promotional duties, a delay is a small price to pay in comparison to losing out on potential millions at the box office.

    As of now, Dune: Part Two is slated to come out on November 3, 2023. That is subject to change.

    Surprising Movies Released on the Same Day

    These movies debuted in theaters on the same day, giving cinephiles a tough choice of which to watch first.

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    Cody Mcintosh

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  • Austin Butler Will Be Bald and Eerie in ‘Dune: Part Two’

    Austin Butler Will Be Bald and Eerie in ‘Dune: Part Two’

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    From where I sat on day two of CinemaCon, Warner Bros. Discovery has three big crowd-pleasers coming in 2023: Barbie, the musical remake of The Color Purple, and Dune Part Two. Margot Robbie and Ryan Gosling hit the stage at Caesars Palace’s massive Colosseum theater Tuesday afternoon, both wearing pink and big smiles as they yukked it up with costar America Ferrera and writer-director Greta Gerwig.

    Gerwig spoke about how she and her partner, Noah Baumbach, cowrote the script by making each other laugh, until they found themselves crying. Baumbach, she said, might have been interested in directing the project too—but she stood firm when he suggested as much, telling him to step aside. (It was funny the way she said it, because Greta Gerwig is the best.)

    Robbie gushed about the outstanding production design, and how Teamsters that didn’t really need to be on set and people working on Fast X kept visiting for a dopamine fix. Gosling made himself chuckle as he spoke about the process of finding his “Kenergy”—then, a little more seriously, said shooting on this set made him realize how Dorothy from The Wizard of Oz must have felt. 

    The extended sizzle reel we saw showed more of the Truman Show aspect of the story, with Barbie and Ken entering “the real world,” making for zany results. Aspects related to Robbie’s bare feet are actually an instigating plot point, as if Gerwig saw how Quentin Tarantino shot the 32-year-old Australian actor and said, “I can top this.”

    Earlier, Oprah Winfrey and her otherworldly enthusiasm came out to present the trailer to The Color Purple with director Blitz Bazawule and performers Fantasia, Taraji P. Henson, and Danielle Brooks. She was charmingly familiar in the Oprah Winfrey Show–esque setting, which really did a number on the crowd’s engagement. The 1985 film directed by Steven Spielberg, she said, “was the most important thing that happened to me” at the time, and she vowed to the assembled theater owners that she would be mustering all the power of her social media to get people to theaters this Christmas. “The groups are coming. The sisters are coming,” she said.

    The remake, based on the 2005 stage musical (itself based on Alice Walker’s 1982 novel), is very much a musical, or at least it seems that way based on the trailer we saw. It featured lots of choreography, elaborate costumes, and the promise that this was “not your mama’s Color Purple.” Winfrey, who is a producer on the film with Spielberg and Quincy Jones, later remarked that, while this is true, “your mama’s still gonna love it.”

    Half a galaxy away from rural Georgia is the desert planet Arrakis featured in Dune. When we last left him, Timothée Chalamet’s Paul Atreides was joining the nomadic warrior tribe the Fremen. Among the things we’ll see in Dune: Part Two is our young leader learning to ride a sandworm.

    Chalamet, who wore both a leather vest and a grin, was positively giggly while talking about riding the worm. He said it was a practical effect too, but it’s hard to know exactly what he meant by this, as giant worms the size of the Chrysler building are not real. Anyway: He, Zendaya, and director Denis Villeneuve boasted that the second half of the tale is more action-packed than the first. 

    There’s “not one second of repetition from the first movie,” Villeneuve bragged, regarding the sets on the imaginary world. He also revealed that the entire picture was shot in the IMAX format, whereas Part One was only 40% IMAX. 

    The trailer indeed showed Chalamet’s Paul climbing atop a fearsome sandworm, and being coached by Javier Bardem. (“Nothing fancy,” he wisely says.) We also saw glimpses of Florence Pugh, new to the series, as Princess Irulan (the narrator of the book), and, in some black-and-white imagery, Austin Butler as Paul’s foe, Feyd-Rautha. Yes, yes, this is the character played by Sting in David Lynch’s version. And while Butler wore no metal truss, he did look bald and eerie. (Just beware of the purported photo of him in the film currently circulating on social media; it’s a fan-made image, not a legit still.)

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    Jordan Hoffman

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  • The 26 Most Anticipated Movies of 2023

    The 26 Most Anticipated Movies of 2023

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    This past year, Hollywood gave us enough true highs to make sitting next to random strangers a thing again. In 2023, directors Martin Scorsese, Christopher Nolan, Greta Gerwig, and Denis Villeneuve will lure us back into the dark. Two dolls, Barbie and M3gan, will burst to life, one of whom, from a distance, seems a lot more friendly than the other. Even the sequels look unusually appetizing this year: Indiana Jones will go treasure-hunting again, possibly for the last time. Adonis Creed will get back in the ring. John Wick will get annoyed and kill a bunch of people. Here are the movies we’re looking forward to most. 

    M3GAN

    January 6 (Blumhouse/Universal) 

    It would appear that everyone, including us, is just dying to meet M3gan, the new It girl. In the new movie, the title of which is styled M3GAN, a scientist (Allison Williams) creates a life-size, AI-enabled doll to comfort her recently orphaned niece (Violet McGraw), but this doll from hell does so much more. She’s supersmart and adaptable! She dances! She…kills? M3GAN promises to be a slasher film for the American Girl doll generation, and we can’t wait to play. —Kase Wickman

    Missing 

    January 20 (Sony)  

    A follow-up to the innovative 2018 film Searching, Missing stars Storm Reid as a young woman whose mother disappears while on vacation in Colombia with her new boyfriend. Once again, the mystery thriller is told via computer screens, and we’re hoping that, like the first time around, the gimmick never outshines the twisty storytelling and unexpected resolution. —Rebecca Ford 

    Claudette Barius

    Magic Mike’s Last Dance 

    February 10 (Warner Bros.) 

    The final installment in the Channing Tatum–stripper trilogy, Magic Mike’s Last Dance takes the titular character to London, where—backed by a rich investor and also love interest played by Salma Hayek—he’s creating a new show that aims to make every woman feel “she can have whatever she wants whenever she wants.” Steven Soderbergh, who helmed the 2012 original film, returns to direct and we expect the ab-showcasing costumes and sexy dance numbers will be back and better than ever as well. —R.F.

    Cocaine Bear  

    February 24 (Universal Pictures)

    “A bear did cocaine” is a line uttered in this comedy thriller inspired by a real-life bear who was found dead in the ’80s next to a duffel bag of coke. (Really). Directed by Elizabeth Banks and produced by Phil Lord and Christopher Miller (The Lego Movie and 22 Jump Street), the film depicts the bear going on a murderous, drug-fueled rampage that locals must stop. (The actual bear died after ingesting the cocaine, which had been dropped by a convicted drug smuggler parachuting in Georgia.) The movie stars Keri Russell, O’Shea Jackson Jr., and Ray Liotta in one of his final roles. —Julie Miller 

    John Wick: Chapter 4

    March 24 (Lionsgate)   

    There’s something irresistible about the sorrowful, existentially confused face that Keanu Reeves makes as John Wick—it’s like he’s asking his victims, Why are you making me kill you? And, seriously, how good do I look in this suit? The balletic-action franchise now finds the hit man of legend traveling the world, rooting out underworld kingpins, and coming to terms with his late wife, who gave him that puppy that time. “I’m going to need a gun,” Wick says in the trailer. To say the least. —Jeff Giles

    The Super Mario Bros. Movie

    April 7 (Universal)

    Yes, we’re as worried about Chris Pratt playing Mario as you are. But otherwise, we’re very curious about The Super Mario Bros. Movie. Nintendo is incredibly stingy about licensing its video game properties to film studios, so maybe we can assume there is something especially worthy about this project. If nothing else, the film will tide us over until the next Mario game is released. Once that arrives, we’ll be too busy chasing moons or stars or whatever it is this time to care much about Pratt’s Italian-ish accent. —Richard Lawson.  

    Are You There God? It’s Me Margaret 

    April 28 (Lionsgate)

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