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Tag: divergent

  • 10 Movies and TV Shows Like ‘The Hunger Games’

    10 Movies and TV Shows Like ‘The Hunger Games’

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    While fans of The Hunger Games await the new new Hunger Games film from Lionsgate and Suzanne Collins’ forthcoming fifth novel in the saga (titled The Hunger Games: Sunrise on the Reaping), there are a myriad of movies and TV shows that volunteer as tribute to fill the void.

    Whether seeking stories about similar dystopian worlds, young protagonists trying to survive amid hardships or action-packed adventures with a little bit of romance à la Katniss, Peeta and Gale, audiences can find satisfaction in films and TV shows that have similarities to The Hunger Games franchise.

    From movies based on best-selling books like Divergent and The Maze Runner to international hit Squid Game, exploring a new kind of deadly arena and a viewing guilty pleasure, The Hunger Games fans may find that the odds are in their favor of finding something that resembles the four-film franchise.

    Below, The Hollywood Reporter takes a look at 10 films and TV shows that offer similarities to The Hunger Games. THR also put together a definitive ranking of the films, including The Ballad of Songbirds and Snakes prequel.

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    Lexy Perez

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  • dirtier divergent pushy

    dirtier divergent pushy

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    It just honestly seems like search engines are getting worse in general. Whether it’s the fact their primary focus is on ads, or maybe it’s the websites they link to just trying to show up, but it just seems like you can never actually find what you want when you search, just someone selling something.

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  • ‘Divergent’ Author Says Film Franchise “Feels Complete to Me” Despite Scrapped Final Movie

    ‘Divergent’ Author Says Film Franchise “Feels Complete to Me” Despite Scrapped Final Movie

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    Veronica Roth, author of the Divergent trilogy, has made peace with the fourth and final movie in the franchise never getting made.

    After the first two movies were released, Divergent (2014) and Insurgent (2015), the third book, Allegiant, was set to be split into two parts. But the second part, which was initially titled Ascendant, never came to fruition after part one was released in 2016.

    In a recent interview with People magazine, Roth said she has now accepted the way the film series concluded.

    “I mean, breaking things in two was all the rage at the time. That was why that decision was made,” she explained. “But at that point, I think I always felt peace about it just because I knew the movies were taking a different track than the books, and if you change the lead up, you change the ending. So I kind of felt like at that point … I feel like that third movie, I don’t know, there’s a lot we could talk about with it. But it’s its own thing.”

    She continued, “It feels complete to me, relatively speaking, because what does that even mean at that point?”

    Set in a dystopian Chicago society, Roth’s sci-fi trilogy follows Tris Prior (Shailene Woodley), a young woman who learns she will never be able to fit into any of the world’s factions, which are based on virtues. She must navigate keeping her secrets to herself to stay alive as well as keep the city from falling apart.

    The films also starred Theo James, Kate Winslet, Jai Courtney, Ashley Judd, Ray Stevenson, Zoë Kravitz, Miles Teller, Tony Goldwyn and Ansel Elgort.

    Once Lionsgate saw diminishing box-office returns on Allegiant, they decided to first slash the budget on the fourth movie, Ascendant, but ultimately ended up dropping the feature completely. Lionsgate also looked into developing a TV take on Ascendant, but it also never panned out.

    As for Roth’s thoughts on separating a book into multiple movies, she said, “I just feel like it’s got to be a big, long book in order for that to make sense.”

    The author’s comments follow Hunger GamesMockingjay director Francis Lawrence recently saying that he “totally regrets” dividing the final book into two films.

    “In an episode of television, if you have a cliffhanger, you have to wait a week or you could just binge it and then you can see the next episode,” he told People. “But making people wait a year, I think, came across as disingenuous, even though it wasn’t. Our intentions were not to be disingenuous.”

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  • Theo James Is Done Being Put in a Box

    Theo James Is Done Being Put in a Box

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    Indeed James’s trajectory didn’t quite change with the end of Divergent; browse his IMDb and you won’t see him in any Oscar winners’ movies or on many Emmy-winning TV shows, the way things started out. “We are reliant on the whims of others,” he tells me at one point—but one reason why he launched his own production company, Untapped, in 2019. (His partner in the company is Andrew D. Corkin, who backed acclaimed indies including Martha Marcy May Marlene and We Are What We Are.) So far the banner has helped realize an eclectic batch of projects, including James’s well-received sci-fi vehicle Archive and Netflix’s new docuseries Pepsi, Where’s My Jet? In all this, James says he’s found a new way to look at an industry that he hasn’t always had the easiest time navigating. “You’re like, how will we make this? How will we package this? How does this work?” he says. “You start understanding everyone around you.” 

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    Whether you’ve seen it or not, James is in the midst of a period of varied, interesting work. The White Lotus being the most popular piece of the batch means more people are catching on right now, but the actor has appeared quite determined to break beyond the Hollywood hunk bubble for years. The effort materialized in fits and starts—the nature of the business—and has been largely facilitated by the small screen. In 2019, James starred in and executive-produced an acclaimed take on Jane Austen’s unfinished romantic manuscript, Sanditon, starring as the fiery male lead Sidney Parker (at least, in the first season—James departed after the series was renewed, telling me that “ending in a way which was uncomfortable and unsatisfactory felt very right for him as a character”). 

    He then moved to The Time Traveler’s Wife, the rare HBO drama to be savaged by critics and fail to score a second season. The melodramatic adaptation, which costarred Game of Thrones alum Rose Leslie, intrigued James for the simple challenge of playing a character from “very young to pretty old,” and found opportunities within that for a juicy challenge. The negative reception surprised him. “It was disappointing in many ways,” he says. “I thought the show definitely wasn’t perfect, but that there were some interesting through lines there for a story.”

    I ask if, unlike with Sanditon, this was a case where he would’ve jumped at the chance to do another season. “You learn to forget pretty quickly,” he replies flatly. “You numb yourself, or at least train yourself to forget, pretty quickly, because it’s problematic to not do that.”

    That tide may be finally turning. The sheer size of his White Lotus performance, salacious takeaways and headlines aside, leaves a lasting impression on both the viewer and, maybe, the actor himself. A hard one to shake off, you could say. On set some takes could run nearly 10 minutes long as James experimented before the camera with Plaza, Meghann Fahy (who plays Cameron’s wife, Daphne), and the rest of the cast. He got to be funny, which Hollywood hasn’t allowed for quite some time, even though James started out doing Edinburgh Fringe Festival comedy. He’s only seen three episodes as we chat, and is marveling at the bolder acting choices that have made it into White’s final cut. Again, there’s some acquired wisdom there: “You feel a freedom to take big stabs, and if it doesn’t land, it doesn’t land—but you see that the good stuff can land.”

    James is now two weeks into filming The Gentlemen, producing and playing the lead in the new take on Guy Richie’s 2019 hit, reimagined as a Netflix series. This version centers on a soldier who returns home following the death of his father, and becomes part of a kind of landed gentry with his inheritance—albeit with a criminal empire bubbling underneath. James describes the show as a comedy and an action thriller and a social drama rolled into one—a messy, vibrant coalescence of everything the actor has been bringing to the table of late. 

    Is he nervous, then, about how it will be received—either another step forward, or another setback? Certainly he knows that back-and-forth all too well. James responds simply, and like a true industry veteran: “No, no, definitely not. I mean, if you did that, you’d be fucked.”

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    David Canfield

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