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Tag: Disney

  • Download this: Subscribing to digital apps has gotten a lot more expensive

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    The pain of higher prices today isn’t limited to things like food and health care costs. Americans now pay nearly 20% more for TV, music, news and other digital apps than they did in 2020.

    So concludes a recent analysis from DepositAccounts, an online platform owned by LendingTree that allows users to compare bank accounts. Researchers looked at 15 widely used subscription services, ranging from streaming platforms like Hulu and Spotify to online video tool Zoom Pro, to assess how their prices have changed over the last six years.

    Some Americans are pulling the plug. A January survey of 2,000 people by DepositAccounts found that one-third said they had cancelled at least one paid digital subscription in the last six months due to cost.

    On average, subscribers pay for 4.5 services, which amounts to $84 a month, or $1,008 annually, according to a separate analysis by DepositAccounts.

    Big hikes for Disney+ and Apple TV subscribers

    Subscribers to Disney+ are now being charged $18.99 a month for an ad-free plan, more than double what they were paying six years ago, the analysis found. Disney upped the price for the streaming platform’s ad-free tier, while bundling plans with Hulu and ESPN, in September 2025.

    Apple TV subscription costs have also surged, with the cost of a standard plan for the online video service jumping 108% from 2020 when adjusted for inflation, according to DespoitAccounts. 

    Streaming now accounts for the largest share of TV viewership, at around 48%, outpacing broadcast and cable, according to Nielsen.

    Not all digital platforms have gotten pricier. For example, subscription costs for Apple’s iCloud storage platform are down nearly 20% since 2020, while Apple Music prices have sunk more than 12%, according to DepositAccounts.

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  • Couple flies Allegiant to Disney World. They have a trick for getting around the ‘one carry-on’ policy—without paying bag fees. Here’s how

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    A couple took an Allegiant Air flight to Disney World. So, they shared one amazing trick to take on an “extra carry-on” onboard. 

    TikToker Delusional Disney Dad (@delusionaldisneydad) mentioned that his wife discovered a secret way to bring some extra clothing, snacks, and items onto their flight. The key? Bringing a diaper bag onboard.

    “ Allegiant does say that you can have a diaper bag that flies for free for kids in diapers,” the man said. “My youngest is four. He’s been diaper-free for a while now.  Guess who’s packing a diaper bag?”

    The family also packed a medical bag despite not having any notable medical issues. Then, they stretched their “single” carry-on into three additional items that made it significantly easier to handle a long-term trip.

    The tips, which he described in a video with over 1,290 views, save families money by avoiding some pesky carry-on fees. The TikToker specifically packed a ‘diaper bag’ full of goodies to save money for the family’s February Disney World trip, which left a huge, Mickey-sized gap in their discretionary spending. But, it left some commenters wondering whether the advice could translate to other airlines and situations. 

    What is Allegiant’s carry-on policy?

    Allegiant Air has some notable restrictions compared to other airlines, but they do have some lax points that can allow customers to bring extra items onboard. They allow one free carry-on item per customer, plus any necessary medical supplies and devices. Coats, umbrellas, and other small items can come onboard without being checked as a “personal item” or carry-on. 

    They allow families to bring one free diaper bag per paying customer, with the caveat that flight attendants can ask about “the nature” of the bag at any time during travel. So, they technically allow families and those with medical needs to bring on a few additional bags, just as the Delusional Disney Dad described. 

    Every passenger has the right to bring one carry-on bag onboard, but they have to pay for it. There are no free carry-on bags on Allegiant Air flights. Additionally, customers can check up to four bags per passenger, which are available for pre-purchase. 

    Which airlines allow customers to bring on a free diaper bag?

    There are other airlines that allow customers to bring on free diaper bags. For instance, American Airlines has a policy that doesn’t count a diaper bag as a “personal item.” 

    Spirit Airlines has a specific rule that only children under two get that free diaper bag, but it still allows customers to bring one on without it counting as a personal item.

    Even Frontier Airlines, a group notorious for being stingy with personal items, allows customers to bring on a diaper bag that isn’t counted as a carry-on

    What about medical bags?

    Most major airlines follow federal accessibility laws and therefore allow customers to bring on a medical bag if needed. That’s because the U.S. The Department of Transportation explicitly requires that airlines allow passengers to bring on medically necessary devices and equipment with no additional fees. 

    It’s worth noting that airline officials can check bags at any time to ensure they are actually medically necessary.

    The Delusional Disney Dad’s family, at the very least, packed actual medical items inside their medical bag like “ Band-Aids, sunscreens, hand sanitizer, [a] tiny thermometer,” and Tylenol.

    Plus, the Delusional Disney Dad seemingly recommends keeping discussions of potential “extra carry-ons” hacks as hypothetical, especially when boarding a flight with any given airline. He even stated, “ If Allegiant is watching, hypothetical, all of this was hypothetical. Please don’t come for me.”

    Why do families feel the need to work the system?

    In recent history, some airlines have become more and more stringent with personal items and carry-ons. Take Frontier, for example, an airline that has a literal, proven history of paying gate agents to add additional fees for personal items. 

    With that in mind, passengers can feel stuck in an “us versus them” mentality. When packing for a trip and needing a large amount of carry-ons, it can help to not be saddled with hundreds of extra dollars in baggage fees. 

    So, the Delusional Disney Dad’s strategy of splitting up personal carry-ons into multiple bags and taking carry-ons for additional vacation items, especially when airlines are trying to save money on items, can save some costs. Commenters also recommended other (theoretically more ethical) strategies like vacuum sealing items inside personal carry-ons to save space, or other airlines that had more complimentary services that made it easier to fly for big trips. 

    @delusionaldisneydad Allegiant rules are very clear. My wife is even clearer. And somehow it’s my responsibility to make it all work for our Disney trip next month. ✈️?? @Walt Disney World @Disney Parks #waltdisneyworld #allegiantair #disneyinfluencer #disneyadult #disneymath ♬ Old Disney Swing Jazz – Nico

    The Mary Sue has reached out to Allegiant Air via email and The Delusional Disney Dad via TikTok direct message for comment.

    Have a tip we should know? [email protected]

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    Rachel Thomas

    Rachel Joy Thomas is a music journalist, freelance writer, and hopeful author who resides in Los Angeles, CA. You can email her at [email protected].

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  • What is Seedance and why does it have Hollywood spooked? – Tech Digest

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    Seedance 2.0. Image: https://www.youtube.com/watch?v=KUKpIVaU12A

    In February 2026, the release of Seedance 2.0 marked a significant shift in the generative AI landscape.

    Developed by ByteDance, the model has gained international attention for its ability to generate high-fidelity video content that challenges traditional production methods. Its arrival has prompted immediate reactions from major media organizations and industry bodies regarding copyright and the protection of digital likeness.

    What is it and who developed it?

    Seedance is a generative AI video model developed by the Chinese technology giant ByteDance, the parent company of TikTok. The 2.0 version, launched in early 2026, is an evolution of ByteDance’s “Seed” ecosystem of foundation models. It is currently integrated into ByteDance’s creative suite, including Jianying, the Chinese counterpart to the video-editing app CapCut.

    What are its technical capabilities?

    Seedance 2.0 is capable of generating hyper-realistic video clips up to 15 seconds long. Unlike previous models that relied solely on text-to-video, this model utilizes a multimodal “@ reference system.” This allows creators to provide specific anchors for the AI to follow, including:

    • Face Reference: Users can upload a photo to ensure a character’s face remains consistent across different scenes.

    • Motion Reference: A separate video can be used to dictate specific choreography or physical movements.

    • Audio Integration: The AI can synchronize visual movements with provided audio tracks.

    By using these specific references, the tool solves the “consistency problem” that previously plagued AI video, where characters’ features would often drift or change between frames.

    Why is the film industry concerned?

    The primary concern for the film industry is the precision with which Seedance can replicate the likeness of established actors. Shortly after its launch, a viral video surfaced showing Tom Cruise and Brad Pitt in a cinematic sequence. The realism of these “digital twins” was high enough to spark a swift response from industry unions and advocacy groups.

    Legal and Ethical Issues:

    • Consent and Likeness: Labour union SAG-AFTRA has raised alarms over the ease with which the tool can infringe on an actor’s right of publicity. The union argues that the ability to generate a performance without the actor’s physical presence or consent threatens the livelihood of human performers.

    • Copyright Infringement: The Motion Picture Association (MPA), representing studios like Disney and Paramount, has alleged that ByteDance likely trained the model on vast amounts of copyrighted film and television content without authorization. Legal representatives for Disney and Paramount have reportedly issued cease-and-desist notices to address these training data concerns.

    What is the broader impact?

    The tension surrounding Seedance 2.0 highlights the widening gap between rapid technological advances and existing legal frameworks. While ByteDance has stated it intends to implement safeguards and respect intellectual property, the efficiency of the tool is undeniable.

    Production analysts estimate that while a traditional visual effects shot can cost thousands of dollars, a Seedance-generated clip costs less than a dollar. This economic shift, combined with the technical ability to maintain character consistency, is forcing a fundamental reassessment of how digital content is protected and produced globally.

    Disney threatens ByteDance with legal action over AI tool, Four new astronauts arrive at the ISS


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  • Bath & Body Works’ Second Disney Princess Collection Is Live—Here’s Which Soaps, Lotions, & Fragrances Are on Sale

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    All products and services featured are independently chosen by editors. However, StyleCaster may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

    Bath & Body Works is no stranger to cool collabs, and 2025 brought plenty of them. Because its Disney princess and villain lines were such a hit, the household name is giving the fans what they want: another Disney princess collection. And lucky for you, this year’s is even bigger and better.

    Shop the Bath & Body Works Disney Princess Collection

    Bath & Body Works’ 2025 Disney Princess Collection featured 85 items centered around six characters: Ariel, Belle, Cinderella, Jasmine, Moana, and Tiana. This year’s lineup offers slightly more products in five new fragrances and two returning scents. Additionally, the packaging and collectible items have leveled up since the first batch (think a music box and coin purse). Basically, Bath & Body and Disney really outdid themselves on this collab.

    “Disney Princess is a powerful global brand grounded in timeless stories, iconic characters, and values that resonate across generations,” said Liz Shortreed, senior vice president of Disney Consumer Products, in a press release. “Through our collaboration with Bath & Body Works, we’re bringing those core elements to life, translating the distinct spirit of each Princess into fragrances and designs fans can enjoy every day.”

    I’ve done the hard part of gathering all of the must-know details, like dates, product offerings, and deals, below. But now, it’s time for you to do the easy part: shop! Whether you’re a Disney enthusiast or just need a scent refresh, act fast to score this enchanting collection before it’s gone.

    Two photos of products from the Bath & Body Works Disney Princess Collection 2026
    Bath & Body Works.

    When does the Bath & Body Works Disney Princess collection launch?

    Fans first learned about the Bath & Body Works Princess Collection on February 11, 2026 at 9 a.m. ET. Rewards members got exclusive early access to select products from the Disney Princess Collection, including the full Life’s a Fairytale assortment (fine fragrance mist,  body cream, Keepsake Music Box, PocketBac holder, etc.), a three-wick candle pedestal, and a mini fine fragrance mist gift set through the Bath & Body Works app. Everyone else could start shopping the special collection starting on February 13, 2026, both online and in stores.

    What fragrances are in the Bath & Body Works Disney Princess Collection?

    The collection stars five brand-new fragrances inspired by Disney princesses. Expect a lot of floral, fruity, and woody notes across the board.

    Here’s a full list of the new scents:

    • Aurora smells like rose petals and sandalwood
    • Mulan smells like magnolia blossom and apricot
    • Rapunzel smells like sundrop flowers, nectar, and golden musk
    • Snow White smells like red apples, ripened fruits, and woods
    • Life’s a Fairytale smells like berries, floral notes, and woods

    Here’s a full list of the returning scents:

    • Belle smells like rose petals, sparkling buttercup, and whipped vanilla
    • Tiana smells like water lily, amber, and woods

    What’s included in the Bath & Body Works Disney Princess collection?

    Bath & Body Works and Disney went all out with the Disney Princess Collection, as it includes a whopping 92 products. The selection features body washes and creams, hand soaps and sanitizers, fine fragrance mists, lip glosses, candles, and decorative accessories.

    The collection additionally offers collectible items—six, to be exact. Check out the Life’s a Fairytale Keepsake Music Box, Gold All Princess Backpack, Castle Three-Wick Pedestal, Aurora Three-Wick Pedestal, Rapunzel Coin Purse, and Mulan Wallflowers Diffuser if you’re a huge Disney fan and want to use this collaboration beyond your bathroom.

    Left: a model spraying a Bath & Body Works Disney Princess Collection Tiana fragrance mist; Right: a Bath & Body Works Disney Princess Collection Snow White candle
    Bath & Body Works.

    How much does the Bath & Body Works Princess Collection cost?

    Prices range from $2 (hand sanitizer) to $125 (candle pedestal). However, Bath & Body Works products typically won’t cost you more than $20 for the standard items (i.e., hand soaps, candles, and body care). The collectible items mentioned above will likely ring you up for a bit more.

    Is the Bath & Body Works Disney Princess Collection on sale?

    Bath & Body Works almost always has discounts running, even on special collections like this one. Head to the Offers page to see every promotion you can take advantage of right this second. I’ve also indicated, below, which products from the collaboration are marked down at the moment (a lot of items are up for mix-and-match promos!).

    What are the benefits of a Bath & Body Works rewards membership?

    Members can earn points ($1 = 10 points) to later redeem them for products, get annual birthday presents, and score exclusive access to events, products, and deals. Additionally, all new rewards members get $10 off a $30 purchase within the first 30 days.

    Sign Up for a Bath & Body Works Rewards Membership

    Three photos of products from the Bath & Body Works Disney Princess Collection 2026, taken by Gina Vaynshteyn
    Gina Vaynshteyn.

    Our Honest Thoughts on the Bath & Body Works Disney Princess Collection

    StyleCaster’s editorial director, Gina Vaynshteyn, received a mailer for this collection from the brand. “This Bath & Body Works collection is so magical and fun! I gave most of it to my toddler, who loves the Snow White ‘night light’ (Wallflower) and the Life’s a Fairytale candle that we put in a Beauty and the Beast lamp holder,” she says. “I’ve been stealing some of the products from her, though—like the Mulan shimmer mist smells too good and looks too pretty to not use myself.”

    Shop the Bath & Body Works Disney Princess Collection Now

    Aurora (New)

    Notes: rose petals and sandalwood

    Aurora Fine Fragrance Mist

    Promotion: Buy 3, Get 1 FREE All Full-Size Body, Skin & Hair Care

    The best part of Bath & Body Works’ fine fragrance mists is that you can wear them alone or layer them with other scents. This one will leave behind sweet traces of rose and sandalwood.


    Aurora Ultimate Hydration Body Cream

    Promotion: Buy 3, Get 1 FREE All Full-Size Body, Skin & Hair Care

    Struggling with dry skin this winter? Meet the Ultimate Hydration Body Cream. The formula includes shea butter and hyaluronic acid to give your skin instant moisture.

    Mulan (New)

    Notes: magnolia blossom and apricot

    Mulan Gentle & Clean Foaming Hand Soap

    Promotion: 5 for $27 hand soaps

    The vitamin E, shea extract, and aloe in this hand soap are bacteria-fighting warriors. They give your paws a good cleanse (don’t forget to wash thoroughly for 20 seconds!), while the fragrance will scent them with floral, fresh, and fruity notes.


    Bath & Body Works sure does know how to make a quality candle. This jar burns for up to 45 hours, is made from a soy-wax blend, and features lead-free wicks—all for just $25!

    Rapunzel (New)

    Notes: sundrop flowers, nectar, and golden musk

    Rapunzel Body Wash

    Promotion: Buy 3, Get 1 FREE All Full-Size Body, Skin & Hair Care

    Transport yourself to the kingdom of Corona with the help of this Rapunzel-themed body wash. The bubble lather calls on pro-vitamin B5 and aloe to nourish your skin without drying it out. The icing on the cake is its sundrop flowers, nectar, and golden musk aroma—so enchanting!


    Rapunzel Pedestal 3-Wick Candle Holder

    What’s better than a Rapunzel candle? A Rapunzel candle that you can rest on top of a pedestal that resembles the princess’ secluded tower. This accessory will add the cutest flair to your space.

    Snow White (New)

    Notes: red apples, ripened fruits, and woods

    Snow White PocketBac Hand Sanitizer

    Promotion: 6 for $10 single PocketBac hand sanitizers

    Sick season isn’t over yet. Fight 99.9% of germs with the Snow White PocketBac Hand Sanitizer. that comes in adorable, blue, travel-friendly packaging.


    Snow White Wallflowers Fragrance Refill

    Promotion: 5 for $28 Wallflowers fragrance refills

    You can make your home smell like happily ever after, thanks to this wallflower refill. It’s fruity and woodsy and can last for up to 30 days. With the five for $28 promotion, you’d be smart to stock up on a bunch of refills ASAP.

    Life’s a Fairytale (New)

    Notes: berries, floral notes, and woods

    Life’s a Fairytale Lip Gloss

    Promotion: Buy 3, Get 1 FREE Travel, Hand & Lip Care

    Swipe on this nourishing, berry-flavored lip gloss so that your pout is always ready for a kiss from your Prince Charming.


    Life’s a Fairytale Travel Size Fine Fragrance Mist

    Promotion: Buy 3, Get 1 FREE Travel, Hand & Lip Care

    If you’re an avid traveler, don’t forget to pack this miniature fragrance mist in the Life’s a Fairytale scent. The aroma combines a little from each princess in the collection to create a berry, floral, and woods-heavy fragrance that’ll no doubt give you a happy ending.

    Belle

    Notes: rose petals, sparkling buttercup, and whipped vanilla

    This candle’s charming, gold packaging is just too pretty to not display in every room in your home.


    Belle Gentle & Clean Foaming Hand Soap

    Promotion: 5 for $27 hand soaps

    Your hands will smell so sweet and floral after rinsing them with this foaming soap.

    Tiana

    Notes: water lily, amber, and woods

    Tiana Fine Fragrance Mist

    Promotion: Buy 3, Get 1 FREE All Full-Size Body, Skin & Hair Care

    A single spritz of this mist and you might just start to feel like Tiana, singing, dancing, and spreading joy wherever you go.


    Tiana Ultimate Hydration Body Cream

    Promotion: Buy 3, Get 1 FREE All Full-Size Body, Skin & Hair Care

    Want to know what Princess Tiana smells like? Slather your body in this amber, water lily, and woods-scented cream.

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    Katie Decker-Jacoby

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  • Disney threatens ByteDance with legal action over AI tool, Four new astronauts arrive at the ISS – Tech Digest

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    Disney has the rights to Marvel characters such as Spider-Man (above). Image: Marvel

    Chinese technology giant ByteDance has pledged to curb a controversial artificial intelligence (AI) video-making tool, following threats of legal action from Disney and complaints from other entertainment giants. In the last few days, videos made using the latest version of the app Seedance have proliferated online. Many have been lauded for their realism. But the trend has also sparked alarm from several Hollywood studios that have accused the AI platform’s makers of copyright infringement. On Friday, Disney sent a cease-and-desist letter to ByteDance accusing it of supplying Seedance with a “pirated library” of the studio’s copyrighted characters, including those from Marvel and Star Wars. BBC 

    Google is putting people at risk of harm by downplaying safety warnings that its AI-generated medical advice may be wrong. When answering queries about sensitive topics such as health, the company says its AI Overviews, which appear above search results, prompt users to seek professional help, rather than relying solely on its summaries. “AI Overviews will inform people when it’s important to seek out expert advice or to verify the information presented,” Google has said. But the Guardian found the company does not include any such disclaimers when users are first presented with medical advice. Guardian 

    Andrei Fedyaev, Jack Hathaway, Jessica Meir and France’s Sophie Adenot (left to right front row), with Sergey Kud-Sverchkov, Christopher Will and and Sergei Mikayev behind. Pic: NASA

    Four new astronauts have arrived at the International Space Station to replace their colleagues who pulled out early over health concerns. SpaceX delivered the US, French and Russian astronauts to the orbital research laboratory 277 miles (446km) up in space, a day after they launched from Cape Canaveral. The new crew members include NASA‘s Jessica Meir and Jack Hathaway, France’s Sophie Adenot and Russia’s Andrey Fedyaev. The last group of astronauts were forced to evacuate after one of them suffered what officials described as a serious health issue. Sky News 

    A stock market crash triggered by fears around artificial intelligence (AI) has derailed the £575m takeover of a British company. Shares in Pinewood AI, which is listed as Pinewood Technologies, fell by 30pc on Monday after private equity firm Apax said it no longer planned to make a bid for the software provider. Apax said it had pulled out of talks owing to “prevailing challenging market conditions”, a reference to the widespread slump in software stocks in recent weeks. Telegraph 

    As a trillion-dollar company with one of the most recognizable brands in the world, I don’t think Apple has a lot to worry about. But when I looked at the results of a recent poll I ran, asking you, dear readers, if you use Apple Intelligence, the results made me grunt an ‘ooph’. That’s because a hefty 96% of respondents selected the ‘Nope, it’s not for me’ option, leaving a mere 4% to select ‘Yes, it’s pretty good’ as a response. TechRadar 

    Apple’s iOS 27 update will prioritize cleaning up the operating system’s internals, with engineers making changes that could result in better battery life, according to Bloomberg‘s Mark Gurman.

    iOS 27 Mock Quick
    The effort is said to be similar to what Apple did with its Snow Leopard Mac update years ago, and will involve removing old code, rewriting existing features, and subtly upgrading apps to improve their performance. The result should hopefully be a “snappier, more responsive” OS, says Gurman. Apple is also reportedly planning some interface tweaks, but nothing as dramatic as the Liquid Glass overhaul introduced with iOS 26, which will likely comfort some users.

     


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  • Paramount Latest Studio To Hit ByteDance With Cease And Desist Letter Over AI Models

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    Paramount Skydance has joined Disney as the latest Hollywood studio to slam ByteDance over AI models Seedance and Seedream that it says are ripping off intellectual property and must stop.

    “We insist that ByteDance immediately take all necessary steps to (i) prevent violations of our intellectual property rights by ensuring that our content is not used or created by ByteDance or the Seed Platforms going forward, and (ii) remove all infringing instances of Paramount’s content from ByteDance’s platforms and systems,” the David Ellison company’s attorney wrote in a cease and desist letter to Beijing-based ByteDance CEO Liang Rubo.

    The missive was viewed by Deadline.

    “ByteDance markets the Seed Platforms as image and video generation tools that facilitate the creation and dissemination of visual and audiovisual content by their users in response to searches and prompts. However, much of the content that the Seed Platforms produce contains vivid depictions of Paramount’s famous and iconic franchises and characters, which are protected under copyright law, trademark law, and the law of unfair competition (among other doctrines),” Par wrote, ticking off South Park, SpongeBob SquarePants, Star Trek, Teenage Mutant Ninja Turtles, The Godfather, Dora the Explorer, and Avatar: The Last Airbender as just some of the properties that have been repeatedly infringed by the Seed Platforms in images and videos.

    Par also called it self-evident “that our company’s intellectual property was used to train the models that underlie these tools. Such training was also done without our consent and is a violation of the law. To be very clear, Paramount strongly objects to the use of our legally protected works in any of the manners described above—both as inputs trained upon by these types of models and as works that are created by them—without our express authorization.”

    Amid a rising tide of angst over the Seed platforms, especially video generated by the new Seedance 2.0, Disney Friday sent a cease and desist letter for IP infringement of properties from Star Wars to Marvel to Family Guy.

    The Motion Picture Association and, the Human Artistry Campaign issued statements last week slamming ByteDance.

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  • Disney Sends ByteDance an AI Trophy in the Form of a Cease and Desist Letter Over Seedance 2.0

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    When a company releases a new AI model, it’s become customary for it to make a splash by pissing off an intellectual property owner or some other entity speaking up on behalf of copyrights, preferably spurring some form of legal action or warning.

    OpenAI’s ChatGPT has been the target of lawsuits galore—most famously from the New York Times. Stability was sued, largely unsuccessfully by a consortium of image copyright holders in the UK. OpenAI received a note from Japan when Sora 2 was released, asking it to refrain from what it considers the infringement of anime and manga copyrights. Suno and Udio were at one point targeted by music publishers over alleged copyright violations. There are countless other examples, each with its own allegations and accusations.

    Now apparently it’s ByteDance’s turn. The splashiest new AI model of the past few weeks, in case you haven’t heard, is ByteDance’s Seedance 2.0, which is sort of like Sora 2, except the slop videos it makes are a little less embarrassing to watch.

     

    Seedance 2.0 appears to be pretty versatile, but viral early prompts suggest that users especially like it for its fake ads, frequently starring someone who appears to have the face of Bob Odenkirk for some reason, and for what appear to be little 15-second John Wick movies, except the prompter can insert seemingly anyone they want in place of John Wick, such as (apparently) Harry Potter, or Thanos, or RoboCop.

    As a non-expert and non-lawyer myself, this is just what very much appears to be the case, and I’m not claiming with certainty that anyone is infringing on anything.

    But with that in mind, I’d like to extend my congratulations to TikTok’s original parent company ByteDance on the occasion of its viral AI model! The prize for this accomplishment is a high-profile cease-and-desist letter, in this case from Disney.

    The letter, which was viewed by Axios and reported on Friday afternoon, says Seedance 2.0 comes “with a pirated library of Disney’s copyrighted characters from Star Wars, Marvel, and other Disney franchises, as if Disney’s coveted intellectual property were free public domain clip art.” Characters named in the letter include Baby Yoda, Peter Griffin, Spider-Man, and Darth Vader.

    The letter on behalf of Disney, attributed to an outside lawyer named David Singer, claims “ByteDance is hijacking Disney’s characters by reproducing, distributing, and creating derivative works featuring those characters. ByteDance’s virtual smash-and-grab of Disney’s IP is willful, pervasive, and totally unacceptable.”

    Disney, of course, entered into a content partnership about two months ago with OpenAI, not ByteDance, meaning Disney IP is not free public domain clip art, but highly prized and exclusive clip art. Under the terms of the agreement, OpenAI has explained that Sora will be able to be used “to generate short, user-prompted social videos that can be viewed and shared by fans, drawing from a set of more than 200 animated, masked and creature characters from Disney, Marvel, Pixar and Star Wars.”

    At the moment, judging from my own tests, this partnership has not yet been integrated into the Sora product, because Disney characters appeared to be blocked by the app. OpenAI’s page about the Disney deal says Disney implementation should be expected in early 2026.

    Disney is far from alone in making a deal like this. Last year, Universal Music Group, for instance, settled a lawsuit against the AI music generator Udio, and created a music-generation partnership in the process. A few weeks later Warner Music Group did the same thing.  

    But the message that can be gleaned from these cease-and-desists and lawsuits in the context of eventual deals with AI companies appears to be that companies do not so much disapprove of AI being used at will by random internet users to generate content involving their precious intellectual property without concern for artistic merit. It would seem from their actions that the AI should be used at will by random internet users to generate content involving its precious intellectual property without concern for artistic merit only as long as the copyright holders can get their beaks wet.

    It’s not clear how legally compatible the OpenAI-Disney deal would be with any hypothetical future partnership between Disney and ByteDance, but if contract law prevents such a thing, maybe ByteDance will have to settle for an agreement that makes Seedance 2.0 the exclusive slop video generator of Universal-affiliated intellectual property such as Minions and the Fast & Furious cinematic universe.  

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    Mike Pearl

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  • Disney accuses ByteDance of ‘virtual smash-and-grab’ when using copyrighted works to train its AI

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    Disney is going after another generative AI tool, accusing ByteDance and its recently released Seedance 2.0 of using its copyrighted material without permission. As first reported on by Axios, the Walt Disney Company sent a cease-and-desist letter to ByteDance, claiming the Chinese company developed its Seedance tool “with a pirated library of Disney’s copyrighted characters from Star Wars, Marvel, and other Disney franchises, as if Disney’s coveted intellectual property were free public domain clip art.”

    The letter, which was obtained by Axios, included examples of Seedance videos featuring copyrighted Disney characters, including Spider-Man, Darth Vader, Peter Griffin and more. Even though ByteDance just released Seedance 2.0 on Thursday, it’s already earned praise, but also indignation from Hollywood studios, when it comes to its AI-generating capabilities.

    With the strong early momentum, Seedance has already found itself in hot water with one of the largest media companies in the world. However, it’s not the first time that Disney has threatened legal action against an AI company, since Character.AI received a cease-and-desist letter for the same offense in September. A few months later, Disney even accused Google of copyright infringement when training its AI models. On the other hand, Disney partnered with OpenAI in a three-year licensing agreement that allows the AI giant to generate images and videos using that highly sought-after intellectual property.

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    Jackson Chen

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  • Disney+ loses access to Dolby Vision in some European countries

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    Disney+ subscribers in some European countries have lost access to advanced HDR features like Dolby Vision, TechRadar and FlatpanelsHD report. The issue was first spotted by German Disney+ subscribers on Reddit, but currently also impacts subscribers in Portugal, Poland, France and the Netherlands, according to FlatpanelsHD.

    “Dolby Vision support for content on Disney+ is currently unavailable in several European countries due to technical challenges,” Disney said in a statement. “We are actively working to restore access to Dolby Vision and will provide an update as soon as possible. 4K UHD and HDR support remain available on supported devices.”

    If the issue is in fact a technical one, it seems like it could be around for the long-term. Disney has removed any reference to Dolby Vision from its Disney+ video quality support page in Germany. As of now, the company lists HDR10 as its default HDR format, despite Dolby Vision support being a feature of Disney+ for several years now.

    FlatpanelsHD writes that the real issue might be legal, rather than technological. A company called InterDigital won an injunction in a German court against Disney in November 2025 because it violated at least one of the company’s patents on streaming video technology. The injunction specifically requires Disney to stop violating InterDigital’s patent on “a method for dynamically overlaying a first video stream with a second video stream comprising, for example, subtitles.” It’s not entirely clear how that plays into the company offering Dolby Vision in Europe, but it would explain why subscribers in Germany were some of the first people to notice Dolby Vision’s absence.

    Engadget has contacted Disney for more information about Disney+’s missing HDR support and whether InterDigital’s injunction played a role. We’ll update this article if we hear back.

    Mentions of Dolby Vision were also stripped out of the US version of Disney+’s video quality support page. InterDigital hasn’t won an injunction in the US, but the company is pursuing a patent case against Disney in the United States District Court for the Central District of California. That doesn’t necessarily mean Dolby Vision support will be taken from US subscribers next, but it does suggest there’s more happening here than just technical challenges.

    Update, February 6, 3:44PM ET: The original version of this article included mention of Disney+ losing HDR10+ support in Europe, but Disney says it never offered HDR10+ in that region. The article has been updated accordingly.

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    Ian Carlos Campbell

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  • Disney’s New CEO Already Has Parks Fans Worried

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    An emphasis on microtransactions and questionable cost cutting are among their concerns.
    Photo: Handout/Getty Images

    You can exhale now, Bob Iger. This week, Disney named Josh D’Amaro as its next CEO, and he will be taking the Mickey mantle in March. As we noted earlier this week, the future head of a multibillion-dollar company making TV shows and movies has “no real experience making TV shows and movies.” He has, however, worked at Disney for 28 years, most recently as chairman of Disney Experiences, so in some ways, D’Amaro is Mister Experience. Crowning the guy who runs Disney’s theme parks, cruise ships, and hotels to head the entire company telegraphs how the megacorporation envisions its future; it is one of the last major Hollywood studios, but it might see other arms of its business as bigger priorities. You would think theme-park heads would welcome the news, but on Reddit and Twitter, Disney adults are raising concerns. If D’Amaro is going to run the Studios the way he runs the Parks, then it’s worth looking into why, exactly, fans of Disney World and Disneyland might be upset.

    For decades, Disney Parks’ FastPass system was free to all theme-park guests, allowing them to nab passes (first paper, then digital) to wait in shorter lines for rides and attractions. It was a perk available to all who could get past the learning curve. In 2021, one year into D’Amaro’s tenure and following COVID shutdowns, Disney did away with FastPass and introduced a confounding and very costly series of pay-to-skip passes, which require timing advanced booking of limited slots in these formerly free-to-enter shorter lines. Lightning Lane Multi Passes, for example, can cost over $40 a day to skip the lines on certain attractions sorted into different tiers, excluding the best and busiest ones, which will require a Lightning Lane Single Pass (those range from $12 to over $20 per attraction). If the thought of staring at your phone all day at Disneyland, frantically booking ride slots like you’re using Resy, sounds horrible, you can now also buy a Lightning Lane Premiere Pass, which ranges from $129 to $449, per person, per day, plus tax, on top of your park tickets. On the busiest days, such as holidays, at the most popular parks like the Magic Kingdom and Disneyland, these baseline tickets can now cost over $200.

    Now imagine doing this for a family of four on a three-day vacation. And imagine how expensive that vacation already is, as over the past few years, Disney has stripped away additional perks like the airport bus service and extended park hours, in favor of more points of purchase and labor-cost savings. The emphasis on microtransactions makes it so that the wealthy can afford to skip lines, creates hours-long waits for everyone else, and incentivizes even more people to pay up out of desperation and to make their limited time in the parks “worth it.” Defunctland has a brilliant video about how this experience is ruining theme parks for visitors, although it’s clear to see why Disney loves this model. Could D’Amaro be planning to apply these extractive pricing strategies to more products at the company? It’s not a stretch to imagine Disney+ adding an upcharge to stream Andor during “peak hours” or something.

    Last year, Disney made the decision to tear down Jim Henson’s final completed work, a testament to the American pioneer’s humor and innovation, Muppet*Vision 3D, to replace it with a Monsters, Inc.–themed ride, despite there being so much underused space in that particular theme park, Disney’s Hollywood Studios. D’Amaro has since voiced his commitment to the Muppets, but it will be hard to overcome him overseeing this moment of betrayal to the Muppet community. The past few years have seen Imagineers’ artistic vision and thematic cohesion stripped away from parks like Epcot and Animal Kingdom in the name of making room for more profitable IP, in less thoughtfully executed attractions. Along the way, Disney’s attention to detail and historic trust in Imagineers like Joe Rhode has been decimated, and does not bode well for how much free rein Disney will or will not allow its creatives across divisions.

    Whatever kind of slump you think the Marvel Cinematic Universe is in, Marvel’s Disneyland Universe has it worse. Under D’Amaro, Disney opened Avengers Campus in Disney’s California Adventure, and it is the sorriest concrete wasteland ever seen in a theme park: It demonstrates a callous cost-cutting approach in how Disney builds new major projects from the ground up — slapping logos on architecture that resembles an industrial business park. Under D’Amaro’s tenure, it wasn’t about creating a delightful atmosphere so long as the profitable IP was represented in the most perfunctory way possible. You can see the same turn away from ambition and whimsy in the newest Disney Resort hotels and in sad, airport Holiday Inn–level renovations of their existing hotels, compared to the mad creativity and beauty of the Michael Eisner era.

    To be fair, D’Amaro is not single-handedly responsible for any of these Disney Parks’ problems. But it is hard to point to particularly amazing things that have happened in Disney Experiences under his reign: The two new coasters that have opened in Walt Disney World in the past five years are excellent additions, and they’ve vastly expanded the cruise-ship fleet, if that’s your speed. But do those wins say anything about how he will run such a vast entertainment company?

    He did get Michael Eisner’s seal of approval, as the Old Master declared D’Amaro to be a “wise pick” and cautioned him to “keep close the words of Walt Disney: ‘We love to entertain kings and queens, but the vital thing to remember is this — every guest receives the VIP treatment.’” I will take that as subtle Lightning Lane shade. Eisner also points at the promotion of Dana Walden to president and chief creative officer as great news for the company. If the new CEO and his leadership can heed this advice, maybe the future of Disney still holds a great, big, beautiful D’Amaro.

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    Rebecca Alter

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  • How New Disney CEO Josh D’Amaro Won Bob Iger’s Heart

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    For the last few years, the question of who would succeed Bob Iger hovered over Disney. Entertainment executive Dana Walden’s decades-long career in television, her reputation as a talent-whisperer, and her close relationship with Iger made her the obvious choice from Hollywood’s perspective: “The word about succession is that it’s all Dana all the time,” a top agent told VF in 2024. Her biggest competition was Josh D’Amaro, the silver-haired head of Disney’s parks and resorts division, who had a devoted following inside and outside the company. When he showed up at Disney theme parks, visitors often lined up to meet him.

    The company finally ended its executive bake-off Tuesday with the announcement of D’Amaro as its new CEO. Disney shied away from the historic choice of appointing a first woman to top the company, though a new position was created for Walden: She’s been named President and Chief Creative Officer, giving her oversight of both film and television at Disney.

    “Reading the tea leaves for at least the past six months or so, there was a sense that Josh was out in front,” says a veteran Hollywood producer who has worked with Disney. “If you want the most experienced executive in a tumultuous financial environment that’ll give confidence to Wall Street, then Josh is your guy.”

    D’Amaro’s appointment might shock those who remember the disastrous, short, and disastrously short tenure of another former parks chief—Bob Chapek—whom Iger handpicked to be his successor in 2020. Among other things, Chapek enraged Hollywood talent by messing with Scarlett Johansson over her Black Widow contract and pissed off a sizeable proportion of Disney fans by flip-flopping on Florida’s “Don’t Say Gay” bill.

    Things got so bad that Iger raced back to the boardroom in 2022 to clean up the mess, spending the next four years deliberating on the best choice to take the company forward into a complicated future. He offered ongoing guidance to his top candidates, who were said to be educating themselves on all elements of the business.

    Walden seemed perfectly placed as Iger’s protege. They both rose through the ranks of the television business, lived near to each other in LA’s Brentwood neighborhood, and were often spotted taking walks together. Walden was riding particularly high in 2024: that’s when she lured her good friend Ryan Murphy to Disney from Netflix, a streaming era coup. (“Dana, like Bob [Iger], is a real star,” Murphy told me back then.”When they walk into a room, the energy changes.”) And it looked like Kamala Harris, Walden’s pal for more than 30 years, might become president, giving her a hotline to the White House.

    Of course, Trump won the presidency instead—and soon, the vibe shifted heavily in D’Amaro’s favor. After paying $15 million to settle a defamation case brought against ABC by Trump, yanking a trans storyline from a Pixar streaming series, and fighting a high-stakes battle over Jimmy Kimmel and free speech, Disney seemed eager to remove itself from the crosshairs of the culture wars and the current administration. Perhaps 2026 suddenly didn’t feel like good timing for the company’s first female CEO.

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    Joy Press

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  • Disney names parks chief Josh D’Amaro to succeed CEO Bob Iger

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    The Walt Disney Co. named parks chief Josh D’Amaro to succeed Bob Iger as CEO of the entertainment company.

    D’Amaro, who currently oversees Disney’s theme parks and dozens of its resort hotels, will take the helm of the company on March 18, 2026, the company said Tuesday. He will lead a company with $36 billion in annual revenue and around 185,000 employees worldwide, at a time when it is struggling to attract foreign visitors to its theme parks.

    The decision on Disney’s next CEO comes nearly four years after Iger returned to the company following the departure of his previous successor, Bob Chapek, after a period marked by clashes, missteps and weaker financial performance. 

    When he returned as CEO in 2022, Iger was tasked with cutting costs and restructuring Disney’s business to revive the company’s finances. Part of that effort included slashing 7,000 jobs in 2023, about 3% of the media and entertainment company’s global workforce.

    “We won’t have the same drama we had last time, that I can assure you,” Disney Chairman James Gorman said Tuesday in an interview on CNBC.

    Disney formed a succession planning committee in 2023 to explore and vet candidates to replace Iger.

    In Tuesday’s statement, Iger said that D’Amaro has “an instinctive appreciation of the Disney brand, and a deep understanding of what resonates with our audiences.” 

    D’Amaro, 54, has held multiple roles at Disney since joining the company in 1998, including in finance, business strategy, marketing, creative development and operations. 

    D’Amaro served as president of Walt Disney World Resort before stepping in as chairman of Disney Experiences in 2020, spearheading efforts at the company’s theme parks, cruises and resorts division. He is also in charge of Disney’s licensing business, which includes its partnership with Epic Games.

    In addition to D’Amaro’s appointment, Disney said Tuesday it is tapping Dana Walden, the co-chairman of Disney Entertainment, to serve as president and chief creative officer of Disney, effective March 18. 

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  • Disney parks chief D’Amaro named to succeed Bob Iger as CEO

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    FLORIDA — Disney has named its parks chief Josh D’Amaro to succeed Bob Iger as the entertainment giant’s top executive.


    What You Need To Know

    • Disney has named its parks chief Josh D’Amaro to succeed Bob Iger as the entertainment giant’s top executive
    • D’Amaro has been Disney Experiences Chairman, spearheading efforts for the company’s theme parks, cruises and resorts
    • The decision on the next chief executive at Disney comes almost four years after the company’s choice to replace Iger went badly, forcing Iger back into the job

    D’Amaro has been Disney Experiences Chairman, spearheading efforts for the company’s theme parks, cruises, and resorts.

    The decision on the next chief executive at Disney comes almost four years after the company’s choice to replace Iger went badly, forcing Iger back into the job.

    Only two years after stepping down as CEO, Iger returned to Disney in 2022 after a period of clashes, missteps, and a weakening financial performance under his hand-picked successor, Bob Chapek.

    Chapek had been viewed by many as too gruff and buttoned up, focusing intently on business and not taking enough care with the creative and imaginative elements that have helped Disney flourish over decades.

    Iger, for his part, strengthened the Disney brand through his acquisitions of Pixar, Marvel, and Lucasfilm, oversaw the expansion of the company in China and India, and had a laser-like focus on technology that both made the Disney product better and more accessible. Iger, at the same time, is approachable, media savvy, and has deftly managed a company that is like no other.

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    Associated Press

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  • As Streaming Grows Up, Familiar Shows Dominate Viewing, Data Shows

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    The dominance of Bluey underscores how children’s programming, not prestige drama, has become streaming’s most reliable engine. Mario Wurzburger/Getty Images

    The 2010s marked the streaming industry’s adolescence. Coupling a creative unshackling with the thrill of unbridled newness left those in the media bubble positively cooing like first-time parents. That would make the streaming boom of 2019-2022 its experimental college years. All that youthful optimism funneled into an unprecedented expansion. Yet since then, streaming has eventfully entered the “real world.” The industry is now a young adult assimilating into the steady nine-to-five routine. Growth is no longer driven by splashy hype. Instead, it is the reliability of habit that wins the day. And the data seems to back that up.

    Nielsen recently released its annual top streaming performance lists, meaning we now have yearly leaders from 2020 to 2025. Last year saw a 19 percent uptick in total U.S. streaming minutes compared to 2024. Yet, while streaming time is up, the variety of hits isn’t exactly following suit. Top 10 lists across original streaming series, acquired (licensed) series, and movies remain dominated by the same intellectual properties making multiple appearances. 

    The overall performances speak loudly to what audiences want in the streaming age and which companies are giving it to them.

    Why the same shows keep winning

    Just as the New England Patriots and Los Angeles Lakers always seem to be in the playoffs, sitcoms, procedurals and animated kids’ fare consistently rank among the best-performing titles year in and year out. Bluey (1st), Grey’s Anatomy (2nd), NCIS (4th), SpongeBob SquarePants (5th), The Big Bang Theory (8th) and Criminal Minds (10th) were not only among the 10 most-streamed shows overall in 2025, but have made multiple appearances across top “Acquired” and “Overall” TV lists in the last half decade. (No wonder there’s a Bluey movie en route). Just one streaming original series (Stranger Things, 2nd) managed to claw its way onto the overall Top 10. 

    Most of these shows, and the majority of the “Acquired” TV lists, consist of libraries with hundreds of episodes. (Nielsen’s minutes-viewed metric rewards longer-running series with many episodes). Yes, new action and thrillers thrive on the small screen. But audiences do gravitate toward laundry-folding comfort shows a bit more than cultural daggers. Returning hits capture the largest share of attention, while new hits are more on the periphery of the highest levels. 

    If your main character is a cop, doctor or cartoon, you just might have an edge. 

    Netflix leads in existing and new originals

    Netflix laid claim to seven of the Top 10 most-streamed originals in 2025 (though 10th place airs on both Netflix and Amazon): Stranger Things (1st), Squid Game (2nd), Wednesday (3rd), Ginny & Georgia (6th), The Night Agent (8th), Love Is Blind (9th), Gabby’s Dollhouse (10th). All of those shows have made multiple appearances in the yearly top 10s. 

    Even amid the regurgitation of familiarity, Netflix has managed to effectively launch new hits. First seasons (and/or one-season limited series) of Tiger King, Squid Game, Bridgerton, Maid, Wednesday, Dahmer, Inventing Anna, The Night Agent and Fool Me Once all made a Top 10 annual streaming original list in recent years.

    Launching new shows proved more difficult last year, and all streamers struggle with original comedy. But even with the issues, Netflix was still responsible for the second most-watched new original drama (The Residence, which was admittedly cancelled), the two most-watched new comedies (Running Point and The Four Seasons) and the two most-watched new unscripted series (Sean Combs: The Reckoning and Million Dollar Secret). (Paramount+’s Landman and Peacock’s Love Island USA are the only Top 10 streaming originals making their first appearances this year). 

    Netflix is far less dominant in the “Acquired” and “Overall” lists. Its scale typically enables it to debut new shows fairly successfully, but sustaining them for the long term is trickier today. 

    Prestige doesn’t translate to the top 10 scale

    Premium programming may be my bag, but the rest of the country apparently doesn’t agree. 

    Nielsen began tracking HBO Max in April 2022. Since then, not a single HBO title has made a top annual “Acquired Series” list. Granted, this is a post-Game of Thrones world, and making the “Acquired” list is far more competitive than the others. But still—surprising! HBO Max original The Pitt was the most-watched new original streaming drama in 2025. Appointment viewing furnishes a quality brand and drives regular weekly tune-in. But it’s a different model from the endless drawl of sitcoms and procedurals. It doesn’t automatically boast the same library value. 

    Then there’s the lack of Warner Bros. film representation. Due to the dominant rewatchability of kids’ films, Nielsen broke out a separate 2025 “General Audience Movie” list for the first time (Seven out of ten films were released between 2024-25). Despite WB’s stellar box office year, the studio’s only films among the Top 10 were the first two Harry Potter films, which were non-exclusive with Peacock. The data shows that fantasy is actually a high-upside genre across both film and TV if made accessible and not bogged down in intricate mythology.

    On the flip side of this equation, Amazon Prime Video reaches an impressive 54 percent of U.S. households, according to Greenlight Analytics, where I work as Director of Insights & Content Strategy. The streamer has delivered select breakout shows such as The BoysReacherFallout, and Red One. But its quiet overall presence suggests viewers enjoy the service but have not yet added it to their regular entertainment routines. 

    Kids’ entertainment is beyond dominant

    As the brilliant kids media analyst Emily Horgan often notes, children’s entertainment remains undervalued relative to its practical contributions. “While many think of the streaming wars as a battle for the buzziest new awards drama or star-studded blockbuster, the real SVOD clashes are fought in the trenches of regular daily usage,” Horgan wrote. “That’s where animated kids’ movies truly shine.”

    Bluey has been the top overall title in back-to-back years, while Cocomelon was a mainstay on the charts in the early 2020s. Family-friendly movies and legacy IP have proven to be the algorithm-proof gift that keeps on giving. 

    Disney has firmly established squatter’s rights in this lane. Of the 70 top annual film slots from 2020-2025 (including Nielsen’s new bifurcated movie lists this year), 34 belong to Disney+. The company manages to land the same films—Moana, Zootopia, Frozen I and II and Encanto—onto multiple lists as does Universal’s Dreamworks and Illumination across Peacock and Netflix to a lesser extent.

    Consistent box office returns plus guaranteed streaming viewership anoint kids’ entertainment as the king of all genres today. 

    Headlines for Hollywood

    It’s important to remember that just because a given title doesn’t appear among the 10 most-streamed shows every year doesn’t mean it’s unsuccessful. There are plenty of hits to be found beyond this narrow snapshot. 

    Prestige, novelty and event programming are helpful brand builders with temporary pop. But familiar recyclability and consistency appear to yield the best results. Comfort viewing and long runways for early breakout hits serve as streaming’s foundation and pillars, respectively, while “new” events struggle with sustainability. In that way, the upper echelons of streaming viewership confirm the industry’s shift into more mundane, expected territory. Welcome to the workforce. 

    As Streaming Grows Up, Familiar Shows Dominate Viewing, Data Shows

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    Brandon Katz

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  • Get the Disney+ and Hulu bundle for one month for only $10

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    The peak time for deals on streaming services — the holiday shopping season — has come and gone, but Disney is back with a fresh offer for the new year. New and eligible returning subscribers can get one month of the ad-supported Disney+ Hulu bundle for just $10. That’s $3 off the usual monthly rate for the bundle, and more than 58 percent off if you consider the prices for each service individually (Disney+ at $12 per month and, separately, Hulu also at $12 per month).

    We’d be remiss if we didn’t mention that this isn’t quite as good as the Black Friday deal we saw last year, which offered the same bundle for $5 per month for one year. However, if you missed that offer or just want to try out Disney+ and Hulu for a brief period of time, this is a good way to do so.

    Disney / Hulu / Engadget

    Try out the ad-supported plan of Disney+ and Hulu for only $10 for one month.

    Disney+ and Hulu make one of the most balanced streaming pairs available, blending family-friendly favorites with acclaimed originals and network TV staples. Disney+ brings a vast library of animated classics, blockbuster franchises and exclusive content from Marvel, Pixar, Star Wars and National Geographic. It’s the place to stream nearly every Star Wars film and series, plus the full Marvel Cinematic Universe lineup and Disney’s most recent theatrical releases.

    Hulu balances things out with a more adult-oriented lineup of current TV shows, next-day network episodes and a growing roster of award-winning originals. The platform hosts series like The Bear, The Handmaid’s Tale and Only Murders in the Building, alongside comedies, thrillers and documentaries that regularly feature in awards conversations. It’s also the home for next-day streaming of ABC and FX shows, making it especially useful if you’ve already cut the cable cord but still want to keep up with primetime TV.

    The Duo Basic bundle ties these two services together under a single subscription, offering a simple way to expand your library without juggling multiple accounts. This tier includes ads on both platforms, but the trade-off is significant savings compared with paying for each service separately. For many households, that’s an acceptable compromise when it means access to such a wide range of content.

    Follow @EngadgetDeals on X for the latest tech deals and buying advice.

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    Valentina Palladino,Georgie Peru

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  • ‘It’s still going on’: New York woman goes on family trip to Disney—then she receives a suspicious call from her husband. So, she Googles his location

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    If there’s one thing few can resist, it’s a salacious cheating story.

    From the mega-viral cheaters at a Coldplay concert to cheating apology meals at Olive Garden, cheating scandals are the ultimate car crash we can’t look away from. Now, there’s a new viral story making the rounds in the form of one woman’s video on TikTok.

    And it all started with a trip to Disney.

    What happened at Disney?

    In a video posted on Jan. 20 that has since racked up over 175,000 views, TikTok user Krys Lyn (@krystle_lyn) details how she methodically investigated her husband’s infidelity. This video is apparently the first installment of more videos to come.

    “Let me tell you how I caught my husband cheating,” Lyn begins in her video. “Not just a moment. It’s been a whole freaking season.

    Lyn says the whole thing is “still fresh,” and she and her husband first became engaged in May 2025.

    “In September, he goes to jail,” Lyn says without elaborating. “October, he goes to rehab. Straight from jail to rehab. He gets out of rehab, he completes it. Everything’s perfect. We eventually elope, we get married.”

    Two weeks later, Lyn and her husband have a family Disney trip planned “on [her] dime, since [she] was the only one working ‘cause he was in jail and rehab.”

    Unfortunately, Lyn says his probation officers forbade him from going, so she went on the Disney trip just with their kids while he stayed home.

    This was the first time Lyn got an inkling that something was up.

    ‘My gut…ain’t lying’

    “He’s supposed to pick me and the kids up from our flight home,” Lyn says. “The night before, I get a phone call from him saying that my car was totaled. He hit a deer. He tells me what road he’s on, where he hit the deer. But then he made the mistake of sending me a picture of my totaled car with a porch in the background.”

    Lyn says she immediately had a gut feeling that there was something fishy about that porch. Sure enough, some research yielded confirmation of her instincts.

    “I Google the road that he was on,” Lyn recounts. “And I looked at every single house address on that road, and I found the matching porch. Guess what? Happened to be his ex-girlfriend’s mom’s house.”

    The observation begins and she confirms his cheating

    Lyn’s husband, who she says works as a car salesman, claimed he was just “delivering a title for work with the dealership,” but Lyn didn’t buy it. Then, the suspicious activity increased.

    “It gets worse,” Lyn says. “After my car’s towed away, and I’m in Disney and he’s home, my Alexas and the cameras are unplugged. This is like 9:30 at night.”

    Then, Lyn says he texted her randomly at four in the morning, which she says was “unlike him” due to him being on “sleeping meds.”

    But Lyn lay low. She says after she and the kids returned, she decided to “play it off.”

    “For a whole week, I continue to be wifey, I continue to be mom,” Lyn says. “I go to work, I’m home, acting like everything is normal … Throughout the week, I’m paying attention to him, his behavior … his texts, how often he’s picking up his phone. All of it. Because he was at his ex-girlfriend’s mom’s house.”

    While she was keeping tabs on her husband, she noticed the ex-girlfriend’s mom in question comment on one of his Facebook posts.

    “My intuition was right,” Lyn says.

    Things get worse

    Things only escalated from there. Lyn tells us she monitored his “nonstop” texts with two female co-workers, noticing he would pin those conversation threads to his “favorites” and then delete them days later. She says the continuously vanishing texts “didn’t add up.”

    “They’re disappearing like he’s in the witness protection program at this point,” Lyn half-jokes. “This is a week and a half after I got home. I’ve been quiet. I’ve been silent this whole time, OK? It’s like a crime scene on a Netflix documentary. He just doesn’t know it yet. And neither do the women, the mistresses.”

    But Lyn stayed patient. Ultimately, her husband grew careless, getting “tipsy” and forgetting to delete some of his incriminating texts.

    “I didn’t drink at the time,” Lyn says. “So I wait till he passes out. I get on his phone, I see some messages … I take a picture of them from his phone on my phone, so then they’re still there.

    So he can see that I haven’t done anything with them, didn’t send them to myself, nothing. But I have them on my phone. I also marked them as unread.”

    She finds out more about his cheating

    Later, Lyn’s husband accidentally revealed he’d been messaging a woman on TikTok when he tried to show Lyn a TikTok.

    “And I just look at him, and he makes eye contact with me,” Lyn recounts. “And he knows. He knows.”

    Lyn and her friends waste no time in cracking down on a more intensive investigation at this point, calling Lyn’s husband’s dealership and getting information about the women Lyn suspected he was cheating with, one emotionally and one sexually—both of which, according to Lyn, had boyfriends at the time.

    “One [of the women], the one with the emotional affair, gets wind of it, spazzes out, and then reaches out to me,” Lyn says. “She denied everything. Mind you .. I have on my phone, the pictures of their—him and her conversation.”

    The woman, whom Lyn calls “M,” maintained that nothing happened between her and Lyn’s husband. Lyn also says M is “best friends” with the other suspected woman, who came up on her husband’s TikTok, Willow.

    More denial

    “I have proof,” Lyn says. “Willow, [M] sends screenshots of my husband having the affair with Willow, sexual affair with Willow. But M denies everything.”

    But Lyn says she already has proof of M and her husband having an “emotional affair” via text message.

    “They all work at the same dealership,” Lyn says. “This is when their jobs start disappearing. Stay tuned for part two. It gets juicy.”

    @krystle_lyn Story time! ?? How I caught my car salesman husband cheating with the BDC homewreckers at his work. #fyp #viral #cheatinghusband #homewrecker #fypシ゚viral ♬ original sound – Krys Lyn ?

    Viewers are shocked at the story

    As of the writing of this article, Lyn has yet to upload a formal “part two” to this saga, though multiple videos of hers reference dealing with a cheater.

    Viewers, for their part, are sipping proverbial tea in reaction to Lyn’s wild tale. Many are positively fiending for a part two, even commenting on her later videos, begging for an update.

    Some commenters wanted more details, specifically about the dealership. One cheekily asks, “So what dealership am I NOT shopping at?”

    Lyn responded with a glowing review of the dealership itself.

    “Oh the dealership handled it all beautifully,” she wrote. “I actually was very impressed. Highly suggest giving them all the business.”

    Other commenters were dying laughing at the all-too-relatable phenomenon of undergoing FBI-level investigations with your girls.

    “LOVE the friend investigation,” one viewer wrote. “My friends helped me as well.”

    Still others were outraged that Lyn was dealing with this at all, with many offering words of support and encouragement.

    “You are way too beautiful too be dealing with this!!!” wrote one commenter. Another agreed, saying, “You deserve so much better than this!”

    The Mary Sue has reached out to Lyn via TikTok comment to request additional comment.

    Have a tip we should know? [email protected]

    Image of Sophia Paslidis

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    Sophia Paslidis

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  • Wonder Man Review: New Marvel Disney+ TV Show Is Forgettable

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    Wonder Man is one of Marvel Studios’ most low-key and peculiar television experiments to date. Created by Destin Daniel Cretton and Andrew Guest, the Disney+ miniseries follows Simon Williams (Yahya Abdul-Mateen II), an up-and-coming actor in Los Angeles whose biggest dream is not to save the world, but to book the lead role in a remake of his favorite childhood movie, Wonder Man. It’s a concept that immediately separates the show from the rest of the Marvel Cinematic Universe, and yet, by the end of its run, it also feels emblematic of Marvel’s current creative malaise.

    The opening episode sets the tone well. Simon lands a small role on American Horror Story, but loses the part after overanalyzing his character to the point that production is delayed. It’s a painfully relatable moment for anyone who has spent time in the entertainment industry, and the show smartly leans into that specificity. Dejected, Simon attends a screening of Midnight Cowboy, where he runs into Trevor Slattery (Ben Kingsley), the once-infamous actor behind the fake Mandarin persona in Iron Man 3. Trevor reveals that he’s auditioning for the Wonder Man remake — a revelation that sends Simon into a spiral, as Wonder Man is a film he watched with his father growing up. The role represents not just career success, but emotional closure and validation.

    The central hook of the series is genuinely interesting: Simon is secretly superpowered, but enhanced individuals are banned from acting due to skyrocketing insurance costs. His goal, therefore, is to land the role of a lifetime without anyone discovering what he can do. It’s a clever inversion of the traditional superhero premise. Simon has no interest in vigilantism, crime-fighting, or public heroics. He simply wants to act. In a genre oversaturated with masked crusaders and multiversal stakes, Wonder Man earns points for attempting something smaller, quieter, and more human.

    That relatability is clearly intentional. The series is designed to resonate with struggling actors — the constant self-tapes, the anxiety of distractions during auditions, the feeling that one missed opportunity could change everything. In that sense, Wonder Man often feels more like an industry satire or a backstage comedy-drama than a superhero show. It’s also notably light on action, which will either feel refreshing or disappointing depending on your expectations.

    One of the undeniable highlights is Ben Kingsley’s return as Trevor Slattery. While Iron Man 3 was initially divisive, particularly due to its Mandarin twist, time has been kind to the film (I watch it every Christmas), and Kingsley’s performance has only grown in stature. Marvel clearly knows it struck gold with the character, bringing him back in Shang-Chi and the Legend of the Ten Rings and now positioning him as the emotional counterweight to Simon. Trevor is once again chasing relevance, still clinging to his love of acting while carrying the baggage of his past mistakes. The dynamic between Kingsley and Abdul-Mateen is the heart of the show, and their evolving friendship gives Wonder Man its most effective moments.

    There is some added tension courtesy of the Department of Damage Control, which pressures Trevor to spy on Simon without Simon’s knowledge. While this subplot adds a layer of intrigue, it never quite escalates into anything particularly gripping. That’s emblematic of the show as a whole: the ideas are solid, but rarely pushed far enough.

    Tonally, Wonder Man aims for a low-stakes, ground-level superhero comedy, though it never commits fully to being laugh-out-loud funny. It isn’t trying as aggressively to be comedic as She-Hulk, and that restraint ultimately works in its favor. While the humor doesn’t always land, the show avoids the tonal whiplash and overindulgence that plagued some of Marvel’s recent TV efforts. There are flashes of screwball comedy and moments of genuine absurdity, but overall, the series elicits more mild smiles than big laughs.

    Yahya Abdul-Mateen II carries the show with ease. He brings warmth, insecurity, and quiet desperation to Simon Williams, making him an instantly sympathetic protagonist. You believe in his dream, even when the show itself struggles to elevate that dream into something dramatically compelling. Supporting characters, particularly Simon’s skeptical older brother, hint at deeper emotional conflict, but those threads are never explored with enough depth to truly resonate. The drama is present, but always feels slightly undercooked.

    That sense of incompleteness defines Wonder Man. It’s not bad — far from it — but it’s also not exceptional. Everything is “fine.” The writing is competent. The performances are solid. The themes are clear. And yet, there’s always the feeling that the show is missing that one defining element that would justify its existence.

    Compared to Marvel Television’s earlier highs like Daredevil and Jessica Jones, Wonder Man feels slight. It also suffers from arriving at a time when Marvel’s output no longer feels essential. Once, every MCU project was framed as a must-see chapter in a larger narrative. Now, as the franchise slowly builds toward Avengers: Doomsday — with teases of Steve Rogers, Thor, the X-Men, Black Panther, and the Fantastic Four — Wonder Man feels almost completely disconnected. It has no meaningful ties to the looming threat of Doctor Doom, and no impact on the broader MCU story. The main hook isn’t, “Will Simon Williams become the superhero he was meant to be?” It’s “Will Simon Williams become the Hollywood star he’s dreamed of?”

    As a result, the series comes across as disposable streaming content designed to pass the time rather than move the franchise forward. Diehard Marvel fans will watch it out of obligation. Casual viewers can easily skip it without missing anything important. Ultimately, Wonder Man is a show that actors might deeply relate to, but one that general audiences will likely forget. In a crowded landscape of superhero content and prestige television, “decent” simply isn’t enough anymore, but it’s undeniably easy to watch, and occasionally charming.

    SCORE: 6/10

    As ComingSoon’s review policy explains, a score of 6 equates to “Decent.” It fails to reach its full potential and is a run-of-the-mill experience.


    Disclosure: ComingSoon received screeners for our Wonder Man review.

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    Jonathan Sim

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  • Save on the Disney+ Hulu bundle: Get one month for only $10

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    The peak time for deals on streaming services — the holiday shopping season — has come and gone, but Disney is back with a fresh offer for the new year. New and eligible returning subscribers can get one month of the ad-supported Disney+ Hulu bundle for just $10. That’s $3 off the usual monthly rate for the bundle, and more than 58 percent off if you consider the prices for each service individually (Disney+ at $12 per month and, separately, Hulu also at $12 per month).

    We’d be remiss if we didn’t mention that this isn’t quite as good as the Black Friday deal we saw last year, which offered the same bundle for $5 per month for one year. However, if you missed that offer or just want to try out Disney+ and Hulu for a brief period of time, this is a good way to do so.

    Disney / Hulu / Engadget

    Try out the ad-supported plan of Disney+ and Hulu for only $10 for one month.

    Disney+ and Hulu make one of the most balanced streaming pairs available, blending family-friendly favorites with acclaimed originals and network TV staples. Disney+ brings a vast library of animated classics, blockbuster franchises and exclusive content from Marvel, Pixar, Star Wars and National Geographic. It’s the place to stream nearly every Star Wars film and series, plus the full Marvel Cinematic Universe lineup and Disney’s most recent theatrical releases.

    Hulu balances things out with a more adult-oriented lineup of current TV shows, next-day network episodes and a growing roster of award-winning originals. The platform hosts series like The Bear, The Handmaid’s Tale and Only Murders in the Building, alongside comedies, thrillers and documentaries that regularly feature in awards conversations. It’s also the home for next-day streaming of ABC and FX shows, making it especially useful if you’ve already cut the cable cord but still want to keep up with primetime TV.

    The Duo Basic bundle ties these two services together under a single subscription, offering a simple way to expand your library without juggling multiple accounts. This tier includes ads on both platforms, but the trade-off is significant savings compared with paying for each service separately. For many households, that’s an acceptable compromise when it means access to such a wide range of content.

    Follow @EngadgetDeals on X for the latest tech deals and buying advice.

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    Valentina Palladino,Georgie Peru

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  • ‘Percy Jackson’ Star Walker Scobell on Thalia’s Return in the Season 2 Finale, the Annabeth ‘Slow Burn’ and Season 3: ‘Logan Lerman Had a Wonderful Performance, but Now I’m on My Own’

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    SPOILER ALERT: This story contains spoilers from the season finale of “Percy Jackson and the Olympians,” now streaming on Disney+.

    Fresh off his breakout role in “The Adam Project,” Walker Scobell was just 12 years old when he took on one of YA literature’s most beloved heroes, Percy Jackson. Five years later, he’s growing up as he plays the demigod son of Poseidon, who weathered epic battles and emotional twists in Season 2 of Disney+’s hit adaptation, which is based on Rick Riordan’s second “Percy Jackson” book, “The Sea of Monsters.” Along the way, Scobell has had to balance life as a teenager with the pressures of bringing Riordan’s beloved character to life.

    The Season 2 finale opens with Percy, Annabeth (Leah Sava Jeffries), Grover (Aryan Simhadri), Tyson (Daniel Diemer) and Clarisse (Dior Goodjohn) racing back to Camp Half-Blood after successfully stealing the magical Golden Fleece back from Luke (Charlie Bushnell). But getting there isn’t easy. They’re ambushed by Laestrygonian giants, and to make matters worse, some of the campers they trusted have turned out to be traitors. While they fight their way home, Luke and his forces launch a full-scale assault on the camp, trying to break through its weakened defenses.

    Charlie Bushnell as Luke

    Disney/David Bukach

    Against heavy odds, Percy and the group make it to Thalia’s tree and place the Fleece on its branches. The Fleece’s powers are so strong that not only is the tree healed from Luke’s poison, but Thalia (Tamara Smart) emerges in human form, brought back to life without having aged since the day six years ago when Zeus (Courtney B. Vance) erected the tree to hold her spirit. Percy is no longer the only child of the “big three” gods who could fulfill the Great Prophecy.

    In a dramatic departure from the book, the finale delivers a shocking twist. It’s revealed in a flashback that the Furies didn’t attack Thalia. Instead, they told her about the Great Prophecy and Zeus’ hopes that she will grow up to save Olympus on his behalf. Angry that he would expect this of her despite his absence in her life, Thalia tells Zeus when he appears that she refuses to serve as his weapon. He decides she cannot remain alive, transforming her into the magical tree that will protect Camp Half-Blood. He then orders Chiron (Glynn Turman) to tell everyone he did it to save Thalia’s life after the Furies almost killed her. The new ending changes everything the campers thought they knew about Thalia’s “sacrifice,” and sets the stage for conflicts in Season 3.

    “It just solidifies everything we know in mythology about Zeus,” Scobell told Variety. “And it makes it a lot easier for a lot of demigods to join Luke’s side.”

    Scobell is now heading into uncharted waters with Season 3, as Riordan’s book “The Titan’s Curse” has never been adapted. “I almost feel like there’s less pressure, because I don’t think there’s anything to really compare it to,” he said. “I thought Logan Lerman had a wonderful performance as Percy Jackson, but now I’m on my own.”

    Variety spoke with Scobell about his experience closing out Season 2, and what lies ahead for Percy Jackson.

    Throughout the season, Percy is the one person who’s not particularly eager for Thalia’s return. How did it feel to build up that tension in Season 2 when you didn’t have scenes with Thalia until the very end? And how does it feel now that you’re acting with her as you shoot Season 3?

    When we were doing these scenes, building up that tension, I was kind of nervous. I was like, “What are we gonna do next year?” I didn’t know if they were going to add something else or if they were going to change something, and they did it. I just had no idea what they were gonna do with it, especially after that big plot twist on Thalia’s backstory — that Zeus did it. So I was really excited to see what was gonna happen when Annabeth and then Thalia and I are just left almost alone.

    Left to right: Leah Sava Jeffries as Annabeth, Tamara Smart as Thalia

    Disney/David Bukach

    The Season 2 finale takes a pretty dramatic pivot from the book. How do you think the difference in Thalia’s sacrifice is going to change things now that the gang knows it wasn’t what they thought it was?

    It’s just gonna be even more of a reason to join Luke’s side. We explore that a little bit more in Season 3. And it’s difficult, because Percy can’t argue with that at all really. From Percy’s point of view, she’s not really wrong. Percy agrees with her. It just solidifies everything we know in mythology about Zeus, in my opinion. It makes it a lot easier for Thalia to join Luke’s side.

    Percy gives a very motivating and inspired speech to dozens of campers before the final battle. How was that to do?

    Nerve-racking for sure. I was definitely freaking out a little bit. A lot of people in that room were really familiar faces, so it made it very easy. We’ve all been acting together forever. So I think it made it a lot easier.

    We got a glimpse at what happens to Percy when he thinks Annabeth is in danger, and in “The Titan’s Curse,” they’re separated for a long time. How does it feel for you to not have Leah around as you’re shooting Season 3? And how is Percy dealing with the absence of Annabeth?

    It was definitely different on set without Leah, for sure. But it was also different without Aryan. Things are different every season. But yeah, he’s just on a mission, and he’s not really going to stop until he gets her back.

    Percy and Annabeth have had a slow burn, but you also have lines like, “If I had to choose between you and Olympus, I’d burn it all down.” Rick Riordan told Variety after the Season 2 premiere that they were both still in denial about their feelings for each other. At this point in the story, do you think Percy has realized what his feelings towards Annabeth are?

    I don’t think at this part of the story he necessarily has romantic feelings. I think yes to slow burn, and I think yes, if there wasn’t these books, people would also ship them together. But at the same time, I can imagine him saying these lines to Grover; I can imagine saying these lines to Tyson — it just happens to be that it is Annabeth. I guess they have been trying to lean into that.

    And I guess in Season 3, we pull back a little bit. We don’t lean into it as much. It’s more like he’s trying to get to her over anything. But that’s just like Percy; it’s like getting to Grover. He really cares about her, and I don’t think it’s like a romantic thing yet. I mean, he still has two love interests to go, so that’s what also makes it difficult. Sometimes I read those lines and I’m like, “I gotta not lean into this with what I’m doing” —  but then, I get the notes to lean into it. It’s gonna be interesting when Rachel and Calypso show up.

    How do you think Annabeth feels about Percy right now?

    I think they like each other — not like a crush or anything. I think they’re just really good friends. I would say Grover is like his brother, and I would say Tyson’s like his brother. I think Annabeth is basically one of his best friends at this point. I also don’t think they’re thinking about that at all, because there’s a lot more going on.

    Left to right: Aryan Simhadri as Grover, Leah Sava Jeffries as Annabeth

    Disney

    Is there a scene from the book that you wish was in the show but didn’t make it?

    Some things just don’t work out because of pace, or they don’t work out because we wanted to lean into something else that’s a bigger deal. I was missing the Hydra a little bit, but then it’s like, we made the Scylla sequence really massive. And that makes a lot of sense to me. Sometimes you have to pick and choose what you really make a big deal. And it’s also expensive. Hydra is a lot of money, and you’ve got to be careful. It would be cool to have the Hydra and Scylla, but at the same time, I’d rather have one of those things that looks really good, rather than both of them not looking that great and not being able to lean into them completely.

    I also missed the dodgeball sequence at school. But then, we made enough room for the Manticore and Dr. Thorn chase in Episode 2 [of Season 3], focusing on that and then also that fight sequence.

    You’re in the middle of filming Season 3. The third book has never been adapted. How does it feel now that you’re moving into uncharted territory? Do you feel any pressure, or is it more exciting?

    I almost feel like there’s less pressure, because I don’t think there’s anything to really compare it to. I thought Logan Lerman had a wonderful performance as Percy Jackson, but now I’m on my own.

    Walker Scobell as Percy

    Disney/David Bukach

    Between seasons, do you go back home? Do you live with your parents? Do you go to school? Do you live a relatively normal life?

    Yeah, it’s actually a lot like Percy in a weird way, and I always found that pretty funny. I go home from this, and I just go right back to school — I just pick up where I left off. I’ve known all these teachers at the school I go to for a long time. I definitely get cut some slack. But at the end of the day, I do the same work that every other kid does, and I like going back to that.

    This interview has been edited and condensed.

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    Kennedy French

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  • Roger Allers, director who worked on several Disney classics, dies

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    Roger Allers, director who worked on several Disney classics, dies

    Updated: 6:06 PM EST Jan 18, 2026

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    Roger Allers, a famous director who worked on several Disney classics, has died. He was 76.Allers was known for working on several Disney animated films, such as “The Lion King,” where he was the co-director.He also worked on “Aladdin,” “The Little Mermaid” and “Tron.” CEO of Disney, Bob Iger, posted a statement on Instagram saying, “Roger Allers was a creative visionary whose many contributions to Disney will live on for generations to come. He understood the power of great storytelling — how unforgettable characters, emotion, and music can come together to create something timeless. His work helped define an era of animation that continues to inspire audiences around the world, and we are deeply grateful for everything he gave to Disney. Our hearts are with his family, friends, and collaborators.”

    Roger Allers, a famous director who worked on several Disney classics, has died. He was 76.

    Allers was known for working on several Disney animated films, such as “The Lion King,” where he was the co-director.

    He also worked on “Aladdin,” “The Little Mermaid” and “Tron.”

    CEO of Disney, Bob Iger, posted a statement on Instagram saying, “Roger Allers was a creative visionary whose many contributions to Disney will live on for generations to come. He understood the power of great storytelling — how unforgettable characters, emotion, and music can come together to create something timeless. His work helped define an era of animation that continues to inspire audiences around the world, and we are deeply grateful for everything he gave to Disney. Our hearts are with his family, friends, and collaborators.”

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