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Tag: david zaslav

  • Chelsea Handler Pays Tribute To Rob Reiner, Goes After David Zaslav & Shouts Out ‘Heated Rivalry’ In Critics Choice Opening Monologue

    After multiple successful hosting stints at the Critics Choice Awards, comedian Chelsea Handler took the stage at Barker Hangar for the fourth time — paying tribute to the late Rob Reiner, not holding back on shots at Warner Bros. Discovery CEO David Zaslav and Leonardo DiCaprio and even shouting out breakout Crave Canada hit Heated Rivalry.

    Sinners is the story of brothers who start this really fun place for entertainment and then vampires show up, suck the life out of everybody and burn it all to the ground. Fun fact: The original name of the main vampire was David Zaslav,” she quipped, as the camera panned to star Michael B. Jordan, who could be seen ruefully shaking his head at the joke.

    Touting the period drama’s near-$368 million worldwide box office gross, Handler called out a piece from our sister publication, which readers and celebrities alike slammed for minimizing the critically acclaimed film’s financial performance. “White Hollywood was so shook after seeing the box office numbers, Variety ran the headline: ‘Do box office numbers really matter?’”

    In another biz-related joke, Handler went after the C-suite in general: “Seth Rogen is here tonight. Years of playing stoners, slackers and underachievers who do next to nothing all day prepared Seth for his latest role of someone who does even less — a studio head.”

    The comic also went after One Battle After Another star DiCaprio, who just last night missed an appearance at the Palm Springs Film Festival (where he was set to accept a Desert Palm Achievement Award), due to travel restrictions. The Oscar winner was vacationing on a yacht off the coast of St. Barts at the time. “It was just like the Titanic but worse because Jeff Bezos was there,” Handler said.

    Showering praise on the year’s original series, Handler gave a warm shoutout to one of most dominant shows in the zeitgeist: “You guys made amazing, original shows that everyone couldn’t stop talking about — until that gay hockey show from Canada came along,” she said. “Shoutout to Heated Rivalry; everyone loves it: Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”

    In more TV-related material, Handler said: “The cast of Landman is here. Spoiler alert: In a recent episode, Billy Bob Thornton went full frontal. Taylor Sheridan said it was nice to have a dick on set that wasn’t Kevin Costner.”

    Closing out her opener, after Handler highlighted Jay Kelly‘s Adam Sandler as “the nicest guy in Hollywood,” she launched into a sweet remembrance of Rob Reiner and Michele Singer Reiner, who were found dead mid-December after being allegedly stabbed by their son Nick Reiner.

    “Actually, you’re the second nicest guy in Hollywood, because everyone in this room knows that the nicest guy in Hollywood was Rob Reiner,” she began. “Anyone who ever spent time with Rob Reiner knows that the minute you met him, he felt like an old friend. When you were in a conversation with him, he was present, he was focused and he was funny, and he would ask you tons of questions, whether you were discussing politics or film or the latest beauty trends — he was all in. After I sent him a text thanking him for dinner a few months ago, he texted me back and said, ‘We had so much fun with you last night. Thanks for explaining so much about plastic surgery. It was very edifying.’”

    She concluded, “Rob and Michele were tireless in their efforts to so many important causes, all stemming from one basic idea: decency and that we should all look out for each other. I think we can all agree that we definitely need more of that. So, let’s use tonight as a reminder of that decency and as a reminder of everything Rob and Michele represented and fought so hard for.”

    Natalie Oganesyan

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  • Greg & Ted’s Excellent WBD Adventure With Studio Lot Tour, David Zaslav As Their Guide; Check Out The Photos

    Wasting no time checking out their potential new home away from home, Netflix‘s bosses Greg Peters and Ted Sarandos made a most awesome visit to the Warner Bros Discovery studio lot today with David Zaslav as tour guide.

    In a series of photos released late Wednesday by WBD, the Netflix co-CEOs practically announced “we are Greg and Ted and we are your future,” to paraphrase that killer quip from Bill & Ted’s Excellent Adventure. If not going full on Keanu Reeves and Alex Winter from the 1989 metalhead comedy, Sarandos and Peters did look a lot like guys about to get the keys to their new digs.

    Getting some very touristy shots in with Zas in front of the WB water tower, between the sound stages and chatting with the troops, the near matching white kicks wearing executives’ appearance in Burbank had all the hallmarks of a big staged F.U. to WBD bid rivals David Ellison and Paramount.

    Coming on the very day that the WBD board unsurprisingly rejected Paramount’s $108 billion hostile takeover bid for the the whole company to stick with Netflix’s December 4 sealed $83 billion offer for the studios and streaming assets, the afternoon visit and the images were a flex meant to be felt all the way down at Par’s Melrose lot.

    Neither WBD nor Netflix had a comment about the Hump Day get together. However, the images did come with a caption of “today, Warner Bros. Discovery CEO David Zaslav welcomed Netflix Co-CEOs Ted Sarandos and Greg Peters to the historic Warner Bros. Studio lot in Burbank to meet with leaders across the company.”

    In point of fact, Sarandos and Peters met around 400 members of WBD’s leadership (some of whom are going to be very very very well compensated if the deal between the iconic studio and the streamer goes through) in the lot’s Ross Theate. Hosted and, to some degree, MC’d by Zas, the co-CEO asked and took questions from the crowd. In the conversation, Sarandos and Peters offered assurances that they were interested in growing the business and had no interested in shuttering theatrical release — which WB has scheduled out until 2029 right now.

    Really though it was a lot of optics for a corporate buddy movie that just over two months ago, Peters openly scoffed at and almost everyone in town thought was a de facto done deal for David Ellison and his second richest man on the planet and Donald Trump whisperer Larry Ellison.

    Look at the smiles on their faces, look at the hope in their eyes …it’s just looking all wine, blue blazers and roses.

    Of course, even with the WBD board’s latest no thanks to Paramount and recommendations to shareholders to say the same, David Ellison still wants his second studio. No matter that Zas and gang have thrown serious shade on the Ellisons’ backstop promises and money on the table, everyone expects David and his father are going throw more money at WBD to get it before the January 8, 2026 deadline they set.

    While all that plays out, can we get some consensus here on if Greg Peters’ really is the Bill to Sarandos’ Ted? Asking for a friend…

    (L-R) Keanu Reeves & Alex Winter at 1991’s Bill & Ted’s Bogus Journey Hollywood Premiere (Photo by Ron Galella/Ron Galella Collection via Getty Images)

    Dominic Patten

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  • Gremlins 3 Is Coming, and It Better Have the Sexy One

    “Where is Greta?”
    Photo: Warner Bros./Everett Collection

    Disney can have Baby Yoda; Warner Bros. has the OG little guys with big ears. Gremlins 3 is on the way, CEO and Road Runner enemy David Zaslav revealed on his November 6 earnings call. Steven Spielberg will return to the franchise as producer, per The Hollywood Reporter. Chris Columbus, who wrote the first Gremlins film, returns to produce and direct as well as co-write with Zach Lipovsky and Adam B. Stein, who directed 2025’s successful Final Destination reboot. Gr3mlins will be out in theaters on November 19, 2027.

    Gremlins 2: The New Batch was released in 1990, 35 years ago. While the 1984 original was a massive hit — earning $212 million on just an $11 million budget — The New Batch is a cult-classic bomb. It cost more than the first, with a reported budget of $50 million, and was significantly less successful, earning just over $40 million, per Consequence of Sound. As such, the Gremlins have not been let out of their cage until now.

    It’s not the first time a Gremlins reboot has been attempted, however. WB reportedly “fast tracked” a third film in the franchise back in 2015 — but it never happened. Columbus believed it would “impossible to revisit in a CGI environment.” “Those are edgy Muppets in a sense and you don’t want to lose that sense of anarchy that those gremlins had, because behind the scenes are 25 puppeteers making them come to life,” he said to Coming Soon in 2010. There is no confirmation yet on how the modern Gremlins will be created, but given Columbus’s involvement, there’s hope the film returns to puppeteers. How else can they re-create the beauty of Greta, the sexy-girl Gremlin introduced in the sequel? The people (namely Jade Thirlwall) demand more Greta.

    Jason P. Frank

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  • HBO Max is getting even more expensive starting today

    Yet another streaming platform is asking people to dig deeper into their wallets and pay more to keep using the service. Warner Bros. Discovery (WBD) has jacked up the prices of all HBO Max plans, 16 months after the last increase to the ad-free offerings.

    The entry-level, ad-supported plan is now $11 per month (an extra $1) or $110 per year ($10 more). HBO Max Standard will run you an extra $1.50 per month at $18.49 or $15 per year at $185 for the annual plan. As for the HBO Max Premium option, subscribers will now have to pay $23 per month (up by $2) or $230 for an annual plan (an increase of $20).

    The new prices kick in immediately for newcomers. Existing monthly subscribers will start paying more as of November 20 (whenever their next billing cycle starts on or after that date). Yearly subscribers will be notified about the price changes 30 days before their plan renews.

    WBD CEO David Zaslav suggested in September that price increases were on the way, along with a stricter crackdown on password sharing. “The fact that this is quality — and that’s true across our company, motion picture, TV production and streaming quality — we all think that gives us a chance to raise prices,” Zaslav said. “We think we’re way underpriced.”

    The company announced the price increases on the same day that Disney is making several Disney+ plans more expensive. As it happens, some of the Disney+ bundles that are going up in price include HBO Max.

    News of the price hikes comes just as WBD sticks a For Sale sign out on its lawn. It was reported this month that the company turned down an acquisition offer from Paramount Skydance for being too low. WBD has now confirmed that “multiple parties” have expressed interest in buying some or all of the company, and that it’s now conducting “a review of strategic alternatives to maximize shareholder value.”

    In June, WBD announced plans to split into two companies. As things stand, Warner Bros. will retain the namesake film, TV and game studios, as well as New Line Cinema, DC Studios, HBO and HBO Max. Discovery Global will have all of the other live cable channels, such as CNN, HGTV, Cartoon Network, Discovery and TLC (it will also be saddled with the lion’s share of WBD’s debt). That split is slated to take place by mid-2026, but WBD said on Tuesday it would consider other options.

    “The Warner Bros. Discovery Board will evaluate a broad range of strategic options, which will include continuing to advance the company’s planned separation to completion by mid-2026, a transaction for the entire company or separate transactions for its Warner Bros. and/or Discovery Global businesses,” WBD said in a press release. “As part of the review, the company will also consider an alternative separation structure that would enable a merger of Warner Bros. and spin-off of Discovery Global to our shareholders.”

    WBD hasn’t set a deadline or timetable for completing this review. But given the whole HBO Max naming debacle, it might take the board quite a while to make its mind up.

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  •  Re-Upped Warner Bros. Motion Picture Chairs Michael De Luca & Pam Abdy Acknowledge Box Office Hot Streak – “We’re Doing Our Part”

    Warner Bros Motion Picture chairs Michael De Luca and Pamela Abdy touted movies in theaters with De Luca saying he’d have a problem working for a movie studio that didn’t put its fare on the big screen — saying he’s thought about that a lot, and if that ever happened he’d probably focus on series.

    But both will be at WB for he foreseeable future. At a Bloomberg Screentime conference in LA today the duo acknowledged their contract renewal announced Wednesday. They also weaved away from any criticism of their past rocky relationship with WBD CEO David Zaslav, who had been openly talking to other execs about running the film division back when the studio was having a rough patch.

    With the relentless success over the past months starting with Minecraft (a sequel is coming),  Ryan Coogler’s (“all heart”) Sinners, a Superman revival and the praise on One Battle, the duo are now sitting in the C-Suite drivers’ seat, and are a major asset for WB unto themselves

    “We’re doing our part,”  De Luca acknowledged on the growth in actual big screen output, with WBD now at pre-pandemic box office levels.

    “There is no one size fits all. Abdy added, meaning both budgets, but clearly emphasizing their overall approach to their diverse slate.

    Centering  on One Battle After Another‘s long-term box office success, De Luca spotlighted the acclaimed Leonardo DiCaprio authoritarian ” masterpiece” from Paul Thomas Anderson as being a “marathon not a sprint.”

    The two took the stage just after David Ellison, the new CEO of Paramount Skydance who is eyeing an acquisition of Warner Bros.

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    Dominic Patten

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  • Now, Netflix Is Rumored to Want Warner Bros.

    The media industry is in a state of tumult, and major companies are being bought and reorganized at a rapid pace. Last week, it was reported that David Ellison, son of Oracle billionaire Larry Ellison, wanted to buy Warner Bros. Discovery. This was notable since Ellison, who owns Skydance Media, just recently completed an $8 billion acquisition of another major Hollywood studio, Paramount. Now, there is reportedly another major party interested in buying WB: Netflix.

    Dylan Byers, of Puck News, reports that, following the news of Ellison’s interest in the legacy movie studio, a “well-placed Hollywood source called to suggest to me that Netflix was also considering a bid for David Zaslav’s assets.”

    Not much information is out there other than this anonymous and “well-placed” tip, although the story does hint that another large company may also have its eye on Warner Bros. Discovery. Byers writes:

    NBCUniversal, which is in the worst position to acquire Zaz’s assets from a regulatory perspective, spent the weekend “running the numbers on WBD,” per a source familiar, though a Comcast source cautioned that such a takeover was implausible, especially as it was spinning off Versant.

    Gizmodo reached out to Netflix, Warner Bros., and NBCUniversal for comment and will update this story if they respond.

    Warner Bros. is obviously a prime piece of entertainment real estate. It’s a legendary film studio that has produced some of the best films of the past century, although lately, the hits are notably less stellar than in, say, the 1970s. During Zaslav’s tenure, the studio has produced some notable winners (Barbie and the Dune sequel spring to mind) and some terrible pieces of crap (Red One and the Joker sequel are just two, off the top of my head). Such is the way of the film industry. I suppose he can brag that, on his way out the door, he helped shepherd to completion Paul Thomas Anderson’s latest film epic One Battle After Another, which, if the current reviews are to be believed, may have brought a little bit of that 1970s magic back to WB.

    But the studio now lies at a crossroads, and neither path looks particularly good for movie lovers or society at large. In the case of Netflix, it’s unclear what would lie in store for the studio or its filmmakers should such an acquisition move ahead. The fact that Netflix is, you know, a streamer, would seem to portend dark things for them. Re: PTA, I don’t want to see his next film in a commercial-laden format while doing laundry in my living room.

    It’s unclear whether the distribution of WB movies would change under a Netflix regime, but if it did, that would royally suck. Also relevant is the fact that Netflix is mostly known for making a whole lot of garbage. Indeed, in this writer’s opinion, their garbage-to-gold ratio has to be somewhere in the region of 100:1. Navigating the untold mountains of crap that populate the platform’s shifting and listless content seas is a truly dispiriting experience, and it is, personally, my least favorite streaming service. There’s also the notorious “Netflix Look,” the streamer’s ugly house visual style that seems to plague most of its original content.

    If the studio were to be purchased by Ellison, meanwhile, there are other storm clouds worthy of consideration. Onlookers have noted the visible political undertones of some of the latest corporate moves by Ellison and his clan. Indeed, Ellison’s father, who is also said to be key to the emerging TikTok deal, has been described as a personal “friend” of President Trump, and the New York Times has reported that after Trump’s presidential victory last year, the elder Ellison “appeared at Mar-a-Lago to sit in on a transition meeting.”

    The elder Ellison also visited the White House earlier this year as part of the Stargate Project, an AI infrastructure initiative that will be a boon for the data center industry. As such, Ellison Jr.’s recent acquisitions have been characterized as part and parcel of a broader “MAGA makeover” happening within the media industry, the latent implication of which is that American media is about to get a whole lot more conservative. With Paramount under his belt, Ellison’s control of WB would make a huge percentage of Hollywood under the thumb of a guy whose dad is buddies with the president and also the one with the deep pockets.

    Ellison may ultimately be the best positioned to acquire it, given his ample resources and his recent history of dealmaking. If that’s the case, we may be in for a whole lot more Top Gun: Maverick-type content soon—that is, glossy, well-produced works of cinematic nationalism that eschew any sort of coherent political statement and play well with the Trump crowd. So, you know, feel free to get excited for that.

    Lucas Ropek

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  • The Morning After: HBO Max is going to get more expensive

    As is often the case, the tech news tide is out after Apple’s iPhone 17 event. (Did we do a dedicated newsletter on all the announcements? Yes, yes we did.)

    Before the weekend, though, there’s still more to read about. But let’s start with the not-great tech news. David Zaslav, CEO of Warner Bros. Discovery, plans to make HBO more expensive and passwords a lot harder to share. These were part of his comments at a Goldman Sachs Communacopia + Technology Conference, which sounds awful.

    The main thrust of his argument was that HBO Max’s content is so good that Zaslav thinks he should charge a lot more for it.

    — Mat Smith

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    The news you might have missed


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    Mat Smith

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  • What Paramount Buying Warner Bros. Could Mean for Hollywood

    Photo-Illustration: Vulture; Photos: Getty Images

    Paramount Skydance, backed by the family of CEO David Ellison, is getting ready to make a bid to take over all of Warner Bros. Discovery before the two companies can go through with their plan to split, per a new report from The Wall Street Journal. If such a deal happens, it would put networks as diverse as CBS, CNN, TCM, and MTV under one roof and result in the combination of two historic Hollywood studios, Paramount Pictures and Warner Bros. There has been speculation in multiple media outlets for months about something like this happening — the idea of HBO Max and Paramount+ combining into a single app is a no-brainer — but the speed with which it could be coming together, so soon after Skydance closed its deal for Paramount, does feel a tad surprising. Deadline is also confirming the WSJ story, though it throws a bit of cold water on how much urgency there is to the bid: “Nothing new there, he’s just taking a closer look, assessing the pros and cons,” says a Paramount source quoted by the trade outlet.

    We’re probably still a long way away from such a deal actually becoming reality (if it does), and to be clear: No offer has been made. It’s also not clear how WBD management and shareholders would react — though WBD stock soared nearly 30 percent after the WSJ story broke — or whether news of this possible bid brings out other potential buyers. It’s still early days.

    That said, given how much Hollywood loves a merger these days, it’s always worth thinking about what comes next and what such a mash-up of media giants might bring — for good and (mostly ill). Some immediate questions and thoughts about the possibility of Para Bros.:

    ➼ If the Ellisons get control of WBD, they get control of CNN. Given how much Paramount has pushed CBS News rightward in the past couple weeks, it’s easy to imagine the Trump White House won’t stand in the way of the Ellisons taking over WBD. In fact, one could see it happily pushing for a deal that would put CNN in the hands of owners even more accommodating than its current overseers.

    ➼ Bari Weiss, founder of the right-wing outlet The Free Press, is rumored to be in line for a major gig at CBS News. If this deal happens, will she end up overseeing a CBS News powered by CNN — or all of a combined CNN-CBS News?

    ➼ Will the studio attrition from five major studios to a mere four accelerate moviedom’s seemingly endless doom cycle of sequels, reboots, and tired IP retreads? Coming just a half-dozen years after Disney’s $71.3 billion swallowing of 21st Century Fox, the Para Bros. merger would necessarily trigger a cascade of industry executive layoffs but also drastically reduce the number of studio suitors vying for hot, original movie projects. That would leave less room for new filmic voices and engender frictionless pushback against the kind of corporate groupthink responsible for the boring sameness behind our current multiplex malaise. (Exhibit A: This summer delivered the worst cumulative box-office returns since 1981 adjusted for inflation and discounting COVID lockouts.)

    ➼ Given the trend toward streaming consolidation (see Hulu on Disney+), importing the relatively small content offering of Paramount+ into HBO Max feels like a given under any merger scenario. That said, David Ellison has already started working to dramatically improve the tech of Paramount+ and HBO Max has had its own user-experience issues. It’s quite possible the end result of a deal would be the creation of a totally new platform with, yes, another new name. HBO Max, we hardly knew ye.

    ➼ The amount of layoffs that would result from this merger is depressing to consider. As it is, Paramount Skydance is already planning to pink-slip thousands of employees this fall. The pain will be real and deep.

    ➼ Will putting DC and Star Trek in the same corporate family give us the Star TrekSuperman crossover some Trekkers have fantasized about? Who knows, but the IP-sharing potential of a Warners/Paramount combo is huge. The same company would control The Godfather and The Sopranos, Top Gun and Barbie, I Love Lucy and Friends.

    ➼ Assuming Para Bros. stays in the cable business, would ancient enemies Nickelodeon and Cartoon Network team up to give the new entity enough IP to better take on Disney? Or would the new company care about kids and animation at all?

    ➼ And the most important question of all: Will David Zaslav, fresh off his role in the new Sphere remix of The Wizard of Oz, get himself a cameo in the next Yellowstone spinoff? Or will he ride off into the retirement sunset, having successfully added tens of millions to his net work this decade?

    Chris Lee contributed to this report.


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    Josef Adalian

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  • HBO Max is going to get a lot more expensive, CEO promises

    David Zaslav, the CEO of Warner Bros. Discovery, plans to make HBO more expensive, and passwords a lot harder to share, . Zaslav shared his general outlook on the state of television at the Goldman Sachs Communacopia + Technology Conference, with the main theme being that HBO Max’s content is good and Zaslav thinks he should be charging a lot more for it.

    “The fact that this is quality — and that’s true across our company, motion picture, TV production and streaming quality — we all think that gives us a chance to raise prices,” Zaslav said. “We think we’re way underpriced.” HBO Max most recently , back when it was . As of right now you can get an entry-level Basic with Ads plan for $9.99 per month, while the ad-free Premium plan costs $20.99 per month. Zaslav clearly thinks he can get more, though.

    Warner Bros. Discovery has been more open about its plans to address password-sharing. During an earnings call in August, the it wanted to close all loopholes for sharing passwords by the end of the year. While it’s great that people continue to be drawn to HBO content, “it’s all tricky with the password sharing,” Zaslav said. “We’re going to begin to push on that.”

    Price hikes and password sharing crackdowns have been thoroughly and other streamers. HBO Max following suit should be more than expected. Stating those plans so plainly doesn’t improve the image of Zaslav as , but that’s the least of his worries given the of Warner Bros. Discovery.

    Ian Carlos Campbell

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  • ‘The Wizard of Oz’ at the Sphere Has a Shocking 2-Second Cameo: David Zaslav

    The Sphere’s version of The Wizard of Oz has already drawn controversy over its use of AI. Now we know another unsettling element has been introduced into the Hollywood classic: a likeness of Warner Bros. Discovery CEO and president David Zaslav.

    No, really: the exec, along with the Sphere’s executive chairman and CEO, James Dolan, will be superimposed on the faces of uncredited background characters in what are apparently blink-and-you’ll-miss-them appearances. The stunt is to celebrate the movie’s monumental screening series at the Sphere in Las Vegas.

    Dolan announced the surprise AI cameos at a special walkthrough of the experience. “I won’t tell you where, it’s only for like two seconds,” he disclosed, according to the Hollywood Reporter. “[They] replaced the faces of two very short, two-second characters in the movie with mine and [David’s]. I challenge you to find it.”

    Now whether they’ll depict Munchkins or flying monkeys (or some other characters entirely) is something you’ll have to discover for yourself if you plan on seeing the MGM classic (now owned by Warner Bros.) in Las Vegas. The Sphere used AI to augment The Wizard of Oz to fit its unconventionally sized and shaped screen, hoping it will attract tourists despite the discourse surrounding the tech.

    “I think [with] the controversy around AI replacing humans through technology, we ended up employing more artists on this project than I think Hollywood has employed in previous years, just to continue this journey,” shared the Sphere’s visual effects specialist Ben Grossmann in defense of its use to showcase the film to audiences in a new way.

    Let us know what you think of The Wizard of Oz: The Zaslav Cut in the comments.

    Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

    Sabina Graves

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  • James Gunn Says ‘No Truth’ To Recent Batman Game Rumor

    James Gunn Says ‘No Truth’ To Recent Batman Game Rumor

    Image: Warner Bros.

    Reports of a game set in the universe of Matt Reeves’ The Batman are, apparently, greatly exaggerated. The internet was swirling with rumors of such a game’s existence on the morning of August 30, with many hoping that such a project was real. However, none other than James Gunn, the head of DC films, weighed in to set the record state.

    The rumors stem from an article on news site Puck discussing the state of Warner Bros. and the outlook of its CEO, David Zaslav, on selling assets. The article states that former Warner Bros. parent company AT&T decided against selling the Warner Bros. Interactive Entertainment division responsible for games because it was “too valuable to unload.” The article goes on to claim that, in addition to the upcoming Penguin HBO show, there is a game in development “rooted in the 2022 The Batman movie.” This one line made fans theorize on what this could be, and if the game itself would be more closely tied to the movie or the Colin Farrell series. If true, this would be the first Batman game set in the Reeves’ universe. However, it seems the game does not actually exist.

    On social media site Threads, a user directly asked James Gunn if there was any accuracy to the rumors. Gunn succinctly shut them down by saying, “Sadly there is no truth to this whatsoever.” For hopeful fans, though, the use of “sadly” may suggest that he does hope a project like this will exist at some point. Batman fans are long overdue for another great game starring the caped crusader. 2025 will mark the tenth anniversary of Batman: Arkham Knight’s release, which is arguably the last good Batman game Warner Bros. has released. If you are really craving another Batman game, however, the VR title Batman: Arkham Shadow is set to release this fall, and it actually looks kind of good! Still, hope springs eternal for another amazing AAA Batman game.

    .

    Willa Rowe

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  • Charles Barkley says he will not retire and remain with TNT Sports even if they don’t have the NBA

    Charles Barkley says he will not retire and remain with TNT Sports even if they don’t have the NBA

    Charles Barkley intends to remain with TNT Sports through the remainder of his contract.

    The Hall of Fame player announced Tuesday that he will not retire next season, reversing the announcement he made in June during the NBA Finals.

    Barkley said at the time that the 2024-25 season would be his last on television, no matter what eventually happened with the NBA’s media deal negotiations. He signed a 10-year contract extension with TNT Sports in 2022.

    Warner Bros. Discovery, the parent company of TNT Sports, has sued the NBA in New York state court after the league did not accept the company’s matching offer for one of the packages in its new 11-year media rights deal, which will begin with the 2025-26 season.

    “I love my TNT Sports family. My (number one) 1 priority has been and always will be our people and keeping everyone together for as long as possible. We have the most amazing people, and they are the best at what they do. I’m looking forward to continuing to work with them both on the shows we currently have and new ones we develop together in the future. This is the only place for me,” Barkley said in a statement. “I have to say … I’ve been impressed by the leadership team who is fighting hard and have been aggressive in adding new properties to TNT Sports, which I am very excited about. I appreciate them and all of my colleagues for their continued support, and most importantly our fans. I’m going to give my all as we keep them entertained for years to come.”

    ESPN/ABC, NBC and Amazon Prime Video were expected to try to court Barkley before Tuesday’s announcement. “Inside the NBA” host Ernie Johnson has also said he intends to remain with TNT but the futures of Shaquille O’Neal and Kenny Smith remain uncertain.

    Barkley joined TNT in 2000 and has been a part of the iconic “Inside the NBA” show, which has won 21 Sports Emmy Awards and has been a model for studio shows. Barkley took home his fifth Sports Emmy for Outstanding Studio Analyst in May.

    What Barkley’s future looks like if TNT does not have the NBA remains to be seen. Turner has had an NBA package since 1984 and games have been on TNT since the network launched in 1988.

    However, the relationship started to become strained when Warner Bros. Discovery CEO David Zaslav said during an RBC Investor Conference in November 2022 that Turner and WBD “don’t have to have the NBA.”

    TNT Sports also carries the NHL and NCAA men’s basketball tournament with CBS. It recently has added the College Football Playoffs, Big East basketball, NASCAR and the French Open.

    “Charles is one of the best and most beloved sportscasters in the history of television. I know I speak for all the members of the TNT Sports family when I say we are incredibly thrilled to share this mutual commitment to continue showcasing Charles’ one-of-a-kind talents and entertain fans well into the future,” TNT Sports Chairman and CEO Luis Silberwasser said in a statement. “We continue to add to the breadth and depth of our sports portfolio and it’s fantastic to have Charles for this journey as we develop new content ideas and shows for our fans.”

    Barkley was the co-host of “King Charles,” a weekly talk show on CNN with “CBS Mornings” co-host Gayle King. But the limited-run series ended in April after six months.

    ___

    AP NBA: https://apnews.com/hub/nba

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  • Warner Bros. Discovery sues NBA for not accepting its matching offer

    Warner Bros. Discovery sues NBA for not accepting its matching offer

    Warner Bros. Discovery has sued the NBA after the league did not accept the company’s matching offer for one of the packages in its upcoming 11-year media rights deal.

    The lawsuit was filed on Friday in New York state court in Manhattan.

    WBD, the parent company of TNT Sports, is seeking a judgement that it matched Amazon Prime Video’s offer and an order seeking to delay the new media rights deal from taking effect beginning with the 2025-26 season.

    The NBA signed its deals with Disney, NBCUniversal and Amazon Prime Video on Wednesday after saying it was not accepting Warner Bros. Discovery’s $1.8 billion per year offer. The deals will bring the league around $76 billion over 11 years.

    “Given the NBA’s unjustified rejection of our matching of a third-party offer, we have taken legal action to enforce our rights,” TNT Sports said in a statement. “We strongly believe this is not just our contractual right, but also in the best interest of fans who want to keep watching our industry-leading NBA content with the choice and flexibility we offer them through our widely distributed WBD video-first distribution platforms – including TNT and Max.”

    NBA spokesman Mike Bass said in a statement that “Warner Bros. Discovery’s claims are without merit and our lawyers will address them.”

    WBD says in the lawsuit that “TBS properly matched the Amazon Offer by agreeing to telecast the games on both TNT and Max. The Amazon Offer provides for Cable Rights, including TNT Rights, because the offer is for games that TBS currently has the right to distribute on TNT via Non-Broadcast Television, which includes both cable and Internet distribution.”

    WBD also claims under its contract it “has the right to ‘Match a Third Party Offer that provides for the exercise of (NBA games) via any form of combined audio and video distribution.’”

    The lawsuit is another chapter in a deteriorating relationship between the league and Turner Sports that has gone on nearly 40 years. Turner has had an NBA package since 1984 and games have been on TNT since the network launched in 1988.

    TNT’s iconic “Inside the NBA” show has won numerous Sports Emmy Awards and has been a model for studio shows.

    However, the relationship started to become strained when Warner Bros. Discovery CEO David Zaslav said during an RBC Investor Conference in November 2022 that Turner and WBD “don’t have to have the NBA.”

    Warner Bros. Discovery and the league were unable to reach a deal during the exclusive negotiating period, which expired in April. Zaslav and TNT Sports Chairman/CEO Luis Silberwasser said throughout the process, though, that it intended to match one of the deals.

    WBD had five days to match a part of those deals after the NBA’s Board of Governors approved the rights deals on July 17.

    WBD received all of the contracts the next day and informed the league on Monday that it was matching Amazon Prime Videos offer.

    The NBA announced on Wednesday that it was not considered a true match.

    “Throughout these negotiations, our primary objective has been to maximize the reach and accessibility of our games for our fans,” the league said when it did not accept the WBD deal. “Our new arrangement with Amazon supports this goal by complementing the broadcast, cable and streaming packages that are already part of our new Disney and NBCUniversal arrangements. All three partners have also committed substantial resources to promote the league and enhance the fan experience.”

    ___

    AP NBA: https://apnews.com/hub/nba

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  • Media and Tech Titans Arrive At Sun Valley 2024: In Photos So Far

    Media and Tech Titans Arrive At Sun Valley 2024: In Photos So Far

    Shari Redstone arrives at the Allen & Co. Sun Valley Conference on July 9, 2024 in Sun Valley, Idaho. Getty Images

    Today (June 9) marks the start of this year’s Allen & Co. conference in Sun Valley, Idaho. Known as the “summer camp for billionaires,” the annual get-together has since 1983 drawn in industry leaders across media, tech, politics and finance. Each year, the wealthy and elite touch down in private jets at the nearby Friedman Memorial airport, which describes the conference as its “annual fly-in event” and today experienced delays due to flight volume.

    Convening at the Sun Valley Lodge, attendees will spend the next few days networking and attending private lectures on topics like national security, health care and education.

    Media and tech titans like Shari Redstone, the chairwoman of Paramount Global who just agreed to a long-awaited merger with Skydance Media; OpenAI CEO Sam Altman and Warner Bros. Discovery (WBD) CEO David Zaslav have already been spotted outside the event. More than 60 power players in total have been invited to the exclusive conference, which has famously been the site of deals like Comcast (CMCSA)’s acquisition of NBCUniversal, Jeff Bezos’ acquisition of the Washington Post and The Walt Disney Company (DIS)’s acquisition of Capital Cities/ABC.

    Who’s been seen at Sun Valley 2024 so far?

    Sam Altman, CEO of OpenAI

    Man in grey shirt driving away in golf cart Man in grey shirt driving away in golf cart

    Shari Redstone, chairwoman of Paramount Global and president of National Amusements

    Woman in red sweater stands next to white carWoman in red sweater stands next to white car

    David Zaslav, CEO of Warner Bros. Discovery

    Man in grey jacket stands outside in front of white carMan in grey jacket stands outside in front of white car

    Barry Diller, chairman of IAC

    Man in white shirt wheels bicycle Man in white shirt wheels bicycle

     

    This story is developing. Please check back for updates.

    Media and Tech Titans Arrive At Sun Valley 2024: In Photos So Far

    Alexandra Tremayne-Pengelly

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  • Batman Beyond Shouldn’t Have to Beg for a Movie

    Batman Beyond Shouldn’t Have to Beg for a Movie

    Earlier in the week, My Dad the Bounty Hunter creator Patrick Harpin and Yuhki Demers, a visual artist on Sony Animation’s Spider-Verse films, revealed their concept art for an animated Batman Beyond movie they’re trying to get made. They’re both fully aware nothing might come of this, and talks are still happening. But it didn’t stop said art from going viral, both because it looks really cool, and also because it’s Batman Beyond, a fan-favorite character who’s always felt like he’s within spitting distance of a big bat-break.

    If you work in a creative field, you likely have to pitch something to your boss before actually starting on it. That’s particularly true in animation, and that’s doubtful to change anytime soon. But there’s something ugly, for lack of a better word, in seeing Harpin and Demers have to publicly rally for support to prove their project’s “worthy” in this way to WB. It wasn’t that long ago that we learned the studio’s executives, led by Warner Bros. Discovery CEO David Zaslav, are likely going to cancel Coyote vs. Acme without really considering any of the deals offered to them, or having actually seen the film. The people in charge of WB seem very anti-art in a way that makes this all come off as rather cruel, especially when folks have been so vocal about their love for Batman Beyond over the years.

    Legacy superheroes have become so widespread nowadays, but Terry McGinnis was an early example of that working to great success. Separate from their love of Batman: The Animated Series, fans have had an affection for 1999-2001 animated series Batman Beyond and Terry’s exploits as the Batman of Neo-Gotham. It wasn’t just that the show was offering a new take on the Dark Knight, it was also really good and not just coasting off the novelty of a teenager in a high-tech Batsuit. And while he briefly showed up in Justice League Unlimited, DC didn’t make any active moves to continue Terry’s story, and largely closed the book on him after JLU revealed he was Bruce’s son.

    Comics-wise, Terry’s actually been doing fairly well for himself in the past decade, where he was weaved into the prime DC universe. In his recent solo runs, he’s crossed paths with more recent Batman mainstays like Damian Wayne and the Court of Owls, and he’s now at the point where he’s on his own now that Bruce is dead. Yet even with that, WB has never tried to give him a bigger presence outside of the comics: a live-acton Batman Beyond movie was junked several years ago, much like an animated one rumored in 2019. He hasn’t been revived via the animated movies that WB likes to put out three or four of every year, and he doesn’t even have a video game presence beyond being costumes for Bruce in the Lego or Arkham games.

    Outside of comics, WB has always handled Batman’s supporting cast oddly. Sometimes it puts embargoes on specific characters so there can’t be multiple versions; sometimes other characters can headline shows for about half a decade or be a supporting player in the story of another, bigger Batman character. The studio constantly overcomplicates itself for no real reason, and the same is true here—it loves Batman to death, and DC’s often been at its best when animated. Harpin and Demers’ hypothetical movie checks both those boxes, and gives audiences something they’ve never seen in theaters before: Batman being a detective in the cyberpunk future is a cool idea! And again, folks have been clamoring for more Terry for years.

    Image for article titled Batman Beyond Shouldn't Have to Beg for a Movie

    Image: Warner Bros. Animation

    In a sane universe, a Batman Beyond movie in a Spider-Verse art style would probably be out by now. But this WB is trying to burn money and stall for time ahead of a likely buyout, so we’re watching an interesting idea by a pair of creators more than eager to work on it be held hostage. Batman Beyond isn’t owed this just because Harpin and Demers asked, or even because he’s been around for 25 years. What he’s owed is a legitimate chance to have something with him move forward with people who care about the property at the helm. But the focus on the bottom line means WB will be making moves that are more dystopian than the actual dystopia of Gotham City 2049.


    Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

    Justin Carter

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  • Gigantism: What a Merger Between Warner Bros. and Paramount Would Mean

    Gigantism: What a Merger Between Warner Bros. and Paramount Would Mean

    It wouldn’t be the holiday season in Hollywood without a little deal chatter. This time, it’s Warner Bros. Discovery and Paramount Global that have set tongues wagging. Leaders for the two media giants met this week, people familiar with the talks said, to discuss a potential merger that would create an entertainment, news, and sports titan.

    Ever since the 2021 merger of WarnerMedia and Discovery created the debt-ridden Warner Bros. Discovery, media observers have speculated that the company would be a prime candidate to combine with—or even sell to—a rival. And Shari Redstone essentially hung a “For Sale” sign on Paramount’s front door after news leaked that, according to Puck’s sources, she was working with bankers to explore a deal with Skydance Media, the David Ellison–run company behind the recent Mission: Impossible films.

    The timing of the late December deal talks, which Axios first reported took place Tuesday at Paramount’s Times Square Headquarters, is notable. Warners CEO David Zaslav met with Paramount CEO Bob Bakish for several hours and discussed, among other things, a potential merger. The talks kick-start what will be a busy 2024 in Hollywood as every major media company seeks to shore up their businesses amid the dual threat of a collapsing cable business and an increasingly powerful tech incursion.

    There are a whole host of reasons that a deal between Warners and Paramount would make sense. The combination of their streaming services, Max and Paramount+, could give them the scale needed to take on Netflix. They could also merge their cable television portfolio—including channels like MTV, Nickelodeon, HGTV, and Food Network—to negotiate better terms with carriers like Comcast and Charter. Their sports businesses are also complementary, as are their CBS and CNN news operations.

    Each business also brings a piece of the puzzle that the other is lacking. Warner Bros. Discovery could take advantage of aligning with a broadcast network like CBS, which would also give it a foothold in the coveted NFL sports rights space. And Paramount would benefit from Warners’s robust international operations.

    But though Zaslav has spoken with Redstone about a potential merger, the people familiar said, there are no guarantees a deal will happen. Any combination of such large media companies would presumably face regulatory scrutiny, for one. And because of a complicated tax law, Warner Bros. Discovery would likely take a big hit on any deal that occurs before the two-year anniversary of its earlier merger, The New York Times reports.

    Investors don’t seem too excited about the potential deal, likely because it would saddle the combined company with significant debt. Warners’s shares closed Wednesday, December 20, down nearly 6%, while Paramount shares were down around 2%. In the early afternoon on Thursday, Warners’s shares were trading down another 4%, while Paramount’s were down 1%. The talks could also shake the trees on other potential partners for both companies. CNBC reports, for instance, that NBCUniversal could be drawn into the fray as a jealous suitor.

    Two years after taking the helm at Warner Bros. Discovery, Zaslav has aggressively paid down debt and turned the streaming division profitable, moves that have made it possible for the company to go hunting for deals that could benefit its overall business. But to get the company to that point he has made some unpopular decisions and infuriated workers at many levels of the industry, including conducting widespread layoffs and canning several highly anticipated upcoming projects, all while doing what some perceived as tone-deaf elbow-rubbing with stars.

    A deal between Warner Bros. Discovery and Paramount would help both companies weather what could be a tough period of transition for Hollywood. But it would also almost certainly lead to more layoffs and more contraction in an industry already broken down by media moves of the past few years.

    Natalie Jarvey

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  • After WGA Strike, David Zaslav Says Writers Were ‘Right About Almost Everything’: ‘So What If We Overpay?’

    After WGA Strike, David Zaslav Says Writers Were ‘Right About Almost Everything’: ‘So What If We Overpay?’

    Warner Bros. Discovery CEO David Zaslav‘s name graced many a picket sign during the Writers Guild of America’s 148-day strike, with everything from his exec comp to content-cutting choices called out in writers’ anti-Hollywood studios jokes.

    Now that the work stoppage is over, the writers might consider reexamining their opinion of Zaslav, who concedes the WGA was “right about almost everything.”

    In a profile published by Wednesday by The New York Times Magazine, Zaslav said he does not regret the concessions that the Alliance of Motion Picture and Television Producers (AMPTP) made to finally close that tentative deal with the writers union Sept. 24.

    “They are right about almost everything. So what if we overpay? I’ve never regretted overpaying for great talent or a great asset,” Zaslav said.

    What’s overpaying? That’s in the eye of the content beholder (exec, writer, talent, audience, etc.), but in the Times story, one example given (and specifically denied to both the Times and Variety by a Warner Bros. spokesperson) is when Warner Bros. Film co-chair Pam Abdy allegedly told filmmaker Greta Gerwig during development on “Barbie” that she would not have greenlit the movie at its new $145 million budget compared to its original budget of $80 million. Of course, “Barbie” went on to be a smash hit for Warner Bros., putting up $162 million in its release weekend alone.

    Zaslav was among a small group of top Hollywood studio chiefs, including Disney’s Bob Iger, Netflix’s Ted Sarandos and NBCUniversal’s Donna Langley, that began appearing in the WGA-AMPTP negotiating room in August to show their commitment to concluding talks and inking a deal with the writers even as the actors’ work stoppage raged on.

    According to the Times, Zaslav’s push to meet with the writers at the negotiating table, which began with a call made to WGA negotiating committee co-chairman Chris Keyser, stemmed from conversations with media banker Aryeh Bourkoff, who worked on the sale of WarnerMedia to Discovery from AT&T.

    Following Iger’s strike comments during an interview with CNBC at the media-mogul-heavy Sun Valley conference in July, when he said the writers and actors’ expectations were “not realistic,” Bourkoff reportedly said this could be Zaslav’s “Lew Wasserman moment,” invoking the Hollywood titan who was long credited for smoothing the path between both sides in the studio and union battles.

    Jennifer Maas

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  • Strikes Saved Warner Bros. Discovery “More Than $100 Million,” Says CEO David Zaslav

    Strikes Saved Warner Bros. Discovery “More Than $100 Million,” Says CEO David Zaslav

    The joint Writers Guild of America and SAG-AFTRA strikes have bred economic instability for several facets of the industry—from movie theaters bracing for an uncertain release schedule to creatives just trying to survive. But that financial strain doesn’t appear to be hitting the studios. Weeks after Netflix told investors that it had saved $1.5 billion this year by pausing productions, CEO David Zaslav has declared that Warner Bros. Discovery has savings in the “low $100 million range.”

    That’s according to the company’s Q2 earnings call Thursday, where Warner Bros. Discovery leadership broke down the numbers for April 1–June 30, a period when only the writers were on strike. This figure comes just before WGA leadership returns to the negotiating table with the Alliance of Motion Picture and Television Producers (AMPTP).

    Although there is no such meeting in place between the studios and actors, WBD said it’s currently estimating “early September” as the end of striking. That’s far earlier than the six-month projection recently provided by SAG-AFTRA president Fran Drescher. 

    “We’re in the business of storytelling. Our goal is to tell great stories, stories with the power to entertain and, when we’re at our best, inspire with stories that come to life on screens big and small,” Zaslav said on the call, as reported by Variety. “We cannot do any of that without the entirety of the creative community, the great creative community. Without the writers, directors, editors, producers, actors, the whole below-the-line crew. Our job is to enable and empower them to do their best work. We’re hopeful that all sides will get back to the negotiating room soon and that these strikes get resolved in a way that the writers and actors feel they are fairly compensated and their efforts and contributions are fully valued.”

    During the call, Zaslav—who was booed and told to “pay your writers” while giving a commencement address at Boston University weeks into the writers strike—continued: “I think all of us in this business are very keen to figure out a solution as quickly as possible. We are in some uncharted waters, in terms of the world as it is today and measuring it all. And so I think, in good faith, we all got to fight to get this resolved. And it needs to be resolved in a way that the creative community feels fairly compensated and fully valued.”

    Savannah Walsh

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  • Variety’s “Battle Over CNN” Feature Has Set Off a Full-on Media Brawl

    Variety’s “Battle Over CNN” Feature Has Set Off a Full-on Media Brawl

    It’s been 48 hours and the media world is still abuzz over a Variety feature about CNN that is purportedly ridden with inaccuracies and has prompted outcry from several of its subjects. The Tuesday story—written by Tatiana Siegel—casts Jeff Zucker, the former CNN president who was ousted last year, as being on a desperate and bitter “quest to recapture the CNN throne,” with anecdotes about him traveling the world in pursuit of an international network of investors, including Jeff Bezos, Alex Soros, and Russian oligarch Roman Abramovich.

    Fast forward and Siegel’s attempt to expose the mess seems to have set off a full-on media brawl. Zucker’s spokesperson, Risa Heller, denied that Zucker had ever discussed buying CNN with Bezos—or anyone—and said that Zucker has “never met or spoken to” Soros or Abramovich. “It is stunning to read a piece that is so patently and aggressively false,” Heller said in a statement to Vanity Fair. “On numerous occasions, we made it clear to the reporter and her editors that they were planning to publish countless anecdotes and alleged incidents that never happened. They did so anyway.” (Asked for comment on the response to the story, including calls for retractions, a Variety spokesperson told Vanity Fair, “Variety stands by our investigative story about CNN written by one of the best journalists in the business.”)

    Apart from Zucker’s alleged takeover bid, Siegel is also getting flack for what she described as the “climate of betrayal” left in Zucker’s wake at CNN, as well as Zucker’s “behind-the-scenes attempts to undermine” both Chris Licht, his successor, and David Zaslav, the Warner Bros. Discovery CEO. Zaslav fired Licht in June, following a blistering 15,000-word profile—written by The Atlantic’s Tim Alberta—of Licht’s disastrous year atop the cable news network.

    However, the Variety piece suggests Licht fell victim to cheap reporting, and questioned the journalistic “liberties” that Alberta took, such as “key off-the-record details and quotes [that] were used on the record.” Siegel also took aim at Puck’s Dylan Byers, who relentlessly chronicled the Licht era (and worked at CNN under Zucker), which made him a character in Alberta’s piece. She specifically alleged that “Byers’ conflict of interest runs much deeper than a kinship with a former boss,” pointing out that Zucker and Puck are both represented by Heller and asserting that Byers failed to disclose that Zucker had spoken to Puck about a potential investment in the startup—a detail reported by the New York Times last month.

    A torrent of backlash among top media brass has ensued: Atlantic editor-in-chief Jeffrey Goldberg told CNN on Tuesday that “Siegel was informed by The Atlantic that the charges were completely false, but she nevertheless decided to smear Alberta.” According to Byers, Puck co-founder and editor-in-chief Jon Kelly also “sent an email to the author and the editors of the Variety piece on Tuesday outlining demonstrably false claims.” And on Wednesday, TheWrap reported that “Penske Media Corporation, the owner of Variety, has been contacted by Zucker’s team with a request to issue a retraction of the article.”

    Meanwhile, Byers and Alberta have themselves taken to Twitter to refute various aspects of the story. Alberta in a series of tweets went point by point, from the number meetings Siegel said Alberta had with Licht, to her allegation that Licht’s now-infamous quote at the gym—that “Zucker couldn’t do this shit”—was actually something that Alberta said and Licht repeated. “If @Variety had real editorial standards this piece never, ever would have published,” Alberta wrote. Likewise, Byers on Wednesday claimed that the opening scene in Siegel’s piece—a run-in between a teary-eyed Zucker and Zaslav at a Miami Beach hotel—was riddled with factual errors. He also addressed Siegel’s conflict-of-interest allegations, acknowledging that Heller represents Puck but claiming that he was “wholly unaware” of Zucker’s conversations with his employer about a potential investment “until it was reported in the press. (Siegel was told that, too, but did not include it.)”

    Variety is, as of now, sitting tight. Despite the public appeals to correct the record, CNN’s Oliver Darcy reported Wednesday that the outlet has “resisted taking any such action, outside quietly removing the widely panned Tatiana Siegel-written feature from its online homepage.” But the apparent errors, as Darcy writes, “raise serious questions about the editorial process at Variety that allowed Siegel’s feature to be published.”

    Charlotte Klein

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  • Embattled CNN chief apologizes to staff after embarrassing profile, vows to ‘fight like hell’ to win back trust | CNN Business

    Embattled CNN chief apologizes to staff after embarrassing profile, vows to ‘fight like hell’ to win back trust | CNN Business

    Editor’s Note: A version of this article first appeared in the “Reliable Sources” newsletter. Sign up for the daily digest chronicling the evolving media landscape here.



    CNN
     — 

    Chris Licht started CNN’s daily network editorial meeting on Monday by directly addressing the elephant in the room.

    “I want to say that I’ve spent the weekend doing a lot of thinking,” Licht told staffers, many of whom had dialed into the meeting specifically to hear from their embattled chief executive.

    Employees had not heard from Licht since The Atlantic’s Tim Alberta on Friday published a blistering 15,000-word profile on him. The embarrassing piece, which reverberated all weekend throughout the media industry, called into serious question Licht’s judgment, his ability to lead the network’s staff, and his overall professional capabilities as CNN’s top executive.

    In a somber tone, Licht on Monday apologized to employees for having distracted from the work of the newsroom, which has broken a string of recent stories related to the probes into Donald Trump. He said that he “should not be in the news, unless it is taking arrows” for the network. And he said that he did not recognize the person portrayed in portions of The Atlantic article.

    Most notably, Licht, who described the experience as “tremendously humbling,” vowed to push on. He said that he would “fight like hell” to win over the trust of the 3,500-person news organization he leads.

    Whether Licht can actually win over his army of journalists, however, is far from certain — especially now that he is attempting to reset relations more than a year into his tenure, having alienated much of the employee base and squandered the good will he had when he took the helm of the network.

    In the wake of The Atlantic’s explosive story, I’ve spoken with dozens of staffers across the company. There are a wide range of emotions coursing through the halls of CNN. Some staffers are frustrated. Others are angry. Many are sad about the awful state of affairs that has taken hold of an organization they love.

    There is one near-universal sentiment, however, that has been communicated to me: Licht has lost the room.

    Licht’s Monday remarks, according to the people I’ve spoken with, struck the right tone. He did appear humbled. Staffers could hear the raw emotion in his voice as he spoke. And he invited feedback and offered self-reflection in a way that represented a marked departure from how he has governed in the past.

    But Licht, notably, did not apologize for having disparaged CNN’s previous journalism, an omission in his remarks that did not go unnoticed by staffers, particularly the network’s health unit which has been infuriated by the attacks he leveled against the outlet’s Covid-19 coverage. And, overall, the comments did little to move the needle. “Too little, too late,” more than one employee said, summarizing the widespread attitude from staffers that I spoke with.

    In the eyes of so many at CNN, there isn’t anything Licht can do at this point to win over their support. They’ve hit the wall with him. As one anchor texted me, in reference to Licht’s announcement on Monday that he will relocate his office to a newsroom floor at Hudson Yards: “We don’t want his office relocated to the 18th floor, we want it relocated out of the building.”

    Over the last 72 hours, top anchors and correspondents have reached out to David Leavy, CNN’s newly installed chief operating officer and, more importantly, the trusted lieutenant of Warner Bros. Discovery boss David Zaslav, to offer their candid thoughts about Licht’s leadership. Suffice to say, in these conversations, CNN journalists have not been shy in criticizing Licht.

    Zaslav, I’m told, understands the dire state of affairs at his news network. He wouldn’t have dispatched his top lieutenant before the publication of The Atlantic piece if he did not believe there was a problem. And the publication of the magazine’s article added gasoline to the raging fire. “[Zaslav] had the same reaction that everyone else did to that article,” a person familiar with the WBD chief’s thinking told me. A second person familiar with Zaslav’s thinking said the WBD boss was not happy about The Atlantic story and that he is not blind to what is transpiring at CNN.

    Whether CNN’s corporate ownership will force a change remains to be seen. Several media executives that I have spoken with in recent days have all said that it is hard to see how Zaslav doesn’t do something. WBD put out a generic statement expressing lukewarm support for Licht’s leadership on Friday, though that was before Leavy heard from much of the staff.

    In the immediate future, I’m told, Leavy is counseling Licht and CNN leadership’s primary goal is to stabilize the ship. Licht spent much of Monday having one-on-one conversations with top talent and executives. Beyond repairing relationships with staff, the hope is to get Licht out of the news and to refocus the attention on CNN’s newsroom.

    That attitude was reflected by Licht in his Monday remarks to employees. “Only the journalism matters,” Licht said. “And I will not be distracted from that North Star.”

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