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The New Yorker Wins Two Polk Awards for 2025 Reporting

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The New Yorker staff writer Jon Lee Anderson and the contributor Andy Kroll have been named 2025 winners of Polk Awards, among the highest honors in journalism. Anderson received the Sydney Schanberg Prize for his reporting on decades of war in the Democratic Republic of the Congo, where regional and global actors have fuelled one of the world’s most vicious entrenched conflicts. Kroll, a reporter at ProPublica, was recognized for a profile of Russell Vought, an architect of Project 2025 who has used his latest role, as the director of the White House Office of Management and Budget, to hobble government agencies, decimate the federal workforce, and expand President Trump’s powers in ways that challenge the Constitution. The piece was co-published with ProPublica.

Anderson, who has written for The New Yorker since 1998, travelled twice to Congo, and to neighboring Rwanda, in order to report his article. As many as six million soldiers and civilians have been killed during Congo’s thirty-year conflict—by violence, displacement, disease, and famine—and yet the fighting “seldom makes the international news,” Anderson notes. The article combines deep historical context with up-to-the-minute developments, taking in the legacies of colonialism and slavery while also explicating contemporary factors in the bloodshed, including ethnic rivalries, international competition over resources, and diplomatic maneuvers by the Trump Administration. To give voice to Congolese citizens, Anderson spoke with figures ranging from rebel leaders to medical personnel, from a regional king to an elderly woman tending subsistence crops in a cemetery. Anderson’s reporting vividly refutes Trump’s claim to have “stopped” the conflict, while also showing the risks and the potential significance of an eventual resolution. “Many of the people I talked with in Congo wished fervently for a new way of life but seemed barely able to conceive of one,” Anderson observes.

Kroll received the Polk Award for political reporting, for a comprehensive and often alarming portrait of Vought, one of the most significant figures behind Trump’s dismantling of federal agencies and consolidation of Presidential power. The profile charts Vought’s unlikely rise from backstage technocrat to the highest levels of influence within Trump’s orbit. Regarded by opponents and allies alike as “a master of the arcane rules that can get legislation passed,” Vought has wielded his expertise to bring about sweeping changes that eluded Trump in his first term, altering the country’s legal landscape and transforming the relationship between American citizens and their government.

The Polk Awards, which will be handed out at a ceremony on April 10th, preserve the memory of George Polk, a CBS journalist who was killed in 1948 as he reported on a civil war in Greece. James Baldwin won the first Polk to recognize a piece in The New Yorker, for “Letter from a Region in My Mind.” The magazine’s writers and editors have now received a total of thirty Polk Awards. ♦

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February 18, 2026
Watch the Trailer for “The New Yorker at 100”

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The New Yorker had a century to prepare for its hundredth anniversary, and yet the final months before that milestone—this past February—were a scramble. The excitement of that countdown serves as a central point of interest in “The New Yorker at 100,” a feature documentary that Netflix will release on December 5th. The trailer, featuring appearances by the magazine’s current and former staff; its mascot, Eustace Tilley; and celebrity admirers, is now online.

As the documentary records the race to complete The New Yorker’s 100th Anniversary Issue, it also delves into the magazine’s unlikely evolution, from a locally focussed humor magazine to an internationally renowned publication that also produces films, podcasts, digital reporting, and more. Between vignettes that capture current writers, editors, cartoonists, and fact checkers at work—reporting from a Syrian prison or a Trump rally, or confirming the names of a few prison cats—the film revisits seminal moments in New Yorker history, both triumphant and less so. John Hersey’s “Hiroshima” and Rachel Carson’s “Silent Spring,” it recounts, expanded the scope of journalism and changed public opinion; “In Cold Blood,” published as a four-part series, by Truman Capote, caused a sensation, but the writer’s methods also generated concern within the magazine, and ultimately inspired changes to how articles are prepared for publication.

Narrated by Julianne Moore, “The New Yorker at 100” was directed by Marshall Curry, who received an Academy Award for his short film “The Neighbors’ Window.” Judd Apatow, best known for comedies such as “Knocked Up” and “Superbad,” turned serious—at least partially—to serve as an executive producer. Stars including Sarah Jessica Parker, Ronny Chieng, Jon Hamm, Aparna Nancherla, and Nate Bargatze weigh in with personal reminiscences about their relationships with the magazine.

To receive more film coverage from The New Yorker, along with reporting, fiction, humor, and more, sign up for our daily newsletter. And, to support our journalism as the magazine embarks on its second century, subscribe today. ♦

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October 31, 2025
In the Dark Releases “Blood Relatives,” an Examination of a Notorious British Crime

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On an August night in 1985, five members of one family were shot dead at Whitehouse Farm, a country manor in the rural county of Essex, in southeastern England. The police were alerted by Jeremy Bamber, the twenty-four-year-old scion of a local farming dynasty, whose parents, June and Nevill, occupied the estate. Inside the locked house, officers found the bodies of Jeremy’s parents, sister, and six-year-old twin nephews. The killings initially appeared to be an open-and-shut case of murder-suicide, at the hands of Jeremy’s sister, Sheila. Then, after a series of shocking twists, suspicions turned on Jeremy—and he was sentenced to life in prison the following year. The crime became the most infamous family massacre in British history, and to this day Jeremy Bamber remains one of the country’s most reviled convicts. But, nearly four decades later, the New Yorker staff writer Heidi Blake got a tip that all might not be as it seemed.

On October 28th, In the Dark, The New Yorker’s investigative podcast, will release “Blood Relatives,” a six-part series that examines the murders at Whitehouse Farm. The series takes a comprehensive look at the case, airing evidence that was never shared with the jury and conversations with sources whose recollections upend prosecutors’ theory of the crime. The findings raise questions not only about Jeremy Bamber’s conviction but about the entire British legal system.

New Yorker subscribers receive immediate, ad-free access to every episode of “Blood Relatives,” on the New Yorker app and on Apple Podcasts. For non-subscribers, the first two episodes will be released, on all podcast platforms, on October 28th; the remaining episodes will be released weekly, on Tuesdays. Be sure to follow In the Dark so that you never miss an episode.

“Blood Relatives” is the first release from In the Dark since the podcast won a Pulitzer Prize, in May, for its third season, which examined the killings of twenty-five civilians by U.S. forces in Iraq. Since the podcast’s début, in 2016, In the Dark has become one of the most respected programs in long-form audio journalism. In addition to the Pulitzer Prize, it has received three Peabody Awards, and in 2019 it became the first podcast to win a George Polk Award, one of the top honors in journalism. ♦

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October 21, 2025