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Tag: cover

  • Jeff Tweedy Covers Cameron Winter’s “Love Takes Miles”

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    As part of a Valentine’s Day gift to his wife, Jeff Tweedy covered Cameron Winter’s “Love Takes Miles” over the weekend. The Wilco frontman said he chose to put his spin on the Heavy Metal song because it seems “very true to me about how love kind of actually works.” He elaborated further in his newsletter, writing, “I think you can feel the immediate feeling of love over and over and over again. But the real love takes a lot of miles, a lot of time. That’s the kind of love that makes ground harder under your feet and colors stronger.” Listen to the cover at Tweedy’s Substack.

    The short essay that accompanies the “Love Takes Miles” cover continues, with Tweedy writing, “It’s a poignant song for such a young person to put out into the world. I hope you check out the rest of Cameron’s songs, and Geese. A lot of people have opinions about them. I’ll just say what Susie said when she saw Geese on Saturday Night Live, that she would have loved to have booked them at Lounge Ax. They totally would have fit in at Lounge Ax. Happy Valentine’s Day. I know it’s a made-up holiday, but love ain’t so bad, especially right now. It could be worse, and it often is. Carry on.”

    Tweedy is currently in the early stages of a months-long headlining tour. Once he finishes this European leg, he will head back to North America to play shows in all three countries, with support from Liam Kazar and Finom’s Sima Cunningham and Macie Stewart, before concluding with a special set at the annual Solid Sound Festival in North Adams, Massachusetts.

    Read about “Love Takes Miles” at No. 1 in The 100 Best Songs of 2025.

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    Nina Corcoran

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  • Asher White Drops Full-Album Cover of Jessica Pratt’s Debut

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    Asher White is taking her admiration of Jessica Pratt to the next level; she just released a full-album cover of the singer-songwriter’s 2012 self-titled debut — much to Pratt’s appreciation. “White’s curiously inventive renditions took me by surprise,” Pratt said in a press release. “A broad sweep stylistically and production-wise. Not just homage, but a record in its own right.” The album arrives with news of a tour for White, too. Check out her full list of tour dates and listen to the cover album below.

    Although all songs on Jessica Pratt were written by Pratt, of course, White puts her own distinct spin on each one while juggling over a dozen different instruments, handling vocals, electric and acoustic guitar, banjo, bass, drums, electronics, percussion, prepared piano, string arrangements, synths, and programming. White is joined by Bee Clark on vocals during “Casper,” and Lila Lifton on violin during “Midnight Wheels.” The covers LP follows her 2025 album 8 Tips for Full Catastrophe Living.

    Near the end of 2021, White discovered Jessica Pratt’s debut album “on the cusp of my 21st birthday” and fell in love. “At some point it became one of those records I’d listened to so many times that I would find myself unconsciously singing phantom harmonies alongside it, or hearing arrangements that didn’t exist; eventually the specter of these imagined arrangements became substantive enough that I decided it would be a fun exercise to try and learn the whole record to actualize my fantasies,” said White. “This is to say: my ability to hastily fashion together a working album from these songs is a testament to the music’s enduring power, its durability and pliability, its simplicity and sense of inevitability, and also just how much it has meant to me in my life.”

    This May, White will head out on a headlining tour of the west coast; she plans to stop in San Diego, Los Angeles, Portland, Seattle, and other cities. But first, White will perform in Brooklyn on April 28.

    Read Andy Cush’s review of Home Constellation Study.

    Asher White: Spring 2026 Tour

    Asher White:

    04-28 Brooklyn, NY – Elsewhere Zone One
    05-05 San Diego, CA – Che Cafe
    05-07 Los Angeles, CA – Zebulon
    05-08 San Luis Obispo, CA – The Bunker
    05-09 Oakland, CA – Eli’s Mile High Club
    05-12 Portland, OR – Swan Dive
    05-13 Seattle, WA – Sunset Tavern
    05-15 Santa Cruz, CA – Smith House

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    Nina Corcoran

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  • Watch St. Vincent Rip Through David Bowie’s “Young Americans”

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    St. Vincent aka Annie Clark stopped by The Late Show With Stephen Colbert on Wednesday, December 18 to participate in Under the Covers, a new segment where, as the name implies, artists cover songs they love. Clark’s selection: David Bowie’s groovy 1975 hit “Young Americans,” which she first covered during the annual Love Rocks NYC benefit show in 2023. (Asked by Colbert who she would want to cover her songs, Clark replied with one hell of a trio: Erykah Badu, Doechii, or the Slits. ) Clark’s version of “Americans” is a mostly-faithful take on the original, though she does sub Joe Biden in for Bowie’s Richard Nixon line.

    St. Vincent spent most of her 2025 on the road to support her latest album, the Grammy-winning All Born Screaming. You can check out her full Bowie cover below.

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    Alex Suskind

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  • Fleet Foxes Cover Elliott Smith’s “Angel in the Snow”

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    Fleet Foxes have shared a new cover of Elliott Smith’s New Moon song “Angel in the Snow.” Robin Pecknold recorded the cover for the soundtrack to the new Christmas comedy film Oh. What. Fun. Listen to the track below.

    In a press statement, Pecknold said “‘Angel in the Snow’ has always been one of my favorite songs by Elliott, one I’d always listen to around the holidays, so it was a huge joy to make this for such a sweet film. It wasn’t even my idea! Took me back to handing out ‘RIP Elliott’ flyers at my high school graduation in 2004. Elliott Smith forever.”

    Oh. What. Fun. (Original Motion Picture Soundtrack) is out December 3 via Sony Music Masterworks. It includes Sharon Van Etten’s recent cover of the Pretenders’ “2000 Miles,” along with contributions from Weyes Blood, St. Vincent, Gwen Stefani, Wilco’s Jeff Tweedy, and others. See the album details, and listen to Van Etten’s “2000 Miles,” below.

    Oh. What. Fun. is directed by Michael Showalter and stars Michelle Pfeiffer, Felicity Jones, Chloë Grace Moretz, Dominic Sessa, and others. It hits Prime Video on December 3.

    V/A: Oh. What. Fun. (Original Motion Picture Soundtrack)

    Oh. What. Fun. (Original Motion Picture Soundtrack):

    01 The Bird and the Bee: “The Things We Do for Love”
    02 St. Vincent: “Have Yourself a Merry Little Christmas”
    03 Sharon Van Etten: “2000 Miles”
    04 Fleet Foxes: “Angel in the Snow”
    05 Uwade: “Step Into Christmas”
    06 The Wang Family: “Silent Night”
    07 Gwen Stefani: “Hot Cocoa”
    08 Weyes Blood: “Snowqueen of Texas”
    09 Andy Shauf / Madi Diaz: “Christmas Eve Can Kill You”
    10 The Bird and the Bee: “It’s My Life”
    11 Jeff Tweedy: “Christmas Must Be Tonight”
    12 Lorely Rodriguez: “Dance of the Sugar Plum Fairy”
    13 The Wang Family: “I Heard the Bells on Christmas Day”
    14 Dominic Sessa: “The 12 Days of Christmas”

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    Matthew Strauss

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  • Geese Cover New Radicals’ “You Get What You Give”

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    Geese stopped by the BBC Radio 1 Live Lounge to play two songs from their new album, Getting Killed. They also performed New Radicals’ 1990s classic “You Get What You Give.” Watch Geese do “100 Horses,” “Cobra,” and the New Radicals song below.

    Geese shared Getting Killed, their third album, in September. They have followed the album’s release with a performance on Jimmy Kimmel Live! and the music video for “Au Pays du Cocaine.” The band is also in the midst of a North American tour in support of its follow-up to 2023’s 3D Country.

    Read Walden Green’s review of Geese frontman Cameron Winter’s debut solo album, Heavy Metal.

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    Matthew Strauss

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  • A judge told Gov. Jared Polis not to comply with an ICE subpoena. Polis’ attorneys say he still wants to.

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    Gov. Jared Polis is still trying to find a way to comply with a federal immigration subpoena, four months after a Denver judge ruled that doing so would violate Colorado law.

    In repeated court filings, including one submitted Friday, Polis’ private attorneys have said they intend to turn over records on 10 businesses that employed several sponsors of unaccompanied children to U.S. Immigration and Customs Enforcement.

    They’ve asked a Denver judge, who previously prohibited some state employees from complying with ICE’s subpoena, to dismiss the case and clear the way for them to turn over a more limited batch of records.

    The recent filings represent the second attempt by Polis to comply with the April immigration enforcement subpoena. The governor’s first attempt was blocked by District Court Judge A. Bruce Jones in June, after Jones sided with a senior state employee who’d sued Polis earlier that month to stop the state from fulfilling the subpoena.

    The employee, Scott Moss, argued that providing the requested records would violate state laws that limit what information can be shared with federal immigration authorities.

    But though Jones preliminarily sided with Moss, his ruling is complicated. He prohibited Polis from directing a specific division of the Colorado Department of Labor and Employment to comply with the subpoena. But he said he couldn’t prevent Polis from directing others to comply with the subpoena, even though Jones said doing so would still likely violate the law.

    The records that Polis now says he intends to turn over to ICE are in the custody of another labor department division not covered in Jones’ order.

    In an email Tuesday, Polis spokeswoman Shelby Wieman declined to comment on the case or why Polis is still seeking to provide records to ICE. She pointed to the administration’s recent legal filings.

    The administration has previously said it wanted to support ICE’s efforts to check on unaccompanied minors without legal status, though the governor’s office has not provided any evidence that it has sought assurances that ICE wasn’t seeking the information purely for immigration enforcement efforts.

    David Seligman, whose law firm has supported the case, criticized the governor’s decision to seek the lawsuit’s dismissal while indicating his intention to turn over records to ICE. While ICE wrote that it wanted detailed employment records so it could check on the well-being of unaccompanied children, Seligman and Moss, the employee who brought the lawsuit, have argued that the agency only wants the information so it can arrest and deport the children’s sponsors.

    “It is absolutely absurd that this governor would be going out of his way to comply with and cooperate with ICE in light of everything that we’re seeing right now,” Seligman said.

    Moss has since left the department, and Polis’ lawyers now argue that no one associated with the case has a legal standing to challenge compliance with the subpoena. They’ve also argued that they can turn over the records because the employers’ addresses and contact information can be found online.

    The records are only part of the broader swath of personal details that ICE initially requested, and they cover only six of the 35 sponsors for which ICE first sought records. The sponsors are typically family members of children without legal status, who care for the minors while their immigration cases proceed.

    The administration has similarly told ICE officials that it intends to comply with part of the subpoena once the lawsuit is concluded. In a July 11 email, Joe Barela, the head of the Department of Labor and Employment, wrote to a special agent in ICE’s investigative branch that the agency planned to “provide your office with the names and contact information for those 10 employers.”

    The labor department has already complied with three ICE subpoenas this year, including in one “erroneous” case that apparently ran afoul of state law.

    Jones must now rule on whether to dismiss the lawsuit or let it proceed. Between June and early September, Recht Kornfeld, the private law firm Polis hired to represent him in the lawsuit, has billed the state for more than $104,000, according to records obtained by The Denver Post through a public records request.

    The Colorado Attorney General’s Office has said it was unable to represent Polis because of legal advice it provided to the governor related to complying with the subpoena. The office has declined to characterize the nature of that advice.

    The subpoena was sent to the state labor department in April as part of what ICE described as essentially a welfare check of unaccompanied minors in the state. The subpoena sought employment and personal records for the children’s sponsors.

    Initially, administration officials decided not to comply with the subpoena because of the state’s laws limiting such contact. But Polis abruptly changed course and decided to turn over the records, prompting Moss to sue.

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    Seth Klamann

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  • Anna Calvi and Perfume Genius Cover Bonnie “Prince” Billy’s “I See a Darkness”

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    Anna Calvi has enlisted Perfume Genius for a cover of the Bonnie “Prince” Billy classic “I See a Darkness.” The song accompanies the recent launch of Calvi’s new Substack, Carving Silver in Strange Weather, a home for unreleased songs, playlists, and writings on music. Watch the cover’s Alexander Brown–directed video, about two friends on a night out in London, below.

    Calvi said in a press release, “So many songs are about romantic love. But I wanted to highlight the romance of the chosen family, the depth of connection that isn’t tethered to heteronormative ideals. It’s such a powerful song about the yearning for intimacy. I love inhabiting other people’s songs. When I sing someone else’s words, I feel like I’m getting closer to myself somehow, because the songs I choose express something I can’t articulate.”

    Calvi’s recent work includes scores for the final two seasons of Peaky Blinders, released in 2023. Her last albums were 2018’s Hunter and its guest-assisted companion LP Hunted. Perfume Genius release Glory this year.

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    Jazz Monroe

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  • Cameron Winter Seemingly Covers Bruce Springsteen’s “Dancing in the Dark” for Xbox Ad

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    Cameron Winter sings Bruce Springsteen’s “Dancing in the Dark” in the launch trailer for the ROG Xbox Ally. At least, that is what we can deduce based on the seemingly unmistakeable tenor of the singer’s voice; neither Winter nor Geese have acknowledged the song, and nobody is credited for the music in the trailer’s description. The acts’ representatives did not respond to requests for comment. Decide for yourself below.

    If any doubts remain over the artist’s identity (or identities), one person we can rule out is Brian Eno, composer of the Windows 95 startup sound for Xbox owner Microsoft. In May, Eno denounced Microsoft for collaborating with the Israeli government, donated his fee for the theme to people in Gaza, and expressed solidarity with Microsoft workers who have “done something truly disruptive and refused to stay silent.”

    Geese’s latest album, Getting Killed, came out last month. They have since performed on Jimmy Kimmel Live! and released a music video for “Au Pays du Cocaine.”

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    Jazz Monroe

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  • Mitski Covers Pete Townshend’s “Let My Love Open the Door”

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    Milan Records has released the soundtrack for A Big Bold Beautiful Journey, a new film starring Margot Robbie and Colin Farrell. The soundtrack includes famed Japanese composer Joe Hisaishi’s score for the film, four tracks performed by Laufey, and a cover of the Who’s Pete Townshend’s “Let My Love Open the Door,” performed by Mitski. Find the Townshend cover and full soundtrack below.

    Hisaishi is best known for his work with Hayao Miyazaki and Studio Ghibli, most recently collaborating with the director and studio on 2023’s The Boy and the Heron. With A Big Bold Beautiful Journey, he “makes his Hollywood feature scoring debut,” as noted in a press release.

    Three of Laufey’s four songs on A Big Bold Beautiful Journey (Original Motion Picture Soundtrack) are covers, but one, “The Risk,” is an original that was apparently written at the behest of the movie’s director, Kogonada. Laufey co-produced the song with Spencer Stewart, her primary collaborator on new album A Matter of Time.

    Read Pitchfork’s review of Mitski’s latest studio album, 2023’s The Land Is Inhospitable and So Are We.

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    Matthew Strauss

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  • That cover of Melania Trump on Vanity Fair is fake

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    Laura Loomer’s X post, Aug. 28, 2025

    Gavin Newsom’s X post, Aug. 29, 2025

    Semafor, Exclusive / Vanity Fair’s new cruise director will have to choose between his reporters and his friends, Aug. 24, 2025

    VanityFair.com, accessed Aug. 29, 2025

    Vanity Fair, The Complete Vanity Fair Archive, Aug. 29, 2025

    The New York Times, Melania Trump Over the Years, accessed Aug. 29, 2025

    ABC News, Melania Trump Appears on Cover of Mexican Vanity Fair Amidst Tensions, Jan. 27, 2017

    Daily Mail, Melania Trump laughs off Vanity Fair cover offer as magazine employees epically melt down in protest, Aug. 28, 2025

    Page Six, Melania Trump ‘laughed’ at Vanity Fair offer, rejected magazine: sources, Aug. 27, 2025

    Annie Leibovitz’s Instagram account, accessed Aug. 29, 2025

    Annie Leibovitz’ website, accessed Aug. 29, 2025

    The Next News Network, Developing: Melania Discussion at Emergency Meeting LEAKED – What They Said is DISGUSTING, Aug. 28, 2025

    The Next News Network’s X post, Aug. 28, 2025 

    Laura Ingraham’s X post, Aug. 28, 2025

    Charlie Kirk’s X post, Aug. 28, 2025

    Laura Ingraham’s X post, Aug. 28, 2025

    Charlie Kirk’s X post, Aug. 28, 2025

    Autism Capital’s X post, Aug. 28, 2025

    Vanity Fair’s X account, accessed Aug. 29, 2025

    Vanity Fair’s September issue, accessed Aug. 29, 2025

    WasItAI, accessed Aug. 29, 2025

    Hive Moderation, accessed Aug. 29, 2025

    Vogue, First Lady Jill Biden on What’s at Stake in 2024, July 1, 2025

    Vogue Magazine’s X post, Nov. 11, 2016

    Bellingcat, Testing AI or Not: How Well Does an AI Image Detector Do Its Job?, Sept. 11, 2023 

    Today.com, Donald and Melania Trump: A timeline of their relationship, Jan. 20, 2025 

    The Chicago Tribune, Critics call Gary Franchi’s YouTube channel, the Next News Network, a hive of conspiracy theories. So how has it survived the platform’s conspiracy crackdown?, Nov. 2, 2020

    Newsweek, Next News Network Founder Cries on Air as Conservative Channel Demonetized, Feb. 27, 2023

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  • Mavis Staples Announces New Album, Shares New Cover of Kevin Morby’s “Beautiful Strangers”

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    Mavis Staples has announced a new album. Produced by Brad Cook, Sad and Beautiful World combines original material with covers of songs by Tom Waits, Gillian Welch and David Rawlings, Frank Ocean, Curtis Mayfield, and Leonard Cohen, among others. In June, Staples shared her rendition of Ocean’s “Godspeed,” and, today, she’s shared her take on Kevin Morby’s “Beautiful Strangers.” Listen to the new song below.

    “It isn’t easy to put into words what it feels like having one of the best, most important vocalists and cultural figures of both the 20th and 21st century sing one of my songs,” Morby shared in a press statement. “But hearing Mavis sing ‘Beautiful Strangers’ is hands down the greatest moment and highest honor of my career. Far beyond any kind of accolade or acclaim—having one of my biggest heroes sing something I wrote is the most validating and flattering thing that could ever happen to me as a songwriter and person. Thank you, Mavis.”

    Morby added: “Mavis also wields that extremely rare power to take a song somebody else wrote and make it entirely her own. As the person who penned ‘Beautiful Strangers,’ I feel I have every right to say; her version is better.”

    Sad and Beautiful World is out November 7 via via Anti-. Bonnie Raitt, Jeff Tweedy, Waxahatchee’s Katie Crutchfield, MJ Lenderman, and Bon Iver’s Justin Vernon all make guest appearances on Staples’ solo follow-up to 2019’s We Get By.

    All products featured on Pitchfork are independently selected by our editors. However, when you buy something through our retail links, we may earn an affiliate commission.

    Mavis Staples: Sad and Beautiful World

    Sad and Beautiful World:

    01 Chicago
    02 Beautiful Strangers
    03 Sad and Beautiful World
    04 Human Mind
    05 Hard Times
    06 Godspeed
    07 We Got to Have Peace
    08 Anthem
    09 Satisfied Mind
    10 Everybody Needs Love

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    Walden Green

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  • Vampire Weekend Cover Billy Joel’s “Scenes From an Italian Restaurant”

    Vampire Weekend Cover Billy Joel’s “Scenes From an Italian Restaurant”

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    Vampire Weekend played two shows at New York’s Madison Square Garden this weekend, as they continue to tour in support of Only God Was Above Us. The first show took place last night (October 5), and featured support from Mark Ronson and a Billy Joel tribute band called Turnstiles. Not to be outdone by their openers, Vampire Weekend also covered Billy Joel, playing “Scenes From an Italian Restaurant,” complete with a couple dining and being waited upon onstage. (The man in the couple was Definitive Jux rapper and former Time Crisis host Despot.) Watch the performance below.

    Famously, Billy Joel had a concert residency at Madison Square Garden from 2014 to 2024. He played his purported final show at the venue on Thursday, July 25, 2024. It was his 150th concert at the arena, with the first taking place on Thursday, December 14, 1978.

    Read Pitchfork’s Sunday Review of The Stranger, the 1977 Billy Joel studio album that houses “Scenes From an Italian Restaurant.”

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    Matthew Strauss

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  • Watch Fontaines D.C. Cover Lana Del Rey’s “Say Yes to Heaven”

    Watch Fontaines D.C. Cover Lana Del Rey’s “Say Yes to Heaven”

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    Fontaines D.C. stopped by the BBC Radio 1 Live Lounge for a performance on the heels of their new album, Romance. The Irish band broke out the LP cut “Favourite” and an unlikely cover of “Say Yes to Heaven,” the fan-favorite Lana Del Rey song that she recorded back in 2013 but didn’t released until just last year. Fontaines D.C. singer Grian Chatten delivers on the track’s forlorn melodrama. Watch videos of both performances below.

    Though its halfway over, Fontaines D.C.’s massive tour is still ongoing and will keep the Irish lads on the road until this year concludes. They still have a number of U.S. dates left this month before they return to Europe for dozens of additional tour dates. The run ends in December with multiple headlining shows in their hometown of Dublin.

    Romance is the fourth studio album from Fontaines D.C., but it’s their first for XL Recordings. Last year, they linked up with Massive Attack and Young Fathers for a limited-edition vinyl record to raise money for Doctors Without Borders’ aid in Gaza and the West Bank: the Ceasefire EP.

    Read “The Best Music of 2024 So Far.”

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    Nina Corcoran

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  • Phoenix Join Forces With Angèle and Kavinsky to Release Viral Cover of “Nightcall”

    Phoenix Join Forces With Angèle and Kavinsky to Release Viral Cover of “Nightcall”

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    Phoenix have reunited with Angèle and Kavinsky to release a studio version of “Nightcall,” the cover they premiered at the Paris 2024 Olympics closing ceremony. Below, check out their take on the track, which was originally written by Kavinsky with Daft Punk’s Guy-Manuel de Homem-Christo and prominently featured on the Drive soundtrack.

    Angèle contributes vocals alongside Phoenix’s Thomas Mars, and Phoenix helped produced the track with Kavinsky.

    Phoenix also collaborated with Air and Vampire Weekend’s Ezra Koenig at the Olympics closing ceremony, but it was the “Nightcall” rendition that went viral; according to their publicist, it broke the record for most Shazams in a single day.

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    Jazz Monroe

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  • We’re Sat For The All American Rejects New Cover Of ‘Flagpole Sitta’

    We’re Sat For The All American Rejects New Cover Of ‘Flagpole Sitta’

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    What a great day to be an AAR fan! They just released their cover of Harvey Danger’s ‘Flagpole Sitta! Will we get more AAR music in the future? We’re not sure, but we’re stoked about anything they put out. You can listen to their cover ‘Flagpole Sitta’ below.

    To get you even more hyped for their upcoming festival performances, (including When We Were Young Fest!) here are our top 5 favorite songs from some of the different eras of The All American Rejects.

    ‘My Paper Heart’

    The intro track of their self-titled album is truly iconic. Whether you listened to it today (like we did) or it’s been a minute, you’ll want to sing this song at the top of your lungs. Did anyone else have ‘My Paper Heart’ lyrics as their AIM status?

    ‘Dirty Little Secret’

    We can’t not talk about our favorite AAR songs without mentioning this one. 2005 was a pretty iconic year for emo/adjacent music as a whole, but this song was everywhere. And honestly, it was well deserved because it goes hard.

    ‘Gives You Hell’

    Just like ‘Dirty Little Secret’ was to 2005, ‘Gives You Hell’ had the same impact in 2008. No one was doing it like AAR. Not only was it only a defining breakup anthem of the year, but also of all time. That’s all there really is to say.

    ‘Kids In The Street’

    We loved the Kids In The Street era. This song is an absolute bop. It’s just such a fun pop-rock song. While it’s one of their longer songs at 4 minutes and 45 seconds, you can bet we’re enjoying every second of it and playing it on repeat.

    ‘Sweat’

    Even though Kids In The Street was their last actual album, they did release more singles throughout the years. Their single ‘Sweat’ from 2017 is an absolute banger. We’re obsessed with the punchy chorus and it’s what makes it so addictive.

    Be sure to check their tour page to see all the upcoming festivals they’re performing at! What do you think of The All American Rejects’ cover of ‘Flagpole Sitta?’ Are you seeing them at any upcoming festival dates? Let us know in the comments, on FacebookInstagram, or by tweeting us @thehoneypop

    TO LEARN MORE ABOUT THE ALL AMERICAN REJECTS:
    FACEBOOK | INSTAGRAM | TIKTOK | TWITTER

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    Aera Ahn

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  • New Radicals Return to Cover “Murder on the Dancefloor” and Pen Open Letter to Doug Emhoff

    New Radicals Return to Cover “Murder on the Dancefloor” and Pen Open Letter to Doug Emhoff

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    I’m writing this letter to you to send out an S.O.S. to all the artists and music people across America that the clock is truly ticking for us to save our democracy.

    The time is clearly NOW for all to jump in and use whatever influence for the greater good and endorse the candidate who doesn’t “weirdly” (love that Coach Walz!) advocate taking away women’s rights and everyone’s freedoms. Or brags he’ll cancel America’s Presidential election in 2028!?
    […]

    When we spoke in NY, it was clear that you’re a family man of conscience who cares about his country and its people. It’s what makes Kamala and you true “new radicals” of the best kind. And anyone knowing Hall & Oates covered our “Someday We’ll Know” or king of critics, Robert Christgau, gave our album an “A” is pretty cool in my book!
    […]

    For the record, New Radicals turn down every request from drug companies or anyone asking to change our lyrics (never!) and our publishers support that by saying “no problem.” We’d never morally support any type of industry that might contribute to an opioid epidemic that has already killed a million Americans.

    Doug, I wonder what song these Silicon Valley jingle masseuses will try diseasing next, “Celebrex Sadness”? Well just a month past our July 12th, 25th anniversary — to any FDA Big banker Pharma’s out there…come around we’ll STILL kick your ass in!

    We’re grateful our music is still inspiring some young “new radical” athletes and musicians who are jumping in too. Like BRAT Charli XCX who loves Kamala’s politics (and we beyond love Charli’s “1999” New Radicals video homage!), or Travis Kelce who tweeted “I’ve got the Dreamers Disease!”, which choked me up because that just means fighting for what you believe!!

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    Jazz Monroe

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  • Maxwell Releases New Cover of Al Green’s “Simply Beautiful”

    Maxwell Releases New Cover of Al Green’s “Simply Beautiful”

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    For years, Maxwell has been performing Al Green’s 1972 song “Simply Beautiful” live. He’s now released a studio recording of the track. Hear Maxwell’s “Simply Beautiful” below; scroll down for a video about the making of the cover.

    Maxwell made “Simply Beautiful” with producers Hod David and Shedrick Mitchell. “We had the best of the best come out to be a part of the recording, from the horns to the strings to the vocalists,” the singer remarked in a press statement. “They sound amazing. This is really magical.”

    Beginning next month, Maxwell will embark on the Serenade Tour with Jazmine Sullivan and October London. He has yet to follow 2016’s blackSUMMERS’night with the long-teased Night.

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    Matthew Strauss

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  • King Princess Covers Steely Dan’s “Dirty Work”

    King Princess Covers Steely Dan’s “Dirty Work”

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    Mikaela Straus recorded her version of the Can’t Buy a Thrill song for the new season of Hacks

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    Matthew Strauss

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  • David Byrne Covers Paramore’s “Hard Times”

    David Byrne Covers Paramore’s “Hard Times”

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    David Byrne has covered Paramore’s After Laughter single “Hard Times,” returning the favor after Hayley Williams and the band took on Talking Heads’ “Burning Down the House” in January. Check out the song below, ahead of its 12″ release for Record Store Day.

    Byrne wrote on social media, “The band told me that their song ‘Hard Times’ was inspired by Talking Heads, so I learned it and recorded my version of their great song with a horn section. This was fun!”

    Paramore’s Talking Heads cover, meanwhile, is set to appear on Everyone’s Getting Involved: A Tribute to Talking Heads’ Stop Making Sense, A24’s compilation featuring the National, Lorde, Miley Cyrus, and others.

    Check out “Talking Heads’ Original Lineup on Stop Making Sense, Their Early Days, and the Future.”

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    Jazz Monroe

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  • Dolly Parton Covers Tom Petty’s “Southern Accents”

    Dolly Parton Covers Tom Petty’s “Southern Accents”

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    Dolly Parton has released a new cover of Tom Petty’s 1985 song “Southern Accents.” It’ll appear on the forthcoming compilation Petty Country: A Country Music Celebration of Tom Petty. Watch Parton’s new “Southern Accents” music video, directed by Trey Fanjoy, below.

    “I was fortunate enough to get to know Tom over the years,” Parton stated in a press release. “He’s such an iconic artist and important songwriter. I’m so honored to be a part of this special album and to be able to share my version of one of Tom’s best songs, ‘Southern Accents.’”

    George Drakoulias, Randall Poster, and Scott Borchetta are the executive producers of Petty Country: A Country Music Celebration of Tom Petty. The tribute album features Willie and Lukas Nelson, Steve Earle, Rhiannon Giddens, Chris Stapleton, Luke Combs, Midland, Margo Price, and more. The LP is out on June 21.

    Dolly Parton has been in the headlines lately for her work on Beyoncé’s Cowboy Carter. She is on the new album’s “Dolly P” and “Tyrant,” and Beyoncé memorably covers Parton’s “Jolene.”

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    Matthew Strauss

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