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  • Inside Taylor Swift and Travis Kelce’s ‘Very Domestic’ Routine at Home (Excl)

    In her wide-ranging interview on the “New Heights” podcast back in August, Taylor Swift offered glimpses into life at home with fiancé Travis Kelce. She revealed that the NFL star, who cohosts the show with his older brother, Jason, was in a room playing video games when she found out she’d gotten her masters back — hardly making him the world’s first boyfriend to get major news with a controller in hand. Swift also shared that Kelce loves showing her clips of otters on his Instagram algorithm — “I want a wild otter so bad,” he chimed in — and that he indulges her interests by having sourdough bread bake-offs. “We’ve set it up where he has a station and I have a station,” Swift said, adding that Kelce triumphed. “His rose higher than mine. His is actually more delicious than mine.”

    At 35, Swift is one of the best-selling artists of all time and a 14-time Grammy winner who’s worth an estimated $2.1 billion. Kelce, 36, has won three Super Bowl rings as a tight end for the Kansas City Chiefs and is widely considered a future Hall of Famer. Yet the newly engaged couple’s day-to-day lives are surprisingly down-to-earth: they binge-watch shows, have friends over and spend quality time with family, proving they have plenty in common with Us after all.

    After a busy summer traveling between NYC (where Swift owns a $50 million penthouse) and Florida (where Kelce trained for the current NFL season), they’re now settled in in Kansas City, living the simple life and enjoying each other’s company. (Kelce proposed to Swift in the backyard of the home in August.) “With both of their high-profile careers, it feels good to have simplicity and normalcy together,” a source close to the pair exclusively shares in Us Weekly’s latest cover story. Adds a second source: “Taylor and Travis are really chill. On a typical night in, they’re usually having dinner and figuring out what to stream. It’s very domestic and calm.”

    Keeping It Low-Key

    TheStewartOfNY/INSTARimages.com

    Swift is embracing her inner homebody. “It’s been so fun to see what Taylor actually gets into around the house,” Kelce said on “New Heights,” before Swift opened up about her obsession with baking and knitting. “I’d say all my hobbies could be categorized as, like, hobbies you could have had in the 1700s, you know? Like, I get on my granny s***,” she said, adding, “we’re very deep in a sourdough obsession that has taken over my life.”

    Days at home are decidedly low-key. “They love cooking challenges and random deep dives on documentaries,” says the second source. “Taylor is always organizing something, and Travis likes video games and is always studying football games. They complement each other in that way.”

    They’ve developed a few daily routines. “They always have coffee together in the morning,” adds the second source, noting that the duo also attends regular Sunday get-togethers with friends after Chiefs games. They celebrated the team’s win on October 19 at Kelce’s new 1587 Prime steakhouse restaurant, which he co-owns with teammate and close pal Patrick Mahomes. (While Swift has attended at least three of Kelce’s home games this season, she’s kept a noticeably lower profile because the attention on her was “getting too excessive,” says the first source.)

    They try to unplug when they can. “They love to turn their phones off [and have] no distractions [when they’re together],” says the second source. Swift raved about spending time with Kelce during her October 6 appearance on The Tonight Show Starring Jimmy Fallon. “He’s just my favorite person I’ve ever met, no offense to everyone else,” she said, noting she’s thrilled “that this is the person that I get to hang out with every day forever.”

    The pair have no airs about them. “Whenever I’m with her, it feels like we’re just regular people,” Kelce told GQ in his August cover story. “When there is not a camera on us, we’re just two people that are in love.” Says the second source: “Taylor and Travis are super simple. People expect glam when they visit them, but it’s the complete opposite. Sometimes they’re in sweats, eating takeout. It’s not what you’d expect.”

    When they do go out in the Kansas City area, they can generally fly under the radar. “They don’t have to worry as much about being incognito day-to-day,” says a Kansas City source. Locals are friendly but respectful of their privacy. “Travis is pretty beloved in Kansas City, so when he and Taylor go out to dinner at a restaurant, people will say hello [but] they don’t go out of their way to bother them,” continues the source. “Travis is really personable and will give fans a smile and a pat on the back, and Taylor seems pretty comfortable, likely because Travis is so at home here.”

    Tight Crew

    Taylor Swift and Travis Kelce Inside Their Own Little World 003
    Gotham/GC Images

    The duo enjoys hosting at their house. “Taylor puts a lot of thought into creating a welcoming atmosphere, from curating the playlist to setting a beautiful table and cooking herself,” says the first source, noting that their gatherings tend to be pretty informal. “They’re about connection, laughter and slowing down.”

    Their circle is small and includes Patrick and Brittany Mahomes (Swift traveled to Nashville for Brittany’s 30th birthday party in August), the singer’s longtime besties, like Selena Gomez and Ashley Avignone, and their respective families. The first source says Swift has “gotten closer” with sister-in-law Kylie Kelce. During Swift’s “New Heights” appearance, she told Jason she had been workshopping a funfetti loaf recipe for his and Kylie’s daughters “because they love everything rainbow,” pointing out they put “sprinkles in everything when we hang out.” The singer also has a strong bond with Kelce’s mom, Donna. “Travis’ family adores Taylor and treats her like she is one of their own,” says the first source, adding, “Taylor and Travis have merged their friend groups and families. Everyone is deeply connected now.”

    Looking Ahead

    Taylor Swift and Travis Kelce Inside Their Own Little World 005
    Danny Mahoney/Wynn Las Vegas / MEGA

    Wedding plans are “coming along,” says the first source. “They are both [very] involved, and Taylor thinks it’s cute that Travis wants to help.” They’re hoping to tie the knot next summer, possibly in Rhode Island, where she has a summer house. “They don’t want a long engagement,” reveals the source, noting that Swift and Kelce “very much want to start a family in the next year or so. Family means everything to them.”

    The happy couple is also in the market for their forever home. In early August, it was reported they’d looked at an $18 million mansion in the suburbs of Northeast Ohio, near Kelce’s hometown.

    While Swift is heavily focused on her personal life these days, the singer, who released her 12th album, The Life of a Showgirl, on October 3, cleared up rumors she plans to retire after marrying Kelce. “I love the person that I am with because he loves what I do and he loves how much I am fulfilled by making art and making music,” she said during an October 6 appearance on BBC Radio 2. For now, she’s deservedly recharging after her demanding 149-date Eras Tour. “Taylor’s not ruling out another tour, but it’s not something on the immediate horizon,” says the first source. Adds the second: “She’s prioritizing her life balance with Travis” — and if that means scrolling sourdough blogs while he plays Madden, so be it!

    For more on Taylor and Travis, watch the exclusive video above and pick up the latest issue of Us Weekly — on newsstands now.

    With reporting by Paola Leva, Andrea Simpson & Amanda Williams

    Jaime Harkin

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  • Inside the Dawson’s Creek Cast Friendships, Upcoming Reunion (Excl)

    When James Van Der Beek announced via social media last November that he’d privately been receiving treatment for Stage 3 colorectal cancer, a generation of Dawson’s Creek fans were stunned and devastated. They’d grown up with this guy, and loved how, in his many family-centric social media posts, his real-life persona reflected the earnestness of Dawson Leery offset with warmth, wisdom and a great sense of humor. How could this be happening to someone so positive and healthy?

    But the star’s inner circle had already been rallying around the actor, 48, for months — not just his friends and family, but also his Dawson’s crew. Because, while many stars of the golden era of teen shows may occasionally “like” each other’s Instagram posts, bonds go deeper than that for this group, proving that what happened in Capeside — actually, Wilmington, North Carolina, where the show filmed — didn’t stay in Capeside. They made meaningful relationships that have supported them through serious ups and downs since.

    That’s why their long-awaited public reunion is as exciting for them as it is for the hordes of fans who clamored for tickets (it sold out in 12 minutes!). The September 22 event, which takes place on Broadway, will see the original cast performing a live reading of the show’s iconic 1998 pilot episode to benefit the nonprofit F Cancer and Van Der Beek, as well as raise awareness of the importance of early detection.

    “We grew up in Capeside, and that’s a bond that will last a lifetime,” Van Der Beek’s costar Michelle Williams said in a statement announcing the reunion, which will also feature creator Kevin Williamson. “We wanted to gather around our dear friend James and remind him that we are all here. We always have been, and we always will be. And I know the fans of Dawson’s Creek feel the same way.”

    Getty Images

    Coming Back Together

    Since the show wrapped in 2003, the core cast has gone in different directions — professionally, personally and geographically. Van Der Beek has settled in Texas with wife Kimberly and their six kids, taking on sporadic acting gigs and a memorable run on season 28 of Dancing With the Stars; L.A.-based Joshua Jackson (Pacey Witter), 47, has become a big, serious actor, starring on TV dramas like The Affair and Little Fires Everywhere while also romancing a string of Hollywood beauties; Williams (Jen Lindley), 45, has blossomed into a respected indie actress who leads a quiet, private life in Brooklyn, New York, not too far from arguably the show’s biggest name, Katie Holmes (Joey Potter), 46, who lives in Manhattan and is now an empty nester since 19-year-old daughter Suri — her only child with ex-husband Tom Cruise — has left for college.

    Despite their individual paths, the four stars still have plenty in common — not least the unique, life-altering shared experience of shooting to fame in such a well-loved and critically acclaimed show along with their other good friends, Busy Philipps (Audrey), Meredith Monroe (Andie), Kerr Smith (Jack) and, of course, Mary-Margaret Humes and John Wesley Shipp, a.k.a Gail and Mitch Leery, who will all be at the Broadway reunion. Humes exclusively tells Us that this enduring bond is why the group didn’t hesitate to sign up to support TV’s most verbose aspiring filmmaker.

    Dawsons Creek Cast Where Are They Now


    Related: ‘Dawson’s Creek’ Cast: Where Are They Now?

    Ever since Dawson’s Creek premiered in 1998, the show became a favorite among fans and remains one of the most popular teen dramas to ever hit the small screen. The series followed the life of Joey Potter (Katie Holmes), a tomboy who is just trying to make it through high school following the death of […]

    “The first phone call I got was from James himself,” Humes says. “He told me that Michelle was spearheading this, and it was a way for us to actually have a reunion, all of us together, and celebrate James’ life. Because he’s dealing with a very difficult situation; very optimistic, but a difficult situation. Together as a TV family, we just thought we needed to be there for him and rally around him.”

    Smith, 53, also heard from Van Der Beek directly about Williams’ plans. “Back in April or May, we were doing a convention together in Pittsburgh and he had mentioned that Michelle wanted to do this and put it together. It’s Michelle’s baby — she gets the credit,” Smith tells Us. “When I was pitched, I said, ‘Of course, I’m in. This is fantastic.’” He last saw the group in person for the 2018 Entertainment Weekly reunion photo shoot, but has been in touch with several cast members for his upcoming book about his journey on the beloved show.

    Kerr Smith
    Instagram Kerr Smith

    “We went out to dinner before we did the photo shoot for that 2018 reunion. And I sat down next to Katie and one of the first things we said was it feels like no time has gone by at all. We just dove right back into a conversation,” Smith says. “It’s just easy.”

    Parental Figures

    Humes, 71, tells Us that Van Der Beek’s diagnosis resonated with her more than most, due to her own private battle with colon cancer in 2007, something she hasn’t previously shared with the media. “It was just about ready to break out of the wall,” she reveals. “It could’ve been a terrible situation, but we caught it in time. My doctor said we dodged a bullet, and it was all because of early detection. Cancers are survivable, but go out and get screened — thankfully, that’s part of James’ journey.”

    Humes vividly remembers the moment Van Der Beek called her to share his sad news. After playing mother and son for six years, the pair have stayed close. “Since [then], we’ve had multiple conversations that are very uplifting and spiritual. He knows I’ve got his back 100 percent. He’s going to get through this, and we’re all coming together.”

    The actress has long assumed a maternal role over her younger castmates and has, in many ways, been the glue that’s kept them together. She still stays in regular contact with most of the actors — and it all goes back to those early days on set. “Our executive producer Paul Stupin used to call me the ‘den mother’ because I was like the elder, with the exception of Mary Beth Peil [Grams],” she recalls. “I did take the kids under my wing, but they didn’t need much guidance. We all just fell into this. Everybody just gelled as a family and came together. There were no ego problems — there were tense moments behind the scenes from time to time, but that will remain a mystery!”

    Her onscreen husband Shipp — who, as Dawson’s dad, was cheated on by Gail and was later brutally killed off in that infamous ice cream incident (we’re still not over it!) — tells a similar story. “We were cocooned from Hollywood in this southeastern coastal town,” he tells Us. “We were out of the glare of the bright lights, and it was a really special experience. Not that they would have engaged in any bad behavior, our young cast was too smart for that.”

    DAWSON S CREEK Mary Margaret Humes John Wesley Shipp
    Columbia TriStar Television/courtesy Everett Collection

    Like Humes, Shipp, 70, says that his parental role extended beyond the script, recalling that he and Humes even took Van Der Beek to watch his first big movie, Varsity Blues, since his IRL family couldn’t make the trip to Wilmington. “I remember when James signed his first autograph!” he says. “It’s just incredibly dear. Everyone was on the same level, regardless of experience, and even after they shot up to superstardom that surpassed mine and Mary-Margaret’s, it was still the same dynamic, and I think that’s testament to each and every one of those kids, now in their 40s.”

    First and Lasting Loves

    Of course, there was occasional drama on set — not least when, early on, Jackson and Holmes became a real-life couple, which the actress talked about in a 1998 interview with Rolling Stone. “I fell in love, I had my first love, and it was something so incredible and indescribable that I will treasure it always,” she said. “And that I feel so fortunate because he’s now one of my best friends.”

    Shortly before the show wrapped in 2003, Jackson made a rare remark of his own about the relationship. “In the very beginning, Katie and I did have a romance, which is ancient history now. I can’t tell you how much fun it is to have an actual romance and then we broke up and then a year later to have an onscreen romance because there’s nothing more fun than going to work with your ex-girlfriend every day. Sorry, Katie, I love you, but it was a little difficult there for a while,” Jackson said as then-Late Night host Conan O’Brien joked that the writers did it to torture them. “You’re reading the scripts and you’re actually like, ‘Didn’t I say that to her? That’s not healthy!’”

    That meaningful connection is why Dawson’s mania hit a new crescendo recently, when the pair reunited to shoot their forthcoming movie trilogy, Happy Hours. Joey and Pacey, pictured together, grinning and pushing a stroller? It doesn’t get better than that for Dawson’s fans — especially if you were always Team Pacey! (While Smith stays neutral as a “team Jack” in the great debate, he admits of Holmes and Jackson: “It seems like it’s a natural relationship, and I can’t wait to see it.”)

    But they’re not the only stars who’ve stayed incredibly close — Williams and Philipps, 46, are also certified BFFs. When Philipps joined the cast in 2000, playing party girl Audrey Liddell throughout the show’s college years, they hit it off straight away. “She’s proof that the love of your life does not have to be a man!” Williams told People in 2016, adding, “Someone had said, ‘When you two meet, there is going to be a chemical reaction.’ I had been really excited for this girl to land in Wilmington. She was so beautiful and cool… I said to her recently, ‘You have really saved me from ever being lonely because you are always right there.’”

    Busy Philipps and Michelle Williams

    LOS ANGELES, CA – JANUARY 29: Actors Busy Philipps (L) and Michelle Williams attend the 23rd Annual Screen Actors Guild Awards at The Shrine Expo Hall on January 29, 2017 in Los Angeles, California. (Photo by Neilson Barnard/Getty Images)
    Getty

    Philipps is just as smitten. “Michelle is a very easy person to fall in love with,” she wrote in her 2018 memoir, This Will Only Hurt a Little. “Anyone who really knows her will tell you that. And probably anyone who barely knows her would say that, too.” Philipps was there for Williams when her former partner, Heath Ledger, with whom she shared daughter Matilda, now 18, died in 2008, just three months after their breakup. “I understand the public’s fascination with Heath’s death, with him in general, as a cultural icon or as the greatest actor of a generation or whatever,” Philipps wrote. “But you know, for me it was really simple. He was my best friend’s love and the father of her child. My beautiful, magical goddaughter.”

    Ebbs and Flows

    It’s only natural that with such a big, talented group of actors, there have been ups and downs. Both Shipp and Humes note how different Van Der Beek and Jackson approached the show.

    “James was always prepared. He took his job very seriously, and he asked a lot of questions because he was searching for authenticity,” Humes says. “So he would make a lot of phone calls to Kevin to search out the route that he should take to bring what Kevin’s dream was to his character. Josh was such a seasoned actor — he had worked more — and he was the life of the party on set. He was joking around with everybody and with the crew, and then the cameras would roll, and he was just magical. He’s smart, he’s intelligent. I always used to say, ‘You could ask Joshua what time it is, and he would build you a watch.’ I mean, he knew his stuff. He knew everybody’s stuff.”

    Shipp also recalls Van Der Beek being “very analytical.”

    “He was very script analysis oriented … And I’m not saying that Josh wasn’t, because certainly he maintained a consistent character, but he was very improvisational, you know, up to the last minute before action,” he says.

    More recently, during an April appearance on Jesse Tyler Ferguson’s “Dinner’s on Me” podcast, Jackson admitted that, at the end of the day, he and his costars are essentially a family. While they aren’t always in touch — “it’s not a daily call” and “sometimes it’s not a weekly or monthly or even a half-yearly call” — it’s like no time has passed when they’re together. “There is, you know, these moments, these major moments in life [that]… there’s probably no other people in your life that you are that forged to,” he explained. “’Cause you had to go through good and bad and happy and ‘F*** you’ and ‘Don’t talk to me’ and ‘I love you.’”

    When it comes to the reunion, Jackson noted that it’s been the show’s female stars who’ve done the organizing (why doesn’t that surprise Us?!). “James is going through something really, truly terrible right now,” he said. “And, I wish I could take credit for this, but I was kind of the absentee partner here, but the girls all got together and were like, ‘We need to do something to help this guy out.’” Philipps echoes his sentiments. “I’ve been helping organize it. It’s been a lot of work, but it’s so exciting to bring everyone together for James,” she tells Us. “It’s going to be amazing.”

    Dawsons Creek Class Reunion Poster
    Courtesy of Andy Towle (@AndyTowle_art)

    As for Van Der Beek himself, while his diagnosis has clearly been devastating, he feels grateful that it’s brought the gang closer together again. “We all went our separate ways and, you know, just didn’t speak for years because we’re just living our lives and doing our things,” he said on Jana Kramer’s “Whine Down” podcast in March. “And to just reconnect and be like, Oh, wow. I love who you’ve become… [has] been so great. It’s just been so great to talk to them and catch up with who they are now, this many years out, and to have that shared experience from back in the day.”

    It’s a sentiment shared by the show’s millions of fans all over the world, which is why the forthcoming reunion hit such a viral chord online. “Not only will we be having a lot of fun seeing each other on stage, but we know we’ll be doing it for a worthy cause,” Shipp tells Us, stressing the importance of raising awareness for cancer screenings and early detection. We have a feeling there won’t be a dry eye in the house, so get your Dawson crying meme lined up for the group chat, fast!

    Isabel Mohan

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  • Dakota and Elle Fanning, Together at Last: On Growing Up, Finding Love, and Making ‘The Nightingale’

    Elle aims similar protective energy at any man in Dakota’s life. “I actually screamed at someone for her. I didn’t throw a drink, but I did knock it over and accidentally spilled on the guy,” she says. Dakota is currently single: “I’ve had some doozies lately! But one day….” Elle chimes in with a huff. “These guys. What is wrong with them? How dare they!”

    I ask if either of them has dabbled in the invite-only dating app Raya. They exchange a look. “She has never done this. Ever,” says Elle. “And then the other day—”

    “I did it for fun,” Dakota interjects. “My girlfriend made it for me.… I was like, if I don’t, then I’m going to think—”

    “Maybe my husband is there,” Elle finishes for her.

    “I can confirm that he is not,” says Dakota.

    Elle urges Dakota to show us her Raya anyway. “I haven’t seen a ton of familiar faces yet,” Dakota says, scrolling through a few suitors. Elle notes, correctly, that they all look exactly the same. Then Dakota reveals why she really made her profile: “Guess what my song is.”

    “You already told me,” says Elle. It’s “Salt Shaker,” the biggest hit from early-aughts hip-hop group the Ying Yang Twins. Dakota sighs. “I’m canceling this thing.”

    Long after our Dakotas have been emptied, I ask the Fannings what this moment means to them. For Elle, it brings to mind a Donna Lewis song released in the four-year gap between their births: “I love you, always forever / Near and far, closer together / Everywhere, I will be with you /Everything, I will do for you.”

    “When I hear that song, I always think of us,” says Elle, her voice breaking. Dakota reaches an arm across the table. Elle starts to cry, then laughs. “I am on my period,” she says, sending us all into hysterics. “And we talked about when I first got my period yesterday too!” (She was 14 and first felt the cramps at a Chanel fashion show in Paris. “Not relatable,” she said then with a laugh and a shrug.)

    Perhaps to make her little sister feel less alone, Dakota launches into her own story. “This wasn’t my first period, but it was early days.” Dakota was attending the 2009 NAACP Awards with her castmates from The Secret Life of Bees. “I was in a nude chiffon kind of babydoll dress that I think was BCBG.… We got home, and Mom goes, ‘What is on…. Oh. Dakota….’ It’s covered. Now, I’ve never seen any photographs—”

    “OceanUp,” Elle and I say in unison.

    Then it’s Dakota’s turn to get mushy. Because of Elle, “I’m able to have confidence and security in my life,” she says. “If I lost every friend I have on the planet—”

    “The extremes!” Elle shouts, dabbing her eyes with a cloth napkin.

    “I’m just saying,” Dakota continues. “If everyone in my life stopped talking to me, I’d be devastated. But if I still had my sister, I’d be like, ‘Well, I have her.’ ”

    Sittings Editor: Dara Allen. Hair, Orlando Pita; Makeup, Fulvia Farolfi; Manicures, Deborah Lippmann; Tailor, Aneta V. Produced on location by Portfolio One. For details, go to VF.com/credits.

    Savannah Walsh

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  • Robert Downey Jr.’s Third Act: ‘Oppenheimer’ Is Just the Beginning

    Robert Downey Jr.’s Third Act: ‘Oppenheimer’ Is Just the Beginning

    That was the appeal of making Oppenheimer with Nolan and his producing partner Emma Thomas, who, like the Downeys, are another husband-and-wife filmmaking duo prone to taking big swings. “For him, Chris and Emma have just figured that out like nobody else,” Susan says.

    Even their process for casting has a no-nonsense streamline to it. “When you’re doing a Chris Nolan thing, basically you get a phone call: ‘Chris wants you for this. Will you come read the script at his house?’ ” says Susan, who joked that her husband’s curiosity clashed with his, let’s say, more inert tendencies. “Robert’s like, ‘Wait, I have to drive that far east?… Okay.’ Once he was willing to do that, I already knew his mindset was very open.”

    The Oppenheimer team was surprised to meet a movie star who was willing to cast off his armor. “Honestly, he kind of subverted all my expectations of him,” Thomas says. “We’ve often talked about how amazing it’d be to work with him, but we work in a very specific, fairly stripped-down way. I wasn’t sure how he was going to adjust to that way of working because, when you’re a big movie star like Robert, that isn’t necessarily the way you’re used to working.”

    But his Avengers experience had also prepared him for being part of Oppenheimer’s gargantuan ensemble, one of 79 speaking roles in a cast that includes three best actor Oscar winners. Downey’s Strauss clashes repeatedly with Murphy’s Oppenheimer but also with his own aide (played by Alden Ehrenreich) and even with Albert Einstein (Tom Conti). Fueled by a potent mix of sincere conviction and petty grievance, he commands scene after scene of crowded public hearings, strategy sessions, and backroom machinations, but without the bemused pizzazz of his Marvel alter ego. Strauss may be a politically savvy survivor, but he’s also a black hole of personality who doesn’t so much fill a room as draw everyone into his own.

    As he had on his Marvel films, Downey relished the opportunity to stray from best-laid plans, carefully mapping out a scene with filmmakers and crew only to go rogue. “From a creative point of view, he came extraordinarily well prepared,” Nolan says. “It’s a very complicated part, and he had it absolutely down. And he also had a number of, I wouldn’t call them improvisations because a lot of it was very carefully planned, but he had a number of embellishments, things that he wanted to bring to the character, things that he wanted to try out.”

    Nolan and cinematographer Hoyte van Hoytema would follow Downey in a room as he delivered monologues that stretched multiple pages.

    “I think he loved that freedom to move around the room and present himself with whatever energy he felt like: ‘Let’s try it again! Let’s try it a different way!’ ” Nolan says. “However heavy the 70-millimeter camera was, Hoyte would never get too tired. In a way, Robert was probably waiting for him to get tired, but he didn’t. So he was able to really thrash it out, really reach for something and stretch himself.”

    Joe and Anthony Russo, who directed Downey in three Marvel movies, describe the Downey method in similar terms: “When he’ll come back to set, Robert is famous for throwing the plan out the window and climbing on top of the couch and whatever, sort of going off-book,” Joe says. “He does this because he likes to surprise himself. He likes to keep things fresh. He lights up for that.”

    Anthony Breznican

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  • After ‘Barbie,’ Greta Gerwig Has No Plans to Rest

    After ‘Barbie,’ Greta Gerwig Has No Plans to Rest

    “That scene still really touches me. I see some of my friends’ teenage girls who don’t think they’re good enough, but they’re so beautiful and so smart and you just want them to know.

    Gerwig was never taking requests, but now feels like a good moment to express my disappointment that another product of the ’90s, Teen Talk Barbie (played by Industry’s Marisa Abela), didn’t deliver her infamously offensive line: “Math class is tough!”

    “Oh, we did it,” she emphasizes. “It just never fit because it was such a weird long list of crap she says, like it belonged in a horror movie.”

    Gerwig pulls up the truly outrageous (shout-out to Jem) Teen Talk Barbie statements on her phone, beaming as she reads them out loud. It is, in fact, a weird long list of crap. But it would be funny even if it wasn’t all about malls and ponies and beach parties, even if it were sentences like, say: “I adore Sacramento! Truffaut was bigger for me than Godard. I love showpeople! I don’t like milk made from other things.” Even the most extraordinary women will sound silly when filtered through a doll. Gerwig’s feat was that she gave Barbie a soul while still having her speak exactly like herself.

    “She directs as she is,” Baumbach says. “It’s not a performance, she’s utterly herself. Actors feel like here’s someone who is also laying themselves bare and it gives them confidence to let go of habits that they may have formed, to be brave. She’s just there without any pretense, figuring it out alongside everyone else and it’s inspiring to people. With Barbie, I saw her direct on set more than I have before, and I felt: She’s delivering a speech today? I don’t know that I’ve ever delivered a speech. It’s intoxicating. I will be a different director having gone through this movie with her.”

    Coat by Ferragamo; dress by Max Mara; rings by Cartier.Photograph by Norman Jean Roy; styled by Natasha Royt.

    Speaking of paradigm shifts, Hollywood has gone through three distinct ones in recent years: #MeToo, COVID, and the strikes. Gerwig is a three-guild member—writer, actor, director. It’s been “a lot of upheaval and reassessment,” she says. But will any lessons last? I ask her how much of the “swirling crap” that led to #MeToo ever hit her (poor phrasing, given the morning’s events). Gerwig is relieved to be “luckier than a lot of people in terms of not having truly traumatic things happen.” Part of this is, indeed, being “one step removed from the apparatus” because she lives in New York: “I get to use the studio system but I don’t have to live in it. And I’m conscious of not wanting to be too attached to what Hollywood thinks is a good or bad idea because I don’t want to know if my idea is ridiculous. And when you live in LA, you know everybody. They all know each other’s lawyers. I often don’t know who the powerful person in the room is.”

    These days, it might be her.

    “That being said, there’s plenty of stuff that happened in my life, when I look back at it. I’m like, wait a minute. That was not okay. Just a million little things. It almost didn’t register. Which might be generational, you know? I think one substantive change is intimacy coordinators. They make perfect sense. It’s like a fight choreographer. Nobody would ever say, ‘Just take these swords and see what happens, just duel a little and see where the spirit takes you.’ That’s insane,” she says. “Aside from being a woman, the parallel world I see is getting stuck in some whirlpool of development where you never get out, you never get the thing made or find the right champions. I’ve been extremely lucky that I’ve managed to be supported by the system and not eroded by the system.”

    She has also been supported from the creative side, becoming someone who has both found the right champions and done some championing.

    “My experience with directors is totally generous. They’ll get on the phone and talk to you about how they did it. It’s not guarded at all. I mean, everybody has their own ego and their own sense of competition, but if I asked, they would spend all day showing me how they did it. I know because I asked Steven Spielberg to do it before I shot Little Women. He showed me all his research from Lincoln, he showed me everything.”

    “She’s a spectacular talent,” Anderson says. “When I showed Greta Moonrise Kingdom, she had the reaction you really hope for, it seemed to work for her in all the ways I wished for. It made me feel more than reassured, it made me think maybe I made something good.”

    “I don’t want to miss it,” Gerwig says, last Americano down and seemingly more at ease discussing the magnitude of this year. “I don’t want to not take the extraordinariness in. And I do, I feel it, it’s incredible. But the thing that makes me not feel overwhelmed is to keep doing the work. Now, get back to work. Keep going.”

    Sloane Crosley

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  • The Gigi Hadid You Don’t Know

    The Gigi Hadid You Don’t Know

    Top, R13, $195. Bodysuit, Isabel Marant, $1,965. Over- the-knee socks, Free People, $28. Opal bracelet, Fry Powers, $495. Tennis bracelet, Tiffany & Co.

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    What if there was a different Gigi Hadid, an alternate one? Where this one veered right—signing to IMG while still at Malibu High, then closing fashion shows and fronting ad campaigns—the other might have turned to the left. “I could have played volleyball in college and been a coach,” she says. Or a lifetime love of art could have turned into a theme park career: “I have this fantasy of working for Disney Imagineering.” What would have remained the same? She’d still obsess over documentaries. She’d have the same intense work ethic, quiet goofy side, deep love of family, and desire to learn. The qualities that are evident in our intimate conversation, the ones that those who know her love most. Really, isn’t that where the true Gigi lies?

    This year has given Hadid the chance to find ways of working that help her feel whole—and the ability to show the world elements of herself that haven’t made it into the photos. Last fall, Hadid, 27, launched Guest In Residence, a line of cashmere classics with a spin, built around the idea that key staples meant to be kept and worn for years are inherently sustainable. The business allows her to build on what she’s learned collaborating with design legends and mentors like Tommy Hilfiger and Donatella Versace (a fellow Taurus, she notes). It also offers her a routine and consistency, something she didn’t have before but realized she needed. The lockdown and the birth of her daughter Khai, now two, gave her time to seriously consider how a career reset could improve her life. “I got pregnant and I really started to think about what I wanted after, when the world opened back up. It kept coming back to just a more stabilized schedule where I’m not in a different country every week. This is very stabilizing. I have an office that I come to. I know everyone here. I don’t have to look a certain way to show up. It’s a different experience for me, and it was the right time because I was ready for that,” she says, seated in her downtown Manhattan office, wearing a loose Guest In Residence top with jeans and Ugg boots. (One day earlier, she was dressed in a sequined top, poised on a construction beam high over Manhattan in a photo shoot for Maybelline New York.)

    gigi hadid

    Dress, Guest In Residence. Elsa Peretti necklace, $6,800, ring, $2,200, Tiffany & Co.

    Mario Sorrenti

    “I always loved being in creative group environments,” she says. She points to a long, tall table and explains that she specifically asked for that style in her office, “because I wanted that to feel like my high school art class tables.” She lives nearby and stops in even without meetings on the slate. The rest of her team will tell her to scram, she jokes.

    Guest In Residence consists of a set of core pieces that sit alongside seasonal capsules. The line includes pants and underpinnings, along with cardigans and pullovers, and echoes Hadid’s own laid-back style. “They all have a sense of simplicity to them that I want always to be able to mix with the lifestyles and styles and personalities of different people of different ages. I think that what all of those people would have in common is a desire to express themselves. I think and hope that different people can find themselves in different pieces,” she says.

    gigi hadid

    Top, $4,025, bikini bottom, $125, bracelet, $5,150, rings, from $1,500, Hermès.

    Mario Sorrenti

    As a founder and creative director, Hadid considers Versace a role model for her ability to be “a boss without being rude, ever.” In turn, Versace calls her family. “She has incredible presence as a woman, an inner strength that shines within her,” she says. “She is also one of the kindest women I know, and family is so important to her—like it is to me.” Hilfiger, who worked with Hadid on a series of Tommy x Gigi capsule collections, has similar praise: “Throughout her career, she’s had so many fantastic achievements, but it’s her kind personality and down-to-earth energy that have made her stand out from the rest.” He adds that he’s not surprised to see her leading her own brand.

    gigi hadid

    Jumpsuit, Fendi, $3,750. Necklace, Hermès. Ring, Hotlips by Solange, $290.

    Mario Sorrenti

    On March 3, Hadid will begin her first extended on-camera experience when she joins the second season of Next in Fashion, which she’ll host alongside Tan France. She’s a reality competition completist (she’s watched everything from Blown Away to Lego Masters, and she won a celebrity edition of MasterChef), and France is a friend, so “it felt like a safe place for me to take the plunge,” she says. “But Netflix was not easy on me. They really put me through an audition process. I respected that, and it made me feel good when I got the job. I felt like I had earned it in their eyes, and so that gave me the confidence to go for it. You get a sense of impostor syndrome and you’re like, ‘Okay, are they just giving me this show because I have a lot of followers?’ The fact that they really questioned my intentions for being on the show helped me jump into it headfirst. If they think that I can do it, then that gives me more confidence than maybe I would’ve had otherwise.” The show has helped draw out seemingly hidden traits in Hadid as well: “People say I’m funny. I don’t know, but I think that the more time I’m given, then the more I’m able to be goofy.”

    gigi hadid

    Sweatshirt, Undercover. Brief, Loro Piana, $300. Bracelets, Fry Powers, from $325. Tennis bracelet, Tiffany & Co.

    Mario Sorrenti

    After nearly a decade in the public eye, Hadid is still navigating the way the world perceives her. Through sharing snippets of her life, she has created an online following (currently at 76.7 million on Instagram) that, arguably, has helped secure her place in fashion. But that success has also led to outsize fame that’s made her a target for paparazzi and gossip. Her experience co-parenting with Zayn Malik, her former partner and Khai’s father, has been shown via the prism of the media as well as Instagram. Landing the tricky balance between discretion and disclosure that fame requires is a matter of trial and error that she’s been fine-tuning for nearly a decade. “I’ve had early experiences where you learn how the world reacts when you share things in certain ways. Sometimes you just leave something feeling like you were taken out of context. Or just feel like you revealed too much, and it was taken advantage of. Whatever those learning-the-hard-way experiences are, you grow a certain skin,” she says.

    gigi hadid

    Top, $2,600, brief, $525, Miu Miu. Socks, Loro Piana, $825. Ring, Bulgari, $3,150.

    Mario Sorrenti

    She’s reached a degree of understanding that her life generates headlines. What helps her get through the scrutiny and criticism is “realizing that nothing really matters. Serena Williams once told me, ‘Nothing stays in the press longer than three weeks.’ You can feel like your life is ending,” Hadid notes, but “if it’s a mistake, then it will pass. I think it’s about not taking yourself that seriously and being like, ‘When I am on my deathbed, I’m not going to remember that one awkward interview from when I was 19.’”

    So, I ask her, what is it that you wouldn’t know about her from the headlines or social media posts? She pauses and, unexpectedly, her eyes well with tears.

    gigi hadid 0323

    Brief, Guest In Residence, $175. Socks, Loro Piana, $825.

    Mario Sorrenti

    “What does the world not know about me? I don’t know. I’m getting emotional [thinking about it]. I think that I’m someone who you have to be in front of to experience. It’s not hard. This isn’t a complaint. It’s more that in my job, you see a lot of snapshots,” she says. She wipes away the tears and kindly excuses my apology for bringing them on. “No, it’s fine. Apparently, I needed to say it. There are a lot of snapshots and really quick moments where, again, there’s not a lot of context given.” She adds that she sees her Next in Fashion gig as a chance to open up in a gradual way and show more of herself than what comes across in paparazzi photos. For the first time in her career, she says, “I went to the same studio for a month, with the same 100-person crew. You really feel that sense of community that I think I’ve been wanting, and that really brings out a [sense of comfort] and the time and space and screen time to show yourself.”

    gigi hadid bunny

    Bunny balaclava, $525, sweater, $590, culottes, $690, Ambush. Rings (on hands and toes), Fry Powers, $225 each. Rings, Cartier, from $1,240. Ring, Hotlips by Solange, $290.

    Mario Sorrenti

    Therapy has helped both Hadid and her sister, Bella, cope with experiences in modeling and in their background that they might not understand in the same way: “There are different things that we probably both deal with on different sides, but there’s always going to be something that comes together.” Hadid has learned that she can set standards for how she expects to be treated. “Setting boundaries, even if that’s with the paparazzi—going over and saying, ‘Hey, what’s up? I know we’ve seen each other from across the street for five years, but when I’m with my kid, please don’t point the camera this way.’ Sometimes you have to be assertive, and that doesn’t mean that it’s rude. It’s setting a boundary.”

    She has physical limits as well, and her health has required her to be clear about them. In 2016, Hadid spoke about having Hashimoto’s disease, an autoimmune disorder that impacts the thyroid, causing fatigue and trouble regulating body temperature, and she’s had to make space in her workday to manage it. “I’m usually taking a nap during my lunch breaks, and I will eat my lunch when I’m retouching hair and makeup after. It’s just something that I’ve had to deal with over the years. Sometimes it’s better than other times,” she says. “When it’s a really cold shoot, it takes a lot of time for my body to recover temperature-wise, and it can make me shaky.” Shoots in the heat can also take their toll on her. “One of the boundaries I have is that I have to tell my team when I need rest. They’ve always been understanding and encouraging of that, and then besides that, I think I’ve just learned to make it work for me, and what helps me get through the day and do my best.”

    gigi hadid

    Top, shorts, Marni. Socks, Loro Piana, $825. Necklace, Fry Powers, $895. Necklace, Bulgari, $4,450.

    Mario Sorrenti

    It’s her daughter Khai who can see Hadid from all angles, she insists. “She obviously sees me in every state and way, and whether she knows it or not, I’m going through and learning through life with her. I think that she has a really realistic kind of 24/7, around-the-clock view. We’re up chatting in the middle of the night if she’s up; we’re talking about, I don’t know, random stuff, but it’s fun,” she says. “Having a daughter, although it shifted my life to make me really want to feel more settled, has also really made me appreciate the chaos as well. Being at shows and shoots and just being in the city again; being around friends [after] becoming a mom, with everyone also coming out of COVID—I have an appreciation for both sides of it.”

    One last question before a flight to Paris: What does she still want to learn about? She doesn’t skip a beat. “Everything.” Her face is full of light.

    gigi hadid elle cover

    Gigi Hadid wears a bra, brief, and arm warmers from Guest In Residence, shorts from Polo Ralph Lauren, and hoop earrings from Cartier. For Hadid’s makeup look, try Nudes of New York Eyeshadow Palette, Baby Lips Moisturizing Lip Balm, and Lash Sensational Sky High Washable Mascara in True Brown. All, Maybelline New York.

    Mario Sorrenti

    Hair by Bob Recine; makeup by Kanako Takase for Addiction Beauty; manicure by Honey at Exposure NY; set design by Peter Klein at Frank Reps; produced by Katie Fash and Layla Néméjanski.

    This article appears in the March 2023 issue of ELLE.

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    Editor

    Adrienne Gaffney is an editor at ELLE who previously worked at WSJ Magazine and Vanity Fair.

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  • Caitlin Dickerson on the Moral Catastrophe of Family Separations

    Caitlin Dickerson on the Moral Catastrophe of Family Separations

    Jeffrey Goldberg, The Atlantic’s editor in chief, joined staff writer Caitlin Dickerson to discuss her cover story, a years-long investigation into the secret history of the Trump administration’s family-separation policy. Dickerson’s story argues that separating children was not an unintended side effect, as previously claimed, but its core intent. How did officials work to keep families apart longer? Did they obscure the truth to both Congress and the public? What will happen if the Trump administration is restored to power in the 2024 election? This dialogue is an edited and condensed version of a conversation Dickerson and Goldberg had on Friday for The Atlantic’s “Big Story” broadcast.

    Leer este artículo en español.


    Jeffrey Goldberg: When did you realize that the Trump administration was doing something new?

    Caitlin Dickerson: There were two things here that really stood out from the norm in my experience as a reporter. The first, with family separations, is just the mere fact that they took place in relative secrecy. In 2017, hundreds of separations took place starting out in El Paso, Texas, in a program that later expanded. But when reporters would ask about it, the administration would tell us, “No, this isn’t happening. You know, we’re not separating families.” There’s some complicated reasons for that which we can get into, but that’s really not normal. As a reporter, you’re used to hearing “no comment” in response to a story that the government doesn’t want you to report. Or you’re used to hearing a public-affairs officer offer some context that at least helps to soften the blow of a story that they know the public is not going to react kindly to. But in this case, we actually got denials.

    And then, of course, having looked back at immigration policy all the way back to the 19th century in the United States, separating children from their parents as an immigration policy hasn’t happened before. It was the harshest application any of us have seen of this basic concept of prevention by deterrence, which is how we approach immigration enforcement generally. And it was so harsh and painful for parents and for children, and continues to be, that I had to stick with it.

    Goldberg: So to be clear, no presidential administration going back all the way had ever done anything this dramatic?

    Dickerson: No. As you know, there are examples of kids being taken from their parents in American history, though not in a border context. We’ve had some pretty cruel and pretty harsh border-enforcement policies. But the forcible separation of children from their parents is just not something that the Border Patrol has ever engaged in in American history.

    Goldberg: One of the great achievements of your story is that you take us all the way into the bureaucratic decision making that allowed this to happen. But somebody had to think of this first. The assumption, on the part of people who think about this, is that it must have been Stephen Miller, Donald Trump’s very hard-line adviser. He worked for Jeff Sessions and brought a lot of his ideas to Donald Trump. But it’s more complicated than that.

    Dickerson: It took a lot more than Stephen Miller, Donald Trump, and Jeff Sessions to forcefully separate thousands of kids from their parents. The idea actually came from within the border-enforcement apparatus: a man named Tom Homan, who started out as a Border Patrol agent in his early 20s, spent a career in enforcement, and ultimately became the head of ICE under President Trump.

    He first came up with the idea to separate families as an escalation of the concept of prevention by deterrence: this idea of introducing consequences to discourage illegal border crossing, even when it’s for the purposes of seeking asylum. He first proposes separating children from their parents in 2014, during the Obama administration, which is when we saw the first major surge of children and families crossing the border. Border Patrol was totally overwhelmed at the time. Congress didn’t intervene. And so you have, essentially, a police force that’s left to figure this out—this policy, which is really humanitarian policy; it’s economic policy. When you leave this to the Border Patrol, the solution that they come up with time and again is punishment. So Homan proposes it, and Jeh Johnson, who was Homeland Security secretary at the time, rejects the idea. Then the idea resurfaces very soon after Donald Trump takes office.

    Goldberg: So there was a bureaucratic impetus from below. Take us through that—Donald Trump wins in 2016, comes into office, and this dormant idea is brought to whom?

    Dickerson: Trump comes into office and is visiting Border Patrol headquarters and Customs and Border Protection headquarters and saying, “Hey, we’ve got to shut this border down, and, really, we’ll stop at nothing to do it. Bring me your best ideas.” Tom Homan, who was the head of ICE, and a man named Kevin McAleenan, who was the head of Customs and Border Protection, very quickly reraise this concept that they had already talked about and already favored. They tell Miller about it, who gets really excited and kind of obsessed with it. And Miller continues to push for the next year and a half until it’s officially implemented. Donald Trump also begins to favor it.

    I was surprised about this, ultimately, but the story ends up being kind of a case for the bureaucracy. I learned, in reporting this, the way the policies are made. Typically, you have principals, who are the heads of agencies and have great decision-making power but have huge portfolios. Policy ideas should only ever reach the desk of someone like Kirstjen Nielsen—who was the Homeland Security secretary, who ultimately signs off on family separation—if they’ve been thoroughly vetted. Subject-matter experts have determined these policies are logistically feasible, they’re legal, they’re ethical. They make sense politically for the administration in office. All these layers exist to prevent bad policies from ever even reaching somebody who has the authority to sign. And these systems were really either sidelined, disempowered, or just completely cut out of the conversation. Everybody who was raising red flags was really cut out.

    Goldberg: I want you to talk about child separation in its details. The idea is preventative. Which is to say, if word gets out into Guatemala, Honduras, wherever, that if you try to cross the border with your kid, the U.S. government will take your kid from you—actually kidnap your child in some kind of bureaucratically legal way—then all the people who are trying to come to America, asylum seekers, workers, etc., will not come. Is that the theory of the case?

    Dickerson: That is the theory of the case. And there’s a lot of reason to believe it’s not a good theory.

    Goldberg: Why is it not a good theory? It sounds pretty scary if you’re sitting in Guatemala and somebody says you might lose your kid.

    Dickerson: It does. That’s what’s difficult about it: that it is somewhat intuitive, this idea of prevention by deterrence. Academics have been studying it for a long time and know what ways it works, and what ways it doesn’t work. In the early 2000s, we started prosecuting individual adults who crossed the border illegally.

    To begin with, there’s this program called Operation Streamline. It completely floods courts along the border, and immediately, prosecutors—assistant U.S. attorneys—are unhappy with it because they’re saying it’s taking away resources from these more important cases that we need to deal with. And not only that, but it doesn’t seem to be influencing long-term trends.

    If you look at shifts in migration that have taken place over the last 20 years, those can be explained entirely by looking at economic shifts and demographic shifts in the United States and the countries where people are coming from. All of those changes are attributable to the availability of resources here and the availability of jobs here, and then the inverse: what opportunities people have available to them in their home countries, as well as whether people actually feel safe.

    Even though prevention by deterrence, first in the form of Streamline, wasn’t making a dent in border crossings in any significant way, this idea becomes more and more popular until ultimately we get to the point of separating children from their parents. Anecdotally, Lee Gelernt—the ACLU lawyer who’s heading up the federal case against family separations, the main case that prompted family reunification—talks about asking every parent that he interviewed for that case, “If you had known about family separation, would you have left your country to begin with? Would you have decided to stay home?” And they’d just kind of shrug their shoulders and say, “Well, what was I going to do? You know, we left because our lives were in danger. I couldn’t stay.” That is something that people like Tom Homan, who came up with the idea to separate families, didn’t really take into account.

    Goldberg: The level of desperation at home is the key determinant of whether somebody is going to start the trek.

    Dickerson: It’s a very, very high bar to surpass when you’re talking to a parent who not only can’t feed themselves or their child, but on a day-to-day basis fears that their child may be killed.

    Goldberg: Stay on that for one second so people understand this population. You’re talking about people who are living in very dangerous Central American countries, mainly.

    Dickerson: You’re talking about a lot of times a combination of deep poverty, daily fear of death, and daily encounters with violence. I can tell you about my experiences reporting in parts of Mexico, where people come to the United States from, and in Central America. When The New York Times sent me to Guatemala to write about a family that was trying to get into the United States, I had security with me the entire time. Many people, just within this family, had been murdered. It’s a domino effect where a gang identifies one person in a family and wants that person to join the gang. If that first individual doesn’t do right by the gang, relatives continue to be murdered.

    When I would go house to house to visit with people associated with this family, we were hiding. They couldn’t let anybody know where they lived. They couldn’t let anybody know that I was there, because it would have put them in greater danger. The poverty, too, is really something that I don’t know a lot of Americans have really sat down and thought about. Houses that have no roofs, no floors. Families of four that are splitting a tortilla among them. Access to school is almost nonexistent. Kids don’t have shoes. It’s stuff that I think most Americans have a hard time envisioning. Think about how scared you would have to be to decide to go to the United States, knowing that you’re going to have to travel through a hot and dangerous desert and encounter murderous gangs. Nobody signs up to do that unless they feel like they have absolutely no choice.

    Goldberg: Let’s come back to the narrative of the adoption of this policy. One of the reasons, when we were talking about doing this story over the past year and a half, was to try to understand the mentality of government officials and bureaucrats. Somehow the idea of taking children from their parents becomes socialized within these government structures. Talk about that. Did anybody along the way say, “Hey, I’m all for deterrence. I have these views on immigration. I’m a hard-liner. But this does not seem to comport with my notions”—and I’m using this term advisedly—“my notions of family values”?

    Dickerson: A lot of people said that. And ultimately, by the time the decision to pursue separating families is made, they had been left out of the room. When family separations are first proposed, they’re described in pretty blatant terms. I interviewed Jeh Johnson—again, who was the Homeland Security secretary under President Obama, and did believe in deterrence—but he said, “That’s too far for me. I’m not comfortable with it.” John Kelly, who was President Trump’s first Homeland Security secretary and considered the idea after it was proposed by Tom Homan, Kevin McAleenan, and others, said the same thing. He wasn’t really a big believer in deterrence, but he’d taken the job for the Trump administration. But this felt too far for him.

    Goldberg: John Kelly then goes to the White House as chief of staff and is there when all of this is still going on. What role did he play there?

    Dickerson: Kelly told me that his approach to opposing family separations was to focus purely on the logistics. When the idea is formally proposed to him, he requests a briefing to find out whether it’s possible. And he learns, rightly, that the federal government did not have the resources to impose such a program without total chaos, which we ultimately saw—without losing track of parents and kids, without really inhumane situations where kids are being physically taken out of their parents’ arms. You need training, theoretically, to do this in a way that isn’t chaotic if you’re going to do it at all.

    He told me that he knew that appealing to the president and to Stephen Miller on some sort of moral basis wasn’t going to be effective. They weren’t going to listen. Instead, he said, you focus purely on the logistics. “It’s not possible. We just can’t do it.” He would say, “Mr. President, if you want to pursue this, you need to go ask Congress for the money,” knowing that Donald Trump wouldn’t be willing to do that. The problem is that when you ask these more hawkish members of the administration what their understanding of John Kelly’s view is, they would say to me, “Well, I didn’t know he had any issue with it. All he said was that we needed more money; we needed more training.” You can see that there’s logic behind Kelly’s approach, but there’s also, as a result of it, repeated meetings where this idea is being discussed. He could have jumped up and down and screamed and said, “I oppose this; I don’t want to do it.” But he didn’t. He just said, “Sir, we don’t have the money.”

    Goldberg: I mean, to be fair to Kelly, he did have a reasonable understanding that Trump would never respond to the humanitarian argument.

    Dickerson: There are so many different approaches that people say they took to try to prevent this, and it ultimately didn’t work. The higher the numbers rose, the more obsessed Donald Trump became with finding some way to minimize them.

    Goldberg: I do want to ask about two people whose names are very intimately associated with this. Kirstjen Nielsen, who was the DHS secretary and signed off on this, and Stephen Miller. I want you to talk about her role, which is more complicated, morally, than we initially thought. And Miller, who obviously is still the ideological driver of a whole set of policies.

    Dickerson: Kirstjen Nielsen came into the Trump administration a moderate. She was a cybersecurity expert who helped to establish DHS the first time under George W. Bush. No experience in immigration, and no real strong feelings about immigration. She’s one of a lot of people whom I interviewed who joined DHS under Trump and just said, “I didn’t know all that much about immigration. It wasn’t that important to me.” From the very beginning, they seemed a bit misguided in terms of what their expectations for their job might look like, given how much this White House really cared about the issue.

    Family separations are proposed to her right after she’s confirmed, in December of 2017, and she says, “Absolutely not. John Kelly has said no to this. I’m not doing it. I oppose it. I don’t believe in it.” Over time, this alternative version of achieving the same end is proposed to her via prosecution, and conveyed to her in these terms that are quite bland. You know, “We’re going to pursue a prosecution initiative. There are people who have been committing misdemeanor crimes; we’ve been letting them go simply because they’re parents.” There was a lot of fearmongering around this idea that a lot of the parents might have been smugglers, that families may not have actually been related at all, that these children might all have been victims of trafficking. There’s no evidence to support that a significant number of those false families existed. She’s also told, “It’s been done before,” and that systems and processes exist to prevent chaos from ensuing. And so, based on that information, she ends up approving the policy.

    Another really important thing to know about her is she came into her role at a disadvantage because she was viewed as a moderate. She was one of a lot of people who were viewed very skeptically in the White House.

    Goldberg: Are these people who are trying to prove they’re tough so that Donald Trump likes them?

    Dickerson: Or keeps them in their job.I heard in my reporting that, in fact, “You’re not tough enough” is a quote that Trump repeated to Nielsen all the time. At one point an adviser suggested, “Maybe you should write a memoir and call it Tough Enough because he’s always telling you you’re not tough enough.” Nielsen was always trying to kind of meet these expectations and show that she wasn’t a closeted liberal. She eventually signs off on this policy that she intellectually, at least prior, seemed to totally oppose, but had convinced herself of a lot of illogical realities and decided, Okay, I agree to zero tolerance. She’s a really smart person, but she worked so hard to please her bosses.

    The other person you were asking about was Stephen Miller. What I understand from people close to him and familiar with his thinking is that he continues to believe that President Trump’s harshest immigration policies were Trump’s most popular and successful accomplishments. I think he still believes in separating families and doing anything to seal the border, stopping at nothing. He’s even made clear to close confidants that the groundwork has been laid so that a future Trump administration, or a future Republican administration that looks like Trump’s, can pursue these policies even more quickly and even more dramatically.

    He exerted pressure really kind of shamelessly. He would call not only Kirstjen Nielsen, who was Homeland Security secretary, but all of her advisers and even lower people in DHS: people who had no authority to sign off on anything. He was calling people incessantly to press for his policies, trying to get buy-in. I heard about something he would do on a conference call where he would introduce an idea and say, “Hey, I believe X, Y, and Z needs to happen. And this head of this division of DHS agrees with me.” Then that head of the division might say, “Oh, well, I have some questions about that. You know, I’m not exactly sure.” And Stephen would say, “Well, are you saying that this isn’t a priority?” And they would say, “Oh, no, I do agree with you that it’s a priority.” And Stephen would say, “Great; I have your support.” And then he would go into White House meetings and then repeat it and say that he had buy-in from DHS. He was bullying people into accidentally or tacitly or passively agreeing with his ideas. He was not embarrassed to keep people on the phone after midnight, ranting, not even letting the other person speak. It was a singular focus for him.

    Goldberg: John Kelly would give him the cold shoulder. But not everybody had John Kelly’s power, right?

    Dickerson: Exactly. And John Kelly is a career military official and general. He believed really strongly in the chain of command. He couldn’t believe that Miller would call people below Kelly and make demands and try to pressure Kelly into making decisions. And so Kelly would call the White House and actually try to get Miller in trouble. He’s one of the few people to do it. But other people much higher in the official chain of command, such as cabinet secretaries, really let themselves be bullied by Miller. When I would ask why, they basically just said Miller had this mystique. He was so close to the president and was protected because of this narrative that immigration is the reason why Donald Trump was elected president and was the key to him being able to hold on to power. Because of that, Miller was insulated from any kind of accountability, even as he defied the chain of command over and over again.

    Goldberg: Do you think that these same people, if they came back to government, would do it better? Do you think that they have learned lessons about how to try to pull this off in a more efficient, effective way that wouldn’t draw so much attention?

    Dickerson: I do think that a lot of them still believe in this idea, and they’ve taken lessons away from the experience in order to be able to “do it better.” They didn’t have a system for keeping track of parents and kids, so children were sent over to the Department of Health and Human Services, which houses any kid who’s in federal custody on their own. That agency doesn’t have computer systems that talk to DHS. Something like that could be updated. I do think that these officials would go into such a policy in the future a little bit more eyes open about what would actually happen once the separation occurs. But they still believe in this idea. And a lot of them, Tom Homan and many others, would sort of whisper out of the side of their mouth to me in interviews like, “Nobody really likes to say this, but it really worked. And zero tolerance was effective.” Again, the data that they’re citing is inaccurate. There isn’t evidence that family separations were effective. In fact, after zero tolerance ended was the year when a million people crossed the border under President Trump. It was a record-breaking year for border crossings.

    Goldberg: Are there any heroes in the story, from your perspective?

    Dickerson: There are a lot of people within the federal bureaucracy who tried to prevent family separations from taking place. Within the Health and Human Services agency, which cares for children, there was a man named Jonathan White who oversaw, at the beginning of the Trump administration, the program that houses kids in federal custody. He found out about family separation in an early and rare meeting where you actually had HHS invited to meet with the law-enforcement side. Normally those two agencies—which have to work together on immigration—really don’t play well together, because HHS is made up of a lot of people like White, who are social workers and have backgrounds in child welfare, and then are sitting in the room with cops. It’s a fraught relationship that is detrimental for all sides.

    White finds out in an early meeting about this proposal to separate families. And he starts writing up reports mentioning that the agency did not have enough space to house children who are separated, who tend to be younger than those who crossed the border on their own. They didn’t have the resources to deal with the emotional fallout that was easily anticipated by any expert familiar with child welfare and the state a child is going to be in when they’ve just been separated from their parent. He also pointed out that children who cross the border with their parents don’t necessarily have anywhere to go. A child who chooses to cross the border on their own is typically coming here because they have an aunt or a relative, somebody who can take them in in the United States. A child who comes to the United States with their parent is expecting to remain with their parent. Whether they get asylum status or are ultimately deported, the expectation is that they’re going to stay together. And so White started to point out, along with several of his colleagues, that not only did they believe this was a bad idea, the resources just didn’t exist.

    You have versions of that same fight, that same argument, being made within DHS, the DOJ, and the U.S. Marshal system. I found examples in all of these places of people within the federal bureaucracy who tried to raise concerns with the White House, with people in their agency leadership, about why this was such a bad idea. There are a lot of people who fought back, and ultimately they didn’t win the argument.

    Goldberg: What’s your assessment of the success of President Biden’s executive order setting up the task force for family reunification? How many children do we still think are out there floating in the bureaucratic abyss who haven’t been unified with their parents?

    Dickerson: Almost all of the children who were separated have been released from federal custody. If they haven’t been reunified with their parents, they’re in the care of a sponsor: an extended relative or a family friend who went through an application process and was approved to take that child in. That’s very different from reuniting them with the parent with whom they crossed the border, with whom they were living and planning to continue living more than four years ago. That number is between 700 and 1,000—those who have not been officially reunited with their parents, according to government records. Some of them may have, and are thought to have found, their parents on their own and just not reported it to the U.S. government, kind of understandably—not wanting to deal with the U.S. government anymore and fearing future consequences.

    The Biden administration had a really tall order in front of it when this task force to reunify separated families was established. So much time had passed, and record keeping was so poor that they had very little to work with. Thus far they’ve been able to track down more than 400 families that have been reunified, and there are several hundred more who are in the process of applying. What I hear from the ACLU and advocacy groups is that the Biden administration is working really hard and doing its best to reunify these families, and they’ve had a significant amount of success in the face of this challenge.

    But now they’re dealing with really complicated cases. I’ve heard about parents, for example, who were deported without their kids. That happened in over 1,000 cases. They’ve been back at home since then, and they’ve had to perhaps take custody of an extended relative’s child. I heard about one parent whose sister had been killed. And so the sister’s children were now being taken care of by the separated parent. So then the separated parent is applying to come back and rejoin their own child. And are those other children eligible to come to the United States? It’s not totally clear. I mean, this is what happens. It’s very messy logistically when you separate a family for four years and then try to bring them back together. And so the numbers are shrinking, but the challenge is kind of growing in terms of getting these final families reunified.

    Goldberg: Something that, in the colloquial sense, is completely unbelievable to me is that when family separation actually started, no one—for weeks—thought to even write down, keep a log, an Excel spreadsheet, of where the children were going, who their parents were. You could define that as negligence, but negligence bleeds over into immorality very quickly. That, to me, of all the incredible reporting that you did, struck me as almost too much. What for you is the aspect of this entire multiyear saga that you still can’t get your mind around? What’s the thing that still stays in your mind as, “I can’t believe that actually happened?”

    Dickerson: The one that I still can’t really believe is the number of people I interviewed who held very significant roles in DHS or in the White House overseeing this issue, to whom I had to explain basic tenets of the immigration-enforcement system. They would say to me, “We never expected to lose track of parents and children. Couldn’t have imagined things would go as poorly as they did.” That just doesn’t make any sense. You can call up any prosecutor in the country and ask them, “Hey, tomorrow I want to start prosecuting hundreds of parents at a time who are traveling with young children who are outside of their communities, with nobody nearby to take those children in. And by the way, they don’t speak the language that most government officials talking to them are going to be using. Is that going to work?” They would tell you it obviously won’t. I was shocked that, to this day, many people involved in this decision making still don’t understand how immigration enforcement works.

    Watch: Atlantic editor in chief Jeffrey Goldberg in conversation with staff writer Caitlin Dickerson

    Jeffrey Goldberg

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