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  • As Jimmy Carter nears his 100th birthday, a musical gala celebrates the ‘rock-and roll president’

    As Jimmy Carter nears his 100th birthday, a musical gala celebrates the ‘rock-and roll president’

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    A range of stars from the stage, screen and sport paid tribute Tuesday to former President Jimmy Carter ahead of his 100th birthday, the eclectic lineup meant to highlight the 39th president’s emphasis on human rights and his love of music as a universal language.”Everyone here is making history,” Jason Carter, the former president’s grandson, told more than 4,000 people who filled Atlanta’s Fox Theatre to toast the longest-lived U.S. executive in history. “This is the first time people have come together to celebrate the 100th birthday of American president.”The benefit concert, with ticket sales funding international programs of The Carter Center that Jimmy and Rosalynn Carter founded in 1982 after leaving the White House, brought together artists that crossed generations and genres that traced back to his 1976 campaign. The concert will be aired in full on Georgia Public Broadcasting on Oct. 1, Carter’s birthday. Carter remains in hospice care at his home in Plains, Georgia. “He really was the rock-and-roll president,” said Chuck Leavell, whose Georgia-based Allman Brothers Band campaigned with Carter in 1976. But more than that, Leavell said, Carter always understood music as something “that brings people together.”Indeed, Tuesday’s run of show assembled artists as varied as India Arie singing R&B and soul draped in a resplendent purple gown; the B-52s, formed in Athens, Georgia, singing “Love Shack” and projecting psychedelic imagery across the concert hall; and the Atlanta Symphony Chamber Chorus bringing a classical and patriotic repertoire.Former President Barack Obama, known for releasing his summer playlists on social media, marveled at the range.”Now I have another reason to respect you,” Obama said in a video message. “He has got great taste in music. … I’ve never thrown a concert that features pop, rock, gospel, country, jazz, classical and hip-hop.”Of course, Obama noted, “Jimmy never passes up the opportunity to send a message,” and several artists referenced one of Carter’s widely circulated quotes about music: “One of the things that has held America together has been the music that we share and love.”Leavell took the stage multiple times Tuesday, reprising music he played and sang almost 50 years ago when Carter, then an underdog former Georgia governor, outpaced better-known Democrats to win his party’s nomination and the presidency in the wake of the Vietnam War and the Watergate scandal.”Music was such an important part of his political legacy,” Jason Carter told The Associated Press. “The Allman Brothers helped get him elected. Willie Nelson helped get him elected. He truly believed that.”When he was coming out of the South, running for president of the United States, the Allman Brothers and some of these other folks were really announcing this New South that was turning the page on the days of segregation – their lyrics, their whole vibe,” the younger Carter continued. “He used that to connect across generations.”Leavell traced Carter’s love of music to his upbringing in church; the former president has written about his early church experiences, including visiting a Black congregation near his home just outside Plains. Carter recalled being more captivated by the music there than what he heard in his all-white congregation. At the Naval Academy, Leavell noted, Carter and one of his friends would buy classical recordings of the same pieces to study how music can be interpreted differently. Part of the evening involved recounting Carter’s legacy as president and with The Carter Center, which advocates democracy, resolves conflict and fights disease across the world. Hannah Hooper, a lead singer of the alternative rock band Grouplove, praised Carter for dramatically expanding nationally protected park lands, most of it in Alaska. Actress Renee Zellweger narrated the lifelong relationship between the former president and his wife, whom he first met when she was just days old and who died last November after 77 years of marriage. Two former Atlanta Braves baseball stars, Terry Pendleton and Dale Murphy, celebrated Carter as the team’s No. 1 fan. They recalled what it was like to play with the Carters sitting in a field-level box, and they presented the former president’s great-grandsons with a Braves jersey to give their great-grandfather. The jersey number: 100. Bernice King, the daughter of slain civil rights icon Martin Luther King Jr., recounted Carter’s relationship with her family — he was close to her mother, and her grandfather was instrumental in Carter’s 1976 election. Though Carter was not actively involved in King Jr.’s work, Bernice King thanked the former president for publicly crediting her father for his indirect role in Carter’s political rise. Without the successes of the Civil Rights Movement, she recalled Carter saying, the nation never would have elevated a Southern governor who came of age in the era of Jim Crow segregation. The night was mostly void of partisan politics. But there were signs of Democratic allegiances to Carter and shadows of the 2024 election.Patterson Hood of Drive-By Truckers praised Carter as being ahead of his time and added that the country would have been better off if he had gotten to “finish the job” — an obvious reference to Carter’s landslide defeat to Republican Ronald Reagan in 1980. The list of former presidents paying tribute was bipartisan: Democrat Bill Clinton and Republican George W. Bush were packaged with Obama. President Joe Biden added his greetings, recalling that he was the first U.S. senator to endorse Carter’s White House bid. “I admire you so darn much,” Biden said, calling Carter, “Mr. President.” But there was a notable omission: former President Donald Trump. The 2024 Republican nominee has this year repeatedly cast Carter as a failed president as he tries to make a comeback bid. After the 2016 election, Carter questioned Trump’s legitimacy. Arie’s selections, meanwhile, included “What If,” the lyrics of which include first names of Black women who have broken barriers. Among them: Kamala. That reference to the vice president and Democratic nominee, Kamala Harris, drew roars from the crowd. Jason Carter, for his part, said his grandfather has been captivated by Biden’s decision to end his reelection bid and the possibility that Harris could become the first woman in the Oval Office. The younger Carter, who now chairs The Carter Center board, said Jimmy Carter struggled in the months after Rosalynn Carter’s death but now is excited by another campaign.”He’s ready to turn the page on Trump,” Jason Carter said, but more driven by the opportunity to vote for Harris. “When Kamala came onto the scene, it really galvanized the party, and it really energized him as well.”

    A range of stars from the stage, screen and sport paid tribute Tuesday to former President Jimmy Carter ahead of his 100th birthday, the eclectic lineup meant to highlight the 39th president’s emphasis on human rights and his love of music as a universal language.

    “Everyone here is making history,” Jason Carter, the former president’s grandson, told more than 4,000 people who filled Atlanta’s Fox Theatre to toast the longest-lived U.S. executive in history. “This is the first time people have come together to celebrate the 100th birthday of American president.”

    The benefit concert, with ticket sales funding international programs of The Carter Center that Jimmy and Rosalynn Carter founded in 1982 after leaving the White House, brought together artists that crossed generations and genres that traced back to his 1976 campaign. The concert will be aired in full on Georgia Public Broadcasting on Oct. 1, Carter’s birthday. Carter remains in hospice care at his home in Plains, Georgia.

    “He really was the rock-and-roll president,” said Chuck Leavell, whose Georgia-based Allman Brothers Band campaigned with Carter in 1976. But more than that, Leavell said, Carter always understood music as something “that brings people together.”

    Indeed, Tuesday’s run of show assembled artists as varied as India Arie singing R&B and soul draped in a resplendent purple gown; the B-52s, formed in Athens, Georgia, singing “Love Shack” and projecting psychedelic imagery across the concert hall; and the Atlanta Symphony Chamber Chorus bringing a classical and patriotic repertoire.

    Paras Griffin

    (L-R) Charlie Carter, Josh Carter, Jonathan Carter, Sarah Jane Opp Carter and guests attend Jimmy Carter 100: A Celebration in Song at The Fox Theatre on September 17, 2024 in Atlanta, Georgia. (Photo by Paras Griffin/Getty Images)

    Former President Barack Obama, known for releasing his summer playlists on social media, marveled at the range.

    ATLANTA, GEORGIA - SEPTEMBER 17: A view of the atmosphere at Jimmy Carter 100: A Celebration in Song at The Fox Theatre on September 17, 2024 in Atlanta, Georgia. (Photo by Paras Griffin/Getty Images)

    Paras Griffin

    A view of the atmosphere at Jimmy Carter 100: A Celebration in Song at The Fox Theatre on September 17, 2024 in Atlanta, Georgia. (Photo by Paras Griffin/Getty Images)

    “Now I have another reason to respect you,” Obama said in a video message. “He has got great taste in music. … I’ve never thrown a concert that features pop, rock, gospel, country, jazz, classical and hip-hop.”

    Of course, Obama noted, “Jimmy never passes up the opportunity to send a message,” and several artists referenced one of Carter’s widely circulated quotes about music: “One of the things that has held America together has been the music that we share and love.”

    Leavell took the stage multiple times Tuesday, reprising music he played and sang almost 50 years ago when Carter, then an underdog former Georgia governor, outpaced better-known Democrats to win his party’s nomination and the presidency in the wake of the Vietnam War and the Watergate scandal.

    “Music was such an important part of his political legacy,” Jason Carter told The Associated Press. “The Allman Brothers helped get him elected. Willie Nelson helped get him elected. He truly believed that.

    Jason Carter, center, grandson of President Jimmy Carter, with his sons, Henry Lewis Carter, right, and Thomas Clyde Carter, left, attends the "Jimmy Carter 100: A Celebration in Song," concert at the Fox Theatre, Tuesday, Sept. 17, 2024, in Atlanta. Former President Carter turns 100-years old on Oct. 1. (AP Photo/Mike Stewart)

    Mike Stewart

    Jason Carter, center, grandson of President Jimmy Carter, with his sons, Henry Lewis Carter, right, and Thomas Clyde Carter, left, attends the “Jimmy Carter 100: A Celebration in Song,” concert at the Fox Theatre, Tuesday, Sept. 17, 2024, in Atlanta. Former President Carter turns 100-years old on Oct. 1. (AP Photo/Mike Stewart)

    “When he was coming out of the South, running for president of the United States, the Allman Brothers and some of these other folks were really announcing this New South that was turning the page on the days of segregation – their lyrics, their whole vibe,” the younger Carter continued. “He used that to connect across generations.”

    Leavell traced Carter’s love of music to his upbringing in church; the former president has written about his early church experiences, including visiting a Black congregation near his home just outside Plains. Carter recalled being more captivated by the music there than what he heard in his all-white congregation. At the Naval Academy, Leavell noted, Carter and one of his friends would buy classical recordings of the same pieces to study how music can be interpreted differently.

    Part of the evening involved recounting Carter’s legacy as president and with The Carter Center, which advocates democracy, resolves conflict and fights disease across the world.

    Hannah Hooper, a lead singer of the alternative rock band Grouplove, praised Carter for dramatically expanding nationally protected park lands, most of it in Alaska. Actress Renee Zellweger narrated the lifelong relationship between the former president and his wife, whom he first met when she was just days old and who died last November after 77 years of marriage.

    Two former Atlanta Braves baseball stars, Terry Pendleton and Dale Murphy, celebrated Carter as the team’s No. 1 fan. They recalled what it was like to play with the Carters sitting in a field-level box, and they presented the former president’s great-grandsons with a Braves jersey to give their great-grandfather. The jersey number: 100.

    Bernice King, the daughter of slain civil rights icon Martin Luther King Jr., recounted Carter’s relationship with her family — he was close to her mother, and her grandfather was instrumental in Carter’s 1976 election. Though Carter was not actively involved in King Jr.’s work, Bernice King thanked the former president for publicly crediting her father for his indirect role in Carter’s political rise. Without the successes of the Civil Rights Movement, she recalled Carter saying, the nation never would have elevated a Southern governor who came of age in the era of Jim Crow segregation.

    The night was mostly void of partisan politics. But there were signs of Democratic allegiances to Carter and shadows of the 2024 election.

    Patterson Hood of Drive-By Truckers praised Carter as being ahead of his time and added that the country would have been better off if he had gotten to “finish the job” — an obvious reference to Carter’s landslide defeat to Republican Ronald Reagan in 1980.

    The list of former presidents paying tribute was bipartisan: Democrat Bill Clinton and Republican George W. Bush were packaged with Obama. President Joe Biden added his greetings, recalling that he was the first U.S. senator to endorse Carter’s White House bid. “I admire you so darn much,” Biden said, calling Carter, “Mr. President.”

    But there was a notable omission: former President Donald Trump. The 2024 Republican nominee has this year repeatedly cast Carter as a failed president as he tries to make a comeback bid. After the 2016 election, Carter questioned Trump’s legitimacy.

    Arie’s selections, meanwhile, included “What If,” the lyrics of which include first names of Black women who have broken barriers. Among them: Kamala. That reference to the vice president and Democratic nominee, Kamala Harris, drew roars from the crowd.

    Jason Carter, for his part, said his grandfather has been captivated by Biden’s decision to end his reelection bid and the possibility that Harris could become the first woman in the Oval Office. The younger Carter, who now chairs The Carter Center board, said Jimmy Carter struggled in the months after Rosalynn Carter’s death but now is excited by another campaign.

    “He’s ready to turn the page on Trump,” Jason Carter said, but more driven by the opportunity to vote for Harris. “When Kamala came onto the scene, it really galvanized the party, and it really energized him as well.”

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  • Review: The Drive-By Truckers at the House of Blues

    Review: The Drive-By Truckers at the House of Blues

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    In their repertoire, southern rockers the Drive-By Truckers have songs about all sorts of natural disasters: floods, tornadoes, sinkholes, thunderstorms, bachelor parties. Co-founding singer/guitarist Patterson Hood has also covered heat lightning in the distance with his solo work. Mostly, they portend danger and/or death to the people living inside those tunes.

    So, it made for a bit of a perilous meteorological parallel when the band’s Houston stop on their Southern Rock Opera Revisited 2024 Tour came with especially shitty weather.

    “Is that Tropical Storm warning still in effect? Fuck your Tropical Storm!” founder singer/guitarist Patterson Hood mock-raged against the dying footlights. “But thank you for coming out in this tonight. It’s been crazy to think it’s been 23 years since we put this damn thing out!”

    click to enlarge

    Drive-By Truckers founding singer/guitarist Patterson Hood

    Photo by Violeta Alvarez

    For this tour, the Truckers had promised to play all (well…most of) their 2001 concept record magnum opus Southern Rock Opera in full in the first set, followed by a second helping of “hits,” deep cuts, and covers.

    But, as befitting a band that never writes out a set list before a show (though has mostly hewed to a firm one this tour), the Truckers changed their mind. They instead barnstormed through a single-set of 25 songs and interludes all at once.

    Hood and co-founding singer/guitarist Mike Cooley gave the Houston Press the dirty, dirty lowdown on the album, tour, and new box set in a rare dual interview a couple of weeks back.

    Of the Southern Rock Opera tracks last night, standouts from Cooley included a lolling “72 (This Highway’s Mean),” frenetic “Guitar Man Upstairs” and fan-favorite/candidate for one of their most-played tunes “Women Without Whiskey.”

    click to enlarge

    Drive-By Trucker founding singer/guitarist Mike Cooley

    Photo by Violeta Alvarez

    His deadpan, almost flat-toned vocalizing, as usual, perfectly fits his lyrics and imperfect characters. He even brought out (briefly) an acoustic guitar custom-made with one of the late Wes Freed’s (the go-to artist for DBT covers and booklets) signature evil-looking long-necked black birds surrounding the hole. With an actual red light shining where its eye was.

    Of course, Trucker superfans (known as “Heathens”) know those avian wonders are known as “Cooley Birds” in tribute to Mr. Mike (aka to said Heathens, “The Stroker Ace”).

    Hood’s more raspy, throaty tones brought the fire and brimstone. His better contributions included a raw, impassioned “The Southern Thing.” Which, as he explained, the band has mostly stayed away from playing for two decades due to it being misconstrued by redneck racists and yahoos as a call to arms. Just as uber patriots cottoned (also incorrectly) to Bruce Springsteen’s “Born in the U.S.A.”

    The lyrics are right there, people.

    click to enlarge

    Drummer Brad Morgan

    Photo by Violeta Alvarez

    And “Let There Be Rock”—one of the most joyous rock and roll songs about rock and roll put to record—was clearly an audience favorite as Hood recounted various bands he’d seen in his youth from Blue Öyster Cult and Molly Hatchet to AC/DC and (not on the studio version) fellow Georgians R.E.M. “about 20 times.”

    The SRO songs also weighed heavily toward the end with Cooley and Hood tag-teaming the troika of urgent “Shut Up and Get on the Plane,” hopeful-turned-tragic “Greenville to Baton Rouge” and the eerie, doom-laden “Angels and Fuselage.”

    Hood mentioned that when he wrote it, he tried to put himself on that Lynyrd Skynyrd plane as it slowly descended into certain, quiet, and painful death.

    As surviving Lynyrd Skynyrd drummer Artimus Pyle told the Houston Press in 2020: “It was dead silence; everybody was holding their breath. When we first went into the trees, it was just a brushing sound, the soft parts of the tops. But when we started lowering more, that’s when it sounded like a thousand baseball bats beating the fuselage. It was horrendous.”

    click to enlarge

    Guitarist/Keyboardist Jay Gonzalez

    Photo by Violeta Alvarez

    Cooley took the lion’s share of the non-SRO material. Though several of his songs, based in historical fact or imagery, fit right into both the theme of the album and contemporary issues.

    They included the Border (“Ramon Casiano”), the still-simmering Civil War (“Surrender Under Protest”) and one tune he’s said previously was inspired by a ‘70s visit of Jimmy Carter to his hometown that also brought out the Ku Klux Klan (“Made Up English Oceans”).

    Those first two were uptempo, high-energy jaunts. But for me, 2014’s English Oceans album (and its tracks) is the sole studio effort in the entire discography of the Drive-By Truckers whose appeal just…escapes me.

    This tour does see a debut with “Mystery Song,” an old jam that’s included on the Southern Rock Opera deluxe box set, but whose lyrics in 2024 are always evolving. So much that Hood taped this latest version to his microphone stand to read off of.

    click to enlarge

    Bassist Matt Patton

    Photo by Violeta Alvarez

    As for the rhythm section, the Always Grimacing veteran drummer Brad “The EZB” Morgan and the Always Smiling bassist Matt “Bobby Matt” Patton were the literal tires that ground the show in a solid foundation. And while Jay Gonzalez added organ and keyboard flourishes, he was the Band’s Secret Weapon as the third axeman in the very Southern Rockish “Three Guitar Army,” taking many of the more stinging solos.

    Just past the two-hour mark, the Truckers turned the mood of “Angels and Fuselage” totally around with a surefire feel-good song. One that was a hit for a Southern Rock band that Hood said “people kind of forget.”

    And with that, the evening’s proceedings closed with a tune from 1974 that he said they often played in the early days, Wet Willie’s “Keep on Smilin’.” Leaving Heathens and non-Heathens alike doing just that. As they strode out into the still rainy and misty downtown Houston night.

    click to enlarge

    Jay Gonzalez, Patterson Hood, and Mike Cooley on the DBT front line

    Photo by Violeta Alvarez

    Unexpected Houston Press Nod
    While introducing “Life in the Factory,” Hood reminisced about the band’s early years playing Houston. Usually “Upstairs at Rudyard’s to very few people.” But he said they got their first positive local press notices in the ‘90s from none other than the Houston Press’s own John Lomax, who died last year. “He was a great writer and he was royalty, but he didn’t act like it. I miss him,” Hood told the audience.

    He also recalled how Lomax had taken him to eat “the best tacos he ever had,” but for the life of him could not recall the name of Mexican restaurant. “I’ve been thinking about it all day but can’t remember,” he noted. “It was a taco place across from a pizza place!”

    Houston is gonna…Houston
    What drives local audiences to pay good money to attend concerts—and then proceed to jabber and gab to friends during the show—is one of the city’s most enduring and frustrating music mysteries. Several portions of Southern Rock Opera include spoken word interludes, and Hood sometimes introduces songs with recollections and memories. But people wouldn’t shut the hell up, and Hood called it out several times.

    While introducing the real-life historical people mentioned in “The Three Great Alabama Icons,” Hood suddenly stopped at the mic. “If you’re gonna talk, then I’ll just play guitar. Or go to the next song.”

    click to enlarge

    New DBT fan Angel Garza

    Phobo by Bob Ruggiero

    Behind the Music
    Hood said that the story behind the song “Road Cases” stems from his often-dead end searches for guitars in mid-‘90s Atlanta music stores. Though he was always able to find many used road cases with “ARS” stenciled on them. Marking them as former property of members of the Atlanta Rhythm Section.

    “These guys were huge, sold millions of records and sold-out stadiums,” Hood offered. “But fame is fleeting. And when it goes, and you’ve gotta sell things. First to go are the road cases. Then the instruments in them.”

    New Fan Corner
    Finally, standing next to me (and sporting a very hip Velvet Underground T-shirt) was 27-year-old Angel Garza. He’d driven in from New Caney to attend his first Drive-By Truckers show.

    When asked what brought him there, he said he’d seen Southern Rock Opera included on a list of “100 Albums You Should Listen to Before You Die” (his favorite song: “Guitar Man Upstairs”). Loving it, he then explored some of their other records, including 2016’s American Band. Bonus points to him for IDing songs by X-Ray Spex and the New York Dolls during the Truckers’ pre-show playlist tape.

    “I feel like this will be a good experience!” he said before the show started. “They’re like Americana. I like the way their music has roots and their lyrics.” Judging by how Garza reacted to the show, we could indeed have a Future Heathen on our hands.

    Set List
    Days of Graduation
    Ronnie and Neil
    72 (This Highway’s Mean)
    Dead, Drunk, and Naked
    Guitar Man Upstairs
    Birmingham
    Ramon Casiano
    The Three Great Alabama Icons
    The Southern Thing
    Surrender Under Protest
    Wallace
    Made Up English Oceans
    Plastic Flowers on the Highway
    Primer Coat
    Mystery Song
    Zip City
    Let There Be Rock
    Every Single Storied Flameout
    Road Cases
    Women Without Whiskey
    Life in the Factory
    Shut Up and Get on the Plane
    Greenville to Baton Rouge
    Angels and Fuselage
    Keep On Smilin’

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    Bob Ruggiero

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