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Tag: Dave

  • A Killer Job Forces Exes to Reunite in This Queer Sci-Fi Short Story

    A Killer Job Forces Exes to Reunite in This Queer Sci-Fi Short Story

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    io9 is proud to present fiction from LIGHTSPEED MAGAZINE. Once a month, we feature a story from LIGHTSPEED’s current issue. This month’s selection is “The Waking Sleep of a Seething Wound” by dave ring. Enjoy!

    THE WAKING SLEEP OF A SEETHING WOUND
    by dave ring

    Dawn shot a quiver of cirrus that smeared like sunscreen across the sky. Bini had been awake for hours, back aching. She was too old for this shit. Mox still slept like the dead, her snores a regular wheeze.

    Hard to imagine Bini had once slept beside that noise every night.

    She should wake Mox up, but there didn’t seem any harm in pushing the snooze button a little while longer. Until movement finally flickered through the streaked bay windows below them. Bini peered through the rifle’s scope to find the farmer putting the kettle on. It took all Bini’s grit not to pull the trigger.

    Bini nudged Mox and gently covered her mouth when the other woman would have scolded her. “He’s up.”

    Professionalism replaced annoyance. “Slide over.”

    Bini moved aside without protest. Mox was by far the better shot. And letting her look into the scope for a hard thirty seconds gave Bini a chance to consider the pale brown band of skin on Mox’s finger.

    “We good?” Mox asked.

    “We’re good.”

    “Aight. I’ll be on channel five.”

    Bini signaled an affirmative and began her descent.


    Every operative in the cabal had a rating handwritten in the top left corner of the first page in their file, opposite the shitty passport photo they took during orientation. The rating stood for their aptitude at interacting with SAPPhO, the subatomic particle phase order. Operatives just called it the void. The first part of the rating was a number between 0 and 100. The second part was a letter.

    The number indicated how well the operative could enter the void. The letter indicated how well they manipulated it. Mox’s SAPPhO was 45A. Bini’s was 99C. No one else had a number rating over an 84. Most people could only dip into the void for as long as they could hold their breath underwater. Bini’s record was a half hour. Normally the cabal didn’t let you into the field without at least a B cert, but it was hard to argue with that 99. Sometimes you needed a poorly aimed bazooka more than a sharpshooter.

    Weirdly enough, all of the cabal’s voidwalkers were women. Not everyone was a lesbian, but enough were that the acronym felt like one more example of the corporatization of Pride. They also weren’t all cis—confirmed when Mox was cleared for the spinal augmentation procedure—though Bini had been disappointed when she realized there were no nonbinary operatives. It made her doubt the part of herself that had always felt uneasy with womanhood. “I’m barely a girl,” she used to say, and feminine honorifics still made her skin crawl. But it was hard to argue with a gender-linked capacity to slide into the space between atoms the way blood slides into the gaps between floorboards.


    Some jobs were like killing deer with a chainsaw, or shucking corn with a mallet. This was one of them. Two of the farmer’s knuckles were on the floor and Bini already had blood coagulating in her eyelashes, but the dumb fuck still wasn’t saying shit. Maybe she was losing her touch.

    Harvey on the dials plus Mox in her ear and things felt like old times. Bini was listening yeah but really she was thinking about that night they fought at the mall food court. Before the first split, before they opened things up. Back when it was just them. When Mox had the nerve, in the middle of those cheese steaks, to tell Bini she “never really let her in.”

    By the time Bini skinned her knee on the fountain in the middle of the mall, she realized the whole thing between her and Mox was fucked. Mox needed someone to make her feel needed. But Bini had spent her whole life learning how to be enough. All by herself.

    Now it was fifteen years since they’d done a job together. Getting pulled in for this one felt like the best parts of being married, without all the noise.


    For the seven years they were together, Mox tried to fix their marriage with counseling, crystals, and a short stint as a very uneven polyamorous trio. That moment of clarity underneath the mall’s fluorescent lighting didn’t matter, because Bini kept it to herself. She never found a way to share it in a way that wouldn’t feel like a betrayal. Still, she learned a lot about herself during those years—about communication and trauma and being ace—and as soon as the cabal got big enough to have a second division, Mox pulled the plug and moved to Phoenix. It was the right thing to do, but when Bini told her that, the logic of it made Mox shut down.

    Eventually, they’d been apart almost twice as long as they’d been together. Mox’s new wife Freddie was a bassist in a goth cover band and nothing made Bini more green with envy than seeing the videos Mox took standing at the foot of the stage at Freddie’s shows.

    Once, late at night, Bini must have watched one of those videos more than a hundred times, entranced by the friction of fret and string alongside the snatch of Freddie’s background vocals, Mox singing along from behind the camera. The next day she had dozens of notifications. Bini’s fingers must have dragged across the keyboard, posting a string of kjnsddjjkjsdnkj beneath the video. Same girl, same, said the first comment, while a drool emoji marked the second and the third.

    And as Bini frantically tried to figure out how to delete her post, a little white box appeared on her screen. Mox had clicked the heart button beside her comment. Bini couldn’t bear to delete it, that shred of connection a wispy dandelion seed floating across the vast emptiness of the internet.


    “That almost worked,” Bini told Mox on the comm. “It was almost normal. I guess I shouldn’t have been afraid that—”

    “You wanna know what your fucking problem is?”

    Bini grunted. She wasn’t falling for that.

    “I’ll tell you what your fucking problem is.”

    Bini knew Mox was punctuating each word with a nail-bitten finger. Harvey coughed on the line but Mox didn’t acknowledge him. “There’s no such thing as normal. And if there was, I don’t want us to be almost normal. I want you to be a seething wound, because that’s what you are.”

    “I’m gonna get off this channel,” Harvey said. “Good work, Bini. Nice having you on the team again.”

    Mox and Bini breathed back and forth at each other until Mox caved first. “Well shit. Look what you went and did. Now Harvey is gonna be on my ass about bringing you back.”

    Bini sniffed. “I have boots more emotionally secure than that boy.”

    “You’re not wrong.” Mox laughed. “But that boy is in his late thirties now, old girl.”

    Bini almost didn’t mind being called a girl when the word was in Mox’s mouth. But she grimaced in disbelief. “No way. I remember his first job, when he pissed—”

    “That’s what I’m saying, Bini. That was seventeen years ago. Since then we’ve—oh.” Something crunched in Bini’s ear, like an egg breaking on the sidewalk. Mox’s voice dropped twenty decibels. “We’ve been made. Sniper, half in the void. Fourteenth floor, against the glare. I’ll hang a thread.”

    “Mox?”

    But she was gone.


    For Bini, the void had always been a hot butch at the bottom of a precipice looking up like she was gonna walk all over her. But there were no rewards for her id today. Hearing that silence, knowing that Mox was dead, dropped Bini right in. She skated through walls on fractal waves and didn’t even register the horizon shift when her feet rocked Bini perpendicular up the building opposite Mox’s blind.

    Even when the sniper was dealt with, the orbital surface of her skull crumpled in Bini’s hands like a used tissue, Bini stayed in the void. She found the thread Mox had hung on the bullet, and used it to zipline between the two skyscrapers, flinging herself towards this incipient grief, hate building in her like a fire. Bini hated that sniper, she hated whoever set up the farmer, she hated the idea of having to tell Freddie to her face what had happened. Bini hated seeing Harvey like this—he’d already made it back to the blind, salt making tracks down his cheeks.

    She’d hold him in a second. When she was ready.

    When you die in the void, you leave behind a thin, hollow echo. A sketch. The echo of a person wasn’t much. It’s a neon mirage with a vicious half-life. Mox’s was on the ground, still wide-eyed and annoyed at being offed, eyebrows raising and lowering like a gif.

    Bini laid down beside Mox’s staticky outline, even though she might as well have been holding psychic sandpaper. The prickly silence between them made things almost like it used to be. Just one more minute, she told herself.

    Just one more minute.


    About the Author

    dave ring is a queer writer of speculative fiction living in Washington, DC. He is the author of The Hidden Ones (2021, Rebel Satori Press) and numerous short stories. He is also the publisher and managing editor of Neon Hemlock Press, and the co-editor of Baffling Magazine. Find him online at dave-ring.com or @slickhop on Twitter.

    Graphic: Adamant Press

    Please visit LIGHTSPEED MAGAZINE to read more great science fiction and fantasy. This story first appeared in the June 2024 issue, which also features work by Varsha Dinesh, Andrea Kriz, Megan Chee, Dominica Phetteplace, Deborah L. Davitt, Oyedotun Damilola Muees, Shanna Germain, and more. You can wait for this month’s contents to be serialized online, or you can buy the whole issue right now in convenient ebook format for just $3.99, or subscribe to the ebook edition here.


    Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

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    Lightspeed

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  • Star Wars’ Diana Lee Inosanto Digs Deep Into Tales of the Empire

    Star Wars’ Diana Lee Inosanto Digs Deep Into Tales of the Empire

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    Star Wars loves nothing more than understanding a villain. Part of the reason the franchise’s greatest evils are also some of its most compelling characters is because it loves to dive deep into understanding why these figures are the way they are. The time has come for Morgan Elsbeth’s turn—and for us and the actress behind her alike to lift the lid on this wayward daughter of Dathomir.

    Although we saw Morgan meet her untimely end at the climax of Ahsoka, we will finally get to see more of what makes her tick this coming weekend when Star Wars day brings Tales of the Empire to Disney+. The new six-part anthology series delves into two tales of survival in the Imperial Age: including, of course, Inosanto’s return to Morgan Elsbeth, as we see her journey from Nightsister to Magistrate—and Thrawn’s right hand. To learn more about how she prepared to return to the galaxy far, far away, io9 sat down with Inosanto over Zoom to learn more about Tales of the Empire. Check it out in full below!


    James Whitbrook, io9: Morgan has been well established in live action Star Wars. What surprised you about getting to visit her now in the realm of Star Wars animation?

    Diana Lee Inosanto: For me, it’s the details the confirmation of finally, really understanding her background—particularly going all the way back to Dathomir, and what happened in that period of time. I love the fact that we see her love for people. I think people have been used to, in the live-action, seeing this more villainous approach [to Morgan], her own agenda. But I love that we get to go back and see what her people meant to her: her love for her mother, her love for her fellow Nightsisters, and that she was, still, in her own way unique.

    As dark as it is, you understand why she had to become a survivor, and that every time, in every moment, she’s always thinking of her people, and her roots, and her heritage—that’s what I find fascinating about Morgan.

    io9: We get to see her history with the Nightsisters here—how much of that history as we saw it in Clone Wars and Rebels were you familiar with as you started to embrace this particular facet of Morgan’s character?

    Inosanto: For me, it was kind of… almost like an IV drip for me! [Laughs.] When I auditioned, I really didn’t know what I was getting into, to be honest with you. When I met with Dave [Filoni, Lucasfilm’s Chief Creative Officer and co-creator of The Mandalorian], that’s when I started learning. “Oh, she’s a Nightsister?” I understood even from the audition sides that this was a woman who was a conqueror, and that she was definitely resilient… and somewhat of a bully, in her later evolution. But I think it was down to her having to survive and being misunderstood.

    The people I really leaned on and their work… there was Timothy Zahn, with all his books—because I figured there must be something that she has in common with the people that circle around Thrawn. The second important person I leaned on was E. Anne Convery [a writer in the Clone Wars: Stories of Light and Dark anthology], where she writes about the Nightsisters in her short story “Bug.” That was very instrumental for me to understand her better. I didn’t even know if Morgan, back then, was there to see what happened to her people—I just had to find out what was the culture, and the heritage, that she’d been a part of. And it’s going to be interesting because [in Tales] we’re going to learn more about all these other clans that were there on Dathomir too.

    Image: Lucasfilm

    io9: Part of what has defined Morgan so much for people is the physicality you’ve imbued her with. What was it like for you to transition away a little from that side of her now that you’re potraying her primarily through your voice?

    Inosanto: I remember watching the behind the scenes [of The Mandalorian], of Pedro [Pascal] doing the voice of Mando, and I saw his physicality there. To me, when I’m in that recording booth, it’s still the same thing: I’m still locked up in my actor’s bubble, and I will do anything everything. I’ll get the breathing down, I’ll jump in place, I’ll move, I’ll grunt, to get everything right!

    But my hat goes off to the Lucasfilm animation team—I met with them several weeks ago and I was stunned at the martial arts [on display in the animation]. Steward Lee [Lucasfilm animation director], who ironically had met my godfather [famed martial artist Bruce Lee] as a child, really loves martial arts. Several of the team members that were just on the fight scenes for Tales alone had an understanding of martial arts, and they studied videos of me on YouTube, as well as my fight scenes in Mandalorian and Ahsoka—and there’s some homages to my godfather, and my father. I think it’s an amazing compliment when people come to me just having watched the trailer alone, with the fight scenes, and they go, “Did you do mocap?” They think it’s actually me—that’s an idea of the sophistication of the animation.

    io9: In Tales we get to see Morgan, as her story progresses, her meeting with Thrawn for the first time. Having established their relationship in Ahsoka, what was it like to play that moment for you?

    Inosanto: I love that scene with Thrawn—especially because in some ways, they’re both considered outsiders in the Empire, right? They’re two very highly intelligent people who have their specific goals.

    Lars [Mikkelsen] does such an amazing job as Thrawn, so it’s really easy to all of a sudden disappear into the space with him. When I recorded, I wasn’t with Lars, but I’d had enough time with him on Ahsoka to know and hear his voice in my head—and it came out, I feel, beautifully, in that moment, with him, and the whole Lucasfilm animation team, how they put it all so swiftly and smoothly together.

    io9: Ahsoka gave us Morgan’s untimely end, and now Tales has brought us back to parts of her life before we met her in The Mandalorian. What’s a side of Morgan you think hasn’t been explored yet, that you’d love to see in the future?

    Inosanto: If there was a chance to see her expressed somewhere in the Star Wars timeline… I always love playing characters that are a little bit vulnerable, and maybe seeing them laying down off on a trail to hell, whatever kind of people they become. That’s why I loved going back particularly to episode one [of Tales], because now you know where her vulnerability came from, her pain and the hurt and how she lost her people. It’s that reflection of her being connected to her roots, and this is really, truly what drives her. Sometimes they say that the most troubled people do what they do because they come from a place of fear and pain—we’re truly seeing a survivor [in Morgan].

    And you know, I do love though, in a way, she is a character that just does not forget. She has this whole revenge factor that’s like… wow. [Laughs.] There’s just so much more to explore about this woman. There’s a lot of different shades to her.


    Star Wars: Tales of the Empire begins streaming on Disney+ May 4.


    Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

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    James Whitbrook

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  • Why does every startup want to help you get paid? | TechCrunch

    Why does every startup want to help you get paid? | TechCrunch

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    Welcome to TechCrunch Fintech (formerly The Interchange)! This week, we’re looking at the piping hot global payroll space, neobank Dave’s financial results and related stock boost, and more!

    To get a roundup of TechCrunch’s biggest and most important fintech stories delivered to your inbox every Sunday at 7:30 a.m. PT, subscribe here.

    The big story

    This week alone, we covered three interesting deals in the global payroll space. For starters, Deel announced it is acquiring African-based payroll and HR software and services company PaySpace in its largest acquisition to date. It also said it’s crossed $500 million in annual recurring revenue (ARR). Then I wrote about Remofirst, a startup out to take on the likes of Deel and Rippling, too, securing $25 million in Series A funding. Also, Tage wrote about how UAE-based RemotePass announced it had raised $5.5 million in Series A funding led by Istanbul-based 212 VC. There’s no question that this space is hot, hot, hot.

    Listen to Alex Wilhelm and I talk more about it on Equity:

    Analysis of the week

    We’re looking at another fintech recording positive financial results. Neobank Dave told us via email that it had achieved profitability for the first time as a public company, notching adjusted EBITDA of $10 million in the fourth quarter and GAAP net income of $200,000. The company also beat guidance for the 2023 fiscal year and reported a 26% increase in non-GAAP operating revenue with a big boost from its ExtraCash offering. Its stock skyrocketed on the news — starting the week opening on March 4 at $22.46, reaching a new 52-week-high of $43.99 on March 7, before closing at $36 on March 8.

    Dollars and cents

    Two-year-old Colombian payments startup Yuno has reached a $150 million valuation with $25 million in Series A funding from investors such as DST Global Partners, Tiger and a16z.

    London-based challenger bank Monzo raised a late-stage funding round of $430 million at a post-money valuation of $5 billion.

    Paris-based business banking startup Qonto is using an undisclosed portion of its cash reserve to acquire Regate, an accounting and financial automation platform.

    Harness Wealth has expanded into the tax advisory space and raised a $17 million extension to its Series A round.

    The Artemis Fund, which invests in underrepresented founders in fintech, commerce and care, closed on its second fund with $36 million in capital commitments.

    What else we’re writing

    Apple’s iOS 17.4 update is primarily about adapting iOS to the EU’s Digital Markets Act regulation. But the company has also released a new API called FinanceKit that lets developers fetch transactions and balance information from Apple Card, Apple Cash and Savings with Apple.

    Georgina Merhom wants to squash the status quo with SOLO, a first-party data collection and reporting engine that integrates user-permissioned data sources, including financial transactions, online records and digital footprints to tell a more complete story about someone’s financial behavior.

    PayPal announced that it’s launching “Tap to Pay” for merchants with an iPhone through the Venmo and Zettle apps in the U.S.

    High-interest headlines

    Capstack Technologies receives strategic investment from Citi Ventures (TC covered Capstack here.)

    Argyle raises $30M to expand automated income, employment verification

    Synctera raises $18.6M in Series A-1 funding (TC covered Synctera’s Series A here.)

    The latest fintech retreat: a $2B challenger to Western Union suspends U.S. services

    Treasury Prime has laid off half its staff (TechCrunch covered its $40M raise in February 2023.)

    Brazilian fintech CloudWalk announces $320.5M revenue, plans U.S. expansion 

    TomoCredit is pivoting into B2B with TomoScore, after a number of reported woes

    Want to reach out with a tip? Email me at maryann@techcrunch.com or send me a message on Signal at 408.204.3036. You can also send a note to the whole TechCrunch crew at tips@techcrunch.com. For more secure communications, click here to contact us, which includes SecureDrop (instructions here) and links to encrypted messaging apps.

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    Mary Ann Azevedo

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  • Dave profitable for the first time | Bank Automation News

    Dave profitable for the first time | Bank Automation News

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    For the first time since going public in 2022, digital bank Dave posted a profitable quarter.  Dave reported fourth-quarter adjusted EBIDTA of $10 million compared to a loss of $13 million in Q4 2022, according to the bank’s earnings release today.   The $391 million company’s growth is due to continued investment in advanced technology like […]

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    Vaidik Trivedi

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  • Everything We Saw At Sony’s January State Of Play

    Everything We Saw At Sony’s January State Of Play

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    Screenshot: PlayStation / Square Enix

    Were you bummed Final Fantasy VII Rebirth didn’t make an appearance? Well you’re not alone. Good news, though! On February 6, 2024, we’ll be treated to yet another State of Play showing, this time with a closer look at the upcoming second chapter of the Final Fantasy VII remake project.


    And that wraps everything we saw at tonight’s State of Play. Which games are you most excited about?

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    Claire Jackson

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  • Gen-AI driven chatbot to automate 90% of bunq’s operations | Bank Automation News

    Gen-AI driven chatbot to automate 90% of bunq’s operations | Bank Automation News

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    Digital bank bunq rolled out its generative-AI driven chatbot this week and expects the bot to automate most of its operations.   Bunq launched the bot, Finn, on Dec. 20 and expects it to automate 90% of operations in 2024, a spokesperson from Amsterdam-based bunq told Bank Automation News. “Finn is available to all users and […]

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    Vaidik Trivedi

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  • Neobank Dave launches DaveGPT chatbot | Bank Automation News

    Neobank Dave launches DaveGPT chatbot | Bank Automation News

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    Challenger bank Dave launched its generative AI-driven chatbot last week and is exploring multiple uses of the technology.   “DaveGPT is the next generation of our chatbot with a generative AI component that sits on top of our knowledge base, has access to our prior customer interactions and a bunch of customer-specific data,” Chief Financial Officer […]

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    Vaidik Trivedi

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  • LEGO Half-Life 2 Is Now Playable On Steam

    LEGO Half-Life 2 Is Now Playable On Steam

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    Screenshot: LEGO Half-Life 2

    Lego Half Life 2 is a mod that does exactly what the name suggests. Created by Not Dave or Daniel, it takes the classic first-person shooter and turns it into a LEGO game, complete with bricky inhabitants.

    It doesn’t overhaul the entire game, so don’t go expecting bricky vehicles and bricky landscapes and bricky buildings; the only things being swapped out here are the characters. But given most LEGO games leave a lot of the landscapes “normal” anyway, the effect is still pretty good!

    There are some perspective issues, of course. Swapping out full-size humans for tiny little yellow men and women (and aliens) will do that to your viewpoint. But it looks manageable, and more importantly, it looks very funny.

    You can download the mod here.

    Lego Half-Life 2 – Trailer Remake

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    Luke Plunkett

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