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Tag: denver art museum

  • The U.S. was a leader in cultural heritage investigations. Now those agents are working immigration enforcement.

    The Trump administration has disbanded its federal cultural property investigations team and reassigned the agents to immigration enforcement, delivering a blow to one of the world’s leaders in heritage protection and calling into question the future of America’s role in repatriating looted relics, according to multiple people familiar with the changes.

    The U.S. Department of Homeland Security established the Cultural Property, Art and Antiquities program in 2017 to “conduct training on the preservation, protection and investigation of cultural heritage and property; to coordinate and support investigations involving the illicit trafficking of cultural property around the world; and to facilitate the repatriation of illicit cultural items seized as a result of (federal) investigations to the objects and artifacts’ lawful and rightful owners.”

    Looted: Stolen relics, laundered art and a Colorado scholar’s role in the illicit antiquities trade

    Homeland Security Investigations, the department’s investigative arm, once had as many as eight agents in its New York office investigating cultural property cases. A select number of additional agents around the country also worked these cases, including a nationwide investigation into looted Thai objects.

    The Denver Art Museum has previously acknowledged that two relics from Thailand in its collection are part of that federal investigation.

    Since 2007, HSI says it has repatriated over 20,000 items to more than 40 countries.

    But the Trump administration, as part of its unprecedented mass-deportation agenda, earlier this year dissolved the cultural property program and moved the agents to immigration enforcement, multiple people with knowledge of the change told The Denver Post.

    Homeland Security officials did not respond to requests for comment.

    A few months after Trump took office, a Homeland Security staffer with knowledge of the antiquities field told The Post that they received an email from their bosses. The message, according to their recollection: “The way of the world is immigration. Bring your cases to a reasonable conclusion and understand that the priority is immigration operations.”

    This individual, who spoke on the condition of anonymity because they were not authorized to speak publicly, said they were given no time frame for the new assignment. Leadership, though, was clear that there would be no new cultural property cases.

    Instead of conducting these investigations, this individual said they have been driving detainees between detention facilities and the airport for their deportation.

    “I just spent almost a month cuffing guys up, throwing them in a van from one jail to another,” this person said, adding that the work doesn’t take advantage of their specialized training.

    It’s frustrating, the individual said, because cultural property cases don’t require a lot of agents or resources. They don’t need all types of fancy electronic equipment.

    “The juice from the squeeze on these cases is a lot more than people wanna give it credit,” this person said.

    Photo by Hyoung Chang/The Denver Post

    The Bunker Gallery section of the Denver Art Museum’s Southeast Asian art galleries at the Martin Building is pictured on Tuesday, Oct. 25, 2022. Emma C. Bunker’s name was removed from the gallery in the wake of an investigation by The Denver Post. (Photo by Hyoung Chang/The Denver Post)

    Thai objects in Denver under investigation

    For years, HSI has been investigating two Thai relics in the Denver Art Museum’s collection after officials in Thailand raised issues with their provenance, or ownership history.

    The pieces — part of the so-called “Prakhon Chai hoard” — were looted in the 1960s from a secret vault at a temple near the Cambodian border, The Post found in a three-part investigation in 2022. Villagers told the newspaper that they recall dredging the vault for these prized objects and selling them to a British collector named Douglas Latchford.

    A federal grand jury decades later indicted Latchford for conspiring to sell plundered Southeast Asian antiquities around the world. He died before he could stand trial.

    Latchford funneled some of his stolen antiquities through the Denver Art Museum due to his close personal relationship with one of the museum’s trustees and volunteers, Emma C. Bunker, The Post found.

    The museum told The Post last week it hasn’t received any communication from the federal government since December, before Trump took office.

    High-profile cases in New York and Denver are proceeding despite the reallocation of resources, one agent said.

    With the federal government mostly out of the game, cultural heritage investigations will be largely left to the Manhattan District Attorney’s Office in New York City, which has an Antiquities Trafficking Unit.

    But the DA’s office relies heavily on its partnership with HSI, which has federal jurisdiction and can serve warrants and issue summonses across the country. The Manhattan DA’s office only has authority over New York.

    “The future for the DA’s office and the (antiquities trafficking) unit is in jeopardy,” said an individual familiar with the Manhattan unit’s dealings, who also spoke on the condition of anonymity because they were not authorized to speak publicly. “It’s unclear who’s going to be swearing out warrants going forward.”

    A spokesperson for the Manhattan DA declined to comment for this story.

    Department of Homeland Security Investigations agents join Washington Metropolitan Police Department officers as they conduct traffic checks at a checkpoint along 14th Street in northwest Washington, Wednesday, Aug. 13, 2025, in Washington. (AP Photo/Alex Brandon)
    Department of Homeland Security Investigations agents join Washington Metropolitan Police Department officers as they conduct traffic checks at a checkpoint along 14th Street in northwest Washington, Wednesday, Aug. 13, 2025, in Washington. (AP Photo/Alex Brandon)

    ‘Doing the right thing still has power’

    These changes in enforcement priorities mean countries seeking the repatriation of their cultural items have fewer partners in the U.S. who can help them deal with museums and private collectors.

    “A few years ago, the United States led the world in restoring stolen history — and it mattered,” said Bradley Gordon, an American attorney who for years has represented the Cambodian government in its quest to reclaim its pillaged history from art museums, including Denver’s.

    It’s a shame, he said, that federal agencies have stepped back, even as the Manhattan DA continues its work.

    “This work isn’t just about art; it’s about security, diplomacy and restoring dignity,” Gordon said. “These looted objects were never meant to be hidden in mansions or displayed in museum glass cases far from their origins. When they are returned, entire communities celebrate with sincere happiness. It’s a reminder that doing the right thing still has power in the world.”

    Representatives from Thailand’s government, meanwhile, said they haven’t gotten an update on the Prakhon Chai investigation since Trump returned to office this year.

    Cultural heritage experts say these investigations can serve as an important diplomatic tool and use of soft power — a way for the U.S. to strengthen connections to allies or thaw fraught relations with longtime adversaries.

    In 2013, for example, President Barack Obama’s administration returned a ceremonial drinking vessel from the seventh century B.C. to Iran. For years, American officials said they couldn’t return the million-dollar relic until relations between the two countries normalized. The move — which NBC News titled “archaeo-diplomacy” — represented a small but important gesture as the U.S. sought a nuclear deal with the Middle Eastern power.

    “The return of the artifact reflects the strong respect the United States has for cultural heritage property — in this case, cultural heritage property that was likely looted from Iran and is important to the patrimony of the Iranian people,” the U.S. State Department said at the time. “It also reflects the strong respect the United States has for the Iranian people.”

    A lack of law enforcement activity in this space could also mean that museums and private collectors will be less inclined to return stolen pieces, said Erin Thompson, an art crime professor at New York’s John Jay College of Criminal Justice. Museums, instead, will maintain the status quo.

    Sam Tabachnik

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  • The Denver Art Museum added more than 700 works of art to their collections in 2023

    The Denver Art Museum added more than 700 works of art to their collections in 2023

    Some of the Denver Art Museum’s newly acquired art.

    Courtesy: Denver Art Museum

    The Denver Art Museum acquired more than 700 artworks across its ten curatorial departments in 2023.

    Ranging from pottery and watercolor to weavings, sculptures and photographs, the reported acquisitions included both purchases and gifts that were received between Oct. 1, 2022, and Sept. 30, 2023.

    “Throughout the curatorial departments of the DAM, the varied artworks added to the collection in the past year reinforce the museum’s mission to further enlarge the range of voices represented and continues to extend the scope of stories the DAM can tell in its galleries,” the museum wrote in a news release.

    Here are five takeaways from the list of acquisitions.

    1. Three departments had the largest number of acquisitions

    The Photography department had 244 acquisitions including works by 44 women and 22 photographers of color. 

    The Native Arts department added 156 works that included 117 works of pottery, weavings and watercolors from the late 1800s to the 1990s by Indigenous artists gifted by the estate of Benjamin F. and Sarah A. Crane. The department also encompasses the collections of Arts of Africa, Arts of Oceania and Indigenous Arts of North America. 

    The Architecture and Design department added 130 objects by 42 artists and designers, half of whom are women and artists of color. 

    2. First global acquisitions by two designers of West African and Korean descent 

    Works by Burkinabè designer and visual artist Hamed Ouattara and Korean multi-disciplinary designer Minjae Kim were part of the Architecture and Design department’s additions. 

    Ouattara, based in Ouagadougou, Burkina Faso and born in 1971, is best known for creating colorful and weathered furniture from oil drums.

    Hammered and shaped by hand, Ouattara’s “Indigola Cabinet” references indigo, a natural dye valued for generations in West Africa and once a high-status commodity in Europe, “which was used as currency in the British colonies, including as payment for enslaved Africans.” 

    “Garb 4” by Minjae Kim (left) and “I CAN’T TAKE MY EYES OFF OF YOU” by Jeffrey Gibson.
    Courtesy: Denver Art Museum

    Kim’s “Garb 4” was commissioned by multiple curatorial departments and was meticulously crafted from fiberglass and resin. It resembles a hanbok, the iconic attire of Korea. 

    Both of these pieces were the respective artists first museum acquisition of their careers. 

    3. A Colorado connection: Photographer Robert Adams 

    Photographer Robert Adams and his wife, Kerstin, gifted the DAM with 63 photographs, a majority of which depict the Pawnee National Grassland in northeastern Colorado after they moved to Longmont in 1971. Adams’ work is known to document the extent and the limits of damage done to the American West.

    4. Royal additions to the Arts of Africa galleries 

    An addition to the Arts of Africa galleries that reopened last year, the department was offered a collection of historic Kuba textiles and elaborate embroidered raffia cloth from the Democratic Republic of the Congo. These include 19 ceremonial women’s skirts and 42 prestige panels, considered prized luxury goods that were offered to the king in annual tribute. 

    Between the 1970s and the early 2000s, Kuba ruler Nyimi Kwete Mbokashanga began selling objects from his royal collection. This gift of Kuba textiles traces back to this royal lineage. 

    5. New works by famous impressionists Mary Cassatt and Edgar Degas

    The European and American Art Before 1900 department added five works to their collection, four of which were gifts. 

    The acquisitions included a pastel drawing by Mary Cassatt titled, “Young Woman with a Straw Hat.” Cassatt is known to be the only American artist to be exhibited among the famous French Impressionists of the 19th century. She was known for her depictions of women and children in intimate moments of care, affection and solitude

    Edgar Degas’ bronze sculpture titled “Woman Arranging her Hair” was also part of the acquisitions. The revered French Impressionist was famous for pastel drawings and oil paintings that often depicted the subject of dance. 

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  • Jefferson County library and Denver Art Museum workers vote to form union Thursday

    Jefferson County library and Denver Art Museum workers vote to form union Thursday

    Jefferson County library and Denver Art Museum workers voted to form a union Thursday, the AFSCME Council 18 announced in a news release.

    The council represents American Federation of State County & Municipal Employees (AFSCME) in New Mexico and Colorado.

    “Jefferson County library workers made Colorado history by becoming the first group to organize a union under the state’s new collective bargaining law for county employees,” AFSCME 18 said.

    Library workers have been struggling with low wages and workplace safety, according to AFSCME 18.

    “Safety in particular is a concern, as libraries have become ground zero in culture wars and default social service agencies,” AFSCME 18 said.

    We reached out to Jefferson County Public Library for a response to the vote and are waiting to hear back.

    Denver Art Museum employees also joined the movement on Thursday after what AFSCME 18 called an “especially aggressive anti-union campaign by the museum, which resulted in more than a dozen Unfair Labor Practice filings by workers.”

    Now that workers at the Denver Art Museum have joined the union, they want to prioritize adequate staffing, career advancement and wages that account for experience, tenure and continuing inflation, according to AFSCME.

    The Denver Art Museum released the following statement reacting to the vote:

    “On March 6 and 7, 2024, eligible Denver Art Museum employees participated in an election to determine whether staff would unionize. The ballots have been tallied, and the National Labor Relations Board (NLRB) has verified the tally of 120 to 59 vote in favor of electing the union. All employees in the bargaining unit of Denver Art Museum Workers United (DAMWU) will be represented by AFSCME-CWU. 

    The museum supports employees’ right to unionize and is grateful for all those who voted and exercised their rights in this process. The museum is committed to bargaining in good faith with the union toward a Collective Bargaining Agreement.

    Denver 7+ Colorado News Latest Headlines | March 8, 8am


    The Follow Up

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    Katie Parkins

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  • Denver Art Museum workers vote to unionize | Denverite

    Denver Art Museum workers vote to unionize | Denverite

    The Denver Art Museum’s new “Speaking with Light” exhibit. Feb. 16, 2023.

    Kevin J. Beaty/Denverite

    Denver Art Museum workers have voted in favor of forming a union. 

    Workers voted 120 to 59, in favor of unionizing after two days of voting, according to a news release from the DAM.

    The result means workers will have more room at the bargaining table at one of the city’s major arts and culture institutions. 

    The National Labor Relations Board (NLRB) verified the tally, according to the DAM’s news release. The union workers will be represented by the Denver-based American Federation of State, County and Municipal Employees Council 18 (AFSCME), a labor union that represents 55 museums and 129 cultural institutions around the country.

    Workers will now shift their focus to a contract campaign seeking to address “adequate staffing, career advancement, a fair disciplinary process and wages that account for experience, tenure and continuing inflation,” according to a statement from AFSCME.

    When the effort formed, workers said they felt a union was needed to address what they felt were major issues, including the need for higher, livable wages, transparency from management and creating better safety procedures.

    “The museum supports employees’ right to unionize and is grateful for all those who voted and exercised their rights in this process. The museum is committed to bargaining in good faith with the union toward a Collective Bargaining Agreement,” the DAM said in a statement.

    Nearly 250 workers expressed their desire to receive voluntary recognition from the museum of their union following an announcement of their intent to unionize on Jan. 11.

    “This is a victory for all of us, each and every one, who work at the DAM now, who have worked here in the past, and for those who will work here in the future,” said Sean Chase, a gallery host at the museum, in a statement from Denver Art Museum Workers United. “I’m immensely proud of what we have all achieved together. Democracy starts now!”

    The DAM has a total of 435 employed staff: 299 full-time and 136 part-time or temporary employees, Denver Art Museum spokesperson Andy Sinclair told Denverite in January. Of those 435, an estimated 250 people would be eligible for union. 

    The DAM did not immediately recognize the union but did agree to, “work within that system,” if workers decided to vote to unionize. 

    Today’s vote continues the trend of area art institution workers trying to gain bargaining power.

    Denver’s Meow Wolf recognized a pair of its own unions in 2022, Opera Colorado at the tail end of 2023, and other unionization drives from Alamo Drafthouse Cinema locations and the Mercury Cafe

    The trend of museum workers unionizing has taken ahold in over 30 cultural institutions across the U.S. at various stages of organizing. In 2024, Colorado union members make up 6.9% of the state’s employed population, a number below the 10% national average. 

    Other issues workers hope to address include a lack of parking for employees, inadequate benefits for bereavement and a lack of clarity about job responsibilities.

    AFSCME claims to have filed “more than a dozen Unfair Labor Practice charges” since its announcement in January, to what it describes as “an intense anti-union campaign carried out by upper management.” 

    DAM spokesperson Andy Sinclair said the museum was aware of the claims filed against it. 

    “We can assure you that the museum respects the legal right of employees to unionize and would not interfere with that right, or violate the law, in any way,” Sinclair said. “The museum will respond to the filing and follow any required next steps with the NLRB.” 

    Editor’s note: This article has been updated with comments from DAM union workers and a spokesperson for the museum about allegations of unfair labor practices before the vote.

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