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Tag: culture

  • Strong and weatherproof tarps for ultimate outdoor protection – The Cannabist

    Strong and weatherproof tarps for ultimate outdoor protection – The Cannabist

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    Which tarp is best?

    A tarp is an easy-to-use cover for everything from the winter log pile to a fully loaded big rig. It’s no surprise you’ll find them everywhere.

    So all you need to do is check the size you want and go buy one, right? Well, maybe. There is actually considerable variety. Materials and construction can have a big impact on their cost and longevity.

    Read the rest of this story on TheKnow.DenverPost.com.

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    The Cannabist Network

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  • The best vitamin B supplements for daily energy – The Cannabist

    The best vitamin B supplements for daily energy – The Cannabist

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    Which vitamin B supplement is best?

    If you’re wondering how your body cells are able to function properly, think about B vitamins. There are eight B-group vitamins, and they help the body create new cells and maintain healthy cells and tissues.

    If you’re looking for the vitamin B supplement that is right for you, MegaFood Balanced B-Complex Multivitamin is the top choice.

    Read the rest of this story on TheKnow.DenverPost.com.

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  • Opinion: Could Kamala Harris fix Colorado’s cannabis monopoly problem? – The Cannabist

    Opinion: Could Kamala Harris fix Colorado’s cannabis monopoly problem? – The Cannabist

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    As the first Black person in America to be granted a license to open a dispensary, I have witnessed how the cannabis industry can empower entrepreneurs while also reinforcing systemic barriers. Now, with Vice President Kamala Harris pledging to legalize marijuana federally and ensure cannabis access becomes “the law of the land,” we must confront an issue that threatens to undermine the potential of this moment: monopolistic control over the industry.

    Vice President Harris has made it clear that her administration aims to “break down unjust legal barriers by legalizing marijuana nationally.” This pledge signals a long-overdue shift toward equity, justice, and the dismantling of the drug war’s harmful legacy.

    But we must also recognize that true equity cannot exist if the legal cannabis market is still controlled by a few powerful players, as is the case in Colorado. We cannot move into a post-prohibition climate with antitrust issues woven into the fabric of this new economy.

    Read the rest of this story on TheKnow.DenverPost.com.

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  • Man fatally shot in Aurora, found dead Monday morning – The Cannabist

    Man fatally shot in Aurora, found dead Monday morning – The Cannabist

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    A man was found dead Monday morning in Aurora near Lowry and investigators believe he was shot, police said.

    Around 5:45 a.m. Monday, Aurora police officers found the dead man lying in McMullen Park near East 3rd Avenue and North Elmira Street, according to a news release from the department.

    When officers arrived , they found evidence that the unidentified man had been shot, police said. Aurora police did not specify what that evidence was.

    Read the rest of this story on TheKnow.DenverPost.com.

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  • Wolf Creek is first Colorado ski area to open for the 2024-25 season – The Cannabist

    Wolf Creek is first Colorado ski area to open for the 2024-25 season – The Cannabist

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    Wolf Creek ski area will claim Colorado first-tracks honors Tuesday when it becomes the first Colorado ski area to open for the 2024-25 season.

    The 85-year-old ski mountain, located at Wolf Creek pass, 250 miles from Denver in southern Colorado, received 26 inches of snow in recent days and will open 11 trails at 9 a.m. with an 18-inch settled base. Those trails represent 30% of Wolf Creek’s skiable terrain. Lift tickets are $68.

    Tuesday’s opening will mark the earliest Colorado opening since 2021 when Wolf Creek opened for weekends-only skiing on Oct. 16. Arapahoe Basin opened a day later that season.

    Read the rest of this story on TheKnow.DenverPost.com.

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  • Broncos return from long weekend as big favorites over Panthers: “There’s still a lot of things we have to be better at” – The Cannabist

    Broncos return from long weekend as big favorites over Panthers: “There’s still a lot of things we have to be better at” – The Cannabist

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    The Broncos delivered a beatdown and earned a breather.

    Now they’ve returned from a long weekend and find themselves in relatively unfamiliar territory as they launch back into a regular schedule.

    They’re big favorites in Week 8. As of Monday morning, Sean Payton’s team is favored by 7.5 points over Carolina in Sunday’s game at Empower Field.

    Read the rest of this story on TheKnow.DenverPost.com.

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  • Ross Colton’s scoring surge critical for short-handed Avalanche: “When he’s getting the opportunities, he’s burying them” – The Cannabist

    Ross Colton’s scoring surge critical for short-handed Avalanche: “When he’s getting the opportunities, he’s burying them” – The Cannabist

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    “Plan D” is working out A-OK for the Colorado Avalanche.

    When Jared Bednar looks for a player to slot in next to Nathan MacKinnon and Mikko Rantanen, he has a list of traits in mind. They include being a trusted defensive player, being able to play a lot of minutes at a high energy level, playing with ruggedness and a desire to forecheck, and being a hard, competitive player at the front of the opposing team’s net.

    The first three players who come to mind are captain Gabe Landeskog, Valeri Nichushkin and Artturi Lehkonen. None of them are available right now.

    Read the rest of this story on TheKnow.DenverPost.com.

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  • Art Basel Paris Is Finally Here. Will It Upend the Global Art-Fair Order?

    Art Basel Paris Is Finally Here. Will It Upend the Global Art-Fair Order?

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    The first sign something unusual was going down at the Grand Palais in Paris was the small wooden house, plopped on the steps of the 150-foot-tall Beaux Arts dome. Things got stranger. The home was actually constructed in a matter of days, and it was no simple abode, but one of the demountable structures designed by Jean Prouvé that exists in the space between conceptual art, modern design, and a thing you can literally move into. The dealer Patrick Seguin was selling it for $2 million, which isn’t even that outrageous for a Prouvé house. André Balazs bought one in 2007 for just about $5 million. But it’s still a bit unreal to walk up to Art Basel Paris at the newly restored Grand Palais and be confronted with an austere Prouvé that was constructed overnight.

    And then out of the house stepped Owen Wilson.

    Why was the artist-loving actor in the City of Light, hanging out in a seven-figure design-object-slash-art-domicile? Well that’s just the magic of Art Basel Paris. Even before stepping foot inside the main event—the global fair company’s first edition at its permanent home in the Grand Palais, the fulcrum point of a week that is now a vital part of the collecting-as-lifestyle global tour—there are celebrities doing art stuff.

    At this moment, in this town, an art fair really seems to be seeping into the mainstream. Art Basel ads blanket the Métro stops on Line 1. Multiple Uber drivers googled “art basel paris tickets” on their phones while driving—eyes on the road, mon frere! All week, the city’s cultural offerings seemed logjammed and bustling, as if the surge in tourists never receded after the Olympics. In fact, a Paris resident told me that October in Paris is actually more crowded than it was during the summer games, when many Parisians retreated. Now everyone’s back and the art tourists are here too.

    It was so crowded on Sunday afternoon that Larry Gagosian and David Zwirner coincidentally ended up at the same tiny room for lunch: Bar Vendôme, the posh spot nested inside the warren of luxury that is the Ritz Paris. A cold war went down while each party pretended the other wasn’t there. It was so crowded that, the following night, Zwirner actually teamed with a third mega-gallery, Hauser & Wirth, to do a joint dinner at Loulou to avoid making their clients choose between bashes. Both global powers have outposts in Paris, of course. The French capital has risen as a gallery hub in the years after Brexit and all of the foreigners who planted flags here. And it was so crowded that they all opened on the same night, Monday. Gagosian offered a Harold Ancart show of gigantic landscape paintings, Zwirner new paintings by Dana Schutz, and Hauser & Wirth paintings, sculpture, and video by Rashid Johnson. The latter was the most in-demand show in town, according to private dealers trying to get their hands on some for clients.

    All the galleries took over a small strip of Avenue Montaigne. At a certain point in the evening, a mob had formed in front of the Takashi Murakami show at Perrotin—a group of fans were desperately seeking a selfie with the artist, one of the rare few who can spark a photo frenzy. But actually James Turrell whipped his fans into a similar fever right next door at Almine Rech, where he sat behind the desk and greeted gallery goers. White Cube had an opening next door, and I followed Eric Fischl and KAWS up the stairs to Skarstedt, where Per Skarstedt had a Warhol show up.

    Upstairs, the collector and music industry vet Josh Abraham introduced me to a friend he had brought along on the gallery hopping: the actor and musician Hilary Duff.

    “I’m here on a girls trip and I’m in Paris, and I wanted to make sure Josh shows me all the art,” she told me.

    So thank you, Hilary Duff, for making me realize something that’s central to the appeal of Art Basel Paris. Say you’re not a big collector but you buy things occasionally, and maybe you’ve been to Miami Beach for the fair but are kind of over it. The idea of traveling to Paris during Art Basel isn’t a daunting immersion into contemporary art symposia, but suddenly a great idea for a girls trip. Art Basel is just one of the things you do while you’re in town. You book a nice hotel, go to museums, go to an art fair, and have a primo bragging-rights reservation that your concierge or credit card can help you snag. Everybody wins. Art Basel can establish a world-class fair where the dealers bring A-plus work in line with Paris’s vast institutional and gallery landscape (something Miami Beach lacks), but also lure in wealthy folks who want to make an art fair part of a vacation lifestyle (impossible in Basel, Switzerland, with its institutionalized VIPs and dearth of buzzy boîtes and chic places to stay.)

    “They have hotels here, they have good restaurants, you can make a reservation, and that’s part of the whole experience,” said collector and dealer Adam Lindemann, who’s shown at various Art Basel fairs and bought from all of them.

    Perhaps that’s why the Americans in Loro Piana ball caps and On sneakers seemed at times to outnumber the Europeans in designer loafers. Craig Robins, the Miami developer and collector who helped build the Design District, looked perfectly at ease sitting in a chair with Philomene Magers at the Sprüth Magers booth. The Rubells were there from Miami, and the Horts were there from New York. I spotted a quartet of museum directors—Melissa Chiu from the Hirshhorn, Jeremy Strick of the Nasher Sculpture Center, James Rondeau of the Art Institute of Chicago, and Max Hollein of The Met—all leading museum groups around. The NFL player turned collector Keith Rivers wasn’t just visiting for the fair; he’s fully moved to Paris.

    And the actor Natalie Portman was casually taking in a long tour of the Mariane Ibrahim booth from the gallery’s namesake, before a dealer from a booth over grabbed me for an introduction.

    “I’m really looking forward to getting to the Jeu de Paume, for the Tina Barney show,” Portman said, and she’s right to, because the Tina Barney show is really that amazing.

    Even at the Paris Internationale satellite fair, the venue was packed with collectors such as Prada cocreative director Raf Simons and the Paris-based Susanne van Hagen, plus directors from Gagosian, Lisson, and Zwirner, to see what the young galleries were showing. The Hotel Costes, the traditional after-hours hang for collectors such as the Mugrabis and the Nahmads, was jam-packed late Tuesday, hours before the opening of the fair. (Vanity Fair also had a little party that day, more on that later.)

    Rashid Johnson/Walla Walla Foundry.

    During the VIP opening day of the big fair, once I got past the Prouvé house, the $500 million renovation to the building really smacked me in the face, the fresh paint job popping and the golden banisters of the dome glistening in the light. Even James Murdoch, whose Lupa Systems has acquired a serious chunk of Basel’s parent company in the last few years, was spotted staring up at the ceilings of a palace so vast it looks almost fake, like AI-generated.

    There’s been endless bickering about Art Basel Paris versus Frieze London, and Art Basel Paris versus the original Art Basel, and that line of inquiry kept the chattering classes busy at the opening of the fair. “This is going to bury Art Basel in Switzerland,” one adviser told me. “The idea of London being replaced is pretty ridiculous, the museum shows are better there,” said a collector. And so on.

    But more relevant was the fact that right before our eyes, art works were selling for numbers that far eclipsed anything that went down in London, at least at the fair. Dealers brought serious stuff, and there was an appetite to buy. I saw collector Wendi Deng Murdoch and her adviser, the art dealer Xin Li, engaging in a chat with Jay Jopling at White Cube. A massive 2013 Julie Mehretu painting at the booth was eventually sold to another buyer to the tune of $9.5 million. (The gallery declined to comment on the purchaser’s identity.)

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    Nate Freeman

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  • Disney World’s New Line-Skipping Pass Costs Up To $450 A Day Per Person

    Disney World’s New Line-Skipping Pass Costs Up To $450 A Day Per Person

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    Disney has announced a new way to skip the lines at its parks. But depending on where you go and when, you might have to spend over $400 a day per person to take advantage of the new Lightning Lane Premier Pass.

    On Wednesday, Disney announced its plans to roll out a new tier of Lightning Lane, a pre-existing program that lets visitors pay extra to skip the lines for certain rides in Disney World and Disneyland. Previously, Lightning Lane Multi Passes, which let you skip the line on multiple rides, cost $32 a day per person, though the price could increase for various reasons. These passes forced guests to select a time to arrive for their “line skip,” which could cause problems if you were late. This newly announced tier of line skipping, Premier Pass, does away with that restriction, but at a steep cost.

    As spotted by GameSpot, the new “Premier” pass—which will be available later this month—will cost up to $450 a day per person at Disney World. The price varies depending on the park and when you go, with Disney saying that the highest prices will be found on a “limited number of days over peak travel periods.”

    Here are the prices for each park, but keep in mind that you still need to buy a ticket to the park, and at Disney World, only folks staying in Disney World hotels on property will be eligible to buy these new, limited passes.

    • Disney’s Animal Kingdom: $129 to $199
    • EPCOT: $169 to $249
    • Disney’s Hollywood Studios: $269 to $349
    • Magic Kingdom: $329 to $449

    Meanwhile, at Disneyland, the Premier pass will cost $400 per person until December 31. In 2025, the pass will drop to $300 to $400 a day per person, based on what dates you visit.

    In 2023, Disney CEO Bob Iger said that the massive company had been “too aggressive” about increasing prices at the parks and wanted to make them more “accessible.” This, uh, doesn’t seem like a good way to do that. And sure, you can argue that people don’t need to buy these passes, that they can just wait in line, but ride queues can get quite long and waiting sucks. Besides, the big appeal of Disney World and Disneyland is the rides! And making it more expensive to actually enjoy them seems like the opposite of making your parks more accessible to more people.

    .

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    Zack Zwiezen

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  • Welcome to Cherry World, Where L.A. Skater Culture Meets London Street Style

    Welcome to Cherry World, Where L.A. Skater Culture Meets London Street Style

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    For W’s annual The Originals portfolio, we asked stars of film, fashion, art, music, and more to share their insights on staying true to themselves. See this year’s full class of creatives here.

    Cherry World is a new lifestyle brand formed by a ragtag group of idealists: Josh LeVine, cofounder of the Los Angeles–based denim label Frame; Francesca Burns, a stylist, consultant, and publisher who has worked with the likes of Mert Alas & Marcus ­Piggott; Fergus Purcell, a commercial artist perhaps best known for designing Palace Skateboards’ logo; and the veteran photographer Glen Luchford, whose 1990s campaigns for Prada have been recognized across the art and design worlds.

    Josh LeVine: We really just wanted to use Cherry World as a platform to work with our friends. Having been in the fashion space for a handful of years at this point, it’s really just about wanting to do something in our way, and with who we thought were the best of the best.

    Francesca Burns: It’s so exciting and exhilarating to work in this constant, dynamic exchange of ideas. Really, it’s very fun. I can’t put a better word to it.

    How do you approach who is best at what?

    Fergus Purcell: We’re a small group. That means the communication is very fluid, as are our roles. Everyone’s ideas are valid, and they can manifest easily. The solid rock is Josh’s production smarts—and his passion. As a commercial artist, my thing is never solely about ideas; it’s about how you make the good ideas into reality. That’s why Josh occupies the key role: the make-it-happen person.

    Glen Luchford: I’m not sure we ever said, “You’re doing this and I’m doing that,” although my experience tells me that’s a good idea. Everyone seems to instinctively know what they’re doing and gets on with it. It’s a hassle-free zone.

    Models Brian, Anna, and Elan.

    The DNA of the brand binds the skater heritage of Los Angeles, where Josh and Glen live, with the street style of London, where Francesca and Fergus live. Plus, a healthy splash of global cannabis culture.

    FB: And we really wanted to create a brand that was focused around a California lifestyle. We talked a lot about a young Rick Rubin, via Snoop Doggy Dogg. This kind of energy, freedom, relaxation, and free-spiritedness. As an English person, I have grown up watching that fantastic part of American ­culture. The skate culture of California, and South L.A. culture more generally, has always held this real appeal. Often, being an outsider—from that point of view—you become really optimistic about these ideas. When we were researching old skate and surf brands, really going deep into this world, it was just so exciting because these are the things that I grew up looking at and loving. Obviously, Fergus comes from a background in skate culture. So for him, California was such an important part of that identity. And for Glen, too, he started off taking pictures of skateboarders. He talks a lot about how that culture has a real romance to it.

    Is the name Cherry World connected to the choice of a scorpion as a logo?

    JL: “Cherry” means so many different things. There is the connotation of a cherry red car, or the bowl in the pipe still being “cherry.” And then, obviously, “world” makes it feel so much bigger—bigger than perhaps it is at this point. A subculture aspect is driving the brand identity. It’s liberating to just do whatever you want. What about doing a weed leaf on the button? What about a scorpion logo? I want to get Ferg’s answer on the scorpion.

    FP: It’s something to do with the feeling of watching kung fu movies in the afternoon—Shaolin Wooden Men or Drunken Master.

    What are the core pieces of the debut collection?

    GL: Good clothes, good vibes.

    JL: Amazing, beautiful products made in L.A. Killer jeans and killer tees and killer cashmere sweaters and killer woven shirts.

    FP: “Let’s make stuff in America. It does cost more to do that, but what a cool thing to do”—that was the position. The resulting product is really good.

    GL: Personally, I love the green varsity jacket. But the denim is where we’re putting a lot of energy, and I’m excited about that.

    FB: Denim is really the backbone of all of it. Some personal photography from Glen’s archives also appears throughout the collection.

    GL: Josh and Ferg suggested some ideas, and I liked them, so we fished them out.

    JL: There’s a sweater we’re doing called the Carl, named after Glen’s childhood best friend. He took a photo of Carl when he was younger. We found it and we digitized it, and we’ve done it as a four-yarn jacquard sweater. It almost looks like a photo from way back, but it’s actually a lightweight sweater.

    GL: Carl was the first punk I ever met in the late ’70s, so he had to squeeze in there someplace.

    FB: Incorporating some of Glen and Fergus’s work has been so, so important.

    JL: For next season, we’ve taken some of the first commercial photography Glen did, shooting Lollapalooza back in the day, and Ferg developed a printout of it for shirting. Lots of Ferg’s art has been put into the clothing via graphics, screen printing, embroidery, and intarsia. We want to integrate these ideas in really interesting ways, rather than just screen printing a photo on a T-shirt.

    Will any of you make original works specifically for Cherry World?

    FB: Glen shot part of the lookbook, and I shot part of it. Glen is English and has been living in America for a really long time, but he has such strong roots in London. So we were casting friends and family, like Mark Lebon, for example. Mark is not only a photographer in his own right, but the father of the ­photographers Tyrone Lebon and Frank Lebon. He’s also Glen’s old landlord. Glen used to live with Mark. Mark used to be my boyfriend Angelo’s teacher at college as well. So we were like, “Can you come and do some pictures?”

    GL: I don’t think a lot of thought went into it. We just got some buds together and had a fun day, which seems to be the number one doctrine of CW: Let’s have a good time.

    Hair by Mikey Lorenzano; Makeup by Sam Visser at Art Partner; Models: Anna Cordell, Elan Lee, Billy Luchford, Brian Maxwell, Jaid Nilon; Casting Director: Rachel Chandler at Midland; Casting Producer: Ellie Gill; Produced by Alice Films; executive producer: Laura Lotti; Studio Manager: Aleksandra Zagozda; Makeup Assistant: Laura Dudley; Lighting Technician: Jack Webb; Photo Assistant: Alex de la Hidalga; Production Assistant: Cora Rafe; Styling Producer: Gabby Lambert; Stylist Assistants: Natasha Devereux, Lindsey Eskind.

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  • The Time Is Now: 14 Artists Envision Political Posters for the 2024 Election

    The Time Is Now: 14 Artists Envision Political Posters for the 2024 Election

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    Eight years ago, as the United States faced an unprecedented presidential election, we asked a group of artists to create the political posters they’d like to see. Four years after that, as Black Lives Matter protests roiled the country, artists of color shared with us their points of view. Astonishingly, we now find ourselves at an even more critical crossroads. With so much hanging in the balance, we are showcasing 14 original posters made by artists over the age of 70—members of a generation that understands firsthand just how important it is to vote. The fact that they took the time to participate—June Leaf passed away at age 94, just days after submitting her contribution—underscores the existential nature of the moment. Proud as we are to publish these works, we hope that in the next electoral cycle we will be in a position where this project won’t feel quite as urgent.

    To check your voter registration, find your polling place and make your plan to vote, visit whenweallvote.org.

    This message was approved by June Leaf.

    Courtesy of June Leaf.

    This message was approved by Jessie Homer French.

    Courtesy of Jessie Homer French.

    This message was approved by Katherine Bradford.

    Courtesy of Katherine Bradford and CANADA, New York.

    This message was approved by Ben Sakoguchi.

    Courtesy of Ben Sakoguchi.

    This message was approved by Robert Longo.

    Courtesy of Robert Longo.

    This message was approved by Betye Saar.

    Courtesy of Betye Saar and Roberts Projects, Los Angeles.

    This message was approved by Yvonne Wells.

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    This message was approved by Marilyn Minter.

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    This message was approved by Peter Saul.

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    This message was approved by Willie Birch.

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    This message was approved by Deborah Kass.

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    This message was approved by Lita Albuquerque.

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    This message was approved by Dorothea Rockburne.

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    This message was approved by Scott Kahn.

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  • Introducing The Originals 2024

    Introducing The Originals 2024

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    Introducing The Originals 2024

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  • Best kids’ loungewear for relaxation, play and everything in between – The Cannabist

    Best kids’ loungewear for relaxation, play and everything in between – The Cannabist

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    WHICH KID’S LOUNGEWEAR IS BEST?

    Everyone likes to be comfortable while relaxing in their own homes, and that includes children. Kids’ loungewear is just what they need to kick back on the couch to watch cartoons or sprawl on their bed with a good book. Here’s what you need to know before buying your child a set.

    WHAT TO KNOW BEFORE YOU BUY KID’S LOUNGEWEAR

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  • Best kids’ desk and chair sets for schoolwork and creativity – The Cannabist

    Best kids’ desk and chair sets for schoolwork and creativity – The Cannabist

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    Which kids’ desk and chair set is best?

    Kids’ desk and chair sets are essential investments for playrooms and learning spaces. They help kids sit and work comfortably, whether they use them for drawing, coloring or studying.

    Kids’ desk and chair sets come in various shapes, materials and designs. You can find desk and chair sets based on age group, making selecting an ideal size easy. For example, the Melissa & Doug Wooden Lift-Top Desk and Chair work best for kids ages 3-8.

    Read the rest of this story on TheKnow.DenverPost.com.

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  • Rockies’ Gold Glove finalists: Brenton Doyle, Ezequiel Tovar, Ryan McMahon – The Cannabist

    Rockies’ Gold Glove finalists: Brenton Doyle, Ezequiel Tovar, Ryan McMahon – The Cannabist

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    Throughout the Rockies’ difficult 101-loss season, the one positive thing they could count on was their solid and often outstanding defense.

    So it was no surprise that center fielder Brenton Doyle, shortstop Ezequiel Tovar and third baseman Ryan McMahon were named Tuesday morning as finalists for the National League’s Rawlings Gold Glove awards.

    Three finalists were named for each position. The Gold Glove Award winners will be unveiled on Nov. 3 at 6:30 p.m. MST during a “Baseball Tonight” broadcast on ESPN.

    Read the rest of this story on TheKnow.DenverPost.com.

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  • Suspect in fatal Commerce City hit-and-run ID’d, charged with homicide, assault – The Cannabist

    Suspect in fatal Commerce City hit-and-run ID’d, charged with homicide, assault – The Cannabist

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    A man arrested in connection to a fatal Commerce City hit-and-run that killed one person and sent three others to the hospital has been charged with vehicular homicide and assault, according to court records.

    Erik Hernandez-Escobar, 20, was charged Tuesday with vehicular homicide, vehicular assault, false reporting of identifying information to law enforcement and two counts of leaving the scene of a fatal accident — all felonies — court records show.

    The 20-year-old also faces three traffic charges: speed exhibition, driving without insurance and failing to stop at a stop sign.

    Read the rest of this story on TheKnow.DenverPost.com.

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  • Davante Adams trade: Raiders send disgruntled WR to Jets, AP sources say – The Cannabist

    Davante Adams trade: Raiders send disgruntled WR to Jets, AP sources say – The Cannabist

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    The New York Jets have agreed to terms to acquire disgruntled wide receiver Davante Adams from the Las Vegas Raiders, reuniting him with quarterback Aaron Rodgers, two people with knowledge of the deal told The Associated Press.

    The Jets are sending a conditional third-round pick in next year’s draft that could become a second-rounder, but it is pending a physical, one of the people told the AP on condition of anonymity Tuesday because the teams didn’t announce the deal.

    NFL Network was the first to report the trade.

    Read the rest of this story on TheKnow.DenverPost.com.

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  • Former ICE field director seizes on immigration in race against Rep. Jason Crow to represent Aurora – The Cannabist

    Former ICE field director seizes on immigration in race against Rep. Jason Crow to represent Aurora – The Cannabist

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    John Fabbricatore enforced federal immigration laws in his position as an ICE field office director until two years ago, and now he hopes to help secure America’s borders as a congressman.

    The Republican candidate in Colorado’s 6th Congressional District is drawing on his career with U.S. Immigration and Customs Enforcement as he runs against U.S. Rep. Jason Crow in the Nov. 5 election. Crow, a Democrat, just finished his third term in Congress as the representative of the district, which includes Aurora, Littleton, Englewood, Greenwood Village and Centennial.

    The odds weigh heavily in Crow’s favor. The nonpartisan Cook Political Report doesn’t consider the fight for the 6th District to be competitive. It’s ranked as solidly Democratic, in part because Crow, 45, won all three of his elections by double-digit percentages and redistricting in 2020 resulted in boundaries more favorable to Democrats.

    Read the rest of this story on TheKnow.DenverPost.com.

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  • Letters: The Senate fillibuster is a moderating force for better and/or worse – The Cannabist

    Letters: The Senate fillibuster is a moderating force for better and/or worse – The Cannabist

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    The fillibuster moderates the Senate but is that good or bad?

    Re: “Is it time for America to eliminate the filibuster? Not so fast,” Oct. 5 commentary

    L. Roger Hutson suggests that the filibuster is a tool to “force” bipartisan governance. It does no such thing. What bipartisan governance?

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    The Cannabist Network

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  • ACLU sues Vail over Indigenous artist’s canceled residency – The Cannabist

    ACLU sues Vail over Indigenous artist’s canceled residency – The Cannabist

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    The American Civil Liberties Union of Colorado is suing the town of Vail over its dismissal of artist Danielle SeeWalker from an artist-in-residence program, following an April complaint about SeeWalker’s past work.

    The suit, filed Monday in U.S. District Court, states that the town violated SeeWalker’s First Amendment rights in canceling her residency over political reasons before she’d even painted a single brushstroke.

    “… SeeWalker’s free speech rights under the federal and state constitutions were violated when the town of Vail abruptly canceled her residency after she expressed her personal views on the war in Gaza on her social media page,” according to an ACLU of Colorado statement.

    Read the rest of this story on TheKnow.DenverPost.com.

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    John Wenzel

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