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Tag: dingbat apartment

  • Contributor: Let’s Los Angelize L.A.

    Almost since the first suburbs were built in Los Angeles, there have been worries that adding density would “Manhattanize” L.A., rendering it so crowded with new vertical development as to be unrecognizable to longtime residents. In the 1980s, as battles over growth heated up, one local slow-growth group dubbed itself Not Yet New York.

    But Los Angeles has always been a city with a knack for reshaping itself by looking to its own architectural past. In particular, medium-density designs such as bungalow courts and dingbat apartments have welcomed waves of newcomers for more than a century while becoming architectural emblems of upward mobility and a particularly Southern Californian design sensibility — informal and optimistic.

    We have never needed a return to that kind of development more than now, in the wake of the Eaton and Palisades fires, even as public discussion has focused mostly on rebuilding exactly what was lost. With affordability pressures as intense as ever, now is the time not to Manhattanize but, once again, to Los Angelize L.A.

    As longtime advocates for design excellence and policies to boost housing production, we believe there is nothing more Angeleno than the reinvention of the so-called R1 neighborhood, the single-family zone that first emerged in L.A. with the Residential District Ordinance of 1908. R1 zoning shifted into overdrive in 1941 when tract houses emerged to replace the bean fields of Westchester, near what is now Los Angeles International Airport.

    It wasn’t until 2016, with the appearance of a new state law allowing accessory dwelling units, or ADUs, that the R1 neighborhood evolved in any meaningful way. Even the most ardent champions of ADUs — aka granny flats or casitas — couldn’t have foreseen how widely popular they’d become. Today, about one-fifth of new housing permits in California and a whopping one-third in the city of L.A. are ADUs.

    Still, the granny flat is no silver bullet. The housing affordability crisis in Los Angeles demands a more ambitious approach than adding new residential development one small unit at a time. State laws allowing as many as 10 apartments on a single-family lot have been on the books for several years now. But homeowners and developers have been slow to take advantage of them, and many California cities have dragged their feet in making them truly usable.

    The result has been a stalemate, with Los Angeles among the cities struggling to take the important step past the ADU to begin producing additional missing-middle housing in real volume, even as rents and home prices continue to climb. The city‘s Low-Rise LA design challenge was organized in 2020 to help break this logjam. Many of the winners incorporated design lessons clarified by the COVID-19 pandemic, when we learned that second, third and fourth units in R1 zones might offer not just rental income or an extra bedroom but the flexibility to quarantine or work from home while building stronger ties with extended family and neighbors.

    A new initiative — Small Lots, Big Impacts — organized by cityLAB-UCLA, the Los Angeles Housing Department and the office of Mayor Karen Bass builds on Low-Rise LA with a focus on developing small, often overlooked vacant lots, of which there are more than 25,000 across the city, according to cityLAB’s research. The goal is straightforward: to demonstrate a range of ways that Los Angeles can grow not by aping the urbanism of other cities but by producing more of itself.

    Rendering of Shared Step with a small gathering in the front yard


    Different views of the “Mini Towers Collective” and the “Shared Steps” proposals. Both favor shared outdoor space balanced with individual architectural identity.
    (courtesy of cityLAB UCLA)

    Winners of this design competition, announced at the end of May, placed six or more housing units on a single site, sometimes dividing it into separate lots. One proposal created rowhouses, slightly cracked apart to identify individual homes and entrances as they cascade along an irregular site. A communal yard opens to the street in another project, with roof gardens between separated, two-story homes atop ADUs that can be rented or joined back to each of several main houses on the site. Other designs show that vertical architecture, in the form of handsome new residential towers from three to seven stories, can comfortably coexist with L.A.’s low-rise housing stock when the design is thoughtful enough.

    A key goal of the competition was to produce new models for homeownership. When land costs are subdivided and parcels built out with a collection of compact homes, including units that can produce rental income or be sold off as condos, a different approach to housing affordability comes into focus. Those who have been shut out of the housing market can begin to build wealth and contribute to neighborhood stability.

    The traditional R1 paradigm, in addition to limiting housing volume, suffers from a rigid, gate-keeping sort of logic: If you can’t afford to buy or rent an entire single-family home in an R-1 L.A. neighborhood, that part of town is inaccessible to you. Many of the winning designs, by contrast, create compounds flexible enough to accommodate a range of phases in a resident’s life. In one development, there may be units perfect for single occupants (a junior ADU), young families (a ground-level unit with a private yard), and empty-nesters (a home with a rooftop garden). As with the granny flat model, construction can proceed in phases, with units added over time as circumstances dictate.

    Having served on the Small Lots, Big Impacts jury, we see signs of hope in its rendering of L.A.’s future. The real proof lies in the initiative’s second phase, set for later this year, when the city’s Housing Department will issue an open call, based on the design competition, to developer-architect teams who will build housing on a dozen small, city-owned vacant parcels, with tens of thousands of privately owned infill lots ready to follow suit. If the winning schemes are built, Los Angeles will once again demonstrate the appeal and resiliency of its architectural DNA. Manhattan: Eat your heart out.

    Dana Cuff is a professor of architecture, director of cityLAB-UCLA and co-author of the 2016 California law that launched ADU construction. Christopher Hawthorne, former architecture critic for The Times, is senior critic at the Yale School of Architecture. He served under Mayor Eric Garcetti as the first chief design officer for Los Angeles.

    Dana Cuff and Christopher Hawthorne

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  • Three rentals and an ADU? A narrow two-story in Venice makes the case for building up

    Three rentals and an ADU? A narrow two-story in Venice makes the case for building up

    Walk past the street-facing 1990s duplex and beyond a 1920s Sears Roebuck kit bungalow, and an accessory dwelling unit, or ADU, rises before you at the end of the property. It’s a slim, two-story rental clad in inexpensive white vertical corrugated metal.

    Only then do you realize this single Venice lot has four rental units.

    With Southern California in desperate need of housing and state and federal laws constantly evolving to make permitting ADUs easier, the detached home by architects Todd Lynch and Mohamed Sharif of Sharif, Lynch: Architecture feels like a harbinger of what’s to come.

    “When the city encouraged us to increase housing, I thought of the Venice property,” said owner Ricki Alon, who had previously worked with the architects and builder Moshon Elgrably on another project. “Given the unique site constraints, I didn’t believe they could do it. I was worried it would be too crowded and negatively affect the small guest house.”

    The two-bedroom ADU was built five feet from an existing duplex and four feet from the property line.

    (Jason Armond / Los Angeles Times)

    Alon was hesitant at first, but after a persuasive Zoom call with the architects, they all agreed that a fourth unit would add value to the bustling community.

    “We viewed it as a challenge and a way to transcend ADUs in an SB9 world,” Sharif said, referring to Senate Bill 9, the 2022 state law that allows homeowners to convert their homes into duplexes on a single-family parcel or divide the lot in half to build another duplex for no more than four units.

    Alon loved their initial sketches despite her skepticism, and the project moved ahead.

    Attorney Henry Schober III drinks a can of seltzer in the kitchen.

    “It’s taught me how to think differently about how things are arranged and how I store things,” Henry Schober III said of his 13-foot-wide rental.

    (Jason Armond / Los Angeles Times)

    Large windows in the living room of an ADU.

    The large windows in the living room overlook the courtyard and give the ADU an open and airy feel.

    (Jason Armond / Los Angeles Times)

    “We decided to go as high as possible,” Sharif said of the eventual design, a slim, two-story ADU built on what was previously a driveway. Slipped into the lot, the 1,200-square-foot ADU, or IDU as the architects like to refer to the infill dwelling unit, was built an inch from the 1920s bungalow, five feet from the duplex and four feet from the property line.

    Resting a few feet from a dingbat apartment to the south, the ADU is lifted off the ground to preserve two parking spots in the alley and a swimming pool in front. “Its entire width is dictated by that two-car side-by-side dimension,” said Sharif, who teaches in the undergraduate and graduate design studios at UCLA. Lifting the volume to preserve the pool also created shade and an open space that all residents could share.

    “They refused to get rid of it,” Alon said of the water feature. “They insisted on building around it.” Today she admits it was the right decision. “Now, when you walk in, you experience a wonderful, absolutely lovely environment. I’m glad they did not listen to me,” she added with a laugh.

    A view of the living room from the top of the staircase in a two-bedroom ADU.
    The downstairs office at Henry Schober III's two-bedroom ADU.

    The narrow living room, seen from the staircase, and the first-floor office and en-suite bathroom. (Jason Armond / Los Angeles Times)

    Even though you can’t see the rental from the street, the ADU has enormous curb appeal and a touch of glamour. A Midcentury-style Sputnik pendant light hangs outside the front door, giving it an elegant feel, and the white cladding gives it a distinctive quality from the other rentals, which are clad in orange metal and gray siding.

    A driveway next to a cottage and a modern duplex.

    The driveway before Sharif, Lynch: Architecture added a two-story ADU alongside a bungalow, right, and duplex, in back.

    (Sharif, Lynch: Architecture)

    Up a short flight of stairs, the front door opens to the ground floor and the two-story entry, which features a compact first-floor bedroom, study and en-suite bathroom.

    “We wanted every room to have a bathroom to suit roommates,” Sharif said.

    Tenant Henry Schober III, a 38-year-old attorney specializing in data privacy, uses the ground floor as his office and a bedroom for out-of-town guests.

    “It’s a place that I’m comfortable spending a workday in,” said Schober, who goes to the office once or twice a week. “I don’t feel like I’m trapped in my house.”

    Attorney Henry Schober III stands on the rooftop deck of his two-bedroom ADU.
    A view of Venice from the rooftop of an ADU.

    Tenant Henry Schober III takes advantage of the ADU’s rooftop deck, which offers panoramic views of Venice. (Jason Armond / Los Angeles Times)

    A drone shot shows a two-story ADU slipped in between a bungalow and a modern duplex

    An overhead view shows the ADU’s proximity to the modern duplex and bungalow.

    (Steve King Architectural Imaging)

    Up the stairs to the second floor, the main living area and kitchen measure just 13 feet wide; large windows and operable skylights add light and cross-ventilation throughout the linear floor plan.

    “The windows make you feel like you’re in an amazing penthouse in SoHo,” Alon said. “It gives the room a great energy.”

    The rest of the second floor houses a powder room, bathroom and bedroom. Because of limited space, there was no room for a formal dining room. However, Schober said that’s easier to maneuver than the limited storage, which has taught him to think differently about how he stores and displays things.

    The pool at Henry Schober III's two-bedroom ADU.

    The pool was preserved to create a communal area for all tenants.

    (Jason Armond / Los Angeles Times)

    “I eat at the long breakfast bar, and when I have people over, I use the common space or the roof deck,” he said.

    The home’s two floors feel like three, Lynch said, “because of the way the stairway draws one upward through the IDU and then because of how the roof steps up again.”

    The roof deck serves as another outdoor room, further expanding the living space. From the rooftop deck, Schober has panoramic views of Venice, not to mention ample room for a dining table, barbecue and sauna.

    After renting an apartment temporarily a few blocks from the beach, Schober was still determining whether he wanted to rent another apartment in Venice.

    A view of a modern bedroom in an ADU.

    The master bedroom on the second floor.

    (Jason Armond / Los Angeles Times)

    “It originally turned me off to Venice,” he said. “The price points were so high. It felt like people were paying for the ZIP Code. Landlords were asking five grand for an apartment next to a parking lot.”

    But when he saw the two-bedroom ADU, he changed his mind. “When I walked in, I thought, ‘I’m going to live here,’” said Schober, who is originally from Philadelphia and moved to Los Angeles from Switzerland.

    “The apartment and the secluded feel changed my attitude,” Schober said. “You get the convenience of Venice and access to all the restaurants and shops, but you’re not in the thick of things. I lived in San Francisco for a decade, Europe for six years. I view the apartment as an oasis in a neighborhood that is not as transformed as others.”

    Schober said the strength of the architects’ vision is that the unit is quietly tucked away in a congested neighborhood. “Since you are set back from the street, there is no foot traffic,” he added. “It doesn’t feel like I am living among a bunch of units. There is little street noise, and you would never know you live a stone’s throw from Lincoln Boulevard.”

    A side view of a white staircase inside an ADU.

    Stairs lead up to the rooftop deck.

    (Jason Armond / Los Angeles Times)

    Perhaps most impressive, the ADU defies the notion that you can’t have parking, privacy and quality of living, including a swimming pool, on a tight infill lot with other properties.

    In a sense, Schober said, “It seems the solution to the housing crisis is building up.”

    “There is a community feeling, and people know each other,” Sharif said. “They sit around the pool, and it’s very intimate and private.”

    After a 10-month building process, the team completed the project this spring at a cost of approximately $410 per square foot.

    Looking back, Alon is grateful that she moved forward with the project.

    “It’s not just a unit that brings value to the property,” she said. “It enhances the entire property for everyone. Adding housing in this condensed community is important, but this team made it something beautiful that people will enjoy. You don’t have to add a huge amount of square footage to add quality of living.”

    A lucky cat sits on an upper shelf at Henry Schober III's two-bedroom ADU in Venice.

    A lucky cat figurine sets the tone inside Henry Schober III’s two-bedroom ADU in Venice.

    (Jason Armond / Los Angeles Times)

    Lisa Boone

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