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Tag: Country music

  • Music Rewind 2025: How Tanner Adell Carved Her Own Path In Country/Pop

    Tanner Adell in 2025 felt like watching someone kick open a saloon door with rhinestones flying everywhere. She didn’t wait for Nashville to make room for her. She made her own lane, painted it pink, added a bass line, and brought thousands of fans along for the ride!

    With a sound that blends country warmth, pop sparkle, and bold creative choices, Tanner proved that being different is exactly what country music needed this year.

    Here’s how she carved her path, one fearless moment at a time.

    1. Redefining What A Country Girl Looks Like

    Tanner’s rise in 2025 came with a message: country music is big enough for all kinds of women. Growing up between Wyoming’s open fields and California’s sun, she never saw herself reflected in Nashville’s usual image. When she arrived in the industry, she immediately noticed the lack of representation.

    But instead of changing herself to blend in, she stayed true to her identity as a young Black woman who loves cowboy boots as much as she loves hip hop beats. Her confidence gave fans permission to show up fully as themselves, too. It felt refreshing, necessary, and honestly a little rebellious in the best way.

    2. Glam Country Became A Whole Era

    If 2025 had a glitter trail across its playlists, Tanner was the one leading it. Her signature “glam country” sound fuses glossy pop melodies, hip hop grooves, and traditional storytelling. She has a knack for pairing bright production with cheeky lyrics, creating songs that feel playful yet clever.

    At her shows, she’d strut out with a sparkly guitar and high heels, instantly shifting the whole atmosphere. Her style wasn’t a gimmick. It was a reminder that country doesn’t have to be dusty or muted. It can shine. It can be bold. It can be girly and gritty at the same time!

    3. ‘Going Blonde’ Showed Her Heart

    While Tanner delivered plenty of bops in 2025, ‘Going Blonde’ was the moment that stopped people in their tracks. The emotional ballad was inspired by her adoption story and the discovery of her biological family. After learning that her birth mother, a blonde woman she resembled more than she ever expected, had passed away before they could meet, Tanner poured the grief and healing into a single she wrote alone at a Nashville bar.

    She shared snippets on TikTok, where we immediately connected with her honesty. The song peeled back her glittery exterior to show a more tender, vulnerable side. In a year full of upbeat tracks, ‘Going Blonde’ stood out because it felt like Tanner speaking straight from her heart.

    4. Social Media Became Her Stage

    Tanner didn’t just release music in 2025. She built a digital community that grew with her. TikTok became her playground for teasers, acoustic moments, songwriting clips, and silly behind-the-scenes candids. We loved her casual storytelling just as much as her polished performances.

    The song ‘Do Angels Drink Whiskey?’ became a fan demand after she previewed a quick clip online. By the time she officially released it, we were already belting it out like an old favorite. Tanner’s ability to make fans feel included turned casual listeners into long-term stans. She didn’t just post content. She let people into her creative process, which made her growth feel personal.

    5. The Beyoncé Co-Sign That Shook The Genre

    If there was one moment that changed the trajectory of Tanner’s year, it was her appearance on Beyoncé’s surprise country project, Cowboy Carter. Tanner lent vocals to a track that blended genres and made the music world pay attention. When the album won a Grammy Award for Best Country Album, Tanner became part of a milestone that pushed conversations about who “belongs” in country music.

    Not only did Beyoncé’s nod bring Tanner into the mainstream spotlight, but it also highlighted how much her presence mattered in a genre that has historically kept its borders tight. After the collaboration, her fanbase expanded overnight, and media outlets began labeling her one of the new faces shaping the future of the sound.

    6. Touring, Streams, And Standout Moments

    With over 200 million streams, a sold-out run of shows, and growing media recognition, Tanner’s 2025 was stacked. She appeared at major events, earned features from top publications, and delivered live performances that showed how comfortable she is commanding a stage.

    Fans didn’t just show up for the music. They showed up for the energy she brings. A Tanner Adell performance is layered with humor, heart, glitter, and a sense that everyone is welcome in the space she creates!

    7. A Voice Expanding Country’s Horizon

    Beyond the streams and headlines, Tanner made a deeper impact. She brought new fans into country music who had never felt represented. She made space for girls who love both rhinestones and rap verses. She challenged outdated expectations without attacking the genre she clearly loves.

    Tanner’s mission wasn’t to tear down country. It was to widen the doors so more people could walk in. Her presence alone pushed conversations forward about country’s sound, its culture, and its future.

    8. Why 2025 Was Her Breakthrough

    Looking at the year as a whole, Tanner didn’t rise because she followed a trend. She rose because she created one. She blended storytelling with sparkle, wrote honestly about her life, embraced her community, and said yes to every creative possibility. She treated music like a space where she could build her own rules, and people felt that freedom. Tanner’s 2025 wasn’t just successful. It was defining!

    9. Where She’s Heading

    If this year proved anything, it’s that Tanner Adell is shaping the future of country pop. She’s bold enough to experiment, grounded enough to write with real feeling, and charismatic enough to make people care. Fans are already buzzing about what she’ll do next. More music? A bigger tour? A full glam country album? Whatever she chooses, she’s carrying momentum, influence, and a community behind her. And honestly, it feels like she’s just getting started!

    What has been your favorite 2025 moment with Tanner? Let us know in the comments below, or give us a shout on Twitter and Instagram!

    TO LEARN MORE ABOUT TANNER ADELL:
    FACEBOOK | INSTAGRAM | TIKTOK | TWITTER

    Want more country music? We got you.

    Asia M.

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  • The Grammys split country album category into traditional and contemporary

    NEW YORK — Flashback to February. It’s the 2025 Grammys, and Beyoncé has made history. Not only was she finally awarded the top prize of album of the year, but she also became the first Black woman to win best country album, for “Cowboy Carter.” Recent changes by the Recording Academy have made it even more monumental: She might be the last person to ever win the award.

    In June, the Academy announced that the Grammys’ country album title was splitting into two categories. A new award was created, traditional country album. The preexisting country album category has been redefined and is now contemporary country album, reflecting the genre’s ongoing sonic evolutions.

    The decision was divisive: Some viewed it as backlash to Beyoncé’s win. Others welcomed the addition of a new award and the creative doors it might open. Some questioned how the categories would be defined in a genre where the word “traditional” is loaded.

    Here’s everything you need to know about the change — and what it could signify in the future.

    Charles L. Hughes, Rhodes College professor and author of “Country Soul,” says Beyoncé’s victory was a welcomed surprise, despite being obviously worthy. That’s because her album inspired a larger conversation about reclamation, standing in opposition to the music industry’s rigid power structures and “indicated how significant this historical question remains of whether or not Black folks have equal access to success in a genre of music that bears such strong Black influences and has from the very beginning,” Hughes said.

    He believes the decision to alter the country album categories was not in direct response to her win — “I think it is a more complicated story,” he says — but the timing might’ve been less than ideal, emboldening fans to view it as reactionary. He hopes the changes will open the category to more diversity of sounds and “whether this leads to a broader opening and opportunity for Black artists, especially Black women in country music,” he posits.

    Francesca T. Royster, a DePaul University professor and author of “Black Country Music: Listening for Revolutions,” views Beyoncé’s victory as positively connected to this change. She wonders if artists — particularly artists of color, who never had their music recognized in country music categories, think of artists like “Millie Jackson or Candi Staton, Bobby Womack” — would now see their work recognized. “Having these two categories just allows for more experimentation and maybe less of a double standard,” she says, “in terms of artists who are often held to higher standards to conform to, or be recognizable as, meeting an idea about what country music is.”

    “It makes sense that the Grammy categories for country would become a little bit more expansive,” she says, “because I think the music is more expansive and the audience is also more expansive than it’s ever been.”

    According to the Recording Academy’s rule book, the traditional country category is defined by “country recordings that adhere to the more traditional sound structures of the country genre, including rhythm and singing style, lyrical content, as well as traditional country instrumentation.”

    Those are: acoustic guitar, steel guitar, fiddle, banjo, mandolin, piano, electric guitar and live drums. This is also where subgenres like outlaw country, Western and Western swing would fit.

    The contemporary country category description is a bit more conceptual. The rule book states that albums eligible in this category “utilize a stylistic intention, song structure, lyrical content, and/or musical presentation to create a sensibility that reflects the broad spectrum of contemporary country style and culture.”

    The hope is that those titles are “relevant to the legacy of country music’s culture, while also engaging in more contemporary music forms.”

    The questions Hughes poses: “Whose tradition are we talking about?” And how is “country music’s culture” defined?

    “It’s almost tautology. ‘Well, it’s traditional country if it sounds like traditional country,’” he says.

    In that reading, contemporary country could simply account for everything else.

    Royster says both categories seem to “speak to an aesthetic as well as political agenda, many agendas.” To her, the traditional category would appeal to artists who believe that “this is a past form that needs to … continue to be recognized and respected.” Similarly, the contemporary category is “linked to the culture of country but is also expansive.”

    “In both cases, there’s a kind of story behind the story.”

    Adding a new genre category is not unique to country music. Consider a sister genre, R&B. In 1999, the Recording Academy also introduced a traditional category to the R&B field to spotlight artists who chose to hybridize the genre as well as those who prefer nostalgic structures.

    It didn’t stay stagnant from there: In 2021, the Academy changed the best urban contemporary album category to best progressive R&B album, to spotlight those records that weave R&B with other genres.

    In the contemporary country album category, Kelsea Ballerini’s “Patterns” faces off against Tyler Childers’ “Snipe Hunter,” Eric Church’s “Evangeline vs. the Machine,” Jelly Roll’s “Beautifully Broken,” and Miranda Lambert’s “Postcards from Texas.”

    In the traditional category, it is Charley Crockett’s “Dollar a Day,” Lukas Nelson’s “American Romance,” Willie Nelson’s “Oh What a Beautiful World,” Margo Price’s “Hard Headed Woman,” and Zach Top’s “Ain’t In It For My Health.”

    Royster wonders if with this first year of nominees, “there’s less risk in terms of recognizing the kind of ‘country-ness’ of these artists.” Royster views the lineup as “artists (whose) country creds would still be recognized even if they’re also bringing in other elements. I would hope in the future there might be more room in the category.”

    For Hughes, the nominees further confuse the distinctions. Consider this example: Zach Top’s album borrows heavily from George Strait’s sound, which emerged in the ‘70s as a mesh of honky-tonk traditions and contemporary country. Hip-hop also emerged in the ’70s. They were simultaneous. “But I have a feeling we won’t be seeing a lot of hip-hop-inspired artists in the traditional category,” he says.

    But that doesn’t mean it might not evolve in the future. “If the Grammys fundamentally exist to give people recognition,” he says, “The more, the merrier.”

    “Anytime the pipe widens, more water gets through. And this was the pipe widening, baby,” Jelly Roll, who is nominated in the inaugural best contemporary country album category, told The Associated Press. “I love it. I’m happy. I’m a fan of both sides. It encourages me to maybe make a traditional country album one day, you know? So, this is cool.”

    Three-time Grammy award winner Brad Paisley has a similar stance: There’s a benefit to having more country music recognitions.

    “Awards are really tools to sort of get awareness for something that you made, you know?” he said. “They’re never the goal. It’s always more like, ‘Oh, cool, this might make more people listen to it.’ … If this means they got to make more little gold gramophone statues to give out, and two people get them versus one, great.”

    That said: Paisley’s not sure which category he would fall into, or if the division could color an artist’s creative decisions. “I’d almost have to think it through like, ‘No, no, we’re going for the Grammy on this. I better not do this on this record or something.’ But hopefully that doesn’t ever enter into it,” he says.

    Hopefully, it’s just a panel decided who belongs in which category, “and then two people get to go home happy versus one. And that’s good in my book,” he said.

    ___

    The 68th Grammy Awards will be held Feb. 1, 2026, at Crypto.com Arena in Los Angeles. The show will air on CBS and stream on Paramount+. For more coverage, visit https://apnews.com/hub/grammy-awards.

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  • Joe Ely, a Texas songwriter whose legacy touched rock and punk, dies age 78

    Joe Ely, the influential Texas-born singer-songwriter whose blend of honky-tonk, rock, roadhouse blues, led to collaborations with Bruce Springsteen and the Clash, has died

    AUSTIN, Texas — AUSTIN, Texas (AP) — Joe Ely, the influential Texas-born singer-songwriter whose blend of honky-tonk, rock and roadhouse blues made him a favorite among other musicians and led to collaborations with Bruce Springsteen and the Clash, has died. He was 78.

    Ely died in Taos, New Mexico, of complications from Lewy Body Dementia, Parkinson’s and pneumonia, with his wife and daughter by his side, according to a post on his Facebook account Monday night and later confirmed by his representatives.

    Ely was considered a key figure in the progressive country music movement as a founder of the influential country-rock band The Flatlanders with Jimmie Dale Gilmore and Butch Hancock, and later as a solo artist.

    “Joe Ely performed American roots music with the fervor of a true believer who knew music could transport souls,” said Kyle Young, CEO of the Country Music Hall of Fame and Museum.

    “But his true measure came through in the dynamic intensity of his powerhouse live performances, where he could stand his ground aside fellow zealots Bruce Springsteen who recorded duets with Ely, and the (Rolling) Stones and the Clash, who took Ely on tour as an opening act,” Young said.

    After signing with MCA, Ely released his first solo album in 1977. He would release more than 20 albums over his career, including “Love and Freedom” earlier this year.

    Born in Amarillo, Texas, Ely stayed connected to his Texas roots through decades of recording and performing that lacked a mainstream breakthrough but made him a favorite of other artists.

    “Every time I start a new album I head up to West Texas and drive around, you know, drive on those old cotton roads and in the wide-open spaces, and every once in a while I’ll come across a place where I’ve spent some time,” Ely told Texas Monthly in 2011.

    It was a soundcheck for a show in London that led to the collaboration with British punk band the Clash. Ely would later open for the Clash at several shows and sang backup vocals for their hit song “Should I Stay or Should I Go?”

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  • 2025 CMA Awards: Red carpet fashion from Country Music’s Biggest Night

    Thursday, November 20, 2025 1:02AM

    Lainey Wilson attends the 59th Annual CMA Awards at Music City Center on November 19, 2025 in Nashville, Tennessee.

    Photo by Emma McIntyre/Getty Images

    Take a look at the photo gallery above to see what your favorite stars wore to the 2025 CMA Awards!

    Country Music’s Biggest Night broadcasts live now on ABC from Nashville’s Bridgestone Arena.

    Follow @OnTheRedCarpet on Facebook, X and Instagram for full coverage of the 58th annual CMA Awards in Nashville.

    Copyright © 2025 OnTheRedCarpet.com. All Rights Reserved.

    OTRC

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  • Country Music Competition ‘The Road’ Might Be an Omen of CBS’s Conservative Future

    For the last few months, CBS has been using cryptic ads to promote The Road, a new reality show co-created by Taylor Sheridan and hosted by Blake Shelton and Keith Urban. The ads featured tour buses, clouds of dust, scenes of Shelton and Urban flanked by other country stars like Lainey Wilson, the Brothers Osborne, Gretchen Wilson—and not much else. Since the series shares a name with Cormac McCarthy’s 2006 postapocalyptic classic, it was easy to imagine this might be some sort of countrified Squid Game. Instead, Sunday night’s premiere revealed the series as a contemporary answer to the American Idol–esque mid-aughts reality competition Nashville Star.

    The Road gathers 12 country singer-songwriters, all of whom will open for Urban on a tour of small clubs. Amid product placement from sponsors Crown Royal and rodeo clothier Ariat, each contestant plays an original song, and the audience rates them using an iPhone app. One musician will be eliminated weekly until a single singer wins a slot at the Stagecoach Music Festival, a record deal, and a cool $250,000.

    Contestants on Idol or The Voice aren’t necessarily professionals—but everyone competing on The Road is a working musician. The show’s tension comes from the sense that we’re watching a group of dreamers perform for a judgmental audience of both country fans and their idols. After spending 23 seasons as a coach on The Voice, Shelton knows how to look like he’s having a good time as he watches the contestants, even when he winces at a missed note. Urban, on the other hand, occasionally looks like he’s experiencing regret and despair—similar to how he’s acted recently when asked about his divorce from Nicole Kidman. On The Road, his impassive response to the performers renders him an enigmatic, even baffling figure. It’s not a surprise that Urban gets the task of sending the losing contestant home at the end of each episode.

    Though Sheridan is new to the reality TV genre, he has a long history of putting real Nashville stars on screen, casting Tim McGraw and Faith Hill as the leads in 1883 and giving Lainey Wilson her first acting role as a singer on the rise. Over the last decade, the western drama Yellowstone established the writer, producer, and occasional actor as the Hollywood voice who could speak directly to “real America”—and he’s made CBS’s parent company Paramount plenty of money doing it. (He’s currently responsible for four other shows with high-profile stars on Paramount+: Billy Bob Thornton’s Landman, Kidman’s Special Ops: Lioness, Sylvester Stallone’s Tulsa King, and Jeremy Renner’s Mayor of Kingstown.)

    The Road is an early sign that the Sheridan sensibility may soon be even more foundational to the Tiffany Network. After decades focused on winning over America’s middle-class middlebrow, CBS now seems to be making a bid for an explicitly conservative viewership, following the network’s acquisition by David Ellison’s Skydance Media. Then again, Sheridan doesn’t seem terribly interested in being a culture warrior; those who didn’t actually watch Yellowstone might be surprised to find out the show was something of a Trojan horse for progressive ideals, though they were never expressed in an overtly “woke” way. Ultimately, the Sheridan Cinematic Universe operates on the principle that you don’t necessarily have to cater to a paranoid, conservative audience so long as you omit anything that might offend them.

    Erin Vanderhoof

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  • INTERVIEW: Ink Spills All About Her ‘BIG BUSKIN’’ EP, ‘Sweet Tea,’ & More!

    If you think you’ve never heard Ink, we guarantee you that you’re wrong! This GRAMMY-nominated songwriter has already made it onto your playlists with songs like Beyoncé’s ‘16 CARRIAGES,’ Kendrick Lamar & SZA’s ‘luther,’ and Lay Bankz’s ‘Tell Ur Girlfriend.’ But now, she’s proudly stepping onto the stage with her own narratives and voice on her debut EP, BIG BUSKIN’, which proves that Ink is a vital storyteller defining this generation in music. We need music that connects and transforms us more than ever, and she has the perfect pen for the job.

    Across 13 songs, Ink throws a moving ‘Hoedown’ that walks us through her love story with music, her views on persistence and tough times, and the passion that’s carried her through life. “They can steal your style, but they can’t steal your story,” she muses on the spoken opener, ‘Inktro,’ over a western-inspired soundscape. At the heart of each song lies Ink’s authenticity and pure, all-encompassing love for the music she makes, especially on emotive tracks like the incredible ‘God’s Been Drinkin’.’ Even the EP title is an ode to her love for her craft – some of her earliest musical pursuits involved busking and learning how to make her storytelling as moving as possible, and the ‘Tony Machine on 42nd’ interlude tells the story of one of those performances. 

    The hell with all that BS — press play and find out — real music is back!

    Ink

    We’re ‘Comin’ Back’ from our listening experience with some extra sweet news: we got to ask Ink all about BIG BUSKIN’, writing her truth, and her biggest inspirations! Press play on BIG BUSKIN’ then keep reading to learn more about the project from the musical genius who created it.

    Hey Ink, congratulations on the EP release! What has it been like for you to drop it and see how much fans are loving it?
    It’s been incredible to drop the EP! Finally being able to say it’s out now is surreal.

    There are so many thoughtful lyrics on your standout single ‘Sweet Tea,’ with one of our favorites being “we can’t take it back, so really we gotta live again.” Which line from the song are you most proud of?
    “Yeah, my granny never even cuss ‘til she got Alzheimer’s / Uh, real GOAT, greatest of all timers.”

    The ‘Sweet Tea’ music video includes so many sweet home movie clips and throwback moments. What was it like for you to revisit so many memories for the song and video?
    It was the best part about it. It just took me back down memory lane. It felt so good to be back home and just have the spirit of my family and those that aren’t here anymore still be there to celebrate.

    We’re so excited about your debut BIG BUSKIN’ EP! Which song were you most hyped for fans to hear and why? Which tracks are the most meaningful to you?
    They’re all meaningful to me, but I’m most hyped for fans to hear ‘Sweet Tea’ because they get to hear a little about the fam, and ‘All I Got’ since it really summarizes the EP. Plus all the inkerludes!

    Inspired by ‘Turquoise Cowboy,’ which color do you think best matches the energy of BIG BUSKIN’?
    Turquoise with a little wood grain.

    The BIG BUSKIN’ title nods to your own experiences busking around Atlanta, which you’ve described as “resilience in motion.” What’s something you learned during that phase of your musical journey that you’ve taken with you as you’ve grown?
    The world is a beautiful place, you’ve just gotta choose to see it.

    In your recent INKtionary post on Instagram, you listed one of the definitions of BIG BUSKIN’ as “to live loud, global, and unapologetic – outlaw energy with superstar reach.” How do you stay true to yourself and your roots as your star rises?
    I just carry on the memory of the places I’ve been and the people I’ve met as I go. I take my boots off, get my feet in the grass, and connect to nature.

    Alongside your own work, you have writing credits on iconic songs like Kendrick Lamar & SZA’s ‘luther,’ Beyoncé’s ‘TEXAS HOLD ‘EM,’ and Lil Nas X’s ‘STAR WALKIN’!’ How do you approach writing for another artist differently than writing for your own releases, and how do your experiences on those songs inform how you approach your music?
    Each artist has their own story, so I just see it as me being there to help serve them creatively. It helps me learn new things for my process, as each artist has a different process and story. They each teach me something different.

    You told Billboard that you wrote the lyrics to The Miseducation of Lauryn Hill on flash cards one day after school – as a publication run by fans, we love the passion! Is there a certain song on the album that has most influenced you and your music?
    I think the whole album – it gives you the sense of creating a body of work. Some artists can make a few great songs, but she really made a great body of work.

    From Beyoncé to Shaboozey and Post Malone, country is definitely ‘Comin’ Back’ to the mainstream spotlight lately! What do you feel makes country so moving, especially in a time when we need the magic of music more than ever?
    The storytelling!

    You’ve called yourself “a faucet of creative energy that never runs out” to The Tennessean. When do you feel most inspired, and what inspires you most?
    Life and the people and places in it make me feel most inspired. I can just open my eyes and there’s a song waiting.

    What can your fans look forward to in the rest of 2025/2026?
    Performing, pulling up, doing shows, and lots of great music. Next year I’ll also be dropping my debut album!

    Is there anything else you’d like to mention or say to your fans that the questions didn’t touch on?
    Pull up when you see the spill!

    It sounds like BIG BUSKIN’ is just the very beginning, and we can’t wait to see what Ink will spill next! Thank you so much to Ink for answering our questions and pouring so much heart into every song you touch. 

    Now, honeybees, we have some questions for you! What are your favorite tracks on the BIG BUSKIN’ EP? Who do you hope to hear Ink write with in the future? Let us know in the comments below or hit us up on Facebook, Instagram, and Twitter! You can also buzz on over to our Reddit community to chat with us.

    Check out more sweet music recs! 

    TO LEARN MORE ABOUT INK:
    INSTAGRAM | TIKTOK | WEBSITE | YOUTUBE

    Madison Murray

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  • Dolly Parton’s sister provides update after telling fans to pray for star

    Dolly Parton‘s sister, Freida Parton, clarified her social media comments after telling fans to pray for the country icon.

    “I want to clear something up. I didn’t mean to scare anyone or make it sound so serious when asking for prayers for Dolly,” she said on Facebook. “She’s been a little under the weather, and I simply asked for prayers because I believe so strongly in the power of prayer. It was nothing more than a little sister asking for prayers for her big sister. Thank you all for lifting her up. Your love truly makes a difference.”

    Hours earlier, Freida Parton concerned fans when she posted: “Last night, I was up all night praying for my sister, Dolly. Many of you know she hasn’t been feeling her best lately. I truly believe in the power of prayer, and I have been lead to ask all of the world that loves her to be prayer warriors and pray with me. She’s strong, she’s loved, and with all the prayers being lifted for her, I know in my heart she’s going to be just fine. Godspeed, my sissy Dolly. We all love you!”

    This is a breaking story and will be updated.

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  • Shaboozey Brings the Great American Roadshow to 713 Music Hall – Houston Press

    “I don’t know if this is too much,” exclaimed Shaboozey as he pointed at the chain hugging his neck. The country singer was dressed plainly in blue jeans and a T-shirt emblazoned with the logo for Gilley’s Club, the famous nightclub in Pasadena, Texas that ran for nearly two decades. What was not plain was the diamond chain with the initials “AD,” representing his American Dogwood record label. The piece caught the light throughout the night and glimmered even in darkness.

    “I was debating on whether to put all these pieces on,” he continued, reaching into the crowd to sign hats, posters, shirts, and records for fans. “I didn’t want to seem like I was stunting or nothing. But we got a Houston legend in the building, and his name is Maxo Kream. I asked him backstage if it was too much. And he told me I was in Houston, so shine on ‘em!”

    A minute later, the Woodbridge, Virginia native was leading the packed house at 713 Music Hall through the chorus of “Amen.” The 2025 Great American Roadshow was in full swing in Houston, Texas.

    The Great American Roadshow Tour is Shaboozey’s first national headlining run. Announced in early 2025, it began in April and includes more than thirty shows across the United States, with stops in Nashville, Atlanta, Chicago, Denver, Los Angeles, and New York. Several festival appearances were added during the summer. The tour supports his 2024 album Where I’ve Been, Isn’t Where I’m Going, released through his American Dogwood imprint in partnership with Empire.

    Shaboozey looks over the crowd at 713 Music Hall. Credit: Cody Barclay

    For fans who discovered Shaboozey through his chart-topping hit “A Bar Song (Tipsy),” the tour offers both the pop-driven sound that brought him mainstream attention and deeper cuts from his catalog, including “Fire and Gasoline,” “Drink Don’t Need No Mix,” and “Good News.” Flanked by his band, he moves easily between upbeat anthems and more reflective material that shows his range as a songwriter.

    “I grew up in Virginia,” he said, reaching for a guitar at center stage. “Let me play a little of the music I love.”

    Shaboozey performs with a full band that features pedal steel, acoustic guitar, bass, and live drums. The stage setup is straightforward, keeping the focus on the musicianship and the interaction between the band and the audience. His team includes several longtime collaborators from Virginia who helped shape the album’s sound and visuals.

    The tour follows a breakout year that saw Shaboozey reach No. 1 on both the Billboard Hot 100 and Country charts with A Bar Song (Tipsy). His features on Beyoncé’s Cowboy Carter expanded his reach and underscored his growing influence across genres. Before that success, he spent nearly a decade releasing independent projects that mixed country, hip hop, and rock influences. Albums like Lady Wrangler (2018) and Cowboys Live Forever, Outlaws Never Die (2022) built the foundation for his current momentum. Now, with the Great American Roadshow, Shaboozey stands at the center of a sound that bridges his past work with a larger vision for what American music can be.

    The Tipsy Singer leads his first headlining tour. Credit: Cody Barclay

    “This is my first headlining tour, and when I first came in this room, I thought it was kind of big. We’ve been selling out shows in a bunch of cities, but this is a big room when no one is in here. But y’all don’t understand what it means to me to see people in here from wall to wall and have every seat filled. It just means I’m on the right track.”

    The Houston performance underscored why this tour matters. Shaboozey is not just moving through venues; he is building a career that pushes country music into spaces it has rarely occupied. The Great American Roadshow proves that his blend of Virginia storytelling, Nigerian heritage, and American grit can fill halls across the country. Houston’s response, with a sold-out crowd and voices carrying every chorus, was another marker of an artist whose influence is expanding quickly and whose vision continues to grow louder with each stop.

    Set List

    Last of My Kind
    Anabelle
    Blink Twice
    Tall Boy
    Drink Don’t Need No Mix
    Vegas
    Highway
    Move On (with Kevin Powers)
    Family Tradition (Hank Williams, Jr. cover)
    Amen
    Finally Over
    Fire and Gasoline
    Horses & Hellcats
    Good News
    Let It Burn
    A Bar Song (Tipsy)

    This article appears in Jan 1 – Dec 31, 2025.

    DeVaughn Douglas

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  • Morgan Wallen denied throwing chair off bar roof to police in 2024, footage shows

    NASHVILLE, Tenn. — Country music star Morgan Wallen denied to police that he threw a chair off a Nashville honky-tonk bar roof before and after he was arrested and charged with reckless endangerment in 2024, police video obtained by The Associated Press shows.

    Roughly two weeks after his April 2024 arrest, Wallen commented on social media: “I’m not proud of my behavior, and I accept responsibility” and said he “made amends” with Nashville law enforcement and others. Then in December, he pleaded guilty to two counts.

    The Metro Nashville Police Department released the footage of Wallen’s arrest, captured by several officers’ body and cruiser cameras, in response to a public records request from the AP. A previously released arrest affidavit did not get into the details of what Wallen told officers.

    A police car camera shows two officers, who were standing outside, react to something apparently falling from above on a late Sunday night. And one officer’s body camera video begins with a shot of a broken chair in the road near his parked police cruiser, close to Chief’s on Broadway, in the city’s entertainment district.

    Then, as Wallen and his bodyguard team come down to the main entrance on Broadway, one of the men with Wallen is shouting, “He didn’t see anything. You don’t have witnesses, you are accusing!”

    “He didn’t throw nothing, he didn’t throw nothing,” the bodyguard continues, and accuses two bar workers of “being aggressive.”

    When an officer asks Wallen what happened, the musician replies, “I don’t know.”

    He later tells another officer, “We’ve not tried to cause no problems, man. I don’t know what they are — I don’t know why.”

    That officer said police were figuring out what happened after a chair came flying off the roof and landed by his patrol car. Wallen replied, “As you should.”

    At one point, Wallen is on his cellphone, then points it at the officer and says, “Eric Church is on the phone.” Church, another country star, co-owns Chief’s. During the call, Wallen had used an expletive to describe the officers he said were “trying to take me to jail outside of your (expletive) bar.”

    Church, who can’t be heard on the police recording, recommended to the officer that Wallen wait in a private space instead of standing on the public sidewalk, said a representative for Church.

    The officer responds: “It’s not really something we can do. Law enforcement have to enforce the laws. Figure out what happened. We’ve got a supervisor coming to the scene. Gotta treat it like we would with anybody else.”

    Representatives for Wallen did not respond to requests for comment.

    Back in the bar, police were in an office watching security footage from the roof, body camera footage shows. The security video was not clear from the officers’ body cameras and a police spokesperson said there was no security camera footage from the bar in the case files.

    The officers return outside and a sergeant, who says he watched security video of Wallen throwing a chair off the roof, handcuffs him.

    Another officer talks to two witnesses. One, referring to the chair, says she saw Wallen “lift it up and throw it off” and laugh.

    Throughout the hour-and-a-half ordeal, Wallen makes apologetic comments to officers without explicitly admitting to anything, including: “I truly didn’t mean no harm,” “Sorry to cause problems, I didn’t mean to,” and “God damn it, I am sorry man.”

    “He didn’t admit to it, but we got him on camera doing it,” one sergeant says after Wallen was cuffed, also noting police had witness statements.

    Some fans took notice as Wallen stood surrounded by police in Nashville’s busy tourist hub. One yells, “We love you Morgan!” Once Wallen is in the back of the police car, he says to the officer, “Get us out of here,” noting that people were videotaping him.

    Born and raised in Sneedville, Tennessee, the two-time Grammy nominee is one of the biggest names in contemporary popular music, loved for his earworm hooks and distinctive combination of bro country, dirt-rock and certain hallmarks of hip-hop. 2023’s “One Thing at a Time” broke Garth Brooks’ record for longest running No. 1 country album, and this year’s “I’m The Problem” spent 12 weeks at No. 1.

    Wallen’s career has been marked by several other controversies, including a 2020 arrest on public intoxication and disorderly conduct charges after being kicked out of Kid Rock’s bar in downtown Nashville. In 2021, after a video surfaced of him using a racial slur, he was disqualified or limited from several award shows and received no Grammy nominations for his massively popular “Dangerous: The Double Album.”

    Wallen was talkative in the cruiser, the footage shows, saying, “I ain’t done nothing wrong,” and pressing the officer for his favorite country musicians.

    “I can tell you my top three right now,” the officer replies. “You’re honestly one of them.” One of Wallen’s songs with Thomas Rhett comes on from the officer’s playlist.

    “This is me and Thomas Rhett! Turn it up. That’s me and TR! That’s me right there,” Wallen says, before singing a couple of the words from the song.

    “TR is one of the best dudes in the world. He would definitely not be getting arrested,” Wallen adds.

    Wallen pleaded guilty in December 2024 to two misdemeanor counts of reckless endangerment. He was sentenced to spend seven days in a DUI education center and be under supervised probation for two years.

    When the judge asked how he would plead, he said, “Conditionally guilty.” His attorney has said the charges will be eligible for dismissal and expungement after he completes probation.

    Wallen’s own Nashville honky tonk, not far from Chief’s, opened less than two months after his arrest.

    ___

    Associated Press Music Writer Maria Sherman contributed to this story from New York.

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  • Country music legend Dolly Parton postpones several shows over health challenges

    Dolly Parton shares her decision to slow down amid health problems

    Dolly Parton shares her decision to slow down amid health problems

    Screengrab from Dolly Parton’s Instagram page

    On Sunday, Sept. 28, country music legend Dolly Parton took to Instagram to share a statement.

    Parton, 79, revealed that due to “some health challenges,” she feels it is God telling her to slow down.

    As a result, Parton made some decision to postpone several upcoming shows.

    “I want the fans and public to hear directly from me that, unfortunately, I will need to postpone my upcoming Las Vegas concerts,” Parton began her statement. “As many of you know, I have been dealing with some health challenges, and my doctors tell me that I must have a few procedures.”

    While Parton didn’t go into detail regarding the health challenges she has been dealing with, but she showed she hasn’t lost her sense of humor despite going through a difficult time.

    “As I joked with them, it must be time for my 100,000-mile check-up, although it’s not the usual trip to see my plastic surgeon,” Parton quipped.

    “In all seriousness, given this, I am not going to be able to rehearse and put together the show that I want you to see, and the show that you deserve to see,” the singer continued.

    Parton noted that because her fans “pay good money to see” her perform, she wants “to be at my best” for them.

    “While I’ll still be able to work on all of my projects from here in Nashville, I just need a little time to get show ready, as they say.”

    Parton ensured fans that this break doesn’t mean she’ll be “quittin’ the business because God hasn’t said anything about stopping yet.”

    “But, I believe He is telling me to slow down right now so l can be ready for more big adventures with all of you,” Parton continued her statement. “I love you and thank you for understanding.”

    In addition to her statement, Parton revealed the rescheduled shows in the second slide of her post:

    Thursday, Dec. 4, 2025 to Thursday, Sept. 17, 2026

    Saturday, Dec. 6, 2025 to Saturday, Sept. 19, 2026

    Sunday, Dec. 7, 2025 to Sunday, Sept. 20, 2026

    Wednesday, Dec. 10, 2025 to Wednesday, Sept. 23, 2026

    Friday, Dec. 12, 2025 to Friday, Sept. 25, 2026

    Saturday, Dec. 13, 2025 to Saturday, Sept. 26, 2026

    Parton’s medical procedures come six months after the passing of her beloved husband, Carl Dean. “Carl and I spent many wonderful years together,” Parton said at the time. “Words can’t do justice to the love we shared for over 60 years. Thank you for your prayers and sympathy.”

    Sara Vallone

    Miami Herald

    Sara Vallone is editor of Mod Moms Club, the online place for moms. She writes about the latest in motherhood, parenting and entertainment – all with a mom-focused twist.

    Sara Vallone

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  • Bilmuri Blends Songwriting and Saxophones With – Get This – Having Fun!

    Call it country-core, call it blues punk, call it heavy metal jazz. Just make sure you call them by their name; Bilmuri. I had the privilege of sitting down with lead singer and one of the most talented dudes in the music industry, Johnny Franck.

    Zach: Welcome, man! How’s it going?

    Johnny Franck: Hey, dude. Good! It’s great to be here, man.

    Zach: Welcome to theCHIVE! Let’s crank some hogs, shall we?

    Johnny: Yeah, dude! I mean – I’ve already cranked a couple times today, but I’m ready to rip it again.

    Zach

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  • Dirty Drummer hosts a tribute to George Jones on his birthday

    Country music star George Jones was born in Saratoga, Texas, on September 12, 1931. It was a Saturday, and the Great Depression was in full swing…

    Tom Reardon

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  • Welcome Home, Parker McCollum

    Parker McCollum
    Cynthia Woods Mitchell Pavilion, The Woodlands
    September 6, 2025

    Parker McCollum has played hundreds of shows over the course of his career, from small venues in front of dozens to stadiums packed with thousands. He’s seen just about everything since blowing up on the country music scene around the turn of the decade.

    Saturday night felt a little bit different.

    In front of a standing-room-only crowd in The Woodlands, the Conroe native was welcomed home by thousands of adoring locals. He treated them to 18 songs over 90 minutes that truly showcased a songwriter and performer on the cusp of mega-stardom.

    “It’s damn good to be home,” said McCollum, who also pointed out that he once graduated high school (“barely,” his words) on the very stage on which he was now playing.

    The show was also a masterclass in crafting a setlist.

    McCollum blended hits such as “Hell of a Year,” “Pretty Heart” and “Handle on You” with material from his phenomenal self-titled record, which dropped in June. Standout tracks from the new record were ample, most notably the show-opening “My Blue,” the show-closing “My Worst Enemy” and the album’s lead single, “What Kinda Man.”

    click to enlarge

    An SRO crowd greeted McCollum in The Woodlands Saturday night and watched as he was awarded a key to the city and the day named in his honor.

    Photo by Jennifer Lake

    McCollum, ever the gentleman, seemed truly humbled by the moment, which was only exacerbated when members of The Woodlands local council bestowed him a key to the city, along with making September 6, “Parker McCollum Day.”

    For a guy who often sings about having a “hell of a year,” and McCollum certainly has, it also made for one hell of a night.

    Here’s to many more for the local boy done good.

    Overheard in the Crowd: Many, many women in the crowd were disposed to yell, “We love you Parker” throughout the night. This makes sense, given the man is very handsome and makes very accessible country music.

    Random Notebook Dump: For September standards, it was lovely in The Woodlands on Saturday night. There was even a breeze, and most people were done sweating by 9:30 or so. The Astros also beat the Rangers by 11. … While a bit of a drive, The Woodlands concert venue really is quite impressive … Parker McCollum is gonna be an even bigger deal here in the next few years. Some people just have that “it” quality; he does.

    Setlist:

    My Blue

    Big Sky

    Meet You in the Middle

    Young Man’s Blues

    Stoned

    To Be Loved By You

    Hope That I’m Enough

    What Kinda Man

    I Can’t Breathe

    Rest of My Life

    Hell of a Year

    Watch Me Bleed

    Handle on You

    Killin’ Me

    Burn It Down

    Solid Country Gold

    Pretty Heart

    My Worst Enemy

    Clint Hale

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  • Wax Trax Records adding fourth Denver location as vinyl sales rise

    Iconic Denver record retailer Wax Trax will open a fourth location along 32nd Avenue in the West Highland neighborhood next month with a promise to tailor its wares to locals.

    The 51-year-old store, whose flagship is at 13th Avenue and Washington Street in Capitol Hill, opened a new location at 200 S. Broadway in April 2024, known as Wax Trax Broadway Bazaar, and cited the success of its mobile-retail unit, as well as its semi-permanent pop-up at Aurora’s Stanley Marketplace, as reasons to expand.

    Workers are readying a fourth location of Denver record store Wax Trax at the corner of 32nd Avenue and Meade Street in the Highland neighborhood. (Provided by Wax Trax)

    “The Stanley has been really great to us, and we were looking to grow there, but no opportunity came to pass,” said majority Wax Trax owner Pete Stidman. “So one day I was kind of frustrated with that and thought, ‘Oh, let me look around,’ because any time our (mobile unit) is over there in the Northside, Sloan’s Lake, Highland or Olde Town Arvada, we sell a lot of records.”

    In fact, Stidman said, the new West Highland location at 3641 W. 32nd Ave. — which hugs the pedestrian-friendly corner of 32nd Avenue and Meade Street — will be the only “walkable” record store west of I-25. He plans to open on Saturday, Oct. 11 in the red-brick storefront that was most recently occupied by home-decor retailer Candelaria. That store closed last year after eight years in business, citing slow sales and foot traffic, according to a GoFundMe page from owner Kristina Thayer.

    A video of the renovation shared with The Denver Post shows fresh coats of black paint on the walls and a jumble of custom-built wooden racks in the center of the 1,000-square-foot store. Stidman declined to name the terms of the lease for the space, which includes a basement that will not be open to customers, but said he plans to stay there for a while.

    “It’s high rent over there, which is all I’ll say. But I do think it’s one of the best places to be west of I-25,” Stidman said.

    The store will employ two record sellers at first, and Wax Trax buyers will adapt and order their inventory based on customer preferences as they learn them, he said. Stidman has a sense that nearby residents listen to a lot of country music, for example.

    Custom wooden racks await a coat of black paint at a new, fourth location of Wax Trax Records at the corner of 32nd Avenue and Meade Street in the Highland neighborhood. (Provided by Wax Trax)
    Custom wooden racks await a coat of black paint at a new, fourth location of Wax Trax Records at the corner of 32nd Avenue and Meade Street in the Highland neighborhood. (Provided by Wax Trax)

    “This is probably risky, but at the same time, what we’re trying to do is reach an economy of scale with how many records we sell,” he said. “I think that helps the store become more sustainable and resilient.”

    Since the pandemic, the metro area has seen several new record stores open as vinyl sales continue to climb and the market for buying and selling LPs at the counter — which Wax Trax will offer — remains strong.

    Vinyl sales rose to $1.4 billion in 2024, according to the Recording Industry of America, with 44 million records sold.

    “Our competition isn’t record stores (like) Twist & Shout,” he said. “It’s online retailers and big box stores, so having a location where we can be walkable in somebody’s neighborhood… that’s where we can steal some sales from frickin’ Walmart.”

    Subscribe to our weekly newsletter, In The Know, to get entertainment news sent straight to your inbox.

    John Wenzel

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  • Exclusive Interview: Elizabeth Nichols Talks All Things ‘I Got A New One,’ and More!

    When we look at the bright new class of country music, one of the stars shining the brightest is undoubtedly Elizabeth Nichols! From her breakout hit ‘I Got A New One’ to her newest track ‘Daughter,’ we are getting to watch an artist fully come into her own, discover her sound, and get better with each song.

    We were lucky enough to chat with Elizabeth Nichols all about her success so far, new music, and receiving the coveted Kelly Clarkson treatment.

    Listen to ‘Daughter’ here!

    Hi Elizabeth! Thank you so much for chatting with us! To start us off, how would you describe your music to someone who is tuning in for the first time? 
    I’d say probably clever and honest. Those are two elements that I see in all my favorite songs. I try to balance the two. I don’t want to be too clever that I’m not honest, or too straightforward that it kills the clever.

    ‘Tough Love’ is officially out! This acts as your debut multi-track project! What emotions have been going through your head as these seven tracks now live out in the world?
    I am so grateful. If you had told me one year ago that this is where I would be, I would have never believed you. The idea that some group of girls in another state is in the car with their friends, singing one of my songs, is the most surreal part of it all. Music is such a beautiful part of life, and I am honored to be given the opportunity to make it.

    The video for ‘I Got A New One’ perfectly encapsulates each lyric of the track! Can you tell us a bit about that creative process and crafting the visuals?
    I grew up on Taylor Swift music videos. I love when a video really tells a story in the same way a song does, so it was important to me to really bring that visual side to life. We got to work with amazing creative directors, and it was so fulfilling to see the story turn from words on a page to a scene I got to be a part of.

    What has it been like for you to see the way people have latched onto ‘I Got A New One’? Did you have any inkling that this song would be one that people took to? 
    ‘I Got A New One’ was the first single I’d ever released, so I had no idea what to expect at all. I am so grateful that people like it and it’s connected the way that it has—that song truly changed my life.

    We know that ‘Ain’t Country’ was your first jump into writing a country track. What changes about the songwriting process when you’re writing with a genre in mind? 
    I was about 10 years old the last time I had written any kind of song, so ‘Ain’t Country’ was the first song I’ve written as an adult, and I think that country sound just kind of naturally came out of me because that’s what I grew up listening to. I also love storytelling and lyricism, and country music is a genre that really celebrates those things and makes space for that part of the craft.

    Ahead of the release of Tough Love, was there a song you were most looking forward to seeing fans’ reactions to? 
    I was most excited for fans to hear ‘Tough Love’ because it was the one song that I hadn’t teased at all before its release, so nobody had heard a single note of it. It was also the newest song out of the seven—I wrote it only a few weeks before the EP came out. There is something about how honest it is that I hoped fans would connect with.

    We have to ask, ‘I Got A New One’ has officially received the Kelly Clarkson treatment! What was that like for you? 
    I was and am extremely grateful. Kelly Clarkson is literally an American icon. She is so unbelievably talented, so the fact that she liked a song I wrote enough to cover it is a huge compliment—my family and I were so excited when it happened.

    Once again, thank you so much for chatting with us! Before we let you go, what can fans look forward to as we round out the last few months of 2025? 
    Some more music! I have a new single coming out in August. I’m also playing some shows throughout the end of this year, which I’m really excited about. I love meeting people out on the road.

    Check out more of our exclusive interviews here!

    We would love to hear from you! What is your favorite song off of Tough Love by Elizabeth Nichols? Let us know by commenting below or by tweeting @TheHoneyPOP! We are also on Facebook, Instagram, and TikTok!

    TO LEARN MORE ABOUT ELIZABETH NICHOLS:
    INSTAGRAM | TIKTOK

    Hailey Hastings

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  • Celebrity birthdays for the week of Aug. 17-23

    Celebrity birthdays for the week of Aug. 17-23:

    Aug. 17: Actor Robert De Niro is 82. Guitarist Gary Talley of The Box Tops is 78. “Downton Abbey” creator Julian Fellowes is 76. Actor Robert Joy (“CSI: NY”) is 74. Singer Kevin Rowland of Dexy’s Midnight Runners is 72. Bassist Colin Moulding of XTC is 70. Country singer-songwriter Kevin Welch is 70. Singer Belinda Carlisle of The Go-Go’s is 67. Actor Sean Penn is 65. Jazz saxophonist Everette Harp is 64. Guitarist Gilby Clarke (Guns N’ Roses) is 63. Singer Maria McKee (Lone Justice) is 61. Drummer Steve Gorman (The Black Crowes) is 60. Singer-bassist Jill Cunniff (Luscious Jackson) is 59. Actor David Conrad (“Ghost Whisperer,” “Relativity”) is 58. Rapper Posdnuos of De La Soul is 56. Actor-singer Donnie Wahlberg (New Kids on the Block) is 56. TV personality Giuliana Rancic (“Fashion Police,” ″E! News”) is 51. Actor Bryton James (“Family Matters”) is 39. Actor Brady Corbet (“24,” “Thirteen”) is 37. Actor Austin Butler (“Dune: Part Two,” “Elvis”) is 34. Actor Taissa Farmiga (“American Horror Story”) is 31.

    Aug. 18: Actor Robert Redford is 89. Actor Henry G. Sanders (“Dr. Quinn, Medicine Woman”) is 83. Drummer Dennis Elliott (Foreigner) is 75. Comedian Elayne Boosler is 73. Country singer Steve Wilkinson of The Wilkinsons is 70. Comedian-actor Denis Leary is 68. Actor Madeleine Stowe is 67. TV news anchor Bob Woodruff is 64. Actor Adam Storke (“Mystic Pizza”) is 63. Actor Craig Bierko (“Sex and the City,” ″The Long Kiss Goodnight”) is 61. Singer Zac Maloy of The Nixons is 57. Musician Everlast (House of Pain) is 56. Rapper Masta Killa of Wu-Tang Clan is 56. Actor Edward Norton is 56. Actor Christian Slater is 56. Actor Kaitlin Olson (“The Mick,” ″It’s Always Sunny in Philadelphia”) is 50. Comedian Andy Samberg (“Brooklyn Nine-Nine,” ″Saturday Night Live”) is 47. Guitarist Brad Tursi of Old Dominion is 46. Actor Maia Mitchell (“The Fosters”) is 32. Actor Madelaine Petsch (“Riverdale”) is 31. Actor Parker McKenna Posey (“My Wife and Kids”) is 30.

    Aug. 19: Actor Debra Paget (“The Ten Commandments,” “Love Me Tender”) is 92. Actor Diana Muldaur (“Star Trek: The Next Generation”) is 87. Actor Jill St. John is 85. Singer Billy J. Kramer is 82. Country singer-songwriter Eddy Raven is 81. Singer Ian Gillan of Deep Purple is 80. Actor Gerald McRaney is 78. Actor Jim Carter (“Downton Abbey”) is 77. Singer-guitarist Elliot Lurie of Looking Glass is 77. Bassist John Deacon of Queen is 74. Actor Jonathan Frakes (“Star Trek: The Next Generation”) is 73. Actor Peter Gallagher is 70. Actor Adam Arkin is 69. Singer-songwriter Gary Chapman is 68. Actor Martin Donovan is 68. Singer Ivan Neville is 66. Actor Eric Lutes (“Caroline in the City”) is 63. Actor John Stamos is 62. Actor Kyra Sedgwick is 60. Actor Kevin Dillon (“Entourage”) is 60. Country singer Lee Ann Womack is 59. Former MTV reporter Tabitha Soren is 58. Country singer Clay Walker is 56. Rapper Fat Joe is 55. Actor Tracie Thoms (“Cold Case”) is 50. Actor Erika Christensen (“Parenthood”) is 43. Actor Melissa Fumero (“Brooklyn Nine-Nine”) is 43. Actor Tammin Sursok (“Pretty Little Liars”) is 42. Singer Karli Osborn (SHeDaisy) is 41. Rapper Romeo (formerly Lil’ Romeo) is 36. Actor Ethan Cutkosky (TV’s “Shameless”) is 26.

    Aug. 20: News anchor Connie Chung is 79. Trombone player Jimmy Pankow of Chicago is 78. Actor Ray Wise (“Reaper,” ″Twin Peaks”) is 78. Actor John Noble (“Lord of the Rings” films) is 77. Singer Robert Plant (Led Zeppelin) is 77. Singer Rudy Gatlin of the Gatlin Brothers is 73. Singer-songwriter John Hiatt is 73. Actor-director Peter Horton (“thirtysomething”) is 72. “Today” show weatherman Al Roker is 71. Actor Jay Acovone (“Stargate SG-1”) is 70. Actor Joan Allen is 69. Director David O. Russell (“Silver Linings Playbook,” “American Hustle”) is 67. Actor James Marsters (“Angel,” ″Buffy the Vampire Slayer”) is 63. Rapper KRS-One is 60. Actor Colin Cunningham (“Falling Skies”) is 59. Actor Billy Gardell (“Mike and Molly”) is 56. Singer Fred Durst of Limp Bizkit is 55. Actor Ke Huy Quan (“Everything Everywhere All at Once,” “Indiana Jones and the Temple of Doom”) is 55. Guitarist Brad Avery of Third Day is 54. Actor Misha Collins (“Supernatural”) is 51. Singer Monique Powell of Save Ferris is 50. Actor Ben Barnes (“Westworld,” ″Prince Caspian”) is 44. Actor Meghan Ory (“Once Upon a Time”) is 43. Actor Andrew Garfield (“The Amazing Spider-Man”) is 42. Actor Brant Daugherty (“Pretty Little Liars”) is 40. Singer-actor Demi Lovato is 33.

    Aug. 21: Guitarist James Burton (with Elvis Presley) is 86. Singer Jackie DeShannon is 84. Actor Patty McCormack (“Frost/Nixon,” “The Ropers”) is 80. Singer Carl Giammarese of The Buckinghams is 78. Actor Loretta Devine (“Boston Public”) is 76. Newsman Harry Smith is 74. Singer Glenn Hughes (Deep Purple, Black Sabbath) is 73. Guitarist Nick Kane (The Mavericks) is 71. Actor Kim Cattrall (“Sex and the City”) is 69. Actor Cleo King (“Mike and Molly”) is 63. Singer Serj Tankian of System of a Down is 58. Actor Carrie-Anne Moss (“The Matrix,” ″Chocolat”) is 55. Musician Liam Howlett of Prodigy is 54. Actor Alicia Witt (“Law & Order: Criminal Intent,” ″Cybill”) is 50. Singer-chef Kelis is 46. Actor Diego Klattenhoff (“The Blacklist”) is 46. TV personality Brody Jenner (“The Hills”) is 42. Singer Melissa Schuman of Dream is 41. Comedian Brooks Wheelan (“Saturday Night Live”) is 39. Actor Cody Kasch (“Desperate Housewives”) is 38. Musician Kacey Musgraves is 37. Actor Hayden Panettiere (“Nashville,” ″Heroes”) is 36. Actor RJ Mitte (“Breaking Bad”) is 33. Actor Maxim Knight (“Falling Skies”) is 26.

    Aug. 22: Newsman Morton Dean is 90. TV writer/producer David Chase (“The Sopranos”) is 80. Correspondent Steve Kroft (“60 Minutes”) is 80. Guitarist David Marks of The Beach Boys is 77. Guitarist Vernon Reid of Living Colour is 67. Country singer Collin Raye is 65. Actor Regina Taylor (“The Unit,” ″I’ll Fly Away”) is 65. Singer Roland Orzabal of Tears for Fears is 64. Drummer Debbi Peterson of The Bangles is 64. Guitarist Gary Lee Conner of Screaming Trees is 63. Singer Tori Amos is 62. Keyboardist James DeBarge of DeBarge is 62. Country singer Mila Mason is 62. Rapper GZA (Wu-Tang Clan) is 59. Actor Adewale Akinnuoye-Agbaje (“Oz,” “Lost”) is 58. Actor Ty Burrell (“Modern Family”) is 58. Celebrity chef Giada De Laurentiis is 55. Actor Melinda Page Hamilton (“Devious Maids,” ″Mad Men”) is 54. Actor Rick Yune (“Die Another Day,” “The Fast and the Furious”) is 54. Guitarist Paul Doucette of Matchbox Twenty is 53. Rapper Beenie Man is 52. Singer Howie Dorough of the Backstreet Boys is 52. Comedian Kristen Wiig (“Bridesmaids,” ″Saturday Night Live”) is 52. Actor Jenna Leigh Green (“Sabrina the Teenage Witch”) is 51. Keyboardist Bo Koster of My Morning Jacket is 51. Bassist Dean Back of Theory of a Deadman is 50. Actor and TV host James Corden is 47. Guitarist Jeff Stinco of Simple Plan is 47. Actor Brandon Adams (“The Mighty Ducks”) is 46. Actor Aya Sumika (“Numb3rs”) is 45. Actor Ari Stidham (TV’s “Scorpion”) is 33.

    Aug. 23: Actor Vera Miles is 95. Actor Barbara Eden is 94. Actor Richard Sanders (“WKRP In Cincinnati”) is 85. Country singer Rex Allen Jr. is 78. Actor David Robb (“Downton Abbey”) is 78. Singer Linda Thompson is 78. Actor Shelley Long is 76. Fiddler-singer Woody Paul of Riders in the Sky is 76. Singer-actor Rick Springfield is 76. Actor-producer Mark Hudson (The Hudson Brothers) is 74. Actor Skipp Sudduth (“The Good Wife”) is 69. Guitarist Dean DeLeo of Stone Temple Pilots is 64. Singer-bassist Ira Dean of Trick Pony is 56. Actor Jay Mohr is 55. Actor Ray Park (“X-Men,” ″The Phantom Menace”) is 51. Actor Scott Caan (“Hawaii Five-0”) is 49. Singer Julian Casablancas of The Strokes is 47. Actor Joanne Froggatt (“Downton Abbey”) is 45. Actor Jaime Lee Kirchner (“Bull”) is 44. Saxophonist Andy Wild of Nathaniel Rateliff and the Night Sweats is 44. Actor Annie Ilonzeh (“Chicago Fire”) is 42. Musician Sky Blu of LMFAO is 39. Actor Kimberly Matula (“The Bold and the Beautiful”) is 37.

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  • Macy’s Thanksgiving Parade will feature Ariana Madix, T-Pain, ‘Gabby’s Dollhouse’ and pasta

    Macy’s Thanksgiving Parade will feature Ariana Madix, T-Pain, ‘Gabby’s Dollhouse’ and pasta

    NEW YORK — A eclectic group of stars — including reality TV’s Ariana Madix, Broadway belter Idina Menzel, hip-hop’s T-Pain, members of the WNBA champions New York Liberty and country duo Dan + Shay — will feature in this year’s Macy’s Thanksgiving Day Parade.

    The War and Treaty, Lea Salonga, Kylie Cantrall, The Temptations, Chlöe, Charli D’Amelio, Jimmy Fallon & The Roots, Coco Jones, Walker Hayes, Bishop Briggs, Joey McIntyre, Natti Natasha, Tiler Peck and Roman Mejia and Rachel Platten are also slated to perform. The Associated Press got the list early.

    The holiday tradition will begin at 8:30 a.m. on Nov. 28 in all time zones and will be kicked off by actor Alison Brie, the “Glow” star currently starring in Apple TV’s “Apples Never Fall.”

    This year’s parade will feature 17 giant character balloons, 22 floats, 15 novelty and heritage inflatables, 11 marching bands, 700 clowns and 10 performance groups.

    “The work that we do, the opportunity to impact millions of people and bring a bit of joy for a couple of hours on Thanksgiving morning, is what motivates us every day,” Will Coss, Macy’s Thanksgiving Day Parade executive producer, said in an interview.

    The parade airs on NBC and streams on Peacock. Savannah Guthrie, Hoda Kotb and Al Roker from “Today” will host and a Spanish language simulcast on Telemundo will be hosted by Carlos Adyan and Andrea Meza.

    There will be six new featured character balloons, including Minnie Mouse, Extraordinary Noorah” with The Elf on the Shelf, “Gabby’s Dollhouse,” “Goku” and “Spider-Man.”

    The “Gabby’s Dollhouse” float will include a 55-foot-tall (17-meter-tall) balloon featuring Gabby and Pandy Paws that will have 10 different shades of pink.

    “As a little girl growing up in New Jersey, the Thanksgiving Day parade was what you always tuned into and the balloons were, of course, the best part,” says Traci Paige Johnson, the co-creator of “Gabby’s Dollhouse” with Jennifer Twomey.

    “That little 7-year-old girl in me is just like, ‘Oh my God!’ — something from your brain that you created that all the world watches floating down New York City is just absolutely incredible.”

    She and Twomey, who also produced “Blue’s Clues,” are the rare creators who get to celebrate having a second balloon in the parade. Johnson advises watchers this time to look for all the hidden cats in Gabby’s sneakers and costume.

    The Macy’s parade has been a traditional holiday season kickoff and spectators line-up a half-dozen deep along the route to cheer the floats, entertainers and marching bands. The parade has lately asked icons to be the last guest before Santa, with last year Cher fitting the bill. This year’s headliner will be revealed later.

    Broadway will be represented by performances from “Death Becomes Her,” “Hell’s Kitchen” and “The Outsiders,” as well as the iconic Radio City Rockettes and “Riverdance” dancers.

    New floats include ones from brands like Disney Cruise Line, Haribo, “Wednesday” from Netflix,” Universal Orlando Resorts and “The Grannies Car” from BBC Studios’ “Bluey.” Nickelodeon and Paramount’s “Dora the Explorer” will have both a float and a balloon.

    One new float will spotlight the Rao’s food brand, featuring a knight and a dragon in battle made with actual pasta elements.

    “It’s one of those opportunities to really combine the whimsy and the artistry of our great artists and artisans at our studio and deliver on that iconic spectacle that’s known and loved of the Macy’s Thanksgiving Day Parade,” said Coss.

    The marching bands will hail from Massachusetts, Indiana, Tennessee, Texas, Arkansas, South Dakota, Georgia, South Carolina, West Virginia and New York.

    Members of the New York Liberty, who earlier this month won their first-ever WNBA Championship, will march alongside their popular mascot, Ellie the Elephant.

    The Macy’s parade team, if you can believe it, are already working on sketches and ideas for the next parade, since each cycle takes 18 months. Coss calls it “the largest variety show on television.”

    ___

    Mark Kennedy is at http://twitter.com/KennedyTwits

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  • Viral ‘Walmart yodeler’ Mason Ramsey brings coming of age tour to Detroit

    Viral ‘Walmart yodeler’ Mason Ramsey brings coming of age tour to Detroit

    Mason Ramsey, who first captured the world’s attention at just 11 years old when a video of him yodeling “Lovesick Blues” by Hank Williams in an Illinois Walmart went viral, is all grown up.

    Now 17, the rising country star is celebrating the release of his album, I’ll See You In My Dreams. As the youngest major-label country artist signed in nearly two decades, Ramsey is taking big steps, currently traveling the country on his “Falls Into Place” tour.

    While there will sadly be no yodeling — Ramsey previously said he’s “rebranding” his style — the tour does include a local stop at the Loving Touch in Ferndale on Saturday, Oct. 12.

    “Since I did the Walmart thing ‘till now, I’ve had a little bit of experience under my belt,” Ramsey tells Metro Times. “I feel like I’ve come quite a ways since the Walmart days.”

    His transformation from internet sensation to country star has been full of special moments, including a recent surprise appearance on stage with Lana Del Rey. The pop icon, who has become a huge fan, invited Ramsey to join her in singing his song “Blue Over You” at a recent show, sparking another semi-viral video.

    @masonramsey Absolutely loved sharing the stage with you @Lana Del Rey ♬ original sound – Mason Ramsey

    “Performing with Lana and getting to do all that has been a really cool experience for me, and also her singing one of my songs is amazing,” he says. “Before I got to actually sing with her, it started out that I posted a video of one of my songs on TikTok or Instagram, and she ended up commenting. It was like, ‘We need to collab.’ And I was like, ‘Absolutely.’”

    Released on Sept. 20, I’ll See You In My Dreams is Ramsey’s first full-length album after three successful EPs. This more mature, introspective project reflects the growth he’s experienced both as an artist and an individual.

    “It’s definitely a milestone that I’ve been wanting to get for a while,” Ramsey says. “I’ve had a few years of experience in the industry, also writing, becoming a better songwriter, and getting more comfortable with what I want to write about for my songs.”

    Working with a new producer has helped Ramsey define his sound, which he describes as a blend of Americana, country, and soul, with influences like Roy Orbison, Johnny Cash, Ricky Nelson, and Donny Hathaway.

    “My new producer, he’s the guy that helped me find the sound that I wanted to be,” Ramsey says. “I just told him some artists that I listen to and he just kind of got the idea, and started sticking it with some of the lyrics that I kept coming in with… it’s just been a really crazy ride for me and experience for the past year or so.”

    The album explores themes of love, loss, and family. But for Ramsey, it’s not just about the music — his love for meeting fans and visiting new cities plays a big role too. Although he’s performed in Michigan before, he admits he hasn’t had much time to explore the state, but hopes to change that during his upcoming visit.

    “The tour so far has been really fun. I love performing and I feel like the shows have just been really good,” he says. “ I just love meeting people, going to new places, and going to new cities. I feel like just getting the chance to meet [fans] and talk to them on a more closer level than from on stage, it just hits different.”

    As his Falls Into Place tour continues, Ramsey is bringing a blend of high energy and heartfelt passion to every performance.

    “Obviously, most people don’t really know what to expect whenever they go to one of my shows,” Ramsey says. “I’m there to have a good time, and I want the audience to have a good time. I want them to have a night to remember.”

    Looking ahead, Ramsey has big dreams.

    “We’re working on a couple of projects already, but I feel like in a couple years from now, I’d like to be playing stadiums,” he says. “Eventually, I’d love to be doing world tours and going overseas and doing tours over there… I really don’t know what the future has to hold for me. That will depend on the album and where it leads me. Obviously, it’s my coming of age album, and this is a big step and time for me, so I’m super excited for everything that’s happened so far and looking forward to the future.”

    He adds, “I’ve been working toward my dream of being an artist, and everything I’ve accomplished so far has been awesome. I want to inspire people to fulfill their dreams and goals.”

    Ramsey also hopes the real-life experiences that inspired his songs resonate with fans during his performances.

    “I wrote about different moments and times in my life, and at the shows, people can see all that,” he says. “There are parts of my set that are really exciting and others that are kind of sad, but overall, I think the show is going to be really, really good.”

    Tickets to the upcoming Ferndale show are $18 and can be purchased at ticketweb.com. More information is available at thelovingtouchferndale.com.

    Layla McMurtrie

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  • Celebrity birthdays for the week of Sept. 22-28

    Celebrity birthdays for the week of Sept. 22-28

    Celebrity birthdays for the week of Sept. 22-28:

    Sept. 22: Singer-dancer Toni Basil is 81. Actor Paul Le Mat (“American Graffiti”) is 79. Singer David Coverdale (Whitesnake, Deep Purple) is 73. Actor Shari Belafonte is 70. Singer Debby Boone is 68. Country singer June Forester of The Forester Sisters is 68. Singer Nick Cave is 67. Actor Lynn Herring (“General Hospital”) is 67. Singer Johnette Napolitano of Concrete Blonde is 67. Opera singer Andrea Bocelli is 66. Musician Joan Jett is 66. Actor Scott Baio is 64. Actor Bonnie Hunt is 63. Actor Catherine Oxenberg (“Dynasty”) is 63. Actor Rob Stone (“Mr. Belvedere”) is 62. Actor Dan Bucatinsky (“24: Legacy”) is 59. Bassist-guitarist Dave Hernandez (The Shins) is 54. Rapper Mystikal is 54. Singer Big Rube of Society of Soul is 53. Actor James Hillier (“The Crown”) is 51. Actor Mireille Enos (“World War Z”) is 49. Actor Daniella Alonso (“Revolution,” ″Friday Night Lights”) is 46. Actor Michael Graziadei (“The Young and the Restless”) is 45. Actor Ashley Eckstein (“That’s So Raven,” “Sofia the First”) is 43. Actor Katie Lowes (“Scandal”) is 42. Bassist Will Farquarson of Bastille is 41. Actor Tatiana Maslany (“She-Hulk: Attorney at Law,” “Orphan Black”) is 39. Actor Ukweli Roach (“Blindspot”) is 38. Actor Tom Felton (“Harry Potter” films) is 37. Actor Teyonah Parris (“Mad Men”) is 37.

    Sept. 23: Singer Julio Iglesias is 81. Actor-singer Paul Petersen (“The Donna Reed Show”) is 79. Actor-Mary Kay Place is 77. Musician Bruce Springsteen is 75. Director George C. Wolfe (film’s “Nights in Rodanthe,” stage’s “Angels in America”) is 70. Drummer Leon Taylor of The Ventures is 69. Actor Rosalind Chao (2020’s “Mulan,” “Star Trek: Deep Space Nine”) is 67. Actor Jason Alexander (“Seinfeld”) is 65. Actor Chi McBride (“Hawaii Five-0,” ″Boston Public”) is 63. Steel guitarist Don Herron of BR549 is 62. Actor LisaRaye (“All of Us,” ″Beauty Shop”) is 58. Singer Ani DiFranco is 54. Singer Sam Bettens of K’s Choice is 52. Rapper-producer-record head Jermaine Dupri is 52. Actor Kip Pardue (“The Rules of Attraction,” “Remember the Titans”) is 48. Actor Anthony Mackie (“Captain America: The Winter Soldier”) is 46. Singer Erik-Michael Estrada of O-Town is 45. Actor Brandon Victor Dixon (“Hamilton”) is 43. Actor David Lim (“S.W.A.T.,” ″Quantico”) is 41. Actor Cush Jumbo (“The Good Fight,” ″The Good Wife”) is 39. Actor Skylar Astin (“Pitch Perfect” films) is 37.

    Sept. 24: Singer Phyllis ″Jiggs” Allbut Sirico of The Angels is 82. Actor Gordon Clapp (“NYPD Blue”) is 76. Actor Harriet Walter (“The Crown”) is 74. Actor Kevin Sorbo (“Hercules: Legendary Journeys”) is 66. Singer Cedric Dent (Take 6) is 62. Actor-writer Nia Vardalos (“My Big Fat Greek Wedding”) is 62. Drummer Shawn Crahan of Slipknot is 55. Drummer Marty Mitchell (Ricochet) is 55. Singer-guitarist Marty Cintron of No Mercy is 53. Guitarist Juan DeVevo of Casting Crowns is 49. Actor Ian Bohen (“Yellowstone,” “Teen Wolf”) is 48. Actor Spencer Treat Clark (“Agents of S.H.I.E.L.D.,” “Animal Kingdom”) is 37. Actor Grey Damon (“Station 19”) is 37. Actor Kyle Sullivan (“Malcolm in the Middle”) is 36. Actor Ben Platt is 31.

    Sept. 25: Polka band leader Jimmy Sturr is 83. Actor Josh Taylor (“Days of Our Lives,” “Valerie’s Family”) is 81. Actor Robert Walden (“Lou Grant”) is 81. Actor Michael Douglas is 80. Model Cheryl Tiegs is 77. Actor Mimi Kennedy (“Dharma and Greg”) is 76. Actor Anson Williams (“Happy Days”) is 75. Actor Mark Hamill is 73. Actor Colin Friels is 72. Actor Michael Madsen is 66. Actor Heather Locklear is 63. Actor Aida Turturro (“The Sopranos”) is 62. Actor Tate Donovan (“The O.C.”) is 61. TV personality Keely Shaye Smith (“Unsolved Mysteries”) is 61. Actor Maria Doyle Kennedy (“Orphan Black,” ″The Tudors”) is 60. Actor Jason Flemyng (“The Curious Case of Benjamin Button,” ″The League of Extraordinary Gentlemen”) is 58. Actor-singer Will Smith is 56. Actor Hal Sparks (“Queer as Folk”) is 55. Actor Catherine Zeta-Jones is 55. Actor Bridgette Wilson-Sampras (“The Wedding Planner,” “I Know What You Did Last Summer”) is 51. Actor Clea DuVall (“Heroes”) is 47. Actor Robbie Jones (“One Tree Hill”) is 47. Actor Joel David Moore (“Avatar”) is 47. Actor Chris Owen (“American Pie” films, “October Sky”) is 44. Rapper T.I. is 43. Actor Lee Norris (“One Tree Hill,” “Boy Meets World”) is 43. Actor-rapper Donald Glover (Childish Gambino) (“Atlanta,” ″Community”) is 41. Actor Zach Woods (“Silicon Valley,” ″The Office”) is 40. Actor Jordan Gavaris (“Orphan Black”) is 35. Actor Emmy Clarke (“Monk”) is 33.

    Sept. 26: Country singer David Frizzell is 83. Actor Kent McCord (“Adam 12”) is 82. “The Weakest Link” host Anne Robinson is 80. Singer Bryan Ferry is 79. Actor Mary Beth Hurt is 78. Actor James Keane (“Bulworth,” TV’s “The Paper Chase”) is 72. Singer-guitarist Cesar Rosas of Los Lobos is 70. Country singer Carlene Carter is 69. Actor Linda Hamilton is 68. Singer Cindy Herron of En Vogue is 63. Actor Melissa Sue Anderson (“Little House on the Prairie”) is 62. Singer Tracey Thorn of Everything But the Girl is 62. TV personality Jillian Barberie is 58. Guitarist Jody Davis of Newsboys is 57. Actor Jim Caviezel (“Sound of Freedom,” “The Passion of the Christ”) is 56. Actor Tricia O’Kelley (“The New Adventures of Old Christine”) is 56. Actor Ben Shenkman (“Royal Pains,” “Angels in America”) is 56. Actor Melanie Paxson (“Descendants”) is 52. Singer Shawn Stockman of Boyz II Men is 52. Music producer Dr. Luke is 51. Jazz trumpeter Nicholas Payton is 51. Singer and TV personality Christina Milian is 43. Actor Zoe Perry (“Young Sheldon”) is 41. Singer-songwriter Ant Clemons is 33.

    Sept. 27: Actor Kathleen Nolan is 91. Actor Claude Jarman Jr. (“The Yearling”) is 90. Singer-guitarist Randy Bachman of Bachman-Turner Overdrive is 81. Actor Liz Torres (“Gilmore Girls”) is 77. Actor A Martinez (“LA Law,” ″Santa Barbara”) is 76. Actor Cary-Hiroyuki Tagawa (“Pearl Harbor”) is 74. Actor-opera singer Anthony Laciura (“Boardwalk Empire”) is 73. Singer-actor-director Shaun Cassidy is 66. Comedian-podcaster Marc Maron is 61. Singer-guitarist Stephan Jenkins of Third Eye Blind is 60. Actor Patrick Muldoon (“Melrose Place”) is 56. Singer Mark Calderon of Color Me Badd is 54. Actor Gwyneth Paltrow is 52. Actor Indira Varma (“For Life”) is 51. Singer Brad Arnold of 3 Doors Down is 46. Bassist Grant Brandell of Underoath is 43. Actor Anna Camp (“The Mindy Project,” ″True Blood”) is 42. Rapper Lil’ Wayne is 42. Singer Avril Lavigne is 40. Bluegrass musician Sierra Hull is 33. Actor Sam Lerner (“The Goldbergs”) is 32. Actor Ames McNamara (“The Connors”) is 17.

    Sept. 28: Actor Brigitte Bardot is 90. Actor Joel Higgins (“Silver Spoons”) is 81. Actor Jeffrey Jones is 78. Actor Vernee Watson (“Bob Hearts Abishola,” “Fresh Prince of Bel-Air”) is 75. Writer-director-actor John Sayles is 74. Guitarist George Lynch (Dokken) is 70. Actor Steve Hytner (“Seinfeld”) is 65. Actor-comedian Janeane Garofalo is 60. Country singer Matt King is 58. Actor Mira Sorvino is 57. TV personality and singer Moon Zappa is 57. Actor Naomi Watts is 56. Country singer Karen Fairchild of Little Big Town is 55. Country singer Mandy Barnett is 49. Rapper Young Jeezy is 47. Actor Peter Cambor (“NCIS: Los Angeles”) is 46. TV personality Bam Margera (“Jackass”) is 45. Actor Jerrika Hinton (“Grey’s Anatomy”) is 43. Guitarist Luke Mossman of Nathaniel Rateliff and the Night Sweats is 43. Musician St. Vincent is 42. Comedian Phoebe Robinson (“What Men Want”) is 40. Drummer Daniel Platzman (Imagine Dragons) is 38. Actor Hilary Duff is 37. Actor Keir Gilchrist (“United States of Tara”) is 32.

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  • CCMA Awards in Edmonton to see k.d. lang get band back together after 35 years | Globalnews.ca

    CCMA Awards in Edmonton to see k.d. lang get band back together after 35 years | Globalnews.ca

    By Aaron Sousa

    The Canadian Press

    Posted September 14, 2024 12:46 pm

    Updated September 14, 2024 12:47 pm

    1 min read

    The return of k.d. lang and the Reclines is expected to be a highlight as the Canadian Country Music Association hands out its annual hardware tonight in Edmonton.

    The appearance marks the first time the Alberta songstress has teamed up with the band in 35 years and is tied to her induction into the Canadian Music Hall of Fame.


    Singer and songwriter k.d. lang performs during the Americana Honors and Awards show Wednesday, Sept. 12, 2018, in Nashville, Tenn.

    AP Photo/Mark Zaleski

    Lang and the Reclines are expected to perform “Big Boned Gal” from the last album they recorded together in 1989.

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    Singer MacKenzie Porter of Medicine Hat, Alta., is co-hosting the show with American crooner Thomas Rhett, and they are also set to perform.

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    Porter is up for six awards, including female artist of the year, as well as single and video of the year for “Chasin’ Tornadoes.”

    She’s tied with Jade Eagleson of Bailieboro, Ont., who is also nominated for best single for “Rodeo Queen” and top album for Do It Anyway.

    Tenille Townes is defending her title of best female artist after winning the prize in 2023 for the fifth consecutive year. The “Somebody’s Daughter” singer from Grande Prairie, Alta., was first nominated for the award in 2011, when she was 17.

    Trending Now

    Brett Kissel and Dallas Smith are set to perform and the James Barker Band and Steven Lee Olsen are set to take the stage as presenters.

    The awards show is back in Alberta’s capital for the first time since 2014. It was held in Hamilton last year and in Calgary in 2022.


    Click to play video: 'Thomas Rhett talks new album, family and CCMA excitement'


    Thomas Rhett talks new album, family and CCMA excitement





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