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  • Hollywood Guilds Come Out Strong For “Ethical & Transparent” AI Bill From Adam Schiff  

    Hollywood Guilds Come Out Strong For “Ethical & Transparent” AI Bill From Adam Schiff  

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    SAG-AFTRA, IATSE the WGA, and even the DGA have united behind a legislative move to put up some new and slightly punitive guardrails around Artificial Intelligence.

    “Everything generated by AI ultimately originates from a human creative source, says Duncan Crabtree-Ireland, SAG-AFTRA National Executive Director and Chief Negotiator, of a new bill proposed today by Rep. Adam Schiff (D-CA). “That’s why human creative content—intellectual property—must be protected. SAG-AFTRA fully supports the Generative AI Copyright Disclosure Act, as this legislation is an important step in ensuring technology serves people and not the other way around,” 

    Deep into his race to be California’s new junior Senator, Schiff introduced the Generative AI Copyright Disclosure Act into the 118th Congress (read it here) Tuesday. If passed by the House and Senate and signed by President Joe Biden, the succinct act would require companies and corporations that use copyrighted works in the training of their generative AI systems training datasets to submit a public notice with the Register of Copyrights.

    In short, before you put that AI created material out there, you’ve got to pull back the veil and reveal where you scooped up the info and datasets from. Now, with its $5,000 civil penalty for violations, the bill doesn’t exactly hit the tech overlords and studios that hard where it counts.

    However, with the fears and harsh realities that AI itself generates among below-the-line workers and creators, the fact is the introduction of the legislation alone sees Schiff tossing some blue meat to his base. In a Senate bid that is his to lose against a Republican challenger he promoted, Schiff, who is commonly known as the Congressman from Hollywood for the number of studios in and around his Burbank district, is putting an issue of vital importance to unions and guild members on the table.

    The use and implications of AI was a very big part of last year’s strikes by the WGA and SAG-AFTRA. Despite the handwringing of those who predicted it would sink any deal, protections around AI for guild members ended up being a major part of the agreements the scribes and the actors came to with the studios and streamers.

    Now with the long anticipated introduction of Schiff’s new bill , leadership is responding again.

    “This bill is an important first step in addressing the unprecedented and unauthorized use of copyrighted materials to train generative AI systems,” states WGA West chief Meredith Stiehm. “Greater transparency and guardrails around AI are necessary to protect writers and other creators.”

    Stiehm’s East Coast partner, WGA East president Lisa Takeuchi Cullen added: “The Generative AI Copyright Disclosure Act is an important piece of legislation that will ensure companies use this new and rapidly advancing technology in ethical and transparent ways. Given the scope and potential threat of AI, enforceable regulations are urgently needed to keep companies from implementing this technology in the shadows, without people’s consent or knowledge.”

    “The Directors Guild of America commends this commonsense legislation, which is an important first step toward enabling filmmakers to protect their intellectual property from the potential harms caused by generative AI,” says DGA president Lesli Linka Glatter. “We thank Representative Schiff for championing these rights that will protect filmmakers and the entire creative community.”

    In the midst of their own negotiations right now with the AMPTP, in which AI is a distinct priority, IATSE goes straight for the bottom line when it comes to Schiff’s bill.

    “The International Alliance of Theatrical Stage Employees commends Rep. Adam Schiff for introducing the Generative AI Copyright Disclosure Act,” IATSE president Matt Loeb declares. “Entertainment workers must be fairly compensated when their work is used to train, develop or generate new works by AI systems. This legislation will ensure there is appropriate transparency of generative AI training sets, thereby enabling IATSE workers to enforce their rights.”

    Since the contract agreements that ended the months-long WGA and SAG-AFTRA strikes of last year, a number of guild brass have made it very clear that legislative solutions to the unmitigated growth of AI are the next logical step. To that end, SAG-AFTA and others have already been working the halls of Congress to see bills like Schiff’s hit the floor of the GOP controlled House.

    “The threats of AI to workers is a bipartisan issue, both sides know it can hurt their constituents,” one union leader said to Deadline after Schiff’s bill was introduced today. “I’ve heard concerns from almost as many Republican members as I have Democrats,” he added.

    Schiff’s bill follows up on the momentum began by President Biden’s Executive Order on AI from last October and the subsequent three-pillar strategy Vice President Kamala Harris and the administration rolled out late last month.

    On a state level, there are two bills moving through the Assembly in Sacramento that also hope to curb AI’s reach and power, especially in relation to Hollywood.

    Currently in the early stages of the legislative process, the SAG-AFTA backed and MPA opposed AB 2602 would cement protections for performers that digital recreations of them or their work could only be used with permission and compensation. Another bill, AB 1836, would put contextual and creatives limits on the AI or digital use of deceased performers, from a Sidney Poitier to a Marilyn Monroe, Elvis, a Heath Ledger and many more. At its core, AB 1836 would make use of a dead star’s likeness and performance only allowable if the 21st century use is within the context of what the performer actually did when they were alive – – AKA no Jane Wyman and Marilyn tag-team wrestling.

    As Adam Schiff said today of the Generative AI Copyright Disclosure Act: “This is about respecting creativity in the age of AI and marrying technological progress with fairness.”

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    Dominic Patten

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  • SAG-AFTRA & Studio CEOs End Tonight’s Talks With No Deal; More Negotiations In Works For Tuesday – Update

    SAG-AFTRA & Studio CEOs End Tonight’s Talks With No Deal; More Negotiations In Works For Tuesday – Update

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    2nd UPDATE, 10:29 PM – EXCLUSIVE: The actors union and the studios have finally called it a night on their latest talks in search of a new three-year contract.

    In the last 30 minutes or so, SAG-AFTRA and the AMPTP ended a long bargaining session that started this afternoon. The thinking is they will resume negotiations on the 117th day of the strike — tomorrow, November 7. However, at this later hour, no definite time has been set yet for when they will meet again.

    Tonight’s meeting was a virtual get together the CEO Gang of Four with joining AMPTP boss Carol Lombardini and SAG-AFTRA chief negotiator Duncan Crabtree-Ireland, among others.  Netflix‘s Ted Sarandos, NBCUniversal’s Donna Langley Warner Bros Discovery CEO David Zaslav and Disney’s Bob Iger have all been participating in talks directly on and off since the lasted negotiations began on October 24.

    “This was a productive session, some work still required before there’s a deal,” a studio insider told Deadline tonight of the gathering that followed the guild’s response to the studios’ so-called “best, last and final offer” last week “There’s still some serious daylight between us, at least as of right now,” he added.

    David Zaslav, Ted Sarandos, Donna Langley & Bob Iger

    Getty

    As has been the case for months, AI remains one of the major issues that divides the guild and the studios. The latter are looking to seal the deal with what one source called “an expanded version of what the WGA agreed to.” The former want project specific protections on scans of performers and re-use of their likenesses. Well-positioned sources on both sides admit that part of the problem they are having is coming up with effective guardrails for a technology that is evolving in leaps and bounds.

    1st UPDATE, 4:20 PM: As the back and forth between SAG-AFTRA and the studios continues Monday, an end to the 116-day actors strike may not be imminent.

    “There are several essential items on which we still do not have an agreement, including AI,” the guild said in a letter to members in the last hour. “We will keep you informed as events unfold.”

    Here’s the full letter:

    Dear Member,

    This morning our negotiators formally responded to the AMPTP’s “Last, Best & Final” offer.

    Please know every member of our TV/Theatrical Negotiating Committee is determined to secure the right deal and thereby bring this strike to an end responsibly.

    There are several essential items on which we still do not have an agreement, including AI. We will keep you informed as events unfold.

    In solidarity and gratitude,

    Your TV/Theatrical Negotiating Committee

    The letter follows the guild delivering their response to the studios’ “last, best & final” offer on a new TV and movie contract earlier in the day. As Deadline reported, the parties are scheduling new negotiations which could begin as soon as this evening.

    AI has been one of the primary sticking points between the sides since the beginning of their initial talks in June. Since that time, the technology has evolved so rapidly that there are questions on both sides as to how many protections could actually be put into a new three-year deal.

    “It’s not bulletproof, everyone has to recognize that,” a studio executive told Deadline today about any potential AI agreement. With IATSE and Teamsters negotiations coming next year, the exec noted that it’s just a matter of months before studios will be back in deliberations with the likes of the DGA, WGA and SAG-AFTRA on the next three-year contract.

    PREVIOUSLY, 2:38 PM: EXCLUSIVE: A deal may not be in the cards tonight, but SAG-AFTRA and the studios could be heading back to negotiations within hours.

    The two sides are hoping to speak virtually later today and perhaps into the night, we hear.

    As of right now, no meetings have been formally set, according to a guild source, but they are expecting to lock in a time “very soon.”

    It is unclear at present whether the CEO Gang of Four — NBCUniversal’s Donna Langley, Warner Bros Discovery’s David Zaslav, Disney’s Bob Iger and Netflix’s Ted Sarandos — will be participating in these new talks, which are said to include guild Chief Negotiator Duncan Crabtree-Ireland and AMPTP president Carol Lombardini.

    This potential latest sit-down comes as the striking actors guild sent back a response earlier Monday to the AMPTP’s so-called “last, best and final” offer of November 3.

    That response was “measured,” as a guild member close to talks tells us on this 116th day of the SAG-AFTRA strike. The guild spent most of the weekend “reviewing” the hundreds of pages of the proposal from the studios — a proposal that is a response to SAG-AFTRA’s “comprehensive counter” of late October.

    “Everybody knows where everybody stands,” a studio insider told Deadline this afternoon. “Now, it’s about bringing it home, if we can,” he added with some optimism. Despite the ominous tone of the studios’ most recent offer, the tactic never truly excluded having talks between both sides continue into this week.

    With “a lot to digest” for the SAG-AFTRA in the studio’s offer, according to one source, details reportedly include the highest wage increases for actors in 40 years. Additionally, there was a 100% uptick in performance compensation bonuses for high-budget streaming series and films in the AMPTP package, which a boatload of CEOs got on a brief Zoom call on November 4 to brief guild brass. Perhaps the crown jewel in the studios’ package is what have been called “full” AI protections. Put together, along with health and pension fund contributions and more, the execs feel their offer went “a long way to what SAG wanted,” per an industry source over the weekend. 

    RELATED: Dispatches From The Picket Lines: Striking NYC Actors On Stress, Hope, Fran Drescher & Yoga

    Or, as Netflix’s co-CEO Sarandos told SAG-AFTRA leaders on Saturday, “We didn’t just come toward you, we came all the way to you.” If execs thought that was going to get them across the line by now, clearly they were disappointed. One insider on the studio side, expecting a deal Sunday night, informed us they had to pull the plug on a scheduled production that was getting ramped up today.  

    You’ll remember that it’s tricky for TV and feature productions to shoot, even though the writers strike has ended. SAG-AFTRA pickets were out in full force, shutting down a B-roll shoot with extras of Netflix’s Nicole Kidman limited series The Perfect Couple in Nantucket on September 28. It doesn’t matter where Hollywood is shooting; the guild will keep them in check. The problem with The Perfect Couple was that it was using non-guild members as extras on camera, which was a big no-no for local union actors in Massachusetts.  

    RELATED: Optimistic Fran Drescher Rebukes Criticism Of Her SAG-AFTRA Leadership: “I Can Be Me”

    The combination of the now-resolved WGA strike and the ongoing SAG-AFTRA strike is estimated to have cost the California economy over $6.5 billion so far. With guild members united but feeling the financial squeeze, another fallout aspect of the nearly total shutdown of production has been the loss of 45,000 entertainment industry jobs.

    If a new deal is reached, the turnaround on how fast actors can go back to work and promote new TV series and films remains in question. Given the size of SAG-AFTRA at 160,000 members, it’s figured that actors’ return to work during a contract ratification period might not be as feasible as it was for the 12,000-strong WGA, whose members returned before a final vote on their new contract.

    In that context, SAG-AFTRA members and their allies were out in force in front of studio lots and offices in Los Angeles and New York today, with a near full week of picketing planned as of right now. This week also will see two of the top-tier CEOs facing Wall Street scrutiny as both Warner Bros Discovery and Disney release their latest quarterly earnings and project into the New Year.

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