ReportWire

Tag: domestic-entertainment

  • Kanye West’s Twitter account has been suspended after Elon Musk says it violated rule against incitement to violence | CNN Business

    Kanye West’s Twitter account has been suspended after Elon Musk says it violated rule against incitement to violence | CNN Business


    New York
    CNN business
     — 

    Kanye West’s Twitter account was suspended early Friday morning after Elon Musk said it violated the platform’s rules on inciting violence.

    “I tried my best. Despite that, he again violated our rule against incitement to violence. Account will be suspended,” Musk tweeted in a reply.

    CNN could not confirm which specific tweet prompted West’s suspension. However, earlier in the evening, West — who has legally changed his name to Ye — tweeted an altered image of the Star of David with a swastika inside.

    The tweet follows a series of antisemitic comments made by West in recent months, which have destroyed business deals in which the musician was involved — such as a partnership with Adidas.

    In late October, West addressed the antisemitic comments — as well as what he’s said about George Floyd’s death and Black Lives Matter — in a rambling 16-minute video shared by WmgLab Records on YouTube and seemingly recorded at some point after Adidas ended its business relationship with him.

    In the video, West did not apologize for his antisemitic remarks but seemed to try to distance himself from any “hate group.”

    “I have no association to any hate group,” West said as he closed his remarks in prayer. “If any hate happens upon any Jewish person, it is not associated (gestures to himself) because I am demanding that everyone walk in love.”

    CNN has previously reported that several people who were once close to West said that he has long been fascinated by Adolf Hitler — and once wanted to name an album after the Nazi leader. A business executive who worked for West told CNN that the artist created a hostile work environment, in part through his “obsession” with Hitler.

    This is not the first time West has run afoul of Twitter. In October, before Musk completed the deal to buy the social media platform, Twitter locked West’s account over an antisemitic tweet.

    CNN’s Elizabeth Wolfe, Chloe Melas and Dan Heching contributed to this report

    Source link

  • Nia Long opens up about fallout of fiancé Ime Udoka Celtics suspension | CNN

    Nia Long opens up about fallout of fiancé Ime Udoka Celtics suspension | CNN



    CNN
     — 

    Nia Long is opening up about the scandal surrounding her longtime partner, Ime Udoka.

    In an interview with The Hollywood Reporter, the actress talked about Udoka’s suspension as the Boston Celtics head coach for having an alleged consensual relationship with a female member of the Celtics staff.

    Long and Udoka had been engaged since 2015 when the news broke in September. The share an 11-year-old son.

    “I think the most heartbreaking thing about all of this was seeing my son’s face when the Boston Celtics organization decided to make a very private situation public,” Long said. “It was devastating, and it still is. He still has moments where it’s not easy for him.”

    “The Best Man” star said she took her son out of school at the time and declined to say whether she and Udoka are still together or discuss his alleged behavior.

    The Celtics suspended Udoka for the entire 2022 to 2023 season.

    “I want to apologize to our players, fans, the entire Celtics organization, and my family for letting them down,” Udoka said in a statement to ESPN at the time. “I am sorry for putting the team in this difficult situation, and I accept the team’s decision. Out of respect for everyone involved, I will have no further comment.”

    The woman he was alleged to have had the relationship with was not identified.

    Boston Celtics President of Basketball Operations Brad Stevens got emotional at a press conference while defending the women in the organization who were targeted on social media as a result of the speculation as to the woman’s identity.

    But Long, who also has an adult son from a prior relationship, said she did not feel supported.

    “If you’re in the business of protecting women — I’m sorry, no one from the Celtics organization has even called to see if I’m OK, to see if my children are OK,” she said. “It’s very disappointing.”

    CNN as reached out to the Celtics for comment.

    Source link

  • Christine McVie’s music: 5 songs to listen to in her honor | CNN

    Christine McVie’s music: 5 songs to listen to in her honor | CNN



    CNN
     — 

    There’s a reason why Christine McVie was considered the heart of Fleetwood Mac.

    The band’s keyboardist, who died Wednesday after a brief illness at the age of 79, was also the writer of some of the group’s most beloved songs.

    Here are just five of those tunes:

    This one is tied to some drama.

    Fleetwood Mac is known for, in part, their tumultuous relationships, especially when it came to romantic ones.

    Band members Stevie Nicks and Lindsey Buckingham had a thing that ended badly and McVie was famously married to, and then divorced from, their other bandmate, John McVie.

    He reportedly thought the song, with its lyrics “Sweet wonderful you/You make me happy with the things you do/Oh, can it be so/This feeling follows me wherever I go,” was about their dog as the McVies were married at the time.

    But it turns out Christine McVie had penned the love song in honor of the band’s lighting director with whom she had an affair.

    Another tune from their famed “Rumours” album.

    “Don’t Stop” proved to be a hopeful anthem for the future, which was so meaningful to former President Bill Clinton that he used it as his 1992 campaign anthem.

    On Wednesday he tweeted a tribute to McVie.

    “I’m saddened by the passing of Christine McVie. “Don’t Stop” was my ’92 campaign theme song – it perfectly captured the mood of a nation eager for better days,” he tweeted. “I’m grateful to Christine & Fleetwood Mac for entrusting us with such a meaningful song. I will miss her.”

    This one was actually a solo song for McVie.

    The first single off of her self-titled solo album, it sounds like it could be a Fleetwood Mac song with it’s buoyant rhythm and the infectious chorus, “Ooh, I got a love/I got somebody/This love got a hold on me.”

    Plus Buckingham plays guitar on this one, giving it even more of a Fleetwood Mac vibe.

    “Say You Love Me” is a jaunty tune that has become a mainstay on rock and easy listening radio stations.

    She reflected on the sweet harmonies, she, Nicks and Buckingham achieve on the tune in a 1990 interview.

    “The first time I started playing ‘Say You Love Me’ and I reached the chorus, they started singing with me and fell right into it,” Performing Songwriter magazine reported her saying. “I heard this incredible sound, our three voices … and my skin turned to gooseflesh.”

    It feels right that so many on social media used this song to pay tribute to McVie after her passing.

    The ballad she wrote has been pointed to as the perfect remembrance of someone lost.

    Playing it now after her death seems haunting as she pours her heart into the opening lyrics, “For you, there’ll be no more crying/For you, the sun will be shining/And I feel that when I’m with you/It’s alright, I know it’s right.”

    Source link

  • Inside Christine McVie’s and Stevie Nicks’ decades-long friendship | CNN

    Inside Christine McVie’s and Stevie Nicks’ decades-long friendship | CNN



    CNN
     — 

    Throughout the various personal turmoils for which the members of Fleetwood Mac are known, one relationship buoyed the band for decades: the friendship between its two frontwomen, Christine McVie and Stevie Nicks.

    McVie joined the band in 1970 during one of its early lineup changes and for years was its only woman. When Nicks was added to the lineup in 1975, the two became fast friends.

    Theirs was not a competitive relationship, but a sisterly one – both women were gifted songwriters responsible for crafting many of the band’s best-known tunes. Though the two grew apart in the 1980s amid Nicks’ worsening drug addiction and the band’s growing internal tension, they came back together when McVie returned to Fleetwood Mac in 2014.

    At a concert in London, shortly before McVie officially rejoined the band, Nicks dedicated the song “Landslide” to her “mentor. Big sister. Best friend.” And at the show’s end, McVie was there, accompanying her bandmates for “Don’t Stop.”

    “I never want her to ever go out of my life again, and that has nothing to do with music and everything to do with her and I as friends,” Nicks told the Minneapolis Star-Tribune in 2015.

    On Wednesday, McVie, the band’s “songbird,” died after a brief illness at age 79. Below, revisit McVie’s and Nicks’ years-long relationship as bandmates, best friends and “sisters.”

    The story of Nicks joining Fleetwood Mac is legend now: Band founder and drummer Mick Fleetwood wanted to recruit guitarist Lindsey Buckingham, who stipulated that he would only join if his girlfriend and musician Nicks could join, too. McVie cast the deciding vote, and the rest is history.

    “It was critical that I got on with her because I’d never played with another girl,” McVie told the Guardian in 2013. “But I liked her instantly. She was funny and nice but also there was no competition. We were completely different on the stage to each other and we wrote differently too.”

    Throughout the band’s many personal complications – McVie married and divorced Fleetwood Mac bassist John McVie and had an affair with the band’s lighting director, while Nicks had rollercoaster romances with Buckingham and Fleetwood – they were each other’s center.

    “To be in a band with another girl who was this amazing musician – (McVie) kind of instantly became my best friend,” Nicks told the New Yorker earlier this year. “Christine was a whole other ballgame. She liked hanging out with the guys. She was just more comfortable with men than I had ever been.”

    The two protected each other, Nicks said, in a male-dominated industry: “We made a pact, in the very beginning, that we would never be treated with disrespect by all the male musicians in the community.

    “I would say to her, ‘Together, we are a serious force of nature, and it will give us the strength to maneuver the waters that are ahead of us,’” Nicks told the New Yorker.

    “Rumours” was the band’s greatest success to date when it was released in 1977. But the band’s relationships with each other were deteriorating, save for the one between McVie and Nicks. While the pair were enduring breakups with their significant others, Nicks and McVie spent their time offstage together.

    The Guardian asked McVie if she was trying to offset the band’s tumult with her songs on “Rumours,” including the lighthearted “You Make Lovin’ Fun” and optimistic “Don’t Stop.” She said she likely had been.

    As multiple members’ drug use intensified, the band’s dynamic grew tense. McVie distanced herself from the group in 1984 amid her bandmates’ addictions, telling the Guardian she was “just sick of it.” Nicks, meanwhile, was becoming dependent on cocaine.

    After Fleetwood Mac was inducted into the Rock & Roll Hall of Fame in 1998, Christine McVie (third from left) quit the band.

    McVie told Rolling Stone that year that she’d grown apart from Nicks: “She seems to have developed her own fantasy world, somehow, which I’m not part of. We don’t socialize much.”

    In 1986, Nicks checked into the Betty Ford Center to treat her addiction, though she later became addicted to Klonopin, which she said claimed years of her life. She quit the prescription drug in the 1990s.

    After recording some solo works, McVie returned to Fleetwood Mac for their 1987 album “Tango in the Night,” and two of her songs on that record – “Little Lies” and “Everywhere” – became major hits. But Nicks departed the band soon after, and the band’s best-known lineup wouldn’t officially reunite until 1997 for “The Dance” tour and subsequent live album.

    The reunion was short-lived: After the band was inducted into the Rock & Roll Hall of Fame in 1998, McVie officially quit Fleetwood Mac, citing a fear of flying and exhaustion of life on the road.

    In the 2010s, after more than a decade of retirement, McVie toyed with returning to performing. She officially rejoined Fleetwood Mac after calling Fleetwood himself and gauging what her return would mean for the group.

    “Fortunately Stevie was dying for me to come back, as were the rest of the band,” she told the Arts Desk.

    In 2015, a year after she’d rejoined Fleetwood Mac, McVie hit the road with her bandmates. Touring with the group was tiring but fun, the first time they’d performed together in years.

    “I’m only here for Stevie,” she told the New Yorker that year.

    Christine McVie (left) and Stevie Nicks perform together at Radio City Music Hall in 2018.

    Nicks concurred: “When we went on the road, I realized what an amazing friend she’d been of mine that I had lost and didn’t realize the whole consequences of it till now,” she told the Minneapolis Star-Tribune in 2015.

    During that tour, McVie wore a silver chain that Nicks had given her – a “metaphor,” McVie told the New Yorker, “that the chain of the band will never be broken. Not by me, anyways. Not again by me.”

    McVie told the Arts Desk in 2016 that she and Nicks were “better friends now than (they) were 16 years ago.”

    Touring with Buckingham and Fleetwood could quickly get tumultuous for Nicks, McVie said, due to their shared history. “But with me in there, it gave Stevie the chance to get her breath back and not have this constant thing going on with Lindsey: her sister was back,” she said.

    Their mutual praise continued: In 2019, McVie said Nicks was “just unbelievable” onstage: “The more I see her perform on stage the better I think she is. She holds the fort.”

    When their 2018-2019 tour ended, though – without Buckingham, who was fired – the band “kind of broke up,” McVie told Rolling Stone earlier this year. She added that she didn’t speak with Nicks as often as she did when they toured together.

    As for a reunion, McVie told Rolling Stone that while it wasn’t off the table, she wasn’t feeling “physically up for it.”

    “I’m getting a bit long in the teeth here,” she said. “I’m quite happy being at home. I don’t know if I ever want to tour again. It’s bloody hard work.”

    News of McVie’s death rattled Nicks, who wrote that she had only found out McVie was sick days earlier. She called McVie her “best friend in the whole world since the first day of 1975.”

    On her social media accounts, Nicks shared a handwritten note containing lyrics from the Haim song “Hallelujah,” some of which discusses grief and the loss of a best friend.

    “See you on the other side, my love,” Nicks wrote. “Don’t forget me – Always, Stevie.”

    Source link

  • Justin Bieber launches clean water company Generosity at Qatar’s World Cup | CNN

    Justin Bieber launches clean water company Generosity at Qatar’s World Cup | CNN



    CNN
     — 

    Justin Bieber is on a mission to make the world’s drinking water more sustainable.

    Bieber and Micah Cravalho have evolved bottled water brand Generosity into a water technology company that is providing premium alkaline water in refillable fountains across the globe. They showcased 150 water fountains this month at the FIFA World Cup in Qatar. Bieber spoke about the brand’s social impact initiative in a statement to CNN.

    “I want the world to have access to the best water. I also want countries to know how to best protect their people. The overuse of plastic is hurting us, we need to be more sustainable,” Bieber said.

    Generosity is aimed at not just providing premium water but reducing the usage of single-serve plastic.

    “We aspire to be the global leader in water technology, empowering consumers with refillable products as an alternative to single-use packaging,” said co-founder Cravalho.

    Bieber and Cravalho recently visited Qatar and met with Sheikha Al Mayassa bint Hamad bin Khalifa Al Thani, the sister of country’s emir.

    Having participated in beach clean-up efforts in Qatar for many years, I have witnessed first-hand the effect of pollution on our natural environment. Through initiatives such as those undertaken by Generosity and the Supreme Committee, and projects such as the FIFA World Cup Qatar 2022 Art water bottles, which bring together the global artistic community to advocate for a more sustainable future, we are all encouraged to play our part during the World Cup and beyond,” Al Mayassa said in a press release.

    Generosity connects to any water source and is able to create premium refillable alkaline water dispensed through their sustainable fountains which the company says will be found commercially at major venues, festivals and in homes in 2023.

    The Grammy Award winner has been at the forefront of social impact initiatives in Hollywood with his involvement in organizations like Pencils of Promise, which builds schools in third world countries. He also raised over $3 million dollars for the First Responders Children’s Foundation with Ariana Grande in 2020 with their “Stuck with U” collaboration.

    Source link

  • ‘Love Actually’ director feels ‘a bit stupid’ about movie’s lack of diversity | CNN

    ‘Love Actually’ director feels ‘a bit stupid’ about movie’s lack of diversity | CNN



    CNN
     — 

    Every year, as the days grow colder and Christmas draws nearer, “Love Actually” quickly becomes a festive favorite on people’s television screens.

    But nearly 20 years on from the release of the 2003 romantic comedy, the movie has faced scrutiny over its story lines and lack of diversity.

    “There were things you’d change but thank god society is changing. So my film is bound, in some moments, to feel, you know, out of date,” the movie’s writer and director Richard Curtis said earlier this week.

    He was speaking to Diane Sawyer as part of a documentary on ABC News titled: “The Laughter & Secrets of Love Actually: 20 Years Later.”

    “Love Actually” features interweaving story lines, following several romantic relationships. However, most of the leading cast is White and all the relationships depicted are heterosexual.

    Asked about any moments that might make him “wince,” Curtis said: “The lack of diversity makes me feel uncomfortable and a bit stupid.” He added: “I think there are three plots that have bosses and people who work for them.”

    The movie features an impressive number of big names from the entertainment industry, with Alan Rickman, Emma Thompson, Hugh Grant, Chiwetel Ejiofor, Keira Knightley, Bill Nighy, Colin Firth, Liam Neeson, Martin Freeman, Laura Linney, Martine McCutcheon, Rowan Atkinson and Thomas Brodie-Sangster all appearing at some point.

    Nearly 20 years on, “Love Actually” remains popular, becoming a staple of the holiday season.

    “It’s amazing the way it’s entered the language,” Nighy said in the ABC News documentary.

    “I’ve had people coming up to me saying ‘it got me through my chemotherapy,’ or ‘it got me through my divorce,’ or ‘I watch it whenever I’m alone.’ And people do, and people have ‘Love Actually’ parties.”

    When asked if she understood why “Love Actually” had remained popular, Thompson replied: “I so do.”

    “Because I think that we forget, time and time again we forget, that love is all that matters.”

    Curtis has written several other popular romantic comedies, including “Four Weddings and a Funeral,” “Notting Hill” and “Bridget Jones’s Diary.”

    “Four Weddings and a Funeral” was released in 1994 and notably portrayed a same-sex relationship between Matthew, played by John Hannah, and Gareth, played by Simon Callow.

    Writing in the Guardian 14 years later, Callow said: “It almost defies belief, but in the months after the release of the film, I received a number of letters from apparently intelligent, articulate members of the public saying that they had never realised, until seeing the film, that gay people had emotions like normal people.”

    Source link

  • Joe Pesci says playing Harry in the ‘Home Alone’ films came with some ‘serious’ pain | CNN

    Joe Pesci says playing Harry in the ‘Home Alone’ films came with some ‘serious’ pain | CNN



    CNN
     — 

    They say artists have to be willing to do anything for their art, and for Joe Pesci, that includes setting his head on fire.

    In a new interview with People, the Oscar winner reflected on the making “Home Alone 2: Lost in New York” on the occasion of the sequel’s 30th anniversary and remembered how the comedy required some physically “demanding” stunts on his part.

    “It was a nice change of pace to do that particular type of slapstick comedy,” Pesci said of making the first two “Home Alone” films in the email interview, published on Tuesday.

    In the uber-successful franchise, Pesci played one half a bungling thief duo (alongside Daniel Stern) who is continually one-upped by a clever kid played by Macaulay Culkin. He acknowledged that the movies “were a more physical type of comedy, therefore, a little more demanding.”

    One example – when Pesci’s character Harry walks unsuspectingly into a booby trap laid by Culkin’s Kevin, leading to a fiery finish.

    “In addition to the expected bumps, bruises, and general pains that you would associate with that particular type of physical humor, I did sustain serious burns to the top of my head during the scene where Harry’s hat is set on fire,” the “Goodfellas” star recalled.

    In fact, Harry’s head is set ablaze not once but twice in the movies, once in 1990’s “Home Alone” and again in the 1992 film, when Harry and Marv (Stern) chase Kevin through a house amid renovations. (Pesci did not clarify during which film he sustained his injury.)

    Pesci added that he “was fortunate enough to have professional stuntmen do the real heavy stunts.”

    “Home Alone 2,” which hit theaters on November 20, 1992, welcomed back Pesci, Culkin and Stern along with Catherine O’Hara and John Heard as Kevin’s parents. The movie also starred Oscar-winning actress Brenda Fricker as the Pigeon Lady.

    Source link

  • Biden to greet Prince and Princess of Wales while in Boston | CNN Politics

    Biden to greet Prince and Princess of Wales while in Boston | CNN Politics



    CNN
     — 

    President Joe Biden will greet the Prince and Princess of Wales while in Boston for a fundraiser Friday, the White House said Wednesday.

    The Royal couple is visiting Boston for the second annual Earthshot Prize Awards Ceremony, an ambitious initiative founded by Prince William to help tackle some of the planet’s most pressing environmental challenges, which is scheduled for Friday.

    “The President intends to greet the Prince and Princess of Wales when he is in Boston – we are still finalizing and working through the details,” White House press secretary Karine Jean-Pierre told reporters Wednesday. “I don’t have any anything more to share, any more specifics to share on that.”

    Earlier this week, CNN reported that Biden was headed to Massachusetts on Friday to headline a fundraiser for the Georiga Senate runoff race. The president is set to appear at the event with Democratic Massachusetts Sens. Elizabeth Warren and Ed Markey.

    Source link

  • Kim Kardashian and Kanye West reach divorce settlement | CNN

    Kim Kardashian and Kanye West reach divorce settlement | CNN



    CNN
     — 

    Kim Kardashian and Kanye West have come to a divorce agreement, a source with knowledge of the negotiations tells CNN.

    Per the agreement, a draft of which was obtained by CNN, Kardashian will receive $200,000 per month in child support from West, who last year legally changed his name to Ye, and share joint custody of their four children.

    CNN has reached out to representatives for Kardashian and West for comment.

    Kardashian filed for divorce from West in February 2021, citing irreconcilable differences.

    The couple was married in a lavish wedding in Italy in 2014.

    In March 2022, Kardashian was declared legally single after being granted a request to change her marital status.

    In an interview with Vogue earlier this year, the Skims founder explained what led to her high-profile split, saying, that “for so long, I did what made other people happy” and that she decided “I’m going to make myself happy.”

    She went on to say that “even if that created changes and caused my divorce, I think it’s important to be honest with yourself about what really makes you happy.”

    “I’ve chosen myself,” she told the publication. “I think it’s okay to choose you.”

    In September, West, who in the latter part of this year has lost multiple business partnerships following a string of antisemitic comments, publicly apologized to Kardashian in an interview with “Good Morning America” for “any stress” he’s caused her.

    “This is the mother of my children, and I apologize for any stress that I have caused, even in my frustration because God calls me to be stronger,” West said.

    Source link

  • Collin Gosselin says ‘Jon & Kate Plus 8’ tore his family apart | CNN

    Collin Gosselin says ‘Jon & Kate Plus 8’ tore his family apart | CNN



    CNN
     — 

    Former child reality star Collin Gosselin is now 18 years old and says he hasn’t been in contact with his mother or the bulk of his siblings for years.

    “I want to believe it was because of TV and what being in the public eye does to a family,” the teen recently told “Entertainment Tonight.” “I think it tore us apart.”

    The younger Gosselin is speaking out about his estrangement and the drama surrounding his family, which found fame on the TLC series “Jon & Kate Plus 8.”

    Years ago, Kate Gosselin went public about putting Collin, one of her sextuplets, in a facility because she said he had “special needs.”

    That came after her contentious divorce from Jon Gosselin.

    The Gosselins’ series, which premiered in 2007, focused on their life raising sextuplets and twin daughters.

    The show eventually became known as “Kate Plus 8” after the couple divorced in 2009, with episodes that aired off and on between 2010 and 2017. (TLC is owned by CNN’s parent company, Warner Bros. Discovery.)

    Jon Gosselin eventually was granted custody of Collin, who lives with his sister Hannah, at their father’s home.

    But Collin Gosselin said his relationship with his mother Kate is nonexistent.

    “It’s unfortunate that we didn’t have a relationship,” he said. “I think every son wants to have a relationship with their mom. But I’m doing very well.”

    He also said he has not spoken with the four other sextuplets – Alexis, Aaden, Joel and Leah – or their 22-year-old sisters, twins Cara and Mady, in five or six years.

    “I want to respect their space and their time and respect how they feel about everything,” he said. “So I’m kind of just waiting for the day that they reach out.”

    CNN has reached out to reps for Kate Gosselin for comment. She is set to appear in a new reality series “Special Forces: The Ultimate Test” in which she and other celebs compete as part of a special forces training camp.

    Source link

  • Meghan and Harry faced ‘disgusting and very real’ threats, ex-counterterror chief says | CNN

    Meghan and Harry faced ‘disgusting and very real’ threats, ex-counterterror chief says | CNN



    CNN
     — 

    Meghan, Duchess of Sussex and her husband Prince Harry faced “disgusting and very real” threats from right-wing extremists, a former counterterrorism police chief has said.

    In an interview with Britain’s Channel 4 News on Tuesday, Neil Basu said the threats against Meghan were serious and credible enough that authorities had assigned teams to investigate them.

    “If you’d seen the stuff that was written, and you were receiving it … you would feel under threat all of the time,” said Basu, who was in charge of royal protection during his time at the Metropolitan Police.

    “People have been prosecuted for those threats,” said the former Met assistant commissioner.

    Since news of her relationship with Prince Harry broke in 2016, Meghan has been subjected to harsh criticism in the British press. In particular, the UK tabloids have faced allegations that their negative coverage of Meghan fueled racist attacks against her.

    The racist bullying on social media became so intense during her first pregnancy that the royal staff was put on high alert, beefing up its own digital presence to filter out hateful comments, including use of the n-word and emojis of guns and knives.

    The couple said that the racial abuse Meghan faced was a major factor that drove them to move to the United States and step back as senior members of the royal family.

    In the couple’s bombshell interview with Oprah Winfrey last year, Prince Harry said he felt the palace was not doing enough publicly to combat the continued racial abuse in the press.

    Harry is currently in a legal dispute with the Home Office regarding the family’s security arrangements when they visit the UK.

    The threats against the royal couple came amid a rise in right-wing extremism in Britain, according to Basu.

    Basu said in his interview that during his tenure, extreme right-wing terrorism was the fastest-growing threat facing the country, going from 6% of the counterterroism department’s workload in 2015 to more than 20% at the time of his departure more than a year ago.

    Basu, who is mixed-race, said he believes the Home Office needs to do more to tackle institutional racism.

    “I’ve been the only non-White face as a chief officer for a very long time,” he said. “I don’t think the Home Office cares about this subject at all.”

    The Home Office said in a statement to CNN that UK Home Secretary Suella Braverman expects police forces in the country to “take a zero tolerance approach to racism within their workplace.”

    “We are actively pushing for a cultural change in the police, including via a targeted review of police dismissals to ensure officers who are not fit to serve can be swiftly removed,” a spokesperson for the Home Office said.

    Source link

  • Netflix updates the laughs for a new decade in teaser for ‘That ’70s Show’ sequel series | CNN

    Netflix updates the laughs for a new decade in teaser for ‘That ’70s Show’ sequel series | CNN



    CNN
     — 

    Same old basement, same old Formans but a brand new decade.

    Netflix unveiled the first-look teaser for “That ’90s Show” on Tuesday, the sequel series to hit late ‘90s/early aughts sitcom “That ‘70s Show.”

    The new series brings back alums Kurtwood Smith and Debra Jo Rupp as Red and Kitty, respectively, this time as grandparents with a new crop of youngsters inhabiting the basement of their Point Place, Wisconsin home.

    With Red as curmudgeonly as ever – and Kitty just as sweet – the basic structure of “That ’70s Show” remains largely intact, even if stars Ashton Kutcher, Mila Kunis, Laura Prepon, Topher Grace and Wilmer Valderrama from the first series are only seen in one of the new show’s ten episodes.

    Instead, “That ’90s Show” features Callie Haverda as granddaughter Leia Forman, along with other up-and-coming stars Ashley Aufderheide, Maxwell Donovan, Mace Coronel, Reyn Doi, Sam Morelos and Andrea Anders.

    The teaser features the gallivanting kids being told not to dance by Red, before they zone out in a smoky haze (some things never change) and are later kicked out of the house – but not without getting delicious brownies from Kitty.

    The new show was created by “‘70s Show” creators Bonnie and Terry Turner, this time with their daughter Lindsey Turner, along with showrunner/executive producer Gregg Mettler.

    “That ’90s Show” will premiere on Netflix on January 19, 2023.

    Source link

  • Six months into Elon Musk’s Twitter: The fall of verification and birth of Twitter Blue in one very long chart | CNN Business

    Six months into Elon Musk’s Twitter: The fall of verification and birth of Twitter Blue in one very long chart | CNN Business



    CNN
     — 

    In the six months since Elon Musk completed his acquisition of Twitter, the billionaire has turned the platform on its head by overhauling how it decides which accounts to verify.

    Once given out to authenticate a limited number of accounts from celebrities, government agencies and media organizations, the coveted check mark is now available for purchase through the company’s subscription service, Twitter Blue. The result: more checks and more confusion.

    There were at least 550,000 Twitter Blue subscribers as of April 23, just days after Musk stripped all users of legacy blue checks, according to estimates provided to CNN by Travis Brown, a Berlin-based software developer. By comparison, more than 400,000 accounts were verified with the legacy blue checks before the purge.

    But with Musk gifting some celebrities with the service, it’s unclear how many are actually paying customers. It’s also unclear how much more Twitter can grow subscriptions, which Musk has made central to his plan to boost Twitter’s revenue.

    The change to Twitter’s verification process is just one of many ways Musk has shaken the company’s core after taking the helm of Twitter in October. He eliminated over 80% of its staff and reshaped the site’s policies, drawing criticism for the impact these moves could have on safety and transparency. Many top advertisers have left the platform, and Musk valued it last month at around $20 billion, less than half of what he paid for it.

    But one of Musk’s boldest and biggest changes has been Twitter Blue. Touted as the successor to the old verification system, the subscription model lets anyone pay $8 per month for a blue badge and other features, like prioritized rankings in conversations and search.

    The blowback has been swift. Twitter Blue has stoked chaos and confusion. The program was initially paused only days after its launch when an account impersonating pharmaceutical company Eli Lilly and Company tweeted “insulin is free now,” causing the stock to nosedive.

    More recently, the purge of blue checks has led to a cultural change on the platform. Once a sought-after status symbol, many users find the blue badge is no longer cool. Last week, after the blue check began popping up on famous accounts, celebrities such as Lil Nas X and Chrissy Teigen vehemently denied paying for the service.

    Here’s a look back at the rise and fall of Twitter’s blue badge:

    Source link

  • Sarah Silverman sues OpenAI and Meta alleging copyright infringement | CNN Business

    Sarah Silverman sues OpenAI and Meta alleging copyright infringement | CNN Business



    CNN
     — 

    Comedian Sarah Silverman and two authors are suing Meta and ChatGPT-maker OpenAI, alleging the companies’ AI language models were trained on copyrighted materials from their books without their knowledge or consent.

    The pair of lawsuits against OpenAI and Facebook-parent Meta were filed in a San Francisco federal court on Friday, and are both seeking class action status. Silverman, the author of “The Bedwetter,” is joined in filing the lawsuits by fellow authors Christopher Golden and Richard Kadrey.

    A new crop of AI tools has gained tremendous attention in recent months for their ability to generate written work and images in response to user prompts. The large language models underpinning these tools are trained on vast troves of online data. But this practice has raised some concerns that these models may be sweeping up copyrighted works without permission – and that these works could ultimately be served to train tools that upend the livelihoods of creatives.

    The complaint against OpenAI claims that “when ChatGPT is prompted, ChatGPT generates summaries of Plaintiffs’ copyrighted works—something only possible if ChatGPT was trained on Plaintiffs’ copyrighted works.” The authors “did not consent to the use of their copyrighted books as training material for ChatGPT,” according to the complaint.

    The complaint against Meta similarly claims that the company used the authors’ copyrighted books to train LLaMA, the set of large language models released by Meta in February. The suit claims that much of the material used to train Meta’s language models “comes from copyrighted works—including books written by Plaintiffs—that were copied by Meta without consent, without credit, and without compensation.”

    The suit against Meta also alleges that the company accessed the copyrighted books via an online “shadow library” website that includes a large quantity of copyrighted material.

    Meta declined to comment on the lawsuit. OpenAI did not immediately respond to a request for comment.

    The legal action from Silverman isn’t the first to focus on how large language models are trained. A separate lawsuit filed against OpenAI last month alleged the company misappropriated vast swaths of peoples’ personal data from the internet to train its AI tools. (OpenAI did not respond to a request for comment on the suit.)

    In May, OpenAI CEO Sam Altman appeared to acknowledge more needed to be done to address concerns from creators about how AI systems use their works.

    “We’re trying to work on new models where if an AI system is using your content, or if it’s using your style, you get paid for that,” he said at an event.

    Source link

  • Universal Music Group calls AI music a ‘fraud,’ wants it banned from streaming platforms. Experts say it’s not that easy | CNN Business

    Universal Music Group calls AI music a ‘fraud,’ wants it banned from streaming platforms. Experts say it’s not that easy | CNN Business


    New York
    CNN
     — 

    Universal Music Group — the music company representing superstars including Sting, The Weeknd, Nicki Minaj and Ariana Grande — has a new Goliath to contend with: artificial intelligence.

    The music group sent urgent letters in April to streaming platforms, including Spotify

    (SPOT)
    and Apple Music, asking them to block artificial intelligence platforms from training on the melodies and lyrics of their copywritten songs.

    The company has “a moral and commercial responsibility to our artists to work to prevent the unauthorized use of their music and to stop platforms from ingesting content that violates the rights of artists and other creators,” a spokesperson from Universal Music Group, or UMG, told CNN. “We expect our platform partners will want to prevent their services from being used in ways that harm artists.”

    The move by UMG, first reported by the Financial Times, aims to stop artificial intelligence from creating an existential threat to the industry.

    Artificial intelligence, and specifically AI music, learns by either training on existing works on the internet or through a library of music given to the AI by humans.

    UMG says it is not against the technology itself, but rather AI that is so advanced it can recreate melodies and even musicians’ voices in seconds. That could possibly threaten UMG’s deep library of music and artists that generate billions of dollars in revenue.

    “UMG’s success has been, in part, due to embracing new technology and putting it to work for our artists — as we have been doing with our own innovation around AI for some time already,” UMG said in a statement Monday. “However, the training of generative AI using our artists’ music … begs the question as to which side of history all stakeholders in the music ecosystem want to be on.”

    The company said AI that uses artists’ music violates UMG’s agreements and copyright law. UMG has been sending requests to streamers asking them to take down AI-generated songs.

    “I understand the intent behind the move, but I’m not sure how effective this will be as AI services will likely still be able to access the copyrighted material one way or another,” said Karl Fowlkes, an entertainment and business attorney at The Fowlkes Firm.

    No regulations exist that dictate on what AI can and cannot train. But last month, in response to individuals looking to seek copyright for AI-generated works, the US Copyright Office released new guidance around how to register literary, musical, and artistic works made with AI.

    “In the case of works containing AI-generated material, the Office will consider whether the AI contributions are the result of ‘mechanical reproduction’ or instead of an author’s ‘own original mental conception, to which [the author] gave visible form,’” the new guidance says.

    The copyright will be determined on a case-by-case basis, the guidance continued, based on how the AI tool operates and how it was used to create the final piece or work.

    The US Copyright Office announced it will also be seeking public input on how the law should apply to copywritten works the AI trains on, and how the office should treat those works.

    “AI companies using copyrighted works to train their models to create similar works is exactly the type of behavior the copyright office and courts should explicitly ban. Original art is meant to be protected by law, not works created by machines that used the original art to create new work,” said Fowlkes.

    But according to AI experts, it’s not that simple.

    “You can flag your site not to be searched. But that’s a request — you can’t prevent it. You can just request that someone not do it,” said Shelly Palmer, Professor of Advanced Media at Syracuse University.

    For example, a website can apply a robots.txt file that works like a guardrail to control which URL’s “search engine crawlers” can access a given site, according to Google. But it is not a full stop, keep-out option.

    Grammy-winning DJ and producer David Guetta proved in February just how easy it is to create new music using AI. Using ChatGPT for lyrics and Uberduck for vocals, Guetta was able to create a new song in an hour.

    The result was a rap with a voice that sounded exactly like Eminem. He played the song at one of his shows in February, but said he would never release it commercially.

    “What I think is very interesting about AI is that it’s raising a question of what is it to be an artist,” Guetta told CNN last month.

    Guetta believes AI is going to have a significant impact on the music industry, so he’s embracing it instead of fighting it. But he admits there are still questions about copyright.

    “That is an ethical problem that needs to be addressed because it sounds crazy to me that today I can type lyrics and it’s going to sound like Drake is rapping it, or Eminem,” he said.

    And that is exactly what UMG wants to avoid. The music group likens AI music to “deep fakes, fraud, and denying artists their due compensation.”

    “These instances demonstrate why platforms have a fundamental legal and ethical responsibility to prevent the use of their services in ways that harm artists,” the UMG statement said.

    Music streamers Spotify, Apple Music and Pandora did not return request for comment.

    Source link

  • How Elon Musk upended Twitter and his own reputation in 6 months as CEO | CNN Business

    How Elon Musk upended Twitter and his own reputation in 6 months as CEO | CNN Business


    New York
    CNN
     — 

    When Elon Musk first agreed to buy Twitter, he promised to make the company “better than ever,” with greater transparency, fewer bots, a stronger business and more of what he called “free speech.”

    But six months after Musk took control of Twitter, the future of the company and the platform have never been less certain.

    After acquiring the social media platform for $44 billion in late October, Musk reportedly now values Twitter at around $20 billion — and some who track the company believe even that estimate is likely high. Musk repeatedly warned that Twitter could be at risk of filing for bankruptcy only to claim he had brought it back from the brink thanks to his slashing costs, both by laying off 80% of Twitter’s staff and allegedly by failing to pay some of its bills, according to multiple lawsuits. But it’s not clear just how and when Musk might return Twitter to growth.

    He has antagonized journalists and news outlets that have long been central to the platform’s success, overseen policy changes that threaten to make Twitter less safe or reliable, made the platform less transparent to researchers and scared away many top advertisers. Musk’s primary plan to grow Twitter’s business through an overhauled subscription strategy has resulted in much chaos but only a limited number of actual subscriptions.

    In the process, Musk has also upended his own reputation. Once known by much of the public primarily for his innovative efforts to launch rockets and build electric cars, Musk has instead spent much of the past six months in the headlines for controversial policy and feature changes at Twitter, draconian cuts to staff resulting in frequent service disruptions, and briefly banning several prominent journalists. He’s also tweeted a long list of eccentric remarks from his personal Twitter account, including sharing conspiracy theories and publicly mocking a Twitter worker with a disability who was unsure whether he’d been laid off.

    “If he had done nothing except cut costs, then Twitter would have been okay,” said Leslie Miley, a former Twitter engineering manager who started its product safety and security team and left the company in 2015. He has since held roles at Google, Microsoft and the Obama Foundation. “If you had just let everyone go, treated them with respect, and just let the service run for two years, you probably would be okay.”

    Now, though, Miley said he expects Twitter will “eventually go down the road of MySpace.”

    “It’s going to take a little bit longer … [but] I think Twitter is on its way to irrelevance,” he said, “there is no strategy to acquire or retain users because you are offering them no value.”

    Twitter, which has slashed much of its public relations team under Musk, responded to CNN’s request for comment on this story with the auto-reply from its press email that it has used for weeks: a poop emoji.

    For years, what differentiated Twitter from other social platforms was that it served as a central hub for real-time news. It was a place for ordinary people to read and even engage in conversation with celebrities, business leaders and other newsmakers.

    Many of Musk’s recent moves at the platform threaten to undermine that purpose, not to mention the larger information ecosystem — and it’s not clear the efforts will improve the company’s business.

    “Twitter has never been perfect, it had a lot of problems but it was critical global infrastructure for information that Elon Musk is now systematically, frankly, vandalizing,” former Twitter chair of global news Vivian Schiller told CNN in a recent interview.

    Most recently, Musk removed the legacy blue check marks that verified the identities of prominent users, saying he would instead make the checks available only to those who pay $8 per month for Twitter Blue in the interest of “treating everyone equally.”

    “There shouldn’t be a different standard for celebrities,” Musk said in a tweet earlier this month.

    But the move may make it easier for bad actors to impersonate high-profile people and harder for users to trust the veracity and authenticity of information on the platform. What’s more, Musk then decided to sponsor the blue checks for certain celebrities, including Stephen King and LeBron James, in effect creating exactly the “different standard” for famous users he’d professed to want to avoid.

    Now, Musk says content from verified users will be promoted on the platform, potentially making it harder for users who can’t afford a subscription, or simply don’t want to pay Musk for one, to find an audience on the platform. And the new paid verification system won’t necessarily rid the platform of bots, an issue Musk spent months railing on while trying to get out of the acquisition deal last year, according to Filippo Menczer, a computer science professor at Indiana University and director of the Observatory on Social Media.

    “You can create fake accounts and pay $8 [for a blue check] … so if you are a well-funded bad actor, you can do more damage now than you could before,” Menczer said. “And if you are a reliable source and you’re not well-funded, your information will not be as visible as before.”

    Menczer added that the result could be “less free speech, because you’re drowning out the speech of regular people [with speech] by people who either have the technical skills or the money to manipulate the system.”

    Twitter’s move to charge users of its API will also make it harder for researchers to identify and warn the platform about inauthentic activity, Menczer said, and could disrupt other positive uses of the platform that contributed to its reputation as a news hub. Weather agencies, for example, have warned that the change could make it harder for them to release automated emergency weather alerts.

    Any social network lives or dies based on its ability to retain and attract users — and there’s real reason for Twitter to be worried.

    A number of users, celebrities and media organizations have said they plan to leave Twitter over Musk’s recent policy changes — which often appear to be made on a whim without any real principles.

    NPR, BBC and CBC left Twitter after opposing a controversial new “government-funded media” label that they say was misleading. CenterLink, a global nonprofit that represents hundreds of centers providing services to LGBTQ communities, said it would no longer use Twitter after the platform removed protections for transgender users from its hateful conduct policy. And some high-profile users, such as bullying activist Monica Lewinsky, have threatened to exit the platform over the blue check change, now that they may be at greater risk of impersonation on Twitter.

    There remain few alternatives that offer similar features and scale to Twitter, but a growing list of upstart competitors has emerged since Musk’s takeover. At least one large rival, Facebook-parent Meta, has also confirmed it’s working on a service that sounds a lot like Twitter.

    “Almost everything he said he was going to do, he has screwed up in any number of ways,” Miley said. “If it weren’t so damaging to people and organizations who have depended upon the platform, it would be funny. But it’s not actually funny because it has degraded people’s ability to communicate effectively.”

    All of the chaos has made it difficult to convince advertisers, which previously made up 90% of Twitter’s revenue, to rejoin the platform, after many halted spending in the wake of Musk’s takeover over concerns about increased hate speech, as well as confusion about layoffs and the platform’s future direction.

    Just 43% of Twitter’s top 1,000 advertisers as of September — the month before Musk’s takeover — were still advertising on the platform in April, according to data from market intelligence firm Sensor Tower.

    Musk, for his part, has said that Twitter’s usage has increased since his takeover and that advertisers are steadily returning to the platform. But because he took the company private, he is not obligated to make financial disclosures and followers of the company are left to take him at his word.

    Musk built his reputation by overhauling Tesla, helping to launch a widespread shift away from gas cars to electric vehicles and growing SpaceX into a space transport juggernaut. Now, he appears to be attempting a similar overhaul at Twitter — upending the tried-and-true digital advertising business in favor of a subscription model that no other social media platform has yet been able to find large scale success with.

    “I give him some credit for trying a different business model, I think the business model based on user data is quite abusive,” said Luigi Zingales, professor at the University of Chicago Booth School of Business, although Musk has also attempted to improve Twitter’s targeted advertising business.

    Some other tech companies have followed his lead in some places. Facebook-parent Meta copied Twitter by launching a paid verification option. And Meta, along with a number of other tech companies, have undergone multiple rounds of cost-cutting since last fall. Twitter appears to have given cover for some of these ideas, and other firms’ somewhat more principled approaches made them look better by comparison.

    For Twitter and Musk, the stakes for success are high: Musk’s relationships with banks and investors for future endeavors could hinge in part on his performance at the social media firm, which he took on billions of dollars in debt to purchase. Banks “will sit down and say, what kind of cred does this guy have? Will we find him making these shoot-from-the-lip sort of dictates that, in fact, throw our money down a hole?” said Columbia Business School management professor William Klepper.

    Any change to Musk’s reputation from his time leading Twitter could also ultimately have ripple effects for his broader business empire, causing potential investors, recruits and customers to think twice about betting on one of his companies. Tesla

    (TSLA)
    shareholders recently complained to the company’s board that Musk appears “overcommitted.”

    “His reputation has been diminished significantly with Twitter … and once you lose it, it’s very difficult to recover,” Klepper said. “It would be a good opportunity for [Musk] to rethink whether or not … he’s really leadership material.”

    Musk in December pledged to step down as Twitter CEO after millions of users voted in favor of his exit in a poll he posted to the platform. But for now, he remains “Chief Twit.”

    Source link

  • Top moments from the White House Correspondents’ dinner | CNN Politics

    Top moments from the White House Correspondents’ dinner | CNN Politics


    Washington
    CNN
     — 

    President Joe Biden joked about a range of topics at the White House Correspondents’ dinner on Saturday but struck a serious tone as he called for the release of wrongfully detained Americans abroad.

    The annual dinner, hosted inside the Washington Hilton, drew thousands of guests in support of freedom of the press, something Biden called “the pillar of a free society, not the enemy.”

    Here are the top moments from this year’s dinner.

    Biden used the opportunity to address a crowd gathered to support freedom of the press to send a clear message: “Journalism is not a crime.”

    He began his remarks on a serious note and immediately addressed the wrongful detentions of American journalists Evan Gershkovich in Russia and Austin Tice in Syria, reassuring the room full of journalists and the families of the detainees that his administration is committed to bringing them home.

    “I promise you, I’m working like hell to get them home,” Biden said.

    In attendance Saturday evening was Brittney Griner, the WNBA star who was freed from Russia late last year after being wrongfully detained. Biden and First Lady Jill Biden held a pull-aside meeting with Griner and her wife at the event, per the White House pool.

    The president and First Lady also met privately with the family of Gershkovich, a Wall Street Journal reporter that the US State Department has deemed “wrongfully detained” in Russia. Several journalists in attendance wore pins to urge his release.

    The daughter of jailed Russian opposition figure Alexey Navanly, Dasha Navalnaya, told CNN earlier Saturday the White House Correspondents’ dinner represents an especially important event for those who are wrongfully detained because “America as a country represents freedom of speech, freedom of political expression.”

    Comedian Roy Wood Jr., known for his role on Comedy Central’s “The Daily Show,” did not hold back in his roast of Washington politics Saturday evening, saving jabs for both parties.

    He immediately addressed the classified documents found in Biden’s Delaware home, telling the president as he stepped aside from the podium, “Real quick, Mr. President. I think you left some of your classified documents up here.”

    Wood also pointed to protests in France in response to the government raising the retirement age. “Meanwhile in America, we have an 80-year-old man begging us for four more years of work,” he quipped, alluding to Biden’s reelection bid.

    But the comedian went on to dub former President Donald Trump the “king of scandals.”

    “Keeping up with Trump scandals is like watching Star Wars movies,” he said. “You got to watch the third one to understand the first one, then you got – you can’t miss the second one because it’s got Easter eggs for the fifth one.”

    Watch: Iconic moments from past White House Correspondents’ dinners

    Biden’s jokes, meanwhile included a number of quips aimed at his predecessor’s recent scandals.

    He joked that he was offered $10 to keep his remarks under ten minutes. “That’s a switch, a president being offered hush money,” he joked in reference to Trump’s indictment in an alleged hush money scheme.

    Biden also poked fun at Florida Gov. Ron DeSantis, who is likely to be top candidate for the GOP presidential nomination if he enters the 2024 race.

    “I had a lot of Ron DeSantis jokes ready, but Mickey Mouse beat the hell out of me, he got there first,” Biden said.

    Disney filed a lawsuit against the governor and his oversight board earlier this week, accusing him of punishing the company for exercising its free speech rights with his political influence.

    The White House Correspondents’ dinner honored several journalists for their impactful work last year, including CNN’s Phil Mattingly for his coverage of Ukrainian President Volodymyr Zelensky’s visit to Washington and Politico’s publishing of the Supreme Court draft opinion that would later overturn Roe v. Wade.

    While Biden also applauded the journalists for their work, he poked fun at their tough questioning.

    “I get that age is a completely reasonable issue, it’s on everybody’s mind,” he said, referring to his reelection bid. “By everyone I mean the New York Times.”

    Biden also joked about how he dodges the media’s questions. “In a lot of ways, this dinner sums up my first two years in office: I’ll talk for 10 minutes, take zero questions and cheerfully walk away.”

    In recent weeks, the media industry has taken several hits – from high-profile terminations to layoffs, something Wood addressed head on.

    “The untouchable Tucker Carlson is out of a job,” Wood said, referring to the anchor’s departure from Fox News, which prompted applause.

    “Okay, some people celebrate it,” he responded. “But to Tucker’s staff, I want you to note that I know what you’re feeling. I work at the Daily Show, so I too have been blindsided by the sudden departure of the host of a fake news program.”

    Saturday’s event saw a number of celebrities in attendance, including model and TV personality Chrissy Teigen and her husband, singer John Legend.

    Actress Julia Fox posed with Senate Majority Leader Chuck Schumer while actress Rosario Dawson and actors Liev Schreiber and Billy Eichner all took turns on the red carpet.

    During the event, identical twin brothers Drew and Jonathan Scott, who host “Property Brothers” on HGTV, drew big laughs as their sketch-style video showcased how they would renovate the White House.

    “We’ve been doing this a long time and we think we know how to turn the White House into the White Home,” the pair said in video.

    Source link

  • The viral new ‘Drake’ and ‘Weeknd’ song is not what it seems | CNN Business

    The viral new ‘Drake’ and ‘Weeknd’ song is not what it seems | CNN Business



    CNN
     — 

    One of the buzziest songs recently circulating on TikTok and climbing the Spotify charts featured the familiar voices of best-selling artists Drake and the Weeknd. But there’s a twist: Drake and the Weeknd appear to have had nothing to do with it.

    The viral track, “Heart on my Sleeve,” comes from an anonymous TikTok user named Ghostwriter977, who claims to have used artificial intelligence to generate the voices of Drake and the Weeknd for the track.

    “I was a ghostwriter for years and got paid close to nothing just for major labels to profit,” Ghostwriter977 wrote in the video comments. “The future is here.”

    “Heart on my Sleeve” racked up more than 11 million views across several videos in just a few days and was streamed on Spotify hundreds of thousands of times. The original TikTok video has seemingly been taken down, and the song has since been removed from streaming services including YouTube, Apple Music and Spotify. (TikTok, YouTube, Apple and Spotify did not respond to a request for comment.)

    The exact origin of the song remains unclear, and some have suggested it could be a publicity stunt. But the stunning traction for “Heart on my Sleeve” may only add to the anxiety inside the music industry as it goes on offense against the possible threat posed by a new crop of increasingly powerful AI tools on the market.

    Universal Music Group, the music label that represents Drake, The Weeknd and numerous other superstars, sent urgent letters in April to streaming platforms, including Spotify and Apple Music, asking them to block AI platforms from training on the melodies and lyrics of their copywritten songs.

    “The training of generative AI using our artists’ music — which represents both a breach of our agreements and a violation of copyright law as well as the availability of infringing content created with generative AI on digital service providers – begs the question as to which side of history all stakeholders in the music ecosystem want to be on: the side of artists, fans and human creative expression, or on the side of deep fakes, fraud and denying artists their due compensation,” the company said in a statement this week to CNN.

    The record label said platforms have “a fundamental legal and ethical responsibility to prevent the use of their services in ways that harm artists.”

    But attempting to crack down on AI-generated music may pose a unique challenge. The legal landscape for AI work remains unclear, the tools to create it are widely accessible and social media makes it easier than ever to distribute it.

    AI-generated music is not new. Taryn Southern’s debut song “Break Free,” which was composed and produced with AI, hit the Top 100 radio charts back in 2018, and VAVA, an AI music artist (i.e. not a human), currently has a single out in Thailand.

    But a new crop of AI tools have made it easier than ever to quickly generate convincing images, audio, video and written work. Some services such as Boomy specifically leverage generative AI to make music creation more accessible.

    There’s little known about who is behind the Ghostwriter977 account, or which tools the creator used to make the track. The user did not respond to a CNN request for comment.

    In the bio section of the user’s TikTok account, a link directs users to a page on Laylo, a website where fans can sign up to get notifications from artists when new songs are dropped or merchandise and tickets become available. The company told CNN the account likely registered to build up its fan base and brought in “tens of thousands” of signups in the past few days.

    Laylo CEO Alec Ellin denied that the company was behind the viral track as some have speculated, but Ellin told CNN whoever did make it was “clearly a really savvy creator” and called it “a perfect example of the power of using Laylo to own your audience.”

    Michael Inouye, an analyst at ABI Research, said “Heart on my Sleeve” could have been made in several ways depending on the sophistication of the AI and level of musical talent.

    “If music artists were involved, they could create the background music and the lyrics, and then the AI model could be trained with content from Drake and The Weekend to replicate their voices and singing styles,” he said. “AI could also have generated most of the song, lyrics and replicated the artists again based on the training data set and any prompts given to direct the AI model.”

    He added that part of this fascination and virality of the song comes from “just how good AI has gotten at creating content, which includes replicating famous people.”

    Roberto Nickson, who is building an AI platform to help boost productivity and work flow, recently posted a video on Twitter showing how easy it is to record a verse and train an AI model to replace his vocals. He used the artist formerly known as Kanye West as an example.

    “The results will blow your mind,” he said. “You’re going to be listening to songs by your favorite artist that are completely indistinguishable and you’re not going to know if it’s them or not.”

    Although the entertainment industry has seen these issues coming, regulations are lagging behind the rapid pace of AI development.

    Audrey Benoualid, an entertainment lawyer based in Los Angeles, said one could argue “Heart On My Sleeve” does not infringe copyright as it appears to be an “original” composition.

    “Ghostwriter also publicized that Drake and The Weeknd were not involved in the making of the song, which could protect them from a ‘passing off’ claim, where profits are generated as consumers are misled into believing the song is actually a Drake-Weeknd collaboration,” she said in an email to CNN.

    However, Benoualid added, machine learning and generative AI programs may also be found to infringe copyright in existing works, either by making copies of those works to train the AI or by generating outputs that are substantially similar to those existing works. “Major labels would undoubtedly, and have already begun to, argue that their copyrights (and their artists’ intellectual property rights) are being infringed,” she said.

    Michael Nash, an executive VP at Universal Music Group, recently wrote in an op-ed that AI music is “diluting the market, making original creations harder to find, and violating artists’ legal rights to compensation from their work.”

    No regulations exist that dictate on what AI can and cannot train. But last month, in response to individuals looking to seek copyright for AI-generated works, the US Copyright Office released new guidance around how to register literary, musical, and artistic works made with AI.

    The copyright will be determined on a case-by-case basis, the guidance continued, based on how the AI tool operates and how it was used to create the final piece or work. The US Copyright Office announced it will also be seeking public input on how the law should apply to copywritten works the AI trains on, and how the office should treat those works.

    “AI and copyright law and the rights of musicians and labels have crashed into one another (once again), and it will take time for the dust to settle,” Benoualid said. “The landscape is anything but clear at the moment.”

    Inouye said if AI generated content becomes associated with famous individuals in a negative way that could be grounds for a lawsuit to not only take content down but to cease and desist their operations and potentially seek damage.

    “On the flip side, if the content were to be popular and the creator were to make revenue off of the artists’ image or likeness then again the artists could similarly request the content to be taken down and potentially sue for any monetary gains,” he said.

    But for now, concerned parties may be forced to play whack-a-mole. While services like Spotify pulled “Heart on my Sleeve,” versions of it appeared to continue circulating as of Tuesday on other online platforms.

    Even a song made with artificial intelligence may find real staying power online.

    – CNN’s Vanessa Yurkevich contributed to this report.

    Source link

  • White House preparations for state dinner with India’s Modi include plant-based chef and violinist Joshua Bell | CNN Politics

    White House preparations for state dinner with India’s Modi include plant-based chef and violinist Joshua Bell | CNN Politics



    CNN
     — 

    Preparations are underway at the White House as President Joe Biden and first lady Dr. Jill Biden will welcome India’s Prime Minister Narendra Modi to Washington for an official state visit on Thursday, rolling out pomp and circumstance at a state dinner in the evening as the two countries reaffirm close ties.

    There has been close attention to diplomatic detail in advance of Thursday’s state dinner, including catering to the guest’s dietary restrictions.

    Nina Curtis, a plant-based chef from Sacramento, California, will be the dinner’s guest chef, working with White House Executive Chef Cris Comerford, and White House Executive Pastry Chef Susie Morrison to develop the menu, the office of the first lady said.

    Modi, a White House official said, is a vegetarian and “the First Lady selected Chef Curtis for her experience with plant-based cuisine.”

    And Grammy Award-winning American violinist and conductor Joshua Bell will provide the evening’s entertainment, the office of the first lady said.

    The state dinner is one element of an elaborate visit for the prime minister, which comes amid some criticism over Modi’s human rights record.

    State dinners, former White House curator Betty Monkman said, are “a courtesy, an expression of good will, and a way of extending hospitality,” as well as “an event that also showcases global power and influence.” The office of the first lady works closely with her social team, executive residence staff from the calligraphers to the florists to the pastry chefs and the State Department in preparation for these dinners.

    National security adviser Jake Sullivan traveled to India this week ahead of the dinner, meeting with Modi and other officials.

    “He reviewed preparations for the upcoming official state visit of the prime minister, and discussed a range of strategic, regional, and bilateral issues including steps to advance the strategic technology and defense partnership between the United States and India,” a readout of Sullivan’s trip stated.

    This will mark the third state dinner of the Biden administration after the Bidens hosted French President Emmanuel Macron in December and South Korean President Yoon Suk-Yeol in April.

    Source link

  • E. Jean Carroll and Donald Trump rest their cases in civil rape trial, but Trump could still testify | CNN Politics

    E. Jean Carroll and Donald Trump rest their cases in civil rape trial, but Trump could still testify | CNN Politics


    New York
    CNN
     — 

    Attorneys for E. Jean Carroll and Donald Trump rested their respective cases in the battery and defamation trial against the former president in Manhattan federal court on Thursday evening.

    Carroll, a former magazine columnist, alleges Trump raped her in the Bergdorf Goodman department store in the mid-1990s and then defamed her when he denied her claim, said she wasn’t his type and suggested she made up the story to boost sales of her book. Trump has denied all wrongdoing.

    While resting his case means Trump legally waived his right to testify in his own defense, District Judge Lewis Kaplan left a window for Trump to change his mind over the weekend.

    Kaplan ruled that Trump’s legal team has until 5 p.m. Sunday to petition the court to reopen the defense case for the sole purpose of allowing Trump to testify. The judge said he ordered the precautionary measure in light of Trump’s public comments made earlier Thursday suggesting he would make an appearance in court before the trial ended.

    Trump, who has not appeared in the courtroom at any point during the trial, told reporters in Ireland on Thursday he’ll “probably attend” the trial.

    “I have to go back for a woman that made a false accusation about me, and I have a judge who is extremely hostile,” Trump said in Doonbeg, Ireland, according to Reuters.

    During a sidebar on Thursday afternoon, Trump’s attorney tried repeatedly to reassure Kaplan that his client would not take the stand and implied that the judge has an idea of what it’s like representing the former president.

    “I know you understand what I am dealing with,” Joe Tacopina told the judge, according to a court transcript.

    If Trump does not change his mind, the parties are set to give closing arguments to the jury at 10 a.m. on Monday.

    Carroll’s legal team put on 11 witnesses in her case including the writer herself over seven trial days.

    Republican panelist: Trump’s glorification of accused Jan 6 rioters is “disgusting.”

    Earlier Thursday the jury saw more clips of Trump’s video-recorded deposition taken last October for this case in which Trump vehemently denies Carroll’s rape allegations against him.

    “She’s accusing me of rape, a woman that I have no idea who she is. It came out of the blue. She’s accusing me of rape – of raping her, the worst thing you can do, the worst charge. And you know it’s not true too. You’re a political operative also. You’re a disgrace. But she’s accusing me and so are you of rape, and it never took place,” Trump said on video, addressing Carroll’s attorney Roberta Kaplan.

    Trump stood by his social media posts published in 2019 and 2022 denying Carroll’s accusations and confirmed he personally wrote them.

    At one point during the deposition, Trump held a well-known black and white photo of himself, E Jean Carroll, her former husband news anchor John Johnson, and Trump’s then-wife Ivana.

    Trump recognized Johnson and recalled thinking he was good at his television job, but then mistook Carroll for his other ex-wife Marla Maples.

    “That’s Marla, yeah. That’s my wife,” he said.

    After the attorneys corrected him, Trump said the photo was blurry.

    He acknowledged the photo suggests he met Carroll at least once but said it must have been very brief at an event and he does not remember or know her.

    “I still don’t know this woman. I think she’s a whack job. I have no idea. I don’t know anything about this woman other than what I read in stories and what I hear. I know nothing about her,” the former president said.

    “She’s a liar and she’s a sick person in my opinion, Really sick. Something wrong with her,” Trump said during another point in the deposition.

    screengrab maggine haberman

    Haberman: Trump is personally bothered by the E. Jean Carroll case

    Carroll’s attorney asked Trump about his comments regarding Carroll, Jessica Leeds and Natasha Stoynoff all not being “his type.”

    He stood by the statements each time he was asked. At one point he said, “the only different between me and other people is I’m honest.”

    He also told Carroll’s attorney she’s not his type. “You wouldn’t be a choice of mine either to be honest,” Trump said.

    He also said he felt like he had a right to insult the women who’ve accused him falsely.

    “I don’t want to be insulting but when people accuse me of something I think I have a right to be insulting because they’re insulting me,” Trump said.

    The jury watched Trump view the “Access Hollywood” tape during his deposition. He didn’t appear to noticeably react as it was played.

    When asked about the tape he said it’s already been “fully litigated” and, “it’s locker room talk, I don’t know, it’s just the way people talk.”

    Former local news anchor Carol Martin testified Thursday that she remembers Carroll confiding in her soon after the alleged assault by Trump in the mid-1990s.

    Martin testified under direct examination that she didn’t remember when exactly it happened, but she knew it was some time while the two were working at the same cable network between 1994 and 1996.

    By Martin’s account the two friends had finished taping their respective shows and Carroll asked if she could come over Martin’s home near the studio. They talked in her kitchen for about an hour, Martin testified, and Carroll was “frenzied.”

    Carroll’s “effect was anxious and excitable, but she can be that way sometimes so that part wasn’t as different but what she was saying didn’t make any sense at first.” The conversation was not linear, Carroll started her account saying, “You won’t believe what happened to me the other night,” Martin recalled.

    “And I didn’t know what to expect,” Martin said she felt at the time. Carroll repeatedly said, “Trump attacked me,” according to Martin.

    “I think she said ‘he pinned me’ and I still didn’t know what she meant,” Martin testified.

    Martin testified that she told Carroll she shouldn’t tell anyone her story. “Because it was Donald Trump and he had a lot of attorneys and I thought he would bury her is what I told her,” Martin said.

    “I have questioned myself more times than not over the years. I am not proud that that’s what I told her in truth but she didn’t contest,” Martin added.

    During cross-examination, Tacopina read through a series of messages Martin has sent friends, many to Carroll, speaking negatively about Trump for years since he first ran for the presidency.

    Martin testified that as “very liberal feminist women,” they frequently discussed politics including their dislike for Trump. “We would often talk about ways to change the climate or work on issues of interest to us,” Martin testified.

    Tacopina also read the jury several messages Martin sent to friends and family about Carroll’s lawsuit against Trump that appeared to criticize Carroll. “She’s gonna sue when adult victims of rape law is passed in New York State or something. WTF that’s the defamation case and DOJ oversight or something. It’s gone to another level and not something I can relate to. For her, sadly, I think this quest has become a lifestyle,” Martin wrote in one text.

    Martin responded in court that at the time she sent the messages she was dealing with serious matters in her own personal life that affected her feelings toward Carroll’s situation. She testified that the texts do not reflect her current feelings.

    A marketing expert commissioned by Carroll testified it would take up to $2.7 million to run an effective marketing campaign to repair her reputation just from the damage of Trump’s October 12, 2022, comments denying her allegations.

    Northwestern University Professor Ashlee Humphreys said that Trump’s statement at issue in this trial reached somewhere between 13.7 and 18 million impressions.

    Humphreys and a team of researchers evaluated the post first published on Truth Social and how it spread across mediums like other social media platforms, websites and cable and network broadcast television.

    In a series of calculations Humphreys said about 21% of the people who viewed the statement in some capacity – about 3.7 to 5.6 million people – likely believed Trump. The analysis did not consider the effects of previous statements Trump made about Carroll.

    On cross examination Humphreys acknowledged that she did not consider damage done to Trump by Carroll’s statements against him.

    This story has been updated with additional developments.

    Source link