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Tag: Drama

  • Soap opera star claims ‘people tried to run me off the freeway’ over villainous TV role

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    Tracey Bregman is soap opera royalty, but there are some people who haven’t been too fond of some of her storylines.

    Bregman recently claimed that her most famous character, Lauren Fenmore in “The Young and the Restless,” was originally so poorly received that she received death threats. She went as far as saying “people tried to run me off the freeway” due to her character’s behavior.

    Lauren Fenmore made her first appearance in the long-running daytime drama in 1983, and Bregman has been playing her ever since. 

    While the character is a fan favorite now, it wasn’t always that way. In the beginning, Lauren was a bully, and Bregman recalled specifically that her character’s treatment of co-star Beth Maitland’s Traci Abbott was a tough pill for fans to swallow.

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    Tracey Bregman spoke about the backlash she received in the early days of her time on “The Young and the Restless.” (Donaldson Collection/Getty Images)

    Speaking on the “Soapy” podcast, she confirmed she received backlash for her character’s harsh words and said it was also difficult personally to say those kinds of things to Maitland.

    “That was very, very difficult because Beth is one of my best friends for 42 years,” she said. “And I knew, because we were so close, how she was really feeling about a lot of things.”

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    Beth Maitland and Tracey Bregman

    Beth Maitland, left, and Tracey Bregman became friends on “The Young and the Restless.” (CBS via Getty Images)

    She recalled a story based on Maitland being “a little overweight and being conscious about that,” saying, “Then I had to say the worst things to her, and Beth will tell you that I cried more than she did over it because I could barely get it out sometimes.”

    There were “fun times” during filming too, but Bregman said, “I will tell you, it was a double-edged sword playing the mean girl because I would get death threats, and people tried to run me off the freeway.”

    The podcast’s hosts, fellow soap stars Greg Rikaart and Rebecca Budig, were shocked by that.

    “No, it was bad,” Bregman said. “There were some bad parts that I never really talked about, actually.”

    Tracey Bregman in black dress at "Young and the Restless" celebration

    Tracey Bregman attends the on-set celebration to commemorate 13,000 episodes of “The Young And The Restless” at Television City Studios Oct. 24, 2024, in Los Angeles. (Paul Archuleta/Getty Images)

    Bregman has played the role of Lauren in over 2,000 episodes, 1,847 on “The Young and the Restless” and 377 on “The Bold and the Beautiful.”

    Before she took on the character, she got her start in soap operas by playing Donna Temple Craig in “Days of Our Lives” in over 150 episodes from 1978 to 1980.

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    While Lauren eventually became more likable, another soap opera villain wasn’t as lucky.

    Last month, “General Hospital” actress Eva LaRue spoke about her departure from the show after just one season, admitting it was “hard” for her personally that her character was despised by fans after being a fan favorite during her time on “All My Children.”

    Eva LaRue and Carlo Rota on "General Hospital"

    Eva LaRue, shown with Carlo Rota, appeared on the most recent season of “General Hospital.” (Bahareh Ritter/Disney via Getty Images)

    “It was hard for me, actually — for me as a person,” she told Soap Opera Digest. “Because, in daytime, when you play a character like Maria Santos, love her or hate her, she was not ever meant to be a vilified character. And so it was hard from being that character, being a fan favorite, to being, like, literally hated.

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    “The GH fans couldn’t stand [her character]! So that was tough, because especially if you are accustomed to being rooted for, to be rooted against is not as comfortable.”

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  • Netflix gives us another sneak peek of Squid Game season two

    Netflix gives us another sneak peek of Squid Game season two

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    We’re still officially in “teaser trailer” territory for the new season of Squid Game but a lot of interesting details just dropped in the latest one for season two.

    The new trailer takes us deeper into the games as Seong Gi-hun, played by Lee Jung-jae, returns to the island presumably to take down the rich tyrants and the Front Man from the inside of the tournament. Seong is back as a player (Player 456 again, to be specific) and at least two of the games from the last season will be part of the new one, including “Green Light” and the dalgona cookie cutting challenge. This time, however, they have an experienced contestant in the sea of green, bloodied jumpsuits who can tell them how to avoid the pitfalls (figuratively and literally if the Mirror Bridge returns).

    Seong seems to be on a personal crusade to save the latest batch of players who may not have any understanding of the games and its very high stakes. Unlike last season, Seong isn’t smiling when he takes his official contestant photo. The new trailer also features an impassioned Seong trying to convince the new batch of players to vote to leave the island with their lives still intact.

    The next season of Squid Game lands on Netflix the day after Christmas, but for me, it still cannot get here quick enough.

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    Danny Gallagher

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  • Industry Recap: Selling Worthless Positions

    Industry Recap: Selling Worthless Positions

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    Industry

    Useful Idiot

    Season 3

    Episode 7

    Editor’s Rating

    5 stars

    Photo: Nick Strasburg

    Years ago, a writing instructor told me writers should avoid party scenes. They’re often chaotic, introduce too many characters, and, in general, are very, very hard to do well. That’s why I’ve always taken Industry’s party scenes as proof of the show’s excellence. Some of my favorite episodes are party episodes: Seb’s failed sushi dinner party, the Christmas party where Greg ran into the doors, and Harper and Yasmin in the club in Berlin. In Industry, parties are opportunities to showcase subterranean tensions alongside ludicrous set pieces. “Useful Idiot” is no exception, though no one is at the actual party in this episode.

    It’s Pierpoint’s 150th birthday, and the traders are supposed to be celebrating. But no one is celebratory because Pierpoint’s share price has plummeted. The end is nigh. The bell is tolling, etc etc. Eric is telling Rishi (who has a broken arm and Vinay breathing down his neck) to sell everything he can and make money wherever possible. The light on the floor is flickering and hellish, like a real-life version of Robert’s hallucinatory trip.

    The mood is even grimmer on the 13th floor, where Eric and Bill Adler are summoned for a summit on how to save Pierpoint. It’s a curious scene. As a viewer, I’m so used to seeing last-ditch hail-Mary attempts to save this or that thing, and usually, I am meant to care if the thing is saved. (Westeros from frozen zombies, the known world from an alien who got rid of half the population by snapping.) In this case, I do not care if Pierpoint lives or dies. Instead, I’m watching these scenes for pure drama. I want to see building tension and release. I want to see Eric shake off his sticky midlife mess. I want to see the ruthless, wide-grinned man from season one who out-maneuvered Daria to return in the final moment.

    And at first, Eric sort of waffles. He’s confused about why he’s at the illustrious table, as is the new Pierpoint CEO, Tom. Eric is a bit of an ingenue, blinking in the bright lights as the head honchos of Pierpoint look for someone, anyone, to infuse the bank with enough cash that it doesn’t completely unravel.  Their first stop is, of course, the government. It’s an American bank, so they call the assistant secretary to the U.S. treasury, who is hilariously wheezing away on the phone, flatly rejecting Pierpoint’s pleas. Thank goodness — I just remembered that I do care if a big bank survives or fails if it means the little guy (a.k.a. us) has to pay for a government bailout of said bank.

    As the group moves on to other possible sources of cash, Bill Adler pitches his big idea. He’s been warming up a relationship with Mitsubishi and wants to bring the Japanese bank in to solve Pierpoint’s problems. There’s a manic glint in his eye, and it’s clear that Adler sees this move as his way to the top. To me, it sounds like the ravings of a very ill man, which is deeply sad.

    Maybe Eric has been so lackluster and gross all season because there wasn’t anyone exciting enough to knife in the back. In the conference room, watching Adler and Wilhelmina battle over their succession in the bank, something starts to flicker back to life in Eric. He’s assessing the room, seeing what cards he could play. This horrible moment in the bank’s history could be just the opportunity for him to launch his career forward. But who will he screw over? Wilhelmina or Adler?

    When a Barclays acquisition backed by Wilhelmina falls through, it looks like Adler’s suggestion of bringing the Japanese in is the only viable option. Before they arrive, Eric meets Bill in the bathroom to review the proposal deck, which has a discrepancy that Eric notices. He chooses to say nothing about the deck — Nature is healing, Eric is being underhanded for his own gain again. When Mitsubishi is at the table, Eric throws Adler under the bus, apologizing for the inaccuracy on page 12. It’s not something that could throw the deal itself off, but it’s enough to throw Adler out of his game. Eric gaslights Adler into thinking that they talked about this in the bathroom, which causes Adler to unravel, confessing his brain tumor at the table. Of course, the Mitsubishi deal falls through, but more importantly, as Bill is sent home to convalesce, Eric twists the knife, dropping the act. This elicited a complex set of feelings in me. On the one hand, I’m happy to see Eric stop messing around with his incestuous psycho-sexual drama with Yasmin and turn his attention to more grown-up matters at hand. On the other, I think he may have just killed Bill Adler, which, uh, does not say great things for his personal growth.

    No matter! Eric has a backup plan to save Pierpoint, which involves calling up Ali, the Arabic-speaking trader plopped unceremoniously on his desk this season. He turns out to have ties to the Egyptian royal family. In a graceful series of moves, Eric maneuvers a deal where Ali’s family floods Pierpoint with cash for a controlling stake in the bank. It’s not lost on me that Eric’s idea was simply Bill Adler’s idea, just dressed up in a different kind of sovereignty. That is to say, it’s not that Eric won because he had a better idea, but because he was more willing to play dirty than Adler was. Am I happy for him? I don’t know.

    Braided into this storyline of Pierpoint’s possible failing is Rishi struggling to survive by essentially selling himself out to Harper, saying he’ll act as her mole on the inside to help time when she sells and buys back the Pierpoint stock she’s hoping to short. There’s also a storyline of Harper being chewed out by Petra when Petra finds out how Harper actually got the information necessary to short Pierpoint, i.e., illegally. I must confess these two storylines felt like mere threads to me, which indicates just how un-Harper focused this season has been. We’re in the penultimate episode, and Harper is a blip who barely gets her comeuppance. I don’t even care about what’s happening with her! I am sad because I want to see more of Myha’la, but I am not sad because this episode’s second half is about Rob and Yasmin.

    Where to even begin with these two. At first brush, it seemed like a case of garden variety workplace horniness, but over the course of three seasons, these characters and their will-they-won’t-they-mostly-won’t-they have developed a complex, cynical tragedy. Robert never seems to feel man enough to make a move on Yasmin. Yasmin can’t see Robert as a viable romantic option because he isn’t deeply awful to her. Not to mention the giant chasm of class that separates the two of them and the way they see the world.

    Yasmin, unemployed, is blindsided by yet more horrible news. Though Hanani Publishing is willing to take care of all of the damages caused by her father’s embezzlement, they want Yasmin to be the public fall person for Charles’ inappropriate (dare I say abusive) relationship with women who he paid off across his lifetime. Sins of the father, sins of the daughter, etc etc. Ought Yasmin take their urging and accept culpability for her family? While I am in favor of Yasmin facing the music and growing up, this seems cruel to me. She isn’t Charles. In fact, she is a victim of Charles. Even after she “killed” him, he seems to keep on winning.

    To take Yasmin’s mind off of the new clusterfuck, Robert invites Yasmin along with him to Wales, where he is interviewing for a job as the finance guy for a hallucinogen startup. That passing moment two episodes ago where Henry said someone should monetize tripping — well, Robert seems to have taken that to heart. While the two are on their road trip, Yas gets a call from Maxim, who you may remember from last season as her sometimes-fuck-buddy/family friend who handles the Hanani family assets. Hi Maxim! Maxim is calling from a retreat in San Francisco (??) to tell Yasmin he somehow knows about the blackmail ploy the Hanani Publishing people are pulling, and he wants to give her leverage: Hanani Publishing was in on Charles’ payouts to the women. Yas could potentially blackmail Hanani Publishing into covering her father’s embezzlement damages if she were willing to throw the women Charles/Hanani Publishing paid off under the proverbial bus.

    Before Yas can do anything with this information, she and Rob get to their destination, a quaint little bed and breakfast. I am reminded of season two Yas, who sneered at staying in a Marriott; oh, how times have changed! After checking in, they get a bite to eat, or rather, Robert gets a battered sausage for them to share, which he declares perfect. Oh, Robert! Your definition of perfect is not Yasmin’s definition of perfect! She needs Michelin stars and luxury oozing out of every pore; you are a humble man happy to eat carby meat on a nice night. It’s never going to work.

    Yasmin gets coy with Robert and says there will be no room hopping, to which Robert calls her on her weird sexual mind game. For once, Yasmin gets honest with him, saying that her first instinct with love is to make it ugly as quickly as possible. I mean, yeah, I get it. Your dad weaponized intimacy. Of course, you want to transform love into something despicable. It’s what Yasmin knows best, and what she imagines keeps her safe.

    When the pair share a clandestine kiss in the hallway between their rooms and no room swapping indeed occurs, the lack of sex between them is somehow the most intimate, romantic thing. But Yasmin ruins it all by taking way too many mushroom pills and cutting her hand open, requiring Rob to come in and clean up her mess as she moans about wanting to be a good person. Yasmin! WHY! ARE! YOU! LIKE! THIS!!!

    The next morning, Yasmin decides not to take the high road. She will throw those women under the bus if it means her hide is saved. I am disappointed by this decision. Sure, Yasmin might not be popular if she takes the face of the Hanani Publishing scandal, but how many people are aware of the publishing house scandals? Surely her money would have insulated her from any real harm? Rob, on the other hand, kind of gets the job and kind of doesn’t. The University associated with the psilocybin startup has put the kibosh on funding, which sounds like it might be bad news but instead means Rob now has a job looking for funding from venture capitalists. The two of them in the car is a study in opposites. Yasmin has firmly mired herself in her father’s mess, engaging in the sort of selfish tactics that he might have. Robert, on the other hand, has found something to lift him out of Pierpoint and into another life. I can’t imagine these two will end up together.

    • Shout out to the Pierpoint bathrooms. Seriously, these stalls have seen nearly all of the vital drama of this show, from Hari’s death in season one to Harper and Yasmin’s small power struggles. I like the way they are used by the series, such as de facto confessionals, a place where the traders are stripped down under harsh LED lighting.

    • I must confess I was afraid when I learned Yas and Robert were going on a road trip. There have been so many allusions made to Princess Diana this season when it comes to Yas and her being hounded by the paparazzi (for example, her charity day costume); once she and Rob got in their car, I felt sure they were both going to die in a horrible pap-driven accident. I am happy to report that this was merely a case of me looking way too far into the subtext.

    • In EXTREMELY important news, Industry was renewed for a fourth season! I was beginning to think this was the final season based on how these character storylines were shaping up, so I am surprised. My face is the surprised Pikachu meme. I can’t believe I read this so wrong!

    • While I, too, found the check-out girl at the bed and breakfast annoying, Yasmin was so condescending and awful to her. I suppose it shouldn’t have been a surprise that she decided to do the un-feminist thing with HP.


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    Nina Li Coomes

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  • From The Ashes: Oasis Announces 2025 Reunion Tour

    From The Ashes: Oasis Announces 2025 Reunion Tour

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    Things I could have predicted this year: the drama surrounding the United States presidential election, Sabrina Carpenter’s album being a hit, and the GRAMMY winners. Things I could not have predicted in my lifetime: Noel and Liam Gallagher, the brothers who’ve been publicly feuding for decades, waving the white flag and getting Oasis back together.


    You don’t need to be from the United Kingdom to know that Oasis is one of the greatest bands ever to exist. A viral video of The 1975’s Matty Healy puts it perfectly: they would be insane not to get back together…and it seems as though they’ve finally listened.

    History books will remember August 27 as perhaps one of the best (or worst) decisions a band has ever made. With a pair of hot-headed rockstars who also happen to be related, there’s no telling what’s going to happen on-stage during the 2025 reunion tour.

    However, it seems Noel and Liam are serious this time. After publicly bashing each other for years, with stories and headlines endlessly swirling about their constant fighting, Oasis is back. The official accounts for Noel, Liam, and Oasis posted on social media yesterday with the caption, “This is it, this is happening.”

    The tour will begin on July 4, 2025 in Cardiff, Wales, and extend throughout the UK for the summer. While you may not get the chance to see Oasis immediately, there are plans in place to expand the tour across other continents…So maybe the United States will see them soon.

    While we’re all excited that we get to hear hits like “Wonderwall,” “Champagne Supernova,” and “Don’t Look Back in Anger,” let’s take a look at some of the best moments from Oasis’ chaotic past:

    1. The 1996 MTV: Unplugged Show 

    What was unique about Oasis’ success is that it seemed fueled by the feud. They created some of their best work while being at each other’s throats. Their debut album, Definitely, Maybe, tore through Britpop, promptly counting Oasis as the top contender when it came to British pop rock- dethroning Blur and Pulse.

    But they were still fighting constantly. During their MTV: Unplugged set, Liam pulled out of the show last-minute due to a sore throat…forcing Noel to perform the set alone. Liam sat, shouting at Noel from the balcony as he performed alone.

    Then, the brothers were set to embark on their U.S. leg of the tour…but Liam once again stayed behind for a few shows to reportedly help settle housing for his then-wife. This forced the cancellation of multiple shows, but it was just the tip of the iceberg.

    2. Noel Calling Liam “Monkey Boy” To BBC

    It was no secret that Oasis couldn’t get along. By the year 2000, multiple tours had been cut short thanks to one brother or the other, multiple band members had quit, and violence was a recurring factor between the group. As their fourth album, Standing on the Shoulders of Giants, was touring, Noel was suddenly replaced as the guitarist.

    Noel then proceeds to phone into BBC and refer to Liam as “monkey boy” and “a bit of an idiot.” He boasts of being the reason the band is together and says it’s “just been made impossible for me to let alone be on the same stage but be in the same room as” his brother.

    3. The Fight at Rock en Seine Festival 

    Most long-term battles end with some catastrophic explosion. In Oasis’ case, it came at the Rock en Seine Festival in 2009. After hearing Noel was planning to quit the band, a brawl ensued backstage (yes, literally at the festival) and Liam even smashed Noel’s guitar.

    Medical staff and security had to be called, and Oasis never made it to the actual performance. In a statement, Noel remarked, “He doesn’t like me and I don’t like him.” That was the end of the band for 15 years until now. But we’ve seen Noel and Liam Gallagher take constant shots at one another publicly almost everyday since.

    4. When Liam Tried To Sabotage The 1996 MTV VMA’s 

    The poor MTV producers from 1995 must have hated Oasis. During their performance at the VMA’s, disaster struck as Liam and Noel clearly had been fighting before their set. In a quote from an NYTarticle,

    “Mr. Strauss, the music critic, wrote in The Times: “Liam Gallagher was swearing up a storm, knocking over the microphone, spilling beer, spitting, making lewd gestures and criticizing the lameness of the event as he sang ‘Champagne Supernova’ intentionally off-key, out of rhythm and with the wrong lyrics.”

    5. The Soup Comment 

    While Oasis had ended, the fighting never really ceased. Liam and Noel took to media outlets, Twitter, and more, to talk poorly about one another. At one point, Noel quipped that Liam is “the angriest man you’ll ever meet. He’s like a man with a fork in a world of soup.”

    Of course, Liam had to contribute by posting a photo of himself eating soup with a fork.

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    Jai Phillips

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  • Ranking the Netflix Real Estate Shows by Juiciness of Agent Drama

    Ranking the Netflix Real Estate Shows by Juiciness of Agent Drama

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    If you’ve logged onto Netflix at all recently, you’ve probably seen at least a few real estate shows pop up on your recommended list, with titles evoking the glamor and fame that one presumably achieves with a clientele predominated by plastic surgeons. From Paris to Tampa to Beverly Hills, these glossy reality series bring the best of unscripted television tropes to the world of luxury home sales, with agents whose egos are even bigger than their properties’ primary suites. Between the OG that started it all, Selling Sunset, and new additions like Owning Manhattan, we’re slowly witnessing the growth of a thrilling new subgenre I’ll tentatively brand “Real(i)ty TV.”

    While the glitz and glam of the houses on display are essential to the shows’ appeal, that’s not what these programs are really about. If it’s pure real estate porn you’re after, you can head to ol’ reliable HGTV and stuff yourself with episodes of House Hunters and its exponential offspring. Netflix’s beloved real(i)ty shows, on the other hand, are for those of us who want drama—who thrive off the chaos of ambitious, plasticky people crying in Teslas and boasting about commission rates in home movie theaters.

    Thus, it feels only right to analyze these shows (for brevity’s sake, only the tip of a steadily growing iceberg) by ranking their dramatic value. Never mind the properties’ cost, square footage, or resale value; the more important criteria here are things that numbers cannot express, such as vanity, envy, horniness, and hot tub make-outs. Let us dive into the world of real(i)ty TV not with housing at the forefront, but with all the shady stuff that goes down when listing agents are at play.

    5. Buying London

    Meet Daniel Daggers: a bespectacled British man who, first and foremost, earnestly calls himself “Mr. Super Prime” and, secondly, heads the luxury London property group DDRE Global. Daggers considers himself the great disruptor of London’s real estate market, mainly because he’s shaped his team of international agents into savvy lifestyle influencers and he spends his free time ramming into desks around his office as he tours homes via a VR headset. While Buying London ranks undeniably high on the Posh British Accent-ometer and features a truly smashing soundtrack of generic British girl pop, it is unfortunately lacking in the juicy drama we’ve come to expect from other British reality hits like Love Island.

    There’s no shortage of charming moments: Agent Oli Hamilton (who looks like a yassified version of Severus Snape) flexes his unmatched pinstripe suit collection, and the team embarks on a group meditation session followed by gourmet smoothies. But the show simply doesn’t have enough petty plotlines to fill its seven-episode season, which means that, instead, we get a montage of Oli receiving a “total style makeover” (wearing a beanie) and scenes of Daniel’s parents insisting he find a wife before they die. I agree with Daniel’s mother that “it’s a pity” he isn’t pursuing love—not because I necessarily care about whether he finds a Mrs. Super Prime, but because watching men with big egos and deeply unbuttoned shirts bumble through dates is one of life’s great pleasures.

    The one semi-dramatic plotline on Buying London is Oli’s flirtationship with DDRE’s Swedish interior designer, Juliana Ardenius (who just happens to be a former model and Miss Teen Universe contestant). Their chemistry is … not exactly electric but, nevertheless, palpable enough to arouse the suspicions of Oli’s non-model/non–Miss Teen Universe wife, Avia, who later confronts Juliana over drinks. But even this minor tiff ends up resolved at a later company party, when Juliana tells Avia she “would never go for Oli in a million years,” and they toast to “a fresh start.” (Pour one out for Oli, who definitely got a self-confidence boost from being the kingpin of a half-baked love triangle.)

    4. Owning Manhattan

    Ryan Serhant, founder of the self-titled real estate brokerage SERHANT., claims to have done over $8 billion in property sales. He also wrote a book called Big Money Energy, and—as he refuses to let anyone forget—is a cool 6-foot-3. (His favorite pastime is standing in property photos to demonstrate a condo’s very high ceilings.) Ryan’s all-star team of agents sells properties across Manhattan and some of the bougier areas of Brooklyn, giving us viewers a much-needed reminder that Williamsburg hasn’t been “gritty” for a good 20 years. The show is ripe with other endearing (annoying) New York-y things, such as agent Chloe Tucker Caine being a former Broadway star (and, thus, the person who assesses the vocal acoustics of newly listed penthouses) and agents patiently explaining to old-school Manhattanites what influencers are.

    There’s nothing too juicy going down at SERHANT., with the lack of workplace romance proving especially upsetting considering everyone looks like a grown-up Gossip Girl character. As with any good New York story, we see the agents hustle for power and status, with a refreshingly innocent subplot following Southern belle agent Savannah Gowarty’s transition to life in “the big city.” Meanwhile, the firm’s Brooklyn expert, Tricia Lee, must fight to have her voice heard among the big bad Manhattan agents, including Nile Lundgren (whose bald head–singular hoop earring combo tells us everything we need to know about him).

    The real standout of Owning Manhattan, however, is Jonathan Normolle, a Danish nightlife junkie who believes that having neck tattoos makes him “the next generation” of real estate. He’s like a Jersey Shore cast member who overstayed his welcome in Europe and now raves about leather parties and pickled herring, so, naturally, he becomes the series’ sole villain and tragic Icarus figure. (In trying to achieve podcast stardom, Jonathan, alas, flies too close to the sun.)

    Though watching Jonathan’s rise and fall—from real estate wunderkind and model to … just model—is plenty satisfying, there’s nothing that leaves us grasping for more by the end of the season. Sure, we find Ryan scrambling to save face after losing out on a major deal, but that’s the boring business stuff (a.k.a. what HGTV is for). This is Netflix, baby, so bring on the gossip, backstabbing, and betrayals!

    3. Buying Beverly Hills

    Now in its second season, Buying Beverly Hills focuses on Mauricio Umansky, founder and CEO of the Agency, a global real estate brokerage based out of L.A. As the husband (spoiler: now ex-husband) of Real Housewives star Kyle Richards, Mauricio was predestined for reality show success, and it also doesn’t hurt that his top agents are his three oldest daughters, all of whom are as business savvy as they are skilled at applying bronzer. Ladies and gentlemen: King Lear.

    The show delivers on its family drama. In the latest season’s subplots, middle daughter Alexia feels slighted by her other sisters’ newfound closeness, Mauricio and Kyle casually discuss the latter’s cheating allegations while preparing an Italian salad, and Alexia partners on a deal with Joey Ben-Zvi, her smarmy ex-boyfriend turned colleague, who—it must be noted—wears sunglasses indoors and sweaters as over-the-shoulder accessories. There’s also eldest daughter Farrah’s separation from her fiancé, Alex, which leaves her emotionally distraught enough to take over a barely defined director of operations role and even sport leisure wear on camera.

    The true pièce de résistance of this season is the introduction of a new villain: Michelle Schwartz, a managing partner at the Agency who—for reasons apparent only to her—believes herself to be Mauricio’s obvious successor (never mind that they’re basically the same age). Joey’s early-season observation that “when you fuck with one Umansky, you fuck with all the Umanskys” proves quite prophetic when Michelle promises to mentor the Umansky girls only to later talk shit about them (calling them, among other things, “business suicide”).

    Thus comes an epic showdown (rooftop poolside spat) between the Umansky sisters and the Wicked Witch of the Westside, and, truly, there’s never been more damning jabs thrown with margaritas in hand. But really, Michelle’s comeuppance is just the cherry on top of a season jam-packed with big life changes, major power swings, and—get this!—men opening up about their emotions.

    2. Selling Sunset

    Where does one begin with a show that’s led by twin brothers who are 5-foot-6 and bald but nevertheless radiate machismo? Perhaps, to properly express the many, many dramatic arcs of the show’s latest season, we’re better off starting with its final episode, which (naturally) included the Oppenheim Group agents exploring their allegiances and darkest secrets via polygraph test moderated by … Tan France?

    Things at the Oppenheim Group have never been messier. Agents repeatedly hurl deeply personal insults at each other; newcomers are received with trepidation, if not outright hostility; and Bre Tiesi dishes on sleeping with Michael B. Jordan and co-parenting a son with Nick Cannon. There’s also endless use of the phrase “social climber,” which is apparently the equivalent of “whore” in the luxury real estate world, where being self-made is everything. Take a shot every time Nicole Young calls Chrishell Stause this if you want to get completely sloshed in under an hour.

    Oh, and Jason Oppenheim and his young, German model girlfriend, Marie-Lou, break up—but you already saw that coming. (Thank you to client/guest star Nikki Glaser for the acute observation that “for someone who doesn’t want kids, it’s weird that you’re dating one.”) Dating someone 20 years your junior is, it turns out, not always the surest path to true love, even if Marie-Lou did—as Jason never fails to mention—study economics at university. Way to go, Jason; you fumbled a relationship with the next Adam Smith.

    Meanwhile, Chrishell and her Australian musician partner, G Flip, go from the honeymoon stage of dating to literally honeymooning in a matter of months. They also reveal plans to have a wedding ceremony every year on their anniversary: an ambitious, not-at-all-annoying goal seemingly designed to give Jason, Chrishell’s ex, an annual reminder of what could’ve been. We don’t see much of G Flip this season, but, when we do, they always look fresh out of a Matrix movie or Hot Topic ad, so we’re led to believe that Chrishell made the right call based on vibes alone.

    1. Selling the OC

    I’m prepared to get flack for ranking a Selling Sunset spinoff higher than Selling Sunset itself, but, truly, nothing can top the flawless dramatic structure of the OC’s latest season, which checks all the boxes of the best telenovelas. To start, we get an unprecedented (and objectively baller) power move from agent Gio Helou when he sends a speedboat to carry attendees from his colleague Kayla Cardona’s open house to the one that he’s hosting just across the Bay.

    From here, things only get more chaotic at the Oppenheims’ OC office. A large chunk of the latest season consists of arguments about whether Austin Victoria did indeed ask fellow agent Sean Palmieri to join him and his wife for a threesome. (A question also arises of whether there would have been weed available at this threesome, which—to be fair—would have made for a more alluring proposition.) Like many of the great issues of our time, the truth of this alleged threesome proposal is left murky, which makes the whole ordeal all the more captivating. Among many other profound quotes, Austin remarks that the office is turning into a brothel and then tells Sean, “You’re not hot, bro … You’re making up rumors that my wife and I want to fuck you?!”

    The best subplot of Selling the OC is equally messy but far more romantic, following the will-they-won’t-they relationship of agents Tyler Stanaland and Alex Hall. The back-and-forth of it all is enough to put Pam and Jim and Ross and Rachel to shame: Alex even considers forgoing her trip to Italy with a new love interest after Tyler pleads with her to stay. (Never mind that he completely ignored her in the preceding weeks.) While the fact that (spoiler alert) they don’t work out is definitely for the best, it’s pretty great to watch them try to convince themselves otherwise. Real estate agents … they’re just as delusional as the rest of us!

    Holyn Thigpen is an arts and culture writer based in Brooklyn. She holds an MA in English from Trinity College Dublin and spends her free time googling Nicolas Cage.

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    Holyn Thigpen

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  • The Jetty star Jenna Coleman: Pregnancy, painful split, soap fame

    The Jetty star Jenna Coleman: Pregnancy, painful split, soap fame

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    The Jetty star Jenna Coleman is fast becoming one of TV’s most popular and bankable TV actors, alongside the likes of Sarah Lancashire, Suranne Jones, and Katherine Jelly – all of whom started out soaps.

    This week, Jenna leads the cast in BBC One detective thriller The Jetty. She plays Detective Ember Manning in the four part series set in a scenic Lancashire lake town.

    When a fire tears through a property, Ember must work out how it connects to a podcast journalist investigating a missing persons cold case, and an illicit relationship between a man in his twenties and two underage girls…

    It’s another unmissable performance from Jenna, who has already proved herself in The Serpent, Wilderness, Victoria, and Doctor Who.

    Here’s everything you need to know about The Jetty star Jenna Coleman – who is currently pregnant with her first child – including the identity of her partner, her famous ex, and how she left Emmerdale

    Jenna Coleman as Detective Ember Manning in The Jetty (Credit: Firebird Pictures/Ben Blackall)

    Who plays Detective Ember Manning in The Jetty?

    Actress Jenna Coleman portrays Detective Ember Manning in new BBC One thriller The Jetty.

    Ember is called to investigate a fire in a Lancashire holiday home. Somehow, the fire connects both to a true crime podcaster investigating a missing persons cold case, and an adult man’s relationship with two underage girls. Ember needs to find out how – and fast.

    As Ember comes closer to finding answers, however, the case becomes entangled with her own personal life. What is the truth behind Ember’s past, present, and her hometown? And how is it all connected to a fire?

    BBC One describes The Jetty as “as much a coming-of-age story as a detective thriller”, promising the series will pick up where the Me Too movement left off.

    Speaking about the series, Jenna says: “Working with BBC and Firebird Pictures on bringing the complex and enigmatic character of Ember Manning to life has been an incredible experience.

    “I can’t wait for everyone to meet this new heroine and to find out what’s lurking beneath the surface of The Jetty.”

    What has Jenna been in? How is she famous?

    From Jasmine Thomas in Emmerdale to Clara Oswald in Doctor Who, Jenna has enjoyed a steady rise to fame. She began her career in the ITV soap when she was just 19.

    The young actress put drama school on hold to audition for the part and made her first appearance in 2005. At the time, she said: “I just thank my lucky stars I’ve started off in this industry with such a fantastic break.”

    Jenna left the soap in to play ‘bad girl’ Lindsay James in Waterloo Road, and said playing a schoolgirl at the age of 23 was “surreal”. She subsequently landed the plum role of Clara Oswald in Doctor Who in 2012.

    After she left Doctor Who, Jenna then played Queen Victoria in the ITV drama, Victoria. In 2018, she portrayed Joanna Lindsay in The Cry, before playing Marie-Andrée Leclerc in The Serpent, Johanna Constantine in The Sandman, and Liv Taylor in Wilderness.

    Other notable roles include Annie Desmond in the TV series Titanic, Susan Brown in Room at the Top, Rosie in Dancing on the Edge, and Lydia Wickham in Death Comes to Pemberley. Jenna has also appeared in multiple theatre productions, including opposite Aidan Turner in Lemons Lemons Lemons Lemons Lemons.

    Jenna Coleman as Clara, and Peter Capaldi as The Doctor
    Jenna Coleman as Clara, and Peter Capaldi as The Doctor (Credit: Ray Burmiston/BBC)

    Why did Jenna leave Doctor Who?

    Jenna Coleman played Clara Oswald in Doctor Who, from series 7 in 2012, to series 9 in 2015. She also appeared in the series 11 episode Twice Upon a Time.

    Clara was the sidekick of Peter Capaldi‘s The Twelfth Doctor. Peter played the Doctor until 2017, with his new sidekick Bill (Pearl Mackie).

    It was reported that Jenna quit the much-loved sci-fi show to play Victoria in the ITV drama. However, in an interview, she said that it was a simple case of her contract ending.

    She told Entertainment Weekly: “My contract was up at the end of last season, so that initiated conversations of, ‘Okay, when and how?’”

    In the show, Jenna’s character Clara left the Doctor on Earth to start his adventures anew. She began traveling with Ashildr in a stolen TARDIS with the intention of one day returning to Gallifrey to meet her end, although vowing to “take the long way around”.

    Was Jenna Coleman in Emmerdale?

    Jenna’s very first TV role was playing Jasmine Thomas in the ITV soap Emmerdale in 2005. She stayed until 2009, after appearing in 210 episodes.

    Jasmine was the niece of Ashley Thomas, and she eventually came out as a gay. In a later storyline, Jasmine started a relationship with Debbie Dingle.

    Her most significant storyline was when she killed dodgy policeman Shane as he tried to rape her. His body was eventually found and, in March 2009, Jasmine was charged with manslaughter and given four years in prison. She and Debbie said their love would last forever. It didn’t.

    Jenna Coleman and her boyfriend Jamie Childs
    Jenna Coleman and her boyfriend Jamie Childs are now expecting their first baby together (Credit: Jordan Crosby/SplashNews.com)

    Who is the boyfriend of Jenna Coleman?

    Actress Jenna Coleman is in a relationship with director Jamie Childs. The pair met whilst filming Netflix’s Sandman – a series adapted from Neil Gaiman’s popular comic book series.

    Jamie and Jenna are said to have fallen for each other on the set of Netflix drama The Sandman in 2020. Jenna played occult detective Johanna Constantine in the fantasy drama, appearing in three episodes of the 11-part series. Jamie Childs directed four episodes of the show.

    He’s also known for directing episodes of His Dark Materials, Willow, Lucky Man, Vera, and Doctor Who – although not episodes featuring Jenna.

    In 2023, Jamie directed his girlfriend Jenna again. This time in the film Jackdaw, which he also wrote.

    Is Jenna Coleman pregnant?

    Actress Jenna Coleman is currently pregnant with her first baby. The Emmerdale star was first spotted cradling her growing baby bump on the red carpet in June 19.

    The actress was at a celebratory dinner for the opening of Imaginary Conversations: An ERDEM Collection Inspired by Duchess Deborah at Chatsworth House. Jenna appeared to be glowing as she sported a green, black and white floral dress and smiled at the camera for a snap.

    The actress previously told Harper’s Bazaar that she was in no rush to have children, stating: “Half of my friends have babies, and half don’t, so it doesn’t feel like a pressure. I want to take my time. There’s a whole lot more of the world for me to see first.”

    Joking about playing Queen Victoria, who had nine children, she added: “I’d love to have children one day. But not nine of them. I can tell you that as a fact.”

    The actress previously joked that she’s had experience with labour whilst playing the royal in the series Victoria. And she admitted she watched a string of episodes of reality show One Born Every Minute to prepare for the role.

    Jenna quipped to Jonathan Ross on his chat show: “I have had many a labour scene now, I’m running out of noises for labour scenes. I’ve just given birth to the seventh child now. And there is still no pain relief as of yet either.”

    She added: “To be honest, I find if I build up adrenaline and then don’t think about it and then watch it back, I think I sounded like a sheep on one thing that I saw back before. I’d just have loads of caffeine and then get really built up. I’m sure one day maybe if I ever give birth I’ll realise I was totally wrong.”

    Did she date Victoria co-star Tom Hughes?

    Jenna previously dated her Victoria co-star Tom Hughes, who played her on-screen husband Albert. The pair were in a relationship for four years.

    However, the Daily Mail reported that the two had split up in 2020. A source told the newspaper that “they are trying to salvage a friendship but obviously these are trying times, and it’s not easy.

    “Both Tom and Jenna are terribly sad, but the relationship ran its course. There was no third party involved.”

    Prior to Tom, Jenna dated Game of Thrones and Bodyguard star Richard Madden on and off for four years. They remain friends to this day.

    She also had to publicly deny rumours that she was dating Prince Harry before he met Meghan Markle.

    How old is Jenna? Where is she from?

    Jenna-Louise Coleman was born on April 27, 1986, in Blackpool, Lancashire.

    She is currently 38 years of age.

    The actress attended Arnold School in Blackpool, and was subsequently offered a place to study English at the University of York. However, she turned it down in order to accept the role of Jasmine Thomas in Emmerdale.

    Read more: First look at Jenna Coleman in BBC One thriller The Jetty as she teases ‘complex character’

    The Jetty starts on Monday, July 15, 2024 at 9pm on BBC One and BBC iPlayer. Episode 2 airs on Tuesday, July 16, 2024 at the same time.

    Are you keen to watch Jenna Coleman in The Jetty? Leave us a comment on our Facebook page @EntertainmentDailyFix.

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    Helen Fear

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  • Olivia Culpo Goes Bridezilla Over Wedding Dress Scandal

    Olivia Culpo Goes Bridezilla Over Wedding Dress Scandal

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    Oh, Olivia Culpo. How I wanted to pore over your wedding content in the deepest of green envy. You had it all: the hot football player husband, the equally It-Girl sisters, the star attendees. You could’ve had a
    Sofia Richie moment, and instead we’re here.


    On June 29, 2024, Miss Universe and model
    Olivia Culpo and star running back for the San Francisco 49ers Christian McCaffrey invited their A-List friends to Watch Hill, Rhode Island for what was supposed to be the most spectacular wedding of the year.

    As pictures slowly leaked – and with
    Vogue onsite for full access – the Culpo-McCaffrey union had potential to be the Pinterest wedding of your dreams. Everyone wanted to see the bride. Olivia Culpo has become a true style icon for her throngs of followers – regularly posting TikToks getting ready for McCaffrey’s games throwing on “cool girl” outfits.

    So when her army of umbrellas fell and the world saw her first wedding dress…everyone was left with the same reaction:
    that’s it???!!!

    Surely, this must’ve been a ruse. No way would
    the Olivia Culpo be dressed in a full-coverage, long-sleeve, high-neck Dolce & Gabbana wedding gown. No, there had to be something else and the public wasn’t allowed to take a glimpse yet.

    But, actually, that dress
    was chosen by Culpo as the dress of her dreams. And although she had three dresses in total (yes, all equally tacky or underwhelming for different reasons), social media full-on exploded. And Culpo and McCaffrey have made things exponentially worse.

    The Problem With Olivia Culpo’s Wedding Dress

    @gowneyedgirl From Miss Universe to Miss Pick Me, Olivia Culpo is earning her crown 👑 (Photos from Vogue Weddings via Jose Villa) #bride #bridal #weddingdress #wedding #oliviaculpo #bridalgown #bridalstylist #vogue #voguewedding #bridaltiktok #weddingtiktok #dolcegabbana ♬ Chopin Nocturne No. 2 Piano Mono – moshimo sound design

    Well, there isn’t just one issue at hand. The first is the dress itself: are we serious? Dolce & Gabbana is
    not the luxury brand I’d turn to for modern conservatism.

    First and foremost,
    Dolce & Gabbana isn’t exactly free of controversy. If you want the people to take you seriously, maybe don’t choose the brand that Elton John called to be canceled in 2015 for making comments against gay parenting.

    It’s the middle of summer. If I’m getting married on the East Coast at the end of June, I’m going to be in something strapless. You bet your bottom dollar I’m showing a bit of clavicle. Because it’s
    hot and I don’t want to be miserable.

    But for Culpo, that was the whole point. And misery loves company it seems. You see, Olivia Culpo defended the dress by saying she didn’t want to “exude sex in any way, shape, or form.” She believes your wedding dress should be “serious” enough to match your “commitment.”

    “When I think about Christian and what he loves and the moments that he thinks that I’m most beautiful, it’s absolutely in something like this: timeless, covered, and elegant.

    And isn’t there something so
    Handmaid’s Tale about wanting to be covered for your husband? I genuinely thought we were past this point in life. But hey, back to the 1950s we go!

    Even more ironic is that, for the reception, Culpo changes into (essentially) a bodysuit with a mesh bubble wrapped around her waist. When stylist Kennedy Bingham made a viral TikTok response to Culpo’s fashion choices, Culpo got angry. And so did McCaffrey.

    @voguemagazine *Adds #OliviaCulpo’s wedding after-party mini to our moodboard.* Head to vogue.com to see all of her custom #dolcegabbana ♬ original sound – Vogue

    From Culpo: “Wow what an absolutely evil person you are. I hope no one ever tears you apart in this way because it’s extremely hurtful. I love this dress and it was everything I wanted and more.”

    From McCaffrey: “What an evil thing to post online. I hope you can find joy and peace in the world, the way my beautiful wife does.”

    I think “evil” may be two public figures name-calling a content creator for speaking the truth about the public’s opinion…but hey! Who am I to judge?
    (I say seething with judgment.)

    The Drama Continues

    But Kennedy Bingham ruffled one too many feathers for Culpo and her court, it seems. Not only does Culpo berate Bingham for her evil acts, but she goes on to say that millions of people wear Dolce…she’s not the only one!

    And while that may be a redeeming quality for Dolce in Culpo’s eyes, Bingham was quick to point out otherwise:

    “They are not just a designer to you, they are a coworker … I’m also not saying YOU’RE anything. I’m saying that your actions allude to a certain mindset that you aren’t doing anything to contradict.”

    And one more solid point that Bingham presents Culpo’s emphasis on her natural makeup look. Yes, she makes the brave move of skipping out on mascara (but is wearing a full set of lashes) and ditches the lip liner (a dose of filler will do instead) for a more “natural” look.

    I will hold for stifled laughter and eye rolls. Yes, the former Miss Universe who is no stranger to Botox and filler wanted you to focus on
    natural beauty. And look, I’m not saying she’s ugly by any means or needs any further work done…but when you’re preaching natural beauty and realness, please save it.

    If you want Botox, get Botox. If you want to wear a parka to your wedding in the middle of the summer, do it. If you want to wear a full beat to your wedding, do it. If you want to wear a bikini, wear a bikini.

    But
    don’t sell false beauty standards and harp on conserving your sexuality for your groom and then make it our problem when people disagree.

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    Jai Phillips

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  • ‘Owning Manhattan’ is Ryan Serhant’s latest mash-up of reality drama and luxury real estate

    ‘Owning Manhattan’ is Ryan Serhant’s latest mash-up of reality drama and luxury real estate

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    Ryan Serhant doesn’t know selling real estate without a television show.

    After a short-lived career as an actor, and just months into his foray in real estate, he was cast in Bravo’s reality series “Million Dollar Listing New York,” a spinoff of its L.A.-based predecessor. The series gave viewers tours inside multimillion-dollar luxury properties while showing the drama among arrogant and wily agents who often competed for listings or sales. It premiered in 2012 and ran for nine seasons — and it helped establish a winning format of high-end real estate voyeurism mashed up with reality TV drama.

    From the start, Serhant sought to stand out with an over-the-top, hot-shot salesman style — dressing like Aslan, the lion from “The Chronicles of Narnia,” and jumping into a swimming pool during an open house were among his exploits. Ever the dealmaker, he brokered a number of specials and spinoffs for Bravo, most recently “Ryan’s Renovation” (2021), which chronicled the remodel of the Brooklyn townhouse he shares with his wife and daughter.

    In 2020, he started his own real estate brokerage — Serhant. — and once again invited cameras along, but this time for Netflix, which has doubled down on real-estate reality programming with such shows as “Selling Sunset” and “Buying Beverly Hills.” With “Owning Manhattan,” now streaming, cameras follow Serhant and his team of agents as they compete — sometimes with each other — for some of New York’s most sought-after listings.

    In a recent video call from New York — as a back-seat passenger readying for his next appointment — Serhant talked about making the jump to Netflix from Bravo, navigating reality TV drama as a boss and why money-strapped viewers can’t get enough luxury real estate porn. This interview has been edited and condensed for clarity.

    Harlan Berger, left, is a developer who appears in “Owning Manhattan” with stars Ryan Serhant, Nile Lundgren and Chloe Tucker Caine.

    (Netflix)

    You have a long history with Bravo. You approached them with the idea of a show when you started your company. What was the feedback and what prompted the jump to Netflix?

    When I knew that I was starting my own company, I had a conversation with Bravo and my agents, and they were basically like, “You know how ‘Million Dollar Listing’ is a format? It follows a couple real estate agents as they sell real estate. Imagine ‘Law & Order’ — that’s a format. Imagine, if you turned on an episode of ‘Law & Order’ and then all of a sudden one of the detectives was like, ‘J.K., now I have my own detective agency and that’s what the show is.’” It would be weird for the format. And so we brought the show to an end after they tracked my starting of Serhant., and I immediately put together a presentation of what my next chapter would look like … and presented that to all of the networks. Got offers for most of them. But I know Jenn [Levy] really well at Netflix. [Levy, who had been director of unscripted originals at Bravo, left her post at Netflix earlier this year.]

    We went forward with Netflix, and it’s honestly been such a cool experience. It scratches the itch of, “OK, you want to see $250-million New York City penthouses? Here you go, Episode 1. You want to see what it’s like inside the workplace drama of a young startup real estate firm, à la ‘Vanderpump Rules’? OK, here you go. You want to have your own orchestra composing your music that gives you slightly a ‘Succession’ vibe. Yeah, we could do that too. Plus we’re gonna drop drones through the canyons of this city and showcase Manhattan in a way it’s never been shown before. Yeah, we can do that because we’re Netflix. What else do you want to do?” I was like, “I’ve never seen a reality TV show that has a first-person narrator with a voice-over, can I do that?” And they were like, “Yeah.”

    You have a background in acting, and you’ve been in the reality space for a while, so you know drama makes good TV. But you take your role as a professional starting a company seriously. How is it to navigate the drama now as a boss?

    So stressful. It was a tough one. “Million Dollar Listing” was stressful at the time, but it was really all me. It was on my shoulders, my clients, my business. This time around, I bet my life on starting this business in 2020, and so the exposure is a double-edged sword. With Netflix, part of the deal was, “Here’s the amount of time you’re gonna film for, and we’re gonna film everything, for better and for worse, and we’ll see what happens.” That removes some deal pressure. On “Million Dollar Listing,” it was formatted. So you’re gonna list it, and you would have those 12 listings up on a board for a year, and if they sell, they sell; they don’t sell, you get fired on TV. Because of the shooting window, you couldn’t leave things open-ended. This is different. This season ends on the cliffhanger. Every episode is a cliffhanger. We had an agent, halfway through the season, just up and quit on camera. I had to fire people who are pushing other people to quit. That’s what you get to watch on top of the deals now. The show starts with me and 12 agents, and it ends with 10. I start with salt-and-pepper hair, I end with white hair.

    To expand on that, Jonathan Normolle quickly emerged as the so-called villain of the season. From a show perspective, the drama and tension that someone like him brings is appealing. But you, as a boss, decided to fire him. Tell me about the push and pull of keeping the show entertaining and thinking about your company.

    There’s reality, and it’s what we do all day — the work, the people, the management, the payroll, the business, the opening of new markets every day— and then there’s perception, which sits on top of reality. What I did with “Million Dollar Listing” was I said, “OK, I have reality of my business. ‘Million Dollar Listing’ is going to be the perception, and it’s going to sit, not on top of reality, but above it. And that’s going to push me to consistently bring reality up to the perception.” Because we would take a year to film “Million Dollar Listing” and it would come out the next year. Whoever I act as, however I talk, the properties I show, that’s who the world is gonna see next year. That’s where a lot of the stress intention lay. Obviously, I want to do the TV show because I’ve only ever done TV shows. I don’t know selling real estate without a television show. I said [to my executive team], “If we’re gonna do this as a company, we have to go all in.” I don’t want anyone watching the show and saying to themselves, “What didn’t they show?” That was the push and pull: Do you really want to show the warts of your business to 270 million people? Or do I look at it not as warts but as I’m young, building my own business and be vulnerable with the world, and you’re going to come on this journey with me.

    Two women and a man with tattoos on his head sit at a table inside an office

    “Owning Manhattan” stars Savannah Gowarty, Jessica Markowski and Jonathan Frank Normolle, who was let go.

    (Netflix)

    Have you had any runins with Jonathan since?

    I give Jonathan a lot of credit. I saw something in him that I also saw in me. I’m not tattooed on my my head, but a little bit of a fish out of water. I had a dream in my head: “Dude, here’s what you should do — people are gonna look at you and they’re gonna judge a book by its cover. You have seconds to change people’s minds. You sell something big, you show them you’re a great, great person who’s also fun and awesome and cool and the face of the next generation, you are gonna have the biggest career ever. Or you could blow it all up.” And so it was probably my biggest disappointment. But I give him credit for being his authentic self.

    There are some headline-making deals on “Owning Manhattan.” Tell me about these listings and the struggle of getting high-profile clients to be on camera or not. Bad Bunny winds up renting the Jardim property featured on the show for a record $150,000 per month. The season ends with you nabbing a listing for a condo that was used in “Succession” as Roman Roy’s home.

    How random was that ending? Props to our production team for taking the weirdest idea I think I’ve had. I’m like, “You know what we’re going to do? We’re going to end the show in a way where people are gonna be like, ‘What the f— just happened?’” All I think about is: How do I get someone to look up from their damn phone? Anyway, I guess I’ve been used to it now for a long time. But that’s why you see buyers’ representatives, family members or lawyers kind of stepping in for clients here and there. In our show, we see a lot of the real people, a lot of the real developers. The penthouse at Central Park Tower — that’s a long-lead listing. There’s only so many people in the world who can afford it and, so [we say], “We’re gonna put it on a Netflix show. First person who buys it, gets it. Just trust me.”

    Harlan [Berger], the seller of the Jardim, where we rented it to Bad Bunny — we sold it, by the way. It just traded after we were done filming for, I think, $15 million. That’s a classic example. The seller agreed [to be on camera], but the tenant [Bad Bunny] did not agree to go on camera. We didn’t mention anyone’s names. It got put into the press, so now it’s part of the public domain; but the press, because that’s a huge rental amount, then helped bring in the buyer. You don’t buy an Hermès bag because it can be your purse. The brand sends a message. Real estate is the same way.

    The interior of a Manhattan home that showcases floor-to-ceiling windows.

    The interior of a Manhattan home from Season 1 of “Owning Manhattan.”

    (Netflix)

    It’s a complicated time to display some of New York’s most exclusive real estate on a global stage. The cost of living, especially in big cities, is insane. What have you gleaned about why viewers enjoy getting this inside look into the upper echelons?

    Because we’re all voyeurs. Everyone wants what they can’t have. Everyone fantasizes. It’s what keeps us going. It’s like brain liquidity, it’s dream liquidity. I watch “Drive to Survive.” I’ll never be behind a wheel in one of those cars, but it’s fun to watch their lives unfold on the racetrack and be like, “Man, they’re taking this seriously.”

    How are you feeling about the housing market right now? How much of the sales you are doing these days are with buyers overseas?

    The most interesting stat for me is that pre-COVID, I was doing 35% of all our transactions in cash. Today, it’s like 75%. The market right now is educated — it’s not exuberant, and it’s not devastated, it’s educated. International purchasers, we’re doing a lot with. I just sold a house — we sold it to a Croatian over FaceTime. Before that, I sold a house for $57 million over FaceTime to someone in South Africa.

    [International sales are] a big part of our business and a big part of me also signing up with Netflix. I called five of my clients who are overseas, and I was like, “OK: Netflix, Amazon, Peacock, Hulu. Which one do you have?” And the common denominator across all of them was Netflix. I was like, “OK, for business, this is a mutually beneficial relationship, so we’ll pick the biggest network.”

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    Yvonne Villarreal

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  • Queenie’s Tilly Keeper on condition that affected her sight on set, and rumoured fling with soap co-star

    Queenie’s Tilly Keeper on condition that affected her sight on set, and rumoured fling with soap co-star

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    Queenie star Tilly Keeper has made a name for herself in the likes of Netflix phenomenon You, so imagine her discomfort when she was once left unable to see properly while filming a pivotal scene…

    Tilly, who previous appeared on EastEnders as Phil Mitchell’s daughter Louise, is now starring in the Channel 4 drama Queenie, based on the bestselling book of the same name.

    Here’s everything you need to know about Tilly Keeper from Queenie, her career, and dating rumours.

    Tilly has come a long way since Walford! (Credit: Steve Vas/Future Image/Cover Images)

    How old is Tilly Keeper? Where is she from?

    Tilly Keeper was born on August 16, 1997, in Westminster, London. At the time of writing, she is 26 years old.

    At just four years old, Tilly began learning ballet at D&B Academy of Performing Arts before signing for their agency aged seven. She would later become the fifth alumni from the school to appear on EastEnders (another is Lauren Branning actor Jacqueline Jossa!).

    Tilly attended Bromley High School, an independent school located in Bickley, Greater London.

    Who did Tilly Keeper play in EastEnders?

    Tilly portrayed Louise Mitchell, daughter of soap heavyweights Phil Mitchell (Steve McFadden) and Lisa Fowler (Lucy Benjamin) in the BBC soap. She had some huge storylines on the soap.

    Memorably, Louise saw red when she discovered her boyfriend and baby daddy Keanu Taylor (Danny Walters) was also the father of her stepmum Sharon Watts‘s (Letitia Dean) baby. She exacted her revenge by helping her father and brother Ben Mitchell (Max Bowden) kidnap Keanu, leaving him for dead.

    Louise left the soap with baby Peggy Mitchell in 2020, believing she would get the blame for Keanu’s murder. However, EastEnders fans know Keanu was in fact still alive. It also wouldn’t be his last time involved in a soap murder plot!

    Tilly Keeper in EastEnders
    Tilly Keeper played Louise Mitchell in EastEnders (Credit: BBC/Jack Barnes)

    Why did she leave EastEnders?

    The Sun Online announced in 2019 that Tilly was leaving the show. In a statement, Tilly said: “I have loved playing Louise Mitchell over these past few years, and I feel honoured to have been part of such an iconic show.”

    She also added she would “miss my EastEnders family greatly”.

    In 2023, Tilly confessed to W Magazine that at the time she had been getting “itchy” to leave.

    She said: “I was 18 when I started and I’d just turned 21. All of my friends at university were graduating. I started thinking, ‘Maybe I should be moving on too’.

    “It felt like a natural progression. I got the the point where I was ready to work on other things. I was seeing my actor friends getting roles and I was kind of getting a little bit itchy. So it felt like the right time to leave.”

    Who plays Darcy in Queenie?

    Tilly stars in new drama Queenie, the Channel 4 adaptation of the award-winning Candice Carty-Williams novel. She plays Darcy, the friend of lead character Queenie (Dionne Brown), a woman struggling after the break up of a long-term relationship.

    Queenie is a sharp, honest, funny drama about 25-year-old Jamaican British woman who straddles two cultures, but slots neatly into neither.

    In episode one of eight, entitled The Prodigal Granddaughter Returns, Queenie is left shell-shocked when her long-term boyfriend Tom tells her they need a break.

    Office meeting scene in Queenie, stars including Dionne Brown, Sally Phillips and Tilly Keeper are around a meeting table
    Tilly Keeper portrays Darcy, a friend and colleague of Dionne Brown’s Queenie in the drama of the same name (Credit: Channel 4)

    What else has Tilly Keeper been in? What is she doing now?

    Last year, Tilly portrayed socialite Lady Phoebe Borehall-Blaxworth in Netflix hit You. Phoebe was part of the wealthy London crowd that serial killer protagonist Joe Goldberg (Penn Badgley) hides within.

    In one terrifying scene, Phoebe attempted to seduce the dangerous Joe – little knowing his good looks disguised an evil personality.

    However, Tilly remembers that scene for all the wrong reasons – after falling ill during filming. She told Glamour: “I woke up the morning that we filmed that scene with an optical migraine, so I think I could only see like the left half of Penn’s face as I was filming it!”

    Tilly’s other big roles include the TV film Make Me Famous (2020), alongside Tom Brittney and Amanda Abbington.

    Who are her parents?

    It turns out that Tilly isn’t the only famous name in the family. In fact, her dad Peter Keeper wrote for satirical comedy Spitting Image.

    Peter contributed to the writing of two seasons of the hit show in the 1980s.

    Meanwhile Tilly’s mother, Amanda, is a former model. In 2017, Tilly told the Daily Express that her taste in fashion was inspired by her mother. She said: “It’s a lot to do with my mum. She used to model in her younger days and whenever I go shopping, she comes, too.”

    Tilly Keeper (right) with co-stars Jasmine Armfield (right) and Shaheen Jafargholi at the 2017 Teen Awards
    Tilly (right) with EastEnders co-stars Jasmine Armfield (right) and Shaheen Jafargholi (centre) who were involved in a love triangle! (Credit: SplashNews.com)

    Who is Tilly Keeper dating?

    While starring on EastEnders, rumours flew that Tilly was romantically involved with her co-star Shaheen Jafargholi. Shaheen portrayed Shakil Kazemi, brother of Kush Kazemi (Davood Ghadami) on the London-based soap. Shakil was at one point involved in a love triangle with Tilly’s Louise Mitchell and Bex Fowler (Jasmine Armfield).

    However, Tilly told OK! Magazine in 2019 that the pair were “just friends”.

    It’s a friendship that she maintains to this day. Despite not appearing on screen together since 2019, Tilly supported Shaheen at the March 2024 launch of his BBC Three series Wreck.

    Tilly is not rumoured to have dated anyone else, and is believed to be single at the time of writing.

    How tall is she?

    According to Tilly’s IMDb profile, she is 5’8″.

    That’s the same height as her former on-screen father Steve McFadden.

    Read more: Former EastEnders star Tilly Keeper shares picture from new role in BBC film

    Catch Tilly in Queenie, which starts on Channel 4 on Tuesday, June 4, 2024 at 10pm.

    Are you excited to see Tilly Keeper in Queenie? Leave us a comment on our Facebook page @EntertainmentDailyFix and let us know what you think.

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    Susan Brett

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  • Can Marijuana Give A Break From All The Drama

    Can Marijuana Give A Break From All The Drama

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    It is a summer of political news, students protests, family gathering and just every day drama – can marijuana help with a temporary break?

    This summer will be filled with ongoing political news as the presidential election is in the fall. Add oversees wars and campus protests and conversations with some people could be fraught with drama. And summer is the time of family gatherings, birthdays, weddings or a 4th of July picnic, it can be stressful. Can marijuana give a break from all the drama. The answer is heck yes! And you will feel better than overindulging in booze.

    RELATED: Beer Sales Flatten Thanks To Marijuana

    While taking a break, breathing, or going for a walk can help, sometimes you get overwhelmed. Avoiding putting yourself in these situations by reducing your news and social media input, putting boundaries around certain people and other healthy habits are import, a quick, easy solution is needed in some situations. Cannabis can provide a temporary relief as it is a proven help against anxiety. To use this tool, there are a few things to know and also not to be over reliant on it as a solution.

    Photo by Anton Petrus/Getty Images

    Part of the way marijuana chills you out with the active cannabinoid THC. It acts through cannabinoid receptors which activates the brain’s reward system. These includes regions that govern the response to healthy pleasurable behaviors.  It also adjusts perception of time, which is what makes movies and music sound better as it allows you to stop and really absorb the moment.

    The younger generation has taken advantage of consumption methods to have marijuana on-the-go.  Vaping is the second, and trends show soon to be first, most popular method of use.  Like gummies (the third most popular way to consume), it is easy, discreet and portable for those with an active lifestyle. You can also manage dosing so you are not too high or suddenly have couch lock.

    Done right, a high, even a moderate one, can last 2-10 hours.  Smoking a joint provides the quickest and most powerful, while a gummy takes 30-45 minutes to kick it, but it is much easier to manage the dosage. Vaping is a way to maintain a steady chill.

    RELATED: 8 Ways to Enjoy Marijuana Without Smoking It

    One good thing about taking a “time out” and breathing from the drama, it is a better on our mental and physical health.

    One recent survey discovered

    • 1 in 5 had lost sleep over politics
    • 20 percent reported feeling fatigued because of political news
    • 29 percent reported losing their temper over politics
    • One quarter said they felt hateful toward those with opposing political views
    • More than 20 percent have had political disagreements damage their friendships

    However you do it, be mindful of where you are and make sure you don’t let outside forces squash you happiness and enjoyment of each day.

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    Amy Hansen

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  • Professor T on ITV: Everything we know about a series 4 of Ben Miller crime drama after emotional series finale

    Professor T on ITV: Everything we know about a series 4 of Ben Miller crime drama after emotional series finale

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    Professor T series 3 came to a heartbreaking cliffhanger ending this week, leaving fans desperate for news of a series 4.

    The crime drama starring Ben Miller as criminologist Jasper Tempest ended with one of the show’s fan favourites lying lifeless on the floor. Episode 6 of series 3, entitled Attachment Issues, was full of emotional revelations.

    While Professor T series 3 tied up a few loose ends – like what REALLY happened to Jasper’s dad – it also paved the way for a series 4. Here’s everything we know so far.

    ***Warning: spoilers from the Professor T series 3 finale ahead***

    Dan Winters and Lisa Donckers shared a passionate kiss in the Professor T series 3 finale, but tragedy followed (Credit: ITV)

    What happened in the Professor T series 3 finale?

    In the final episode of Professor T series 3, a woman was found dead at the scene of a car crash. But when it was discovered it wasn’t the accident that killed her, the Professor investigated. He subsequently found out some uncomfortable resemblances to his own situation with his dad, causing him to have some triggering flashbacks.

    Viewers will know that Jasper has long lived with the fear that he killed his own dad. His father’s death was labelled as a suicide, however his son remembered things differently, and struggled with the guilt.

    After three series of flashbacks and surreal fantasy sequences, the ITV finally delivered a definitive answer. A flashback showed Jasper’s dad turning violent towards Jasper when he was child. Scared for this life, Jasper’s mum (Frances de la Tour) smashed him over the head. Killing him to save her own son, she then staged it to look like a suicide.

    Is Lisa Donkers dead in Professor T?

    Meanwhile, Lisa and Dan’s relationship progressed to the next level as she prepared to transfer to another force. But tragedy was just around the corner. In sickening scenes, Emma Naomi’s character Lisa was run over – twice! – and left for dead in the road.

    Although Jasper called an ambulance, it appeared to come too late. As Dan (Barney White) wept over Lisa’s lifeless body, Jasper put on his latex gloves – perhaps a signal he thought she was dead, and was treating it as a crime scene.

    ITV has not confirmed if Emma Naomi will return for a possible series 4 of Professor T.

    Ben Miller and Frances de la Tour in promo shots for Professor T series 3
    Ben Miller’s character Professor T finally found out the truth from his mum Adelaide, played by Frances de la Tour (Credit: Eagle Eye Drama for
    ITV and ITVX)

    Will there be a series 4 of Professor T?

    While ITV has not revealed the fate of Professor T, entertainment magazine Variety HAS confirmed the show will be back for series 4. In fact, it made the announcement before its third season had even aired in the UK.

    Variety confirmed that Ben Miller, Frances de la Tour, Juliet Stevenson and Barney White will all be returning to the cast. Sunetra Sarker, who debuted in season 3 as DI Maiya Goswami, also made the cut.

    That doesn’t bode well for fans of Emma Naomi’s character Lisa, though!

    The new six-part season reportedly takes place six months after series 3’s shocking finale. Variety also reported that Professor T will be taking on “a new musical pursuit”, that romance is in the air for his mother Adelaide, and that the lines between professional and personal become blurred for therapist Helena (Juliet Stevenson).

    Ben Miller has previously said that he hopes to “investigate for many seasons to come!”

    Read more: Professor T actor Ben Miller: His celebrity lookalike, marriage split, and gorgeous A-list ex-girlfriend

    Professor T series 1 to 3 are currently to watch on ITVX.

    Do you want Professor T to return for series 4? Leave us a comment on our Facebook page @EntertainmentDailyFix.

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    Helen Fear

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  • The fallout of Netflix series Baby Reindeer as woman accused of being ‘real-life stalker’ threatens to sue in rant

    The fallout of Netflix series Baby Reindeer as woman accused of being ‘real-life stalker’ threatens to sue in rant

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    Baby Reindeer on Netflix is based on Scottish performer Richard Gadd‘s autobiographical stage show and his real life experiences of being stalked and sexually assaulted.

    But in the days following the dark comedy drama dropping on Netflix, speculation has been rife about how authentically Richard has created characters.

    Amid the fallout, unfounded accusations have spread on social media, leading to Richard to shut down allegations about who may have assaulted him in reality.

    And others have come forward to make claims in the press about recognising the all-too-real inspiration behind stalker character Martha, too.

    Martha stalks Donny, played by Richard Gadd who was stalked in real life, in Baby Reindeer (Credit: YouTube)

    Baby Reindeer on Netflix

    In Baby Reindeer, crashingly bad stand up and mildly compassionate barman Donny acquires an unwanted admirer after he takes pity on a customer – Martha – and gives her a drink for free.

    Within long, his entire life is interrupted by Martha’s intrusive emails and demands upon his time… even though Donny begins to wonder whether the connection they have may be more two-sided than stalkers tend to have with their victims.

    However, Martha is not Donny’s first encounter with a relationship (of sorts) wrapped up in abusive behaviours. As an aspiring writer, Donny was bowled over by a hero writer of his – Darrien O’Connor – taking interest in him. But before long, that mentorship association is also muddied by dependence, substance abuse, and serious sexual assault.

    Donny sits on a bench in Baby Reindeer on Netflix
    Donny Dunn takes a moment during the Edinburgh Festival Fringe (Credit: YouTube)

    Richard Gadd in Baby Reindeer

    Baby Reindeer has been billed as “a captivating true story”. But some viewers have speculated wildly about Darrien’s real-life identity.

    That has led to unfounded social media accusations against theatre director Sean Foley due to a claimed likeness to the actor playing Darrien.

    Sean, who recently stepped down as artistic director of the Birmingham Rep, has subsequently revealed he contacted police who are investigating abusive posts made against hm.

    Furthermore, Richard himself has appealed on social media: “People I love, have worked with, and admire (including Sean Foley) are unfairly getting caught up in speculation. Please don’t speculate on who any of the real life people could be. That’s not the point of our show.”

    Martha speaks with Donny in Baby Reindeer on Netflix
    Could the ‘real Martha’ end up being identified? (Credit: YouTube)

    Martha from Baby Reindeer identity

    Richard has previously insisted specifics about his own experiences in reality have been changed in his work.

    He is said to have claimed the person represented as Martha ‘wouldn’t recognise herself’.

    However, the tabloids have found people who reckon the ‘real life’ Martha is known to them.

    That includes lawyer Laura Wray who claims to have been stalked by the same person.

    It brought so many things back to me that I’d forgotten.

    She told MailOnline: “It brought so many things back to me that I’d forgotten. She did the same to me, made my life a nightmare. He has got her spot-on. His reaction was exactly the same as mine. I felt sorry for her.”

    After being let go, the ‘real Martha’ left threatening voicemails, including a death threat against Laura’s MP husband Jimmy Wray. She also claimed Laura hit her child to social workers.

    Baby Reindeer’s Martha at one point is characterised as having ‘targeted a barrister’s deaf child’ in a previous incident.

    The ‘real’ Martha

    Furthermore, a woman is threatening to sue Netflix after claiming she is the person behind Martha.

    She recently told the Scottish Sun: “I have a claim against Netflix as this is being billed as part of a true story. I’m a highly competent lawyer. I’d have to do it myself. I’m very good.

    “I have a photographic memory and can memorise huge files. I was top in my school at everything.”

    The woman also fumed: “There’s a fat actress that’s supposed to be me. He’s come up with this character called Martha and he has put me right in the frame. This is a programme for the 20-somethings. The people with no lives, no jobs, whatever. I don’t want to be a celebrity.”

    She also told the Daily Record recently: “I’ve had death threats as a result of his show despite the fact that a lot of the things he claimed are just not true.

    “I have not watched Baby Reindeer but I have seen various things. I was in Richard Gadd’s company on occasions but I didn’t stalk him like he claims. His story is that this is a gross intrusion into my privacy. I haven’t seen him for 12 years.”

    ED! has contacted Netflix for comment.

    JOIN ED!’S ANT AND DEC NEWS CHANNEL ON WHATSAPP – IN THESE 4 SIMPLE STEPS USING THE INVITE LINK HERE

    Join Ed's Ant and Dec Whatsapp channel

    Read more: Paul O’Grady’s husband shares moment he took star’s dogs to his casket

    Additionally, leave us a comment on our Facebook page @EntertainmentDailyFix and let us know what you think of this story

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    Robert Leigh

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  • Opportunity for female directors at 2024 Tony Award nominations

    Opportunity for female directors at 2024 Tony Award nominations

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    After a final, frantic push to open the last raft of Broadway shows before the eligibility window closed, the final list of almost 40 plays and musicals vying for Tony Award nominations this year are ready and hoping for their closeups.Jesse Tyler Ferguson and Renée Elise Goldsberry will announce nominees for the 26 competitive Tony Awards on Tuesday morning, the result of voting by the 60 members of the nominating committee.Video above: Actors from ‘The Lion King’ share their experiences of being on a Broadway stageThe spring barrage — 14 shows opened in an 11-day span this year — is not unusual these days as producers hope their work will be fresh in the mind of voters ahead of the Tony Awards ceremony on June 16. But no clear single musical juggernaut has emerged, like the megahit “Hamilton” in 2016 or a critical darling like last year’s “Kimberly Akimbo.”One possible change this year indicates women may be poised to outnumber the men for the first time in directing nominations. Nearly half of the 21 musicals — new and revivals — that opened this season were helmed by a woman or featured a team of co-directors where at least one was a woman. Five out of the season’s 16 new plays and play revivals were also staged by women.The 2022 Tony Awards currently holds the record for most female directing nominees, with four total across the two races. Only 10 women have gone on to win the directing crown.The eligible shows this season include reworking of existing movies or books — “The Outsiders,” “The Great Gatsby,” “The Notebook,” “Back to the Future” and “Water for Elephants” — and new works transferring over to Broadway, like the suffrage play “Suffs,” the dance-heavy Sufjan Stevens-scored “Illinoise,” the rock band imploding “Stereophonic” and “Hell’s Kitchen,” loosely based on Alicia Keys’ life.There are some coincidences, like that Huey Lewis & The News songs are heard at both his jukebox show “The Heart of Rock and Roll” and an unconnected musical of “Back to the Future.” Rachel McAdams, who made a breakthrough in the film version of “The Notebook,” is competing against the musical version of that movie a few blocks away in the play “Mary Jane.” Plus, “The Wiz” and “Wicked” now share Broadway, and Nazis are in both “Cabaret” and a musical about artist Tamara de Lempicka.This season attracted plenty of big stars to Broadway in addition to McAdams, like Jessica Lange and Jim Parsons in “Mother Play,” Steve Carell in a revival of “Uncle Vanya,” Eddie Redmayne in a new “Cabaret,” Liev Schreiber in “Doubt,” “Succession” star Jeremy Strong in a revival of “An Enemy of the People” and Sarah Paulson in the play “Appropriate.”There were some firsts this season, including “Here Lies Love” with Broadway’s first all-Filipino cast, as well as mostly Filipino producers, including singer H.E.R., comedian Jo Koy and Black Eyed Peas’ Apl.de.Ap. And seven openly autistic actors starred in “How to Dance in Ohio,” a first for Broadway.Big musical revival splashes were made by “Monty Python’s Spamalot,” “The Wiz,” “The Who’s Tommy,” Stephen Sondheim’s “Merrily We Roll Along” and the fourth revival of “Cabaret.” Academy Award winner and Tony Award-nominee Ariana DeBose, who hosted both the 2023 and 2022 ceremonies, will be back this year and will produce and choreograph the opening number.This year’s location — the David H. Koch Theater — is the home of New York City Ballet and in the same sprawling building complex as Lincoln Square Theater, which houses the Broadway venue Beaumont Theater.Like last year, the three-hour main telecast will air on CBS and stream on Paramount+ from 8 p.m.-11 p.m. EDT/5 p.m.-8 p.m. PDT with a pre-show on Pluto TV, and some Tony Awards handed out there on June 16.This season’s Broadway numbers — about $1.4 billion in grosses and 11.1 million tickets — is running slightly less than the 2022-23 season, off about 4% in grosses and down 1% in tickets.

    After a final, frantic push to open the last raft of Broadway shows before the eligibility window closed, the final list of almost 40 plays and musicals vying for Tony Award nominations this year are ready and hoping for their closeups.

    Jesse Tyler Ferguson and Renée Elise Goldsberry will announce nominees for the 26 competitive Tony Awards on Tuesday morning, the result of voting by the 60 members of the nominating committee.

    Video above: Actors from ‘The Lion King’ share their experiences of being on a Broadway stage

    The spring barrage — 14 shows opened in an 11-day span this year — is not unusual these days as producers hope their work will be fresh in the mind of voters ahead of the Tony Awards ceremony on June 16. But no clear single musical juggernaut has emerged, like the megahit “Hamilton” in 2016 or a critical darling like last year’s “Kimberly Akimbo.”

    One possible change this year indicates women may be poised to outnumber the men for the first time in directing nominations. Nearly half of the 21 musicals — new and revivals — that opened this season were helmed by a woman or featured a team of co-directors where at least one was a woman. Five out of the season’s 16 new plays and play revivals were also staged by women.

    The 2022 Tony Awards currently holds the record for most female directing nominees, with four total across the two races. Only 10 women have gone on to win the directing crown.

    The eligible shows this season include reworking of existing movies or books — “The Outsiders,” “The Great Gatsby,” “The Notebook,” “Back to the Future” and “Water for Elephants” — and new works transferring over to Broadway, like the suffrage play “Suffs,” the dance-heavy Sufjan Stevens-scored “Illinoise,” the rock band imploding “Stereophonic” and “Hell’s Kitchen,” loosely based on Alicia Keys’ life.

    There are some coincidences, like that Huey Lewis & The News songs are heard at both his jukebox show “The Heart of Rock and Roll” and an unconnected musical of “Back to the Future.” Rachel McAdams, who made a breakthrough in the film version of “The Notebook,” is competing against the musical version of that movie a few blocks away in the play “Mary Jane.” Plus, “The Wiz” and “Wicked” now share Broadway, and Nazis are in both “Cabaret” and a musical about artist Tamara de Lempicka.

    This season attracted plenty of big stars to Broadway in addition to McAdams, like Jessica Lange and Jim Parsons in “Mother Play,” Steve Carell in a revival of “Uncle Vanya,” Eddie Redmayne in a new “Cabaret,” Liev Schreiber in “Doubt,” “Succession” star Jeremy Strong in a revival of “An Enemy of the People” and Sarah Paulson in the play “Appropriate.”

    There were some firsts this season, including “Here Lies Love” with Broadway’s first all-Filipino cast, as well as mostly Filipino producers, including singer H.E.R., comedian Jo Koy and Black Eyed Peas’ Apl.de.Ap. And seven openly autistic actors starred in “How to Dance in Ohio,” a first for Broadway.

    Big musical revival splashes were made by “Monty Python’s Spamalot,” “The Wiz,” “The Who’s Tommy,” Stephen Sondheim’s “Merrily We Roll Along” and the fourth revival of “Cabaret.”

    Academy Award winner and Tony Award-nominee Ariana DeBose, who hosted both the 2023 and 2022 ceremonies, will be back this year and will produce and choreograph the opening number.

    This year’s location — the David H. Koch Theater — is the home of New York City Ballet and in the same sprawling building complex as Lincoln Square Theater, which houses the Broadway venue Beaumont Theater.

    Like last year, the three-hour main telecast will air on CBS and stream on Paramount+ from 8 p.m.-11 p.m. EDT/5 p.m.-8 p.m. PDT with a pre-show on Pluto TV, and some Tony Awards handed out there on June 16.

    This season’s Broadway numbers — about $1.4 billion in grosses and 11.1 million tickets — is running slightly less than the 2022-23 season, off about 4% in grosses and down 1% in tickets.

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  • Beyond Paradise series 3: Everything we know about whether Humphrey will be back, amid upcoming Paraverse spin-off

    Beyond Paradise series 3: Everything we know about whether Humphrey will be back, amid upcoming Paraverse spin-off

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    Beyond Paradise series 2 has come to a rather bittersweet end, leaving fans wondering about a possible series 3.

    With Death in Paradise missing a lead detective, and another spin-off series currently in production, the Paraverse (Paradise universe) is in a state of flux.

    The series finale of Beyond Paradise was a happy one, even though Humphrey Goodman and Martha Lloyd called off their wedding. So will the pair ever get hitched? And will there be a series 3?

    Here’s everything you need to know about a possible series 3 of Beyond Paradise.

    ***Warning: spoilers from episode 6 of Beyond Paradise series 2 ahead***

    Will Humphrey and Martha ever get married? (Credit: Red Planet Pictures/Joss Barratt)

    What happened in the Beyond Paradise series 2 finale?

    In the Beyond Paradise series 2 finale, Humphrey and Martha’s wedding day finally arrived… However, the pair did NOT go ahead with the wedding.

    Martha wore a beautiful white lace and broderie anglaise wedding dress, while Humphrey looked dapper in a navy suit and burgundy tie. Anne had organised a lavish affair, but her plans were far grander than anything the bride or groom actually wanted.

    Anne had clearly become TOO invested in their fairy-tale ceremony, following her own recent betrayal (boo, hiss, Richard!). In an emotional twist, Anne cancelled the wedding, realising that her daughter and future son-in-law didn’t want such a fuss.

    In the end, Martha and Humphrey agreed NOT to get married on that day. However, they vowed to do so in the future, and threw a not-getting-married party on the beach.

    Elsewhere, Humphrey (Kris Marshall) and Martha got closer to fostering a child, the result of the police station house review was revealed, and Kelby and CS Charlie Woods shared a kiss on the beach!

    Will there be a series 3 of Beyond Paradise?

    BBC One has not yet confirmed a series 3 of Beyond Paradise. But surely it’s a no-brainer. Series 2 ended with future seasons very much in mind – the impending fostering journey of Martha and Humphrey, not to mention the mounting crimes occurring in the fictional Devonshire town of Shipton Abbott.

    There’s no reason why Beyond Paradise can’t run for years if the public still has an appetite for it.

    In a recent interview, Zahra Ahmadi shared an update about possible future series. Zahra, who plays DS Esther Williams, told HELLO!: “We don’t know [about series 3] yet but we’ve certainly had conversations about it with each other. That’s a big hope, for me certainly, and I think we all share that.”

    Her co-star Felicity Montagu – aka Margo Martins – added: “I would love to, but we’ll just have to see. I don’t think any of us know yet.”

    Beyond Paradise series 2 cast
    The regular cast of Beyond Paradise series 2 (Credit: Red Planet Pictures/Joss Barratt)

    Death in Paradise and Beyond Paradise spin-off

    While there’s no news about Beyond Paradise series 3 just yet, the BBC has confirmed a Paraverse spin-off.

    Filming has started on the next spin-off, which is set in Australia. Return to Paradise will star Anna Samson as DI Mackenzie Clarke – the franchise’s first female lead detective.

    Home and Away actress Anna Samson will portray Mackenzie Clarke, a disgraced London Met officer who is forced to return home to Dolphin Cove, Australia, when she’s accused of tampering with evidence.

    Dolphin Cove is the last place Mackenzie wants to be – having left her ex-fiancé Glenn (Tai Hara) at the altar there six years ago. And, viewers will soon discover, that wherever Mackenzie goes, trouble follows… Soon she finds herself working for Dolphin Cove’s police force.

    As well as Anna Samson and Tai Hara, Return to Paradise will also star Ted Lasso actor Lloyd Griffith.

    Read more: BBC announces female lead detective for Death in Paradise spin-off as fans fume: ‘Trying to milk it for all it’s worth’

    Beyond Paradise series 1 and 2 are currently available to watch on BBC iPlayer.

    Do you want Beyond Paradise to return for a series 3? Leave us a comment on our Facebook page @EntertainmentDailyFix.

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    Helen Fear

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  • Queen Elizabeth Was Messy & LOVED Drama??? Her Former Aide Is Spilling! – Perez Hilton

    Queen Elizabeth Was Messy & LOVED Drama??? Her Former Aide Is Spilling! – Perez Hilton

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    Queen Elizabeth II was here for the drama! It turns out Her Majesty “loved when things went wrong” because it made her life more spicy! Seriously!

    The late Queen of England’s former aide Samantha Cohen is speaking out and revealing some hot goss about what it was like to work with the monarch. In a new interview published on Monday by the Herald Sun, Samantha dished:

    “The Queen had no ego, she was so comfortable in herself, yet she loved it when things went wrong. If a cake was not cutting or a plaque didn’t unveil, because everything was so perfectly organized, it spiced her life up when things went wrong.”

    LOLz! Love that she enjoyed a little chaos — and it makes sense! Perfect would get boring over time!

    Related: Prince William & Carole Middleton Hang Out In Pub Amid Kate’s Cancer

    But now we have MORE questions! Surely, she couldn’t have loved all the drama in her life, right?? Prince Harry’s royal rift and all the controversy that surrounded the ongoing family feud must’ve crossed a line for her! Or maybe not?? Maybe all drama was good?! Either way, it sounds like she always kept a level head when things went wrong, which is what made her such a joy to work with. Cohen, who was Elizabeth’s assistant private secretary for 17 years, continued:

    “I loved, loved, loved the job as the Queen’s assistant private secretary. They were happy times because the Queen was in great form.”

    The pair were so close that Elizabeth invited Samantha and her family to visit both Balmoral Castle and Sandringham House for Christmas. Samantha also had her own room at Windsor Castle and had the “best times” with the matriarch when they traveled on two royal tours to Australia in 2002 and 2011. After working together from 2001 to 2018, the aide moved over to become Harry and Meghan Markle‘s private secretary — before leaving the palace just one year later. Oof.

    It’s been rumored that she left due to harsh treatment, but she neglected to address such reports. The outlet did, however, note that she confirmed being one of ten staff members interviewed by Buckingham Palace following a bullying complaint filed by the Sussexes’ former communications secretary. So… do with that what you will!

    Are you surprised Queen Elizabeth was down for the drama? Let us know (below)!

    [Image via WENN/MEGA/Avalon]

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    Perez Hilton

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  • 10 Years Ago, Game of Thrones Gave Joffrey What He Had Coming

    10 Years Ago, Game of Thrones Gave Joffrey What He Had Coming

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    Back in its heyday, Game of Thrones looooooved killing off characters. Whether they were sad, hilarious, or kind of dumb, those ends have been memorable in their own ways, the mark of a good show filled with great actors. And who can forget the death of Jack Gleason’s Joffrey Baratheon, one of the show’s most disliked (in a mostly good way) antagonists?

    On April 13, 2014, HBO aired the second episode of Game of Thrones’ fourth season. At the end of “The Lion and the Rose,” Joffrey and Margaery Tyrell get married and celebrate their new union at the Red Keep. Everything seems to be going well—relative to the show’s last wedding, I guess—and then in the middle of insulting Tyrion, Joffrey starts choking before blood runs down his nose as he seizes up and dies in his mother’s arms, but not before silently accusing Tyrion of poisoning his wine. Cersei puts Tyrion under arrest, and the episode lingers on Joffrey’s bloody, colorless face. Musical crescendo, cut to black, the audience cheers.

    Game Of Thrones (Season.4 ep.2) Death of King Joffrey.

    In real life, “Lion and the Rose” received critical acclaim at the time of its airing, with many calling it one of the series’ best episodes ever. Come awards season, it received five Emmy nominations, with two in the acting categories for Lena Heady (Supporting Actress in a Drama) and Diana Rigg (Guest Actress, Drama), and winning one for best costuming. Moreover, this episode set up some plotlines from the books…some of which ended up not getting used. Whoops. And within the show itself, Joffrey’s death caused a domino effect for the rest of the season, resulting in even more deaths and Tyrion getting hell out of dodge to avoid getting his head chopped off. It also paved the way for some of the show’s big moments later on and other members of his family to get some wins of their own. (Well, until they died.)

    With Joffrey dead, Gleason used his character’s exit to take a break from professional acting, which he’d been doing since he was 8 years old. Despite that, he wasn’t gone for too long: after appearing in the 2016 short film Chat, he’s gradually returned in the last several years, appearing on a few episodes of Sex Education and Out of Her Mind. Along with his appearance in last year’s The Famous Five on BBC, he was in 2021’s Rebecca’s Boyfriend and 2023’s In the Land of Saints & Sinners.

    Even if you didn’t watch Game of Thrones back then, you probably knew who Joffrey was and how much folks wanted him to get got. “The Lion and the Rose” gave audiences what they wanted and then some, and it’s still one of the most satisfying moments in the show. RIP Joffrey, but at least you went out on such a nice day.


    Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

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    Justin Carter

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  • Kate Middleton Spotted, Rihanna’s $6 Million Performance, Cyrus Family Drama, and More | Jam Session

    Kate Middleton Spotted, Rihanna’s $6 Million Performance, Cyrus Family Drama, and More | Jam Session

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    The ladies return this week with a plethora of celebrity topics and news to discuss, starting with Kate Middleton being spotted for the first time since her abdominal surgery (2:30). Later on in the pod, the ladies get into Rihanna’s $6 million performance in India (21:18), the Cyrus family drama (24:57), and Jay Shetty’s self-help book (29:23).

    Hosts: Juliet Litman and Amanda Dobbins
    Producer: Jade Whaley

    Subscribe: Spotify / Apple Podcasts / Stitcher

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    Juliet Litman

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  • The Narcissistic Culture of “Image” and Excessive Self-Monitoring

    The Narcissistic Culture of “Image” and Excessive Self-Monitoring

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    In a world obsessed with public image and attention-seeking, learn about the cultural forces propelling society to become more narcissistic – and how this influences us to be in a constant state of self-scrutiny.



    The idea that our culture is becoming more narcissistic and self-centered is not new.

    Historian and social critic Christopher Lasch’s book The Culture of Narcissism was first published in 1979. By that time, the 1970s were already dubbed the “Me-generation.” Americans were increasingly shifting focus to concepts like “self-liberation,” “self-expression,” and “self-actualization,” while untethering themselves from past traditions and social responsibilities.

    Interestingly, Lasch traces the narcissistic roots in America back way further, starting with the early days of the Protestant work ethic and its singular focus on labor, money, and wealth-building, including the old “pull yourself up by your bootstraps” mantra.

    This early thread of American hyper-individualism continues into the New Age movement at the turn of the 20th century with its focus on personal happiness and spiritual fulfillment, as well as the popularity of Ayn Rand’s “virtue of selfishness,” and the rise of celebrity-worship and fame-seeking that still characterizes much of American life today whether it be in politics, sports, art, or entertainment.

    Things appear to be getting worse. The book was written over 40 years ago, but a lot of the observations in it seem strangely prophetic when looking at the world today. Lasch accurately describes how narcissistic trends have evolved on a societal and cultural level, and you can perfectly extend his theories to explain our modern culture.

    Before you continue reading, remember this is a cultural analysis of narcissistic tendencies and it isn’t focused on clinical or psychological definitions of Narcissistic Personality Disorder (NPD).

    Many people act more narcissistic because that’s what our society rewards and that’s how people think they need to act to get ahead in today’s world.

    One can even look at certain narcissistic tendencies as a survival strategy in an otherwise competitive, atomized, isolated – “every man for himself” – world.

    Now let’s dive into how our modern culture amplifies and rewards narcissism.

    The narcissist craves an audience

    First, the most defining characteristic of a narcissist is that they depend on the attention and validation of others to feel good about themselves.

    Contrary to the popular myth that the narcissist suffers from excessive self-love, the truth is they are deeply insecure and lack true confidence and self-esteem. The main reason they brag, show off, or puff-up-their-chests is only to appear strong when deep down they feel weak.

    As a result the narcissist is obsessed with their image and appearance. They feel they need to “win people over” to be accepted and liked by others, and this requires a carefully manufactured persona they create for the public.

    This deeply rooted “need for attention” plays a central theme in Lasch’s analysis:

      “Narcissism represents a psychological dimension of dependence. Notwithstanding his occasional illusions of omnipotence, the narcissist depends on others to validate his self-esteem. He cannot live without an admiring audience. His apparent freedom from family ties and institutional constraints does not free him to stand alone or to glory in his individuality. On the contrary, it contributes to his insecurity, which he can overcome only by seeing his ‘grandiose self’ reflected in the attention of others, or by attaching himself to those who radiate celebrity, power, and charisma.”

    Without an audience to appreciate them, the narcissist struggles to find their self-worth. They don’t believe in themselves – they need “proof” they are a good or important person through the eyes of others.

    To the narcissist, any attention is better than none at all; even negative attention like gossip, drama, and criticism feeds into their egos by letting them know they are still front and center.

    In a society that rewards attention for the sake of attention (including fame and notoriety), the narcissist grows and thrives. Who knows, that next scandal with a famous celebrity may be their big breakthrough – whatever gets them into the limelight!

    Image-centrism: The society of the spectacle

    One major contributor to the rise of narcissistic tendencies is that our culture is becoming more image-centric.

    Popular ideas on what true “happiness,” “success,” “fame,” “beauty,” and “achievement” look like are based on outward images and appearances increasingly fed into our culture through photographs, movies, television, and advertising:

      “[One] influence is the mechanical reproduction of culture, the proliferation of visual and audial images in the ‘society of the spectacle.’ We live in a swirl of images and echoes that arrest experience and play it back in slow motion. Cameras and recording machines not only transcribe experience but alter its quality, giving to much of modern life the character of an enormous echo chamber, a hall of mirrors. Life presents itself as a succession of images or electronic signals, of impressions recorded and reproduced by means of photography, motion pictures, television, and sophisticated recording devices.”

    This book was written before the internet and social media which have only increased our “image-centrism” tenfold. Selfies, avatars, memes, filters, photoshop, and AI have all continued to add more layers to this hyper-reality between manipulated images and how we choose to present ourselves.

    This constant barrage of cultural images shapes our beliefs and map of reality. It subconsciously puts ideas in our heads about what “happiness,” “success,” and “beauty” are supposed to look like.

    Once these social images are set in our minds, we naturally feel the desire to live up to them.

    Narcissists can often be the most sensitive to these social images because they fear their true self isn’t good enough, so they take society’s picture of “success” and try to mirror that image back to others.

    On the surface, the narcissist is a crowd-pleaser. They don’t trust their own judgement, so if society says this is what “happiness” or “success” looks like, then they will try to mimic it the best they can.

    Everyone has an audience now

    Technology, internet, social media, cameras, and recording devices have created a world where everyone feels like they have an audience all-the-time.

    Family photo albums and home videos were early stages in turning “private moments” into “public consumption,” but now we have people over-sharing every meal, date, and shopping spree on their social media feeds.

    Lasch correctly identifies this trend back in the 1960s-70s, including a mention of the popular show Candid Camera, which was one of the first “hidden camera” TV shows:

      “Modern life is so thoroughly mediated by electronic images that we cannot help responding to others as if their actions – and our own – were being recorded and simultaneously transmitted to an unseen audience or stored up for close scrutiny at some later time. ‘Smile you’re on candid camera!’ The intrusion into everyday life of this all-seeing eye no longer takes us by surprise or catches us with our defenses down. We need no reminder to smile, a smile is permanently graven on our features, and we already know from which of several angles it photographs to best advantage.”

    Life is recorded and shared now more than ever before. Today everyone has an audience and many people can’t help but see themselves as the “main character” of their own carefully edited movie.

    Unfortunately, we have this audience whether we like it or not. Every time we are out in public, someone may whip out their phones, capture an embarrassing moment, and upload it to the internet for millions to watch. You never know when you may go “viral” for the wrong reasons. The rise of online shaming, doxing, and harassment puts people in a perpetual state of high alert.

    That’s a stressful thought, but it perfectly represents this state of hyper-surveillance we are all in, where there’s always a potential audience and you feel constant pressure to showcase the “best version of yourself” in every waking moment, because you never know who is watching.

    Self-image and excessive self-monitoring

    In a world that rewards people solely based on the “image” they present, we naturally become more self-conscious of the image we are projecting to others.

    This leads to a state of endless self-monitoring and self-surveillance. We see ourselves through the eyes of others and try to fit their image of what we are supposed to be. No matter what we choose to do with our lives, the most pressing questions become, “How will this make me look?” or “What will people think of me?”

    While people naturally want to present themselves in the best way possible and form strong first impressions, an excessive degree of self-filtering and self-management can cause us to lose our sense of identity for the sake of superficial acceptance, internet fame, or corporate climbing.

    At worst, we increasingly depend on this these manufactured images to understand ourselves and reality:

      “The proliferation of recorded images undermines our sense of reality. As Susan Sontag observes in her study of photography, ‘Reality has come to seem more and more like what we are shown by cameras.’ We distrust our perceptions until the camera verifies them. Photographic images provide us with the proof of our existence, without which we would find it difficult even to reconstruct a personal history…

      Among the ‘many narcissistic uses’ that Sontag attributes to the camera, ‘’self-surveillance’ ranks among the most important, not only because it provides the technical means of ceaseless self-scrutiny but because it renders the sense of selfhood dependent on the consumption of images of the self, at the same time calling into question the reality of the external world.”

    If you didn’t share your meal on social media, did you really eat it? If you didn’t update your relationship status online, are you really dating someone?

    For many people, the internet world has become “more real” than the real world. People don’t go out and do adventurous things to live their lives, but to “create content” for their following.

    Who looks like their living their best life? Who is experiencing the most FOMO on the internet? In a narcissistic world, we start seeing our “digital self” in competition with everyone else – and the only thing that matters is that it looks like we are having a good time.

    More and more, we consume and understand ourselves through these technologies and images. We depend on photo galleries, reel clips, and social media posts to chronicle our life story and present the best version of ourselves to the world. If the internet didn’t exist, then neither would we.

    In the sci-fi movie The Final Cut people have their entire lives recorded through their eyes; then after they die, their happy memories are spliced together to give a “final edit” of the person’s life. Many of us are perpetually scrutinizing and editing this “final cut” of our own lives.

    The invention of new insecurities

    Everything is being observed, recorded, and measured, so we have more tools than ever to compare ourselves against others.

    This leads to the invention of all types of new insecurities. We are more aware of the ways we’re different from others, whether it’s our jobs, homes, relationships, health, appearances, or lifestyles. We can always find new ways we don’t “measure up” to the ideal.

    New technologies create new ways to compare. Before you know it, you have people in heated competitions over who can do the most steps on their Fitbit, or consume the least amount of calories in a week, or receives the most likes on their gym posts. The internet becomes a never-ending competition.

    Of course, measuring your progress can be a valuable tool for motivation and reaching goals. The problem is when we use these numbers to measure up against others vs. measure up against our past self. Always remember that everyone is on a completely different path.

    It’s well-known that social comparison is one of the ultimate traps when it comes to happiness and well-being. You’ll always be able to find someone who has it better than you in some area of life, and with the internet that’s usually an easy search.

    These endless comparisons touch on all aspects of life and heighten self-scrutiny and self-criticism. Finding and dwelling on even “minor differences” can spiral into a cycle of self-pity and self-hate. If we don’t remove ourselves from these comparisons, then we have no choice but to try to live up to them and beat ourselves up when we fail.

    Conclusion

    The goal of this article was to describe some of the key forces that are making society more narcissistic and self-centered.

    Different cultural beliefs and attitudes incentive certain personality traits over others. Our current world seems to continue moving down a more narcissistic path, especially with the increased focus on “image” (or “personal brand”) that we build for ourselves through the internet and social media.

    Most of the ideas in this article are based on the book The Culture of Narcissism which, despite being written over 40 years, is an insightful look into how these social forces continue to grow and evolve.

    Do you feel like our current society is getting more narcissistic? How have these social forces influenced the way you live?


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    Steven Handel

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  • 14 Powerful Genre-Bending Films That Explore Love in Unconventional Ways

    14 Powerful Genre-Bending Films That Explore Love in Unconventional Ways

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    Explore the world of love through a variety of lenses. Here’s a collection of powerful films that each portray love and romance in a unique way, spanning multiple genres including drama, comedy, fantasy, animation, and sci-fi.


    “Cinema is a mirror by which we often see ourselves.”

    Alejandro Gonzalez Inarritu


    Movies give us the opportunity to explore major themes in life in a meaningful and profound way.

    A powerful film can lead to a better understanding of your own experiences. It can communicate thoughts and emotions that may have been challenging to express; and, at times, completely reshape our perspective on life.

    For better or worse, movies play a pivotal role in shaping our beliefs and map of reality. We pick up ideas through films, sometimes absorbed at a very young age, and those ideas find their way into our daily lives influencing our choices and perspectives.

    Filmmakers understand the transformative power of cinema, purposely using it to shake up people’s consciousness. The goal of a solid film is to create an experience that leaves you a different person by the end of it.

    As viewers, it’s essential to be aware of a film’s effects both emotionally and intellectually. Often, the movies that linger in our thoughts long after watching are the most impactful and life-changing.

    Here’s a collection of classic films about love and romance. Each movie has had a lasting influence on audiences in one way or another. It’s an eclectic list that spans multiple genres, including drama, comedy, animation, fantasy, mystery, and sci-fi.

    Titanic (1997)

    James Cameron’s epic tale blends love and tragedy against the historical backdrop of the Titanic’s sinking in 1912. The film weaves a captivating narrative of a forbidden romance blossoming amidst a natural disaster.

    Eternal Sunshine of the Spotless Mind (2004)

    In this mind-bending story, a man attempts to erase the memories of a lost love using cutting-edge technology, only to find fate conspiring to bring the couple back together repeatedly. The film explores the complexities of memory, love, and destiny.

    Beauty and the Beast (1991)

    Disney’s classic adaptation of the French fairy tale is celebrated for its beautiful animation and memorable songs. The film goes beyond appearances, illustrating the transformative power of true love.

    Her (2013)

    Set in a near-future world, “Her” tells the unconventional love story of a lonely man who forms a deep connection with his computer’s operating system. The film delves into themes of technology, loneliness, and the nature of human connection.

    Before Sunrise (1995)

    Richard Linklater’s film follows two young tourists who meet on a train in Europe and share an unforgettable night in Vienna. The movie explores the transient nature of connections and the profound impact of brief encounters.

    Lost in Translation (2003)

    Sofia Coppola’s film features a washed-up American celebrity and a young woman forging an unexpected bond in Tokyo. “Lost in Translation” navigates themes of loneliness, connection, and self-discovery.

    Cinema Paradiso (1988)

    An Italian filmmaker reflects on his past and learns how to channel his love in a different and creative way through his art and craftsmanship.

    Past Lives (2023)

    Two childhood friends reconnect after years apart, seeking to unravel the meaning behind their enduring connection. The film explores the complexities of friendship, time, and shared history.

    Check out: In-Yeon: Exploring “Past Lives” and Eternal Connections

    The Lobster (2015)

    Set in a dystopian future, “The Lobster” challenges societal norms by presenting a world where individuals must choose a romantic partner within 45 days or face transformation into an animal. The film satirizes the pressure to conform in matters of love.

    Annie Hall (1977)

    Woody Allen’s classic romantic comedy is a hilarious and heartfelt movie that explores neurotic love and the psychological obstacles we commonly face in marriage and long-term relationships.

    Your Name. (2016)

    A masterful anime that combines elements of science fiction, fantasy, and romance. It centers on a mysterious connection between a boy and girl who swap bodies, learn about each other’s lives, and search to find each other in real life.

    A Woman Under the Influence (1974)

    John Cassavetes’ uncomfortably raw and dramatic portrayal of the profound impact of mental illness on marriage and family, navigating the complexities with unflinching honesty.

    The Fountain (2006)

    Darren Aronofsky’s “The Fountain” explores love and mortality through three interconnected storylines spanning different time periods. The film delves into themes of eternal love and the quest for immortality, providing a visually stunning and emotionally resonant experience.

    Scenes From a Marriage (1974)

    Legendary director Ingmar Bergman’s deeply incisive and detailed chronicle of a rocky marriage’s final days.

    Choose one movie and analyze it

    Each of these films offers a different perspective on love while also pushing the boundaries of cinema and story-telling.

    It’s fun to compare each story: How did the couples meet? What defined “love” for them? What obstacles did they face? Did the relationship work out in the end or not? Why?

    Exercise: Choose one movie from the list that you haven’t seen before and do the Movie Analysis Worksheet (PDF).

    While films are often seen as just a source of entertainment or healthy escapism, they can also be an avenue for self-improvement and growth.

    The “Movie Analysis Worksheet” is designed to make you think about the deeper themes behind a film and extract some lessons from it that you can apply to your life.

    Watch with a friend and discuss

    If you don’t want to do the worksheet, just watch one of the movies with a friend (or loved one) – then discuss it after.

    Watching a film together is an opportunity to share a new experience. It can also spark up interesting conversations. This is one reason why bonding through movies is one of the most common ways we connect with people in today’s world.

    Which film will you check out?


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    Steven Handel

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  • What’s Up Thursdays: Bachelor Nation, Sydney and Maria Drama, More on Joey’s Social Antics, and Interview With ‘2 Black Girls, 1 Rose’

    What’s Up Thursdays: Bachelor Nation, Sydney and Maria Drama, More on Joey’s Social Antics, and Interview With ‘2 Black Girls, 1 Rose’

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    Juliet is back with What’s Up Thursday, where she goes over what’s up in Bachelor Nation, on Bachelor Reddit, and in the broader world of reality TV—and, of course, her reading list! This week, Juliet discusses the Sydney and Maria drama, Joey confusing Gypsy Rose Blanchard for Ruth Bader Ginsburg, and a few book recommendations. Then Juliet ends the episode with an interview in which Justine Kay and Natasha Scott-Reichel from 2 Black Girls, 1 Rose discuss this season so far on The Bachelor.

    Host: Juliet Litman
    Producer: Jade Whaley
    Theme Song: Devon Renaldo

    Subscribe: Spotify / Apple Podcasts / Stitcher / RSS

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    Juliet Litman

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