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Tag: Dr. Phillips Center for the Performing Arts

  • Broadway musical ‘& Juliet’ revamps well-known romance story in Central Florida Jan. 6-11

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    Broadway musical ‘& Juliet’ revamps well-known romance story in Central Florida Jan. 6-11

    The show’s lead and a 2025 Jimmy Award winner, Fabiola Caraballo Quijada, joins WESH 2 with a preview.

    IS TAKING CENTER STAGE WITH A MODERN TWIST. THE BROADWAY MUSICAL AND JULIET BREATHES NEW LIFE INTO THE ROMANCE TRAGEDY ROMEO AND JULIET. JOINING ME NOW IS 2025 JIMMY AWARD WINNER AND THE SHOW’S LEAD, FABIOLA. FABIOLA. CARABALLO. QUIJADA. FABIOLA. GREAT TO SEE YOU. THANKS FOR HAVING ME. AND LET ME JUST SAY, MY FAMILY AND I GOT TO SEE THE SHOW LAST NIGHT AND IT IS JUST A CONCERT AND A PARTY, AND YOU GO ON THIS EMOTIONAL JOURNEY WITH YOUR CHARACTER. SO I DON’T KNOW HOW TO EVEN DESCRIBE THE STORY TO SOMEBODY. WHAT DO YOU SAY? YEAH. SO AND JULIET, YOU KNOW, IT KIND OF TAKES A TWIST ON THE CLASSIC ENDING OF OF ROMEO AND JULIET. YOU KNOW, SHAKESPEARE’S INFAMOUS PLAY. AND SO, YOU KNOW, THIS ENDING, YOU KNOW, WE TAKE THE QUESTION, WHAT IF JULIET HADN’T ENDED IT ALL OVER ROMEO? AND SO, YOU KNOW, SHE REALLY STARTS HER JOURNEY OF, OF SELF-EMPOWERMENT AND SHE GOES AND MAKES MISTAKES AND LEARNS FROM HER FRIENDS, AND SHE ULTIMATELY DECIDES THAT HER JOURNEY IS, YOU KNOW, HER DESTINY IS IN HER OWN HANDS. YEAH. AND YOU, YOU PLAY JULIET? OF COURSE. THE LEAD HERE. IT WAS OPENING NIGHT. WE’RE REALLY THANKFUL THAT YOU GOT UP EARLY AND YOU JOINED US HERE. HOW WAS THE ORLANDO AUDIENCE? WHAT WAS THE ENERGY LIKE? YEAH. WE’RE INCREDIBLE. IT WAS INSANE. I HAD NEVER FELT AN ENERGY IN, LIKE, THE FIRST OF ALL, THE THEATER IS JUST INCREDIBLE. IT’S BEAUTIFUL AUDITORIUM. AND YOU GUYS JUST FILLED IT WITH SO MUCH SOUND AND JOY. IT WAS REALLY INCREDIBLE TO FEEL ON STAGE. WELL, AND THEN WE’LL GET TO THIS QUESTION LATER. BUT, YOU KNOW, WE’VE GOT A BIG ORLANDO TIE IN I’M TALKING ABOUT. YEAH, YEAH, MAYBE A BOY BAND MEMBER, YOU KNOW, WHO LIVES HERE IN CENTRAL FLORIDA. BUT FIRST, JULIET, I MEAN, THIS IS A CHARACTER THAT WE KNOW FROM SHAKESPEARE’S WRITING. IT’S A BIG ROLE TO FILL THESE SHOES. HOW DO YOU DO IT NIGHT AFTER NIGHT? YEAH. SO, I MEAN, WE’VE GOT TO START WITH, YOU KNOW, LIKE THE HISTORICAL CONTEXT OF JULIET, YOU KNOW, LIKE, SHE’S YOUNG AND SHE’S A LITTLE BIT SHELTERED. SHE JUST WANTS TO DO, YOU KNOW, SHE’S KIND OF REBELLIOUS. AND SO WE USE MOST OF THAT IN THIS NEW ADAPTATION. BUT WE ALSO, YOU KNOW, SHE IS JUST WILD AND YOUNG. AND WE TAKE THAT ON. AND, YOU KNOW, WE ALSO INCLUDE LIKE THE POP ELEMENT OF IT. AND SO, YOU KNOW, WE WE KIND OF JUST MIX THE, THE Y2K ELEMENTS WITHIN THE ENTIRE SHOW. AND JULIET IS JUST, OH, SHE’S JUST A ONE BIG BALL OF ENERGY. AND THEN IT BRINGS HER THROUGH SO MUCH IN HER JOURNEY, AND IT LEADS HER TO MEET SO MANY NEW PEOPLE. AND SHE GOES THROUGH A LOT EMOTIONALLY, YOU KNOW, SHE SHE IT’S AN EMOTIONAL ROLLER COASTER FOR JULIET. AND SHE ENDS UP SHE WITH THE VICTORY IN THE END. YES. AND FABIOLA, YOU DO A FANTASTIC JOB WITH THIS SHOW. YOU MENTIONED THE MUSIC. IT IS WHAT THEY CALL A JUKEBOX MUSICAL. SO THESE ARE SONGS ALL OF US SHOULD KNOW? YES. INCLUDING CAST MEMBER HERE THAT WE KNOW FROM A BOY BAND, NSYNC MEMBER JOEY FATONE IS ON STAGE WITH YOU HERE FOR THE ORLANDO SHOWS. YES, JOEY IS PLAYING OUR LANCE THIS WEEK AND THIS WEEK ONLY. HE IS JUST AN INCREDIBLE PERSON TO WORK WITH. HE’S SO, SO FUNNY, SO FULL OF ENERGY. HE REALLY BRINGS AN INCREDIBLE ENERGY TO THE STAGE AND IT’S SO MUCH FUN. IT’S DIFFERENT, BUT YOU KNOW, THAT’S WHAT KEEPS US ON OUR TOES ON STAGE. THE AUDIENCE LOVED SEEING HIM. HE HAS JUST SUCH A FUN PART, BUT IT DOES HAVE THIS EMOTIONAL ARC. I JUST THOUGHT HE WAS GOING TO BE COMEDIC RELIEF LIKE WE FIND IN A SHAKESPEARE PRODUCTION. BUT THERE’S SO MUCH MORE TO TO WHAT JOEY BROUGHT. AND HE DOES LIVE HERE, YOU KNOW, HIS FAMILY’S ROOTED HERE AND WE LOVE SEEING HIM ON STAGE. HE ALSO JUST CAME OFF THE BROADWAY RUN. HE DID TWO STINTS ON BROADWAY OVER THE SUMMER, AND THEN EARLIER IN THE YEAR AT 2025, BIG YEAR FOR JOEY FATONE. BUT FOR YOU TOO, YOU JUST GRADUATED HIGH SCHOOL. I SURE DID. I SAID HIGH SCHOOL THIS PAST SPRING. I MEAN, WHAT A HUGE ACCOMPLISHMENT. NOW IN A BROADWAY TOUR. WOW. THANK YOU. HOW DID THAT HOW DID THAT HAPPEN? YEAH, WELL, I GRADUATED IN MAY OF 2025, AND SHORTLY AFTER I WENT TO NEW YORK FOR THE JIMMY AWARDS, THE NATIONAL HIGH SCHOOL MUSICAL THEATER AWARDS. FOR THOSE WHO DON’T KNOW. AND IT WAS A ONE WEEK, INCREDIBLE WEEK IN NEW YORK. AND I ENDED UP TAKING HOME THE PRIZE TO MY PARENTS AND MY FAMILY. AND, YOU KNOW, SHORTLY AFTER THAT, I WAS I WAS OFFERED THE AUDITION FOR ANNE JULIET, AND I WAS LIKE, HEY, I DIDN’T THINK THAT ANYTHING WOULD COME OUT OF IT. AND, WELL, HERE WE ARE. OH, HERE YOU ARE IN A BIG WAY. FANTASTIC IN THE SHOW. AND JULIET PLAYING JULIET. WE JUST WISH YOU CONTINUED SUCCESS. THANK YOU. IT WAS. IT WAS SUCH A FUN RIDE, EVERYBODY. WE WERE ON OUR FEET. IT WAS LIKE A PARTY AT THE END, CELEBRATING WITH. WITH JULIET HERE AND FABIOLA AS WE WRAP THIS UP HERE, WHAT’S THE MESSAGE FOR OTHER YOUNG PEOPLE, BROADWAY KIDS OR BROADWAY ASPIRING YOUNG PEOPLE? WELL, THE THING THAT I ALWAYS SAY IS JUST THAT IT’S SO IMPORTANT TO BELIEVE IN YOURSELF. YOU KNOW, THERE ARE SO MUCH THAT YOU KNOW THAT YOU CAN ACCOMPLISH. YOU JUST NEED TO HAVE A VISION OF WHERE YOU WANT TO BE, AND YOU NEED TO TRY EVERYTHING YOU DO, EVERYTHING THAT IS IN YOUR POWER TO TO TRULY TAKE THIS STEP FORWARD. OPEN DOORS. DON’T BE AFRAID TO STEP OUT OF YOUR COMFORT ZONE BECAUSE YOU KNOW A LOT CAN HAPPEN. THERE’S A LOT OF THINGS THAT YOU YOU, YOU DON’T KNOW THAT YOU CAN DO UNTIL YOU KNOW, YOU TAKE THAT STEP AND THERE YOU ARE. WE LOVE IT. GREAT WORDS. FABIOLA. THANK YOU. A REALLY FUN SHOW. AND WE’RE TALKING ABOUT, YOU KNOW, HITS THAT MAX MARTIN WROTE THAT. YES. HALF OF THEM CAME OUT BEFORE YOU WERE EVEN BORN HERE. OH, BUT I KNOW HIM JUST AS WELL. OH, LET ME TELL YOU. BETTER THAN I THAN I OR ANYBODY IN THE AUDIENCE SAYS YOU’VE GOT IT. AND WE’RE GOING TO POST A LINK TO ALL THE SHOW INFORMATION. FABIOLA, WE’RE LOVING YOU AS JULIET. CAN’T WAIT TO SEE THE SKY’S THE LIMIT FOR YOUR CAREER. THANK YOU SO MUCH. ALL THE INFORMATION IS U

    Broadway musical ‘& Juliet’ revamps well-known romance story in Central Florida Jan. 6-11

    The show’s lead and a 2025 Jimmy Award winner, Fabiola Caraballo Quijada, joins WESH 2 with a preview.

    Updated: 10:02 AM EST Jan 7, 2026

    Editorial Standards

    The Broadway musical “& Juliet” puts a modern spin on the well-known Shakespearean romance story, “Romeo and Juliet,” as the national tour makes a stop in Central Florida. The show’s lead and a 2025 Jimmy Award winner, Fabiola Caraballo Quijada, joins WESH 2 with a preview.The show will take center stage at the Dr. Phillips Center for the Performing Arts from Jan. 6-11, 2026. Orlando native and *NSYNC superstar Joey Fatone joins the Orlando stops of the North American Tour of the hit musical as “Lance.”Click here to learn more.

    The Broadway musical “& Juliet” puts a modern spin on the well-known Shakespearean romance story, “Romeo and Juliet,” as the national tour makes a stop in Central Florida.

    The show’s lead and a 2025 Jimmy Award winner, Fabiola Caraballo Quijada, joins WESH 2 with a preview.

    The show will take center stage at the Dr. Phillips Center for the Performing Arts from Jan. 6-11, 2026.

    Orlando native and *NSYNC superstar Joey Fatone joins the Orlando stops of the North American Tour of the hit musical as “Lance.”

    Click here to learn more.

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  • Theater review: ‘The Wiz’ kicks off Dr. Phil’s 2025/2026 Broadway in Orlando season – Orlando Weekly

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    Cal Mitchell as The Lion, Elijah Ahmad Lewis as The Scarecrow, Dana Cimone as Dorothy, and Alan Mingo Jr. as The Wiz in the North American Tour of “The Wiz” Credit: Jeremy Daniel/courtesy Dr. Phillips Center for the Performing Arts

    For older generations, The Wizard of Oz was a cherished childhood staple of springtime CBS broadcasts, which (unless you believe it’s a populist parable) delivered no deeper socio-political statement beyond “There’s no place like home.” But today’s audiences are largely experiencing L. Frank Baum’s fantasyland filtered through the lens of our fractured era, where the very concept of home feels fraught. Whether it’s Wicked’s wildly successful script-flipping allegory about fascism or the uncanny AI-assisted exploitation of the original Technicolor film flourishing inside Las Vegas’s Sphere, crowds still flock to Oz even as its interpretations become increasingly apocalyptic. 

    So it is somewhat surprising and ironic that the new touring production of The Wiz — which was Broadway’s original groundbreaking reimagining of the tale back in 1975, and whose 1978 film was set in a terrifyingly derelict Manhattan — arrives in Orlando this week with none of the angst or edge that accompanies its popular descendants. Instead, it dismisses almost all of Oz’s darkness and drama in favor of exuberantly expressing unbridled Black joy, an all-too-rare occurrence on the Dr. Phillips Center’s mainstage.

    Dana Cimone stars as Dorothy, a spunky orphan sent from the big city to black-and-white Kansas, where her Aunt Em (The Voice finalist Kyla Jade, doing double duty as Evillene) consoles her with a song before a cyclone of interpretive dancers whisks her house over the rainbow. During her mythic quest for repatriation, she teams up with a brainless Scarecrow (Elijah Ahmad Lewis, beautifully boneless), a heartless Tinman (D. Jerome) and campy cowardly Lion (Cal Mitchell), who all seek assistance from The Wiz (Alan Mingo, Jr., channeling RuPaul Andre Charles). Before you can click your heels three times [century-old spoiler alert] the wicked witch is waterlogged and Glinda (Sheherazade) brings down the house with a power anthem, so Dorothy can sing her way home with a Diana Ross megahit. 

    Writer Amber Ruffin has updated William E. Brown’s book with largely unnecessary new backstories for the characters, which nod at topical issues like bullying and climate change without ever going deeper than the surface; as well as a cutting collection of contemporary one-liners, which will land differently depending on your cultural awareness of topics like hair curl pattern. The script is mostly there to bridge between Charlie Smalls’ R&B score (funkily orchestrated by Joseph Joubert), which is stocked with all-time bangers including “You Can’t Win,” “Ease On Down the Road,” and “Everybody Rejoice,” along with a fistful of forgettable snoozers. 

    Unfortunately, those boring book numbers make up the bulk of the second act, which under Schele Williams’ presentational direction dragged the pacing to a halt following a promising beginning. The Wiz’s talented cast is truly wonderful, as is the energy they exude on stage, but there’s something fundamentally off about the balance in this production. It begins with a lack of focus on the main character in both the staging and the sound mixing; despite Cimone’s stellar vocal tone, her Dorothy struggles to be seen and heard above the din until the very last verses of her finale. 

    Likewise, technical elements like Hannah Beachler’s scenic design, Shren Davis’ costumes and Jaquel Knight’s choreography all draw upon decades of urban influences — from ’60s hippies and ’70s Soul Train through Y2K hip-hop — and smoosh them together in a way that’s initially dazzling, but ultimately aesthetically incoherent. Most egregious are Daniel Brodie’s distracting backdrop projections, which look like hastily Photoshopped stock art (at best), or Sora-generated slop (at worst). 

    If you don’t peek behind the curtain, there’s a lot of entertainment value to be had in this trip down the Yellow Brick Road, particularly for an audience that doesn’t often get to see themselves reflected in trauma-free theater. However, fans who have already fallen in love with Elphaba and her fight for freedom may have trouble identifying with this lightweight take on Oz. Either way, The Wiz gets Orlando’s 2025/2026 Broadway season off to colorful start that had me humming “Brand New Day” out the door.



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    Seth Kubersky
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  • Comedian Ms. Pat brings ‘Hot and Flashy Tour’ to Orlando’s Steinmetz Hall

    Comedian Ms. Pat brings ‘Hot and Flashy Tour’ to Orlando’s Steinmetz Hall

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    Comedian Ms. Pat tours into Orlando

    Y’all wanna hear something crazy? It’s time for Orlando to get a “Patdown” from the multi-talented comedian, author, radio host, podcaster and actress Ms. Pat.

    A Variety “Top Ten Comic to Watch,” Ms. Pat brings her “Hot and Flashy Tour” to Steinmetz Hall, with a set chock-full of honest, straight-up and sometimes provocative comedy about the difficulties of parenting, family relationships and growing up in challenging circumstances.

    Boasting a résumé complete with The Ms. Pat Show, an Emmy-nominated sitcom spanning four seasons, and Netflix special Y’all Wanna Hear Something Crazy?, the Atlanta-born comedian is best known for spinning her own experiences and life stories into raw, hilarious and critically-acclaimed stand-up.

    Don’t miss a fiery, relatable rising comedic star dubbed by the New York Times “brutally honest and outrageous.”

    7 p.m. Saturday, Oct. 5, Steinmetz Hall, Dr. Phillips Center for the Performing Arts, $35.50- $150.50.


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    Lucy Dillon

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  • The Second City comedy troupe brings their anniversary show to Orlando

    The Second City comedy troupe brings their anniversary show to Orlando

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    The Second City travel troupe brings 65th anniversary show to Orlando

    Witness a celebration of a classic comedy troupe’s history and humor this weekend at this 65th anniversary show from the Second City.

    The anniversary performance features material from the archives of the iconic sketch comedy collective — originally founded in Chicago in 1959 — including fan-favorite songs, routines, characters and blackouts brought to life by the “all-star ensemble.”

    The improv troupe is renowned as a proving ground for young comics; Second City has catapulted the careers of countless comedians and actors, including Catherine O’Hara, Stephen Colbert, Keegan-Michael Key, Eugene Levy and many more. It also featured future Saturday Night Live stars like John Belushi, Bill Murray, Tim Meadows, Tiny Fey, Chris Farley and Amy Poehler.

    The Second City continues to be one of “the most influential names in comedy” to this day. There will be a sensory-friendly show on Sunday.

    7:30 p.m. Friday-Sunday, Sept. 27-29, Pugh Theater, Dr. Phillips Center, $45.


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  • ‘Daily Show’ alumni Roy Wood Jr. and Jordan Klepper are coming to Orlando in December

    ‘Daily Show’ alumni Roy Wood Jr. and Jordan Klepper are coming to Orlando in December

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    Jordan Klepper and Roy Wood Jr. come to Orlando for some serious comedy

    Daily Show stars and comedic firebrands Jordan Klepper and Roy Wood Jr. are teaming up to say hello/goodbye to “America, for the Last Time” in December.

    Billed cheekily as “a comedic town hall that digs into the issues that matter and many that do not,” Wood and Klepper are taking their show on the road to just two cities [so far announced] in this newest leg of their duo tour: Brooklyn in November and Orlando in December. A Q&A portion of the evening is tantalizingly hinted at.

    Both are longtime Daily Show correspondents who have branched out into a multiplicity of solo endeavors — stand-up tours, documentaries and solo specials. And both embody deadpan [Klepper] and exasperated [Wood Jr.] humor like few others.

    “America, for the Last Time” comes to the Walt Disney Theater at the Dr. Phillips Center on Dec. 7. Tickets are on sale through the venue.


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    Matthew Moyer

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  • Immersive experience ‘Wavelength’ combines live music and a dazzling light show

    Immersive experience ‘Wavelength’ combines live music and a dazzling light show

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    Photo courtesy Creative City Project/Facebook

    ‘Wavelength’ happens at the Dr. Phillips Center this week

    Join the Creative City Project for a unique experience featuring a slew of musical masterminds and a dazzling light show, conjuring up a feast for the eyes and ears.

    “Wavelength” presents cutting-edge lasers, lights and projections, melded with a musical show pairing a rock band, 12 orchestral musicians and 20 professional singers.

    Creative City Project put together this show as the latest of their immersive light and sound experiments, following up 2022’s “The Seasons” and “The Carnival” from 2023.

    Steinmetz itself is even getting in on the act; the hall will be extensively decorated with 200 light pillars, so no matter where you’re seated, you’ll be up close to the action.

    5:30 p.m. & 8 p.m., Saturday, Aug. 17, Steinmetz Hall, Dr. Phillips Center for the Performing Arts, $45-$80.


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    Houda Eletr

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  • Acoustic guitar titan Leo Kottke to hold court at Orlando’s Steinmetz Hall this week

    Acoustic guitar titan Leo Kottke to hold court at Orlando’s Steinmetz Hall this week

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    Leo Kottke

    A disciple of godly American Primitive guitarist John Fahey, a young Leo Kottke released his album of instrumental pieces 6- and 12-String Guitar in 1969, which became an unlikely hit and made Kottke a star. (Sales of the album also kept Fahey’s label Takoma in the black for years, likely to Fahey’s faint annoyance.)

    The student maybe surpassed the master, with Kottke going on to craft 40 solo and ensemble albums over the years that have expanded kaleidoscopically on his deft and joyous merger of jazz, folk and roots sounds picked intricately on acoustic guitars.

    Guitar Player mag, which loves a good shred, offered the corollary that Jimi is to the electric as Kottke is to the acoustic — and we see no lie there. The 76-year-old axeman is still alive and kicking, fingers still nimble and in rude creative form — so Steinmetz will soon ring with his cascades of notes and chords. (Might just be glorious.)

    The similarly — but differently! — adventurous Julian Lage opens.

    7:30 p.m. Sunday, Aug. 18, Steinmetz Hall, $35- $65.


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    Matthew Moyer

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  • TikTok personality Nurse John brings his ‘Short-Staffed Tour’ to Orlando this fall

    TikTok personality Nurse John brings his ‘Short-Staffed Tour’ to Orlando this fall

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    Image via @nurse.johnn/Instagram

    Paging Nurse John, you’re due to begin your shift in Orlando

    Social media personality John Dela Cruz, best known for making relatable and humorous nurse content on various platforms, is heading out on his first-ever tour — and it’s coming to Orlando.

    The “Short-Staffed Tour,” will see Cruz use the best coping mechanism available for someone working a job in healthcare: comedy.

    Widely known as Nurse John, Cruz is a licensed nurse and uses his platform to make playful videos touching on the challenges he faces as a nurse. Often using a dramatic eye-bag filter on TikTok (and usually holding an energy drink), Cruz quickly grew a sizeable online fanbase.

    Along with relatable videos, Cruz hosts a podcast that has amassed more than 3 million downloads called “I Beg Your Pardon.” Using this podcast as a form of therapy, he pokes fun at and complains about the ever-growing list of struggles that comes with working in the healthcare field.

    With his first-ever tour, Cruz brings the daily aggravations of being a nurse to the stage. The show will include new material written exclusively for the tour, and those with VIP tickets will get the chance to meet Cruz and spill the workplace tea backstage — just make sure you don’t violate HIPPA.

    Join Nurse John in using laughter as a coping mechanism on Nov. 2 at 7 p.m. at the Dr. Phillips Center’s Steinmetz Hall. Tickets start at $35 and can be purchased through the venue’s website.

    @nurse.johnn LIKE CAN I TAKE A SIP OF MY DAMN COFFEE FIRST??!!??!! #nurse #nurses #nurselife #nursehumor #nurseproblem #nursing #nursingschool #nursingstudent #nursejohnn ♬ original sound – nurse.johnn


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    Houda Eletr

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  • Casey Abrams is coming to the Dr. Phillips Center for a multi-night run of shows

    Casey Abrams is coming to the Dr. Phillips Center for a multi-night run of shows

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    Zoey Thomas

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  • Steve-O promises ‘flagrantly unacceptable’ night at Orlando tour stop Sunday

    Steve-O promises ‘flagrantly unacceptable’ night at Orlando tour stop Sunday

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    Photo courtesy Ticketmaster

    Podcaster and ‘Jackass’ star Steve-O perforns at the Dr. Phil

    Steve-O said he’s transitioned from “celebration mode” to “acceptance mode” since celebrating his 50th birthday earlier this month.

    Of course, for him, accepting age looks like performing back-to-back stunt shows in Orlando this weekend and then getting launched out of a pontoon boat at Mike Busey’s Sausage Castle the following day.

    The stunt-performing star of the Jackass MTV show and films will bring his newest tour, tentatively titled “Steve-O’s Gone Too Far,” to the Dr. Phillips Center’s Alexis & Jim Pugh Theater for two shows at 5 and 8 p.m. on Sunday, June 30.

    The multimedia event will combine live stunts with video footage from old, unaired Jackass sequences cut from the original films because they were deemed unairable, Steve-O says.

    “The powers that be would want to have completely scrubbed them from existence. But unfortunately, I have all the video,” he says. “I was nervous about it because I genuinely felt that maybe the stuff I’m presenting is just too horrific.”

    But Steve-O has been delighted by audiences’ enthusiastic reactions at the shows he’s performed so far, he says. He considers live reactions the “only way” to get honest feedback — as opposed to comments on his podcast or YouTube channel, which can be disingenuous.

    “A whole room can’t pretend to laugh out loud … people can’t fake their response in a live situation, so it’s really the only way to find out which jokes work,” he says. “That’s what this run is all about.”

    Over the past 13 years, Steve-O’s live performances have come a long way from a simple stage and microphone. This tour will be his second to include multimedia elements after he introduced the format during his 2023 tour, “Steve-O’s Bucket List.” But after wrapping Steve-O’s Gone Too Far, he may retire from live physical stunts, he said.

    “I don’t care to have to keep pushing the boundaries of all the physical stuff that I do anymore,” he says. “But to get better and better at something and then just stop entirely might not make sense, so I just don’t know what the future looks like.”

    Steve-O recounted a conversation with media personality Caitlyn Jenner where she compared him to Elton John. The beloved British songwriter used to perform in increasingly elaborate, outrageous outfits on tour, until at a certain point he couldn’t keep topping himself, relates Steve-O.

    At a certain point, John gave up and started wearing normal suits. Steve-O compares this tour to his “Elton John moment,” while his next tour may feature him donning a metaphorical suit, dropping physical stunts in favor of a simple microphone.

    Performing for Florida is a homecoming of sorts for Steve-O, who lived in the state off and on throughout his childhood and graduated from Ringling Bros. and Barnum & Bailey Clown College in Sarasota in 1997.

    Steve-O still has family in Florida, including his father, who will attend his performance in West Palm Beach a couple of days before the Orlando stop. Although nervous for his father to attend the show, Steve-O says he has no plans to tone it down for his sake.

    “I’ve always said about my live comedy, ‘Dad, don’t judge the show based on what you think of me,’” he says. “‘Judge the show based on how the audience responds to it.’”

    The Jackass MTV series was filmed partially in Orlando, including a stunt from the first episode of Season 3 when Steve-O walks down Rosalind Avenue in an Uncle Sam costume and stilts and exaggeratedly falls over to gauge reactions from passersby.

    Steve-O hopes his return to Orlando will leave Dr. Phillips Center audiences horrified by exploits ranging from “feats of anal penetration” to gun-shooting stunts, he says.

    “I’m an entertainer, which I believe is synonymous with ‘attention whore,’” he says. “I want everyone to pay attention to me, and I want them to be glad that they did, because they had a good time at my show.”


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    Zoey Thomas

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  • Broadway in Orlando review: ‘Clue’ captures the madcap spirit of the cinematic board game-based cult classic

    Broadway in Orlando review: ‘Clue’ captures the madcap spirit of the cinematic board game-based cult classic

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    photo by Evan Zimmerman for MurphyMade

    The company of the North American tour of “Clue”

    Over the past several seasons, subscribers to the Dr. Phillips Center’s Broadway series have come to expect a certain formula from the seemingly endless parade of screen-to-stage adaptations: They take a favorite film, bloat the narrative with unnecessary new elements, pad the running time with a pastiche score of forgettable music, and generally suck out everything that made the original fun.

    So it’s something of a small-scale miracle that Clue (subtitled “Live on Stage!” or “A New Comedy,” depending on which page of the playbill you believe) not only manages to capture the madcap spirit of the cinematic boardgame-based cult classic without adding useless cruft, but even cuts nearly 15 minutes off of the movie’s already efficient 94-minute running time.

    The film’s Agatha Christie-meets-Parker Brothers plotline — involving six strangers trapped inside a mansion with a murderer — is patently absurd, and largely relied on its all-star cast’s comedic skill for its enduring appeal. Fortunately, the stage version’s touring cast capably steps into those enormous shoes with go-for-broke performances that fondly recall (rather than re-create) their famous forerunners.

    Standouts among the cast include Michelle Elaine’s sassy Miss Scarlet, Tari Kelly’s icy Mrs. White, and Mark Prince in the central role of Wadsworth the butler; his buttoned-up energy is more Ian Holm than Tim Curry, but his hyperkinetic accusatory monologue at the climax is a certified show-stopper. Most of all, John Shartzer steals the production with his spastic slapstick as the Gumby-eqsue Mr. Green, whose slow-motion back-bend puts a CGI-assisted Keanu Reeves to shame.

    The first credit for this unexpectedly entertaining show goes to Hunter Forster, who originally adapted Jonathan Lynn’s screenplay, and contributed with Eric Price to playwright Sandy Rustin’s script. They’ve wisely re-created verbatim nearly all of the quotable dialogue from the 1985 whodunit, then added just enough meta-context and inside winks to satisfy both die-hard fans and newcomers alike.

    Even with such funny actors and a faithful script, such a show could easily go wrong without the razor-sharp cue pickup and relentless pacing that director Casey Hushion has brought to this anything-but-bored game. Marvelously musical choreographed movement atop Lee Savage’s surprise-packed puzzle-box set makes for transitions that are cinematically seamless, and scenes that largely consist of characters talking become visually interesting with the help of Ryan O’Gara’s spookhouse lighting and Jen Caprio’s color-coded costumes.

    It may seem like a slender morsel compared to Les Miz, the three-and-a-half-hour Broadway behemoth coming back to town later this month. But after so many overcooked adaptations, Clue is a refreshing palate-cleanser that made me hungry to rewatch the original film again — and let me get home early enough to do so.

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    Seth Kubersky

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  • Orlando concert calendar: Say Anything, Hatsune Miku, High on Fire, Sean Paul, Indigo Girls

    Orlando concert calendar: Say Anything, Hatsune Miku, High on Fire, Sean Paul, Indigo Girls

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    Wednesday, May 1:

    Music in Mills: Oak Hill Drifters 7 pm; The House on Lang, 1308 Lang Ave.; free; 407-458-4323.

    Odie Leigh, Zoya Zafar 7 pm; Tuffy’s Music Box, 200 Myrtle Ave., Sanford; $15.

    Say Anything 7:30 pm; Hard Rock Live, 6050 Universal Blvd.; $35-$40; 407-351-5483.

    See You Next Tuesday, Mouthbreather, Implosive Disgorgence, Thin
    8 pm; Will’s Pub, 1042 N. Mills Ave.; $17-$20.

    Wednesday Night Chill: The Forefathers 6:30 pm; The Neighbors, 3201 Corrine Drive; free; 321-236-3316.

    Thursday, May 2:

    Alvvays, Horse Jumper of Love
    8 pm; The Plaza Live, 425 N. Bumby Ave.; $30-$45; 407-228-1220.

    Big Something, The Ries Brothers
    7 pm; Tuffy’s Music Box, 200 Myrtle Ave., Sanford; $20.

    Call of the Champions 7:30 pm; Northland Church, 520 Dog Track Road, Longwood; $10-$30; 407-949-4000.

    Candlelight Jazz: The Best of Frank Sinatra and Nat King Cole 9 pm; The Abbey, 100 S. Eola Drive; $39.40; 402-249-2445.

    Hatsune Miku 8 pm; Walt Disney Theater, Dr. Phillips Center for the Performing Arts, 445 S. Magnolia Ave.; 844-513-2014.

    Levitation Room, Timothy Eerie, The Tremolords 7 pm; Will’s Pub, 1042 N. Mills Ave.; $17-$20.

    Sean Paul 7 pm; House of Blues, Disney Springs, Lake Buena Vista; $64-$124.95; 407-934-2583.

    Teen Suicide, Awakebutstillinbed
    7 pm; The Beacham, 46 N. Orange Ave.; $25; 407-648-8363.

    Wheel, Aviations, Traverser 7 pm; Conduit, 6700 Aloma Ave., Winter Park; $15; 407-673-2712.

    Friday, May 3:

    Alexz Johnson 7 pm; Conduit, 6700 Aloma Ave., Winter Park; $25-$85; 407-673-2712.

    Call of the Champions 7:30 pm; Northland Church, 520 Dog Track Road, Longwood; $10-$30; 407-949-4000.

    CKY, X-Cops 7 pm; The Beacham, 46 N. Orange Ave.; $25-$35; 407-648-8363.

    The Concert: A Tribute to ABBA
    8 pm; Walt Disney Theater, Dr. Phillips Center for the Performing Arts, 445 S. Magnolia Ave.; $39.50-$157.50; 844-513-2014.

    Golden Flower 8 pm; The Nook on Robinson, 2432 E. Robinson St.; free.

    Kenny G 8 pm; Hard Rock Live, 6050 Universal Blvd.; $55.50-$69.50; 407-351-5483.

    Liliac, Rozy 6 pm; West End Trading Co., 202 S. Sanford Ave., Sanford; $25; 407-322-7475.

    Orlando Sings Choral Festival: The Road West 8 pm; First United Methodist Church Orlando, 142 E. Jackson St.; $39.50-$69.50; 407-849-6080.

    Woolbright, Like Father, Virginity, Philos 8 pm; Will’s Pub, 1042 N. Mills Ave.; $15-$17.

    Saturday, May 4:

    Black Wick, Dan Reaves, Snotnoze Saleem, Derek Dunn, Pothole Skinny, Warlock and Sauna 9 pm; The Falcon, 819 E. Washington St.; 407-423-3060.

    High on Fire, Zeta, High Command 6 pm; Conduit, 6700 Aloma Ave., Winter Park; $25; 407-673-2712.

    Indigo Girls 6:30 pm; The Plaza Live, 425 N. Bumby Ave.; $60; 407-228-1220.

    Me First and the Gimme Gimmes, Ultrabomb, The Defiant 7 pm; House of Blues, Disney Springs, Lake Buena Vista; $28-$80; 407-934-2583.

    Music from Israel: Pardes Quartet 7:30 pm; Timucua Arts Foundation, 2000 S. Summerlin Ave.; $30; 407-595-2713.

    One Night of Queen: Gary Mullen and The Works
    8 pm; Walt Disney Theater, Dr. Phillips Center for the Performing Arts, 445 S. Magnolia Ave.; $39.50-$74.50; 844-513-2014.

    Rage Against The DJ 8 pm; Tuffy’s Music Box, 200 Myrtle Ave., Sanford; free.

    Saturday Serenade: The Forefathers
    2 pm; East End Market, 3201 Corrine Drive; free; 321-236-3316.

    Spanish Love Songs, Oso Oso, Sydney Sprague, Worry Club
    6 pm; The Abbey, 100 S. Eola Drive; $24; 407-704-6261.

    Tropical Heatwave 5 pm; The Cuban Club, 2010 N. Avenida Republica de Cuba, Tampa; $40.

    Waxahatchee, Good Morning
    6 pm; The Beacham, 46 N. Orange Ave.; 407-648-8363.

    Sunday, May 5:

    Blue Bamboo presents Dimas Sanchez and the Afro Latin Jazz Project 1:30 pm; Casa Feliz, 656 N. Park Ave., Winter Park; free; 407-636-9951.

    The Dollyrots, Petty Thefts, A New Violet
    7 pm; Conduit, 6700 Aloma Ave., Winter Park; $15; 407-673-2712.

    Emo Orchestra: Escape the Fate
    7 pm; The Plaza Live, 425 N. Bumby Ave.; $34-$69; 407-228-1220.

    Erica Dawn Lyle, Greasy Bitches, Marguerite Sissie, KT Kink 8 pm; Stardust Video and Coffee, 1842 E. Winter Park Road; $10; 407-623-3393.

    Jazz on the Lawn 4 pm; Sydonie Mansion, 5538 Sydonie Drive, Mount Dora; $30-$35; 407-948-2733.

    Niña Pastori 7:30 pm; Steinmetz Hall, Dr. Phillips Center for the Performing Arts, 445 S. Magnolia Ave.; $61.99-$156.99; 407-358-6603.

    RAIN: A Tribute to the Beatles
    8 pm; Walt Disney Theater, Dr. Phillips Center for the Performing Arts, 445 S. Magnolia Ave.; $30; 844-513-2014.

    The Record Company, Trapper Schoepp
    6 pm; Tuffy’s Music Box, 200 Myrtle Ave., Sanford; $22.

    Monday, May 6:

    Chris Renzema 7 pm; The Plaza Live, 425 N. Bumby Ave.; $22-$38; 407-228-1220.

    Insomnium, Omnium Gatherum, Wilderun
    6 pm; Conduit, 6700 Aloma Ave., Winter Park; $25; 407-673-2712.

    Tuesday, May 7:

    Kurt Vile and The Violators, Florry 7 pm; The Beacham, 46 N. Orange Ave.; $30-$45; 407-648-8363.

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    Kristin Howard

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  • David Spade wants you to ‘Catch Him Inside’ at Orlando stand-up comedy appearance

    David Spade wants you to ‘Catch Him Inside’ at Orlando stand-up comedy appearance

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    David Spade makes Orlando stand-up appearance this week

    David Spade, a living and breathing bemused smirk if there ever was one (no shade!), is heading to Steinmetz Hall this week. All the better to hear his eyebrow arch in an acoustically perfect environment.

    Spade came to fame as part of Saturday Night Live in the 1990s, with his prescient skewering of celebrity that was the “Hollywood Minute” segment on Weekend Update. Since then, he’s found a whole other level of stardom in film with Joe Dirt and Tommy Boy, and in sitcoms like Just Shoot Me — which we recommend you revisit on Roku. (It holds up mostly due to Spade’s relentless mugging as a manchild courtier working at a fashion magazine.)

    Currently you can see Spade on the Fox game show Snake Oil, or hear him on the podcast “Fly on the Wall,” alongside fellow SNL vet Dana Carvey. But all through this lengthy career, Spade has been doing stand-up during rare lull periods, and this week he brings his “Catch Me Inside” tour to the City Beautiful.

    8 p.m. Friday, May 3, Steinmetz Hall.


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    Matthew Moyer

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  • Tatiana Eva-Marie brings a musical masterclass in ‘Djangology’ to Orlando

    Tatiana Eva-Marie brings a musical masterclass in ‘Djangology’ to Orlando

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    Tatiana Eva-Marie lands in Orlando for two nights of gypsy jazz sounds

    Everyone’s absolutely agog about Judson’s Live right now for good reason. But, while the Dr. Phillips Center’s newest, most intimate and most accessible listening room has been hopping with many acts, perhaps none so far are as ideally suited to this spot’s supper-club concept than Tatiana Eva-Marie.

    Although she’s NYC-based right now, this bright young songbird’s pedigree has both French and Balkan roots, so the heritage of Gypsy jazz is in her actual blood. She exhales vintage allure with revivalist jazz-manouche stylings that will quantum-leap you right back to the swinging club scene of 1930s Paris, tout de suite. So tip that bottle and pass the Gauloises, mes amours. (Well, maybe save that last part for outside after the show.)

    Eva-Marie has been a regular feature at premier NYC jazz joints like Birdland, Blue Note and Dizzy’s. Now, see her classic glow fully unleash the spirit that Judson’s Live was painstakingly designed to embody.

    OW: A two-night stand allows you more freedom; do you have anything special planned for these shows?

    TEM: We are going to play some selections from my upcoming album Djangology, a tribute to Django Reinhardt which will be released on June 7 on GroundUP Music, but I am also going to add some Parisian and Gypsy jazz classics to the repertoire. I might even take up the guitar myself and sing you an old Gypsy folk song in the Rromanes language.

    When did Django Reinhardt’s music really start to resonate with you?

    I actually discovered Django through Stéphane Grappelli, because my mother is a violinist and obviously a big fan; it was always playing at home when I was a kid. When I moved to Paris as a teenager, I discovered a swarm of guitarists: Gypsy jazz (jazz manouche in French) was everywhere, on every street corner, in every café. To me, it became the soundtrack of the city. It’s such a distinct sound, which somehow
    is not at all stuck in time.

    Would you talk a little bit about the science of Djangology (we’re not joking!)?

    You think you’re joking, but there is an academic side to my personality I keep secret! The aim of this project is to celebrate Django “the composer.” Everyone is so blown away by his guitar wizardry that we too often forget what an interesting and unusual com- poser he was, influenced not only by American popular music and French musette, but also classical music of his time.

    Another important influence was the folk music of the Manouche people, descendants of Rromani tribes who left India about 1,000 years ago, living nomadically then settling in various regions in Europe, integrating local cultures into their own.

    All of this is so rich, full of rhythms and musical colors, so inspiring for me as a singer reimagining Django’s instrumental music as stories I can tell, with original lyrics and new arrangements. I try to showcase all of these different influences in my homage, onstage and on the album. And this is just the first chapter of a “Django songbook” I will keep adding to!

    7 p.m. and 9 p.m. Friday-Saturday, April 5-6, Judson’s Live.


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    Bao Le-Huu and Matthew Moyer

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  • Judson’s Live to serve up brunch with a side of live music, starting with Orlando’s Za-Boo-Zays

    Judson’s Live to serve up brunch with a side of live music, starting with Orlando’s Za-Boo-Zays

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    Photo by Jim Leatherman

    The Za-Boo-Zays will perform at the first Judson’s Live brunch.

    New Dr. Phillips Center venue Judson’s Live is about to get into the brunch business, with a hearty helping of live music.

    Starting in late April, the theater hosts a Sunday brunch series that combines local music — kicking off with all-star folk trio the Za-Boo-Zays — with a themed brunch menu devised by the Dr. Phil’s executive chef, Jason Klingensmith.

    “We want this new brunch series to transport guests to a place where the room’s music meets its savory counterparts,” said Klingensmith in a press statement.

    The lineup so far includes:

    Sunday, April 21
    Southern Brunch: The Za-Boo-Zays

    Sunday, May 19
    New Orleans Brunch: Brown Bag Brass Band

    Sunday, June 16
    Blues Brunch

    Sunday, July 21
    R&B and Soul Brunch

    Sunday, Aug. 18
    Latin Brunch

    The brunch concerts start at 10:30 a.m. each Sunday. Tickets are available for the first of the Judson’s Live brunch events through the Dr. Phillips Center.


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    Matthew Moyer

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  • Jazz superstar Christian McBride lands in Orlando for a three-night run at Judson’s Live

    Jazz superstar Christian McBride lands in Orlando for a three-night run at Judson’s Live

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    Christian McBride plays Orlando for three nights this week

    The brilliant and busy Christian McBride comes our way with a few sets at Judson’s Live this week.

    Apart from his duties as one of the most prominent jazz bassists working today, McBride seemingly does it all (with the Grammys to show for it): broadcasting his long-running series “Jazz Night in America,” curating festivals, working as an educator, and playing with a whirlwind mix of who’s who and who’s new. The maestro and his band arrive for a three-day residency from Thursday-Saturday, March 14-16.

    These performances catch him at the crossroads of recent output and a new release, the beautifully intense Prime and the soulful new-grass counterpoint of But Who’s Gonna Play the Melody with fellow bassist Edgar Meyer.

    Which leaves the question, “What are we going to hear when he’s here?” A phone call later …

    Christian McBride: The record with Edgar, it’s funny, the president of Mack Avenue Records [where we released] it, called me to tell me it has received the most amount of pre-orders since your Conversations With Christian album. He’s excited and so am I. I think so many people are so curious about an album with two bass players who don’t play the same kind of music. Like, “What’s going on?!?” Sounds like people are really excited about this.

    Orlando Weekly: We’re excited, knowing your sound and Meyer’s — more on the classical and bluegrass side — but like you he stays busy working with a wide array of artists.
    He’s another person who has a lot of different projects going on. He’s got his thing with Bela Fleck, and his thing with Zakir Hussein, or he’s debuting some orchestral work somewhere. We both knock around playing a lot of stuff.

    One of the two tracks available on Bandcamp, “Barnyard Disturbance,” has these great bluesy melodies floating around like two different wind currents moving the same leaf around. One is Meyer and the other is you.
    That is not inaccurate. (laughs) Thank you.

    Are we going to hear some of this during your stay?
    No. When I come to Orlando I’m bringing my current band: Nicole Glover, Ely Perlman, Mike King and Savannah Harris. Not a totally new band but we still have that “new car smell” and my first all-millennial band. Neither material from my latest releases.

    We’ve been following all of those players for awhile, all of them are dynamite.
    What we will be playing will be a whole different thing. I’m going to be releasing a 7″ of this band soon, on my label Brother Mister. So what’s the music like … that’s such a broad question because people hear music so differently. If I give references it can tie the listeners with what to expect.

    Event Details

    Christian McBride

    Thu., March 14, 7 & 9:30 p.m., Fri., March 15, 7 & 9:30 p.m. and Sat., March 16, 7 & 9:30 p.m.


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    Kyle Eagle

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  • Alanis Morissette-inspired musical ‘Jagged Little Pill’ comes to Orlando this month

    Alanis Morissette-inspired musical ‘Jagged Little Pill’ comes to Orlando this month

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    Photo courtesy Jagged Little Pill/Facebook

    ‘Jagged Little Pill’ opens in Orlando March 19.

    Jagged Little Pill is coming to Orlando, bringing a Grammy-winning score of alternative rock music to the Dr. Phillips Center for the Performing Arts.

    The musical, based on Alanis Morissette’s music, tells a coming-of-age story about a girl growing up in a seemingly perfect family Connecticut family and all of the very real issues going on behind closed doors.

    The musical covers complex themes of substance abuse and gender identity. The story is fleshed out with familiar songs from Morissette’s Grammy Award-winning 1995 album Jagged Little Pill.

    Directed by Tony Award winner Diane Paulus of Waitress and Pippin, and with a Tony-winning book by Diablo Cody (Juno, Young Adult, Tully), the production has resonated with audiences since it first opened on Broadway in 2019.

    The touring Broadway cast is in Orlando for less than a week, with shows running from Tuesday, March 19, through Sunday, March 24. Tickets are available with both matinee and evening performances with prices starting at $45,  available through the Dr. Phillips Center box office.

    Event Details

    “Jagged Little Pill”

    Tue., March 19, 8 p.m., Wed., March 20, 8 p.m., Thu., March 21, 8 p.m., Fri., March 22, 8 p.m., Sat., March 23, 2 & 8 p.m. and Sun., March 24, 1 & 6:30 p.m.


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    Alexandra Sullivan

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