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Want to live like Reba McEntire? You’re in luck.
On Friday, the country music and entertainment icon will release a new album to partner with her new book, Not That Fancy: Simple Lessons on Living, Loving, Eating, and Dusting Off Your Boots.
The book, which arrives Tuesday, is a collection of recipes, memoir, photos, and lifestyle tips. The Not That Fancy album is a collection of acoustic covers of McEntire’s biggest hits, with a few surprises thrown in, like Dolly Parton, who takes the place of Linda Davis on “Does He Love You”.
READ MORE:
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The book, McEntire explained over the phone, is “about things not having to be so fancy or structured. Whether it’s a dinner party or going out to eat, having friends over. If you don’t have your brand-new couch in, you’ve got to cover your old couch, that’s fine. People don’t care. They just want to get together and have fun.”
Re-recording some of her most recognizable songs in an intimate fashion just felt like the perfect partner for a book that already crosses mediums. “It’s not just a cookbook. It’s not just a photo album. It’s not a storybook. It’s an eclectic group of everything,” she explains.
READ MORE:
Reba McEntire Admits It ‘Wasn’t’ Love At First Sight For Her And Boyfriend Rex Linn
“And I had to proofread it, so I went through it several times and never got bored with it. And I have the attention span of a 3-year-old, so for me not to get bored with it is a huge compliment to the book.”
McEntire spoke to The Associated Press about her new album, book, and dressing “tough sexy.”
This interview has been edited for clarity and brevity.
McENTIRE: We had done (the compilation album) Remixed, Revised and Revisited, and so we pulled some of those songs. Working with (producer) Dave Cobb, that was an album that was stripped down, that we wanted to pull from. And we added some more songs to it, brand new songs, which is our new single called “Seven Minutes in Heaven”. And it just worked out really good to be “not that fancy.”
McENTIRE: Well, we were picking out the songs for the album, “Does He Love You” came up and we were all like, “Well, if we did it again, who we like to have sing with you?” We all started pitching names and put them in the hat. When somebody said “Dolly,” everybody just said, “Oh, absolutely, we got to ask Dolly.” And she said, yes.
McENTIRE: I hope not, anyway!
McENTIRE: We all got in the studio together. Of course, Dolly and I didn’t get to record together because of the pandemic, but Ronnie (Dunn) and Kix (Brooks) came in and we love to perform and sing together. We’re good friends. So, it was a great day hanging out at the studio.
They are terribly notorious for being pranksters. When we first started our tour in the early ‘90s, that was my first rule: No pranks. We do not like pranks. And so when Kix and myself, when we were singing “Cotton Fields”, he kind of kept spitting on me. We got off the stage, of course, and we walked back to the dressing room. I said, “Would you please quit spitting in my face?” And that’s when he gave me a big yellow rain slicker the next night.
McENTIRE: You get used to hearing something a certain way, and then when it is stripped down to just a few instruments, you got to get comfortable with it again. You kind of have to relearn it. And some of the songs we slowed down, changed the tempo, and it just made it a totally different song. So, I thought it was a great idea and a great way to give the fans something different.
READ MORE:
Reba McEntire Loves ‘Everything’ About Dolly Parton: ‘I’ve Never Heard A Bad Word Said About Dolly’
McENTIRE: I’m a tomboy at heart. I grew up on a working cattle ranch. I worked outside with my older sister Alice and my older brother Pake and little sister Susie. We had to do the chores with the men and then come in and us girls had to take care of things with Momma. So, I always considered myself a tomboy, but I still like to dress up and be sparkly with rhinestones and glitter and fringe and all that kind of stuff. So “tough sexy,” to me, when they say, “How do you like to dress?” “I like tough sexy.” “Well, what’s that?” “In my cowboy clothes with a sexy side of it.” That’s my interior design, also.
McENTIRE: I pass on the best advice I’d ever gotten from a good friend of mine who’s not with us any longer, a billionaire. He said, “Overall, have fun.”
And also, don’t sweat the small stuff. Don’t worry that you don’t have eight glasses that match. Use Solo cups or paper plates, whatever you want to use, but have your friends over. Do not postpone a get together because you don’t have the perfect set up in your house, or maybe the house cleaner didn’t come, or maybe you didn’t feel like cleaning your house. Don’t worry about it. They just want to see you.
Melissa Romualdi
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Inaugurating, however briefly, her regional Mexican music era, Shakira brings us yet another single designed to prepare us for her long-awaited twelfth album. And yet, if Shakira has conditioned us to understand one thing about her, it’s to expect the unexpected in whatever musical route she decides to take. Because who knew something like a corrido would be next in her wheelhouse. At the same time, after such varied-in-style hits as “Shakira: Bzrp Music Sessions, Vol. 53,” “TQG,” “Acróstico” and “Copa Vacía” earlier this year, nothing Shakira releases should come as a surprise. The only real shock being if she didn’t manage to release a bop…or a song that didn’t feature someone else on it (in this case, Mexican group Fuerza Regida). And this one not only delivers on that front, but also, let’s call it, the People’s Liberation Front (no relation to the organization named as such in countries such as Sri Lanka and Ethiopia). And, yes, like Beyoncé’s anti-work anthem, “Break My Soul,” Shakira is also coming from a place of having never really worked the kind of soul-breaking job she refers to in “El Jefe,” yet still does her best to sound as though she has (hence, the need for co-writers Edgar Barrera, Kevyn Cruz and Manuel Lorente).
But, in contrast to her erstwhile collaborator, Bey, Shakira is far more aggressive in her contempt for thankless, underpaid jobs and the overpaid fat cats who make work so unbearable for the other ninety-nine percent. Because she doesn’t sing a passing verse like, “And I just quit my job I’m gonna find new drive/Damn, they work me so damn hard/Work by nine, then off past five/And they work my nerves/That’s why I cannot sleep at night.” No, instead, the entire song is about work being a fucking scam/joke for anyone who isn’t in a position of power (usually as a result of birth lottery circumstances). And, talking of the nine to five schedule (increasingly outmoded at this juncture), Shakira officially outdoes the anti-The Man anthem that is Dolly Parton’s “9 to 5.” That’s right, it only took forty-three years for something as oppressor-despising (hidden behind a “jaunty” tone and rhythm) to come along.
What’s more, “El Jefe” mimics the narrative structure of “9 to 5” in terms of laying out all the rightful complaints from the beginning of the day. From the very moment one opens their eyes to the sound of the alarm that might as well be a death (of the soul) knell. So it is that Shakira opens “El Jefe” with lyrics that translate to: “7:30 the alarm has gone off/I want to be in bed/But it cannot be done/I take the kids at 9/The same coffee, the same kitchen/The same always, the same routine/Another shitty day/Another day at the office.” In 1980, Parton phrased that opening as, “Tumble out of bed/And stumble to the kitchen/Pour myself a cup of ambition/And yawn and stretch and try to come to life…/Out on the streets, the traffic starts jumpin’/For folks like me on the job from 9 to 5.”
Parton then serves up the iconic chorus, “Workin’ 9 to 5/What a way to make a livin’/Barely gettin’ by/It’s all takin’ and no givin’/They just use your mind/And they never give you credit.” Shakira feels much the same as she sings, “I have a shitty boss who doesn’t pay me well/I arrive walking/And he in a Mercedes-Benz [again, Dolly correlation]/He has me as a recruit/The son of a bitch/You’re dreaming of leaving the neighborhood/You have everything to be a millionaire/Expensive tastes, the mentality/You only need the salary.”
In the accompanying video, Shakira plays up the regional Mexican tone with a Texana aesthetic that comes complete with cowboy hat, cowboy boots, leather fringe skirt, bombastic belt and some zapateado stylings intermixed with her own renowned “hip work.” Directed by Jora Frantzis, who has already dabbled with Latina mamis in the past (i.e., directing videos for Jennifer Lopez and Cardi B), scenes of Shakira on a horse that taps its hooves to the beat (something that deserves a visual effects award because that can’t be real) are quickly interspersed with scenes of immigrants on a train making their way, presumably, to the U.S. border. Where, as Shakira describes, they’ll be met with working conditions that can best be described as glorified slavery. No wonder she’s quick to urge, “Stick it to the man” in between scenes of warehouse workers (played by Fuerza Regida members) carrying too many boxes on their shoulders (perhaps a dig at Amazon, as famed for its “low” prices as it is for never giving warehouse pickers a bathroom break).
Soon, we see Shakira and Fuerza Regida joining the other aspiring Americans on the back of a boxcar as Shakira continues to speak on her rage regarding racial and class inequality (for the former is directly related to the latter, particularly in “anyone can be anything” America). Shakira, too, seems well-versed in the fact that it’s just as Dolly said: “It’s a rich man’s game/No matter what they call it/And you spend your life/Putting money in his wallet.” Ergo, “What irony, what madness/This is torture/You kill yourself from dawn to dusk and you don’t even have a writing.” That last word a botched translation from “escritura,” which can also mean a deed (as in: to property) or a “document”/“papers” (as in: the legal “right” to be somewhere).
For good measure, Shakira also adds another dig at Gerard Piqué by calling out his father with the insult, “They say there is no evil/That lasts more than a hundred years/But there is still my ex father-in-law who has not set foot in the grave.” So much for a temporary peace between the two exes (yet perhaps it’s only fair considering Shakira took aim earlier this year at her ex mother-in-law through a carefully-curated witch display). But this song has nothing to do with getting revenge on an ex (unless it’s an ex-boss). No, it’s all in service of buttressing the proletariat…or at least comforting them by assuring that someone is very aware of what they’re going through (even if from their own perch on Millionaires’ Row).
Which is why, at the one-minute, forty-four-second mark of the video, things take a turn toward the indoors, with Frantzis focusing on the fat cats (literally fat, obviously) themselves as they sit at a banquet table. And what’s on the menu? Why, the proletariat, of course! A.k.a. Jesus Ortiz Paz’s (Fuerza Regida’s lead singer) head on a platter, John the Baptist-style. What the fat cats hadn’t bargained for (just as Franklin Hart hadn’t bargained for Violet, Doralee or Judy), however, was a calmly irate Shakira showing up to walk on their table and approach the so-called “jefe” at the head of it with an expression that says, “I’m the jefe now, bitch.”
As for the mention of her former-turned-current nanny, Lili Melgar, by declaring, “This song’s for you/They didn’t pay you compensation,” well, that’s another direct hit at Piqué. Who apparently fired Melgar after she tipped Shakira off to a “third presence” visiting their house all the time before she finally clocked the suspiciously diminished contents of the jam jar.
The last shot in the video returns to a defiant-looking Shakira (dressed in her all-red cowgirl ensemble—because, sooner or later, the oppressed becomes the oppressor, right?) on her horse as she stares into the camera. As though daring the jefes of the world to try to keep her or her “kind” down. But, no matter who you are or where you’re from (to paraphrase the Backstreet Boys), there is always common ground to be had in the shared experience of how much work blows chunks (at pretty much any pay grade, to boot).
For even the white men known as Blink-182 once said, “Work sucks, I know.” And so does Shakira. Or at least she can “get into the headspace” of knowing, if “El Jefe” is any indication. Thus, the only thing that could be more triumphant than this anti-work anthem is an official mashup (à la “Numb/Encore”) of it with “9 to 5.”
Genna Rivieccio
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Fall is the best time of the year for book lovers. Publishers schedule the release of their most serious-minded fare for when we’re indoors and have time to read. So put away that phone and tablet. There will be plenty of time for doomscrolling in the New Year when get back to climate change emergencies, Elon Musk’s latest bits of insanity, and panic over the U.S. presidential election. Time to curl up with some good books on music.
Talking to My Angels by Melissa Etheridge (Out now)

Etheridge’s second memoir (the first was The Truth Is… from 2002) picks up where that one left off and adds 20 years of new experiences (a battle with breast cancer, some very public breakups, the death of her son as the result of opioid addiction, involvement in the LGBTQ2 community) and reflections on life. It’s very honest stuff. There will be tears.
Mud Ride: A Messy Trip Through the Grunge Explosion by Steve Turner (Out now)

Turner, a skater and hardcore kid, was there at the very beginning of grunge. In fact, it was Mark Arm, his later bandmate in OG groups like Green River and Mudhoney who first used the word to describe the heavier sounds coming out of the Pacific Northwest. Turner takes us through those early days, showing us just how few people were responsible for a scene that eventually blew up worldwide. Green River, for example, once included both future Pearl Jam members Jeff Ament and Stone Gossard but left when their ambitions outgrew the group. Although Mudhoney continues to record and tour, their experience shows that not everyone associated with the birth of grunge was on the same page.
Abbey Road: The Inside Story of the World’s Most Famous Recording Studio by David Hepworth (Out Now)

I’ve been lucky to both work at and tour through Abbey Road Studios several times over the years and I can attest that the place is like a shrine. Opened by Electric and Machine Industries (that’s what “EMI” stands for) in a nine-bedroom century-old Georgian townhouse, the studios have been the source of some of the most legendary recordings in the world: The Beatles, Pink Floyd, Oasis, Muse, Radiohead, Depeche Mode — the list goes on forever. The massive Studio One is also where orchestras performed and recorded the soundtracks for Raiders of the Lost Ark, Return of the Jedi, Aliens, and a bunch of Harry Potter films. While the studio is off-limits to most visitors, this book takes us inside and shows how things work behind the curtain.
Don’t Call It Hair Metal: Art in the Excess of ’80s Rock by Sean Kelly
Hair metal has not been treated kindly by history. Most remember it as a time when dudes looked like ladies with their big hair, makeup, and spandex up partied up and down the Sunset Strip. A lot of rock fans were fine when the grunge tsunami wiped the entire scene from the face of the early at the dawn of the 1990s. But maybe we’ve been too harsh. Kelly teases out stories from members of Twisted Sister, Guns N’ Roses, Dokken, Poison, Quiet Riot, and others to offer a different perspective on the music of the era. Maybe it wasn’t so bad after all.
High Bias: The Distorted History of the Cassette Tape by Mark Masters (Out Oct. 3)

When Philips introduced the Compact Cassette in 1963, they expected it to be used for low-fidelity purposes like diction and answering machines. But as tape formulations and tape machines got better, the cassette allowed everyone to create custom mixtapes for home, the car, and new-fangled things like the Sony Walkman. For a brief period in the 1980s, more people bought prerecorded albums on cassette than on vinyl or the new compact disc. The cassette made music consumption personal, customizable, and portable. Today, cassettes are making something of a comeback as retro tchotchkes and souvenirs as well as being used to preserve Afghani music from the Taliban’s music-hating ways. It’s a fun, twisty story.
Lay It On the Line by Rik Emmett (Out Oct. 10)
Subtitled A Backstage Pass to Rock Star Adventure, Conflict, and Triumph, the guitarist for Canada’s other ’70s-’80s power trio offers a mix of memoirs, anecdotes, observations about the music industry, and rock’n’roll songwriting that’s sure to be appreciated by anyone who likes Canadian-built hard rock. Emmett also explains why he walked away from the band for 20 years to explore other forms of music.
Behind the Seams: My Life in Rhinestones by Dolly Parton (Out Oct. 17)

Dolly has been having a very long moment these past couple of years, especially since she was inducted into The Rock and Roll Hall of Fame. With a new album entitled Rockstar coming in November (yes, a Dolly Parton rock record), she’s ready with a thick book featuring 450 full-colour photos of her wardrobe while explaining how her sense of style developed over the decades. Love sequins and rhinestones? Here you go.
The Tragically Hip ABC adapted by Drew Macklin (Out Oct. 24)
This could be classified as something for the young’uns, but it’s really a picture book for all fans of The Tragically Hip. And it’s like it sounds: a tour through Hip songs A is for “Ahead by a Century,” B is for “Bobcaygeon,” etc., all whimsically illustrated by Clayton Hammer, Julia Breckenreid, Bridget George, and Monika Melnychuk. File it under, “For the Hip Fan Who Has Everything.”
© 2023 Global News, a division of Corus Entertainment Inc.
Alan Cross
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By .
Dolly Parton‘s not leaving the stage any time soon. In fact, when it comes to retirement, the 77-year-old country star would rather “drop dead” onstage instead of planning her last curtain call.
The Jolene singer shared her feelings about retirement while on the Greatest Hits Radio show, telling host Ken Bruce that there’s a responsibility that comes with realizing one’s biggest dreams.
“I always believe that if you’ve wanted your dreams to come true and you are lucky enough to have that happen, then you’ve got to be responsible because you gotta keep the dream alive,” she explained. “And every dream kind of spawns another dream. You can branch off of almost anything that happens and make a business of that as well. So it’s kind of like a tree with good roots — it’s got a lot of limbs and it’s also got a lot of leafs. So, why not make the most of it? And I’m not one to sit around and do nothing.”
Here’s the kicker:
“I would never retire. I’ll just hopefully drop dead in the middle of a song onstage someday,” she said. “That’s how I hope to go. Of course, we don’t have much of a choice in that. But as long as I’m able to work, as long as my health is good and my husband is good. I mean, the only way that I would ever slow down or stop would be for that reason. But int he meantime I’m gonna make hay while the sun shines.”
Back in May at the 58th Academy of Country Music Awards, the queen of country dropped the single “World on Fire,” off her Rockstar album, set to drop Nov. 17, and she told ET while on the red carpet she was nervous about releasing her single.
“Well, I’m excited. A little bit nervous but in a good way,” she said. “It’s like I’m introducing my whole rock album tonight and this is the first single from that, but it’s a good message. I think everybody in the world needs to kind of hear this. So, I’m excited about it.”
Rockstar features nine original tracks and 21 classic covers, with legendary appearances by Miley Cyrus, Elton John, Sting, Stevie Nicks, Lizzo, Chris Stapleton and Paul McCartney, among others.
During her conversation with Bruce, the 9 to 5 songstress also shared what she’d like to do next.
“I have new dreams every day. I wanna have my own network TV show, where I can actually do a lot of new things and produce,” she said. “I wanna have my own story called Life of Many Colors, where I have a whole series of my life. Stuff that people haven’t seen or know or heard about, and my people, where I come from, where I got to be and who I am; to have the behind-the-scenes and the adventures of my life.”
She went on to say she’d like to have her own line of makeup, wigs and clothes. And she acknowledged that her fame afforded a lot of opportunities to come her way.
Emerson Pearson
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MADISON, Wis. (AP) — Administrators at a Wisconsin elementary school stopped a first-grade class from performing a Miley Cyrus and Dolly Parton duet promoting LGBTQ acceptance because the song “could be perceived as controversial.”
Students at Heyer Elementary School in Waukesha had prepared a rendition of “Rainbowland” for their spring concert, but school officials struck the song from the lineup last week. Parents in the district say the decision was made because the song encourages LGBTQ acceptance and references rainbows.
Superintendent James Sebert, who did not immediately return a call on Monday, confirmed to Fox6 that administrators had removed “Rainbowland” from the first-grade concert because it might not be “appropriate for the age and maturity level of the students.” He also cited a school board policy against raising controversial issues in classrooms.
Sebert has previously prohibited rainbows and pride flags from being displayed in Waukesha classrooms and suspended the school district’s equity and diversity work in 2021.
“Let’s all dig down deep inside, brush the judgment and fear aside,” the song from Cyrus’ 2017 album “Younger Now” goes. “Living in a Rainbowland, where you and I go hand in hand. Oh, I’d be lying if I said this was fine, all the hurt and the hate going on here.”
Kevin Winter via Getty Images
First-grade teacher Melissa Tempel said she chose the song because its message seemed universal and sweet. The class concert’s theme was “The World” and included other songs such as “Here Comes the Sun,” by The Beatles and “What a Wonderful World,” by Louis Armstrong.
“My students were just devastated. They really liked this song and we had already begun singing it,” Tempel said Monday.
Administrators also initially banned the song “Rainbow Connection” from The Muppets but later reversed that decision, according to Tempel.
Parents have been angered by the song’s removal, Tempel said. But she was more concerned about what the ban and other district policies against expressing LGBTQ support meant for students.
“These confusing messages about rainbows are ultimately creating a culture that seems unsafe towards queer people,” she said.
Spokespersons for Parton and Cyrus did not immediately respond to emails on Monday asking the artists’ thoughts on the ban.
Wisconsin school boards races, including in Waukesha, have become increasingly partisan in recent years. Republicans saw big gains across the state’s school board races in 2022 and have used the positions to challenge policies from rules about transgender kids to COVID-19 restrictions.
Harm Venhuizen is a corps member for the Associated Press/Report for America Statehouse News Initiative. Report for America is a nonprofit national service program that places journalists in local newsrooms to report on undercovered issues. Follow Venhuizen on Twitter.

NASHVILLE, Tenn. (AP) — “If I hadn’t been a girl, I’d have been a drag queen.”
Dolly Parton has uttered those words famously and often. But if she really were a drag queen, one of Tennessee’s most famous daughters would likely be out of a job under legislation signed into law by Republican Gov. Bill Lee on Thursday.
Lee signed off on the legislation without issuing a statement or having a public ceremony. The bill goes into effect July 1.
Across the country, conservative activists and politicians complain that drag contributes to the “sexualization” or “grooming” of children. Several states are considering restrictions, but none has acted as fast as Tennessee. The efforts seek to extinguish popular “ drag story hours ” at which queens read to kids. Organizers of LGBTQ Pride events say they put a chill on their parades. And advocates note that the bills, pushed largely by Republicans, burden businesses in an un-Republican fashion.
The protestations have arisen fairly suddenly around a form of entertainment that has long had a place on the mainstream American stage.
Milton Berle, “Mr. Television” himself, was appearing in drag on the public airwaves as early as the 1950s on “Texaco Star Theater.” “RuPaul’s Drag Race” is a bona fide cultural phenomenon. Highly popular drag brunches bring revenue to restaurants. That such spectacles are now being portrayed as a danger to children boggles the minds of people who study, perform and appreciate drag.
“Drag is not a threat to anyone. It makes no sense to be criminalizing or vilifying drag in 2023,” said Lawrence La Fountain-Stokes, a professor of culture and gender studies at the University of Michigan and author of “Translocas: The Politics of Puerto Rican Drag and Trans Performance.”
“It is a space where people explore their identities,” said La Fountain-Stokes, who has done drag himself. “But it is also a place where people simply make a living. Drag is a job. Drag is a legitimate artistic expression that brings people together, that entertains, that allows certain individuals to explore who they are and allows all of us to have a very nice time. So it makes literally no sense for legislators, for people in government, to try to ban drag.”
Drag does not typically involve nudity or stripping, which are more common in the separate art of burlesque. Explicitly sexual and profane language is common in drag performances, but such content is avoided when children are the target audience. At shows meant for adults, venues or performers generally warn beforehand about age-inappropriate content.
The word “drag” does not appear in the Tennessee bill. Instead, it changes the definition of adult cabaret in Tennessee’s law to mean “adult-oriented performances that are harmful to minors.” It also says “male or female impersonators” now fall under adult cabaret among topless dancers, go-go dancers, exotic dancers and strippers.
The bill then bans adult cabaret from public property or anywhere minors might be present. It threatens performers with a misdemeanor charge, or a felony if it’s a repeat offense.
The bill has raised concerns that it could be used to target transgender people, but sponsors say that is not the intent.
The Tennessee Pride Chamber, a business advocacy group, predicted that “selective surveillance and enforcement” will lead to court challenges and “massive expenses” as governments defend an unconstitutional law that will harm the state’s brand.
“Tourism, which contributes significantly to our state’s growth and well-being, may well suffer from boycotts disproportionately affecting members of our community who work in Tennessee’s restaurants, arts, and hospitality industries,” chamber President Brian Rosman wrote in an email to The Associated Press. “Corporations will not continue to expand or relocate here if their employees — and their recruits — don’t feel safe or welcomed in Tennessee.”
John Camp, a Pride organizer in Knoxville, said the event in Tennessee’s third-largest city will be somber this October — describing it as “more of a march than a celebration.” There were 100 drag performers last year, he said, but he is unsure how many can participate this year.
Several other states, including Idaho, Kentucky, North Dakota, Montana, Oklahoma and Utah, are considering similar bans. And the Arkansas governor recently signed a bill that puts new restrictions on “adult-oriented” performances. It originally targeted drag shows but was scaled back following complaints of anti-LGBTQ discrimination.
“I find it irresponsible to create a law based on a complete lack of understanding and determined willful misinterpretation of what drag actually is,” Montana state Rep. Connie Keogh said in February during floor debate. “It is part of the cultural fabric of the LGBTQ+ community and has been around for centuries.”
Tennessee state Sen. Jack Johnson, the Republican sponsor, says his bill addresses “sexually suggestive drag shows” that are inappropriate for children.
Months ago, organizers of a Pride festival in Jackson, west of Nashville, came under fire for hosting a drag show in a park. A legal complaint spearheaded by a Republican state representative sought to prevent the show, but organizers reached a settlement to hold it indoors, with an age restriction.
And in Chattanooga, false allegations of child abuse spread online after far-right activists posted video of a child feeling a female performer’s sequined costume. Online commentators falsely said the performer was male, and it has gone on to be used as a rationale to ban children from drag shows.
“Rather than focus on actual policy issues facing Tennesseans, politicians would rather spend their time and effort misconstruing age-appropriate performances at a library to pass as many anti-LGBTQ+ bills as they can,” Sarah Warbelow, legal director for the Human Rights Campaign, said in a statement last week.
At times, the vitriol has become violence. Protesters, some of them armed, threw rocks and smoke grenades at one another outside a drag event in Oregon last year.
The Tennessee drag bill marks the second major proposal targeting LGBTQ people that lawmakers in the state have passed this year. Last week, lawmakers approved legislation that bans most gender-affirming care. Lee also signed that bill into law on Thursday.
Lee was fielding questions Monday from reporters about the legislation and other LGBTQ bills when an activist asked him if he remembered “dressing up in drag in 1977.” He was presented with a photo that showed the governor as a high school senior dressed in women’s clothing that was published in the Franklin High School 1977 yearbook. The photo was first posted on Reddit over the weekend.
Lee said it is “ridiculous” to compare the photo to “sexualized entertainment in front of children.” When asked for specific examples of inappropriate drag shows taking place in front of children, Lee did not cite any, only pointing to a nearby school building and saying he was concerned about protecting children.
___
McMillan reported from northeastern Pennsylvania. Associated Press writers Jonathan Matisse in Nashville and Amy Beth Hanson in Helena, Montana, contributed to this report.

A stately Colonial Revival house is going on the auction block
Brentwood, just 12 miles from downtown Nashville and Music Row, is home to a handsome three-story red brick mansion, one of the best known and most photographed houses in Music City. It will go on the auction block on February 18th in an absolute, no reserve auction, meaning that any price for the home will be accepted, as long as it’s the highest bid.
The grounds are as handsome as the house
Located on nearly five acres of land, the 15,000 square foot home boasts four bedrooms, eight bathrooms, and countless exquisite details, including antique fixtures from Argentina and lead crystal chandeliers from the Czech Republic, including one autographed by Dolly Parton.
With full fencing and a privacy gate, the home provides peace and solitude, impeccable natural light, and, from its hilltop position, views that overlook the grounds and the adjacent Governor’s Club. Once inside, the grand entry hall opens to striking double staircases, creating a dramatic first impression. There are expansive formal living and entertaining spaces, luxurious bedroom suites and abundant flexible rooms perfect for hosting guests.
grand rooms include a wood-paneled library
The adjacent entertainment dwelling is a magnificent addition to the property, gleaming with shimmering chandeliers, soaring Corinthian columns and two mezzanine balconies. The extraordinary space has welcomed some of the most famous names in entertainment, business, politics, and society, including some of country music’s biggest stars, including Carrie Underwood, Tim McGraw, and Brad Paisley. This property has also played host to notable events such as Nashville Shines for Haiti and the Country Music Hall of Fame and Museum Annual Honor Society Membership Event.
Imported crystal chandeliers in the entertainment complex
“An outstanding, one of a kind luxury estate, this is an opportunity to enjoy luxury living and entertaining at its very best,” said DeCaro Auctions International Founder and President Daniel DeCaro in a press release.
The live, truly absolute auction will take place at the property, located at 9600 Concord Road in Brentwood, on February 18, at 11:00 a.m. local time.
The entry hall is an example of lavish interior design
Private previews of the property are available every Saturday and Sunday until the auction from 1 – 4 p.m., with additional private showings during the week by appointment. Broker participation is invited, 2% co-broke.
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Regina Cole, Contributor
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Country music legend Dolly Parton, who just turned 77, has launched a new collection of Duncan Hines baking mixes in an expansion of her partnership with the company.
Cornbread, biscuits and two brownie mixes are being added to her record-breaking baking mix line with Duncan Hines. They’re set to be released at the end of the month and are expected to sell out fast.
“You got to have some biscuits, you got to have some sweet cornbread, you got to have those fudgy brownie mix. So everybody loves all that … and I know kind of about what Southern people like,” Parton told “CBS Mornings.”
Parton launched the line just days before her 77th birthday, which she celebrated by releasing a new song, “Don’t Make Me Have to Come Down There.”
“Today, I decided I’m not gonna get, I’m gonna give,” she wrote on Instagram on her birthday, which was Thursday.
She said her new single is about God being like a father.
“It’s like God talking, like, ‘Don’t make me have to come down there. My children, you had best beware. I let you try my patience, as all good fathers do, but you’re on my last nerve, I have had it up to here with you,’” she said.
The single is just one of the thousands of songs Parton has written in her iconic career that spans more than six decades.
She was recently inducted into the Rock & Roll Hall of Fame, which led to her receiving a $100 million award from Amazon founder Jeff Bezos to give to charities of her choice.
Jeff Kravitz/FilmMagic via Getty Images
Parton said she hasn’t decided where she wants to donate the money yet but is determined to put it to good use.
Her musical journey has been documented in country music history and in the hearts of all her fans, but if Hollywood were to make a movie about her life, Parton said the actor playing her would have to have her “spirit” and looks.
“She’d have to be a little bit overexaggerated. But hopefully she — that would be pretty easy,” Parton said.

Cheat Codes hit the jackpot in their latest single, “Bets On Us,” which finds the dance music trio joining the iconic Dolly Parton.
The can’t-lose combination marks the fourth single in the group’s rollout of their upcoming fourth studio album, One Night in Nashville. Few have found a cohesive vision that blends the seemingly polar opposite worlds of country and electronic music, but with cuts like “Bets On Us,” Cheat Codes are making it look easy and spurring a growing eagerness to discover what’s in store for the full project.
With “Bets On Us,” Cheat Codes lean wholesale into native country instrumentation, incorporating stadium claps and the melodic twang of the banjo. The production allows ample room for harmonizing vocals alongside Parton, who was recently inducted into the Rock & Roll Hall of Fame.
Unsurprisingly, their combined songwriting prowess makes “Bets On Us” a memorable singalong anthem in the making. Take a listen below.
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“we’ve been talking about this country album for a while now… and it’s FINALLY DONE,” writes the chart-topping trio. “the list of collaborators on this is completely insane (DOLLY PARTON?!) and we couldn’t be more thankful to everyone involved. we’ve always just wanted to keep pushing electronic music forward.. so being able to work with these artists and blend their sound with ours has been such a rad experience.”
Cheat Codes’ One Night in Nashville is due out on January 27th, 2023.
Facebook: facebook.com/cheatcodes
Twitter: twitter.com/CheatCodesMusic
Instagram: instagram.com/cheatcodes
Spotify: spoti.fi/2NumCYC
Cameron Sunkel
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By .
A surprise special guest appeared in the latest episode of Fox sitcom “Call Me Kat”.
Dolly Parton, who appeared in a video to eulogize late cast member Leslie Jordan, who died in October in a car accident at age 67.
“I know usually at a memorial, people talk about somebody. Well, I’m going to talk to you,” Parton began in the video, which appeared toward the end of the episode, reports TVLine.
“Because there is that place on the other side, and I’m certainly going to see you there, little brother. You left a lot of people here with a lot of precious, precious memories. Everybody loved you, but I doubt many of them loved you more than I did,” Parton continued.
READ MORE:
Mayim Bialik Pays Tribute To Leslie Jordan After Late Actor’s Final ‘Call Me Kat’ Episode Airs
“I just want you to know that we all love you, we all miss you, and I bet you’re having a big laugh over all of us being sad and sorrowful,” she added.
“And I know that would be the last thing you would want us to be. You made us happy while you were here, and we’re happy that you’re at peace. I just want you to know that I will always love you. Goodbye, my sweet Leslie,” she concluded, before singing the refrain from her iconic hit “I Will Always Love You”.
READ MORE:
Leslie Jordan Spoke About His ‘Unexpected’ New Country Music Career In Final Interview Before Death
Parton was a close friend of Jordan’s and is featured on the track “Where the Soul Never Dies” from his 2021 album Company’s Comin’.
Brent Furdyk
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CNN
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Dolly Parton paid tribute to her goddaughter Miley Cyrus on her 30th birthday.
Cyrus celebrated her special day on November 23, and Parton posted two photos of her and the fellow singer cozied up.
“Happy birthday @MileyCyrus!,” the caption on the post on Parton’s verified Instagram account read. “I can’t wait to celebrate with you and ring in the new year!!”
The pair will team up for “Miley’s New Year’s Eve Party,” set to take place in Miami and air on NBC on December 31.
On her verified Instagram account, Cyru posted a commercial featuring her and Parton for the event.
“It’s gonna be legendary,” Parton says in the spot to which Cyrus quips, “She would know.”

Jeff Bezos must have hit his head pretty hard over the weekend…or perhaps he had a Dickens-esque Christmas Carol moment.
Either way, in the past 24 hours, the Amazon founder Bezos gave away a majority of his $124 billion fortune to fight climate change and unify humanity. In addition, he awarded Dolly Parton with the Courage and Civility Award, which comes with $100 million that Dolly can donate to charities of her choice.
Woah. So maybe bullying the 1% does work after all. After years of begging Bezos to have some compassion for us lowly Amazon shoppers, did he finally hear us? Or maybe he got tired of the accusations that he was a robot with no feelings.
This is a huge milestone for one of the richest men in the world…one who infamously refrained from signing The Giving Pledge. The mega-rich – think Mark Zuckerberg and Warren Buffet – commit to give away most of their money to charitable causes in their lifetime.
This may be thanks to Bezos’ girlfriend, Lauren Sánchez, who’s a journalist turned philanthropist. The pair sat down with CNN to chat about Bezos’ new “giving” persona…the first time he has ever explicitly agreed that he would donate a large sum of his money to charity.
Or maybe it’s connected to the philanthropic acts of ex-wife MacKenzie Scott. Scott – an author and committed philanthropist – signed The Giving Pledge post-divorce and has already donated half of her $24 billion net worth to charitable organizations.
Most likely, it’s because Amazon’s laying off 10,000 employees by the end of the week…but apparently that’s neither here nor there for Bezos.
Jai Phillips
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We know it’s hard to find the right gifts for your loved ones, so we’ve compiled a ton of fashion and beauty-focused gift guides tailored to a range of interests and budgets. Check out our latest below and find more right here.
Whenever someone asks me what I want for a birthday, holiday or other special occasion, I have a hard time thinking of any one thing — I will, however, come up with at least three items I’ve saved for my pride and joy, my two pups, at the drop of a hat. I just enjoy shopping for them more than I do myself, and it makes me so happy to see them happy, whether that’s in a cozy new sweater for walks or chewing on a new rope bone.
This isn’t unique to me, at all: It’s likely the pet owner or lover in your life feels the same, whether they have a dog, cat or some other animal in their household. So, if you’re stuck on what to give them, something special for — or inspired by — their pet will always be a hit.
Ahead, shop 36 thoughtful gifts every pet, pet owner and lover will appreciate.
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Ana Colón
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CNN
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Dolly Parton is the latest recipient of the Bezos Courage and Civility Award.
“Jeff [Bezos] and I are so proud to share that we have a new Bezos Courage and Civility Award winner — a woman who gives with her heart and leads with love and compassion in every aspect of her work,” Bezos’ longtime partner, Lauren Sanchez, posted on Instagram alongside a video of their speech Friday before awarding the grant to the country music legend and longtime philanthropist.
“We can’t wait to see all the good that you’re going to do with this $100 million award, @DollyParton.”
Parton, who has donated to various causes for decades, publicly thanked Bezos and Sanchez on Twitter.
“I try to put my money where my heart is. I will do my best to do good things with this money,” Parton tweeted. “Thank you @JeffBezos #LaurenSanchez”
During the Covid-19 pandemic, Parton donated $1 million to Vanderbilt University Medical Center’s vaccine research efforts. It was partly used to fund Moderna’s Covid-19 vaccine.
She said in an interview at the time with BBC’s “The One Show,” that she felt “honored and proud.”
“I just felt so proud to have been part of that little seed money that will hopefully grow into something great and help to heal this world,” she said. “I’m a very proud girl today to know I had anything at all to do with something that’s going to help us through this crazy pandemic.”
In 1988, Parton established the Dollywood Foundation, and eventually The Imagination Library, a program that helps children across the world access books.
Among her philanthropic efforts in her home state of Tennessee, Parton also created the Dolly Parton Scholarship, which provides $15,000 to recipients towards a college education.
Last year, Bezos awarded $100 million each to CNN contributor Van Jones and chef José Andrés.
Bezos, the founder and former head of Amazon.com, said at a news conference at the time the grant had no strings attached.
“They can give it all to their own charity,” Bezos said last year. “Or they can share the wealth. It is up to them.”