ReportWire

Tag: Creativity

  • Just 5 Words: AI Storytelling with Apple Intelligence

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    When I really started to amplify my work with AI, the most annoying thing was the message: “you have hit your quota, usage reset at 3:00 AM”. That was Claude telling me I have exhausted all my tokens and I cannot work anymore. I had to stop. Go out and take a break. It felt incredibly frustrating but I had no choice, I had to wait until my quota was replenished.

    Since then, I started to experiment with on-device inference. Meaning using models on my own machine, and not via APIs, capped by my current subscription. At the moment of writing, this is still prohibitive. My Mac M1 has 16GB of RAM, which makes it barely usable for coding tasks. The best I can do is to use some 3B (3 billion parameters) model, like Qwen, which is roughly usable for task classification, and impossible for real hardcore coding tasks, the kind that I’m using every day.

    The Unexpected Discovery

    So running inference on my machine basically means 2 things: first, I have to wait until models are becoming more performant (and it seems this is happening now every 6 months or so) and I have to get a better machine, one with at least 64GB of RAM.

    But while I was researching all these AI configurations, I accidentally stumbled upon something called Apple Intelligence. It’s a collection of optimized models which are running on device, and can do decent text and image manipulation. They cannot generate code, or high resolution photos, but they are good enough for low res tasks.

    Now, if only I can imagine a use case for those…

    And here’s how Just 5 Words was born.

    AI Storytelling and Image Generation on device, with Apple Intelligence

    So, it works like this: the user picks 5 random words from a pre-made list, we feed these words to the on-device text model and instruct it to make a short story out of them – don’t ask me about what prompt(s) I’m using, it took me a lot of time to get them right. Once the story is done, feed the story to the image generation model and build an image for that story. Everything stays on device, no API calls, nothing.

    Looks simple.

    Well, in the beginning it was. But the more I worked on it, the deeper I went down the rabbit hole. Sometimes I was hitting some model limitations, like the fact that the text model cannot generate output if a person is involved. I don’t know why, but it’s just how it is. And then I realized the image generation could be further optimized by using different styles and perspectives. So I made a few presets for both styles and perspective.

    And then there was the UX angle: how much of this is free, and how much is ad-gated?

    After a couple of days of back and forth I came up with something not only working decently, but significantly… addictive. I know, I’m the builder, I’m supposed to like what I’m building, but still. There is something really addictive about watching how words are becoming short stories, almost like haikus, and then on top of them ephemeral, gentle images are being generated. It’s… beautiful.

    The Challenges

    Apple Intelligence is not available on all Apple devices. You need to be on iOS 18.4 or higher, and have an iPhone 15 Pro or newer, and to enable it in Settings. That’s a significant limitation and it was the biggest source of friction during the AppStore review process. Initially, the App Review team tested on simulators and it instantly rejected the app. I had to actually send them a message with instructions: test on devices, guys, Apple Intelligence doesn’t work in simulators.

    On top of that, I had to do significant work in the sharing feature. Because what’s a beautiful image on my phone, if no one else can see it? Does it even exist? Joke aside, I built 3 different share sheets, for Twitter, Instagram and TikTok, trying to bank on the short form content that these platforms are prioritizing.

    Try It Out!

    The app is finally live in AppStore, so you can try it out. Remember, you’ll need an Apple Intelligence ready device AND need to have Apple Intelligence enabled on that device.

    Download Just 5 Words for free from here: https://apps.apple.com/us/app/just-5-words/id6753934664 – and let me know what you build. Just share on Twitter, Instagram and TikTok and use the hash tag #5Words, I’ll keep an eye on that one.

    All in all, this was one of the most fun experiments I did recently.

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    dragos@dragosroua.com (Dragos Roua)

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  • 25 Inspiring 4th Grade Art Projects for All Skill Levels

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    Fourth grade art students are ready for new challenges, like trying out perspective or exploring tessellations. These projects are all well within their abilities but will also encourage your students to push themselves to create cool new works of art they’ll be proud to take home and show off. We’ve got art projects for 4th graders in every medium, so there’s something for all classrooms.

    “I believe the art room is a joyful place where every child’s imagination can bloom and grow, with the right amount of nurturing!” says elementary art teacher Caroline M., known on Instagram as @scs.artteacher. “I love creating mixed‑media projects with my students, especially those that celebrate nature and the world around us.”

    Caroline encourages art teachers to embrace a wide array of materials and supplies to encourage creativity at home and school. “My goal is to provide an environment that supports curiosity, celebrates process over perfection, and is ultimately a welcoming space where every student’s creative voice and spirit will grow and flourish.”

    Explore some of Caroline’s favorite 4th grade art projects below, along with ideas from Lauralee Chambers (@2art.chambers) and Yvette Ackerman (@ackermans_amazing_artists), two more Instagram favorites. Visit their pages for more details and photos of each project!

    FREE PRINTABLES

    Art Portfolio Templates Bundle

    This bundle contains art portfolio cover sheets for preschool to grade 5, as well as a template that works for any grade. The bundle also includes an art project planning sheet and an artist study worksheet.

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    4th Grade Art Projects

    Origami pencils made from bright neon striped paper
    Courtesy of @2art.chambers

    Origami Pencils

    Lauralee notes that she loves doing a lesson on “pencil power” at the beginning of the year. Origami pencils give kids a bit of a challenge, just enough to encourage a growth mindset and set them up for a terrific year ahead.

    Learn more: Origami Pencils

    Pink cherry blossom branches against a light blue background painted by 4th grade art students
    Courtesy of @2art.chambers

    Spring Blossom Paintings

    Start by having kids paint or draw in the branches on their background paper of choice. To make the petals, students will be amazed at the cool effect they can get when they double-dip their brushes in two colors of pink paint, then “stamp” the brush down and twist.

    Learn more: Spring Blossom Paintings

    Stained glass src butterflies made from paper, held up by 4th grade art students to show the light shining through
    Courtesy of @2art.chambers

    Stained-Glass Butterflies

    This can be a quick project when you use supplies like Roylco butterfly frames and Hygloss cellophane sheets. For a more complex project, have students trace and cut out their own butterfly frames from black construction paper.

    Learn more: Stained-Glass Butterflies

    Painted castles made by 4th graders
    Courtesy of @2art.chambers

    Guided-Drawing Castles

    Start by spending time looking at pictures of castles from around the world with your class. Then, lead them through a guided-drawing session to create their own castles with the details of their choosing.

    Learn more: Guided-Drawing Castles

    Pop art src hearts in bright neon colors
    Courtesy of @2art.chambers

    Zentangle Hearts

    Geometric black-and-white patterns contrast beautifully with neon in this striking project. Try it around Valentine’s Day or any time you need to brighten up your art room.

    Learn more: Zentangle Hearts

    Black detailed leaf outlines against colorful watercolor backgrounds
    Courtesy of @2art.chambers

    Foil-Printing Leaves

    If you haven’t tried foil-marker printing with your students, what are you waiting for? You’ll need water in spray bottles to create that beautiful blended effect. It makes the perfect background for patterned black-and-white leaves.

    Learn more: Foil-Printing Leaves

    Pop art coffee mugs against colorful backgrounds, drawn by 4th grade art students
    Courtesy of @2art.chambers

    3D Pop Art Mugs

    Here’s another terrific 4th grade art project contrasting color with black-and-white. This one teaches students about depth and 3D effect, as well as shapes like cylinders and ellipses.

    Learn more: 3D Pop Art Mugs

    Paintings of snow-covered pine branches against pink and blue backgrounds
    Courtesy of @2art.chambers

    Snowy Evergreens

    Capture the magic of a snowy day with this painting project. Lauralee notes that this lesson teaches composition, texture, and value. Plus, kids will love adding the white paint splatter for snowflakes!

    Learn more: Snowy Evergreens

    Black spider silhouettes painted atop colorful backgrounds
    Courtesy of @2art.chambers

    Spider Symmetry

    Put the power of symmetry to work by having students paint one half of a spider along the crease of a folded page. While the paint is still wet, fold the paper and press gently to create a balanced spider painting.

    Learn more: Spider Symmetry

    Small paintings made by 4th grade art students in the src of Van Gogh's Starry Night
    Courtesy of @2art.chambers

    Mini Van Gogh Studies

    For this project, students take a close look at one part of Van Gogh’s “Starry Night,” and re-create the brush strokes with oil pastels. Spend some time telling them about the artist’s life while they work. “Talking about art is just as important as creating,” Lauralee reminds us. “We hope to nurture well-rounded students who can appreciate art. Not all of them will become artists, but all will need to be visually literate in this world of images.”

    Learn more: Mini Van Gogh Studies

    Clay cupcakes painted in bright colors, made by 4th grade art students
    Courtesy of @scs.artteacher

    Clay Cupcakes

    Every kid will be excited to create these vibrant cupcakes! Art teacher Caroline from @scs.artteacher uses Crayola Model Magic for this project. Try using silicone cupcake “wrappers” as molds for the bottom.

    Learn more: Clay Cupcakes

    Astronaut self-portraits by fourth graders
    Courtesy of @scs.artteacher

    Astronaut Selfies

    What better way to urge kids to shoot for the stars than by asking them to draw themselves as astronauts? Chalk pastels give these drawings their vibrant color, with each student choosing the “groovy” design that suits them best.

    Learn more: Astronaut Selfies

    Pumpkin in the src of artist Yayoi Kusama, made by 4th grade art student
    Courtesy of @scs.artteacher

    Yayoi Kusama Pumpkins

    This modern artist’s style is sure to strike a chord with students. Use the foil-printing method to create colorful backgrounds after students draw the pumpkins.

    Learn more: Yayoi Kusama Pumpkins

    Colorful toucans made by 4th grade art students through a directed drawing lesson
    Courtesy of @scs.artteacher

    Directed Drawing Toucans

    Students can develop real confidence in their artistic skills through directed drawing sessions. This makes them much more likely to try more drawing activities on their own too.

    Learn more: Directed Drawing Toucans

    Drawing of a gingerbread house overtop a tie dyed src background
    Courtesy of @scs.artteacher

    Foil Print Gingerbread Houses

    What a brilliant twist on gingerbread art! The background uses the popular foil-marker printing method. (Caroline notes that this time around, her students used Dab-o-Ink bingo daubers.) Students can sketch any style of gingerbread house they like; it’s the perfect project for those crazy days that lead up to winter break.

    Learn more: Foil Print Gingerbread Houses

    Paper acorns with patterned tops and wood grain bottoms
    Courtesy of @2art.chambers

    Paper Acorns

    Start by having students draw their own patterned paper—Lauralee’s kids used metallic markers on black paper. Cut out acorn caps from their designs, then add them to acorn bottoms cut from wood-grained scrapbooking paper.

    Learn more: Paper Acorns

    Paper skulls with brains drawn in color or black and white
    Courtesy of @2art.chambers

    Left Brain, Right Brain

    Talk with your students about the differences between our left brain and our right brain. Then, ask them to illustrate the part of their brain they feel is their strongest. (Or they can do both!)

    Learn more: Left Brain, Right Brain

    Paper sand castle made from cardboard of different textures
    Courtesy of @2art.chambers

    Cardboard Sandcastle

    When you rip the top layer off a piece of cardboard, you expose the cool textures underneath! Use them to create these fun sandcastle collages—add some real shells for detail if you can.

    Learn more: Cardboard Sandcastle

    Rolled paper scrolls in primary and secondary colors filling empty chocolate heart boxes
    Courtesy of @2art.chambers

    Quilled Paper Hearts

    Use color theory or explore all the colors of the rainbow with this simple project. Lauralee used empty heart-shaped candy boxes, then had students cut strips of construction paper and roll them into tight scrolls. Glue them into place once you have a design you like.

    Learn more: Quilled Paper Hearts

    Black and white sketches of boxes with rainbows erupting from them
    Courtesy of @2art.chambers

    Color Theory Boxes

    Here’s another project that’s fun for learning color theory, as well as perspective and drawing 3D shapes. Let students choose their own way to “fill” each black-and-white box with color.

    Learn more: Color Theory Boxes

    Mini pumpkins made from Crayola Model Magic air dry clay
    Courtesy of @2art.chambers

    Mini Clay Pumpkins

    Need a simple project with fantastic results? Try these little Crayola Model Magic pumpkins. Use a stiff piece of cardboard to add the segments to flattened balls of clay in colors of your choice. Make the vines from green wire or pipe cleaners.

    Learn more: Mini Clay Pumpkins

    Paper plate painted orange, with red, orange, and yellow circle weaving. A paper mountain silhouette is glued on top.
    Courtesy of @ackermans_amazing_artists

    Circle Weaving Silhouettes

    Circle weaving on paper plates is a pretty standard primary art project. So we love the twist Yvette Ackerman puts on it, using the circle weaving as a background with black paper silhouettes glued on top.

    Learn more: Circle Weaving Silhouettes

    Simple clay ghost made from a slab of clay
    Courtesy of @ackermans_amazing_artists

    Clay Slab Ghosts

    Here’s another surprisingly simple clay project. Roll out a slab of clay, then drape it over an object to create a ghost shape. Cut out the eyes and mouth with a craft knife or pointed stick. Spooky and cool!

    Learn more: Clay Slab Ghosts

    Mixed media paper donut painted with oil pastels, on a paper doily
    Courtesy of @scs.artteacher

    Mixed-Media Donuts

    How fun are these colorful donuts? They mix oil pastels, paint scraping, and other techniques with clever touches like paper doilies.

    Learn more: Mixed-Media Donuts

    Geometric shamrock drawings using negative space and bright colors
    Courtesy of @2art.chambers

    Negative-Space Shamrocks

    Make this a simple project by starting with rainbow-colored paper. Then, guide kids through tracing shamrocks with black markers, adding patterns and using negative space for interest.

    Learn more: Negative-Space Shamrocks

    Get your free art portfolio printable bundle!

    art portfolio template examlpes
    We Are Teachers

    Click the button below and fill out the form on this page to receive our free printable bundle with art portfolio cover sheets for every grade, as well as an art project planning sheet and an artist study worksheet.

    Keep the creativity flowing with these 4th Grade Writing Prompts.

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    Jill Staake, B.S., Secondary ELA Education

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  • From Fear to Curiosity: How Great Leaders Reframe Innovation

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    My “aha” moment with AI didn’t start in the boardroom. It started in my music room.

    While I’ve been experimenting with generative AI tools for a few years, when I started exploring how they could help my musical progress, it all clicked for me. Project one was creating visuals to go with music for my brother. I don’t have a coding background, but with AI and a friend’s help, we created a program that could visualize sound for his performance. Next, I created a virtual tutor that helped me accelerate my music production and mastering skills, which I had only recently started exploring.

    These personal experiments really changed how I thought about creativity. AI didn’t make me less creative; if anything, it made me a better creator. It didn’t replace my ideas; it amplified them. The speed of learning had me wanting more, rather than getting stuck in place. And that realization sparked something bigger: If AI could unlock that kind of curiosity in me personally, what could it do for my team professionally?

    Curiosity starts at home
    When I got back to work, I began encouraging everyone at Agiloft to explore AI in their own lives. Not as a corporate initiative, but as an invitation: Try it out, play with it, see what it can do for you.

    I am a firm believer that transformation doesn’t start with technology. It starts with curiosity. You can’t force people to innovate, and you certainly can’t easily train away their fear of new tools. But if they see firsthand how technology can make them more creative—whether that’s in music, writing, or problem solving—they start to approach it with excitement instead of anxiety.

    That shift, from fear to curiosity, is what drives real change. AI is ultimately a human story. It doesn’t replace people; it expands what people are capable of. But in order to get there, leaders have to create a culture where experimentation feels safe and curiosity is rewarded.

    Building a culture of experimentation
    When we started operationalizing AI at Agiloft, we didn’t launch a massive top-down program. We began with what we called an AI Council—a handful of naturally curious employees from across the company who were already tinkering with AI tools. Their goal wasn’t to set policy; it was to learn, share, and inspire.

    As interest grew, that council evolved into an AI Opsteam—a dedicated group that helps scale the best ideas across departments. But even as the structure matured, the spirit always stayed the same: Start small, learn fast, and keep the human at the center.

    That’s something every leader can take to heart. People don’t usually fear technology itself; they fear being left behind by it. Our job as leaders isn’t just to provide new tools, it’s to help our teams reimagine their work and their potential in an AI-powered world.

    To take advantage of that, employees have to start thinking less about their title and more about their rolein the workflow.

    Here’s an example straight from a customer. In their contracting process, multiple teams review every contract, including security. Traditionally, that security step slowed things down by a week (at least) or the contract requestor avoided it. So, they used Agiloft’s prompt lab to build an AI agent that reviews contracts to determine if they even need full security review. And if they do, it pre-redlines them automatically.

    The result? Faster turnaround, 100 percent compliance, and happier humans on both sides of the process. When we focus on goals and outcomes versus rigid ownership, AI becomes an ally that helps everyone do their best work.

    The human transformation behind the tech
    Every CEO today is under pressure to “become AI native.” But the real and persistent challenge isn’t technological—it’s human.

    We’re asking people to reimagine how they work, learn new skills, and see their roles differently. That’s much more than a software rollout; it’s a mindset shift. Leaders have to make space for learning, mistakes, and discovery. Because the companies that thrive won’t just be AI-powered—they’ll be human-powered, first and foremost.

    In my experience as a leader, I’ve learned that curiosity scales best when it’s supported. Phase one is experimentation; phase two is building systems to make those experiments repeatable. Along the way, we invest in necessary upskilling so that no one feels like AI is happening to them—it’s happening with them.

    That’s the balance every leader needs to strike. You can’t lose your humans. The best agents, the smartest models, the fastest tools—they all rely on people who are curious enough to ask the right questions and bold enough to explore the answers.

    The same curiosity that helped me become a better musician has made me a better leader. When people are free to explore—whether that’s through sound, code, or business strategy—they uncover possibilities they never knew existed.

    That’s how fear turns into curiosity. And that’s how curiosity becomes innovation.

     

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    Eric Laughlin

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  • AI Will Never Be Able To Spot True Excellence – Dragos Roua

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    In 1999, at the Cannes Film Festival, there was a movie projection that made the audience physically uncomfortable. They literally booed it. Critics dismissed it as gratuitously violent, confusing, and fundamentally flawed. Everybody in the theater agreed: this was a bad movie.

    That movie was Fight Club.

    Twenty-five years later, Fight Club is considered one of the most important films in Western cinema. It’s profound and moving. It describes modern existence in a way that had never been done before—the emptiness of consumerism, the crisis of masculinity and the desperate search for meaning in a world devoid of it.

    The same people who booed in Cannes eventually recognized they had witnessed something that would reshape how we think about storytelling.

    Excellence Means Breaking Patterns

    But the most surprising and eerie part of all this is that those critics weren’t stupid. They were real experts trained on everything that came before. They knew what made a good movie according to current standards.

    And that’s precisely why they couldn’t see what was in front of them.

    This is exactly where AI sits today. Large language models are the critics in that Cannes theater, trained on everything that existed until their cutoff date. They can tell you what worked. They can recognize patterns from the past. But they cannot—fundamentally cannot—identify what will matter in the future.

    They have no capacity to recognize disruption because disruption, by definition, breaks the patterns they were trained to detect.

    Keep Your Weirdness Separate From AI

    This is why I’ve never built AI tools for content generation or evaluation. When I created my Claude content skills, I deliberately avoided anything that would judge the value of creative work. Instead, I focused on structural adjustments—how content fits within a blog post architecture, interlinking, SEO metadata, formatting. Just the mechanical parts.

    Creativity, disruption, the thing that make Fight Club a cornerstone of our modern culture—that remains human territory.

    If you’re using AI to evaluate whether your book is good, whether your movie will resonate, whether your art has value, you’re asking the Cannes critics of 1999 to predict the cultural impact of Fight Club. The answer will be wrong. Always. And it has to be wrong.

    Real excellence is something that breaks the model. This is why it’s important to maintain your own quirks, outside of AI. To keep experimenting. To keep making mistakes, correcting them, and starting over. Even when it’s exhausting. Even when it feels like you’re going nowhere.

    Because what is personal—what is yours, what is specific to your life experience and how you see the world through your own eyes—that is the value you bring to the world. No model was trained on that. No algorithm can evaluate it.

    Keep working on it. Even when there are no visible results yet.

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    dragos@dragosroua.com (Dragos Roua)

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  • Manchester museum hosting holiday events

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    MANCHESTER-BY-THE-SEA — With the spirit of Christmas-by-the-Sea on its way, the Manchester-by-the-Sea Museum, 10 Union St., is hosting several holiday events this weekend and beyond.

    First up is an Open House and Children’s Art Workshop, both free, on Friday, Dec. 5, 3-8 p.m., during the town’s Holiday Stroll event. The museum will be decorated for for the season and children may enjoy an ornament crafting and art workshop with instructor Martha Chapman. Refreshments provided.

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    By Times Staff

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  • Guillermo del Toro Reveals the 1 Creative Skill AI Can’t Replace

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    Romance, fairy tales, and gothic horror don’t seem like they belong together, but filmmaker Guillermo del Toro skillfully weaves them into stories unlike anything audiences have seen before. The legendary director has applied his magic touch to a new Netflix adaptation of Mary Shelly’s Frankenstein. The film is an international hit for the streaming network, debuting as the top English-language film in more than 70 countries. 

    The secret ingredient behind del Toro’s success is an approach to storytelling that AI can’t replace. If you build a business presentation the way del Toro constructs a film, your audience will lean in and become emotionally invested in the journey you’re taking them on. 

    Use technology to complement your story 

    You might not be developing an epic two-hour film for the screen, but every pitch or presentation is still, at its core, a story. Your audience doesn’t just want to hear information. They want to feel something. Since AI lacks emotions, feelings, goals, and aspirations, it can’t motivate people to act—only you can. 

    When an NPR reporter asked del Toro for his stance on using generative AI for filmmaking, del Toro said, “I’d rather die.” 

    Del Toro has a strong opinion on AI because he believes that digital tools—especially generative AI—should be used only to enhance a story, not to replace a human’s authentic voice. “Otherwise, why not buy a printer, print the Mona Lisa, and say you made it,” del Toro added. 

    I share a similar message with business communicators: AI-based writing and design tools should complement the story, but the story comes first. Your ideas are the star. 

    Plan presentations in analog 

    When I wrote the first book on how Steve Jobs created and delivered his awe-inspiring presentations, I devoted a chapter to “planning in analog.” Jobs built cutting-edge technology but talked about it like a storyteller. For example, Jobs didn’t begin presentations by opening a slide deck. Instead, he and the team brainstormed ideas, took notes, gathered stories, built props, and sketched scenes on a whiteboard. 

    Del Toro, too, is an advocate of starting in analog. In a video titled “Anatomy of a Scene” for The New York Times, del Toro walks the viewer through a pivotal scene when Dr. Victor Frankenstein, played by Oscar Isaac, is defending his experiments at the Royal College of Medicine. He pulls the drape off a corpse that terrifyingly comes to life. 

    “That’s completely done in analog,” del Toro explained. “There’s no CGI. It’s a puppet, with puppeteers pulling the strings.” 

    The puppeteers are later bluescreened out of the scene—that’s where technology comes into play. However, the technology is used in the service of the story, which must be as authentic as possible in del Toro’s world. 

    Steve Jobs liked to pull drapes off things, too. In January 1984, Jobs kept the audience in suspense as he talked about Apple’s first Macintosh. He started talking about the product without showing it. Then came the big reveal. Jobs walked to the center of the stage, where the Macintosh was sitting on a small table, hidden beneath a black cloth. Like a magician, he lifted the cloth with a flourish, revealing the beige box that would change computing forever. 

    Jobs played the role of storyteller whenever he stepped on stage. 

    It’s hard to imagine that ChatGPT would have come up with the idea for a product launch as theatrical as Jobs did. AI is a tool, not a source for original creative ideas. It doesn’t have a unique personality, experiences, perspectives, or worldviews. Those belong exclusively to you, not to an algorithm. 

    Write the script before building slides 

    A great presentation has engaging visuals, graphics, photos, and animations, but those embellishments should serve the story. Writing down your ideas is a good starting point. Del Toro fills notebooks with sketches and words before he picks up a camera. He once advised content creators to write the stories they want to tell and put them on paper.  

    “I write a biography for the characters that is eight pages long,” he explained. “It has everything about them: what they like, what they eat, what they read, what they listen to, what they don’t like, etc.” 

    Once del Toro has a fully baked idea of who the characters are, he gives the idea to the design department so they can “articulate the biography with visuals and sound.” Once again, technology complements the story, but the story comes first. 

    AI can take what already exists and reproduce, analyze, and remix it. However, that’s not creation. Creation begins with your voice, your imagination, and your unique lived experience that no algorithm can replace. 

    If you want your presentations to stand out and keep your audience glued to their seats, don’t think like a presenter. Think like a movie director. Shape the story you want to tell and let technology play a supporting role. 

    The opinions expressed here by Inc.com columnists are their own, not those of Inc.com.

    The final deadline for the 2026 Inc. Regionals Awards is Friday, December 12, at 11:59 p.m. PT. Apply now.

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    Carmine Gallo

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  • Taylor Swift’s Newest Obsession Can Teach You a Lot About Creativity

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    What’s the best way to stay fresh and creative when you’re putting in long hours and facing tight deadlines? Especially when you can’t take much time off? For Taylor Swift, the answer is to do something completely different–but also highly creative–that you’re passionate about.

    Many creative people take their hobbies very seriously. Steve Jobs famously followed his passion to a calligraphy course that later helped when it came time to create Apple’s fonts. Albert Einstein was an accomplished violinist. Swift bakes bread. Specifically, sourdough bread. Loaves and loaves of it.

    Whether you consider her a genius or not, there’s no denying that Swift’s creative output is prodigious and impressive. She recently released her 12th album, The Life of a Showgirl. It was mostly written while she performed three-hour shows in the long-running Eras tour, at the same time as she was releasing her 11th album, The Tortured Poets Department. Oh, and making it to every Kansas City Chiefs football game she could so she could cheer for her now-fiancé Travis Kelce.

    Swift works almost every waking hour.

    “My question is, when do you sleep?” Seth Meyers asked her in a recent interview on Late Night.

    “I actually sleep a lot,” she said. “It’s just that I don’t do anything other than this when I’m not sleeping.” She loves what she does so much that it doesn’t feel like work, she explained. And she does it for all her waking hours. Except when she’s baking bread.

    Baking allows her to stop her mind from continuing to work on songs. “It’s, like, stress relief,” she said. “Like, you’re following instructions. You’re doing a thing they’ve done for thousands of years. There’s something kind of calming about it.”

    It’s also a different form of creativity for Swift, and one that can be all-consuming. “It’s like I have when I have a hobby, it becomes an obsession, and then it becomes my entire personality,” she said. To prove her point, she gave two loaves of bread to Meyers before the show, in their own bakery-type bread bags, and covered with stickers that said things like “Are you bready for it?” and “The fate of Doughphelia” (a play on Swift’s new song, “The Fate of Ophelia.”) And, of course, there were pictures of Swift’s cats, another of her obsessions.

    She even described how delighted she was that a loaf of her bread made a cameo appearance on a table next to an apple in the “Fate of Ophelia” video. “It was a huge moment for me,” she said. She was accustomed to baking bread for texture and flavor, but this time she was aiming for visual appeal. “And I’m just really excited that it seems to have gone really well. Like, I did the feather scoring–” she paused in a moment of apparent realization “–that nobody cares about, except for me.”

    Baking bread is a healthy release.

    So, yup, beyond all doubt, Swift’s breadmaking had turned into an over-the-top obsession. But it’s also a healthy release from the pressures of her very public, very work-focused life. It’s a chance to do something completely different from writing songs, or making videos, or singing. It’s tactile, and extremely satisfying. And, just as important, it gives her creative, obsessive mind something different to focus on. It’s a way to let herself play.

    If you’re an entrepreneur or business leader, chances are you’re obsessed with your work, too. You may not have much time off. And you may still need to keep that creativity flowing and a fresh outlook. If so, try finding a hobby that fascinates you as much as bread fascinates Swift. It just may be the outlet, and the creative boost you need.

    There’s a growing audience of Inc.com readers who receive a daily text from me with a self-care or motivational micro-challenge or tip. Often, they text me back and we wind up in a conversation. (Want to know more? Here’s some information about the texts and a special invitation to a two-month free trial.) Many of my subscribers are entrepreneurs or business leaders. A lot of them are completely consumed by their work. But they also know how important it is to have creative passions that have nothing to do with their job. Should you give it a try?

    The opinions expressed here by Inc.com columnists are their own, not those of Inc.com.

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    Minda Zetlin

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  • Apple Made an Ad Featuring the Late Jane Goodall. It’s a Callback to Its Greatest Era

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    Obviously, most people know Apple as the company that makes the iPhone. That makes sense, the iPhone—after all—is the single most successful consumer product in history. It’s the reason Apple is a $3 trillion company.

    But—believe it or not—there was a time before the iPhone when Apple was known for something else. And it’s latest ad is a telling reminder of what might be its best era.

    The company’s latest ad isn’t about the iPhone. Technically, it’s about the Mac, but really, it’s about Apple and what the company wants you to think about what it stands for. And, it’s a reminder of a very different era for the company.

    The ad opens with the flicker of a cursor on a blank screen and a voice that sounds both familiar and true.

    “Every story you love, every invention that moves you, every idea you wished was yours, all began as nothing. Just a flicker on the screen asking a simple question: What do you see?”

    The voice is Jane Goodall’s.

    If you’ve followed Apple for long enough, that name already connects a few dots. Goodall was one of the people featured in Apple’s original Think Different print ad campaign in 1997—the one that marked Steve Jobs’ return to the company he co-founded and, in many ways, saved. The one that wasn’t really about computers at all, but about creativity. It was about imagination and people who “see things differently.”

    And that’s what makes this new spot, Great Ideas Start on Mac, feel like a callback to Apple’s best era—the one before the iPhone, before the trillion-dollar valuation, before Apple became the most valuable company on earth. The one when Apple’s identity wasn’t tied to growth curves or quarterly revenue, but to the artists and dreamers who used its tools to make something new.

    I have always loved that version of Apple.

    Before the iPhone, Apple’s entire story—its entire brand—revolved around creativity. It was a company for artists, designers, writers, and musicians. The Mac wasn’t just a computer—it was a tool just as much as a pencil or guitar or paintbrush. You bought one because you wanted to make something beautiful, and you believed that tools should serve creativity, not the other way around.

    Jobs made that belief central to Apple’s DNA. He often said that Apple existed at “the intersection of technology and the liberal arts,” and he meant it. He saw computers not as boxes of circuits but as something that could unlock the greatest forms of human expression.

    That’s why the Think Different campaign worked so well. It wasn’t just an ad; it was a manifesto. It told the world that Apple was for people who imagined something that didn’t exist yet. It was about what you could see that others couldn’t.

    This new ad doesn’t use those words, but it carries the same spirit. The flicker on the screen is also familiar and true. It reminds us that creativity doesn’t start with code or pixels, but with curiosity.

    There’s something poetic about Apple bringing back Goodall. She’s not a celebrity in the traditional sense. She’s a scientist, an activist, and a storyteller. Her work studying chimpanzees wasn’t just groundbreaking—it changed how we think about what it means to be human.

    That’s exactly why she was in the original Think Different campaign. She represented the kind of independent creativity and courage that Jobs seemed to admire most: the people who don’t just see the world differently, but act on it.

    In this new ad, her voice bridges the gap between Apple’s past and present. When she asks, “What do you see?” it’s a question Jobs himself might have asked. What do you see when you look at a blank page? Or an empty timeline? Or a flickering screen waiting for your next idea?

    In 1997, Apple needed to remind the world what it stood for. The company was nearly bankrupt, but the message wasn’t about survival. It was about purpose. That’s what made Think Different so powerful—it was a declaration that creativity mattered.

    This new ad feels like a reminder that it still does.

    The opinions expressed here by Inc.com columnists are their own, not those of Inc.com.

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    Jason Aten

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  • Productivity Is Hurting Your Creativity. Just Look at Taylor Swift

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    When Taylor Swift released her new album, The Life of a Showgirl, listeners online found not only easter eggs, but familiar tunes too.

    According to internet users, the album’s namesake track, “The Life of A Showgirl” closely resembles the Jonas Brothers’ “Cool” and Jordin Spark’s “Air.”

    It’s not just the one song. Users have drawn comparisons to Pixie’s “Where is my mind?” and The Jackson 5’s “I Want You Back,” as well as music from Post Malone, The Ronettes, and Mexican singer Luis Miguel.

    “She sued Olivia for less,” a user commented on a TikTok with 6 million views comparing Swift’s new tracks to older songs. The comment, which echoed several others left on the video, references Olivia Rodrigo crediting Swift on songs inspired by her—although Swift never actually sued Rodrigo.

    Nothing New

    Yet, the issue of music sounding the time or homogenous is not new. A report from 12 years ago by the Spanish National Research Council found that music in the last 50 year has become less diverse sounding.

    These days, the music industry’s dependance on social media platforms is exacerbating the homogeneity. According to TikTok data, 84 percent of songs that entered the Billboard Global 200 last year went viral on TikTok first.

    “When every viral trend depends on instant recognition, producers are more likely to rework hooks or melodies that audiences already know,” music industry director Nikki Camilleri told Inc. “Sampling itself isn’t lazy,” she clarifies, noting that “it can be deeply creative when used to reimagine, not replicate.”

    But, beyond the algorithm, an issue of hyper-productivity arises, with quantity overriding quality and uniqueness.

    “The challenge is that in today’s fast-turnover pop ecosystem, commercial pressure often pushes artists to lean on nostalgia rather than innovation,” Camilleri says.

    Jeffrey Davis, Business Growth & Thought Leader Strategist and author of Tracking Wonder agrees, explaining that oftentimes hyper-productivity dulls and dilutes creativity.

    “Our culture of productivity loves to optimize and block every hour and being very efficient and productive and getting things done. But that’s not where innovation happens,” he says. In a way, Swift’s hyper-productivity (or over production) could stunt creativity leading to more homogenous and familiar sounding music.

    Shake it Off

    So how does one get out of the rut?

    “I work with teams in technology and I get them to take breaks from the screen, do something analog, like sketch in a notebook. Do something with their hands,” Davis says. “Some people knit just to get their brains working in a different way, and to pay attention to what’s happening on the margins of their thoughts, rather than just trying to get something done.”

    Award-winning creativity strategist Natalie Nixon also believes that the best work happens when taking a step back. She recommends making space for creative strategic thinking and prioritizing rest as ways of harnessing creativity.

    Other ways to spark creativity are often simple, from taking a shower, to getting a hobby, or even walking and talking. Even though it might feel counter intuitive, taking time leads to more productivity.

    “A lot of innovation comes from mind wandering,” david says. “From stepping away from screens, from literally taking a wonder walk to allow those sort of insights happen.”

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    María José Gutierrez Chavez

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  • The Power of Empty Space

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    We live in a world obsessed with activity. Productivity is glorified, calendars are crammed, and success is often measured by how much we can fit into a single day.

    But what if true progress doesn’t come from filling every gap, but from leaving space?

    In architecture, empty space gives a building balance and elegance. In music, silence gives notes their meaning. In life, pauses create perspective.

    In business, empty space can be the difference between running faster into chaos or slowing down to see new possibilities and giving ideas room to breathe.

    The value of subtraction

    Most companies chase growth by adding more—more meetings, more projects, more noise. However, addition isn’t always progress. Sometimes it’s subtraction that creates clarity.

    Space in business is not wasted time; it’s the fertile ground where creativity grows, where strategy deepens, where courage has room to take shape. 

    Think about how many breakthroughs happen not in the middle of a frantic schedule, but in the quiet moments: during a walk, while reflecting, or even while doing nothing at all. It is in the gaps that ideas breathe. It is in the pauses that vision emerges.

    Lessons from engineering and ancient wisdom

    Empty space in business is also about restraint. Engineers know this well: the essence of their work is to use the least possible to create the most impact. That principle doesn’t only apply to materials or physical resources—it applies to everything.

    From words, to decisions, to the way we use energy. The maturity of a business is shown not by how much it consumes, but by how wisely it chooses where to focus. 

    It’s fascinating to see that this principle is not only found in engineering but has been part of human wisdom for centuries. Ancient thinkers spoke about it in different ways. Taoist masters called it “wu wei,” the art of achieving more by forcing less. In yoga, the practice of pratyahara teaches the power of withdrawal, of creating space by turning inward.

    Both ideas remind us that value often comes from restraint, from the pause, from the silence in between. In our modern world, where everything pushes us to add, consume, and accelerate, these lessons feel more urgent than ever. 

    What would happen if businesses started to measure their value not by the noise they make, but by the clarity they create?

    The courage to pause

    Leaving empty space is countercultural. It means resisting the pressure to be always available, always active, always producing. However, real leadership is not about being the busiest person in the room, it is about having the clarity to see what others miss. Leaders who embrace empty space allow themselves to think bigger, to listen more deeply, and to create with intention. 

    In practice, this could mean fewer but more meaningful meetings, products designed with elegance instead of excess, and business strategies that prioritize focus over distraction. It’s a discipline of less, but better.

    The truth is we cannot keep running businesses—or the world—with the immaturity of “more at all costs.” It drains people, it drains resources, and it blinds us to the possibilities of doing things differently. Space allows us to step back, to challenge old patterns, and to ask better questions. What are we really building? What are we leaving behind? 

    These are not questions you can answer when your schedule is full to the brim. They are the questions that require silence, reflection, and the courage to pause.

    Final thoughts

    The future of business will not belong to those who push the hardest, but to those who know how to hold space. This is space to listen, space to question, space to imagine a new way of working that respects both people and the world we live in. This is space to create value that is not only financial, but also human.

    Empty space is not absence. It is presence of clarity, of meaning, of intention. It is the pause that makes the rest of the music possible.  If business is what makes the world go round, then perhaps the revolution we need is not in doing more, but in learning how to do less with wisdom. The essence of building lies not in filling every gap, but in creating space for what truly matters to emerge.

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    Klodian Pepaj

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  • Need Smart, Creative, Employees Who Will Master Their Jobs? Science Says Hire People In their 30s, 40s, and Even 60s

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    A business owner I know tends to only hire people in their twenties, under the under the assumption they bring new life into his business: new ideas, new innovations, new skills.

    And he’s sometimes right, especially in the specific.

    But in general? Science says his hiring approach is probably wrong.

    In a review of studies published by the National Bureau of Economic Research, researchers found that the age at which scientists and inventors reach their moment of “genius: is increasing: while the average age used to be younger, the majority now make their biggest contributions to their field after the age of 40. 

    As the researchers write

    This research consistently finds that performance peaks in middle age: the life-cycle begins with a training period in which major creative output is absent, followed by a rapid rise in output to a peak, often in the late 30s or 40s.

    The same is often true for entrepreneurs. A Journal of Business Venturing study found that the most successful entrepreneurs tend to be middle-aged, even in tech. In fact, a 60-year-old startup founder was three times more likely to launch a successful startup than a 30-year-old startup founder, and nearly twice as likely to launch a startup that landed in the top 0.1 percent of all companies in terms of revenue and profits. 

    Why does scientific genius tend to occur later, rather than earlier? Sure, occasionally an apple will still fall off a tree to spark insight; Sir Isaac Newton was 23 when he developed his theory of gravity (as well as calculus, a subject my high school report card despised him for).

    But true mastery typically takes time. As the researchers write, “The link between creativity and extant knowledge may depend not just on the acquisition of extant knowledge via training, but may depend on the nature and difficulty of the cognitive processes involved in drawing together and extending sets of extant knowledge.”

    Or in non-researcher-speak, it’s not enough to just know things; you have to know how those things fit within larger frameworks in order to make new connections and new breakthroughs. 

    The same is true for entrepreneurs. While younger startup founders tend to be more tech savvy and less risk-averse, older startup founders benefit from greater experience, business skill, connections, and access to connections and capital. 

    In a broader sense, it’s hard to develop a sound strategy, to make the endless number of tactical decisions required to build a business, or to be a good leader when you have limited experience. For entrepreneurs, being older isn’t something to overcome. Experience is a genuine competitive advantage.

    And that’s also true for new employees. Sure, younger workers tend to be more tech savvy. They may possess recent education more applicable to a rapidly changing industry. If you need specific skills, a younger job candidate may be the perfect fit.

    But if you need broader skills, or an interconnected set of skills like leadership, take a closer look at a more seasoned candidate. 

    Younger or older, the person you hire should be the best person for the job, regardless of age. That’s why the real key is to identify the skills and attributes you need, and then focus on finding the best fit regardless of any preconceptions you might have — especially if you assume older dogs can’t be taught new tricks.

    Because contrary to popular belief, genius usually takes time to develop and emerge.

    After all: Steve Jobs may have been 21 when he co-founded Apple, but his most commercially successful innovations came when he was in his late 40s and early 50s.

    The opinions expressed here by Inc.com columnists are their own, not those of Inc.com.

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    Jeff Haden

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  • The Surprising Secret of Success, from Nobel Laureates: Move Around More

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    Have you ever wondered where most Nobel Laureates are from? If so, the Nobel organization website helpfully provides both their birthplaces and academic affiliations at the time of their awards. If you start browsing, you may notice a pattern. The world’s most revered scientists are an incredibly mobile bunch. 

    Most of us have heard the story of Polish born Marie Curie’s move to France or Einstein fleeing Europe for the United States. But they are only the most famous of the many, many Nobel laureates who moved from country to country and institution to institution. One analysis of 21st-century Nobel winners showed a full 40 percent of laureates who did their prizewinning work in the U.S. were born abroad

    Does this just reflect that the best and the brightest can work where they please? Or do the mobile lives of Nobel laureates have anything to teach the rest of us about how to be more creative and successful? 

    A new study into these questions and came to a fascinating conclusion: if you want to come up with more and better ideas, you should probably move more.  

    More moves leads to quicker success 

    Ohio State University labor economist Bruce Weinberg has spent much of his career studying innovation. Where do important ideas come from? How do they spread? And how can we encourage more of them? If these are your questions, Nobel laureates are an excellent group to study. 

    And not just because they’re the source of some of the most impactful ideas. They’re also famous. Which means it’s possible to dig up detailed information on their lives. 

    Which is just what Weinberg and his colleagues, John Ham, a professor of economics at New York University in Abu Dhabi, and Brian Quistorff of the U.S. Bureau of Economic Analysis did for a recent study published in the journal International Economic Review.

    Reconstructing the biographies of Nobel laureates in chemistry, medicine and physics from 1901 to 2003 yielded an interesting pattern. The more these scientists moved from place to place, the earlier they came up with the groundbreaking ideas that won them the Nobel.  

    If, for instance, a scientist changed location every two years, they started their Nobel-worthy work an average of two years earlier. Time and place were irrelevant. The pattern held whether they were a chemist in 1916 or a medical doctor in 2001. 

    “For someone who might have taken ten years to begin their prizewinning research if they stayed in one place, moving every two years could reduce that time by nearly a quarter. That is substantially accelerating their innovations,” Weinberg commented

    Why new places lead to new ideas

    As anyone who has ever changed jobs can tell you, settling into a new role in a new place is difficult and time-consuming. At first your productivity suffers. So why did moving around make Nobel laureates more successful, more quickly? 

    The researchers believe switching locations does have costs. But it also comes with a huge compensatory benefit. In each new location scientists are exposed to new people and new ideas that can advance and inspire their work. 

    “Really interesting work happens when people combine ideas in novel ways,” Weinberg explained on the Curious by Nature podcast. If a young scientist moves from Boston to New York or London, say, “they’re going to be exposed to a different set of ideas than the ones they already have.” 

    That means they “can mix them up in a novel way relative to other people who hadn’t just made that transition.” 

    Does this work for nongeniuses too? 

    Which is fascinating, but what does it have to do with us nongeniuses who aren’t regularly being invited to CERN for research collaborations? Is it likely these findings apply beyond the rarified world of Nobel Laureates? 

    Weinberg and his collaborators believe they do (more on exactly how later). Plus, theirs is not the only research suggesting that physically moving can have a much bigger effect on our life trajectories than we think. 

    National Geographic journalist Dan Buettner studied the world’s happiest places for 15 years for his book The Blue Zones of Happiness. His conclusion: “There’s no other intervention anybody can tell me about that has that dependable and lasting impact on happiness than your geography.” 

    Similarly, where a child grows up has a surprisingly large impact on how their life turns out. When data scientist and author Seth Stephens-Davidowitz analyzed research on the biggest factors influencing kids’ life outcomes, he found, “the best cities can increase a child’s future income by about 12 percent.” 

    That’s not just because parents in some neighborhoods have more resources than in others. The same family tends to have substantially different outcomes in different places. “I have estimated that some 25 percent–and possibly more–of the overall effects of a parent are driven by where that parent raises their child,” he reports in the Atlantic

    Can’t move? Nobel laureates can still teach you a lesson.

    Where you live matters an incredible amount for how your life turns out no matter who you are. 

    But that being said, Weinberg acknowledges, “most people just aren’t going to move, uproot their family and [say] ‘honey, pack up the boxes and pack up the kids and let’s go somewhere completely new.’”

    But you can still use his study of Nobel laureates to nudge you towards new ideas and greater success. Moving around accelerates innovation because it exposes people to fresh ideas and contacts. “Exposing yourself to novel combinations of ideas, novel sets of ideas, ideas that other people aren’t getting exposed to is really the key,” Weinberg underlines. 

    Moving is one way to do that. But there are alternative ways to bring fresh inspiration into your life

    “Reading something that you wouldn’t ordinarily read, talking to a different set of people than you would ordinarily talk to, going to see a lecture or a movie or a piece of art that you wouldn’t necessarily expose yourself to is a way of seeing things and learning things that you wouldn’t naturally have come across.” 

    Be like Nobel laureates: seek novelty

    University of Chicago economist Stephen Levitt once set up an unusual experiment. He solicited people on the internet who were struggling with a decision to let him decide with a random coin toss. 

    Surprisingly, 20,000 people agreed to leave a big life decision to chance. When Levitt followed up to see how things turned out, he discovered people were much happier when the coin flip had told them to do something new — to quit that job, start that venture, or get that tattoo. 

    “I believe that people are too cautious when it comes to making a change,” Levitt concluded

    Which is the practical takeaway of this new study of Nobel laureates too. If your life is such that a new adventure in a new place is just a U-haul drive away. Then by all means, start packing. The lives of celebrated scientists suggest you will be more creative and successful if you move more. 

    But if you have kids in school, a mortgage to pay, or a business to think of and can’t go to a new place, you can still up your chances of having breakthrough ideas. Just add more new people and new ideas to your life. That will almost certainly increase your odds of success no matter who you are or what you’re aiming for. 

    The opinions expressed here by Inc.com columnists are their own, not those of Inc.com.

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    Jessica Stillman

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  • Using AI Gave Me Free Time — So I Turned It Into My Competitive Edge | Entrepreneur

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    Opinions expressed by Entrepreneur contributors are their own.

    Artificial intelligence has changed my business entirely. The majority of my business is ecommerce-based, and AI has allowed me to automate many of the most time-consuming tasks. This shift hasn’t just saved me time; it’s made daily operations more efficient and enabled smarter, data-driven decisions that have elevated both productivity and customer satisfaction. In the early days, I spent nearly every waking hour creating products and listing them online. Every process was manual — from product descriptions to market research — and if I wasn’t actively working, nothing moved forward.

    But once I began incorporating AI into my workflow, everything changed. By automating some of the most time-consuming and repetitive tasks, I suddenly found myself with hours of free time each week. At first, it felt strange — almost unsettling — to no longer be chained to my desk for 10 hours a day. This raised a new and surprisingly tricky question: What should I do with this extra time?

    I quickly realized that I wasn’t alone in facing this dilemma. As AI and automation become more common, many entrepreneurs and business owners will find themselves in the same situation. Once your most tedious processes are handled automatically, how should you invest the hours you’ve reclaimed?

    When the time savings first hit, my instinct was to keep the momentum going by diving deeper into automation. I figured the best way to occupy myself was to learn more about artificial intelligence systems that could help automate my business even more. Meanwhile, all I was reading online was talking about how the AI revolution was occurring now, and to be successful, one must adapt and understand AI. I was constantly consuming new information, but wasn’t giving myself the mental space to process it. The quality of my learning declined, and my creativity began to plummet.

    Related: 5 Practical Ways Entrepreneurs Can Add AI to Their Toolkit Today

    It was a hard truth to swallow: You can only work so hard and absorb so much information in a day before your effectiveness starts to drop.

    At that point, I made a conscious decision to try something different. Instead of spending all my newfound time chasing more efficiencies, I decided to invest a portion of it into myself — outside the world of technology and business.

    I returned to activities that had once brought me joy but had been pushed aside by the demands of my business. I started going to the gym, which I hadn’t been doing consistently since college. I downloaded Apple Fitness and started using its guided meditations. I also started playing guitar in the evenings and making much more time for spending time with friends and family.

    The impact was immediate and unexpected. My stress levels dropped, my energy increased and I felt a sense of balance that I hadn’t experienced in years. Most surprisingly, my work performance improved dramatically.

    When I allowed myself to slow down, my productivity at work didn’t shrink; it grew. With a clearer mind and a healthier body, I was able to focus for more extended periods, think more creatively and approach challenges with a calmer, more strategic mindset.

    Simple changes made a difference:

    • Morning exercise gave me more energy throughout the day.
    • Meditation helped me approach business decisions with a clearer head.
    • Time with friends reminded me there’s more to life than my business.

    This wasn’t just about feeling better personally — it had a direct, measurable effect on my business. I made better decisions, communicated more effectively with clients and partners and spotted opportunities I might have missed when I was too buried in the grind.

    Many entrepreneurs pride themselves on living and breathing their work. That dedication can produce great results — but it can also lead to burnout, tunnel vision and declining performance over time.

    Automation offers us a rare opportunity, not just to get more done, but to create space in our lives for things that make us better humans and better leaders. Taking time to step away from constant work is not laziness — it’s a strategy for long-term success.

    Related: Are You Using AI Effectively — or Are You Wasting Its Potential? Ask Yourself These 5 Questions to Find Out

    How to manage your newfound free time

    When I started going back to the gym, meeting with friends, taking time off during lunch to take a walk outside and getting some sunlight, I felt much better and found that my creativity was coming back, as well as my ability to work with a clear head. Taking time to work on myself outside of my business has had a profoundly positive impact on me, both professionally and personally.

    Here’s the balance I’ve found works best:

    1. Dedicate part of your extra time to learning new tools, strategies or skills — but keep it intentional. Focus on areas that will directly move your business or personal goals forward.
    2. Physical and mental health is a business investment. Regular exercise, quality sleep and time outdoors will give you energy and mental clarity that directly benefit your work.
    3. Pursue your hobbies or revisit ones you used to enjoy.
    4. Creative outlets — whether that’s music, art, cooking or something else entirely — can recharge your brain and make you a more well-rounded thinker.
    5. Relationships take work and time; focus on continually growing and improving them.
    6. Strong personal connections improve resilience, reduce stress and can even lead to unexpected opportunities.

    Related: Why Smart Entrepreneurs Let AI Do the Heavy Business Lifting

    AI and automation are not just productivity tools — they are lifestyle-changing technologies. The real opportunity isn’t just in what they help you accomplish in your business, but in the freedom they give you to live better.

    The hours you reclaim are valuable. If you use them only to cram in more work, you risk missing the bigger picture. If you use them to grow as a person — in health, relationships and creativity — you may find that your business thrives as a natural byproduct.

    So, the next time automation gives you back an afternoon, ask yourself: Will I spend this making my systems faster, or making my life better? The answer you choose could change not just your business, but your life.

    Artificial intelligence has changed my business entirely. The majority of my business is ecommerce-based, and AI has allowed me to automate many of the most time-consuming tasks. This shift hasn’t just saved me time; it’s made daily operations more efficient and enabled smarter, data-driven decisions that have elevated both productivity and customer satisfaction. In the early days, I spent nearly every waking hour creating products and listing them online. Every process was manual — from product descriptions to market research — and if I wasn’t actively working, nothing moved forward.

    But once I began incorporating AI into my workflow, everything changed. By automating some of the most time-consuming and repetitive tasks, I suddenly found myself with hours of free time each week. At first, it felt strange — almost unsettling — to no longer be chained to my desk for 10 hours a day. This raised a new and surprisingly tricky question: What should I do with this extra time?

    I quickly realized that I wasn’t alone in facing this dilemma. As AI and automation become more common, many entrepreneurs and business owners will find themselves in the same situation. Once your most tedious processes are handled automatically, how should you invest the hours you’ve reclaimed?

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    David Peterson

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  • ‘With sand, you can create just about anything’: Town hosts legendary sandcastle contest

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    REPORTER… JOYCE KIM… SHOWS US WHY THIS EVENT… STILL IT’S A CARMEL TRADITION THAT’S BEEN STANDING TALL – AND THEN WASHED AWAY – FOR MORE THAN SIX DECADES. THE 62ND ANNUAL GREAT SANDCASTLE CONTEST RETURNS TO CARMEL BEACH THIS SUNDAY, AND ORGANIZERS SAY IT’S ALL ABOUT CREATIVITY, COMMUNITY, AND FUN. YES.” BUILDERS OF ALL AGES HIT THE SAND AT HELD ON CARMEL BEACH AS EARLY AS 7 IN THE MORNING TO CREATE THEIR ARTWORKS. “IT’S NOT ONLY CREATIVE, BUT IT’S, I GUESS MAYBE THAT’S PART OF CREATIVITY IS THE IT’S A IT’S A VERY FREE A FREE AND EXPERIENCE.” THIS YEAR’S THEME, “CARMEL’S NATURE,” INVITES CONTESTANTS TO DRAW INSPIRATION FROM THE CENTRAL COAST’S LANDSCAPES, WILDLIFE, AND NATURAL BEAUTY. “THE WHOLE FUN OF IT IS THE BUILD.IT’S THE IMAGINATION. WITH SAND, YOU CAN CREATE JUST ABOUT ANYTHING. AND IN THIS PARTICULAR PROJECT THAT WE PUT TOGETHER WHERE WE HAVE THE MOMMY OTTER, LOOKING AT HER BABY OTTER WITH THE WAVE COMING UP, AND THEY’RE JUST PLAYING IN THE SURF AND HAVING A GREAT TIME.” THE CONTEST IS HOSTED BY THE CITY OF CARMEL-BY- THE-SEA AND THE AMERICAN INSTITUTE OF ARCHITECTS MONTEREY BAY. WIN OR LOSE, THE TIDE WILL TAKE IT ALL AWAY – BUT T

    ‘With sand, you can create just about anything’: Town hosts legendary sandcastle contest

    Updated: 1:18 AM EDT Sep 16, 2025

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    The 62nd annual Great Sandcastle Contest returned to Carmel Beach in California, Sunday, inviting builders of all ages to showcase their creativity and enjoy a day of community fun.Builders gathered as early as 7 a.m. to craft their sand artworks.Alfred Seccombe said, “It’s not only creative, but it’s, I guess, maybe that’s part of creativity is the it’s a it’s a free experience.”Builders are drawing inspiration from the landscapes, wildlife, and natural beauty of California.”The whole fun of it is the build. It’s the imagination,” Robert Slawinski, a builder, said. “With sand, you can create just about anything.”Slawinski had a family theme in his sandcastle creation. “And in this particular project that we put together, where we have the mommy otter, looking at her baby otter with the wave coming up, and they’re just playing in the surf and having a great time,” he said. The contest is hosted by the city of Carmel-by-the-Sea and the American Institute of Architects Monterey Bay.Win or lose, the tide will take it all away, but the memories will stick.

    The 62nd annual Great Sandcastle Contest returned to Carmel Beach in California, Sunday, inviting builders of all ages to showcase their creativity and enjoy a day of community fun.

    Builders gathered as early as 7 a.m. to craft their sand artworks.

    Alfred Seccombe said, “It’s not only creative, but it’s, I guess, maybe that’s part of creativity is the it’s a it’s a free experience.”

    Builders are drawing inspiration from the landscapes, wildlife, and natural beauty of California.

    “The whole fun of it is the build. It’s the imagination,” Robert Slawinski, a builder, said. “With sand, you can create just about anything.”

    Slawinski had a family theme in his sandcastle creation.

    “And in this particular project that we put together, where we have the mommy otter, looking at her baby otter with the wave coming up, and they’re just playing in the surf and having a great time,” he said.

    The contest is hosted by the city of Carmel-by-the-Sea and the American Institute of Architects Monterey Bay.

    Win or lose, the tide will take it all away, but the memories will stick.

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  • How a Mom’s Garage Side Hustle Hit $1 Billion Revenue | Entrepreneur

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    This Side Hustle Spotlight Q&A features Sandra Oh Lin, 50, of Los Altos, California. She is the founder and CEO of KiwiCo, a company that provides educational activities for kids meant to spark creativity and problem-solving through hands-on play. Responses have been edited for length and clarity.

    Image Credit: Courtesy of KiwiCo. Sandra Oh Lin.

    Want to read more stories like this? Subscribe to Money Makers, our free newsletter packed with creative side hustle ideas and successful strategies. Sign up here.

    What was your day job or primary occupation when you started your side hustle?
    I had just stepped away from seven years at eBay Inc., where I had launched PayPal Mobile and led the eBay fashion business. I was working on a new fashion-related startup idea before I ended up starting KiwiCo in 2011.

    Where did you find the inspiration for the side hustle?
    When my kids were younger, I tried to find ways for them to exercise their creativity and put their problem-solving skills to work. I wanted them to grow up to feel like they could envision and better the world around them. As an engineer by training, I saw creating and building through hands-on activities as a way to explore, discover and build creative confidence. At the same time, I was drawing on my own childhood — I have such fond memories of making and building things with my mom while I was growing up.

    Related: After College, She Spent $800 to Start a Side Hustle That Became a ‘Monster’ Business Making $35 Million a Year: ‘I Set Intense Sales Targets’

    What were some of the first steps you took to get your side hustle off the ground? How much money/investment did it take to launch?
    I started by creating hands-on projects for my kids. Then, I started to share them with friends and family during playdates. The parents and kids were so enthusiastic about the activities that it gave me the confidence to take it further. I laid the groundwork to see if there was a market for a real business. Then, I leveraged my network to start conversations with investors. We raised a little more than $10 million in venture funding. From there, we were able to become profitable and cash flow positive — and fund our own growth.

    Image Credit: Courtesy of KiwiCo

    Are there any free or paid resources that have been especially helpful for you in starting and running this business?
    I had a strong background in product design (having worked in R&D at Procter & Gamble) and ecommerce (from time at PayPal and eBay). Yet, I didn’t have any direct experience with fulfillment, supply chain and operations. I had a lot to learn. So I made a conscious effort to surround myself with people who were true experts. One example is Mike Smith, who was the COO of Walmart. He provided invaluable guidance, and he even helped interview our VP of operations candidates when we were hiring. Advisors like Mike were so helpful to us at that time.

    If you could go back in your business journey and change one process or approach, what would it be, and how do you wish you’d done it differently?
    I had always heard people say that a strong culture is so important to define and cultivate when you build a company. That way, you can point to and reinforce the behavior and values that align. While I was able to grok that academically, I put it aside when I should have addressed it earlier. As a result, some of our hiring was off in the beginning, and we had to course correct, which was costly. It would have been helpful to have put the framework into place from the beginning.

    When it comes to this specific business, what is something you’ve found particularly challenging and/or surprising that people who get into this type of work should be prepared for, but likely aren’t?
    During the pandemic, one of our toughest challenges was sourcing enough supplies to keep up with surging demand. In the years since, we’ve seen our fair share of ups and downs on that front, but one thing has remained constant: the importance of strong, trusted relationships with our suppliers. They’ve been incredible partners through it all, and those collaborations have been key to helping us navigate post-pandemic growth with resilience and adaptability.

    Related: This Mom’s Creative Side Hustle Started As a Hobby With Less Than $100 — Then Grew Into a Business Averaging $570,000 a Month: ‘It’s Crazy’

    Can you recall a specific instance when something went very wrong? How did you fix it?
    I’ll never forget our very first alpha shipment. We had just 19 crates to send out, and it took a team of five of us the entire day to get them boxed and shipped. By the end, we were exhausted and looking at each other like, There has to be a better way. It was a wake-up call that we needed better systems and processes for fulfillment if we were going to scale. We figured it out along the way, but that moment sticks with me as a reminder of how far we’ve come.

    Image Credit: Courtesy of KiwiCo

    How long did it take you to see consistent monthly revenue?
    With our core business being subscription-based, we’ve seen consistent monthly revenue from the beginning. KiwiCo has been profitable and self-funded for many years now. What started in my garage has grown into a company that has shipped more than 50 million crates to families in over 40 countries and created more than 1,500 hands-on products and activities. It’s amazing to see how far we’ve come, while still staying true to the heart of why we started: sparking creativity and confidence in kids everywhere.

    What does growth and revenue look like now?
    To date, KiwiCo has generated more than $1 billion in lifetime revenue. This is something I’m incredibly proud of, not just because of the number itself, but because it represents millions of moments of creativity and discovery for kids and families. Additionally, we launched in Target and Barnes & Noble this past year as part of building our wholesale channels.

    Related: He Spent $36 to Start a Side Hustle. Now the Business Earns 6 Figures a Year — With Just 1-2 Hours of Work a Day: ‘Freedom.’

    What do you enjoy most about running this business?
    One of my favorite parts of this journey is that my kids not only understand what I do for work but also are involved in helping shape KiwiCo’s products. My kids were the original source of inspiration for the company, and they continue to be critical testers of our products to ensure we’re creating the best hands-on activities for kids to discover and unleash their creativity and explore as they learn about the world around them.

    Image Credit: Courtesy of KiwiCo

    What is your best piece of specific, actionable business advice?
    Finding a community of founders can be so helpful. Sharing the challenges and the opportunities that come from building a business with others who are in the same boat can be so valuable. You can gather everything from tangible, actionable advice to empathetic ears that have been there and done that.

    This Side Hustle Spotlight Q&A features Sandra Oh Lin, 50, of Los Altos, California. She is the founder and CEO of KiwiCo, a company that provides educational activities for kids meant to spark creativity and problem-solving through hands-on play. Responses have been edited for length and clarity.

    Image Credit: Courtesy of KiwiCo. Sandra Oh Lin.

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    Amanda Breen

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  • Mom’s Creative Side Hustle Grew to $570,000 a Month: Penny Linn | Entrepreneur

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    This Side Hustle Spotlight Q&A features Krista LeRay, the 34-year-old founder of needlepoint store Penny Linn. She lives with her husband and two children in Westport, Connecticut. Responses have been edited for length and clarity.

    Image Credit: Courtesy of Penny Linn. Krista LeRay.

    Want to read more stories like this? Subscribe to Money Makers, our free newsletter packed with creative side hustle ideas and successful strategies. Sign up here.

    What was your day job or primary occupation when you started your side hustle?
    Before starting Penny Linn, a new-age needlepoint store offering hand-painted canvases, accessories and more, I was a full-time influencer running my blog, Covering The Bases. I started the blog in 2013, but I only took it full-time about a year before starting Penny Linn. While managing the blog, I had a corporate career at Major League Baseball, where I worked on the social media team for over five years.

    Related: He Spent $36 to Start a Side Hustle. Now the Business Earns 6 Figures a Year — With Just 1-2 Hours of Work a Day: ‘Freedom.’

    When did you start your side hustle, and where did you find the inspiration for it?
    I initially learned to stitch from my grandma, who inspired the name of the business, and then I really got into it in college at the University of Kentucky. I picked it back up again in 2018 when I started stitching custom belts for my dad and husband, and a ring bearer pillow for my wedding in 2019. Little did I know that this would be the perfect hobby to fall back in love with as the pandemic approached.

    As I got back into stitching, I quickly stitched through my stash of canvases and was disappointed with both the in-person and online needlepoint shopping experiences. It felt antiquated; there weren’t many sites with a good user experience, a handful of the shops made you call to order, and the designs felt very mature. I found myself wishing there were more fun and better accessories and canvases, so I started making them after my search came up short.

    Image Credit: Courtesy of Penny Linn

    What were some of the first steps you took to get your side hustle off the ground? How much money/investment did it take to launch?
    When I started painting my own canvases, I wasn’t even in the mindset of starting a business; it was still just a hobby for me. I probably spent under $100 buying a blank canvas on Etsy and paint at Michaels, and painted the infamous Ralph’s Coffee cup for myself. When I shared it on my Instagram, I had an overwhelming number of followers ask to buy one, so I knew my followers were also interested in needlepoint.

    As I began searching for cuter accessories for myself, I found that many custom items had a 100-item minimum. At the time, I had a business bank account for my blog, so I used that money to order the inventory and knew that I could at least sell 90 of them to my followers who also needlepointed. After making a few canvases and seeing the demand, I realized I had enough ideas to launch a larger collection online. So I bought the smallest Shopify package, started sourcing needleminders and project bags, and recruited my friends and family to help paint canvases.

    All in all, I spent about $5,000 on the initial inventory for our accessories and an additional $2,000 on shipping materials, canvas tape, etc., but none of this accounted for my time painting the canvases one by one, which was the biggest investment.

    Related: These 31-Year-Old Best Friends Started a Side Hustle to Solve a Workout Struggle — And It’s On Track to Hit $10 Million Annual Revenue This Year

    If you could go back in your business journey and change one process or approach, what would it be, and how do you wish you’d done it differently?
    Looking back on how I built my business, it’s a catch-22; if I had known what I know today, I might have done it differently. However, having my hands in every aspect of the business has brought me a great deal of knowledge and appreciation that continues to shape the business.

    In the beginning, I hand-painted nearly every canvas, which took many, many hours, but it kept costs low since my labor was essentially free and gave me control over my inventory. If I had known that people outsourced painting, it would have saved me so much time and energy, but doing it myself taught me the value of a hand-painted canvas.

    Similarly, I wish I had hired people at the beginning to take more off my plate, but by doing it all, I learned valuable lessons and knew how I wanted every aspect of the business to run. I don’t think Penny Linn would be such a thoughtful and impactful brand today if I hadn’t had my fingers on every aspect of the business in the beginning.

    Related: I Interviewed 5 Entrepreneurs Generating Up to $20 Million in Revenue a Year — And They All Have the Same Regret About Starting Their Business

    When it comes to this specific business, what is something you’ve found particularly challenging and/or surprising that people who get into this type of work should be prepared for, but likely aren’t?
    The reason Penny Linn has been so successful as a business, and also in reviving the cultural love for needlepoint, is that we brought much-needed innovation to the industry. I never expected the amount of pushback from vendors and industry vets I received. Across the board, people pushed back on our ideas and how we ran our business.

    Today, we have found partners who believe in our growth and are building with us. When we launched our acrylic line in 2022, there was so much chatter online that it wasn’t innovative or unique, but today we hold a patent for the design, and it’s one of our bestselling lines. We also take a slightly smaller wholesale margin than the industry standard because I believe in making needlepoint accessible. Our wholesale partners were initially adamant that it wouldn’t be successful, but it has proven otherwise. I developed a thick skin while blogging and learned to shut out the noise, which has followed me into Penny Linn as we continue to shake up the industry.

    Image Credit: Courtesy of Penny Linn

    Can you recall a specific instance when something went very wrong? How did you fix it?
    I vividly remember one of our first bag launches, which did not go as planned. It was a beautiful project bag with leather and PVC that we sold through so quickly! As I was packing them, I tested a few of the zippers and was very disappointed to find that they stuck and were difficult to open, despite the samples working perfectly. I reached out to each customer who had ordered them and let them know that the bags weren’t up to our standards. I offered them a full refund if they wanted to return the bag or a discount if they wanted to keep it.

    This became one of my biggest rules in business: When anything goes wrong, I need to take ownership and work to rectify it immediately. Our community was beyond appreciative of how proactive we were, and most ended up keeping the bags. We put the rest of the bags on clearance and now work with our team and vendors to ensure we have quality control measures in place.

    How long did it take you to see consistent monthly revenue? How much did the side hustle earn?
    In the first six months after we launched, the only consistent revenue was what we generated during launches. Everything would sell out so quickly that we wouldn’t have any inventory left until the next launch. We would often have a day or two without sales in between launches, which wasn’t a sustainable way to run a business. To prevent this, we started producing more inventory and introduced our Penny Linn Collective, allowing us to bring on designers who expanded our offerings. Our designer collective has been fruitful for us over the past five years, and we continue to grow it today.

    We started seeing more consistent revenue in year two, doing just over $30,000 per month. The popularity of our launches started to level out, and we could better forecast inventory to keep our income steady. It was such a big deal for us at the time to reach these numbers, but we do that in a day now. Each year has been drastically different in terms of demand, and about every six months, we reach an inflection point where we need to increase quantities even more.

    Related: This Couple’s ‘Scrappy’ Side Hustle Sold Out in 1 Weekend — It Hit $1 Million in 3 Years and Now Makes Millions Annually: ‘Lean But Powerful’

    What does growth and revenue look like now?
    It’s been really exciting that Penny Linn has doubled or tripled each year. In 2024, we did $4.4 million in revenue, and we have already surpassed that and are on track to double it in 2025. We are currently averaging $570,000 per month. Whatever I think our ceiling might be, we come in and double it each year. Our growth has been so explosive that I do expect it to start leveling out in the next year or so, but there is still so much opportunity for the business.

    My mind is always racing with new ideas for the brand as we expand our product offering, launch new designers under the Penny Linn Collective and bring new accessories to market. Our store opening in Norwalk, Connecticut, earlier this year was a huge milestone for us, and now we are exploring what more stores might look like. I don’t see our growth slowing down anytime soon.

    Image Credit: Courtesy of Penny Linn

    What do you enjoy most about running this business?
    I honestly love what I do so much and find great fulfillment in it. I feel so much pride, excitement and joy thinking about what we’ve created at Penny Linn and the business I’ve built in under five years. It’s nothing I could have ever imagined as my career or what I expected Penny Linn to grow into. We haven’t seen many bumps in the road yet, and keep having success after success, which energizes me to keep going.

    I pride myself on the fact that Penny Linn is “by a stitcher for a stitcher,” and there is nothing more satisfying as a needlepointer to want something in my collection and to be able to make it. I’m privileged to have the ability to work with our vendors to create the products of my dreams, and it’s just as exciting to see how much our community loves them.

    I also find so much joy in the change we have brought to the industry and how we have been able to bring needlepoint to the forefront for a new generation. It’s crazy to sit back and think that my brand has revived a centuries-old tradition and built it into something that will continue to live on and evolve for generations to come.

    Related: These Friends Started a Side Hustle in Their Kitchens. Sales Spiked to $130,000 in 3 Days — Then 7 Figures: ‘Revenue Has Grown Consistently.’

    What’s your best business advice?
    The first is, “If you don’t ask, the answer is always no.” People are often scared to reach out because they are afraid of rejection, but my motto is always to ask, and if they don’t reply, it’s still not a no. If they don’t respond, it’s not the end of the world, but the opportunity for the answer to be yes is so much greater.

    My second is to learn the difference between constructive feedback and criticism. If someone doesn’t like you or your business, they will never have anything nice to say, and it’s not worth listening to. However, if they are a loyal fan and a frequent shopper, and they comment on how a product or process might be improved, it’s worth listening to. It’s easy to get lost in the negative feedback, but the faster you learn what is worth listening to, the better decisions you will make for your business.

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    Amanda Breen

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  • This Simple Practice Did More for My Business Than Any Productivity Hack | Entrepreneur

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    Opinions expressed by Entrepreneur contributors are their own.

    When it comes to entrepreneurship, picking up a new hobby probably isn’t top of mind. You’re already juggling a packed schedule — and maybe you already have hobbies you love. Still, it should come as no surprise: hobbies are good for you.

    In fact, a 2023 study published in Nature Medicine found that adults aged 65-plus who engaged in hobbies reported better health, higher life satisfaction and greater happiness. And in my own experience, embracing a musical hobby has been one of the most effective ways to improve my mental health, reduce stress and maintain a sense of balance as a business owner.

    You don’t need to be a lifelong musician to benefit. Music offers a creative outlet and a mental reset — something all entrepreneurs need more of. Whether you’re learning an instrument, singing, or simply listening more intentionally, musical hobbies can change how you show up in business and life.

    Let’s break down three key ways music can positively impact entrepreneurs.

    1. Music relieves stress — fast

    Entrepreneurship comes with constant pressure — deadlines, decisions, responsibilities. Stress builds up over time, and if left unchecked, it can lead to burnout, anxiety, trouble concentrating or even depression.

    A musical hobby can serve as a powerful stress reliever. Studies show that playing an instrument or singing can lower cortisol levels and reduce anxiety. Even listening to music intentionally — without multitasking — can focus your mind and create a sense of calm.

    Of course, not everyone has time to learn an instrument. That’s okay. For me, just putting on a record and truly listening helps me reset. Whether it’s practicing piano, jamming with friends or listening to a favorite playlist, music becomes something to look forward to — a reliable, restorative escape.

    Related: How I Turned My Hobbies Into Profitable Side Businesses With My Friends — Without Losing the Joy

    2. It builds transferable skills

    Musical hobbies don’t just relieve stress — they sharpen your mind. Actively engaging with music can improve memory, concentration, and cognitive flexibility. For entrepreneurs, that’s a powerful edge.

    Learning to play an instrument, for instance, requires self-discipline, time management and resilience — all skills that mirror the entrepreneurial journey. It challenges you to get comfortable being a beginner again, to practice patience, and to build momentum over time.

    Musical practice enhances:

    • Creativity
    • Problem-solving
    • Focus
    • Coordination
    • Confidence
    • Discipline
    • Learning agility

    And perhaps most importantly, it reminds you that growth comes from consistency — a principle that applies just as much in business as it does in music.

    Related: Every Entrepreneur Needs a Hobby Separate From the Company — Here’s Why

    3. It strengthens your brain

    Engaging with music activates multiple regions of the brain — the same areas responsible for memory, movement, emotional regulation and complex thinking.

    A 2023 study found that musical training enhances auditory processing and working memory. According to AARP, playing an instrument lights up your brain, improving functions like listening, reading, and recall — and may even help grow new neural pathways. That means better cognitive health, greater adaptability, and increased creative thinking.

    For entrepreneurs who rely on clear decision-making, creative problem-solving and rapid learning, that kind of cognitive workout is invaluable.

    Treat music as self-care, not a side project

    Musical hobbies give entrepreneurs more than just stress relief. They offer a creative space to disconnect from the daily grind, while strengthening the mental and emotional muscles that help you lead, build and grow.

    Even if you can’t commit to lessons or learning an instrument, find ways to engage with music that work for your schedule. Deep listening, group classes, or even karaoke nights can reignite joy and spark inspiration.

    Entrepreneurship demands everything from you — but that doesn’t mean you can’t take something back. A musical hobby could be exactly what you need to recharge, grow and show up better in every area of your life.

    When it comes to entrepreneurship, picking up a new hobby probably isn’t top of mind. You’re already juggling a packed schedule — and maybe you already have hobbies you love. Still, it should come as no surprise: hobbies are good for you.

    In fact, a 2023 study published in Nature Medicine found that adults aged 65-plus who engaged in hobbies reported better health, higher life satisfaction and greater happiness. And in my own experience, embracing a musical hobby has been one of the most effective ways to improve my mental health, reduce stress and maintain a sense of balance as a business owner.

    You don’t need to be a lifelong musician to benefit. Music offers a creative outlet and a mental reset — something all entrepreneurs need more of. Whether you’re learning an instrument, singing, or simply listening more intentionally, musical hobbies can change how you show up in business and life.

    The rest of this article is locked.

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    Dr. Christina Rahm

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  • AI company Anthropic to pay authors $1.5 billion over pirated books used to train chatbots

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    Artificial intelligence company Anthropic has agreed to pay $1.5 billion to settle a class-action lawsuit by book authors who say the company took pirated copies of their works to train its chatbot.Related video above: The risks to children under President Trump’s new AI policyThe landmark settlement, if approved by a judge as soon as Monday, could mark a turning point in legal battles between AI companies and the writers, visual artists and other creative professionals who accuse them of copyright infringement.The company has agreed to pay authors or publishers about $3,000 for each of an estimated 500,000 books covered by the settlement.”As best as we can tell, it’s the largest copyright recovery ever,” said Justin Nelson, a lawyer for the authors. “It is the first of its kind in the AI era.”A trio of authors — thriller novelist Andrea Bartz and nonfiction writers Charles Graeber and Kirk Wallace Johnson — sued last year and now represent a broader group of writers and publishers whose books Anthropic downloaded to train its chatbot Claude.A federal judge dealt the case a mixed ruling in June, finding that training AI chatbots on copyrighted books wasn’t illegal but that Anthropic wrongfully acquired millions of books through pirate websites. If Anthropic had not settled, experts say losing the case after a scheduled December trial could have cost the San Francisco-based company even more money.”We were looking at a strong possibility of multiple billions of dollars, enough to potentially cripple or even put Anthropic out of business,” said William Long, a legal analyst for Wolters Kluwer.U.S. District Judge William Alsup of San Francisco has scheduled a Monday hearing to review the settlement terms.Anthropic said in a statement Friday that the settlement, if approved, “will resolve the plaintiffs’ remaining legacy claims.””We remain committed to developing safe AI systems that help people and organizations extend their capabilities, advance scientific discovery, and solve complex problems,” said Aparna Sridhar, the company’s deputy general counsel.As part of the settlement, the company has also agreed to destroy the original book files it downloaded.Books are known to be important sources of data — in essence, billions of words carefully strung together — that are needed to build the AI large language models behind chatbots like Anthropic’s Claude and its chief rival, OpenAI’s ChatGPT. Alsup’s June ruling found that Anthropic had downloaded more than 7 million digitized books that it “knew had been pirated.” It started with nearly 200,000 from an online library called Books3, assembled by AI researchers outside of OpenAI to match the vast collections on which ChatGPT was trained.Debut thriller novel “The Lost Night” by Bartz, a lead plaintiff in the case, was among those found in the dataset.Anthropic later took at least 5 million copies from the pirate website Library Genesis, or LibGen, and at least 2 million copies from the Pirate Library Mirror, Alsup wrote.The Authors Guild told its thousands of members last month that it expected “damages will be minimally $750 per work and could be much higher” if Anthropic was found at trial to have willfully infringed their copyrights. The settlement’s higher award — approximately $3,000 per work — likely reflects a smaller pool of affected books, after taking out duplicates and those without copyright. On Friday, Mary Rasenberger, CEO of the Authors Guild, called the settlement “an excellent result for authors, publishers, and rightsholders generally, sending a strong message to the AI industry that there are serious consequences when they pirate authors’ works to train their AI, robbing those least able to afford it.” The Danish Rights Alliance, which successfully fought to take down one of those shadow libraries, said Friday that the settlement would be of little help to European writers and publishers whose works aren’t registered with the U.S. Copyright Office.”On the one hand, it’s comforting to see that compiling AI training datasets by downloading millions of books from known illegal file-sharing sites comes at a price,” said Thomas Heldrup, the group’s head of content protection and enforcement.On the other hand, Heldrup said it fits a tech industry playbook to grow a business first and later pay a relatively small fine, compared to the size of the business, for breaking the rules.”It is my understanding that these companies see a settlement like the Anthropic one as a price of conducting business in a fiercely competitive space,” Heldrup said.The privately held Anthropic, founded by ex-OpenAI leaders in 2021, earlier this week put its value at $183 billion after raising another $13 billion in investments.Anthropic also said it expects to make $5 billion in sales this year, but, like OpenAI and many other AI startups, it has never reported making a profit, relying instead on investors to back the high costs of developing AI technology for the expectation of future payoffs.The settlement could influence other disputes, including an ongoing lawsuit by authors and newspapers against OpenAI and its business partner Microsoft, and cases against Meta and Midjourney. And just as the Anthropic settlement terms were filed, another group of authors sued Apple on Friday in the same San Francisco federal court.”This indicates that maybe for other cases, it’s possible for creators and AI companies to reach settlements without having to essentially go for broke in court,” said Long, the legal analyst.The industry, including Anthropic, had largely praised Alsup’s June ruling because he found that training AI systems on copyrighted works so chatbots can produce their own passages of text qualified as “fair use” under U.S. copyright law because it was “quintessentially transformative.”Comparing the AI model to “any reader aspiring to be a writer,” Alsup wrote that Anthropic “trained upon works not to race ahead and replicate or supplant them — but to turn a hard corner and create something different.”But documents disclosed in court showed Anthropic employees’ internal concerns about the legality of their use of pirate sites. The company later shifted its approach and hired Tom Turvey, the former Google executive in charge of Google Books, a searchable library of digitized books that successfully weathered years of copyright battles.With his help, Anthropic began buying books in bulk, tearing off the bindings and scanning each page before feeding the digitized versions into its AI model, according to court documents. That was legal but didn’t undo the earlier piracy, according to the judge.

    Artificial intelligence company Anthropic has agreed to pay $1.5 billion to settle a class-action lawsuit by book authors who say the company took pirated copies of their works to train its chatbot.

    Related video above: The risks to children under President Trump’s new AI policy

    The landmark settlement, if approved by a judge as soon as Monday, could mark a turning point in legal battles between AI companies and the writers, visual artists and other creative professionals who accuse them of copyright infringement.

    The company has agreed to pay authors or publishers about $3,000 for each of an estimated 500,000 books covered by the settlement.

    “As best as we can tell, it’s the largest copyright recovery ever,” said Justin Nelson, a lawyer for the authors. “It is the first of its kind in the AI era.”

    A trio of authors — thriller novelist Andrea Bartz and nonfiction writers Charles Graeber and Kirk Wallace Johnson — sued last year and now represent a broader group of writers and publishers whose books Anthropic downloaded to train its chatbot Claude.

    A federal judge dealt the case a mixed ruling in June, finding that training AI chatbots on copyrighted books wasn’t illegal but that Anthropic wrongfully acquired millions of books through pirate websites.

    If Anthropic had not settled, experts say losing the case after a scheduled December trial could have cost the San Francisco-based company even more money.

    “We were looking at a strong possibility of multiple billions of dollars, enough to potentially cripple or even put Anthropic out of business,” said William Long, a legal analyst for Wolters Kluwer.

    U.S. District Judge William Alsup of San Francisco has scheduled a Monday hearing to review the settlement terms.

    Anthropic said in a statement Friday that the settlement, if approved, “will resolve the plaintiffs’ remaining legacy claims.”

    “We remain committed to developing safe AI systems that help people and organizations extend their capabilities, advance scientific discovery, and solve complex problems,” said Aparna Sridhar, the company’s deputy general counsel.

    As part of the settlement, the company has also agreed to destroy the original book files it downloaded.

    Books are known to be important sources of data — in essence, billions of words carefully strung together — that are needed to build the AI large language models behind chatbots like Anthropic’s Claude and its chief rival, OpenAI’s ChatGPT.

    Alsup’s June ruling found that Anthropic had downloaded more than 7 million digitized books that it “knew had been pirated.” It started with nearly 200,000 from an online library called Books3, assembled by AI researchers outside of OpenAI to match the vast collections on which ChatGPT was trained.

    Debut thriller novel “The Lost Night” by Bartz, a lead plaintiff in the case, was among those found in the dataset.

    Anthropic later took at least 5 million copies from the pirate website Library Genesis, or LibGen, and at least 2 million copies from the Pirate Library Mirror, Alsup wrote.

    The Authors Guild told its thousands of members last month that it expected “damages will be minimally $750 per work and could be much higher” if Anthropic was found at trial to have willfully infringed their copyrights. The settlement’s higher award — approximately $3,000 per work — likely reflects a smaller pool of affected books, after taking out duplicates and those without copyright.

    On Friday, Mary Rasenberger, CEO of the Authors Guild, called the settlement “an excellent result for authors, publishers, and rightsholders generally, sending a strong message to the AI industry that there are serious consequences when they pirate authors’ works to train their AI, robbing those least able to afford it.”

    The Danish Rights Alliance, which successfully fought to take down one of those shadow libraries, said Friday that the settlement would be of little help to European writers and publishers whose works aren’t registered with the U.S. Copyright Office.

    “On the one hand, it’s comforting to see that compiling AI training datasets by downloading millions of books from known illegal file-sharing sites comes at a price,” said Thomas Heldrup, the group’s head of content protection and enforcement.

    On the other hand, Heldrup said it fits a tech industry playbook to grow a business first and later pay a relatively small fine, compared to the size of the business, for breaking the rules.

    “It is my understanding that these companies see a settlement like the Anthropic one as a price of conducting business in a fiercely competitive space,” Heldrup said.

    The privately held Anthropic, founded by ex-OpenAI leaders in 2021, earlier this week put its value at $183 billion after raising another $13 billion in investments.

    Anthropic also said it expects to make $5 billion in sales this year, but, like OpenAI and many other AI startups, it has never reported making a profit, relying instead on investors to back the high costs of developing AI technology for the expectation of future payoffs.

    The settlement could influence other disputes, including an ongoing lawsuit by authors and newspapers against OpenAI and its business partner Microsoft, and cases against Meta and Midjourney. And just as the Anthropic settlement terms were filed, another group of authors sued Apple on Friday in the same San Francisco federal court.

    “This indicates that maybe for other cases, it’s possible for creators and AI companies to reach settlements without having to essentially go for broke in court,” said Long, the legal analyst.

    The industry, including Anthropic, had largely praised Alsup’s June ruling because he found that training AI systems on copyrighted works so chatbots can produce their own passages of text qualified as “fair use” under U.S. copyright law because it was “quintessentially transformative.”

    Comparing the AI model to “any reader aspiring to be a writer,” Alsup wrote that Anthropic “trained upon works not to race ahead and replicate or supplant them — but to turn a hard corner and create something different.”

    But documents disclosed in court showed Anthropic employees’ internal concerns about the legality of their use of pirate sites. The company later shifted its approach and hired Tom Turvey, the former Google executive in charge of Google Books, a searchable library of digitized books that successfully weathered years of copyright battles.

    With his help, Anthropic began buying books in bulk, tearing off the bindings and scanning each page before feeding the digitized versions into its AI model, according to court documents. That was legal but didn’t undo the earlier piracy, according to the judge.

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  • The Hidden Ingredients Behind AI’s Creativity

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    The original version of this story appeared in Quanta Magazine.

    We were once promised self-driving cars and robot maids. Instead, we’ve seen the rise of artificial intelligence systems that can beat us in chess, analyze huge reams of text, and compose sonnets. This has been one of the great surprises of the modern era: physical tasks that are easy for humans turn out to be very difficult for robots, while algorithms are increasingly able to mimic our intellect.

    Another surprise that has long perplexed researchers is those algorithms’ knack for their own, strange kind of creativity.

    Diffusion models, the backbone of image-generating tools such as DALL·E, Imagen, and Stable Diffusion, are designed to generate carbon copies of the images on which they’ve been trained. In practice, however, they seem to improvise, blending elements within images to create something new—not just nonsensical blobs of color, but coherent images with semantic meaning. This is the “paradox” behind diffusion models, said Giulio Biroli, an AI researcher and physicist at the École Normale Supérieure in Paris: “If they worked perfectly, they should just memorize,” he said. “But they don’t—they’re actually able to produce new samples.”

    To generate images, diffusion models use a process known as denoising. They convert an image into digital noise (an incoherent collection of pixels), then reassemble it. It’s like repeatedly putting a painting through a shredder until all you have left is a pile of fine dust, then patching the pieces back together. For years, researchers have wondered: If the models are just reassembling, then how does novelty come into the picture? It’s like reassembling your shredded painting into a completely new work of art.

    Now two physicists have made a startling claim: It’s the technical imperfections in the denoising process itself that leads to the creativity of diffusion models. In a paper presented at the International Conference on Machine Learning 2025, the duo developed a mathematical model of trained diffusion models to show that their so-called creativity is in fact a deterministic process—a direct, inevitable consequence of their architecture.

    By illuminating the black box of diffusion models, the new research could have big implications for future AI research—and perhaps even for our understanding of human creativity. “The real strength of the paper is that it makes very accurate predictions of something very nontrivial,” said Luca Ambrogioni, a computer scientist at Radboud University in the Netherlands.

    Bottoms Up

    Mason Kamb, a graduate student studying applied physics at Stanford University and the lead author of the new paper, has long been fascinated by morphogenesis: the processes by which living systems self-assemble.

    One way to understand the development of embryos in humans and other animals is through what’s known as a Turing pattern, named after the 20th-century mathematician Alan Turing. Turing patterns explain how groups of cells can organize themselves into distinct organs and limbs. Crucially, this coordination all takes place at a local level. There’s no CEO overseeing the trillions of cells to make sure they all conform to a final body plan. Individual cells, in other words, don’t have some finished blueprint of a body on which to base their work. They’re just taking action and making corrections in response to signals from their neighbors. This bottom-up system usually runs smoothly, but every now and then it goes awry—producing hands with extra fingers, for example.

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    Webb Wright

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  • 4 ways to transform your classroom through playful gamification 

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    Key points:

    Every educator hopes to instill a lifelong love of learning within their students. We strive to make each lesson engaging, while igniting a sense of curiosity, wonder, and discovery in every child.

    Unfortunately, we don’t always succeed, and recent reports suggest that today’s students are struggling to connect with the material they’re taught in school–particularly when it comes to STEM. While there are many potential culprits behind these numbers (shortened attention spans, the presence of phones, dependency on AI, etc.), educators should still take a moment to reflect and strategize when preparing a new lesson for their class. If we truly want to foster a growth mindset within our students, we need to provide lessons that invite them to embrace the learning process itself.

    One way to accomplish this is through gamification. Gamification brings the motivational elements of games into your everyday lessons. It increases student engagement, builds perseverance, and promotes a growth mindset. When used strategically, it helps learners take ownership of their progress and encourages creativity and collaboration without sacrificing academic rigor.

    Here are just 4 ways that educators can transform their classroom through playful gamification:

    1. Introduce points and badges: Modern video games like Pokémon and Minecraft frequently use achievements to guide new players through the gaming process. Teachers can do the same by assigning points to different activities that students can acquire throughout the week. These experience points can also double as currency that students can exchange for small rewards, such as extra free time or an end-of-year pizza party.
    2. Create choice boards: Choice boards provide students with a range of task options, each with a point value or challenge level. You can assign themes or badges for completing tasks in a certain sequence (e.g., “complete a column” or “complete one of each difficulty level”). This allows students to take ownership of their learning path and pace, while still hitting key learning targets.
    3. Host a digital breakout: Virtual escape rooms and digital breakouts are great for fostering engagement and getting students to think outside the box. By challenging students to solve content-based puzzles to unlock “locks” or progress through scenarios, they’re encouraged to think creatively while also collaborating with their peers. They’re the ideal activity for reviewing classwork and reinforcing key concepts across subjects.
    4. Boss battle assessments: This gamified review activity has students “battle” a fictional character by answering questions or completing tasks. Each correct response helps them defeat the boss, which can be tracked with points, health bars, or progress meters. This engaging format turns practice into a collaborative challenge, building excitement and reinforcing content mastery.

    When implemented correctly, gamification can be incredibly fun and rewarding for our students. With the fall semester drawing closer, there has never been a better time to prepare lessons that will spark student curiosity, creativity, and critical thinking.

    We can show our students that STEM learning is not a chore, but a gateway to discovery and excitement. So, get your pencils ready, and let the games begin.

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    Cory Kavanagh, Van Andel Institute for Education

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