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  • Judd Apatow and Glen Powell’s Comedic Team Up Is Looking Great

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    Jan 20th, 2026, 10:39 pm

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    For someone like me, who loves movies about music, I have been very excited about Judd Apatow and Glen Powell’s new comedy. The film is set to focus on a country star who has fallen from grace. And now the rest of the cast is shaping up to be exciting!

    Co-written by Powell and Apatow, the Trainwreck director is set to direct and produce with Powell starring and producing with his production company, Barnstorm. But now the cast is filling out with fan favorites! It was announced this week that both Cristin Milioti and Madelyn Cline will join Powell in the cast.

    Outside of this, we don’t know much else about the film. But given Milioti’s own musical history and Cline’s recent virality for her own singing, it does seem like the two could end up singing along side Powell’s country music star.

    Movies like this are fun to me, especially as someone who loves movies like Crazy Heart. Exploring a musician’s struggle with the downside of fame (or the loss of it) fascinates me. Whether it be a drama or a comedic look at the music industry, it is an aspect of the entertainment world that is ripe for interesting storylines.

    And I am someone who does love a lot of Apatow’s films and I do love what Powell is doing with his writing career. So while we don’t know much about this film, there are a lot of moving parts about it that fascinate me. I don’t think this is going to lean into movies like Walk Hard or be a more “serious” take on things. But Apatow and Powell both have a unique way of telling comedic stories and I think their styles will blend well together.

    And with Milioti and Cline joining Powell? I’m so in.

    (featured image: Taylor Hill/FilmMagic/Monica Schipper/Getty Images/Axelle/Bauer-Griffin/FilmMagic)

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    Rachel Leishman

    Editor in Chief

    Rachel Leishman (She/Her) is the Editor in Chief of the Mary Sue. She’s been a writer professionally since 2016 but was always obsessed with movies and television and writing about them growing up. A lover of Spider-Man and Wanda Maximoff’s biggest defender, she has interests in all things nerdy and a cat named Benjamin Wyatt the cat. If you want to talk classic rock music or all things Harrison Ford, she’s your girl but her interests span far and wide. Yes, she knows she looks like Florence Pugh. She has multiple podcasts, normally has opinions on any bit of pop culture, and can tell you can actors entire filmography off the top of her head. Her current obsession is Glen Powell’s dog, Brisket.

    Her work at the Mary Sue often includes Star Wars, Marvel, DC, movie reviews, and interviews.

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    Rachel Leishman

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  • Cristin Milioti Meets Her Moment: On ‘The Penguin,’ Superhero Fatigue, and What It Means to Be Underrated

    Cristin Milioti Meets Her Moment: On ‘The Penguin,’ Superhero Fatigue, and What It Means to Be Underrated

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    ​​This post contains spoilers about the sixth episode of The Penguin, “Gold Summit.”

    “People will tell you where they’ve gone / They’ll tell you where to go / But till you get there yourself, you never really know,” Joni Mitchell sings in 1976’s “Amelia”—words that Cristin Milioti found herself sobbing to at the 80-year-old’s triumphant recent Hollywood Bowl concert.

    “I feel like I’m still recovering, because I cried for the entire three hours,” she tells Vanity Fair from her New York apartment. “‘Amelia’ is my favorite, and I couldn’t believe she sang it—I completely fell to pieces.”

    Milioti wasn’t alone in her rapture. “Everywhere you looked, there was someone crying. Then you would catch each other’s eyes, touch your heart, and give each other a nod. It feels like witnessing a miracle—someone who changed music and has certainly whispered in my ear throughout my entire life helped me understand myself and the world. It felt very holy.”

    While at the star-studded concert, Milioti received some admiration of her own. “I had a lot of really lovely interactions at that show from people who really are loving The Penguin,” the actor says of her lauded performance in the HBO series as Sofia Falcone, a mobster princess turned murderous villain facing off against an unrecognizable Colin Farrell as Oz Cobb. “I feel very protective of her,” Milioti says of Sofia, who after being tortured for more than a decade in an Arkham prison for a crime she didn’t commit, kills the family members who lied to keep her confined. Homicide aside, “I am just in love with her.”

    Bringing the role to life has been a dream assignment for the 39-year-old actor, who long before she ever auditioned for a comic-book film, dressed as Catwoman for Halloween. The idea of Sofias running around this year makes Milioti’s face light up. “I get emotional just talking about it. I would be so blown away,” she says. “That would be a lot to take in, but I would gladly take it in.”

    Just as Joni sings of a winding journey in “Amelia,” Milioti has been charting her own path since dropping out of New York University after a single year. She launched herself into a Tony nomination for 2012’s Once, the Broadway musical based on the Oscar-winning Irish film. That star-making turn led to roles big (the titular mother in How I Met Your Mother) and small (30 Rock’s “Very Sexy Baby”), but always memorable. Juicy parts alongside Leonardo DiCaprio in The Wolf of Wall Street, Andy Samberg in Palm Springs, and Jesse Plemons in an episode of Black Mirror followed. It’s all led to the most high-profile project of Milioti’s career—no false alarms in sight.

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    Savannah Walsh

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