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Tag: Dolly Parton

  • Dolly Parton’s first-ever rock ‘n’ roll album, “Rockstar,” addresses global issues

    Dolly Parton’s first-ever rock ‘n’ roll album, “Rockstar,” addresses global issues

    Dolly Parton’s first-ever rock ‘n’ roll album, “Rockstar,” addresses global issues – CBS News


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    Ahead of the release of her new album, “Rockstar,” and a new book about her wardrobe throughout her career, Dolly Parton sits down with CBS News’ Norah O’Donnell to talk why she is still dreaming big.

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  • Reba McEntire On Collaborating With Dolly Parton, Looking ‘Tough Sexy’ And Living ‘Not That Fancy’

    Reba McEntire On Collaborating With Dolly Parton, Looking ‘Tough Sexy’ And Living ‘Not That Fancy’

    By MARIA SHERMAN, The Associated Press.

    Want to live like Reba McEntire? You’re in luck.

    On Friday, the country music and entertainment icon will release a new album to partner with her new book, Not That Fancy: Simple Lessons on Living, Loving, Eating, and Dusting Off Your Boots.

    The book, which arrives Tuesday, is a collection of recipes, memoir, photos, and lifestyle tips. The Not That Fancy album is a collection of acoustic covers of McEntire’s biggest hits, with a few surprises thrown in, like Dolly Parton, who takes the place of Linda Davis on “Does He Love You”.


    READ MORE:
    Reba McEntire Takes The Cake In Dramatic Entry To ‘The Voice’

    The book, McEntire explained over the phone, is “about things not having to be so fancy or structured. Whether it’s a dinner party or going out to eat, having friends over. If you don’t have your brand-new couch in, you’ve got to cover your old couch, that’s fine. People don’t care. They just want to get together and have fun.”

    Re-recording some of her most recognizable songs in an intimate fashion just felt like the perfect partner for a book that already crosses mediums. “It’s not just a cookbook. It’s not just a photo album. It’s not a storybook. It’s an eclectic group of everything,” she explains.


    READ MORE:
    Reba McEntire Admits It ‘Wasn’t’ Love At First Sight For Her And Boyfriend Rex Linn

    “And I had to proofread it, so I went through it several times and never got bored with it. And I have the attention span of a 3-year-old, so for me not to get bored with it is a huge compliment to the book.”

    McEntire spoke to The Associated Press about her new album, book, and dressing “tough sexy.”

    This interview has been edited for clarity and brevity.

    AP: The book came first, then the album. Where did the idea for acoustic covers originate?

    McENTIRE: We had done (the compilation album) Remixed, Revised and Revisited, and so we pulled some of those songs. Working with (producer) Dave Cobb, that was an album that was stripped down, that we wanted to pull from. And we added some more songs to it, brand new songs, which is our new single called “Seven Minutes in Heaven”. And it just worked out really good to be “not that fancy.”

    AP: Dolly Parton takes the place of Linda Davis on this version of “Does He Love You”. How did the collaboration come to be?

    McENTIRE: Well, we were picking out the songs for the album, “Does He Love You” came up and we were all like, “Well, if we did it again, who we like to have sing with you?” We all started pitching names and put them in the hat. When somebody said “Dolly,” everybody just said, “Oh, absolutely, we got to ask Dolly.” And she said, yes.

    AP: So, it didn’t take much convincing?

    McENTIRE: I hope not, anyway!

    AP: Brooks & Dunn joined you again for “If You See Him/If You See Her”.

    McENTIRE: We all got in the studio together. Of course, Dolly and I didn’t get to record together because of the pandemic, but Ronnie (Dunn) and Kix (Brooks) came in and we love to perform and sing together. We’re good friends. So, it was a great day hanging out at the studio.

    They are terribly notorious for being pranksters. When we first started our tour in the early ‘90s, that was my first rule: No pranks. We do not like pranks. And so when Kix and myself, when we were singing “Cotton Fields”, he kind of kept spitting on me. We got off the stage, of course, and we walked back to the dressing room. I said, “Would you please quit spitting in my face?” And that’s when he gave me a big yellow rain slicker the next night.

    AP: Ha! Did re-recording these songs transform them, in some way?

    McENTIRE: You get used to hearing something a certain way, and then when it is stripped down to just a few instruments, you got to get comfortable with it again. You kind of have to relearn it. And some of the songs we slowed down, changed the tempo, and it just made it a totally different song. So, I thought it was a great idea and a great way to give the fans something different.


    READ MORE:
    Reba McEntire Loves ‘Everything’ About Dolly Parton: ‘I’ve Never Heard A Bad Word Said About Dolly’

    AP: In the book, you describe your style as “tough sexy.” What is “tough sexy?”

    McENTIRE: I’m a tomboy at heart. I grew up on a working cattle ranch. I worked outside with my older sister Alice and my older brother Pake and little sister Susie. We had to do the chores with the men and then come in and us girls had to take care of things with Momma. So, I always considered myself a tomboy, but I still like to dress up and be sparkly with rhinestones and glitter and fringe and all that kind of stuff. So “tough sexy,” to me, when they say, “How do you like to dress?” “I like tough sexy.” “Well, what’s that?” “In my cowboy clothes with a sexy side of it.” That’s my interior design, also.

    AP: Not That Fancy offers simple living advice. What’s the best piece of advice you’ve ever been given, maybe something you’ve shared on “The Voice”?

    McENTIRE: I pass on the best advice I’d ever gotten from a good friend of mine who’s not with us any longer, a billionaire. He said, “Overall, have fun.”

    And also, don’t sweat the small stuff. Don’t worry that you don’t have eight glasses that match. Use Solo cups or paper plates, whatever you want to use, but have your friends over. Do not postpone a get together because you don’t have the perfect set up in your house, or maybe the house cleaner didn’t come, or maybe you didn’t feel like cleaning your house. Don’t worry about it. They just want to see you.

    Melissa Romualdi

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  • “9 to 5” With An Edge (That Is To Say, “Mexican Style”): Shakira Sticks It to The Man in “El Jefe” Featuring Fuerza Regida

    “9 to 5” With An Edge (That Is To Say, “Mexican Style”): Shakira Sticks It to The Man in “El Jefe” Featuring Fuerza Regida

    Inaugurating, however briefly, her regional Mexican music era, Shakira brings us yet another single designed to prepare us for her long-awaited twelfth album. And yet, if Shakira has conditioned us to understand one thing about her, it’s to expect the unexpected in whatever musical route she decides to take. Because who knew something like a corrido would be next in her wheelhouse. At the same time, after such varied-in-style hits as “Shakira: Bzrp Music Sessions, Vol. 53,” “TQG,” “Acróstico” and “Copa Vacía” earlier this year, nothing Shakira releases should come as a surprise. The only real shock being if she didn’t manage to release a bop…or a song that didn’t feature someone else on it (in this case, Mexican group Fuerza Regida). And this one not only delivers on that front, but also, let’s call it, the People’s Liberation Front (no relation to the organization named as such in countries such as Sri Lanka and Ethiopia). And, yes, like Beyoncé’s anti-work anthem, “Break My Soul,” Shakira is also coming from a place of having never really worked the kind of soul-breaking job she refers to in “El Jefe,” yet still does her best to sound as though she has (hence, the need for co-writers Edgar Barrera, Kevyn Cruz and Manuel Lorente). 

    But, in contrast to her erstwhile collaborator, Bey, Shakira is far more aggressive in her contempt for thankless, underpaid jobs and the overpaid fat cats who make work so unbearable for the other ninety-nine percent. Because she doesn’t sing a passing verse like, “And I just quit my job I’m gonna find new drive/Damn, they work me so damn hard/Work by nine, then off past five/And they work my nerves/That’s why I cannot sleep at night.” No, instead, the entire song is about work being a fucking scam/joke for anyone who isn’t in a position of power (usually as a result of birth lottery circumstances). And, talking of the nine to five schedule (increasingly outmoded at this juncture), Shakira officially outdoes the anti-The Man anthem that is Dolly Parton’s “9 to 5.” That’s right, it only took forty-three years for something as oppressor-despising (hidden behind a “jaunty” tone and rhythm) to come along. 

    What’s more, “El Jefe” mimics the narrative structure of “9 to 5” in terms of laying out all the rightful complaints from the beginning of the day. From the very moment one opens their eyes to the sound of the alarm that might as well be a death (of the soul) knell. So it is that Shakira opens “El Jefe” with lyrics that translate to: “7:30 the alarm has gone off/I want to be in bed/But it cannot be done/I take the kids at 9/The same coffee, the same kitchen/The same always, the same routine/Another shitty day/Another day at the office.” In 1980, Parton phrased that opening as, “Tumble out of bed/And stumble to the kitchen/Pour myself a cup of ambition/And yawn and stretch and try to come to life…/Out on the streets, the traffic starts jumpin’/For folks like me on the job from 9 to 5.”

    Parton then serves up the iconic chorus, “Workin’ 9 to 5/What a way to make a livin’/Barely gettin’ by/It’s all takin’ and no givin’/They just use your mind/And they never give you credit.” Shakira feels much the same as she sings, “I have a shitty boss who doesn’t pay me well/I arrive walking/And he in a Mercedes-Benz [again, Dolly correlation]/He has me as a recruit/The son of a bitch/You’re dreaming of leaving the neighborhood/You have everything to be a millionaire/Expensive tastes, the mentality/You only need the salary.”

    In the accompanying video, Shakira plays up the regional Mexican tone with a Texana aesthetic that comes complete with cowboy hat, cowboy boots, leather fringe skirt, bombastic belt and some zapateado stylings intermixed with her own renowned “hip work.” Directed by Jora Frantzis, who has already dabbled with Latina mamis in the past (i.e., directing videos for Jennifer Lopez and Cardi B), scenes of Shakira on a horse that taps its hooves to the beat (something that deserves a visual effects award because that can’t be real) are quickly interspersed with scenes of immigrants on a train making their way, presumably, to the U.S. border. Where, as Shakira describes, they’ll be met with working conditions that can best be described as glorified slavery. No wonder she’s quick to urge, “Stick it to the man” in between scenes of warehouse workers (played by Fuerza Regida members) carrying too many boxes on their shoulders (perhaps a dig at Amazon, as famed for its “low” prices as it is for never giving warehouse pickers a bathroom break). 

    Soon, we see Shakira and Fuerza Regida joining the other aspiring Americans on the back of a boxcar as Shakira continues to speak on her rage regarding racial and class inequality (for the former is directly related to the latter, particularly in “anyone can be anything” America). Shakira, too, seems well-versed in the fact that it’s just as Dolly said: “It’s a rich man’s game/No matter what they call it/And you spend your life/Putting money in his wallet.” Ergo, “What irony, what madness/This is torture/You kill yourself from dawn to dusk and you don’t even have a writing.” That last word a botched translation from “escritura,” which can also mean a deed (as in: to property) or a “document”/“papers” (as in: the legal “right” to be somewhere).

    For good measure, Shakira also adds another dig at Gerard Piqué by calling out his father with the insult, “They say there is no evil/That lasts more than a hundred years/But there is still my ex father-in-law who has not set foot in the grave.” So much for a temporary peace between the two exes (yet perhaps it’s only fair considering Shakira took aim earlier this year at her ex mother-in-law through a carefully-curated witch display). But this song has nothing to do with getting revenge on an ex (unless it’s an ex-boss). No, it’s all in service of buttressing the proletariat…or at least comforting them by assuring that someone is very aware of what they’re going through (even if from their own perch on Millionaires’ Row). 

    Which is why, at the one-minute, forty-four-second mark of the video, things take a turn toward the indoors, with Frantzis focusing on the fat cats (literally fat, obviously) themselves as they sit at a banquet table. And what’s on the menu? Why, the proletariat, of course! A.k.a. Jesus Ortiz Paz’s (Fuerza Regida’s lead singer) head on a platter, John the Baptist-style. What the fat cats hadn’t bargained for (just as Franklin Hart hadn’t bargained for Violet, Doralee or Judy), however, was a calmly irate Shakira showing up to walk on their table and approach the so-called “jefe” at the head of it with an expression that says, “I’m the jefe now, bitch.”

    As for the mention of her former-turned-current nanny, Lili Melgar, by declaring, “This song’s for you/They didn’t pay you compensation,” well, that’s another direct hit at Piqué. Who apparently fired Melgar after she tipped Shakira off to a “third presence” visiting their house all the time before she finally clocked the suspiciously diminished contents of the jam jar

    The last shot in the video returns to a defiant-looking Shakira (dressed in her all-red cowgirl ensemble—because, sooner or later, the oppressed becomes the oppressor, right?) on her horse as she stares into the camera. As though daring the jefes of the world to try to keep her or her “kind” down. But, no matter who you are or where you’re from (to paraphrase the Backstreet Boys), there is always common ground to be had in the shared experience of how much work blows chunks (at pretty much any pay grade, to boot). 

    For even the white men known as Blink-182 once said, “Work sucks, I know.” And so does Shakira. Or at least she can “get into the headspace” of knowing, if “El Jefe” is any indication. Thus, the only thing that could be more triumphant than this anti-work anthem is an official mashup (à la “Numb/Encore”) of it with “9 to 5.”

    Genna Rivieccio

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  • Looking for some music books to read this winter? Here are some recommendations – National | Globalnews.ca

    Looking for some music books to read this winter? Here are some recommendations – National | Globalnews.ca

    Fall is the best time of the year for book lovers. Publishers schedule the release of their most serious-minded fare for when we’re indoors and have time to read. So put away that phone and tablet. There will be plenty of time for doomscrolling in the New Year when get back to climate change emergencies, Elon Musk’s latest bits of insanity, and panic over the U.S. presidential election. Time to curl up with some good books on music.

    Talking to My Angels by Melissa Etheridge (Out now)

    Looking for some music books to read this winter? Here are some recommendations - image

    Etheridge’s second memoir (the first was The Truth Is… from 2002) picks up where that one left off and adds 20 years of new experiences (a battle with breast cancer, some very public breakups, the death of her son as the result of opioid addiction, involvement in the LGBTQ2 community) and reflections on life. It’s very honest stuff. There will be tears.

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    Mud Ride: A Messy Trip Through the Grunge Explosion by Steve Turner (Out now)

    Looking for some music books to read this winter? Here are some recommendations - image

    Turner, a skater and hardcore kid, was there at the very beginning of grunge. In fact, it was Mark Arm, his later bandmate in OG groups like Green River and Mudhoney who first used the word to describe the heavier sounds coming out of the Pacific Northwest. Turner takes us through those early days, showing us just how few people were responsible for a scene that eventually blew up worldwide. Green River, for example, once included both future Pearl Jam members Jeff Ament and Stone Gossard but left when their ambitions outgrew the group. Although Mudhoney continues to record and tour, their experience shows that not everyone associated with the birth of grunge was on the same page.

    Abbey Road: The Inside Story of the World’s Most Famous Recording Studio by David Hepworth (Out Now)

    Looking for some music books to read this winter? Here are some recommendations - image

    I’ve been lucky to both work at and tour through Abbey Road Studios several times over the years and I can attest that the place is like a shrine. Opened by Electric and Machine Industries (that’s what “EMI” stands for) in a nine-bedroom century-old Georgian townhouse, the studios have been the source of some of the most legendary recordings in the world: The Beatles, Pink Floyd, Oasis, Muse, Radiohead, Depeche Mode — the list goes on forever. The massive Studio One is also where orchestras performed and recorded the soundtracks for Raiders of the Lost Ark, Return of the Jedi, Aliens, and a bunch of Harry Potter films. While the studio is off-limits to most visitors, this book takes us inside and shows how things work behind the curtain.

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    Don’t Call It Hair Metal: Art in the Excess of ’80s Rock by Sean Kelly

    Hair metal has not been treated kindly by history. Most remember it as a time when dudes looked like ladies with their big hair, makeup, and spandex up partied up and down the Sunset Strip. A lot of rock fans were fine when the grunge tsunami wiped the entire scene from the face of the early at the dawn of the 1990s. But maybe we’ve been too harsh. Kelly teases out stories from members of Twisted Sister, Guns N’ Roses, Dokken, Poison, Quiet Riot, and others to offer a different perspective on the music of the era. Maybe it wasn’t so bad after all.

    High Bias: The Distorted History of the Cassette Tape by Mark Masters (Out Oct. 3)

    Looking for some music books to read this winter? Here are some recommendations - image

    When Philips introduced the Compact Cassette in 1963, they expected it to be used for low-fidelity purposes like diction and answering machines. But as tape formulations and tape machines got better, the cassette allowed everyone to create custom mixtapes for home, the car, and new-fangled things like the Sony Walkman. For a brief period in the 1980s, more people bought prerecorded albums on cassette than on vinyl or the new compact disc. The cassette made music consumption personal, customizable, and portable. Today, cassettes are making something of a comeback as retro tchotchkes and souvenirs as well as being used to preserve Afghani music from the Taliban’s music-hating ways. It’s a fun, twisty story.

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    Lay It On the Line by Rik Emmett (Out Oct. 10)

    Subtitled A Backstage Pass to Rock Star Adventure, Conflict, and Triumph, the guitarist for Canada’s other ’70s-’80s power trio offers a mix of memoirs, anecdotes, observations about the music industry, and rock’n’roll songwriting that’s sure to be appreciated by anyone who likes Canadian-built hard rock. Emmett also explains why he walked away from the band for 20 years to explore other forms of music.

    Behind the Seams: My Life in Rhinestones by Dolly Parton (Out Oct. 17)

    Looking for some music books to read this winter? Here are some recommendations - image

    Dolly has been having a very long moment these past couple of years, especially since she was inducted into The Rock and Roll Hall of Fame. With a new album entitled Rockstar coming in November (yes, a Dolly Parton rock record), she’s ready with a thick book featuring 450 full-colour photos of her wardrobe while explaining how her sense of style developed over the decades. Love sequins and rhinestones? Here you go.

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    The Tragically Hip ABC adapted by Drew Macklin (Out Oct. 24)

    This could be classified as something for the young’uns, but it’s really a picture book for all fans of The Tragically Hip. And it’s like it sounds: a tour through Hip songs A is for “Ahead by a Century,” B is for “Bobcaygeon,” etc., all whimsically illustrated by Clayton Hammer, Julia Breckenreid, Bridget George, and Monika Melnychuk. File it under, “For the Hip Fan Who Has Everything.”

     

    &copy 2023 Global News, a division of Corus Entertainment Inc.

    Alan Cross

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  • Dolly Parton Says She Would Rather ‘Drop Dead Onstage’ Than Opt For Retirement

    Dolly Parton Says She Would Rather ‘Drop Dead Onstage’ Than Opt For Retirement

    By Miguel A. Melendez‍, ETOnline.com.

    Dolly Parton‘s not leaving the stage any time soon. In fact, when it comes to retirement, the 77-year-old country star would rather “drop dead” onstage instead of planning her last curtain call.

    The Jolene singer shared her feelings about retirement while on the Greatest Hits Radio show, telling host Ken Bruce that there’s a responsibility that comes with realizing one’s biggest dreams.

    “I always believe that if you’ve wanted your dreams to come true and you are lucky enough to have that happen, then you’ve got to be responsible because you gotta keep the dream alive,” she explained. “And every dream kind of spawns another dream. You can branch off of almost anything that happens and make a business of that as well. So it’s kind of like a tree with good roots — it’s got a lot of limbs and it’s also got a lot of leafs. So, why not make the most of it? And I’m not one to sit around and do nothing.”

    Here’s the kicker:

    “I would never retire. I’ll just hopefully drop dead in the middle of a song onstage someday,” she said. “That’s how I hope to go. Of course, we don’t have much of a choice in that. But as long as I’m able to work, as long as my health is good and my husband is good. I mean, the only way that I would ever slow down or stop would be for that reason. But int he meantime I’m gonna make hay while the sun shines.”

    Back in May at the 58th Academy of Country Music Awards, the queen of country dropped the single “World on Fire,” off her Rockstar album, set to drop Nov. 17, and she told ET while on the red carpet she was nervous about releasing her single.

    “Well, I’m excited. A little bit nervous but in a good way,” she said. “It’s like I’m introducing my whole rock album tonight and this is the first single from that, but it’s a good message. I think everybody in the world needs to kind of hear this. So, I’m excited about it.”

    Rockstar features nine original tracks and 21 classic covers, with legendary appearances by Miley CyrusElton JohnStingStevie NicksLizzoChris Stapleton and Paul McCartney, among others.

    During her conversation with Bruce, the 9 to 5 songstress also shared what she’d like to do next.

    “I have new dreams every day. I wanna have my own network TV show, where I can actually do a lot of new things and produce,” she said. “I wanna have my own story called Life of Many Colors, where I have a whole series of my life. Stuff that people haven’t seen or know or heard about, and my people, where I come from, where I got to be and who I am; to have the behind-the-scenes and the adventures of my life.”

    She went on to say she’d like to have her own line of makeup, wigs and clothes. And she acknowledged that her fame afforded a lot of opportunities to come her way.

    Emerson Pearson

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  • Dolly Parton holds 3 new Guinness World Records

    Dolly Parton holds 3 new Guinness World Records

    Dolly Parton holds 3 new Guinness World Records – CBS News


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    Country legend Dolly Parton has been awarded three new Guinness World Records for her musical achievements, including the record for the longest span of No.1 hits for a female artist on the U.S. Top Country Albums chart, at more than 43 years.

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  • Be(be) Aggressive…With Your 70s Influence: Bebe Rexha Relies on a Go-To Pop Formula for Her Third Album

    Be(be) Aggressive…With Your 70s Influence: Bebe Rexha Relies on a Go-To Pop Formula for Her Third Album

    For whatever reason, Bebe Rexha’s nonstop bop of a sophomore album, Better Mistakes, landed with a thud on the Billboard 200 when it was released back in May of 2021, debuting at #140 and fizzling out from there. Almost a full two years later, evidently taking that album name to heart, Rexha has decided to keep making “better mistakes” with her third record, Bebe (a self-titled record in the tradition of Whitney or janet. or even Britney Jean). As if her pop hits of the past were ever really “mistakes.” Nonetheless, the point is, she’s willing to keep “plugging away” and experimenting to see what works and what doesn’t with audiences. Except that there’s not much in the way of “experimentation” on this particular record, as it’s somewhat apparent she wasn’t feeling quite as “adventurous” with regard to the concept behind it. For, as so many before her, she was “inspired” by “70s retro style.” To hit listeners over the head with that trope, Rexha doesn’t just rely on the sounds of the decade, but the visuals as well. Hence, an album cover that sees her in full feathered hair mode à la Farrah Fawcett. Of course, Madonna was already resuscitating that look/70s sonic trend in 2005 with Confessions on a Dance Floor. But sure, everything old can always be made “new” again. Kylie Minogue also recently made a similar maneuver with Disco in 2020, albeit with a less favorable outcome than what Rexha pulls off on Bebe.

    Kicking off with the first single, “Heart Wants What It Wants” (and, speaking of Selena Gomez songs, Rexha actually did write a song for her—2013’s “Like A Champion”), the tone of the album is immediately established as “sassy” and “playful.” The video to accompany it also finds Rexha making no apologies for emulating Madonna’s aforementioned Confessions on a Dance Floor era by styling Rexha’s hair with what M would call the perfect “weenie roll” curls and leotard. Opening in a way that reminds one of Ti West’s X as Rexha hops into the back of an ultra molester-y 70s van with a film crew, the Madonna correlation further manifests in the fact that the video is directed by Michael Haussman, known for his work on Madonna’s companion videos, “Take A Bow” and “You’ll See.” It’s clearly not a coincidence, as Rexha gushed openly about Madonna on the red carpet at the Grammys on February 5th, citing “Hung Up” as her favorite track of all-time from the Queen of Pop. Two weeks later, the release of the video for “Heart Wants What It Wants” made that all the more obvious as she re-creates M’s leotard and heels look (rounded out by a pair of purple tights) inside the living room of a house with a lodge-like aesthetic (the aesthetic of houses in the 70s, for some arbitrary reason). The difference is, Rexha has the film crew capturing her entire dance (not to say that Madonna doesn’t have the same thing happening in “Hung Up,” it’s simply that we’re not supposed to know it; there’s no “meta” element at play in her dance studio—it’s just her against the mirror…and the music, as Brit would say).

    Rexha’s filmed choreography segues into what we eventually come to see as a rehearsal for a more elaborately-staged (and costumed) performance later on. The crew’s errant signs of titillation make it seem as though they’re filming a porno (again, very X) rather than a fully-clothed dance session. Or maybe there’s just something about 70s aesthetics and camera crews that make everything seem porn-y. In any event, as Rexha shrugs, “My heart only wants what it wants, what it wants, what it wants/‘Til it doesn’t I can’t promise you love it was love, it was love, it was love/‘Til it wasn’t.” So despite her “vintage stylings,” Rexha conveys a very modern take on “love.” And yes, Rexha additionally appears to want to further align herself with Selena Gomez by not only naming this song similarly, but also channeling the 70s spirit of Gomez’s 2017 video for “Bad Liar,” complete with her own “modern” take on the decade (a.k.a. a lesbian tryst).

    The following song on the album, “Miracle Man,” finds Rexha adopting a tone that makes her sounds all too familiar. By the time the chorus rolls around—“I need a miracle man to make me believe in love again/Who can make me believe in lovе again/Say amen (yeah), amen (yеah)/‘Cause a woman like me ain’t easy to please”—one finally understands that said “familiarity” stems from how much she sounds like Ellie Goulding (and maybe she partially learned how to emulate Goulding while opening for her on 2016’s Delirium World Tour). Making for yet another pop star lending herself to the strong undercurrent of influences on Bebe. But, of course, mainly Madonna. And as Madonna would, Rexha wields religious analogies throughout this song, with her unlikely Miracle Man being akin to something in the vein of achieving “spiritual ecstasy.” Thus, comparing this man to a being as mythic as God when she demands, “Gimme faith, gimme faith, gimme faith, gimme faith in you/‘Cause I’d rather be lonely than the wrong one, hold me, baby.” Kali Uchis says pretty much the same thing on “Loner” (“That’s why I’d rather be a loner/Yeah, I’d rather be alone/I don’t even want to know ya/I don’t want to be known”). For it’s becoming an evermore common declaration among women who would prefer not to settle for less merely for the sake of “settling down” (hear also: Miley Cyrus’ “Flowers”). Rexha further drenches us in sexual-religious innuendo when she urges, “Push me up against the wall and make me glow/Drink your holy water, sip it slow/I can feel you drippin’ down my soul.” Madonna would surely approve of such lyrical content, with the sentiments matching her own on a track like 2015’s “Holy Water.”

    “Satellite,” the third official single from Bebe, was fittingly released on 4/20. After all, not only does the song feature Snoop Dogg, but it’s also an ode to being “high as a satellite.” Granted, probably not as high as one of Elon’s. Produced by Joe Janiak (who, yes, has worked with Ellie Goulding), the uptempo rhythm of the song is not exactly in keeping with “stoner pace,” but to honor “the lifestyle,” Rexha was sure to make the accompanying video as trippily animated as possible. Think Dua Lipa’s “Hallucinate” (which itself owes an aesthetic debt to Madonna’s “Dear Jessie”). But also The Jetsons…and Rexha’s animated form does certainly look very much like Jane Jetson with feathered blonde hair. Beamed up into a spaceship thanks to some help from Snoop (who knows all about interplanetary travel), Rexha finds herself in a bong-shaped vessel with little bud-shaped crew members who sometimes more closely resemble turds than nugs. But what do such details matter when you’re “high as a satellite”? And, since David Bowie is the original “Spaceman,” it’s only right that Rexha should give a nod to “Space Oddity” by saying, “Ground control, do you copy?” And so, weed gets another loving homage placed into the annals of pop culture—though “Satellite” still has nothing on Smiley Face.

    Rexha switches gears back to obsessing over love (or at least lust) with a human rather than an inanimate drug on “When It Rains.” Considering Rexha’s sexual-spiritual innuendos on “Miracle Man,” it should come as no surprise that this particular track is merely an analogy for orgasming. Hence, the chorus: “When it rains/I’m a tidal wave on a midnight train to you/When it rains/You’re like God to me, we found heaven in a hotel room.” Sounds similar to finding love in a hopeless place. Elsewhere, Rexha pulls from the Peaches playbook by announcing, “I just wanna go off in the backseat/You love makin’ me scream/Let’s fuck all the pain we’ve been through/When it rains, only when it rains/I come right back to you.” Translation: when she gets conned into forgetting about all his other bad behavior thanks to his ability to make her cum, she can’t help but keep returning for more. ‘Cause when it “rains” for a woman, it pours good fortune for a man. The fortune of all his other shortcomings being excused thanks to his dick-maneuvering abilities. As Madonna once phrased it in her own rain-drenched insinuation, “I’m glad you brought your raincoat/I think it’s beginning to rain.” Capisci? ‘Cause, like Bebe, she’s about to cum.

    However, when a man inevitably fails to deliver (usually both sexually and emotionally), Rexha is more likely to “call on herself” for “self-satisfaction.” Again promoting the sologamist philosophy “trend” that kicked off around the time when Ariana Grande released “thank u, next,” Rexha insists throughout “Call On Me,” “If I need a lover/Someone to hold me/Satisfy all my needs/If I need a lover/Someone to save me/Someone to set me free I call on me.” As Kali Uchis puts it on “After the Storm,” “So if you need a hero/Just look in the mirror/No one’s gonna save you now/So you better save yourself.” That applies to self-pleasure as much as anything else. With production from Burns (who previously worked with Rexha on 2021’s “Sacrifice,” in addition to providing some of the best offerings on Lady Gaga’s Chromatica), the danceable beats add to the celebration of self-sufficiency that dominates the second single of the album (though no video was released to go with it). As an added dig, Rexha informs the person she ditched in favor of herself, “You never made me feel like heaven/Never made me feel this high.” For just as much as one can “break their heart themselves” (as Bebe would say), they can also boost their own mood and ego better than most others can.

    Rexha keeps the party vibe going with “I’m Good (Blue)” featuring David Guetta—the song that brought her out of hibernation at the end of summer 2022. Sampling from Eiffel 65’s 1998 hit “Blue (Da Ba Dee),” Rexha continues the trend (unfortunately also embraced by Kim Petras and Nicki Minaj on “Alone”) of repurposing 90s dance music for the next century. And yet, something about the message and delivery of the song reminds one of a ditty Black Eyed Peas would come up with (think “I Gotta Feeling” but less embarrassing) as she asserts, “I’m good, yeah, I’m feelin’ alright/Baby, I’ma have the best fuckin’ night of my life/And wherever it takes me, I’m down for the ride.” Even if that ride leads her to do a one-eighty with regard to the sentiments she expressed on “Call On Me,” which is exactly what happens on “Visions (Don’t Go)”—revealing Rexha at her neediest. Unapologetically begging, “Baby, please, baby, please, baby, please don’t go/Stay with me, stay with me ‘cause I need you close/Every second you’re gone, my whole world turns cold.” At least Camila Cabello made this sentiment sound slightly “cuter” on “Don’t Go Yet” from Familia (and apparently it was cute enough to eventually lure Sam Mendes back in), urging, “Oye, don’t go yet, don’t go yet/What you leavin’ for when my night is yours?/Just a little more, don’t go yet.”

    The theme of “Visions (Don’t Go)” (the title driving the Camila connection further home) transitions easily into “I’m Not High, I’m In Love,” a song that starts out with a symphonic timbre that echoes the one on Dua Lipa’s (yet another Albanian pop princess) “Love Again” (which samples White Town’s “Your Woman”). In fact, one could argue that Bebe is Rexha’s attempt at her own version of Future Nostalgia. The 70s-infused dance tracks and Madonna inspiration also being part of the latter’s “mood board.” As for “I’m Not High, I’m In Love,” like Tove Lo before her insisting, “Baby listen please, I’m not on drugs/I’m just in love,” Rexha, too, wants to make sure people know, “I’m not high, I’m in love/I’m on fire, you’re my drug…/Now I see the colors dancing all around the room/Kaleidoscope of lovers and it led me back to you.” Layered with instrumental breaks that make it perfect for dancing (while probably on drugs) beneath the disco ball, Rexha, with the help of producer Ido Zmishlany, re-creates the feeling of being in love through the complement of the lyrics and sound. And yes, love (whether reciprocated or unrequited) often feels like a drug-addled (or drug withdrawal) sensation that perhaps only Tove Lo knows how best to reproduce in a song medium (hear also: “Habits [Stay High]”).

    The disco tinge persists on “Blue Moon” as Rexha keeps waxing poetic on the topic of, what else, being in love (good dick evidently wipes the sologamy entirely out of a girl’s mind). But instead of remaining entirely disco, an array of guitar stabs toward the end vary up the sound more than anywhere else on the record. Titled “Blue Moon” in honor of that beloved expression, “Once in a blue moon…” Rexha sings, “Tell me how I could live without you/When a love like this only comes once/So tell mе how I could breathe without you.” For those wondering at this point in the record, after so many effusive love songs, if Rexha actually is in love, the answer is an emphatic yes. As she told Rolling Stone, “I’m in love. That’s all you’re gonna get to know.” But modern life being what it is, those who want to know are aware that the person she’s referring to is Keyan Safyari, a cinematographer she’s been dating since 2020, and who also directed the video for “Satellite.”

    Perhaps the reason such details fly under the radar, however, is because Rexha suffers from what is little known as Rita Ora Syndrome (and, funnily enough, the two did collaborate together on 2018’s ill-advised “Girls”). Meaning that despite constantly putting out a steady stream of hit singles, she’s still not considered very “mainstream.” As though that strange phenomenon didn’t connect Ora and Rexha enough, both were born to Albanian parents (though Rexha’s mother was born in the United States). Rexha’s “lack of fame” is among the subjects she’s publicly acknowledged of late, along with the commentary about her weight gain. Which came on the heels of Ariana Grande’s anti-body shaming video (despite the celebrity-industrial complex—and capitalism itself—thriving on the shaming of bodies, whatever the current trends in shape might be). Indeed, Rexha even said seeing that video moved her to tears, especially the part where Grande mentions that you never know what someone is going through that might make their body look a certain way that’s deemed “unhealthy” by the public. It struck a chord with Rexha, whose own weight gain has stemmed in part from being on meds to treat her polycystic ovary syndrome.

    That and her newfound love of weed is surely at least part of what has her in such a reflective mood, particularly when the pace slows its roll on “Born Again.” An apropos title considering Bebe is her bid for a Billboard success do-over after Better Mistakes. More of a cheesy 90s power ballad than anything resembling a song from the 70s, Rexha opts to take some of Lana Del Rey’s key phrases for this particular song—such as, “We were all born to die” and “You should come meet me on the flipside.” For those unversed in Lana, the first lyric smacks of “Born to Die” and the second of a lesser-known song from Ultraviolence called “Flipside” (wherein she says, “Maybe on the flipside I could catch you again”). Even her talk of “Heaven” (“Forget the afterlife/Who needs Heaven when you’re here tonight?”) is out of the Lana playbook, what with LDR often crooning sweet nothings like, “Heaven is a place on Earth with you” and “Say yes to Heaven/Say yes to me.” In any event, Rexha’s bottom line in this song is: “Every time you kiss me, I’m born again.”

    But every time Rexha veers too far over on the codependency side of things, she reins it back in—as she did with “Call On Me.” To return to that defiant sort of independence, Rexha provides “I Am” as the penultimate track on Bebe. Just as Miley Cyrus with “Wonder Woman” or Halsey with “I Am Not A Woman, I’m A God” or Dua Lipa with “Boys Will Be Boys,” Rexha affirms the complexity and overall superiority of the “fairer” sex as she proclaims, “But I am a woman, I am a rebel, I am a god/I danced with the devil/I am a lover, I am a legend/If I am everything, why am I not everything to you?” The message of empowerment geared toward women is obvious—and was, unsurprisingly, incited by the overturning of Roe v. Wade. A totally out-of-left-field Supreme Court decision that got women everywhere thinking. About their rights, their continued status as second-class citizens and how things could potentially become so much worse as a result. The ripple effects of misogyny that might be allowed to thrive anew within this context. Ironically, it was in the 70s—the decade so many female pop stars like to turn to for sonic salvation on their own modern-day records—that Roe v. Wade granted women abortion rights in the first place. As for Rexha, the overturning of the case prompted her to take a scrutinizing look at her Albanian background, a culture, she admits, where “the men eat first. The men speak. It’s all about the men, and then the women come in.” If there’s still any oxygen left to breathe.

    So it is that she derides of the invisible male she’s addressing on “I Am,” “Don’t wanna go all in/But too afraid to let me go/I guess devourin’ all the power is all you’ve ever known/You’re sittin’ on an empty throne.” One throne that has never remained empty, however, is the country-pop one—reigned over long-standingly by the adored Dolly Parton. And, despite “Seasons” being more influenced by Stevie Nicks, it is Parton who joins Rexha on it (so yeah, Rexha achieved a few collab dreams on Bebe).

    An appropriate choice for closing the record, “Seasons” is a melancholic lamentation on the passage of time. To be sure, there is something “Dolly-esque” about Rexha’s vocal intonations (particularly on this single), so it’s not totally astounding for her to collaborate with the country icon for “Seasons.” To boost the single, Rexha shot a black and white video with Dolly, directed by Natalie Simmons, during which the pair stands side by side singing into their microphones. The shots alternate between scenes of the duo dressed in black or white ensembles (you know, to match the black and white film) as they croon, “I lie awake inside a dream/And I run, run, run away from me/The seasons change right under my feet/I’m still the same, same, same, same old me.” The reflection on time, in addition to the cadence of the vocals, also reminds one of Stevie Nicks as she sings on Fleetwood Mac’s “Landslide,” “Time makes you bolder/Even children get older/I’m gettin’ older, too.” Except that Rexha wanted to explore a concept where, in spite of getting older and “knowing that you need to change… you’re not changing.” Ergo that “same old me” line. One that very much fits in with the current discourse on the disappearance of middle age. While generations technically get older, but keep embodying this sort of Peter Pan syndrome that baby boomers never had the luxury of implementing, is it really as bittersweet as it once was to watch “seasons change”? Or more fucked-up and Black Mirror-y than anything else?

    However Rexha truly feels about it, she might never truly let on. For the entire name of the game on Bebe is to be just generically accessible enough while never revealing too many specifics. It is in this way as well that Rexha synthesizes a hodgepodge of styles and even looks for this record (somehow managing to appear facially similar to Britney Spears on the cover, and facially similar to Lily Allen in the “Seasons” video), all while never totally losing her own distinct personality in the process. At the same time, she’s studied the industry long enough to hedge all her bets on following every pop formula by the book to resuscitate her clout after Better Mistakes.

    Already a chameleonic force in the pop arena just three albums into her career, it will be interesting to see what avenues Rexha swerves toward next—though one can only hope it maintains its EDM slant (for that’s what “going 70s” really means in the present musical landscape).

    Genna Rivieccio

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  • Wisconsin School Won’t Allow Students To Perform Miley Cyrus And Dolly Parton’s Song

    Wisconsin School Won’t Allow Students To Perform Miley Cyrus And Dolly Parton’s Song

    MADISON, Wis. (AP) — Administrators at a Wisconsin elementary school stopped a first-grade class from performing a Miley Cyrus and Dolly Parton duet promoting LGBTQ acceptance because the song “could be perceived as controversial.”

    Students at Heyer Elementary School in Waukesha had prepared a rendition of “Rainbowland” for their spring concert, but school officials struck the song from the lineup last week. Parents in the district say the decision was made because the song encourages LGBTQ acceptance and references rainbows.

    Superintendent James Sebert, who did not immediately return a call on Monday, confirmed to Fox6 that administrators had removed “Rainbowland” from the first-grade concert because it might not be “appropriate for the age and maturity level of the students.” He also cited a school board policy against raising controversial issues in classrooms.

    Sebert has previously prohibited rainbows and pride flags from being displayed in Waukesha classrooms and suspended the school district’s equity and diversity work in 2021.

    “Let’s all dig down deep inside, brush the judgment and fear aside,” the song from Cyrus’ 2017 album “Younger Now” goes. “Living in a Rainbowland, where you and I go hand in hand. Oh, I’d be lying if I said this was fine, all the hurt and the hate going on here.”

    Dolly Parton (left) and Miley Cyrus performing at the 2019 Grammy Awards.

    Kevin Winter via Getty Images

    First-grade teacher Melissa Tempel said she chose the song because its message seemed universal and sweet. The class concert’s theme was “The World” and included other songs such as “Here Comes the Sun,” by The Beatles and “What a Wonderful World,” by Louis Armstrong.

    “My students were just devastated. They really liked this song and we had already begun singing it,” Tempel said Monday.

    Administrators also initially banned the song “Rainbow Connection” from The Muppets but later reversed that decision, according to Tempel.

    Parents have been angered by the song’s removal, Tempel said. But she was more concerned about what the ban and other district policies against expressing LGBTQ support meant for students.

    “These confusing messages about rainbows are ultimately creating a culture that seems unsafe towards queer people,” she said.

    Spokespersons for Parton and Cyrus did not immediately respond to emails on Monday asking the artists’ thoughts on the ban.

    Wisconsin school boards races, including in Waukesha, have become increasingly partisan in recent years. Republicans saw big gains across the state’s school board races in 2022 and have used the positions to challenge policies from rules about transgender kids to COVID-19 restrictions.

    Harm Venhuizen is a corps member for the Associated Press/Report for America Statehouse News Initiative. Report for America is a nonprofit national service program that places journalists in local newsrooms to report on undercovered issues. Follow Venhuizen on Twitter.

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  • As Tennessee, others target drag shows, many wonder: Why?

    As Tennessee, others target drag shows, many wonder: Why?

    NASHVILLE, Tenn. (AP) — “If I hadn’t been a girl, I’d have been a drag queen.”

    Dolly Parton has uttered those words famously and often. But if she really were a drag queen, one of Tennessee’s most famous daughters would likely be out of a job under legislation signed into law by Republican Gov. Bill Lee on Thursday.

    Lee signed off on the legislation without issuing a statement or having a public ceremony. The bill goes into effect July 1.

    Across the country, conservative activists and politicians complain that drag contributes to the “sexualization” or “grooming” of children. Several states are considering restrictions, but none has acted as fast as Tennessee. The efforts seek to extinguish popular “ drag story hours ” at which queens read to kids. Organizers of LGBTQ Pride events say they put a chill on their parades. And advocates note that the bills, pushed largely by Republicans, burden businesses in an un-Republican fashion.

    The protestations have arisen fairly suddenly around a form of entertainment that has long had a place on the mainstream American stage.

    Milton Berle, “Mr. Television” himself, was appearing in drag on the public airwaves as early as the 1950s on “Texaco Star Theater.” “RuPaul’s Drag Race” is a bona fide cultural phenomenon. Highly popular drag brunches bring revenue to restaurants. That such spectacles are now being portrayed as a danger to children boggles the minds of people who study, perform and appreciate drag.

    “Drag is not a threat to anyone. It makes no sense to be criminalizing or vilifying drag in 2023,” said Lawrence La Fountain-Stokes, a professor of culture and gender studies at the University of Michigan and author of “Translocas: The Politics of Puerto Rican Drag and Trans Performance.”

    “It is a space where people explore their identities,” said La Fountain-Stokes, who has done drag himself. “But it is also a place where people simply make a living. Drag is a job. Drag is a legitimate artistic expression that brings people together, that entertains, that allows certain individuals to explore who they are and allows all of us to have a very nice time. So it makes literally no sense for legislators, for people in government, to try to ban drag.”

    Drag does not typically involve nudity or stripping, which are more common in the separate art of burlesque. Explicitly sexual and profane language is common in drag performances, but such content is avoided when children are the target audience. At shows meant for adults, venues or performers generally warn beforehand about age-inappropriate content.

    The word “drag” does not appear in the Tennessee bill. Instead, it changes the definition of adult cabaret in Tennessee’s law to mean “adult-oriented performances that are harmful to minors.” It also says “male or female impersonators” now fall under adult cabaret among topless dancers, go-go dancers, exotic dancers and strippers.

    The bill then bans adult cabaret from public property or anywhere minors might be present. It threatens performers with a misdemeanor charge, or a felony if it’s a repeat offense.

    The bill has raised concerns that it could be used to target transgender people, but sponsors say that is not the intent.

    The Tennessee Pride Chamber, a business advocacy group, predicted that “selective surveillance and enforcement” will lead to court challenges and “massive expenses” as governments defend an unconstitutional law that will harm the state’s brand.

    “Tourism, which contributes significantly to our state’s growth and well-being, may well suffer from boycotts disproportionately affecting members of our community who work in Tennessee’s restaurants, arts, and hospitality industries,” chamber President Brian Rosman wrote in an email to The Associated Press. “Corporations will not continue to expand or relocate here if their employees — and their recruits — don’t feel safe or welcomed in Tennessee.”

    John Camp, a Pride organizer in Knoxville, said the event in Tennessee’s third-largest city will be somber this October — describing it as “more of a march than a celebration.” There were 100 drag performers last year, he said, but he is unsure how many can participate this year.

    Several other states, including Idaho, Kentucky, North Dakota, Montana, Oklahoma and Utah, are considering similar bans. And the Arkansas governor recently signed a bill that puts new restrictions on “adult-oriented” performances. It originally targeted drag shows but was scaled back following complaints of anti-LGBTQ discrimination.

    “I find it irresponsible to create a law based on a complete lack of understanding and determined willful misinterpretation of what drag actually is,” Montana state Rep. Connie Keogh said in February during floor debate. “It is part of the cultural fabric of the LGBTQ+ community and has been around for centuries.”

    Tennessee state Sen. Jack Johnson, the Republican sponsor, says his bill addresses “sexually suggestive drag shows” that are inappropriate for children.

    Months ago, organizers of a Pride festival in Jackson, west of Nashville, came under fire for hosting a drag show in a park. A legal complaint spearheaded by a Republican state representative sought to prevent the show, but organizers reached a settlement to hold it indoors, with an age restriction.

    And in Chattanooga, false allegations of child abuse spread online after far-right activists posted video of a child feeling a female performer’s sequined costume. Online commentators falsely said the performer was male, and it has gone on to be used as a rationale to ban children from drag shows.

    “Rather than focus on actual policy issues facing Tennesseans, politicians would rather spend their time and effort misconstruing age-appropriate performances at a library to pass as many anti-LGBTQ+ bills as they can,” Sarah Warbelow, legal director for the Human Rights Campaign, said in a statement last week.

    At times, the vitriol has become violence. Protesters, some of them armed, threw rocks and smoke grenades at one another outside a drag event in Oregon last year.

    The Tennessee drag bill marks the second major proposal targeting LGBTQ people that lawmakers in the state have passed this year. Last week, lawmakers approved legislation that bans most gender-affirming care. Lee also signed that bill into law on Thursday.

    Lee was fielding questions Monday from reporters about the legislation and other LGBTQ bills when an activist asked him if he remembered “dressing up in drag in 1977.” He was presented with a photo that showed the governor as a high school senior dressed in women’s clothing that was published in the Franklin High School 1977 yearbook. The photo was first posted on Reddit over the weekend.

    Lee said it is “ridiculous” to compare the photo to “sexualized entertainment in front of children.” When asked for specific examples of inappropriate drag shows taking place in front of children, Lee did not cite any, only pointing to a nearby school building and saying he was concerned about protecting children.

    ___

    McMillan reported from northeastern Pennsylvania. Associated Press writers Jonathan Matisse in Nashville and Amy Beth Hanson in Helena, Montana, contributed to this report.

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  • How stars like Dolly Parton and Tom Hanks became American sweethearts | CNN

    How stars like Dolly Parton and Tom Hanks became American sweethearts | CNN



    CNN
     — 

    In our increasingly divided world, there are few things on which we can agree – not politics, not religion, certainly not social issues.

    But there is Dolly Parton.

    The blonde icon with a bouffant is one of the few celebrities most Americans love unconditionally. She’s made believers of conservatives and progressives, country fans and indie contrarians, boomers who grew up with her and “Zoomers” who’ve posed with murals of her face. She is a feminist heroine, an ally to the LGBTQ community and a Southern girl from the Smokies whose story of success is a near-perfect example of the American dream come true. She helped fund Moderna’s Covid-19 vaccine. Decades into her career, Dolly Parton is Teflon.

    Parton is perhaps the most prominent example of an exceedingly rare category of celebrity – the American sweetheart. Over many years, sweetheart celebrities have cultivated reputations rooted in kindness, authenticity and hard-earned success that have elevated them above your average A-lister. They’re the kind of celebrities who host an inauguration celebration to appease a hurting country. They inspire sympathy when they’re photographed alone on a park bench eating a sandwich. And when they die, they prompt nationwide mourning, as though Americans just lost their own grandmother.

    These “sweethearts” become symbols in American pop culture. We turn to them for inspiration, moral guidance, reliable entertainment and even solace, said Claire Sisco King, an associate professor of communication studies at Vanderbilt University who studies celebrity culture.

    “It’s really difficult stuff that people experience every day – political divisiveness, concern about the future of the planet and the potential extinction of human life,” Sisco King told CNN. “So the idea that someone who’s famous could be really nice gives people a sense of hope.”

    Some of our biggest American sweethearts have been cultural fixtures for decades. Scholars of celebrity culture spoke to CNN about how certain celebrities rise above the rest of the Hollywood set to become the public’s sweethearts and the meaningful relationships fans can form with these untouchable icons.

    It might seem glib to focus so much on celebrities when their wealth and status largely shields them from everyday challenges, but celebrity culture serves a more important function than we realize, Sisco Kind said.

    Celebrities do “emotional labor” for their fans and haters alike, she said. They allow us to feel things through them – we might feel love and adoration for someone like Dolly Parton or the late Betty White, because they can represent kindness and humility, but deride more divisive figures like Kim Kardashian or Taylor Swift, who to some may represent narrow beauty norms or disingenuity.

    We also want to identify with celebrities, she said. The tabloid US Weekly regularly features the section, “Stars – they’re just like us!” – a collection of paparazzi shots of A-listers pumping gas, shopping for groceries or dropping their kids off at school. Those kinds of images can reinforce the idea that celebrities are relatable, Sisco King said.

    It makes sense that we’d want to identify with famous people whose reputations for niceness are equally well-known, said Jenna Drenten, an associate professor of marketing at Loyola University Chicago who studies how celebrities leverage social media.

    “Often fans use a simple rule of thumb: does this person seem like someone I’d want to be friends with?” Drenten told CNN.

    It certainly helps a celebrity build a “sweetheart” reputation when they became famous for playing sweethearts, like Tom Hanks: In between playing an irascible toy cowboy, he’s portrayed a widower whose kindness attracts Meg Ryan, a Southern man who stumbles into historical events and compares life to sweets, a little boy who grew up too fast and Mr. Rogers. Because many of his best-known roles are of good-natured guys, we associate him off-screen with that same persona, Sisco King noted.

    “We expect actors to show us authenticity and an earnest emotional experience,” she said. “Because of that emphasis on authenticity, we tend to conflate actors and the characters they play.”

    Hanks is not Forrest Gump or Mr. Rogers, but he’s clearly aware of his reputation, and he lives up to it on red carpets or in interviews, Sisco King noted. He performs the “nice guy” persona because fans expect it from him.

    Oprah became one of the most beloved TV personalities of all time after enduring a difficult childhood.

    These sweethearts also, often indirectly, support the fantastical “American dream” – that any of us can become hugely successful through hard work, Sisco King said. Oprah endured several traumas in her youth, and racism and sexism in the TV industry, and she still earned her own daytime talk show and burnished her reputation as a genuine TV personality. Even after she became a billionaire, her many fans continue to uplift her as a rare gem.

    Dolly Parton famously grew up in poverty in rural Tennessee. Keanu Reeves has experienced a number of personal tragedies that have endeared him to fans. All the strife in their lives only contributes to their legend.

    “(Celebrities’) stories, coming from humble beginnings to achieving greatness, become a way of affirming people’s faith in or hope that they can achieve similarly,” Sisco King said.

    Put simply, per Drenten: “Americans love an underdog story.” And when those underdogs blossom into titans of their industry and seemingly hold onto their humanity, we often can’t help but root for them.

    Our relationships to celebrities have become much more intimate in the last few years, particularly since the onset of the pandemic, Sisco King said. Our faves weren’t working or doing press junkets, so they stayed in the public eye with intimate online snapshots from quarantine or cheeky cooking segments on Instagram Live. This was when it almost felt like celebrities really were like us. (That didn’t last long once they started vacationing or escaping the virus in spacious, comfortable homes.)

    Not to mention, Tom Hanks getting Covid-19 in March 2020 concretized the seriousness of the pandemic for many people – his was one of the first verified cases of the virus among major celebrities. It was shocking, at the time, that such an illness could penetrate a celebrity’s bubble. He shared the news directly with fans on Instagram.

    That the pandemic happened in an “era of ubiquitous digital networks” was a “perfect convergence,” Sisco King said: We had easy access to famous people with whom we could develop parasocial relationships, or those one-sided relationships we have with celebrities we’ll likely never know. When most-to-all interaction occurred virtually, it only deepened the strong feelings we have for certain celebs.

    “We can get kind of obsessed with particular celebrities because they are easier to get access to,” Sisco King said. “That kind of intensifies that kind of parasocial relationship.”

    There remains an expectation that celebrities should continue to provide access to fans. Some sweethearts are up to the task – Parton’s team regularly posts on her behalf, sharing a mix of sponsored content, irresistible throwback photos and even memes. Hanks might even post personally if his “Hanx!” signatures are to be believed. Oprah shares candid videos about what she’s cooking, where she’s hiking and the shenanigans she’s dragging Gayle King into.

    Keanu Reeves' quiet acts of charity are among the reasons he has endeared himself to fans.

    On Twitter, TikTok and other platforms, even brief anecdotes about celebrities can travel far and fast, which can help further boost the reputations of some sweethearts. Tales of stars doing basic acts of good, from Hanks delivering a platter of martinis to his table at the Golden Globes to Paul Rudd reaching out to a bullied fan, frequently go viral. It’s even more impactful when a sweetheart celebrity doesn’t divulge their good deed themselves – when Keanu Reeves’ $31.5 million donation to cancer research was revealed by the press, it only deepened the belief that Reeves is a humble, genuinely good person.

    Even among American sweethearts, Parton is a “special case,” Sisco King said.

    “Part of what has made her so beloved is that she’s adored by people of so many different walks of life,” Sisco King said. “She can mean so many different things to so many different people.”

    Parton has been upheld as a feminist icon who has overcome sexism and objectification to rise to the top of her industry, which can endear her to people marginalized by race, gender or sexuality. She’s a talented lyricist whose songs still move listeners decades later. She is who we want her to be, Sisco King said.

    The ever-savvy Parton has capitalized on this prolonged, social media-aided wave of stardom. In the last five years alone, she’s slapped her name onto a Netflix series inspired by her lyrics, an NBC Christmas special, Duncan Hines cake mix, a Williams-Sonoma collection, a T-Mobile Super Bowl commercial and a live New Year’s Eve show (the last two in collaboration her goddaughter Miley Cyrus). Then there are the third parties who sell prayer candles emblazoned with her face, cross stitch patterns with her lyrics, wrapping paper with her image or car air fresheners shaped like her wigged head. The brand Lingua Franca sells nearly $400 cashmere sweaters embroidered with “What would Dolly do?” and “In Dolly we trust.”

    Resisting Dolly Parton's charms is a near-impossible task.

    And yet, for the most part, fans haven’t grown cynical of Parton and her marketing prowess. When a celebrity we love does something we don’t love – Tom Hanks cursing at paparazzi and fans swarming his wife, maybe, or Parton lending her likeness to products we dislike – we can “suspend disbelief” in a way to “compartmentalize those concerns when you’re really deeply invested in a celebrity,” Sisco Kind said.

    Parton has also accumulated “goodwill capital,” said Gayle Stever, a professor of psychology for Empire State College, State University of New York who studies fandom. “Her generosity and philanthropy are well-known, and people appreciate that.” Even if she makes a move we wouldn’t, we’re able to disregard it, because we think we know her well enough.

    Celebrity sweethearts like Parton and Hanks can feel just as important to us as our real-life loved ones, Sisco King noted. We feel connected to the ones we think we know well, even if the love isn’t reciprocated.

    When the biggest celebrities of the day include a billionaire tech exec with slippery Twitter fingers and a formerly lauded rapper who uses racist and antisemitic language, it can be something of a comfort when an affable figure like Paul Rudd or Keanu Reeves appears onscreen.

    Engaging with beloved celebrities can also bring about more good than video tributes and merch with a famous person’s face. Stever said that often, adult fans of sweetheart celebs are motivated to join them in the causes their idols care about. It matters when Parton draws attention to children’s literacy or Oprah highlights antiracist efforts, or when Betty White publicized animal advocacy, because they may prompt their fans to get involved.

    “Those kinds of role models encourage people to be philanthropic and to care about others,” Stever said. “I think this serves a huge cultural purpose … all of these people have accumulated a huge amount of positive social capital that inspires their fans to support the good works that these admired celebrities support. We need that.”

    On a personal level, engaging with beloved celebrity sweethearts “allows us to process our own feelings,” Sisco King said. By viewing their work or supporting them, we can feel those emotions that we might otherwise bury.

    “It’s the same reason we seek out films and television shows that produce emotional experiences – ‘I want to have a good cry,’” she said. “I think celebrity culture functions kind of similarly.”

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  • Nashville Estate Loved By Country Music Celebrities Is Up For Absolute Auction

    Nashville Estate Loved By Country Music Celebrities Is Up For Absolute Auction

    Brentwood, just 12 miles from downtown Nashville and Music Row, is home to a handsome three-story red brick mansion, one of the best known and most photographed houses in Music City. It will go on the auction block on February 18th in an absolute, no reserve auction, meaning that any price for the home will be accepted, as long as it’s the highest bid.

    Located on nearly five acres of land, the 15,000 square foot home boasts four bedrooms, eight bathrooms, and countless exquisite details, including antique fixtures from Argentina and lead crystal chandeliers from the Czech Republic, including one autographed by Dolly Parton.

    With full fencing and a privacy gate, the home provides peace and solitude, impeccable natural light, and, from its hilltop position, views that overlook the grounds and the adjacent Governor’s Club. Once inside, the grand entry hall opens to striking double staircases, creating a dramatic first impression. There are expansive formal living and entertaining spaces, luxurious bedroom suites and abundant flexible rooms perfect for hosting guests.

    The adjacent entertainment dwelling is a magnificent addition to the property, gleaming with shimmering chandeliers, soaring Corinthian columns and two mezzanine balconies. The extraordinary space has welcomed some of the most famous names in entertainment, business, politics, and society, including some of country music’s biggest stars, including Carrie Underwood, Tim McGraw, and Brad Paisley. This property has also played host to notable events such as Nashville Shines for Haiti and the Country Music Hall of Fame and Museum Annual Honor Society Membership Event.

    “An outstanding, one of a kind luxury estate, this is an opportunity to enjoy luxury living and entertaining at its very best,” said DeCaro Auctions International Founder and President Daniel DeCaro in a press release.

    The live, truly absolute auction will take place at the property, located at 9600 Concord Road in Brentwood, on February 18, at 11:00 a.m. local time.

    Private previews of the property are available every Saturday and Sunday until the auction from 1 – 4 p.m., with additional private showings during the week by appointment. Broker participation is invited, 2% co-broke.

    To schedule a private preview, please call the office of DeCaro Auctions International at 1-800-332-3767. Visit decaroauctions.com for full property information.

    Regina Cole, Contributor

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  • Dolly Parton expands her baking line with Duncan Hines by launching 4 new flavors

    Dolly Parton expands her baking line with Duncan Hines by launching 4 new flavors

    Country music legend Dolly Parton, who just turned 77, has launched a new collection of Duncan Hines baking mixes in an expansion of her partnership with the company

    Cornbread, biscuits and two brownie mixes are being added to her record-breaking baking mix line with Duncan Hines. They’re set to be released at the end of the month and are expected to sell out fast.  

    “You got to have some biscuits, you got to have some sweet cornbread, you got to have those fudgy brownie mix. So everybody loves all that … and I know kind of about what Southern people like,” Parton told “CBS Mornings.”

    Parton launched the line just days before her 77th birthday, which she celebrated by releasing a new song, “Don’t Make Me Have to Come Down There.”

    “Today, I decided I’m not gonna get, I’m gonna give,” she wrote on Instagram on her birthday, which was Thursday. 

    She said her new single is about God being like a father. 

    “It’s like God talking, like, ‘Don’t make me have to come down there. My children, you had best beware. I let you try my patience, as all good fathers do, but you’re on my last nerve, I have had it up to here with you,’” she said. 

    The single is just one of the thousands of songs Parton has written in her iconic career that spans more than six decades. 

    She was recently inducted into the Rock & Roll Hall of Fame, which led to her receiving a $100 million award from Amazon founder Jeff Bezos to give to charities of her choice. 

    37th Annual Rock & Roll Hall Of Fame Induction Ceremony - Show
    Dolly Parton speaks on stage during the 37th Annual Rock & Roll Hall Of Fame Induction Ceremony at Microsoft Theater on November 5, 2022, in Los Angeles.

    Jeff Kravitz/FilmMagic via Getty Images


    Parton said she hasn’t decided where she wants to donate the money yet but is determined to put it to good use. 

    Her musical journey has been documented in country music history and in the hearts of all her fans, but if Hollywood were to make a movie about her life, Parton said the actor playing her would have to have her “spirit” and looks. 

    “She’d have to be a little bit overexaggerated. But hopefully she — that would be pretty easy,” Parton said.  

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  • Cheat Codes Go All-In With Country Legend Dolly Parton for New Single, “Bets On Us” – EDM.com

    Cheat Codes Go All-In With Country Legend Dolly Parton for New Single, “Bets On Us” – EDM.com

    Cheat Codes hit the jackpot in their latest single, “Bets On Us,” which finds the dance music trio joining the iconic Dolly Parton.

    The can’t-lose combination marks the fourth single in the group’s rollout of their upcoming fourth studio album, One Night in Nashville. Few have found a cohesive vision that blends the seemingly polar opposite worlds of country and electronic music, but with cuts like “Bets On Us,” Cheat Codes are making it look easy and spurring a growing eagerness to discover what’s in store for the full project.

    Cameron Sunkel

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  • Dolly Parton Makes Surprise ‘Call Me Kat’ Appearance To Honour Late Friend Leslie Jordan

    Dolly Parton Makes Surprise ‘Call Me Kat’ Appearance To Honour Late Friend Leslie Jordan

    By Brent Furdyk.

    A surprise special guest appeared in the latest episode of Fox sitcom “Call Me Kat”.

    Dolly Parton, who appeared in a video to eulogize late cast member Leslie Jordan, who died in October in a car accident at age 67.

    “I know usually at a memorial, people talk about somebody. Well, I’m going to talk to you,” Parton began in the video, which appeared toward the end of the episode, reports TVLine.

    “Because there is that place on the other side, and I’m certainly going to see you there, little brother. You left a lot of people here with a lot of precious, precious memories. Everybody loved you, but I doubt many of them loved you more than I did,” Parton continued.


    READ MORE:
    Mayim Bialik Pays Tribute To Leslie Jordan After Late Actor’s Final ‘Call Me Kat’ Episode Airs

    “I just want you to know that we all love you, we all miss you, and I bet you’re having a big laugh over all of us being sad and sorrowful,” she added.

    “And I know that would be the last thing you would want us to be. You made us happy while you were here, and we’re happy that you’re at peace. I just want you to know that I will always love you. Goodbye, my sweet Leslie,” she concluded, before singing the refrain from her iconic hit “I Will Always Love You”.


    READ MORE:
    Leslie Jordan Spoke About His ‘Unexpected’ New Country Music Career In Final Interview Before Death

    Parton was a close friend of Jordan’s and is featured on the track “Where the Soul Never Dies” from his 2021 album Company’s Comin’.

    Brent Furdyk

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  • So, You Wanna Take Down Pokémon Scarlet And Violet’s Elite Four

    So, You Wanna Take Down Pokémon Scarlet And Violet’s Elite Four

    A Pokémon trainer is seen holding a Pokéball and looking confidently at the camera.

    If you want to become the very best, you’ve gotta beat the very best.
    Screenshot: The Pokémon Company / Kotaku

    Defeating the Elite Four and the regional champion in battle is a rite of passage in most Pokémon games, and that includes Scarlet and Violet. These are supposed the most-powerful Pokémon trainers in the Paldea region, and overcoming them and their teams is the only way to become the regional champion yourself.

    But what should your team look like if you’re going to take on these trainers? Before we go trainer by trainer and talk about what weaknesses you’ll need to exploit to become Paldea’s champion, let’s touch on some general tips.

    Level up before you go-go

    Between all the trainers you’ll fight in the Paldea Pokémon League, you’ll face Pokémon whose levels range from 57 to 62. Since you’ll have already beaten all eight regional gym leaders, you’ll notice Scarlet and Violet have a sizable gap between the most powerful gym leader and the first of the Elite Four. Grusha, the Glaseado gym leader, had his Pokémon in the late 40s, and the Elite Four starts out 10 levels higher. So definitely do some training beforehand to get your team leveled up to at least the mid-50s.

    “You need healing!”

    Pokémon veterans will tell you that before you challenge the Elite Four, you need to stock up on healing items. These fights all happen in sequence, and you won’t be able to leave to heal your team and come back between them. However, you will have a chance to use healing items before each fight to your heart’s content. The PokéMart right outside the Pokémon League building will have plenty of Hyper Potions and Revives for you to buy. These will be helpful both between battles and during them, as it’s likely you’ll need to heal up if one of the Elite Four manages to take out some of your team.

    Jack of all trades is better than a master of one

    Over the years, I’ve seen a handful of Pokémon players who like to play with teams that double up on moves of the same type, rather than having a nice spread of attacks that lend themselves to more diverse situation. I prefer greater versatility. For example, during the main game, my Raichu had Thunderbolt (Electric), Play Rough (Fairy), Iron Tail (Steel), and Focus Blast (Fighting). Between these four moves, he could reasonably deal damage to nine out of Pokémon’s 18 creature types by himself. This is the kind of moveset I try to have with my entire team, which gives me more options for whatever situation the game throws at me.

    If Raichu could use a super-effective Iron Tail on a rock/ground-type Pokémon, but would still be in danger of being one-shot by a devastating Earthquake, I could switch to my Quaquaval and use a water or fighting move without having to worry about him succumbing to the same weaknesses Raichu would. Versatility is a good rule of thumb to keep in mind when you’re building a team, because a team of six Pokémon can’t cover this many weaknesses without learning moves outside its base typing. While it’s important to keep in mind what moves your Pokémon will get a bonus for thanks to their base typing or tera typing, don’t put all your Poké eggs in one Poké basket: You’ll just limit yourself and make fights harder than they need to be.

    Save between fights

    It can feel cheesy, but you should always be saving between fights at the Elite Four. If you lose a battle, all you’ve gotta do is close the game and reopen it to start where you left off. Do this before you’re transported back to the Pokémon Center in order to circumvent the autosave (or turn it off in the options menu), and you’ll be able to just try each fight again with new knowledge. You can also use this time to change your team’s movesets around if you find yourself lacking a super-effective response to one of your opponents’ Pokémon.

    Without further ado, let’s talk about the Elite Four and the champion of Paldea.

    Rika is seen pulling a glove snug onto her hand. Her eyes are closed as she prepares for battle.

    Rika specializes in ground-type Pokémon and will stomp you into the ground if you’re not prepared.
    Screenshot: The Pokémon Company / Kotaku

    Rika, the ground-type master

    She is beauty, she is grace, but Rika’s team of ground-type Pokémon is full of a bunch of doofuses. Between Whiscash, Dugtrio, and Clodsire, half her team has big “not a thought behind those eyes” energy. But they’ve still got some hard-hitting moves and effective defenses that can take you by surprise if you’re not prepared.

    Whiscash (Water/Ground), Level 57
    Camerupt (Fire/Ground), Level 57
    Donphan (Ground), Level 57
    Dugtrio (Ground), Level 57
    Clodsire (Terastalized Ground), Level 57

    Dugtrio and Donphan are the most straightforward of Rika’s team, as they’re standard ground-type Pokémon weak to all of ground’s weaknesses: grass, ice, and water. Having a mix of these types of attacks will be important, however, as the other three Pokémon she uses have inherent counters to each of these types.

    Rika’s Whiscash sets a precedent for how you should approach her party: You can’t just stick to one of ground’s typical weaknesses for the entire fight. As a water/ground-type Pokémon, Whiscash is only weak to grass-type moves, but it is double weakened by them, as they overpower water and ground-type Pokémon. So a grass-type move is best to start with, but be mindful of its Blizzard attack, as that will knock most grass-type Pokémon out real quick. Luckily, Whiscash is fairly slow, so if you can get a reasonably strong, risk-free attack like Energy Ball—or Meowscarada’s signature attack Flower Trick for those who chose Sprigatito as their starter—Whiscash’s double weakness to grass should do a lot of the heavy lifting for you.

    Camerupt also requires a bit of forethought, as its fire/ground typing makes it more resistant to grass and ice attacks. However, water attacks will do four times as much damage against it, as both fire and ground are weakened by it. Unlike Whiscash, who could severely damage a grass-type Pokémon who weakened it, Camerupt doesn’t have a strong offensive option for the average water-type Pokémon. Its moves lean hard into its fire and ground typing, but it does have a steel-type move in Flash Cannon, which could be rough on any rock Pokémon in your roster if you decide to target its ground weakness rather than water. So the safest course of action is to use a water move like Aqua Tail or Quaquavel’s signature Aqua Step to take advantage of its lower physical defense stat.

    Clodsire is Rika’s final Pokémon, and one of her trickiest. She will use her tera orb on it to overwrite its poison/ground typing and make it simply ground, so if you were planning on using a psychic attack to exploit its poison base typing, you’ll have to adjust. On top of this, Clodsire also has Water Absorb as its ability, which negates water attacks and also heals its HP by a quarter of its health. So it’s not just a wasted turn to try and use a water attack, it’s actively beneficial to Rika’s big oaf. Clodsire’s weaknesses in this scenario are grass, water, and ice.

    Normally, I would advise against using a grass-type Pokémon against it because of its base poison typing, but Clodsire doesn’t have any damaging poison moves that could weaken a grass-type Pokémon. It does have Toxic, but that will only inflict the poison status, rather than do poison damage. The biggest struggle with Rika’s Clodsire is that, if you go in expecting to use certain moves, its tera typing or ability can trip you up. But once you know its actual spread of weaknesses, it’s a bit more straightforward.

    Clodsire has a bulky special defense, but its physical defense is much lower. So if you can hit it with a physical ice or water move (such as Ice Spinner, Ice Hammer, or Aqua Tail), or fall back on the Aqua Step (if you’ve got it), Clodsire should go down pretty quickly.

    Poppy smiles at the camera and charges up her tera orb, preparing to terastalize a Pokémon.

    Poppy’s cutesy personality is a façade hiding a powerhouse party of steel-type Pokémon.
    Screenshot: The Pokémon Company / Kotaku

    Poppy, the steel-using child labor law violation

    The second of the Elite Four is a case study in juxtaposition between trainer and Pokémon, as Poppy is probably the youngest trainer in the Paldea region, but has some hefty steel-type brawlers on her team. All that being said, fighting her team requires the same flexibility as Rika’s, as her Pokémon ebb and flow between the steel type’s strengths and weaknesses. As nice as it would be to pick your strongest fire type and set them all ablaze, Poppy’s team has a few notable counters for the types that weaken steel.

    Copperajah (Steel), Level 58
    Magnezone (Electric/Steel), Level 58
    Bronzong (Psychic/Steel), Level 58
    Corviknight (Flying/Steel), Level 58
    Tinkaton (Terastalized Steel), Level 59

    Poppy leads with her Copperajah, and it’s an immediate counter to fire types. It just has a simple steel typing, but with moves like High Horsepower, it can go toe-to-toe with a fire-type Pokémon with little issue. It also acts as a setup Pokémon because it has Stealth Rock, which will scatter stones around your team, dealing rock damage to any Pokémon you send out throughout the battle. This is especially bad for fire-type Pokémon, as they’re weakened by rock attacks.

    You have a few options to counter this. One is to just knock Copperajah out so quickly it doesn’t have the chance to use Stealth Rock, which is best accomplished by using a powerful fire, fighting, or ground attack. Copperajah has a lot of HP and can pack a punch, but its defenses are pretty middle of the road, and it’s exceptionally slow. So if you can manage to outspeed it (fairly easy) and knock it out in one hit (challenging, but doable) you can circumvent the danger of Stealth Rock altogether.

    I generally avoid teaching my Pokémon the most powerful moves in their respective typings because they often come with drawbacks to accuracy or recharge time, but if you want to be thorough here, a Fire Blast or High Jump Kick can wipe Copperajah out before it has a chance to set up. These are often overkill in typical play, but when you’re facing a match-long threat like Stealth Rock, better safe than sorry.

    If you’re not so lucky to take Copperajah out quickly, having a Pokémon who can clear enemy hazards is always smart. Pokémon like Donphan, Forretress, or Coalossal can learn Rapid Spin, which will clear out the Stealth Rock without being in too much danger from Poppy’s steel Pokémon.

    Magnezone is fairly straightforward, as its double weakness to ground-type moves makes it an easy one-hit knockout. Corviknight is also pretty simple, as it doesn’t have much to counter its fire and electric weaknesses.

    Bronzong is a bit trickier, as it has plenty of counters for fire-type Pokémon with Rock Blast and Earthquake. It also has the Levitate ability, which makes it immune to ground-type moves most steel Pokémon would be susceptible to. As such, it’s better to focus on its psychic typing, rather than steel. A good dark-type Pokémon would be an ideal counter thanks to its immunity to Bronzong’s psychic attacks, and one that has high physical defense would be able to withstand all of its moves. Umbreon would be a good fit, as it has strong physical defense, and its base dark typing would give it immunity to Bronzong’s psychic moves, as well as strengthen its dark-type attacks like Dark Pulse or Crunch.

    Poppy’s last Pokémon is its Tinkaton, which she will terastalize into a full steel-type. Even without the tera type, Tinkaton’s physical moveset packs a punch, so it’s a force to be reckoned with if you’re not careful. Luckily, its weaknesses don’t really change too much with this typing beyond adding fighting. So, if you have fire-, fighting-, or ground-type moves (which you will probably have needed to get this far in the fight), you should be good to take out Tinkaton.

    I’d recommend opting for ground, as Poppy will likely exploit either of the other two with Play Rough and Stone Edge, which weaken fighting and fire, respectively. Tinkaton has a hefty special defense, so using a physical-based ground move like Earthquake is your best bet.

    Larry stares at his tera orb as it charges, looking tired and ready to go home to his wife.

    Larry, the star of the show, can’t show up only once in Pokémon Scarlet and Violet.
    Screenshot: The Pokémon Company / Kotaku

    Larry returns to fly to new heights

    I can’t lie, he made such a positive impression on me as a gym leader earlier in Pokémon Scarlet and Violet that I lost my mind when Larry, Pokémon’s embodiment of the Dolly Parton song “9 to 5,” showed up as a member of the Elite Four. But while his normal-type team required one strategy, his flying-type party in the Pokémon League requires another.

    Tropius (Grass/Flying), Level 59
    Oricorio (Electric/Flying), Level 59
    Altaria (Dragon/Flying), Level 59
    Staraptor (Normal/Flying), Level 59
    Flamigo (Terastalized Flying), Level 60

    Unlike Rika and Poppy, most of Larry’s trickiest Pokémon lead his team. While most flying-type trainers in this series can be easily handled with a good electric-type Pokémon like Raichu or Jolteon, Larry’s Tropius, Oricorio, and Altaria all require you to look for alternate weaknesses.

    Tropius is a grass/flying type, which means it’s double weak to ice. Historically, I don’t typically make space for an ice-type Pokémon on my team because most water-type Pokémon can reliably learn ice moves, but Tropius is kitted out with Sunny Day and Solar Beam, which is a combo that can make short work of any water-type that dares to enter the field. So if you don’t have an ice-type Pokémon to throw out a quick Ice Beam or a water-type that’s both fast and strong enough to interrupt this setup, it might be best to opt to target one of its other weaknesses.

    Luckily Tropius has many with its grass/flying typing, so we can pick from fire, flying, rock, or poison, as well. Presumably, you have a fire-type Pokémon from your fight with Poppy, so that’s a good Pokémon to lead with and get a good Flamethrower out before Tropius has a chance to set up its Solar Beam.

    Oricorio’s electric/flying typing is interesting, because separately, those two elements have straightforward weaknesses to exploit. But together they limit your options because it will be immune to ground moves and relatively resistant to electric ones. Its remaining weaknesses are rock and ice, Either option is as effective, but be mindful that it also knows Icy Wind, which can be super effective on some rock-type Pokémon if they have a secondary ground affinity.

    Larry’s Altaria is one of the Pokémon you’ll face that feels directly spec’d to counter its usual weaknesses. The dragon/flying Pokémon knows Moonblast (Fairy), Flamethrower (Fire), Ice Beam (Ice), and Dragon Pulse (Dragon), which is a hard counter for almost anything you can throw at it…almost.

    Altaria can counter dragon and ice pretty handily, but it doesn’t have much to take out fairy Pokémon, or defend against fairy-type moves. It has pretty respectable physical and special defense, but its physical defense is a tad lower. So if you’ve got someone on your team that knows Play Rough, it’s a solid counter that exists in the gaps of Altaria’s moveset.

    Then all that’s left is Starapator and a terastalized flying-type Flamigo. You can take out both of these handily with strong electric attacks. It’s best to avoid ice-type Pokémon for these last two, as both of them have fighting attacks that could do significant damage.

    Hassel charges his tera orb and stares blankly at the camera.

    Hassel teaches art at the academy in Paldea, but he also teaches the art of Pokémon battling as a member of the Elite Four.
    Screenshot: The Pokémon Company / Kotaku

    Hassel teaches one final lesson

    The final fight before the champion is against Hassel, the art teacher in Paldea’s academy. He specializes in dragon-type Pokémon, and his team includes a few ‘mons you likely won’t have seen by this point in your playthrough. So it’s good to be prepared for the twists and turns of this battle.

    Noivern (Flying/Dragon), Level 60
    Haxorus (Dragon), Level 60
    Dragalge (Poison/Dragon), Level 60
    Flapple (Grass/Dragon), Level 60
    Baxcalibur (Terastalized Dragon), Level 61

    Noivern leads Hassel’s team, and it’s one of the simplest in the group. It’s weak to all of dragon-type’s usual weaknesses, but its flying/dragon typing makes it twice as weak to ice-type moves. So blow a gentle, cold breeze in its direction (Ice Beam) and it should fall pretty quickly. Flapple is also pretty straightforward, as its grass/dragon typing makes it extremely susceptible to ice attacks, which it doesn’t have any real counters for.

    Haxorus is also just a dragon-type, but it has a wider type coverage with its attacks. With Dragon Claw, Crunch, Iron Head, and Rock Tomb, it can reliably counter both ice and dragon Pokémon, so your best bet is to exploit the fairy-sized gap in its offensive capabilities as you did with Larry’s Altaria. Its physical defense is notably stronger than its special defense, so if you have Pokémon like Sylveon with an attack like Moonblast in your bag, you can make short work of Haxorus.

    Dragalge is complicated because it can easily take down dragon and fairy Pokémon with its poison-type Sludge Bomb and dragon-type Dragon Pulse. So the safest weakness to exploit is likely psychic. You could also try ground, but do keep in mind Hassel’s Dragalge knows Hydro Pump, which can drop ground-type Pokémon in a single turn. Meanwhile, it doesn’t have any real counters for a psychic Pokémon, making it the poison/dragon-type’s biggest vulnerability.

    Finally, we have Baxcalibur, Hassel’s ace and Scarlet and Violet’s pseudo-legendary. Hassel’s strategy with this Pokémon is pretty simple: Terastalize into a full dragon-type, and then use its signature move Glaive Rush until it wipes your team. If you have a fairy-type Pokémon you’ll be immune to this attack, so that will take the greatest threat off the table. But, oddly enough, Hassel’s Baxcalibur only knows two other moves, the ice-type Icicle Crash and fighting-type Brick Break. Fairy Pokémon are resistant to fighting attacks, and damaged normally by ice. So if you’ve got a fairy with decent special attack like the aforementioned Sylveon, you can carve your way through this Pokémon.

    Geeta is seen holding her tera orb under a night sky.

    Geeta charges her tera orb as if it will make any meaningful impact on this battle. Go, girl. Give us nothing.
    Screenshot: The Pokémon Company / Kotaku

    Here comes the final challenger, Geeta

    After you defeat all the members of the Elite Four, you’ll be given a complementary party heal before you face Geeta, the champion of the Paldea region.

    Espathra (Psychic), Level 61
    Gogoat (Grass), Level 61
    Veluza (Water/Psychic), Level 61
    Avalugg (Ice), Level 161
    Kingambit (Dark/Steel), Level 61
    Glimmora (Terastalized Rock), Level 62

    As fans have noted since Scarlet and Violet launched, Geeta’s team is a bit underwhelming for a champion, even compared to the Elite Four who are supposedly under her. She doesn’t specialize in any one typing, so there’s not the same subversion and adaptation you see in the other trainer fights. No one on her team is particularly powerful like Hassel’s Baxcalibur or Poppy’s Tinkaton. The weirdest part of all of it is that Glimmora, which is treated as her signature Pokémon, is a setup Pokémon by design, but she uses it last and wastes its Toxic Debris ability. As such, the only real strategy with her is simply having Pokémon who know attacks that weaken hers.

    More than half of her team has a one-type elemental affinity, with psychic-type Espathra, grass-type Gogoat, and ice-type Avalugg all starting out as such, and Glimmora becoming one by terastalizing into a rock-type.

    Espathra and Gogoat are mostly lacking in hard counters to their weaknesses. A ghost, dark, or bug attack will take Espathra out, though be wary of its Dazzling Gleam if you choose to go the dark route. Gogoat has basically nothing to combat a fire, bug, or flying Pokémon. Avalugg fares a bit better—Earthquake gives it something to fight off any fire or rock Pokémon—but its remaining moves feel like they’re there to fill spaces rather than help it overcome anything you throw at it. So feel free to safely use a steel or fighting attack.

    Veluza and Kingambit have dual typings, which makes them a little more complicated, but their movesets are still pretty straightforward. Veluza is a water/psychic type, but those types together don’t create any sort of interesting resistances or immunities to be aware of. It’s weak to everything those types are weak to, so a bug, ghost, grass, electric, or dark move will be super effective. Geeta also hasn’t taught it any moves that weaken its usual vulnerabilities, with the closest thing to a subversion in its kit being Ice Fang, and ice moves are fairly predictable for a water-type Pokémon to have. As such, there’s not much to worry about here.

    Kingambit has one saving grace, in that the dark/steel Pokémon knows Zen Headbutt, a psychic move that would make short work of a fighting-type Pokémon who would otherwise be able to exploit its double weakness to fighting. But the Pokémon is also terribly slow, so if you can outspeed it, you have a chance to avoid the attack altogether.

    Then there’s Glimmora, whose puzzling placement just really underlines how suboptimal Geeta’s team is. The rock/poison Pokémon will terastalize into a rock type, which does halve its normal double weakness to ground into just a standard one, but it is still very much weak to fighting, steel, and water. This change also opens itself up into a grass weakness it didn’t have before.

    When it comes to attacking those weaknesses it has Dazzling Gleam to handle fighting-type Pokémon and Sludge Wave to handle any grass-type Pokémon without a secondary type to resist it. So the safest type to use is water, but Glimmora is also slow enough that you can probably get those attacks out fast enough to defeat it anyway.

    There are hints in Pokémon Scarlet and Violet’s endgame that Geeta and Glimmora are tied into story elements that have yet to be explored. As such, it makes some sense that narratively Geeta would use Glimmora as her partner Pokémon and ace in battle. But the way the Pokémon is built as a setup Pokémon through its Toxic Debris ability, which lays out Toxic Spikes on the battlefield after it’s hit with a physical attack, means it doesn’t make sense for it to be utilized this way in battle. All of Geeta’s team just feels like it lacks the same forethought of the rest of the Elite Four. What an odd fight.


    After you defeat Geeta, that’s the last time you can face the Elite Four in this sequential structure. This is a departure from previous games, which let you challenge the Pokémon League multiple times. However, you can still face all of these trainers in the postgame Academy Ace Tournament, where their teams will be slightly stronger and have different movesets. Geeta’s team still sucks, though!

    Kenneth Shepard

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  • Dolly Parton celebrates Miley Cyrus’s 30th birthday | CNN

    Dolly Parton celebrates Miley Cyrus’s 30th birthday | CNN



    CNN
     — 

    Dolly Parton paid tribute to her goddaughter Miley Cyrus on her 30th birthday.

    Cyrus celebrated her special day on November 23, and Parton posted two photos of her and the fellow singer cozied up.

    “Happy birthday @MileyCyrus!,” the caption on the post on Parton’s verified Instagram account read. “I can’t wait to celebrate with you and ring in the new year!!”

    The pair will team up for “Miley’s New Year’s Eve Party,” set to take place in Miami and air on NBC on December 31.

    On her verified Instagram account, Cyru posted a commercial featuring her and Parton for the event.

    “It’s gonna be legendary,” Parton says in the spot to which Cyrus quips, “She would know.”

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  • Hell Has Frozen Over.

    Hell Has Frozen Over.

    Jeff Bezos must have hit his head pretty hard over the weekend…or perhaps he had a Dickens-esque Christmas Carol moment.


    Either way, in the past 24 hours, the Amazon founder Bezos gave away a majority of his $124 billion fortune to fight climate change and unify humanity. In addition, he awarded Dolly Parton with the Courage and Civility Award, which comes with $100 million that Dolly can donate to charities of her choice.

    Woah. So maybe bullying the 1% does work after all. After years of begging Bezos to have some compassion for us lowly Amazon shoppers, did he finally hear us? Or maybe he got tired of the accusations that he was a robot with no feelings.

    This is a huge milestone for one of the richest men in the world…one who infamously refrained from signing The Giving Pledge. The mega-rich – think Mark Zuckerberg and Warren Buffet – commit to give away most of their money to charitable causes in their lifetime.

    This may be thanks to Bezos’ girlfriend, Lauren Sánchez, who’s a journalist turned philanthropist. The pair sat down with CNN to chat about Bezos’ new “giving” persona…the first time he has ever explicitly agreed that he would donate a large sum of his money to charity.

    Or maybe it’s connected to the philanthropic acts of ex-wife MacKenzie Scott. Scott – an author and committed philanthropist – signed The Giving Pledge post-divorce and has already donated half of her $24 billion net worth to charitable organizations.

    Most likely, it’s because Amazon’s laying off 10,000 employees by the end of the week…but apparently that’s neither here nor there for Bezos.

    Jai Phillips

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  • 36 Gifts For the Person Who Won’t Shut Up About Their Pet

    36 Gifts For the Person Who Won’t Shut Up About Their Pet

    We know it’s hard to find the right gifts for your loved ones, so we’ve compiled a ton of fashion and beauty-focused gift guides tailored to a range of interests and budgets. Check out our latest below and find more right here.

    Whenever someone asks me what I want for a birthday, holiday or other special occasion, I have a hard time thinking of any one thing — I will, however, come up with at least three items I’ve saved for my pride and joy, my two pups, at the drop of a hat. I just enjoy shopping for them more than I do myself, and it makes me so happy to see them happy, whether that’s in a cozy new sweater for walks or chewing on a new rope bone. 

    Ana Colón

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  • Dolly Parton receives $100 million Courage and Civility Award from Jeff Bezos and Lauren Sanchez | CNN

    Dolly Parton receives $100 million Courage and Civility Award from Jeff Bezos and Lauren Sanchez | CNN



    CNN
     — 

    Dolly Parton is the latest recipient of the Bezos Courage and Civility Award.

    “Jeff [Bezos] and I are so proud to share that we have a new Bezos Courage and Civility Award winner — a woman who gives with her heart and leads with love and compassion in every aspect of her work,” Bezos’ longtime partner, Lauren Sanchez, posted on Instagram alongside a video of their speech Friday before awarding the grant to the country music legend and longtime philanthropist.

    “We can’t wait to see all the good that you’re going to do with this $100 million award, @DollyParton.”

    Parton, who has donated to various causes for decades, publicly thanked Bezos and Sanchez on Twitter.

    “I try to put my money where my heart is. I will do my best to do good things with this money,” Parton tweeted. “Thank you @JeffBezos #LaurenSanchez”

    During the Covid-19 pandemic, Parton donated $1 million to Vanderbilt University Medical Center’s vaccine research efforts. It was partly used to fund Moderna’s Covid-19 vaccine.

    She said in an interview at the time with BBC’s “The One Show,” that she felt “honored and proud.”

    “I just felt so proud to have been part of that little seed money that will hopefully grow into something great and help to heal this world,” she said. “I’m a very proud girl today to know I had anything at all to do with something that’s going to help us through this crazy pandemic.”

    In 1988, Parton established the Dollywood Foundation, and eventually The Imagination Library, a program that helps children across the world access books.

    Among her philanthropic efforts in her home state of Tennessee, Parton also created the Dolly Parton Scholarship, which provides $15,000 to recipients towards a college education.

    Last year, Bezos awarded $100 million each to CNN contributor Van Jones and chef José Andrés.

    Bezos, the founder and former head of Amazon.com, said at a news conference at the time the grant had no strings attached.

    “They can give it all to their own charity,” Bezos said last year. “Or they can share the wealth. It is up to them.”

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