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  • Ley lines: The UK’s mysterious ancient pathways

    Ley lines: The UK’s mysterious ancient pathways

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    And yet, ley lines continue to weave their allure. Perhaps it’s not surprising. “Humans have always searched for inner and outer maps or frameworks to help them navigate the world,” reflects Jake Farr, coaching psychologist, psychotherapist, and co-founder of Leading Through Storms, a community-interest company supporting meaningful adaptation into the future. “The need to belong is also a primary human driver,” she tells BBC Culture. “Where do we belong, who do we belong with, what’s our place? Contrary to this, the modern western world pivots towards individualism, capitalism’s bed fellow, leaving many feeling lonely and lacking connection to place and community. Ley lines may provide people with a way to map felt connections to place and, on a deeper level, may speak to the interconnectedness of all life; reaching for harmony and balance which, of course, buying the latest product simply can’t touch.”

    Thus, the Irish have their fairy paths, now mainly tourist attractions dotted with picnic sites, and make believe grottoes, but many Chinese people still believe in “dragon lines” and feng shui. The Incas used “spirit-lines” or ceques with the Inca temple of the sun in Cuzco as their hub, marking the routes with wak’as, stone monuments that represent something revered. For the Aboriginal people of Australia, songlines, also called “dreaming tracks”, are paths across land and sky, which mark the routes followed by localised “creator beings”. The paths are recorded in traditional songs, stories, dance and painting; by singing these songs in sequences, indigenous people can navigate the deserts of Australia’s interior.

    Even hardened sceptics may be floored by the route of the UK’s most famous ley line, St Michael’s. First discussed by Michell in A View over Atlantis, the ley line runs 350 miles across numerous sites dedicated to the archangel, from St Michael’s Mount, to the Norfolk Coast, all the while oriented towards sunrise on 8 May, when the Latin liturgy celebrates the Apparition of St Michael. Or, as Michell wrote: “The St Michael Line of traditional dragons sites in south-west England… appears to be set between two prominent Somerset hills, both dedicated to St Michael with ruined churches on their summit. These two hills are Glastonbury Tor and ‘The Mump’ at Burrowbridge some 10 miles to the South-West. Both these hills appear to have been artificially shaped so that their axes align with each other, and their orientation, 27 degrees North-East can be read off a large Ordnance Survey sheet.”

    Now a new generation, including bones tan jones, are harking back to myth to explain the world around them; this time, in the context of a planet on the brink of collapse and a natural world, mourned as it disappears. And they are creating their own myths in return. Tan jones eschewed the laboriously intricate mappings of earlier ley line-hunters, and instead followed their instinct. “All I knew was I had a start and a finish, and maybe a few stop-offs,” they say. “I took it serendipitously and found my next location by talking to people.” They visited the site of the now-abandoned Heathrow action camp, Grow Heathrow, a former hub for activists, creatives, and local residents; encountered the 2,500 year old Anckerwyke Yew, and the grounds opposite, where it is said the Magna Carta was signed in 1215; explored Chobham Common nature reserve, originally created by prehistoric farmers, in Surrey. Still, the Harrow Way, running East-West across southern England, remains a highlight.

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  • Bitcoin’s Absolute Scarcity Changes Your Life

    Bitcoin’s Absolute Scarcity Changes Your Life

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    This is a transcribed excerpt of the “Bitcoin Magazine Podcast,” hosted by P and Q. In this episode, they are joined by Knut Svanholm to talk about how Bitcoin can improve all facets of your life and the ways Bitcoin works as a weapon of peace.

    Watch This Episode On YouTube Or Rumble

    Listen To The Episode Here:

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    Bitcoin Magazine

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  • Fritz the Cat at 50: The X-rated cartoon that shocked the US

    Fritz the Cat at 50: The X-rated cartoon that shocked the US

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    Neither studio heads nor distributors wanted to touch what many saw as a doomed, pornographic project, although Warner Bros eventually agreed to finance the film. But after a disastrous pre-screening where Bakshi and Krantz horrified executives with a controversial sex scene and disputes about toning down other sexual content, they pulled their money; however Fritz won funding from exploitation distributor Cinemation and the film was released. “At this time, independent production was growing, because there were certain tax incentives and the studio system itself was breaking down during the 1960s,” says animation historian and critic Maureen Furniss. “It wasn’t that unusual to have independent producers, but Ralph Bakshi was a force unto himself, he was a totally different kind of guy – and very challenging to work with.”

    Capturing the zeitgeist

    Like the US itself, the animation establishment was undergoing a period of change, and Fritz burst out from decades of censorship as well as this shift in the studio system. Antitrust legislation and the emergence of television combined to help dissolve the dominant studio system of Hollywood’s “Golden Era”. Audiences were increasingly disconnected from the “block booking” packages that the movie theatres were forced to show, where A-movies, B-movies, newsreels, and animated shorts were combined into one package. Suddenly, shorts were not viewed as profitable or desirable. So when the Metro-Goldwyn-Mayer cartoon studio closed in 1957, William Hanna and Joseph Barbera left to found their own studio, which began producing more rough and ready, made-for-TV cartoons in contrast to their bigger budget Tom and Jerry shorts they were making at MGM – eventually creating successes like the Flintstones.

    Independent, experimental films were gaining steam in the post-war period, pushing back against the censorious backdrop of moral policing and policy. The National Legion of Decency, a Catholic pressure group dedicated to identifying morally egregious films, tried to blacklist everything from Rififi (1955) to Buñuel and Rossellini, while the decades-long Hays code, created in the 1930s, clamped down on films that were sympathetic on the side of “crime, wrong-doing, evil or sin“. Eventually, in 1968, the official classification system would emerge from these kinds of groups as moral guidance; and a few years later, Fritz burst onto the scene as the first of its kind in the “X” category – bundled together with pornography, slasher flicks, and dramas like Midnight Cowboy (1969). So, while Fritz was the first X-rated animated film, the category hadn’t been around for long. “While adult content had already made its way into a number of Golden Age Hollywood cartoons of the 1930s and 1940s,” Dr Christopher Holliday, Lecturer in Liberal Arts and Visual Cultures Education at King’s College London, tells BBC Culture, “the playful eroticism of characters like Betty Boop was dialled up by the outlandish ‘rude and crude’ style of Bakshi’s animation, and particularly in his adaptation of Robert Crumb’s X-rated adult comic.”

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  • Taylor Swift Becomes First Artist In History To Hold Every Top 10 Spot On Billboard Hot 100

    Taylor Swift Becomes First Artist In History To Hold Every Top 10 Spot On Billboard Hot 100

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    Taylor Swift has become the first artist to claim every top 10 spot on Billboard’s Hot 100 chart, with all 10 songs coming from her newly released album, Midnights. What do you think?

    “What an exciting achievement for the monoculture!”

    Jean Gamble, Systems Analyst

    “I don’t think society should pit women against themselves.”

    Cameron Barrera, Performance Estimator

    “And to do it during a week when ‘Monster Mash’ is everywhere is even more impressive.”

    Dorian Murphy, Farm Guard

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  • 9 of the best TV shows to watch this November

    9 of the best TV shows to watch this November

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    9 Willow

    Playing on nostalgia and also aiming to reach a younger generation, Willow brings back Warwick Davis as the Nelwyn sorcerer hero of the beloved 1988 fantasy film. In a story set 30 years after the original, Kit (Ruby Cruz), the daughter of Sorsha – a warrior in the movie, now queen, and played once more by Joanne Whalley – seeks out Willow and asks him to find her kidnapped twin brother. Willow recruits a motley band (is there any other kind?) and they head off on another adventure into fantastic realms. Kevin Pollak and Rick Overton repeat their roles as Brownies, with Christian Slater playing an undisclosed new character. Jonathan Kasdan, writer of Solo: A Star Wars Story, is the showrunner. There will be fairies, knights, special effects, and presumably the conquering of evil. In the teaser trailer, Kit sets the tone when she tells Willow, “The world needs you again. It needs your magic.”

    Willow premieres on 30 November on Disney+

    Love film and TV? Join BBC Culture Film and TV Club on Facebook, a community for cinephiles all over the world.

    If you would like to comment on this story or anything else you have seen on BBC Culture, head over to our Facebook page or message us on Twitter.

    And if you liked this story, sign up for the weekly bbc.com features newsletter, called The Essential List. A handpicked selection of stories from BBC Future, Culture, Worklife and Travel, delivered to your inbox every Friday.

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  • Reflecting On Satoshi Nakamoto’s Manifesto, The Bitcoin White Paper

    Reflecting On Satoshi Nakamoto’s Manifesto, The Bitcoin White Paper

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    This is an opinion editorial by Archie Chaudhury, a blockchain enthusiast and previous winner of top prize at the 2021 MIT Bitcoin Expo.

    When Satoshi Nakamoto first published the Bitcoin white paper in October of 2008, the world was reeling from a financial crisis caused by the irresponsibility and negligence of the institutions that controlled our financial system. Hedge funds, central banks and other powerful agents had been all too happy to place over-leveraged bets on the economy, and to profit from the economic losses incurred by the working class when these bets collapsed.

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    Archie Chaudhury

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  • Bitcoin Songsheet: Bitcoin Maximalism Is The Continuation Of The Cypherpunk Ethic

    Bitcoin Songsheet: Bitcoin Maximalism Is The Continuation Of The Cypherpunk Ethic

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    This is an opinion editorial by Jimmy Song, a Bitcoin developer, educator and entrepreneur and programmer with over 20 years of experience.

    It’s white paper day and for most people, they think of October 31, 2008 as the beginning of Bitcoin. This is understandable, since the release of the white paper and the subsequent launch of the network are celebratory events. As great as these days are, this is a very limited understanding of what happened.

    There was a large amount of innovation that came from a subculture that not enough people are familiar with. And indeed it was within the context of the Cypherpunks that this beautiful monetary system sprung forth. To understand Bitcoin, we need to understand its origins and all that came before.

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    Jimmy Song

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  • Tom Brady, Gisele Bündchen Announce Divorce After 13 Years Of Marriage

    Tom Brady, Gisele Bündchen Announce Divorce After 13 Years Of Marriage

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    Super Bowl-winning quarterback Tom Brady and supermodel Gisele Bündchen announced that they “amicably finalized” their divorce after 13 years of marriage. What do you think?

    “Now he can finally focus on his career!”

    Josephine Carrillo, Freelance Bagger

    “This is exactly why I refuse to date supermodels.”

    Clarence Warner, Glaciologist

    “She should have respected his wishes to put his family a distant second.”

    Demarcus Giles, Almanac Editor

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  • Witcher Fans Are Convinced They Know the Real Reason Henry Cavill Left The Netflix Series

    Witcher Fans Are Convinced They Know the Real Reason Henry Cavill Left The Netflix Series

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    Henry Cavill stands in front of a sign for The Witcher at a red carpet event.

    Photo: Gareth Cattermole (Getty Images)

    The first time the internet saw DCU Superman star Henry Cavill as Geralt of Rivia in Netflix’s adaptation of The Witcher, it howled in collective laughter over the terrible wig. Four years later, fans are losing their minds that Hollywood’s leading himbo won’t be reprising the role after season three ends. One obvious explanation for why is that Cavill has signed on to shoot a new Superman movie, but fans think the real reason Cavill is leaving is that he’s tired of fighting with Netflix to keep The Witcher true to its literary source material.

    The surprising news of Cavill’s impending departure was shared yesterday in a statement by Netflix that also announced Liam Hemsworth of Hunger Games fame would be taking over the role in season four. “As with the greatest of literary characters, I pass the torch with reverence for the time spent embodying Geralt and enthusiasm to see Liam’s take on this most fascinating and nuanced of men,” Cavill was quoted as saying. “Liam, good sir, this character has such a wonderful depth to him, enjoy diving in and seeing what you can find.”

    While many were disappointed that The Man From U.N.C.L.E. would no longer be caught growling “Roach” at horses in future seasons, Witcher fans took the news especially badly. Subreddits for the books, games, and Netflix series blew up with disbelief, frustration, and memes, while conspiracy theories got passed around on Twitter that Cavill had been more or less forced out over creative differences with a production that has at times taken generous liberties with Polish author Andrzej Sapkowski’s original novels. Certain parts of the Witcher fandom have always had a toxic relationship with the show, fuming over certain casting choices and plot deviations, and Cavill’s departure is now being taken as validation of every criticism they’ve ever had.

    To support their theories, fans point to a breadcrumb trail of previous interview quotes by Cavill about his desire to keep Netflix’s Geralt true to the one originally put to paper in the pages of fantasy magazine Fantastyka back in 1986. Less than a year ago the actor said he told the Hollywood Reporter he was “absolutely” committed to the show’s seven-season plan “as long as we can keep telling great stories which honor [author Andrzej] Sapkowski’s work.”

    During the media tour around season two’s release last year, Cavill spoke repeatedly about campaigning to bring more three-dimensionality to Geralt, noting that in addition to a brutish monster slayer he’s also wise, thoughtful, and an “amateur philosopher.” “This season, I really wanted to make sure that we represented the book’s Geralt more accurately, and that we saw him speak more,” he told Total Film at the time. “I pushed really, really hard for that.”

    Then there was showrunner Lauren Hissrich’s own comments about Cavill’s preparation for season two. “A lot of the notes he was sending to me were about Geralt’s dialogue—could he, first of all, say more,” she told Hollywood Reporter. “Everybody came out of season one laughing and loving Geralt’s fuming. But Henry was saying that when you read the books you spend a lot of time in Geralt’s head. So how can we put that on the page?”What about Cavill’s aspirations for the future of the series? “I’m a huge fan of the books and staying loyal to them, and it’s about making sure that story happens without too much in the way of diversions or side things going on to muddy the waters,” he said during a Netflix Geeked conversation last year. Adding fuel to the fire was a recent interview with Beau DeMayo, a former producer on The Witcher who is now running X-Men ‘97 on Disney+, where he said some writers “actively disliked” and even “mocked” the source material.

    Image for article titled Witcher Fans Are Convinced They Know the Real Reason Henry Cavill Left The Netflix Series

    Screenshot: Netflix

    Some fans’ takeaways from these soundbytes has been that while Hissrich was focused on making the show what she wanted it to be, Cavill was the only one interested in trying to keep it grounded in the original version of the characters. This comes in the context of long Reddit threads like this one where fans have detailed all of the ways season two was different from the books, with fears that season three, not set to air until the summer of 2023, might include even larger departures.

    While the theory is a compelling one when collapsed into a couple of viral tweets, the show’s place within the larger fandom has always been more complicated than that. Hissrich was temporarily chased off Twitter prior to season one’s release when racist fans petitioned Netflix to only let a white woman play the lead role of Ciri, Geralt’s adopted daughter. Then there were those on the edge of the fandom with no knowledge of or interest in the grimdark fantasy series until Netflix spent tens of millions bringing it to life. “Book purists are hurting the experience for new fans,” wrote one user on the show’s subreddit last year. Then there are fans of CD Projekt Red’s Witcher video game trilogy which takes huge liberties with the storytelling, and has effectively created its own parallel lore.

    Whether Cavill was a purist on set is almost beside the point. His role in season two clearly did little to prevent some of the narrative departures fans took the biggest issue with. But he was clearly the glue holding the show’s disparate fandoms together. The fact that he loves PC gaming and painting Warhammer miniatures in his free time, and obviously was a big fan of Sapkowski’s books, gave him huge street cred with even the worst diehard Witcher fans. Normies and newcomers loved him too, not because he’s a pedant when it comes to the lore but because he’s a charismatic presence that did, in the end, manage to combine tenderness, ruthlessness, and a morbid wit into something deeper than his Halloween Spirit costume initially suggested. “I think the glue that held it together really was Henry Cavill as Geralt,” former Kotaku senior critic Harper Jay said during a 2018 VG chat about the first season.

    With that glue gone, The Witcher season four has its work cut out for it with the circumstances around Cavill’s leaving dogging it at every turn. Whether Hemsworth is up to the task or not, the news at least comes with season three already wrapped. Fans will get one last chance to return to that world with Cavill as an anchor. I’m sure it will all go fine, and not stoke even more conspiratorial speculation over creative differences.

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    Ethan Gach

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  • Which Bitcoin Monster Do You See In The Mirror?

    Which Bitcoin Monster Do You See In The Mirror?

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    This is an opinion editorial by Will Schoellkopf, author of “The Bitcoin Dog” and host of the Bitcoin podcast “It’s So Early!”

    Halloween is coming up and it’s time to face your fears. Can you honestly look at yourself in the mirror and not see something scary looking back?

    I will draw inspiration from Dawdu Amantanah’s article in Satoshi’s Journal for four different Halloween monsters you may see in the mirror based on which type of bitcoin investor you are: newbie, technocrat, trader or maximalist.

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    Will Schoellkopf

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  • Why Bitcoin’s Most Important Quality Is Decentralization

    Why Bitcoin’s Most Important Quality Is Decentralization

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    This is an opinion editorial by Neil Jacobs, a Bitcoin advocate, educator and content creator.

    Bitcoin’s most important quality is decentralization. In the Bitcoin white paper, there are more than a dozen references to removing trust in central entities. Decentralizing away from financial institutions was Satoshi Nakamoto’s front-page motivation for creating Bitcoin: “allowing any two willing parties to transact directly with each other without the need for a trusted third party.”

    Unfortunately, entire crypto industries like DAOs, DeFi, and DEXs have appropriated the term decentralization into little more than a marketing buzzword.

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    Neil Jacobs

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  • Why You Have to Put Your Money Where Your Mouth Is With DEI

    Why You Have to Put Your Money Where Your Mouth Is With DEI

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    Opinions expressed by Entrepreneur contributors are their own.

    As the old adage goes, “what gets measured gets done.” Historically, the challenge with diversity, equity and inclusion work () is that it’s perceived as a “nice-to-have” versus a “must-have” with few concrete goals to measure progress. In fact, McKinsey research found that organizations often overburden those marginalized groups to lead the DEI work without additional compensation.

    That trend is changing with more companies tying compensation to DEI work. According to the Society for Human Resource Management, between September 2017-18, 51 companies in the S&P 500 included a diversity metric in their compensation program. Between February 2020-21, that number had nearly doubled to 99 companies.

    By rewarding DEI work, these organizations are seeing results. When people know that it’s tied to their compensation and performance goals, people see it as a part of their job rather than a hobby outside of work hours. With goals, employees are more likely to prioritize the time spent on education and activities to drive awareness and systemic change.

    Related: 5 Reasons Leaders Fail to Transform DEI Rhetoric into Action

    Why set DEI goals

    Goals are essential for human . The Psychological Bulletin found that 90% of the studies showed that more challenging goals lead to higher performance. Research has shown that people are two to three times more likely to stick to their goals if they make a specific plan for when, where and how they will perform the behavior. The human brain is wired for goals.

    Without accountability, goals do not work. It is essential to frame DEI goalsetting as important as any other goal-setting process in business, but there might be initial pushback, as there often is with organizational change. Watch out for these opportunities to advocate for DEI :

    • DEI is not a zero-sum game. By focusing on diversity goals, we grow opportunities for innovation and decision-making in business results.
    • The majority group is a part of the solution, not the problem. Decision makers must prioritize DEI for their decisions to support diversity.
    • DEI is not political. These are human issues that impact people in the workplace.

    The initial pushback can create drama. The more the emphasizes the importance of diversity and inclusion and how it ties to the organization’s overall strategy, the more people buy in. People often need a starting point for goal setting.

    Related: 4 Trackable Metrics to Move the Needle on Diversity and Inclusion Goals

    How to set DEI goals

    You might be thinking that this sounds hard. Decades of workplace inequity will not be solved overnight. Yet with specific goals, people understand expectations and modify their behaviors to be more inclusive. Setting goals requires specificity, numeric measurement, aspiration, relevance and a deadline.

    • Specific: It should be easy to know when the goal has been completed.
    • Measurable: There is a number or percentage tied to the goal.
    • Aspirational: By definition, goals are not being met today it should be challenging based on the present state.
    • Relevant: The individual can influence the outcome of the goal.
    • Time-bound: Without a deadline, things don’t get done.

    By making DEI goals SMART, employees understand expectations and are held accountable. Without goals or with vague goals, employees are left to wonder why it is important or how to show progress. DEI goal setting often comes with pushback (as with any change).

    Here are some starter goals to consider:

    • Number of hours on diversity education and training
    • Participation in Employee Resource Group (ERG) activities
    • Activities to support removing bias from recruiting, hiring, promotion, pay and performance decisions
    • Inclusive behavior 360 data from team members
    • Leadership roles in DEI and ERG teams
    • Participation in community events for DEI
    • Teaching time with others about DEI
    • Recognition from others of allyship

    Related: Want Your Employees To Stay? Be Accountable To Your DEI Goals

    As with any goal, thinking about how it fits into what people are already doing makes it easier to accomplish. James Clear, author of Atomic Habits summarizes it best: “You do not rise to the level of your goals. You fall to the level of your systems.”

    Bottom line — weave DEI into daily tasks and embed it into how people live already personally and professionally. Break the daunting goal into baby steps with incremental activities throughout the year to support it.

    Here are some themes to keep in mind to get your organization ready for DEI goals:

    • It’s a journey, not a destination: Set reasonable targets and goals to close gaps in talent, pay and education.
    • Make it a part of the performance: Establish KPIs for employees to work on DEI, otherwise, it is simply a “nice-to-have” vs. a “must-have.”
    • Engage senior leadership in a consistent, intentional set of actions over the year: This should be a part of every employee meeting and key activity.
    • Measure progress: Look beyond representation numbers and dig in holistically about attitudes/perceptions.
    • Take education to the next level: Go beyond awareness to tangible activities employees can take action on like addressing bias in systems and accountability.

    DEI goals should be a part of a bigger DEI picture. Providing tools and systems to help people hold themselves accountable is pivotal. By focusing on DEI goals, organizations increase their chances of long-term success with DEI — and by investing and prioritizing it now, they will remain relevant for future customers and employees.

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    Julie Kratz

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  • On This White Paper Day, Remember What Satoshi’s Original Publication Is And What It Isn’t

    On This White Paper Day, Remember What Satoshi’s Original Publication Is And What It Isn’t

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    This is an opinion editorial by Shinobi, a self-taught educator in the Bitcoin space and tech-oriented Bitcoin podcast host.

    The Bitcoin white paper is one of the most important documents written this century to everyone reading this. Every Halloween, somewhere in the back of our minds, “this is when it happened” invades our consciousness. It really was one of those random, innocuous moments at the time that just interjected out of nowhere something that would radically shift the dynamics of the world. It laid out the framework of an idea that even today, at a ridiculously tiny size and significance in the world and its economy, has still had a massively outsized effect on this planet.

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    Shinobi

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  • Living to Breaking Bad: the film and TV facing up to death

    Living to Breaking Bad: the film and TV facing up to death

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    Outside of Ikiru/Living, perhaps the most moving, near-euphorically tranquil death scene is that of Maude in Hal Ashby’s 1971cult classic Harold and Maude. In it, the character slips away on her 80th birthday after a final dance with her young lover Harold, saying she “couldn’t ask for a lovelier farewell”. In Chumbley’s experience, such bliss right at the end of life is possible, and she has seen “some really wonderful celebrations in people’s end-of-life experiences. I’ve seen people get married, I’ve seen people heal relationships. It can be a time where you see the very simplified heart of humanity when everything else is stripped away”. Maude’s life ending profoundly affects Harold; previously, between staging his own suicide and attending strangers’ funerals, he was fascinated by all things morbid but to shallow effect. But by bringing him into her final days, Maude teaches him what it truly means to live and die. For Chumbley, beyond the clinical and legal value of an “end-of-life plan”, it can also be an opportunity for human connection. “There’s affirmation when you appoint someone your power of attorney [for example]. It’s a chance to show someone they are loved by you, valued by you, and that this responsibility is because of the richness of your relationship.”

    The idea of looking inwards for fulfilment before it’s too late is at the core of what Ishiguro wanted to express in Living – along with the acknowledgement that you “can make your life full and worthwhile beyond a sense of external achievement that the world recognises. You can have a very humble small life, but you can make a supreme effort within the limitations of that life.” In this way, the ultimate accomplishment of Mr Williams with his playground is small but meaningful: he may not receive  uproarious public recognition, but that is not the point. “There’s a very lonely sense of success and failure that we’ll be left with when we are really trying to assess whether our lives have been led well in just those terms,” as Ishiguro says.

    And while truly contemplating our life and death may be a private interior act, watching films like Living can help us along the way. Part of what makes Living such a striking piece of work is that it comes to us at a time when death has been on everyone’s minds as a result of the pandemic. Yet, unlike with Mr Williams’ personal epiphany, there has been no substantial collective re-evaluation of what really matters. As Critchley puts it, “we are in a process of really rapid forgetfulness with regard to the pandemic. So many people were lost, and now we’re back at it, and life is back to normal. Why don’t we remember? There’s a desperate tragedy to being a tightly formed narcissistic shell just ploughing through life when it’s actually joyful to remember and accept one’s position as someone who mourns and is vulnerable and open”. That is the joy that can be seen radiating from Bill Nighy’s character when, towards the film’s end, he sits on a swing in the playground he has helped get built while the snow falls. Like so many before him, in confronting his death, he has finally started Living.

    Living is released in UK cinemas on 4 November and US cinemas on 23 December

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  • Dustin Trammell On The Original White Paper Day, Corresponding With Satoshi And The Growing Need For Bitcoin

    Dustin Trammell On The Original White Paper Day, Corresponding With Satoshi And The Growing Need For Bitcoin

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    On October 31, 2008, the pseudonymous Satoshi Nakamoto submitted their white paper outlining “Bitcoin: A Peer-To-Peer Electronic Cash System” to Metzdowd.com’s cryptography mailing list. Shortly after the project’s launch in January 2009, a mailing list subscriber named Dustin Trammell began contributing to the project, asking questions and submitting bugs to the paper’s author and becoming one of the first people on earth to be “orange pilled” by Bitcoin’s formative outline.

    “When first reading it, I remember being impressed that someone had discovered a way to prevent double-spending with digital currency,” Trammell recalled. “Being fairly Libertarian minded and interested in alternative currencies and economic systems, I was excited for the software to be released so that I could take a look at it in action.”

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    Peter Chawaga

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  • HODLween Brings Bitcoiners Together To Celebrate Halloween In Charlotte

    HODLween Brings Bitcoiners Together To Celebrate Halloween In Charlotte

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    This is an opinion editorial by Chris Alaimo, the multimedia producer and host of Bitcoin Magazine’s Twitter Spaces.

    It was a dark and cold night in the midst of the bear market, when a group of Bitcoiners gathered in Charlotte, North Carolina, to speak about hard money and a better world.

    On Friday night, attendees got to eat a meal prepared by Texas Slim and Gourmet Cavemen, who talked about the importance of food intelligence and how the quality of food around the world has declined in value since 1971. They used this equation to justify their position: value equals quality divided by cost. They asserted that the quality of food has been decreasing while costs increase, resulting in food of lower value.

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    Chris Alaimo

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  • Netflix Replaces Henry Cavill In Witcher With Liam Hemsworth

    Netflix Replaces Henry Cavill In Witcher With Liam Hemsworth

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    Henry Cavill stares at the camera while wearing a grey striped suit.

    Henry Cavill
    Photo: Theo Wargo (Getty Images)

    Today, Netflix announced that The Witcher will be back for a fourth season. However, it wasn’t all good news, as the streamer also confirmed that Henry Cavill will not be returning for season 4. Instead, Liam Hemsworth will be the new monster slayer, Geralt of Rivia.

    Netflix’s live-action adaptation of the popular Witcher books first started airing in 2019 and quickly exploded in popularity, with many praising Henry Cavill’s stoic but charming take on the white-haired witcher himself, Geralt. Since that first season, The Witcher has become a bonafide franchise for Netflix, leading to more seasons, anime prequels, movies, and even a child-friendly spin-off. But the star of the original series won’t be sticking around as the fantasy franchise grows.

    In a tweet posted earlier today, Netflix confirmed that Cavill will be stepping away from the role after season three of the Witcher airs…sometime in the future. Starting in season four, Liam Hemsworth will be joining the “Witcher family” and will wear the white wig and carry the cool swords as Geralt moving forward.

    “My journey as Geralt of Rivia has been filled with both monsters and adventures, and alas, I will be laying down my medallion and my swords for Season 4,” said Cavill in a statement shared by Netflix.

    “As with the greatest of literary characters, I pass the torch with reverence for the time spent embodying Geralt and enthusiasm to see Liam’s take on this most fascinating and nuanced of men,” continued Cavill, “Liam, good sir, this character has such a wonderful depth to him, enjoy diving in and seeing what you can find.”

    Hemsworth, a Witcher fan himself, also shared a statement about the surprising news, saying that he’s been a fan of Cavill’s take on the character for years and that he was “inspired” by his performance and what he brought to the character.

    “I may have some big boots to fill, but I’m truly excited to be stepping into The Witcher world,” said Hemsworth.

    The initial reaction online has been…not great! Many fans are confused and upset to see Cavill leave the role. And while it’s likely he’s hanging up the swords and the medallion to replace it with a red cape and tights as he returns to the DCEU film franchise as Superman, I assume many Witcher fans will be saddened to see the nerdy actor leave the popular show. But hey, with all that DC money he can probably build an even cooler PC!

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    Zack Zwiezen

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  • Bitcoin Mining Is Directly Impacting People’s Lives For The Better

    Bitcoin Mining Is Directly Impacting People’s Lives For The Better

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    This is a transcribed excerpt of the “Bitcoin Magazine Podcast,” hosted by P and Q. In this episode, they are joined by Marshall Long to talk about surviving the bear market as a bitcoin miner and how the current political scene will not be able to beat bitcoin miners into submission.

    Watch This Episode On YouTube Or Rumble

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    Bitcoin Magazine

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  • Bitcoin Is Here To Stay And Bitcoiners Aren’t Going Anywhere

    Bitcoin Is Here To Stay And Bitcoiners Aren’t Going Anywhere

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    This is a transcribed excerpt of “Bitcoin Audible” Guy’s Take #59 – “We’re Not Going Anywhere” by Guy Swann, adapted into article form for Bitcoin Magazine.

    We’re gonna do a “Guy’s Take” today and we’re going to do it on Bitcoin Maximalism.

    I think there is a difference between Bitcoin Maximalism and Bitcoin Maximalists. There is a subset of “Bitcoin Maximalists” who have been in Bitcoin for like a year and they have embraced the culture of anti-crypto without even being able to argue why; they’re Bitcoiners because they came into Bitcoin. My view of Bitcoin Maximalism is different from these types of people. I have a really strong idea of what Bitcoin Maximalism is — and it did not change in the last two years with all of these new people who are jumping on the bandwagon and using it as a bludgeon on Twitter.

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    Guy Swann

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  • The Competition For Bitcoiners Between Nation-States Is Heating Up

    The Competition For Bitcoiners Between Nation-States Is Heating Up

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    This is an opinion editorial by Nazar Taras, head of content and partnerships PowerInside.

    You want to pay your taxes in Colorado with bitcoin? No problem. You want to buy a beach property in El Salvador with bitcoin? Come on over. You want to send money abroad without paying banks’ high fees? There is an app for that, and your grandma will instantly have the money in her bitcoin wallet.

    At the Bitcoin Amsterdam conference this month, government representatives took center stage, telling people to come and see for themselves how bitcoin adoption is impacting their countries.

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    Nazar Taras

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