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Tag: dc

  • Entire US Constitution on display in DC for first time ever: Here’s when

    The Constitution of the United States will make history once again as the public gets the chance to see the foundational artifact like never before.

    What we know:

    The entire U.S. Constitution will be on display at the National Archives Museum in Washington, D.C., for two weeks.

    The public can view the special display in the Rotunda starting from Tuesday, September 16, through Wednesday, October 1.

    Dig deeper:

    The original four-page Constitution, along with the Bill of Rights are always available for public viewing at the National Archives.

    However, this two-week display will also include all 27 Constitutional amendments and the rarely displayed “fifth page” of the Constitution signed by George Washington.

    It will mark Constitution Day on September 17, and join in the celebration of the United States 250th anniversary.

    The Source: Information from this article was provided by the National Archives Foundation.

    Washington, D.C.NewsNews

    Amanda.Hurley@fox.com (Amanda Hurley)

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  • DC Sues Trump Over – KXL

    WASHINGTON, DC – Officials in the nation’s capital are filing a lawsuit against President Trump over the deployment of National Guard troops. The lawsuit argues Mr. Trump “has run roughshod over a fundamental tenet of American democracy — that the military should not be involved in domestic law enforcement.”

    This legal action comes after a federal judge ruled earlier this week that the Trump administration’s deployment of National Guard troops in California was illegal.

    According to a senior official familiar with planning, the administration is working on an extension that could keep troops in the nation’s capital through December.

    More about:


    Tim Lantz

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  • Clayface Set Photos Show Joker Easter Egg & Tease Film’s Logo

    New photos and videos from the set of Clayface appear to reveal the DCU film’s logo and a Joker Easter egg. Notably, Clayface is slated to be the third DCU feature after Superman and Supergirl. James Watkins (Speak No Evil) is helming the movie from a script by Mike Flanagan and Hossein Amini.

    Clayface set photos hint at movie’s logo, Joker easter egg

    Production for Clayface began in late August 2025. Since then, new photos and clips from the set of the highly anticipated feature in Liverpool have surfaced on social media. A few of them feature the clapperboard, which gives viewers an idea of what the movie’s logo could be.

    One photo depicts “the Jokers” graffiti on the wall of a property, indicating that the Crown Prince of Crime exists in some form in the DCU.

    The DC Universe is a soft reboot of the previous franchise based around DC characters, the DC Extended Universe (DCEU), with James Gunn and Peter Safran serving as co-heads. It was in January 2021 that Flanagan publicly stated his interest in developing a Clayface project. There was no DCU at the time. In March 2023, after Gunn and Safran announced the DCU slate, Flanagan reportedly pitched a Clayface movie to them. The character made his DCU debut in the animated series Creature Commandos, with Alan Tudyk lending his voice to the role. Earlier this year, Tom Rhys Harries (White Lines) joined the cast as the titular character. He is reportedly portraying the Matt Hagen iteration of Clayface. Naomi Ackie is also part of the cast.

    Clayface is a body-horror feature. Its log line reads, “A Hollywood horror tale centering on a B-movie actor who injects himself with a substance to keep himself relevant, only to find out that he can reshape his face and form, becoming a walking piece of clay.”

    Clayface debuts in U.S. theaters on September 11, 2026.

    Originally reported by Tamal Kundu on SuperHeroHype.

    Evolve Editors

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  • Trump to patrol DC with military and law enforcement Thursday night, officials say

    President Donald Trump is expected to join military and law enforcement officers on patrol in Washington, D.C., on Thursday night, marking his first time on the streets since declaring a public safety emergency earlier this month.

    Trump expected to patrol city

    The White House confirmed the plan but did not disclose the time or location of the patrol. On Wednesday, National Guard members stationed at Union Station received an unexpected visit from Vice President J.D. Vance and Defense Secretary Pete Hegseth, who handed out burgers and thanked troops for their service.

    READ MORE: VP Vance visits National Guard at Union Station amid DC protests

    Trump’s emergency order earlier this month placed D.C. police under federal control and deployed National Guard troops from multiple states. 

    The administration has also begun clearing homeless encampments, citing safety concerns.

    President Donald Trump hosts a multilateral meeting with President Volodymyr Zelenskyy of Ukraine and European leaders, Monday, August 18, 2025, in the East Room of the White House. (Official White House Photo by Daniel Torok)

    Over 600 arrests made

    Earlier Thursday, Attorney General Pam Bondi said 630 arrests have been made, and 86 illegal firearms seized in the District since the federal takeover began.

    READ MORE: 630 arrests since DC takeover began, Bondi says

    The Source: Information in this article comes from White House officials and previous FOX 5 reporting.   

    NewsDonald J. TrumpWashington, D.C.

    Sam.Kosmas@fox.com (Sam Kosmas)

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  • James Gunn Says These Major Real World Cities Don’t Exist in DCU

    James Gunn recently addressed what makes the DC Universe (DCU) unique and different from other franchises, including the Marvel Cinematic Universe (MCU). Notably, Gunn has directed the three Guardians of the Galaxy movies for Marvel and currently serves as the co-head of DC Studios along with his long-time producing partner Peter Safran.

    James Gunn says New York and Los Angeles don’t exist in DCU

    Gunn discussed the world-building aspect of the DCU during an interaction with Rainn Wilson for Interview Magazine and underlined what sets it apart from the MCU and other popular franchises.

    When asked how it felt to be part of the DCU world-building, the filmmaker responded, “I think it’s the reason I agreed to the job. You talk about George R.R. Martin [the author of A Song of Ice and Fire book series, the source material of Game of Thrones] and he is really one of the guys who I love and look up to. I’m an enormous fan of his and people say, ‘Oh, the DCU is doing what MCU is.’”

    The filmmaker added, “But I think it really is a lot more to me what the Game of Thrones world is like or what Star Wars is like, because we’re building a universe and then picking out little pieces of it and telling individual stories from that universe.”

    Gunn’s first DC project was the 2021 DCEU feature The Suicide Squad. The movie performed poorly at the box office for a variety of reasons, including the impact of the COVID-19 pandemic. However, it received glowing reviews from the critics. Since then, Gunn has created two seasons of Peacemaker and one season of Creature Commandos and helmed 2025’s Superman. Creature Commandos, Superman, and Peacemaker Season 2 are all part of the DCU.

    When Wilson asked what makes the DCU unique as a franchise, Gunn pointed out that Metropolis, Evergreen, and Coast City exist in this fictional universe instead of New York and Los Angeles. He added, “It’s a different map. It’s a world in which some form of superheroes, which we call Metahumans, have existed for at least 300 years, and they’ve been a part of our life.”

    Originally reported by Tamal Kundu on SuperHeroHype.

    Evolve Editors

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  • 20 states, including California, sue DOJ to stop immigration requirements on crime victim funds

    A coalition of attorneys general from 20 states and Washington, D.C., is asking a federal judge to stop the U.S. Department of Justice from withholding federal funds earmarked for crime victims if states don’t cooperate with the Trump administration’s immigration enforcement efforts.The lawsuit filed Monday in Rhode Island federal court seeks to block the Justice Department from enforcing conditions that would cut funding to a state or subgrantee if it refuses to honor civil immigration enforcement requests, denies U.S. Immigration and Customs Enforcement officers access to facilities or fails to provide advance notice of release dates of individuals possibly wanted by U.S. Immigration and Customs Enforcement because of their immigration status.The lawsuit asks that the conditions be thrown out, arguing that the administration and the agency are overstepping their constitutional and administrative authority.The lawsuit also argues that the requirements are not permitted or outlined in the Victims of Crime Act, known as VOCA, and would interfere with policies created to ensure victims and witnesses report crimes without fear of deportation.“These people did not ask for this status as a crime victim. They don’t breakdown neatly across partisan lines, but they share one common trait, which is that they’ve suffered an unimaginable trauma,” New Jersey Attorney General Matthew J. Platkin said during a video news conference Monday, calling the administration’s threat to withhold funds “the most heinous act” he’s seen in politics.The federal conditions were placed on VOCA funding, which provides more than a billion dollars annually to states for victims compensation programs and grants that fund victims assistance organizations. VOCA funding comes entirely from fines and penalties in federal court cases, not from tax dollars.Every state and territory has a victims compensation program that follows federal guidelines, but largely is set up under state law to provide financial help to crime victims, including medical expense reimbursement, paying for crime scene cleanup, counseling or helping with funeral costs for homicide victims. VOCA covers the cost of about 75% of state compensation program awards.The funds are also used to pay for other services, including testing rape kits, funding grants to domestic violence recovery organizations, trauma recovery centers and more.Advocates and others argue that the system needs to protect victims regardless of their immigration status and ensure that reporting a crime does not lead to deportation threats. They also say that marginalized communities, such as newly arrived immigrants, are more likely to be crime targets.“The federal government is attempting to use crime victim funds as a bargaining chip to force states into doing its bidding on immigration enforcement,” New York Attorney General Letitia James, who also joined the lawsuit, said in a statement Monday. “These grants were created to help survivors heal and recover, and we will fight to ensure they continue to serve that purpose … We will not be bullied into abandoning any of our residents.”The Associated Press left a message seeking comment from a DOJ spokesperson Monday afternoon.President Donald Trump’s administration has sought to withhold or pull back other federal funding or grant funding midstream, saying awardees and programs no longer agree with its priorities. In April, it canceled about $800 million in DOJ grants, some of which were awarded to victims service and survivor organizations.And in June, states filed a lawsuit over added requirements in Violence Against Women Act funding that mandated applicants agree not to promote “gender ideology,” or run diversity, equity and inclusion programs or prioritize people in the country illegally.Several attorneys general said the VOCA conditions appear to be another way the administration is targeting so-called sanctuary jurisdictions that limit cooperation with federal immigration authorities, though there is no clear definition of what a sanctuary state or city is.The Trump administration earlier this month released an updated list of states, cities and counties it considers sanctuary jurisdictions. U.S. Attorney General Pam Bondi said in the August announcement that the department would “continue bringing litigation against sanctuary jurisdictions and work closely with the Department of Homeland Security to eradicate these harmful policies around the country.”As of Monday afternoon attorneys general from California, Colorado, Connecticut, Delaware, District of Columbia, Hawaii, Illinois, Maine, Maryland, Massachusetts, Michigan, Minnesota, Nevada, New Jersey, New Mexico, New York, Oregon, Rhode Island, Vermont, Washington and Wisconsin — all Democrats — had signed on to the lawsuit. See more coverage of top California stories here | Download our app | Subscribe to our morning newsletter | Find us on YouTube here and subscribe to our channel

    A coalition of attorneys general from 20 states and Washington, D.C., is asking a federal judge to stop the U.S. Department of Justice from withholding federal funds earmarked for crime victims if states don’t cooperate with the Trump administration’s immigration enforcement efforts.

    The lawsuit filed Monday in Rhode Island federal court seeks to block the Justice Department from enforcing conditions that would cut funding to a state or subgrantee if it refuses to honor civil immigration enforcement requests, denies U.S. Immigration and Customs Enforcement officers access to facilities or fails to provide advance notice of release dates of individuals possibly wanted by U.S. Immigration and Customs Enforcement because of their immigration status.

    This content is imported from YouTube.
    You may be able to find the same content in another format, or you may be able to find more information, at their web site.

    The lawsuit asks that the conditions be thrown out, arguing that the administration and the agency are overstepping their constitutional and administrative authority.

    The lawsuit also argues that the requirements are not permitted or outlined in the Victims of Crime Act, known as VOCA, and would interfere with policies created to ensure victims and witnesses report crimes without fear of deportation.

    “These people did not ask for this status as a crime victim. They don’t breakdown neatly across partisan lines, but they share one common trait, which is that they’ve suffered an unimaginable trauma,” New Jersey Attorney General Matthew J. Platkin said during a video news conference Monday, calling the administration’s threat to withhold funds “the most heinous act” he’s seen in politics.

    The federal conditions were placed on VOCA funding, which provides more than a billion dollars annually to states for victims compensation programs and grants that fund victims assistance organizations. VOCA funding comes entirely from fines and penalties in federal court cases, not from tax dollars.

    Every state and territory has a victims compensation program that follows federal guidelines, but largely is set up under state law to provide financial help to crime victims, including medical expense reimbursement, paying for crime scene cleanup, counseling or helping with funeral costs for homicide victims. VOCA covers the cost of about 75% of state compensation program awards.

    The funds are also used to pay for other services, including testing rape kits, funding grants to domestic violence recovery organizations, trauma recovery centers and more.

    Advocates and others argue that the system needs to protect victims regardless of their immigration status and ensure that reporting a crime does not lead to deportation threats. They also say that marginalized communities, such as newly arrived immigrants, are more likely to be crime targets.

    “The federal government is attempting to use crime victim funds as a bargaining chip to force states into doing its bidding on immigration enforcement,” New York Attorney General Letitia James, who also joined the lawsuit, said in a statement Monday. “These grants were created to help survivors heal and recover, and we will fight to ensure they continue to serve that purpose … We will not be bullied into abandoning any of our residents.”

    The Associated Press left a message seeking comment from a DOJ spokesperson Monday afternoon.

    President Donald Trump’s administration has sought to withhold or pull back other federal funding or grant funding midstream, saying awardees and programs no longer agree with its priorities. In April, it canceled about $800 million in DOJ grants, some of which were awarded to victims service and survivor organizations.

    And in June, states filed a lawsuit over added requirements in Violence Against Women Act funding that mandated applicants agree not to promote “gender ideology,” or run diversity, equity and inclusion programs or prioritize people in the country illegally.

    Several attorneys general said the VOCA conditions appear to be another way the administration is targeting so-called sanctuary jurisdictions that limit cooperation with federal immigration authorities, though there is no clear definition of what a sanctuary state or city is.

    The Trump administration earlier this month released an updated list of states, cities and counties it considers sanctuary jurisdictions. U.S. Attorney General Pam Bondi said in the August announcement that the department would “continue bringing litigation against sanctuary jurisdictions and work closely with the Department of Homeland Security to eradicate these harmful policies around the country.”

    As of Monday afternoon attorneys general from California, Colorado, Connecticut, Delaware, District of Columbia, Hawaii, Illinois, Maine, Maryland, Massachusetts, Michigan, Minnesota, Nevada, New Jersey, New Mexico, New York, Oregon, Rhode Island, Vermont, Washington and Wisconsin — all Democrats — had signed on to the lawsuit.

    See more coverage of top California stories here | Download our app | Subscribe to our morning newsletter | Find us on YouTube here and subscribe to our channel

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  • Chainbridge Solutions Named a 2025 Washington Top Workplace

    Celebrated for exceptional workplace culture and employee satisfaction

    Chainbridge Solutions announced today it has been recognized as a 2025 Top Workplaces by The Washington Post, based on independently gathered feedback from current Chainbridge employees. The honor was announced at The Washington Post’s 2025 Top Workplaces Awards Ceremony, held June 18 in Washington, D.C.

    “We are deeply honored to be named a Top Workplace for 2025,” said Aarti Smith, Founder and CEO of Chainbridge Solutions. “This award is incredibly meaningful because it comes directly from our team. It reflects the culture we’ve worked hard to build and maintain – one rooted in respect, flexibility, and a shared belief that people do their best work when they feel supported and seen. I’m proud of what we’ve built together.”

    The survey measures key culture drivers that are critical to organizational success, including alignment, execution, connection, and employee well-being – celebrating companies that prioritize their people and foster a culture of excellence, purpose, and support.

    “Here, we are committed to ensuring a safe and collaborative environment that fosters communication, encourages autonomy, and lays the foundation for a successful and fulfilling employee experience,” said Monica Janik, Director of Human Resources at Chainbridge Solutions.

    Chainbridge Solutions was founded in 2010 and has since grown into a team of over 100 professionals. Now in its 15th year, the company remains focused on creating an environment where mission and culture go hand in hand.

    To learn more about life at Chainbridge, careers, and workplace benefits, visit the company’s career site: https://chainbridgesolutions.com/careers/#life

    Source: Chainbridge Solutions

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  • The Definitive Ranking of Clowns

    The Definitive Ranking of Clowns

    Here at The Ringer, Megan Schuster and I have spent years ranking things like movie monsters, sharks, and dinosaurs, all of which have a reputation for terrifying people. But we’ve never had a task as daunting as putting together a list of what are arguably the single-scariest figures in pop culture: clowns.

    In real life, clowns are meant to entertain children at birthday parties and circuses —to spread joy with laughter. In pop culture, however, clowns are primarily depicted as nefarious figures who torment and kill people. In fact, the biggest challenge while coming up with this ranking was trying to find good pop culture clowns. (Spoiler alert: It was slim pickings out there.) No wonder as much as 42 percent of Americans have at least a minor case of coulrophobia.

    Unfortunately, this ranking will not help the public perception of clowns as nightmare fuel—this exercise even led to many sleepless nights for your intrepid bloggers. (Clown-related trauma will be brought up at my next performance review.) Before we get to the ranking, a quick overview of the criteria: We capped the list at 30 entries, and if there were multiple interpretations of a character, they’d be roped together—also known as the Joker Clause.

    All right, Megan, time to send in the clowns. —Miles Surrey

    30. John Wayne Gacy

    Surrey: In the many years Megan and I have been doing these rankings, there’s never been an easier call to make for last place. One of America’s most notorious serial killers, John Wayne Gacy was responsible for 33 confirmed murders around Chicago, where he also performed at children’s parties as Pogo the Clown. (Remind me to never hire a clown for my nephew’s future birthdays.) Gacy’s atrocities have been covered in docuseries (Conversations With a Killer: The John Wayne Gacy Tapes) and film adaptations (Gacy), and there’s no escaping the fact that one of the reasons he’s received a ton of media attention is because he moonlighted as, of all things, a clown. Professional clowns already have to deal with bad PR from all the sinister characters in fiction; Gacy turned those fears into a terrifying reality.

    Schuster: The first time we’ve ever had a serial killer in these rankings—what a massive, horrible milestone.

    29. Happy Slappy, Air Bud

    Schuster: Happy Slappy’s real name (at least in the Air Bud–verse) is Norman Snively, and let me just say, the movie’s writers couldn’t have come up with a more appropriate moniker. Norman is a sniveling, creepy man who’s abusive to his dog, cruel to children, and all around a pretty terrible clown. He’s Buddy the golden retriever’s first owner, but after the dog embarrasses him at a children’s birthday party, Norman tries to drop him off at the pound. Snively only tries to get Buddy back once the dog has achieved local TV stardom for his play on the basketball court.

    Fortunately for all involved, Buddy winds up staying with Josh and his family; Norman is arrested; and, god willing, no one ever has to see the clown ever again. Though I admit I’ll continue to think about this thread from Norman’s Disney wiki page, in which someone earnestly asks, “If Norman hates being a clown, why can’t he just quit the job and find something else to do?”

    Surrey: This is the problem with getting a bachelor’s degree from a clown college.

    28. Jangles the Clown, Inside Out

    Surrey: A child’s mind is a place like no other, which Inside Out conceptualizes as a trippy workplace where different emotions take turns running the show. When Joy and Sadness enter a chamber containing the darkest fears of 11-year-old Riley, they encounter tree-sized stalks of broccoli and—gasp!—grandma’s vacuum cleaner. But the scariest sight of all is Jangles, a clown who traumatized Riley at her third birthday party and has been reimagined as a hulking, kooky monster. Jangles is the perfect embodiment of an irrational childhood fear, and in true Pixar fashion, he’s also got a wagon:

    Disney/Pixar

    Don’t shoot the messenger—I’m just calling it like it is!

    Schuster: Pixar, and Ross and Rachel’s kid in Friends: all about the ass.

    27. Binky the Clown, Garfield

    Schuster: In the Garfield comic extended universe, Binky the Clown is known for being loud and obnoxious and for having possibly the worst timing ever. In fact, in the show Garfield and Friends, Binky has a segment titled “Screaming With Binky,” in which his sole purpose is to disrupt situations that require precise movement or masterful concentration by screaming his signature catchphrase, “Hey kids!”

    Binky isn’t a particularly substantive character in either the original comic or the TV show—he’s more of a running bit, à la Itchy and Scratchy in The Simpsons. (Jon could be seen drinking out of a Binky the Clown mug at times, and Garfield once competed in a game show called “Name That Fish” that Binky hosted. Sidenote: how is “Name That Fish” not already a network show?) But Binky frequently serves as a comedic foil to Garfield, which is enough to get him on the list.

    26. Doink the Clown, WWF

    Schuster: Doink the Clown went through a number of iterations during his time in the World Wrestling Federation (now WWE). He was originally played by Matt Borne as a technically proficient heel—a sad-clown character who squirted children with fake flowers, attacked opponents with prosthetic limbs, and used tripwire in some of his many pranks. But over time Doink went through an evolution, and in later years he could be seen showing a kinder side: making children smile and teaming up with a miniature version of himself named Dink to battle WWE’s infamous villains.

    Sadly, though, after Matt Borne’s death in 2013, his family filed a wrongful death lawsuit against WWE claiming that the culture of the sport led Borne to suffer “illnesses and injuries, including depression and drug abuse, which ultimately resulted in his untimely death.” The lawsuit was eventually dismissed in a U.S. district court, and Doink is only sporadically portrayed these days by other wrestlers on the independent circuit.

    25. Captain Spaulding, Rob Zombie’s Filmography

    Surrey: There are two things you need to know about Rob Zombie movies: He will put his wife in every single one of them, and they’re gonna feature some seriously fucked-up characters. One such figure is Captain Spaulding, the proprietor of a dinky gas station and roadside attraction who first appears in House of 1000 Corpses. Named after a Groucho Marx character and played by the late Sid Haig, Spaulding is, in Zombie’s own words, a “lovable asshole,” which is, uh, certainly one way to describe a sadistic killer caked in clown makeup. To quote a gas station robber moments before Spaulding blows his head off: “I hate clowns.” Hard agree.

    24. Loonette, The Big Comfy Couch

    Schuster: Millennials, this blurb is for you. If you, like me, were a child and a PBS viewer in the mid-’90s, then you may remember The Big Comfy Couch and, more specifically, the clown (Loonette) and her doll (Molly) who hosted it. Now, I’ll admit that I’m fuzzy on many of the show’s finer details—was it just … about a couch that was comfy? Why did a clown need to host it? And what was the deal with said clown’s Wicked Witch of the East stockings?—but I will always vividly remember trying to re-create Loonette’s clock stretch on the floor of my living room. (Spoiler alert: It never went well. And yes, I did try it again just before writing this.)

    23. Circus Clowns From Dumbo

    Schuster: It’s wild how many clowns on this list are cruel to animals. The clowns in Dumbo, for example, are largely silent creatures, but they humiliate Dumbo during a circus performance in which a clown dresses like Dumbo’s mother and encourages the elephant to jump out a window. Dumbo is hesitant at first, but another clown comes up from behind him and smacks him with a plank, forcing him to fall into a tub of random goop.

    Dumbo eventually gets one over on the clowns in the end by flying and sending their whole routine into chaos—serves you right, jerks!—but this crew gives circus performers a bad name.

    22. “Crazy” Joe Davola, Seinfeld

    Surrey: Seinfeld is many things; scary isn’t one of them. But the six-episode arc of “Crazy” Joe Davola, an unhinged writer who blames Jerry for his script being rejected by NBC, feels like something out of Mindhunter. When Elaine unwittingly dates Joe and visits his apartment, she discovers an entire wall of photos he’s taken of her—including when she’s showered. (Unsurprisingly, Elaine pepper-sprays Joe and gets the hell out of there.) Later, Joe dresses up as Pagliacci, beats the crap out of some hooligans in Central Park, and reminds Kramer of his childhood fear of clowns. For a network sitcom, it’s genuinely freaky stuff. This is what my sleep paralysis demon would look like if I turned on the lights:

    Castle Rock Entertainment

    21. Flunky the Clown, Late Night With David Letterman

    Schuster: Flunky was a depressed, chain-smoking clown who first showed up on Late Night With David Letterman in 1985 to help Dave answer viewer letters. In his original appearance, the clown is described as the “flunkie who actually reads these letters for Dave”—only for viewers to be introduced to a literal clown backstage played by longtime Letterman writer Jeff Martin. In the letter, Dave is asked whether the author (who also goes by Jeff!) should go to Europe for the summer. Flunky responds: “Yeah, I got some advice. Don’t go to Europe, Jeff, stay in school or you’ll wind up like me, a pathetic old clown reading somebody else’s mail.”

    Good advice for us all!

    20. Laughing Clown From Happy Gilmore

    Schuster: Deep into the greatest movie of all time, a.k.a. Happy Gilmore, our titular protagonist is struggling with his short game. Who among us can relate? So Happy’s intrepid golf coach, Chubbs Peterson, takes him to Happy Land, a miniature golf spot that looks cute and fun on the outside but is actually filled with impossible holes designed to break your will to live. There, Happy knocks a ball over a fence, breaks various signage, and disappoints Lee Trevino. And that’s all before he squares off against The Clown.

    I’d like to think all of us have been personally victimized by a mini golf hole at one point or another in our lives. But more than 20 years after seeing this movie for the first time, I’m still haunted by this clown’s laugh.

    Honestly, “You’re gonna die, clown!” is probably the nicest thing Happy could have said in that moment.

    Surrey: I have a clown question, bro: How do you even get past this hole? Happy was putting perfectly and the clown kept closing its mouth on the ball. I’m all for obstacles, but this clown ruined the sanctity of one of America’s great pastimes.

    19. Jack, Jack in the Box fast food chain

    Surrey: I had no idea a fast food mascot could have fascinating lore, but the titular Jack of Jack in the Box has been through it. In the ’80s, Jack’s clown head was blown up in a commercial in which a sweet old lady shouts “Waste him!” in a truly deranged bit of marketing. (Considering the decade, I can only assume ad executives everywhere were tripped out on certain … substances.) However, when Jack in the Box’s reputation took a hit from an E. coli outbreak in the ’90s, Jack was rebranded as the “CEO” of the company and sought revenge against those who’d wronged him. Jack walked so Heath Ledger’s Joker could run:


    I’m not sure committing domestic terrorism is a great way to promote fast food, but I’m invested all the same. Megan, just imagine what Jack would do to his employees if they unionized.

    Schuster: I like that the rebrand is supposed to make him seem more competent, and then in the end the suit just makes him look like a knockoff Patrick Bateman. Oh, to be a fly on the wall of that ad agency.

    18. Homey D. Clown, In Living Color

    Schuster: Homey D. Clown was an incredible invention from In Living Color. The character, played by Damon Wayans from 1990 to 1994, is on a prison work release program where he is forced to clown for children—all while getting his thoughts out about “Whitey” and The Man. Rather than my trying to explain the full magic of Homey, I think we’d be better served by reading and hearing a collection of some of his best quotes.

    Obviously there’s his signature catch phrase: “Homey don’t play that.” But there’s so much more. During a birthday party episode hosted at “Home E. Cheese,” Homey welcomes the group to a place “where a kid can be a kid—unless he gets on my damn nerves.” Then there’s the time he stars in a commercial for “Homey Wheats” cereal: “So remember, little childrens, do what The Man says: Go out and buy yourself a box of new Homey Wheats, the only cereal made from cookies, marshmallows, sugar cubes, and other nutritional pieces of candy.” And finally, there’s the episode where he’s reunited with his son, Homey Jr., and sings him this lullaby:

    17. Twisty the Clown, American Horror Story: Freak Show

    Surrey: I was already conditioned to be freaked out by John Carroll Lynch thanks to Zodiac, where he played the man suspected—but never proved—to be the infamous serial killer. But then Ryan Murphy cast Lynch on American Horror Story and had him looking like this:

    FX

    Even in a ranking consisting (mostly) of clowns that’ll keep you up at night, Twisty’s appearance is no laughing matter.

    16. Sweet Tooth, Twisted Metal

    Surrey: There are a lot of unsavory characters you’d want to avoid in the postapocalyptic wasteland of Peacock’s Twisted Metal, but Sweet Tooth takes the cake. With a clown mask, the body of professional wrestler Samoa Joe, and the disarming voice of Will Arnett, Sweet Tooth is nothing if not unique: a chaos agent who gleefully kills people as often as he invites them to attend his one-man show in the ruins of Las Vegas. (True to his name, Sweet Tooth also drives an ice cream truck.) For what it’s worth, if we put together a Royal Rumble and threw all the pop culture clowns into the ring, my money’s on this guy.


    15. Fizbo, Modern Family

    Schuster: One of the best scenes of Modern Family is the introduction to Fizbo. It’s midway through Season 1: Luke is having a birthday party, and Cameron oh so innocently asks whether a clown will be performing.

    Cam’s told that no, there won’t be that kind of entertainment at the party. And Mitchell begs Cam to let it go, saying that if Luke wanted a clown, his parents would have already hired one. But as Cam stares at himself in the mirror and gets ready to celebrate his nephew’s big day, he can’t help himself. He whips out the makeup, puts on a red nose, and says, “Hello, old friend.” Enter Fizbo, the attention-seeking clown.

    From there, things take a twist. Fizbo threatens a man who was rude to Mitchell at a gas station; unintentionally terrorizes Phil, Luke’s dad, who has a previously undisclosed fear of clowns; and eventually saves the day via a cake delivery to the hospital where Luke ends up due to a rogue escaped scorpion. Fizbo may not have been properly appreciated in his time, but we support him—one of the actually nice, benevolent clowns on this list.

    14. Clown Doll, Poltergeist

    Surrey: Before malevolent spirits attack the Freeling family in Poltergeist, viewers will notice a clown doll kept in the children’s bedroom. This is its face:

    MGM Studios

    You don’t need to be a horror movie expert to understand that this thing is bad news, and sure enough, the possessed doll ends up attacking little Robbie Freeling. (The clown’s cheery smile also turns into an evil grin, which absolutely traumatized me as a child.) In fact, the image of Poltergeist’s sinister clown is so iconic that the 2015 remake led with it in the promotional material. One could say Poltergeist’s marketing wasn’t … clowning around. Sorry, I’ll see myself out.

    Schuster: How dare you, Miles; we all know clowns aren’t things to jest about.

    13. Buggy the Clown, One Piece

    Surrey: In the fantastical world of One Piece, the popular pirate manga recently adapted into a live-action series on Netflix, there are “devil fruits” that, if ingested, give someone special abilities. The show’s protagonist, aspiring pirate king Monkey D. Luffy, can stretch his body à la Mr. Fantastic; meanwhile, one of the first villains introduced in the series, Buggy the Clown, is able to split his body into pieces. (Like all the major characters in One Piece, Buggy is a pirate … who just so happens to dress like a clown.) As you’d expect, having Luffy and Buggy square off using their respective powers—one guy stretching like a giant stick of gum, the other intentionally turning himself into sashimi—makes for cartoonishly entertaining television. A favorite of One Piece creator Eiichiro Oda, Buggy captures the series’ offbeat tone in a nutshell: a little bit goofy, a little bit disturbing, and unlike anything you’ve seen before.

    12. Zeebo the Clown, Are You Afraid of the Dark?

    Schuster: This may be a good place to explicitly disclose that I am a journalist and have a massive phobia of clowns. (A conflict of interest, you say? Too bad!) Zeebo the Clown is a big reason why. I mean, LOOK AT THIS:

    Nickelodeon Productions

    Not only is he a terrifying figure, but he also had the crypto-bro eyes before that was even a thing. Hardest possible pass.

    Surrey: It happened to me: I’ve laid my eyes on Zeebo, and now I’m afraid of the dark.

    11. Pagliacci

    Schuster: The Pagliacci meme has been around for decades—and its roots can be traced back to the 1800s. For those unfamiliar, the meme stems from the story of a man who goes to see a doctor because he’s depressed. The doctor’s suggested treatment? “The great clown Pagliacci is in town tonight. Go and see him! That should sort you out.” The man then bursts into tears and responds: “But doctor, I am Pagliacci.”

    The story was referenced by a number of comedians after Robin Williams’s death in 2014. But the meme took on a life of its own in 2022—to the point that Wired wrote a detailed story about it. Over time, the meme has spawned many new iterations on social media. For example:

    MAN: I’m depressed

    DOCTOR: ok we can try lexapro

    MAN: hmm I was hoping more for like a clown recommendation?

    Another one says: “Man goes to see Pagliacci, goes backstage. Tells Pagliacci he thought the show would cheer him up, but he’s still depressed. Pagliacci says, ‘Oh well I’m just a silly clown. Shouldn’t you go see a real doctor?’ Man bursts into tears. Says, ‘But Pagliacci,”

    The meme isn’t quite as prevalent today, but for nearly a decade, the sad clown was an important internet reference point.

    Surrey: But Megan, how could you omit the greatest Pagliacci reference of them all?

    I may or may not have spent years doing a Rorschach impression because of this. It may or may not have gone down well with my (former) friends.

    10. Art the Clown, Terrifier

    Surrey: You have to be a sick bastard to seek out the Terrifier movies, so naturally … I have. For the uninitiated, the Terrifier franchise follows the twisted exploits of Art: a psychopathic, potentially unkillable clown who revels in finding increasingly creative ways to murder people. The deaths in Terrifier 2 were so gruesome that people apparently vomited and fainted during screenings, which didn’t stop the movie from becoming one of the greatest indie success stories of 2022. (For any curious sickos out there, here’s a link to one of Art’s most iconic kills; be warned, it’s gnarly.)

    Art has done for on-screen deaths what Stephen Curry’s 3-point shooting has done for basketball: He’s changed the game. The Christmas-themed Terrifier 3 is set to come out later this month, and if Art continues to one-up himself in the killing department, we’ll have to consider moving him up the rankings. Seriously, Megan, we have to. I really don’t want to get on his bad side.

    Schuster: Can’t believe we got a Steph Curry comp in a piece about clowns. Honestly, bravo to us.

    9. Bozo the Clown

    Schuster: “The World’s Most Famous Clown” came into existence in the 1940s; by the late 1950s, the character himself had become a franchise and was appearing in television markets across the United States. Bozo became a touchpoint for a number of future TV clowns, and he was even the inspiration for Ronald McDonald—fun fact: The first Ronald McDonald was played by Willard Scott, who’d previously played Bozo on WRC-TV in Washington, D.C. (More on Ronald later!)

    8. Killer Klowns, Killer Klowns From Outer Space

    Surrey: I mean, the title speaks for itself. Probably the only film in existence that could be described as “clownsploitation,” Killer Klowns From Outer Space is set in a small town that gets invaded by—wait for it—extraterrestrial clowns who capture humans for sustenance. The killer klowns have all the (circus) tricks in the book: cotton candy cocoons, balloon bloodhounds, pies apparently made out of sulfuric acid, and popcorn guns. They might not be nearly as scary as some of the other clowns on this list, but the killer klowns endure as B-movie royalty. (Be sure to check out Killer Klowns From Outer Space: The Game, and yes, that is a real thing.) Also, they’ve got a theme song that has no reason to go this hard.

    No joke, I’d put this on my wedding playlist.

    7. Ronald McDonald

    Schuster: As ubiquitous as the golden arches themselves, Ronald McDonald has become a worldwide fast food icon. The hair; the yellow jumpsuit; his crew of Grimace, the Hamburglar, and Mayor McCheese—these are all things many of us have been exposed to since we were children running around in PlayPlaces.

    Now, whether it’s a positive thing that a clown has lured children into consuming fast food is certainly something we could discuss. (Seeing an image of Ronald McDonald still makes me crave a Happy Meal, like I’m one of Pavlov’s dogs.) I suppose we could just pretend that millions of us haven’t been conditioned over the years by a multibillion-dollar corporation. Yeah, let’s go with option no. 2.

    Surrey: Is it just me, or has McDonald’s marketing basically abandoned Ronald and his crew? I’m worried this is a Five Nights at Freddy’s situation just waiting to happen. (To be clear: would watch a horror movie about Ronald taking out McDonald’s executives—and a crossover with Jack from Jack in the Box.)

    6. Insane Clown Posse

    Surrey: I have only nice things to say about Insane Clown Posse—because I’d hate to incur the wrath of the Juggalos. Great hip-hop duo, totally normal clown gimmick. Crank up that “Boogie Woogie Wu.”

    5. Harley Quinn

    Surrey: Going back to her first appearance in Batman: The Animated Series in the early ’90s, Harley Quinn has long served as the sidekick and love interest of the Joker—a worthy supporting player, but one who’s always ceded the spotlight to the Clown Prince of Crime. But one of the (few) good things about the 21st century’s superhero boom is that it’s allowed Harley to become a star in her own right. On the big screen, Margot Robbie has memorably inhabited the character in the DC Extended Universe (RIP), bringing a chaotic, charismatic energy to everything from fight scenes to a romantic montage with a fictional South American dictator. (Lady Gaga’s Harley has big shoes to fill in Joker: Folie à Deux.)

    Not to be outdone, Max’s Harley Quinn animated series is a hilarious love letter to the Batman universe, full of misunderstood villains just looking for acceptance—title character included. (Season 5 can’t come soon enough.) Even as superhero fatigue sets in, the strongest endorsement I can give to Harley is that her antics are never tiresome. What can I say? When she’s not snapping femurs, Harley just knows how to hit your funny bone.

    4. Krusty the Clown, The Simpsons

    Schuster: Here is a brief (or not so brief) list of some of my favorite Krusty the Clown plotlines on The Simpsons. In no particular order:

    • The time he’s investigated for tax fraud and fakes his own death by crashing his plane into a mountain, only to return after Bart reminds him that he’s “more respected than all the scientists, doctors, and educators in the country put together.”
    • The time he offers up Kamp Krusty as a summer getaway for kids, only to allow it to be run into the ground to the point that the kids are starving, they revolt against the authoritarian counselors, and Krusty is forced to make amends—by taking everyone on a trip to Tijuana.
    • The running bit where Krusty will endorse anything so long as it pads his bottom line.
    • The time he has an Alaskan timberwolf on his show and is told the wolf is spooked by loud noises. “Loud?” Krusty shouts. “That’s our secret word for the day!” The wolf goes on to maul Bart before losing in a fight to Groundskeeper Willie.
    • The time Bart becomes Mr. Burns’s heir and the two pay Krusty $400 to deliver them a pizza while his show is scheduled to go live; Krusty airs a rerun, saying “no one will know the difference,” only for it to be the episode where Krusty talks about the Falkland Islands being invaded.

    Fox

    Krusty forever.

    3. Charlie Chaplin

    Schuster: Charlie Chaplin didn’t clown in the way many of us are used to. He didn’t have a crazy wig, or a red nose, or a flower that squirted water into unsuspecting faces. Rather, his character, the one he played throughout his silent films, was much more simple—but no less effective. “That character wore the same baggy pants, the same black hair and knotted suspenders, in a 1914 skating rink as it did on a 1936 assembly line,” wrote Alistair Cooke in a 1939 edition of The Atlantic. “In the intervals between a score of pictures, the same cracked boots have been preserved in ether. Chaplin’s creation is a clown, and like that of all clowns his make-up is ageless.”

    The makeup was indeed ageless, as was Chaplin himself. His legacy in the world of clowning remains strong.

    2. Pennywise, It (2017)

    Surrey: The titular monster of Stephen King’s It has existed for millions of years, can shapeshift into any form, manipulates reality, and preys on its victims’ worst fears. So what does it say about our collective coulrophobia that this ancient, primordial evil spends most of its time as … a clown?

    Pennywise is responsible for the most memorable moments in It, including the opening scene, in which the monster goads little Georgie Denbrough into sticking his hand down a sewer drain before chomping down on it. Pennywise draws power from the fear of its victims; as a reader (and viewer), it’s easy to understand why the creature has successfully terrorized Derry, Maine, for centuries. I mean, who wouldn’t be scared shitless if a grimy sewer clown was making eye contact with you from across the street?

    Warner Bros.

    The good news is that, for all its supernatural abilities, Pennywise does have a fatal weakness. In It: Chapter Two, the Losers Club defeats Pennywise by confronting their innermost fears and belittling it as “just a clown.” That’s right, Pennywise suffered death by shit talking. Kids, take note: Bullying works.

    Schuster: I know who I’m seeking out if I’m ever confronted by Pennywise: the teens. Save me, Gen Z!

    1. The Joker

    Surrey: Is anyone surprised? One of the greatest villains of all time, the Joker has spent decades as a cultural phenomenon, which has been bolstered by the many talented actors—and also Jared Leto—who’ve played him. He’s the ultimate foil to Batman, and what’s most unsettling about the Joker is how many iterations of the character are nihilistic, unpredictable agents of chaos. The Joker cannot be reasoned with, and you can’t appeal to his humanity. He is, to paraphrase The Dark Knight’s Alfred Pennyworth, someone who just wants to watch the world burn.

    Really, putting the Joker at the top of the clown ranking was a no-brainer; the bigger debate to be had is which actor has given us the best version of him. Cesar Romero was a campy icon, Jack Nicholson set the standard for comic book villains, Mark Hamill is the definitive Joker in the world of animation, and Joaquin Phoenix has an Oscar and the second-highest-grossing R-rated movie on his résumé. But for all these worthy contenders (and also Jared Leto), it’s tough to compete with Heath Ledger, whose Oscar-winning performance in The Dark Knight managed to be menacing and mesmerizing in equal measure. (See: the pencil trick.)

    No matter how many times the character is revived, we can’t seem to get enough of the Joker terrorizing the innocent civilians of Gotham—and so the cycle continues with Joker: Folie à Deux. As a result, the Joker isn’t just a mainstay in popular culture: He always gets the last laugh.

    Miles Surrey

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  • Ain’t No Love: The Unlikely Pairing at the Heart of ‘The Penguin’

    Ain’t No Love: The Unlikely Pairing at the Heart of ‘The Penguin’

    The series premiere of The Penguin ends with its titular villain stripped naked and strapped to a chair as he’s tortured by Sofia Falcone. By the conclusion of the second episode, Sofia makes him an offer to join forces and seize control of the Falcone crime family—the most powerful mob in Gotham City. Life in Gotham is anything but predictable; one minute someone’s pointing a gun down your throat, and the next they’re asking you to help betray their family and make a play to take over the city’s criminal underworld.

    This dramatic turn of events perfectly encapsulates the complicated relationship of Oswald “Oz” Cobb (Colin Farrell) and Sofia Falcone (Cristin Milioti) as they try to set aside their differences to take down Sofia’s uncle Luca (Scott Cohen) and fill the power vacuum created by the death of the infamous Carmine Falcone. Two episodes in, HBO’s The Batman spinoff series is quickly picking up momentum as Oz and Sofia’s tenuous partnership takes root and their respective quests to claim power in Gotham begin in earnest.

    Although The Penguin is first and foremost a series about the villainous Oz Cobb, as Farrell reprises his scene-stealing character from Matt Reeves’s The Batman, Milioti’s Sofia Falcone is as much of a driving force in the spinoff as its central protagonist. Sofia has emerged as an unlikely contender to replace her father as Gotham’s crime lord, and the ways in which her character compares and contrasts with Oz have made their dynamic a compelling entry point into The Penguin’s developing story.

    The pilot episode welcomes the show’s audience by thrusting them right back into the world of The Batman: A montage of news broadcasts serves as a recap of the 2022 film, reporting the rise in crime in Gotham after the Riddler’s terrorist attacks devastated the city and unearthed its deep-seated corruption. And, crucially, the broadcasts also cover the murder of Carmine Falcone and the ongoing power struggle to replace him. After all the exposition ends, The Penguin repositions Oz as the primary protagonist of this world in place of Robert Pattinson’s Batman. He kills Alberto Falcone (Michael Zegen), Sofia’s brother and the new head of the Falcone family, in an impulsive act that sets the events of the series in motion. At first, it seems as if Oz will be able to get away with his crime unscathed, but Sofia—fresh out of Arkham Asylum—arrives to upend his hastily conceived schemes.

    In this week’s installment, “Inside Man,” The Penguin begins to uncover Sofia’s past and delve into the life of the notorious woman better known as “the Hangman.” The episode opens with a flashback of Alberto visiting her at Arkham Asylum, which bleeds into a present-day therapy session as her memories mix with her grief over the loss of her brother. The series proceeds to offer glimpses into Sofia’s life, shedding light on how she is perceived by the world. A radio show discusses how Sofia was technically exonerated for the murders of seven women but labels her a “psycho” and a “serial killer.” Outside of Alberto’s funeral, crowds gather with signs condemning the Falcone family and Sofia’s release from Arkham. At Alberto’s memorial service, conversations hush and turn to whispers when Sofia enters a room, highlighting the unease surrounding her. Even Sofia’s family members either fear her or refuse to take her seriously. (By the end of the episode, Luca and his lieutenants give Sofia the Godfather closing door treatment, shutting her out of the family business as Luca tries to send her away to Italy.)

    Sofia and Oz are alike in many ways. Both are underestimated and overlooked by higher-ranking members of the crime family who fail to recognize their outsize ambitions and the threat they pose. Their immediate families are everything to them, with Sofia hell-bent on avenging her brother’s death and Oz caring for his mother, Francis (Deirdre O’Connell), who has early-onset dementia. They both face judgment and condescension from those around them, whether it’s due to Sofia’s past or Oz’s appearance, and neither takes such disrespect lightly.

    For all their similarities, Sofia and Oz also carry themselves differently. Sofia is discreet and tries to keep a low profile, while Oz drives around in an opulent, purple-and-gold Maserati. Oz is a sweet talker, often wriggling his way out of dire situations, while Sofia is blunt and speaks plainly to cut through all the nonsense. Sofia grew up rich, with a powerful father; Oz grew up poor and has had to earn everything himself. They serve as perfect foils for each other as they reach for the same goal of controlling the city’s criminal empire. And, at least for now, they recognize each other’s potential to further their own agendas—even if they don’t trust each other.

    As Sofia and Oz’s unlikely alliance begins, the audience knows there is little chance their partnership will work; one will surely betray the other at some point, particularly if Sofia ever discovers that Oz was the one who killed Alberto. Watching how their dynamic develops over the next six chapters of the eight-episode miniseries will be fascinating, especially as Milioti and Farrell get more space to play off each other. Milioti is as terrifying as she is mesmerizing as the ice-cold Sofia, and Farrell—fully transformed by impressive makeup and prosthetics—continues to put his own spin on an iconic villain between his menacing yet comical performance and an endlessly entertaining accent choice. (There is still nothing better in The Batman than the Penguin giving Batman and Gordon a lesson in Spanish.)

    For a spinoff of The Batman that’s set within weeks of the movie’s events, The Penguin has mentioned the Caped Crusader’s name only once so far. (It has, however, referenced the Riddler several times already.) Creator Lauren LeFranc has managed to seamlessly weave this series into the world that Reeves is creating in his Batman films, keeping with their dark and grounded tone while also adding more levity to build on what worked so well with Oz’s character in the movie. By setting Batman aside, The Penguin expands this version of Gotham, showing how crime is proliferating in the city in the aftermath of the Riddler’s attacks through a smaller-stakes story centered on Gotham’s warring mafia families and the two oddballs trying to claw their way to the top. With Farrell and Milioti delivering captivating performances that showcase the many dimensions of their respective villains, The Penguin has already been a pleasant surprise that’s generating even more excitement for where Reeves’s ongoing Batverse and the new era of DC Studios could go from here.

    Daniel Chin

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  • No, a video game spin-off of The Batman is not in the works, James Gunn says

    No, a video game spin-off of The Batman is not in the works, James Gunn says

    If this week’s rumor about a video game set in the universe of 2022’s The Batman got your hopes up, I have some bad news: no such thing is in development at the moment. Responding to a question on about whether Warner Bros. has a game in the works based on the Robert Pattinson-led film, DC Studios’ co-head James Gunn said, “Sadly there is no truth to this whatsoever.” The rumor stems from a report that was published on Friday.

    The Batman, directed by Matt Reeves, popped back up in theaters on Wednesday as part of AMC’s celebration of the 85th anniversary of Batman. Work on a sequel is , and an focusing on The Penguin is slated to come out this fall. We aren’t getting a video game spin-off any time soon, though. And, in case you were wondering, “There is also no truth to Tubthumping by Chumbawamba being played on the set of Superman (this is a real rumor on Reddit someone just sent me!),” Gunn posted.

    Cheyenne MacDonald

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  • Justice League Unlimited ran so Batman: Caped Crusader could sulk

    Justice League Unlimited ran so Batman: Caped Crusader could sulk

    Nostalgia isn’t all it’s cracked up to be. This month’s Batman: The Caped Crusader was billed as the grownup version of beloved and groundbreaking ’90s show Batman: The Animated Series, made by B:TAS co-creator Bruce Timm, producers Matt Reeves and J.J. Abrams, liberated from Saturday morning cartoon censors, and backed by the talent of some all-time Batman comics writers.

    And while the show certainly had the Animated Series look, it was neither a direct continuation nor a strong relaunch. Timm’s crew were free to say whatever they wanted, but didn’t have much to say in the end. Sometimes you just can’t go home again.

    But what if I told you there’s already a more mature version of Batman: The Animated Series, with hour-long episodes like a live-action drama, multi-season plotting, and fresher animation than Caped Crusader. It’s episodic, but its characters keep a solid emotional continuity, and while its appropriate for kids, it’s got multiple layers and references for adult audiences to chew on.

    If you’re looking for a better Batman: The Caped Crusader, you should watch Justice League and Justice League Unlimited, which are available right now on Netflix for your marathon pleasure.

    Image: Warner Bros. Animation

    Premiering in 2001, Justice League was a direct continuation of the DC Animated Universe setting, which began with 1992’s Batman: The Animated Series and continued in Superman: The Animated Series, The New Batman Adventures, and Batman Beyond — and in large part, it had all the same talent working behind the scenes. Artist Bruce Timm, writer Paul Dini, producers Rich Fogel and Glen Murakami, voice actors Kevin Conroy, Mark Hamill, Clancy Brown, Ron Perlman, Arleen Sorkin, Michael Ironside, and Michael Dorn, all returned to reprise their various roles and duties.

    But Justice League wasn’t a half hour, one-and-done episodic series hitting the waves at 9am on Saturday mornings. Airing in prime-time slots on Cartoon Network, every episode of the series was part of a two-part story — hacking the half-hour animated standard into an hour-long adventure series. The core cast began with Batman, Superman, Wonder Woman, Hawkgirl, the Martian Manhunter, Wally West’s Flash, and John Stewart’s Green Lantern, but two seasons into the show, Cartoon Network asked for a rebrand and expanded the mandate.

    In Justice League Unlimited, the full breadth of DC Comics’ superhero roster was welcome on the Justice League, not just the founding seven. Episodes were knocked down to half hour slots again, but the show’s crew found a new way to think big. For the first and only time in the setting’s history, a DC Animated Universe show started delivering season-long story arcs; placing dominoes, foreshadowing reveals, and paying off setups from weeks before.

    And while each episode was still appropriate for kids, the show writers were not immune to the thrill of including references that only adults would really pick up on — like 1950s gender and racial prejudice, a time-lost Martian Manhunter being brought before Nazi physician Josef Mengele for experimentation, or canonically establishing that the Flash is a more attentive lover than Lex Luthor.

    Tala hangs on Lex Luthor’s shoulder in an intimate way, while he looks vaguely uncomfortable in Justice League Unlimited.

    Image: Warner Bros. Animation

    So if you want a Batman fix this weekend, queue up Justice League (2001) on Netflix. Now, you might have to give it a few episodes to get going, but if you can stick around through the early middle-weight stuff, the show will pay out dividends. Aquaman cutting his own hand off to save his infant son, an alt-timeline Superman who lobotomizes his opponents with laser vision, a collection of killer romantic subplots, the Batman of Justice League: Unlimited traveling through time and meeting the elderly Bruce Wayne and the future Batman of Batman Beyond, Lex Luthor’s season-long presidential campaign, and a direct adaptation of one of the greatest Superman stories ever told, “For the Man Who Has Everything.”

    So maybe it’s not the spooky procedural that makes you feel just like you did when you watched Batman: The Animated Series for the first time. But, then again, neither is Batman: The Caped Crusader!

    Susana Polo

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  • DC apartment was target of 2 arson attacks in just over 24 hours – WTOP News

    DC apartment was target of 2 arson attacks in just over 24 hours – WTOP News

    A D.C. apartment was on fire for the second time in just over 24 hours on Friday morning in what are being called targeted arson attacks.

    Investigators have identified a person of interest in two arson attacks on the same apartment in D.C.
    (Courtesy D.C. Fire and Rescue)

    Courtesy D.C. Fire and Rescue

    An investigation is ongoing in the case of an arson attack on the same apartment in D.C. twice in a little over 24 hours.
    (Courtesy D.C. Fire and Rescue)

    Courtesy D.C. Fire and Rescue

    Firefighters respond to an arson attack twice in the span of a little more than 24 hours.
    (Courtesy D.C. Fire and Rescue)

    Courtesy D.C. Fire and Rescue

    A first floor apartment in D.C. was attacked twice by an arsonist.
    (Courtesy D.C. Fire and Rescue)

    Courtesy D.C. Fire and Rescue

    A fire broke out at a D.C. apartment building for the second time in just over 24 hours on Friday morning. Authorities said the fires are the result of targeted arson attacks and a suspect has been taken into custody.

    An accelerant was thrown in an attack on a first floor apartment in the 2100 block of Suitland Terrace in Southeast, according to police.

    Fire and EMS spokesperson Vito Maggiolo said the first incident happened around 7 a.m. Thursday. The more serious attack happened Friday just before 9 a.m.

    More than a dozen firefighters responded to the scene Friday morning. Maggiolo said the accelerants were tossed from outside the building.

    He said the people living in the apartment were staying elsewhere after the first attack and weren’t in the building Friday morning.

    Police have since taken a suspect into custody whose identity hasn’t been released.

    An accelerant-sniffing K-9 team was there Friday morning checking the area.

    Anyone with information about the fires is asked to call the D.C. arson hotline at (202) 673-ARSON (2776).

    Get breaking news and daily headlines delivered to your email inbox by signing up here.

    © 2024 WTOP. All Rights Reserved. This website is not intended for users located within the European Economic Area.

    Valerie Bonk

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  • ‘X-Men ’97,’ Superman’s Suit, and Marvel Slows Down

    ‘X-Men ’97,’ Superman’s Suit, and Marvel Slows Down

    The boys are back to give you their instant thoughts and reactions to the penultimate episode of X-Men ’97 (05:53). Later, they bring you the latest nerd news, including the first look at James Gunn’s Superman and the fact that Marvel is pumping the brakes on their film and TV output (39:40).

    Hosts: Charles Holmes, Van Lathan, Jomi Adeniran, and Steve Ahlman
    Senior Producer: Steve Ahlman
    Additional Production Support: Arjuna Ramgopal
    Social: Jomi Adeniran

    Subscribe: Spotify / Apple Podcasts

    Charles Holmes

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  • DC surpasses San Francisco for AI jobs, driving lobbying and data center growth – WTOP News

    DC surpasses San Francisco for AI jobs, driving lobbying and data center growth – WTOP News

    The D.C. metro area surpassed the San Francisco Bay area for artificial intelligence-related job postings in December.

    The D.C. metro area surpassed the San Francisco Bay area for artificial intelligence-related job postings in December, according to research from commercial real estate company JLL. More than 1,000 such active job openings existed in the D.C. area at the end of 2023.

    Demand for those AI-related jobs in D.C. is booming for several reasons.

    While some tech hubs like San Francisco are seeing technology companies scale back on workforces for economic reasons, JLL’s report says the D.C. region is less susceptible to economic fluctuations because of federal spending and government contracts.

    The D.C. economy also benefits from a diverse range of industries, including tech, defense, healthcare and finance. However, about half of AI-related job openings in the D.C. metro require government security clearances.

    D.C. is, and always has been, a hotbed for lobbying efforts, and the emergence and future of artificial intelligence depends largely on the regulatory environment. JLL calls that unknown territory and says lobbying firms are racing to represent the industry.

    The number of groups lobbying on AI issues in Washington has grown to more than 300, according to JLL research, and during the first three quarters of 2023, companies, nonprofits, universities, trade groups and others spent $569 million lobbying the federal government on AI-related issues.

    Another reason the D.C. region is ripe for artificial intelligence advances is because of Northern Virginia’s huge data center capacity. It is the largest data center market in the world by a long shot, with almost 4,000 megawatts of capacity, three times that of the second largest data center market in the world, Singapore.

    AI data centers have more robust requirements, which will benefit current and future data center inventory demand in Northern Virginia.

    The generative AI market will reach $1.3 trillion in the next 10 years, according to Bloomberg Intelligence.

    The federal government’s own spending on artificial intelligence research and development has more than doubled in the last five years. President Biden’s fiscal 2024 budget request includes $1.8 billion for AI and machine learning initiatives.

    The D.C. metro is a strong jobs market for the overall technology industry. When compared to states, Forbes ranks the District the No. 1 job market for IT jobs. Virginia and Maryland both make the top 10.

    Get breaking news and daily headlines delivered to your email inbox by signing up here.

    © 2024 WTOP. All Rights Reserved. This website is not intended for users located within the European Economic Area.

    Jeff Clabaugh

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  • ‘Aquaman and the Lost Kingdom’ Instant Reactions and the End of the DCEU

    ‘Aquaman and the Lost Kingdom’ Instant Reactions and the End of the DCEU

    This pod was born to be wild. The Midnight Boys are here to dive into the murky waters of ‘Aquaman and the Lost Kingdom’ (04:50). They also discuss this being the final DCEU film and how this will affect the state of fandom in film (51:18). Later they also touch on the news that Marvel has parted ways with Jonathan Majors (81:36).

    Hosts: Charles Holmes, Van Lathan, Jomi Adeniran, and Steve Ahlman
    Senior Producer: Steve Ahlman
    Additional Production Support: Arjuna Ramgopal
    Social: Jomi Adeniran

    Subscribe: Spotify / Apple Podcasts

    Charles Holmes

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  • The final scene in the DCEU dares you to think of it as a metaphor for the whole franchise

    The final scene in the DCEU dares you to think of it as a metaphor for the whole franchise

    Aquaman and the Lost Kingdom flows into theaters this weekend with the dubious honor of being the final film in the DC Extended Universe. And that means its final scene — its credits scene — is the final shot of Warner Bros. great attempt to equal the Marvel Cinematic Universe with its own pet superhero setting.

    But it also means that the typical use of a superhero movie credits scene doesn’t apply here. There aren’t any future franchise events for Lost Kingdom to point to. What’s a blockbuster to do?

    If you’ve seen Lost Kingdom, you know, and if you haven’t, maybe you’re just here to rubberneck. But here’s what it did.

    [Ed. Note: This piece contains spoilers for Aquaman and the Lost Kingdom.]

    Image: Warner Bros. Pictures/DC Comics

    Lost Kingdom’s credits scene isn’t about anything weighty, it’s just a call back to a gross-out gag from earlier in the film. Orm (Patrick Wilson), the redeemed bad guy from the first Aquaman, is enjoying his first surface-world hamburger when he spies a cockroach scurrying across the dock-side picnic table.

    Earlier in the movie, his brother Aquaman (Jason Momoa) tricked him into thinking that live cockroaches are an every day surface-world snack. So Orm grabs the roach, slaps it between the layers of his sandwich, and takes a big, happy bite. Good night, sweet DCEU, may flights of angels sing thee to thy rest.

    But here I must implore my fellow human beings: We absolutely musn’t make this a metaphor. No matter how resonant, absurd, or funny the credits scene on Lost Kingdom, we must resist.

    Orm’s burger is, inevitably, a roachy Rorschach test. The insect can be whatever you didn’t like about the DCEU, and Orm happily eating it is the fans you don’t like lapping it up. Or, Orm is the executives whose meddling ruined the franchise happily choosing their comeuppance (the roach), which is the collapse of the whole thing (an honestly very appetizing burger). Or maybe, the burger is the Snyder Cut, somehow, and Orm is Joss Whedon? I’m sure somebody could flesh out that video essay.

    But we have to draw a line in the sand, like Topo the octopus scurrying away from the blood-drinking Deserters and back to the safety of deep water. We have to restrain ourselves, like Orm touching the Black Trident. We have to escape, like the fish in the sea, able to say that in the end, at the end of an era, we didn’t take the bait.

    Susana Polo

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  • Live updates: Zelensky and Biden visit in Washington, DC, amid Russia's war in Ukraine

    Live updates: Zelensky and Biden visit in Washington, DC, amid Russia's war in Ukraine

    Soldiers march in Moscow during a Victory Day military parade in May. VCG/Getty Images

    Russia has lost a staggering 87 percent of the total number of active-duty ground troops it had prior to launching its invasion of Ukraine and two-thirds of its pre-invasion tanks, a source familiar with a declassified US intelligence assessment provided to Congress told CNN.

    Still, despite heavy losses of men and equipment, Russian President Vladimir Putin is determined to push forward as the war approaches its two-year anniversary early next year, and US officials are warning that Ukraine remains deeply vulnerable. A highly anticipated Ukrainian counteroffensive stagnated through the fall, and US officials believe that Kyiv is unlikely to make any major gains over the coming months.

    The assessment, sent to Capitol Hill on Monday, comes as some Republicans have balked at the US providing additional funding for Ukraine and the Biden administration has launched a full-court press to try to get supplemental funding through Congress.

    Ukrainian President Volodymyr Zelensky is in Washington on Tuesday, meeting with US lawmakers and President Joe Biden in desperate bid to secure the military and economic aid he says is vital to Ukraine’s ability to maintain the fight against Russia.

    Russia has been able to keep its war effort going despite the heavy losses by relaxing recruitment standards and dipping into Soviet-era stockpiles of older equipment. Still, the assessment found that the war has “sharply set back 15 years of Russian effort to modernize its ground force.”

    Of the 360,000 troops that entered Ukraine, including contract and conscript personnel, Russia has lost 315,000 on the battlefield, according to the assessment. 2,200 of 3,500 tanks have been lost, according to the assessment. 4,400 of 13,600 infantry fighting vehicles and armored personnel carriers have also been destroyed, a 32 percent loss rate.

    “As of late November, Russia lost over a quarter of its pre-invasion stockpiles of ground forces equipment,” the assessment reads. “This has reduced the complexity and scale of Russian offensive operations, which have failed to make major gains in Ukraine since early 2022.”

    CNN has reached out to the Russian Embassy in Washington for comment.

    Read more about the assessment.

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  • Superman: Legacy Casts DCU Jimmy Olsen & a Villain

    Superman: Legacy Casts DCU Jimmy Olsen & a Villain

    Superman: Legacy’s cast has grown a bit bigger, as the roles of Jimmy Olsen and Eve Teschmacher have been cast for the DC Studios movie. The film is set to release on July 11, 2025.

    The Hollywood Reporter revealed that Skyler Gisondo will be playing Superman’s best friend Jimmy Olsen while Deadline has reported that Sara Sampaio will be playing Lex Luthor’s ally and assistant Eve Teschmacher.

    Gisondo has played roles in movies like 2021’s Licorice Pizza and series like The Righteous Gemstones and Curb Your Enthusiasm, while Sampaio has appeared in films like 2021’s Crisis and the hit Showtime series Billions.

    Having become part of the cast of Superman: Legacy, the duo join David Corenswet — who has the titular role of Clark Kent/Superman — Rachel Brosnahan — who is playing Lois Lane — and Nicholas Hoult, who is playing the villainous Lex Luthor. Further cast members include María Gabriela De Faría, Anthony Carrigan, Nathan Fillion, Isabela Merced, Edi Gathegi, and more.

    What is Superman: Legacy about?

    “Superman: Legacy tells the story of Superman’s journey to reconcile his Kryptonian heritage with his human upbringing as Clark Kent of Smallville, Kansas,” reads the movie’s official synopsis. “He is the embodiment of truth, justice and the American way, guided by human kindness in a world that sees kindness as old-fashioned.”

    Spencer Legacy

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  • Kite Man: Hell Yeah! Release Date Rumors: Is It Coming Out?

    Kite Man: Hell Yeah! Release Date Rumors: Is It Coming Out?

    Following the announcement of the Harley Quinn animated series spin-off show Kite Man: Hell Yeah! in 2022 and the release of its trailer in September 2023, fans are curious about the release date of the upcoming animated series, which will revolve around Kite Man, a supporting character in the Harley Quinn animated series.

    Here’s all the Kite Man: Hell Yeah! release date information we know so far, and all the details on when it is coming out.

    Is there a Kite Man: Hell Yeah! release date?

    As of this writing, Kite Man: Hell Yeah! does not have a release date.

    This is because HBO Max has not revealed the release date. However, based on the gag tagline “Coming Too Soon” shown at the end of the recently released trailer for the upcoming animated series, it can be presumed that the series will premiere in early 2024 sometime between January and April, or if we are lucky, it could premiere by the time 2023 comes to a close.

    This date is an estimation based on the information we have at the time of this writing.

    Kite Man: Hell Yeah! will see Matt Oberg reprise his voice role from Harley Quinn as Kite Man. Other voice cast members of the series include Cathy Ang, James Adomian, Natasia Demetriou, Janelle James, Jonathan Banks, Keith David, Michael Imperioli, and Rory Scovel, among other cast members.

    Where is Kite Man: Hell Yeah! coming out?

    Kite Man: Hell Yeah! is anticipated to come out on HBO Max in early 2024, sometime between January and April, or if we are lucky, by the time 2023 ends.

    The official synopsis for Kite Man: Hell Yeah! reads:

    “Lovable loser Kite Man and his new squeeze Golden Glider moonlight as criminals to support their foolish purchase of Noonan’s, Gotham’s seediest dive bar, where everybody knows your name, but not necessarily your secret identity!”



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  • ‘Man Of Steel’ Writer Says DC Trying to Copy Marvel Was ‘Crazy’

    ‘Man Of Steel’ Writer Says DC Trying to Copy Marvel Was ‘Crazy’

    It’s long been assumed by the public at large that DC’s main goal with their movies was to match the success and format of the Marvel Cinematic Universe. David S. Goyer, writer of Man of Steel, says it was always a crazy goal.

    Not only are they completely different animals, but DC also got a late start on the whole interconnected-massive-universe thing. That was thoroughly felt upon the release of Justice League, where it felt like most of the main cast hadn’t even gotten origin story films yet. With many viewers mostly unfamiliar with the Flash or Cyborg, on top of the major production issues and the director changes, the movie was destined to fall apart.

    David S. Goyer recently appeared on the podcast Happy Sad Confused, where he sat down to dive into his own career, and explained why he thought DC’s attempts to mimic Marvel were misguided…

    I know the pressure we were getting from Warner Bros., which was, ‘We need our MCU! We need our MCU!’ And I was like let’s not run before we walk … There was this revolving door of executives at Warner Bros. and DC. Every 18 months someone new would come in. We were just getting whiplash. Every new person was like, ‘We’re going to go bigger!’

    “It was crazy how much architecture was being built on air. This is not how you build a house,” Goyer added.

    Warner Bros. Pictures
    Warner Bros. Pictures

    READ MORE: Every DC Extended Universe Movie, Ranked From Worst to Best

    Apparently, during this time, executives at DC were attempting to build a roadmap as to how they were going to be able to achieve an MCU of their own. But the MCU built gradually, while DC tried to go straight from Man of Steel to crossover movies like Batman v Superman and Justice League. And now the DC Extended Universe is winding down, with the company about to try the whole thing again from square one.

    You can watch Goyer’s appearance on Happy Sad Confused below:

    Every DCEU Movie Ranked From Worst to Best

    From Man of Steel to The Flash, we ranked every movie in the DC Extended Universe.

    Cody Mcintosh

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