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Tag: comedy

  • Adam Sandler gets Mark Twain prize surrounded by celeb pals

    Adam Sandler gets Mark Twain prize surrounded by celeb pals

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    WASHINGTON (AP) — Adam Sandler placed his hand on the bronze bust of Mark Twain and speculated that it “one day might be the weapon used to bludgeon me in my sleep.”

    A host of comedic and entertainment royalty gathered at Washington’s Kennedy Center as Sandler was presented with the Mark Twain Prize for American Humor.

    Presenters including Drew Barrymore, Conan O’Brien, Chris Rock, Jennifer Aniston, Steve Buscemi, Dana Carvey, and Luis Guzmán gave testimonials to Sandler’s creative longevity, while poking occasional fun at his uneven movie output and tendency to cast all his friends in his movies.

    Sandler’s longtime writing and production partner Tim Herlihy joked that the pair were responsible for “31 motion pictures with a combined Rotten Tomatoes score of 59.”

    Buscemi, known largely for dramatic and often violent roles, portrayed a string of comedic characters in Sandler movies.

    “He takes his comedy very seriously. I laugh hard at everything I do with him,” he said.

    Buscemi also singled out Sandler’s musical comedy, including “The Chanukah Song,” which became a multiplatinum hit. “His comedy songs alone deserve this reward,” he said.

    Judd Apatow, Sandler’s roommate during their early days in Los Angeles, recalled a young Sandler’s boundless confidence and obvious talent.

    “The moment you met him, you knew Adam was going to be a big star,” Apatow said. “And so did Adam.”

    To highlight Sandler’s seemingly limitless comedic energy, Apatow played an old video he recorded of a young Sandler prank-calling a local deli in his spare time to try out different comedic voices.

    At the end of the night, Sandler, who’s from Manchester, New Hampshire, paid tribute to his parents and siblings for arming him with “that weird irrational confidence thing that I guess I still have.”

    Sandler, 56, first came to national attention as a cast member on “Saturday Night Live.” After being fired from the cast following a five-year stint, Sandler launched a wildly successful movie career that has spanned more than 30 films, grossing over $3 billion worldwide.

    Sandler’s top hits include “Happy Gilmore,” “The Wedding Singer” and “You Don’t Mess with the Zohan.” Although primarily known for slapstick comedy and overgrown man-child characters, he has excelled in multiple dramatic roles in films such as “Punch Drunk Love” and “Uncut Gems.”

    Guzman, who co-starred in “Punch Drunk Love,” admitted he originally thought Sandler was “out of his depth” in a dramatic role scripted by auteur director Paul Thomas Anderson. But he came away impressed and praised Sandler’s “total commitment to something that was so far our of his element.”

    Other comedians who received the lifetime achievement award include inaugural honoree Richard Pryor in 1998, Whoopi Goldberg, Bob Newhart, Carol Burnett and Dave Chapelle. Bill Cosby, the 2009 recipient, saw his Mark Twain Prize rescinded in 2019 amid multiple allegations of sexual assault.

    The comedy institution “SNL” has provided more than its share of the 24 Mark Twain recipients. Sandler is the seventh cast member to receive the prize, joining Bill Murray, Tina Fey, Will Ferrell, Billy Crystal, Eddie Murphy, Julia Louis-Dreyfus. Show creator and producer Lorne Michaels won in 2004.

    The ceremony will be broadcast nationally on CNN on March 26.

    ___

    This story was first published on March 19, 2023. It was updated on March 20, 2023, to correct the names of two previous recipients of the Mark Twain Prize for American Humor. They are Will Ferrell, not Will Farrell, and Julia Louis-Dreyfus, not Julia Louise-Dreyfus.

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  • Sandler receives Mark Twain Prize, praise from comic pals

    Sandler receives Mark Twain Prize, praise from comic pals

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    WASHINGTON — Adam Sandler placed his hand on the bronze bust of Mark Twain and speculated that it “one day might be the weapon used to bludgeon me in my sleep.”

    A host of comedic and entertainment royalty gathered at Washington’s Kennedy Center as Sandler was presented with the Mark Twain Prize for American Humor.

    Presenters including Drew Barrymore, Conan O’Brien, Chris Rock, Jennifer Aniston, Steve Buscemi, Dana Carvey, and Luis Guzmán gave testimonials to Sandler’s creative longevity, while poking occasional fun at his uneven movie output and tendency to cast all his friends in his movies.

    Sandler’s longtime writing and production partner Tim Herlihy joked that the pair were responsible for “31 motion pictures with a combined Rotten Tomatoes score of 59.”

    Buscemi, known largely for dramatic and often violent roles, portrayed a string of comedic characters in Sandler movies.

    “He takes his comedy very seriously. I laugh hard at everything I do with him,” he said.

    Buscemi also singled out Sandler’s musical comedy, including “The Chanukah Song,” which became a multiplatinum hit. “His comedy songs alone deserve this reward,” he said.

    Judd Apatow, Sandler’s roommate during their early days in Los Angeles, recalled a young Sandler’s boundless confidence and obvious talent.

    “The moment you met him, you knew Adam was going to be a big star,” Apatow said. “And so did Adam.”

    To highlight Sandler’s seemingly limitless comedic energy, Apatow played an old video he recorded of a young Sandler prank-calling a local deli in his spare time to try out different comedic voices.

    At the end of the night, Sandler paid tribute to his parents and siblings for arming him with “that weird irrational confidence thing that I guess I still have”

    Sandler, 56, first came to national attention as a cast member on “Saturday Night Live.” After being fired from the cast following a five-year stint, Sandler launched a wildly successful movie career that has spanned more than 30 films, grossing over $3 billion worldwide.

    Sandler’s top hits include “Happy Gilmore,” “The Wedding Singer” and “You Don’t Mess with the Zohan.” Although primarily known for slapstick comedy and overgrown man-child characters, he has excelled in multiple dramatic roles in films such as “Punch Drunk Love” and “Uncut Gems.”

    Guzman, who co-starred in “Punch Drunk Love,” admitted he originally thought Sandler was “out of his depth” in a dramatic role scripted by auteur director Paul Thomas Anderson. But he came away impressed and praised Sandler’s “total commitment to something that was so far our of his element.”

    Other comedians who received the lifetime achievement award include inaugural honoree Richard Pryor in 1998, Whoopi Goldberg, Bob Newhart, Carol Burnett and Dave Chapelle. Bill Cosby, the 2009 recipient, saw his Mark Twain Prize rescinded in 2019 amid multiple allegations of sexual assault.

    The comedy institution “SNL” has provided more than its share of the 24 Mark Twain recipients. Sandler is the seventh cast member to receive the prize, joining Bill Murray, Tina Fey, Will Farrell, Billy Crystal, Eddie Murphy, Julia Louise-Dreyfus. Show creator and producer Lorne Michaels won in 2004.

    The ceremony will be broadcast nationally on CNN on March 26.

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  • ‘We don’t romanticise marijuana use’- The New Indian Express – Medical Marijuana Program Connection

    ‘We don’t romanticise marijuana use’- The New Indian Express – Medical Marijuana Program Connection

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    Express News Service

    Film content around marijuana usually turns preachy or belongs to the dark humour category. But debutant director Sugan Jay’s SonyLIV series Accidental Farmer and Co, about a person who accidentally finds marijuana in his land, is an all-out comedy. The series is set in a fictional village called Manmadha Gramam, and the weed sold by the hero goes by the name, Rathi. As you can imagine, director Sugan Jay comes from a family of farmers and is fascinated about agriculture. “I grew up around farms. This series is my attempt at recreating the life of characters I saw while I was a kid,” he says, and clarifies with a laugh that they, of course, were growing legal crops.

    Vaibhav

    Vaibhav, on the other hand, chose this series as it takes him back to the villages after Chennai 600028 II. “The character Chella (protagonist) is innocent and casual, just like my real-life persona. I thought that the writing of Sugan was extremely rooted,” he says. Vaibhav’s Chella ends up accidentally cultivating marijuana on a land he inherits from his grandfather, and the simpleton that he is, sells it as a medicinal herb. For lack of references to base such a unique character on, Vaibhav stuck to following the instructions of the director. “Sugan was particular about what he wanted. Of course, there were some improvisations too. Badava Gopi and I would brainstorm ideas in between to enhance the impact of each scene.”

    Actor Badava Gopi,…

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  • Brendan Fraser wins best-actor Oscar in career comeback

    Brendan Fraser wins best-actor Oscar in career comeback

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    LOS ANGELES — Brendan Fraser won the best-actor Oscar for “The Whale,” a transformative role in which he revived a career that was once so bright.

    “I started in this business 30 years ago and things didn’t come easily to me,” said an emotional Fraser, breathing heavily on stage Sunday night. “I just want to say thank you for this acknowledgement.”

    Fraser was one of five first-time nominees in the category, the first time that had happened since 1935. Fraser beat out Austin Butler of “Elvis,” Colin Farrell of “The Banshees of Inisherin,” Paul Mescal of “Aftersun,” and Bill Nighy of “Living.”

    Fraser figures the role of Charlie, a 600-pound reclusive gay English teacher who tries to restore his relationship with his teenage daughter, found him at the perfect time.

    Any earlier in his career and Fraser has said he wouldn’t have had the life experience or heartache to authentically play a character who lives with sadness, pain and life-threatening obesity.

    “I think it’s a film that’s going to change some hearts and minds, and that feels really good,” he said backstage.

    Fraser’s portrayal earned him standing ovations at film festivals in Venice and Toronto, and the early praise continued building through the fall and winter. In addition to receiving the best reviews of his career, he earned a SAG Award for his performance. Along the way, he’s given emotional acceptance speeches, unafraid to cry at times.

    His eyes were rimmed red as he clutched his Oscar in one hand, clearly moved by the reaction from his Hollywood peers.

    “This has been incredibly rewarding and affirming,” he said backstage, “and it’s given me a lesson in humility and gratitude.”

    It’s a career comeback, which Hollywood has always loved.

    The 54-year-old American Canadian actor broke out in the early 1990s with the comedy “Encino Man” and the drama “School Ties.” He was the face on movie posters for “George of the Jungle” and “The Mummy” trilogy, where he worked with fellow Oscar nominee Michelle Yeoh. He did dramatic turns in “Gods and Monsters,” “The Quiet American” and 2006 best-picture winner “Crash.”

    He had his share of projects that bombed, too.

    Then Fraser all but disappeared.

    He was off the big screen for several years dealing with a series of personal issues involving divorce, his mother’s death, health problems and an alleged assault by the then-president of the Hollywood Foreign Press Association. He boycotted this year’s Golden Globes as a result.

    He regained career momentum with a series of cable TV shows before appearing in director Steven Soderbergh’s movie “No Sudden Move” two years ago.

    Now, he owns one of the biggest prizes in movies.

    “I hope I live up to this,” he said.

    ___

    For more on this year’s Oscars, visit: https://apnews.com/hub/academy-awards

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  • Oscars look to snap back a year after The Slap

    Oscars look to snap back a year after The Slap

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    LOS ANGELES — It’s almost time to give the Academy Awards a big hand.

    OK, maybe we should rephrase that.

    A year after Will Smith strode on stage at the Dolby Theatre and slapped Chris Rock in the face, the Oscars will reconvene Sunday for a ceremony that will try to move past one of the most infamous moments in Academy Awards history.

    The telecast from the Dolby in Los Angeles begins at 8 p.m. EDT on ABC. The broadcast can be streamed with a subscription to Hulu Live TV, YouTubeTV, AT&T TV and Fubo TV. You can also stream the show on ABC.com and on the ABC app by authenticating your provider.

    Jimmy Kimmel, the show’s first solo emcee in five years, is hosting for the third time. The late-night comedian has promised to make some jokes about The Slap; it would be “ridiculous” not to, he said.

    Bill Kramer, chief executive of the film academy, has said that it was important, given what happened last year, to have “a host in place who can really pivot and manage those moments.”

    “Nobody got hit when I hosted the show,” Kimmel bragged tongue in cheek Thursday on “Good Morning America.” “Everybody was well-behaved at my Oscars.”

    Kimmel will preside over a ceremony that could see big wins for t he best-picture favorite, “Everything Everywhere All at Once.” Daniel Kwan and Daniel Scheinert’s action-comedy indie hit comes in with a leading 11 nominations, including nods for Michelle Yeoh and Ke Huy Quan.

    Producers are giving some aspects of the Oscars a makeover. The carpet is champagne-colored, not red. The broadcast has been planned to be more interactive than ever.

    But the academy, still trying to find its footing after several years of pandemic and ratings struggles, is also hoping for a smoother ride than last year. A crisis management team has been created to help better respond to surprises. The academy has called its response to Smith’s actions last year “inadequate.” Neither Rock, who recently made his most forceful statement about the incident in a live special, nor Smith, who’s been banned by the academy for 10 years, are expected to attend.

    The Academy Awards will instead attempt to recapture some of its old luster. One thing working in its favor: This year’s best picture field is stacked with blockbusters. Ratings usually go up when the nominees are more popular, which certainly goes for “Top Gun: Maverick,” “Avatar: The Way of Water” and, to a lesser extent, “Elvis” and “Everything Everywhere All at Once.”

    But the late-breaking contender that may fare well in the technical categories — where bigger movies often reign — is Netflix’s top nominee this year: the German WWI epic “All Quiet on the Western Front.” It’s up for nine awards, tied for second most with the Irish dark comedy “The Banshees of Inisherin.” Netflix’s “Guillermo del Toro’s Pinocchio” also looks like a shoo-in for best animated film.

    The awards will also have some star wattage in the musical performances. Fresh off her Super Bowl performance, Rihanna will perform her Oscar-nominated song, “Lift Me Up,” from “Black Panther: Wakanda Forever.” “This Is Life,” from “Everything Everywhere All at Once” will be sung by David Byrne and supporting actress nominee Stephanie Hsu with the band Son Lux. Rahul Sipligunj and Kaala Bhairava will perform “Naatu Naatu” from the Indian action epic “RRR.” Lenny Kravitz will perform during the In Memoriam tribute. (Lady Gaga, currently in production on a film, will not perform her nominated song “Hold My Hand” from “Top Gun: Maverick.”)

    Last year, Apple TV’s “CODA” became the first streaming movie to win best picture. But this year, nine of the 10 best picture nominees were theatrical releases. After the movie business cratered during the pandemic, moviegoing recovered to about 67% of pre-pandemic levels. But it was an up and down year, full of smash hits and anxiety-inducing lulls in theaters.

    At the same time, the rush to streaming encountered new setbacks as studios questioned long-term profitability and reexamined their release strategies. This year, ticket sales have been strong thanks to releases like “Creed III” and “Cocaine Bear.” But there remain storm clouds on the horizon. The Writers Guild and the major studios are set to begin contract negotiations March 20, a looming battle that has much of the industry girding for the possibility of a work stoppage throughout film and television.

    The Oscars, meanwhile, are trying to reestablish their position as the premier award show. Last year’s telecast drew 16.6 million viewers, a 58% increase from the scaled-down 2021 edition, watched by a record low 10.5 million.

    Usually, the previous year’s acting winners present the awards for best actor and best actress. But that won’t be the case this time. Who’ll replace Smith in presenting best actress is just one of the questions heading into the ceremony.

    ___

    Follow AP Film Writer Jake Coyle on Twitter at: http://twitter.com/jakecoyleAP

    ___

    For more coverage of this year’s Academy Awards, visit: https://apnews.com/hub/academy-awards

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  • Oscars look to snap back a year after The Slap

    Oscars look to snap back a year after The Slap

    [ad_1]

    LOS ANGELES — It’s almost time to give the Academy Awards a big hand.

    OK, maybe we should rephrase that.

    A year after Will Smith strode on stage at the Dolby Theatre and slapped Chris Rock in the face, the Oscars will reconvene Sunday for a ceremony that will try to move past one of the most infamous moments in Academy Awards history.

    The telecast from the Dolby in Los Angeles begins at 8 p.m. EDT on ABC. The broadcast can be streamed with a subscription to Hulu Live TV, YouTubeTV, AT&T TV and Fubo TV. You can also stream the show on ABC.com and on the ABC app by authenticating your provider.

    Jimmy Kimmel, the show’s first solo emcee in five years, is hosting for the third time. The late-night comedian has promised to make some jokes about The Slap; it would be “ridiculous” not to, he said.

    Bill Kramer, chief executive of the film academy, has said that it was important, given what happened last year, to have “a host in place who can really pivot and manage those moments.”

    “Nobody got hit when I hosted the show,” Kimmel bragged tongue in cheek Thursday on “Good Morning America.” “Everybody was well-behaved at my Oscars.”

    Kimmel will preside over a ceremony that could see big wins for t he best-picture favorite, “Everything Everywhere All at Once.” Daniel Kwan and Daniel Scheinert’s action-comedy indie hit comes in with a leading 11 nominations, including nods for Michelle Yeoh and Ke Huy Quan.

    Producers are giving some aspects of the Oscars a makeover. The carpet is champagne-colored, not red. The broadcast has been planned to be more interactive than ever.

    But the academy, still trying to find its footing after several years of pandemic and ratings struggles, is also hoping for a smoother ride than last year. A crisis management team has been created to help better respond to surprises. The academy has called its response to Smith’s actions last year “inadequate.” Neither Rock, who recently made his most forceful statement about the incident in a live special, nor Smith, who’s been banned by the academy for 10 years, are expected to attend.

    The Academy Awards will instead attempt to recapture some of its old luster. One thing working in its favor: This year’s best picture field is stacked with blockbusters. Ratings usually go up when the nominees are more popular, which certainly goes for “Top Gun: Maverick,” “Avatar: The Way of Water” and, to a lesser extent, “Elvis” and “Everything Everywhere All at Once.”

    But the late-breaking contender that may fare well in the technical categories — where bigger movies often reign — is Netflix’s top nominee this year: the German WWI epic “All Quiet on the Western Front.” It’s up for nine awards, tied for second most with the Irish dark comedy “The Banshees of Inisherin.” Netflix’s “Guillermo del Toro’s Pinocchio” also looks like a shoo-in for best animated film.

    The awards will also have some star wattage in the musical performances. Fresh off her Super Bowl performance, Rihanna will perform her Oscar-nominated song, “Lift Me Up,” from “Black Panther: Wakanda Forever.” “This Is Life,” from “Everything Everywhere All at Once” will be sung by David Byrne and supporting actress nominee Stephanie Hsu with the band Son Lux. Rahul Sipligunj and Kaala Bhairava will perform “Naatu Naatu” from the Indian action epic “RRR.” Lenny Kravitz will perform during the In Memoriam tribute. (Lady Gaga, currently in production on a film, will not perform her nominated song “Hold My Hand” from “Top Gun: Maverick.”)

    Last year, Apple TV’s “CODA” became the first streaming movie to win best picture. But this year, nine of the 10 best picture nominees were theatrical releases. After the movie business cratered during the pandemic, moviegoing recovered to about 67% of pre-pandemic levels. But it was an up and down year, full of smash hits and anxiety-inducing lulls in theaters.

    At the same time, the rush to streaming encountered new setbacks as studios questioned long-term profitability and reexamined their release strategies. This year, ticket sales have been strong thanks to releases like “Creed III” and “Cocaine Bear.” But there remain storm clouds on the horizon. The Writers Guild and the major studios are set to begin contract negotiations March 20, a looming battle that has much of the industry girding for the possibility of a work stoppage throughout film and television.

    The Oscars, meanwhile, are trying to reestablish their position as the premier award show. Last year’s telecast drew 16.6 million viewers, a 58% increase from the scaled-down 2021 edition, watched by a record low 10.5 million.

    Usually, the previous year’s acting winners present the awards for best actor and best actress. But that won’t be the case this time. Who’ll replace Smith in presenting best actress is just one of the questions heading into the ceremony.

    ___

    Follow AP Film Writer Jake Coyle on Twitter at: http://twitter.com/jakecoyleAP

    ___

    For more coverage of this year’s Academy Awards, visit: https://apnews.com/hub/academy-awards

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  • Robert Blake, actor acquitted in wife’s killing, dies at 89

    Robert Blake, actor acquitted in wife’s killing, dies at 89

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    LOS ANGELES — Robert Blake, the Emmy award-winning performer who went from acclaim for his acting to notoriety when he was tried and acquitted in the killing of his wife, died Thursday at age 89.

    A statement released on behalf of his niece, Noreen Austin, said Blake died from heart disease, surrounded by family at home in Los Angeles.

    Blake, star of the 1970s TV show, “Baretta,” had once hoped for a comeback, but he never recovered from the long ordeal which began with the shooting death of his wife, Bonny Lee Bakley, outside a Studio City restaurant on May 4, 2001. The story of their strange marriage, the child it produced and its violent end was a Hollywood tragedy played out in court.

    Once hailed as among the finest actors of his generation, Blake became better known as the center of a real-life murder trial, a story more bizarre than any in which he acted. Many remembered him not as the rugged, dark-haired star of “Baretta,” but as a spectral, white-haired murder defendant.

    In a 2002 interview with The Associated Press while he was jailed awaiting trial, he bemoaned the change in his status with his fans nationwide: “It hurt because America is the only family I had.”

    He was adamant that he had not killed his wife and a jury ultimately acquitted him. But a civil jury would find him liable for her death and order him to pay Bakley’s family $30 million, a judgment which sent him into bankruptcy. The daughter he and Bakley had together, Rose Lenore, was raised by other relatives and went for years without seeing Blake, until they spoke in 2019. She would tell People magazine that she called him “Robert,” not “Dad.”

    It was an ignominious finale for a life lived in the spotlight from childhood. As a youngster, he starred in the “Our Gang” comedies and acted in a movie classic, “The Treasure of the Sierra Madre.” As an adult, he was praised for his portrayal of real-life murderer Perry Smith in the movie of Truman Capote’s true crime best seller “In Cold Blood.”

    His career peaked with the 1975-78 TV cop series, “Baretta.” He starred as a detective who carried a pet cockatoo on his shoulder and was fond of disguises. It was typical of his specialty, portraying tough guys with soft hearts, and its signature line: “Don’t do the crime if you can’t do the time,” was often quoted.

    Blake won a 1975 Emmy for his portrayal of Tony Baretta, although behind the scenes the show was wracked by disputes involving the temperamental star. He gained a reputation as one of Hollywood’s finest actors, but one of the most difficult to work with. He later admitted to struggles with alcohol and drug addiction in his early life.

    In 1993, Blake won another Emmy as the title character in, “Judgment Day: the John List Story,” portraying a soft-spoken, churchgoing man who murdered his wife and three children.

    Blake’s career had slowed down well before the trial. He made only a handful of screen appearances after the mid-1980s; his last project was in David Lynch’s “Lost Highway,” released in 1997. According to his niece, Blake had spent his recent years “enjoying jazz music, playing his guitar, reading poetry, and watching many Hollywood Classic films.”

    He was born Michael James Gubitosi on Sept. 18, 1933, in Nutley, New Jersey. His father, an Italian immigrant and his mother, an Italian American, wanted their three children to succeed in show business. At age 2, Blake was performing with a brother and sister in a family vaudeville act called, “The Three Little Hillbillies.”

    When his parents moved the family to Los Angeles, his mother found work for the kids as movie extras and little Mickey Gubitosi was plucked from the crowd by producers who cast him in the “Our Gang” comedies. He appeared in the series for five years and changed his name to Bobby Blake.

    He went on to work with Hollywood legends, playing the young John Garfield in “Humoresque” in 1946 and the little boy who sells Humphrey Bogart a crucial lottery ticket in the Oscar-winning “The Treasure of the Sierra Madre.”

    In adulthood, he landed serious movie roles. The biggest breakthrough was in 1967 with “In Cold Blood.” Later there were films including, “Tell Them Willie Boy is Here” and “Electra Glide in Blue.”

    In 1961, Blake and actress Sondra Kerr married and had two children, Noah and Delinah. They divorced in 1983.

    His fateful meeting with Bakley came in 1999 at a jazz club where he went to escape loneliness.

    “Here I was, 67 or 68 years old. My life was on hold. My career was stalled out,” he said in the AP interview. “I’d been alone for a long time.”

    He said he had no reason to dislike Bakley: “She took me out of the stands and put me back in the arena. I had something to live for.”

    When Bakley gave birth to a baby girl, she named Christian Brando — son of Marlon — as the father. But DNA tests pointed to Blake.

    Blake first saw the little girl, named Rosie, when she was two months old and she became the focus of his life. He married Bakley because of the child.

    “Rosie is my blood. Rosie is calling to me,” he said. “I have no doubt that Rosie and I are going to walk off into the sunset together.”

    Prosecutors would claim that he planned to kill Bakley to get sole custody of the baby and tried to hire hitmen for the job. But evidence was muddled and a jury rejected that theory.

    On her last night alive, Blake and his 44-year-old wife dined at a neighborhood restaurant, Vitello’s. He claimed she was shot when he left her in the car and returned to the restaurant to retrieve a handgun he had inadvertently left behind. Police were initially baffled and Blake was not arrested until a year after the crime occurred.

    Once a wealthy man, he spent millions on his defense and wound up living on social security and a Screen Actor’s Guild pension.

    In a 2006 interview with the AP a year after his acquittal, Blake said he hoped to restart his career.

    “I’d like to give my best performance,” he said. “I’d like to leave a legacy for Rosie about who I am. I’m not ready for a dog and fishing pole yet. I’d like to go to bed each night desperate to wake up each morning and create some magic.”

    ___

    Deutsch, the primary writer of this obituary, retired from The Associated Press in 2014.

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  • Robert Blake, actor acquitted in wife’s killing, dies at 89

    Robert Blake, actor acquitted in wife’s killing, dies at 89

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    LOS ANGELES — Robert Blake, the Emmy award-winning performer who went from acclaim for his acting to notoriety when he was tried and acquitted in the killing of his wife, died Thursday at age 89.

    A statement released on behalf of his niece, Noreen Austin, said Blake died from heart disease, surrounded by family at home in Los Angeles.

    Blake, star of the 1970s TV show, “Baretta,” had once hoped for a comeback, but he never recovered from the long ordeal which began with the shooting death of his wife, Bonny Lee Bakley, outside a Studio City restaurant on May 4, 2001. The story of their strange marriage, the child it produced and its violent end was a Hollywood tragedy played out in court.

    Once hailed as among the finest actors of his generation, Blake became better known as the center of a real-life murder trial, a story more bizarre than any in which he acted. Many remembered him not as the rugged, dark-haired star of “Baretta,” but as a spectral, white-haired murder defendant.

    In a 2002 interview with The Associated Press while he was jailed awaiting trial, he bemoaned the change in his status with his fans nationwide: “It hurt because America is the only family I had.”

    He was adamant that he had not killed his wife and a jury ultimately acquitted him. But a civil jury would find him liable for her death and order him to pay Bakley’s family $30 million, a judgment which sent him into bankruptcy. The daughter he and Bakley had together, Rose Lenore, was raised by other relatives and went for years without seeing Blake, until they spoke in 2019. She would tell People magazine that she called him “Robert,” not “Dad.”

    It was an ignominious finale for a life lived in the spotlight from childhood. As a youngster, he starred in the “Our Gang” comedies and acted in a movie classic, “The Treasure of the Sierra Madre.” As an adult, he was praised for his portrayal of real-life murderer Perry Smith in the movie of Truman Capote’s true crime best seller “In Cold Blood.”

    His career peaked with the 1975-78 TV cop series, “Baretta.” He starred as a detective who carried a pet cockatoo on his shoulder and was fond of disguises. It was typical of his specialty, portraying tough guys with soft hearts, and its signature line: “Don’t do the crime if you can’t do the time,” was often quoted.

    Blake won a 1975 Emmy for his portrayal of Tony Baretta, although behind the scenes the show was wracked by disputes involving the temperamental star. He gained a reputation as one of Hollywood’s finest actors, but one of the most difficult to work with. He later admitted to struggles with alcohol and drug addiction in his early life.

    In 1993, Blake won another Emmy as the title character in, “Judgment Day: the John List Story,” portraying a soft-spoken, churchgoing man who murdered his wife and three children.

    Blake’s career had slowed down well before the trial. He made only a handful of screen appearances after the mid-1980s; his last project was in David Lynch’s “Lost Highway,” released in 1997. According to his niece, Blake had spent his recent years “enjoying jazz music, playing his guitar, reading poetry, and watching many Hollywood Classic films.”

    He was born Michael James Gubitosi on Sept. 18, 1933, in Nutley, New Jersey. His father, an Italian immigrant and his mother, an Italian American, wanted their three children to succeed in show business. At age 2, Blake was performing with a brother and sister in a family vaudeville act called, “The Three Little Hillbillies.”

    When his parents moved the family to Los Angeles, his mother found work for the kids as movie extras and little Mickey Gubitosi was plucked from the crowd by producers who cast him in the “Our Gang” comedies. He appeared in the series for five years and changed his name to Bobby Blake.

    He went on to work with Hollywood legends, playing the young John Garfield in “Humoresque” in 1946 and the little boy who sells Humphrey Bogart a crucial lottery ticket in the Oscar-winning “The Treasure of the Sierra Madre.”

    In adulthood, he landed serious movie roles. The biggest breakthrough was in 1967 with “In Cold Blood.” Later there were films including, “Tell Them Willie Boy is Here” and “Electra Glide in Blue.”

    In 1961, Blake and actress Sondra Kerr married and had two children, Noah and Delinah. They divorced in 1983.

    His fateful meeting with Bakley came in 1999 at a jazz club where he went to escape loneliness.

    “Here I was, 67 or 68 years old. My life was on hold. My career was stalled out,” he said in the AP interview. “I’d been alone for a long time.”

    He said he had no reason to dislike Bakley: “She took me out of the stands and put me back in the arena. I had something to live for.”

    When Bakley gave birth to a baby girl, she named Christian Brando — son of Marlon — as the father. But DNA tests pointed to Blake.

    Blake first saw the little girl, named Rosie, when she was two months old and she became the focus of his life. He married Bakley because of the child.

    “Rosie is my blood. Rosie is calling to me,” he said. “I have no doubt that Rosie and I are going to walk off into the sunset together.”

    Prosecutors would claim that he planned to kill Bakley to get sole custody of the baby and tried to hire hitmen for the job. But evidence was muddled and a jury rejected that theory.

    On her last night alive, Blake and his 44-year-old wife dined at a neighborhood restaurant, Vitello’s. He claimed she was shot when he left her in the car and returned to the restaurant to retrieve a handgun he had inadvertently left behind. Police were initially baffled and Blake was not arrested until a year after the crime occurred.

    Once a wealthy man, he spent millions on his defense and wound up living on social security and a Screen Actor’s Guild pension.

    In a 2006 interview with the AP a year after his acquittal, Blake said he hoped to restart his career.

    “I’d like to give my best performance,” he said. “I’d like to leave a legacy for Rosie about who I am. I’m not ready for a dog and fishing pole yet. I’d like to go to bed each night desperate to wake up each morning and create some magic.”

    ___

    Deutsch, the primary writer of this obituary, retired from The Associated Press in 2014.

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  • 2023 Oscars: What to know about best actress nominees

    2023 Oscars: What to know about best actress nominees

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    LOS ANGELES — The best actress category at the 95th Oscars is full of great awards season drama, from the surprise nomination of Andrea Riseborough to the potential history to be made if Michelle Yeoh wins, which AP’s film writers predict will happen.

    All will be celebrated during Sunday’s Academy Awards ceremony, which airs live on ABC beginning at 8 p.m. Eastern. There’s still time to catch up on their performances before the show.

    Here’s a bit more about the contenders.

    ANA DE ARMAS

    “Blonde” may have been reviled by many critics, but you’d be hard-pressed to find any who didn’t admire Ana de Armas’s portrayal of Marilyn Monroe nonetheless. De Armas prepped for a year and was thrown into the fire on her first day on set: In the actual apartment Norma Jeane lived in with her mother — a nightmare sequence in which she rescues a baby from the dresser drawer that she was kept in as an infant, as the place burns around her. Her second day was her visit to her mother in the mental hospital, where she got to speak as Marilyn for the first time on camera.

    “I wasn’t in character all the time. But … I felt that heaviness and that weight in my shoulders. And I felt that sadness,” de Armas said. “She was all I thought about. She was all I dreamed about. She was all I talked about.”

    Trivia: De Armas is the first Cuban woman to be nominated for best actress.

    Age: 34

    CATE BLANCHETT

    “Tár” wouldn’t exist without Cate Blanchett because Todd Field, the writer and director, wouldn’t have done it with anyone else. That might be Hollywood bluster from most, but with Field you believe it. In the process of preparing to play Lydia Tár, the fictional conductor of a German orchestra, she’d learn to play piano, to speak German and conduct an orchestra, all of which she does really does in the film.

    “I am still processing the experience, not only because it spoke to a lot of things that I had been thinking about, but I feel so expanded by having been in Todd’s orbit,” Blanchett said. “It was a very, very fluid, dangerous, alive process making the film.”

    Lifetime Oscar nominations: 8

    Wins: 2. Best Supporting Actress for “The Aviator” in 2005 and Best Actress for “Blue Jasmine” in 2014

    Age: 53

    Notable Wins: Venice Film Festival Volpi Cup, BAFTA, Golden Globes (Drama).

    ANDREA RISEBOROUGH

    Riseborough was unexpectedly nominated for her performance as an alcoholic Texas single mother in the scantly seen indie drama “To Leslie,” a pick that shocked Oscar pundits and resulted in an investigation into campaigning techniques by the Academy of Motion Pictures Arts and Sciences.

    Riseborough rose into the Oscar ranks thanks largely to the grassroots efforts of “To Leslie” director Michael Morris and his wife, actor Mary McCormack. They urged stars to see the film and either host a screening or praise Riseborough’s performance on social media. And a whole lot of them did: Kate Winslet, Charlize Theron, Jennifer Aniston, Gwyneth Paltrow, Amy Adams and Courteney Cox all hosted screenings for the film.

    After a review of the campaign, the Academy said that Andrea Riseborough would not be stripped of her nomination.

    Age: 41

    MICHELLE WILLIAMS

    The pivotal event of “The Fabelmans” comes when Mitzi Fabelman, a fictionalized version of Steven Spielberg’s own mother played by Michelle Williams, reluctantly leaves her husband for his best friend.

    “I thought she already suffered a near-death experience. When she gave up her dream of being a concert pianist, she experienced what it’s like for part of you to die,” says Williams. “So when she’s faced with another near-death experience — Do I stay in this marriage or do I allow myself to go where my heart is leading? — she knows that she can’t die again. There will be nothing left of her.

    “What is this thing in her that allows her to make this decision? Is it her artistry? Is it bravery? Is it how big her emotions are? What allowed this woman to stake a claim on her life like this?” says Williams. “I don’t know but I do think it’s what’s allowed her children to do the same thing, to stake a claim on their own lives. That, I think, is one of the greatest gifts that you give to your kids, showing them how they can be a full person.”

    Lifetime Oscar Nominations: 5

    Age: 42

    MICHELLE YEOH

    After decades first as a star in Hong Kong cinema and then more mainstream hits like “Tomorrow Never Dies” and “Crouching Tiger, Hidden Dragon,” the Malayasian-born Yeoh has grown into a movie queen. She’s had integral roles in what have been the first large U.S. studio movies in years with Asian-led casts—Marvel Studios’ “Shang-Chi and The Legend of The Ten Rings” and “Crazy Rich Asians.” As much as those films mean to her, she was a polished supporting player in them — then came “Everything Everywhere All At Once.”

    The Daniels originally named the multiverse hopping matriarch Michelle, as a “love letter” to Yeoh. But then she asked to change that and Evelyn was born.

    “I’m like ‘No, no, no’ because I believe this person, this character that you’ve written so rich, deserves a voice of her own. She is the voice of those mothers, aunties, grandmothers that you pass by in Chinatown or in the supermarket that you don’t even give a second glance to. Then you just take her for granted,” Yeoh said. “She’s never had a voice.”

    Trivia: If Yeoh were to win, she would become the first Asian woman awarded in that category.

    Age: 60

    Notable Wins: Golden Globes (Musical/Comedy), Screen Actors Guild, Film Independent Spirit Award.

    —-

    For more on this year’s Oscars, visit: http://www.apnews.com/academy-awards.

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  • The Demi Ramos Show: Gianmarco Soresi

    The Demi Ramos Show: Gianmarco Soresi

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    In this episode, Demi pays a visit to the New York apartment of Gianmarco Soresi.

    With appearances on Comedy Central and The Late Late Show with James Corden, he’s one of comedy’s rising stars. Based in New York, he’s grown his following through consistent touring, TV gigs, and social media. Although he describes himself as a failed actor, Soresi has landed parts in CBS’s Blue Bloods and the Jennifer Lopez hit movie Hustlers.

    Watch him talk to Demi about his career in comedy, how he puts a show together, and his advice for young comics.


    Gianmarco Soresi | The Demi Ramos ShowVideo by Christian Zelder

    For more from Gianmarco Soresi, follow him on Instagram and TikTok. You can also listen to his podcast and catch him on tour.

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  • Chris Rock Slams Woke Business Culture in Netflix Special | Entrepreneur

    Chris Rock Slams Woke Business Culture in Netflix Special | Entrepreneur

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    Chris Rock wasn’t afraid to take aim at business culture in his new Netflix special.

    The comedian ranted about businesses trying to be “woke” in Netflix’s first-ever live-streaming event, which took place on March 4 at the Hippodrome Theatre in Baltimore, Maryland.

    “In the old days, if someone just wanted your job, they just worked harder than you. Now, if somebody wants your job, they just wait for you to say some dumb s**t,” he said within the first couple minutes of his set.

    RELATED: All the Details of the Netflix Password-Sharing Update Nobody Wanted

    While he said he is for the representation of marginalized communities, he said he takes issue with the hypocrisies of cancel culture, which he calls “selective outrage.” To illustrate his point, he called out people typing their criticism tweets “on a phone made by child[ren].”

    However, he said these people alone aren’t the problem, adding, “not only is everybody full of s**t, every business is full of s**t.”

    Rock said that companies don’t “even tell you about the product” anymore, but rather “how much charity they do.”

    In the special, he called out Lululemon and Subaru for their charity advertisements and even took aim at Tesla, Elon Musk’s electric car company.

    The special is currently ranked No. 1 as Netflix’s top TV show in the U.S.

    Back in 2016, Rock agreed to a two-special deal for $40 million, according to the Hollywood Reporter. Rock dropped his first special “Tamborine” in 2018.

    RELATED: Here’s Everything We Know About the Will Smith, Chris Rock Altercation at the 2022 Oscars

    Rock also addressed the infamous slap incident at the 2022 Oscars, saying “Everybody called him a [b—-] and who does he hit? Me.”

    In the special, Rock talked about his humble upbringing and identified as “poor.” Rock’s reported net worth is about $60 million.

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  • ‘Creature from the Black Lagoon’ actor Ricou Browning dies

    ‘Creature from the Black Lagoon’ actor Ricou Browning dies

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    Ricou Browning, a skilled swimmer best known for his underwater role as the Gill Man in the quintessential 3D black-and-white 1950s monster movie “Creature from the Black Lagoon,” has died, his family told various media outlets. He was 93.

    Browning died Feb. 27 at his home in Southwest Ranches, Florida.

    In addition to acting roles, Browning also collaborated as a writer on the 1963 movie “Flipper,” and the popular TV series of the same name that followed.

    He told the Ocala Star Banner newspaper in 2013 that he came up with the idea after a trip to South America to capture fresh-water dolphins in the Amazon.

    “One day, when I came home, the kids were watching ‘Lassie’ on TV, and it just dawned on me, ‘Why not do a film about a boy and a dolphin?’” he told the newspaper.

    Browning directed the 1973 comedy “Salty,” about a sea lion, and the 1978 drama “Mr. No Legs,” about a mob enforcer who is a double amputee. He also did stunt work in various films, including serving as Jerry Lewis’s underwater double in the 1959 comedy “Don’t Give Up the Ship,” according to The New York Times.

    But nothing would mark Browning’s Hollywood career like swimming underwater in an elaborately grotesque suit as the Gill Man, a character that would hold its own in horror movie lore along side monsters like King Kong and Godzilla. Browning did the swimming scenes in two sequels, “Revenge of the Creature” (1955) and “The Creature Walks Among Us” (1956). Other actors played the Gill Man on land.

    Browning told the Ocala Star Banner, he could hold his breath for minutes underwater, making him especially adept for the swimming part.

    He was discovered when the film’s director visited Silver Springs, where Newt Perry, who performed as a stand-in for “Tarzan” actor Johnny Weissmuller, was promoting one of Florida’s first tourist attractions where Browning got a job as a teen swimming in water shows.

    Perry asked Browning to take the Hollywood visitors to Wakulla Springs, one of the largest and deepest freshwater springs in the world. They later recruited Browning to appear in the movie, which was partly filmed at the springs.

    Ricou Ren Browning was born on Feb. 16, 1930, in Fort Pierce, Florida. He swam on the U.S. Air Force swim team.

    Survivors include his four children, Ricou Browning Jr., Renee, Kelly and Kim; 10 grandchildren; and 11 great-grandchildren. His wife, Fran, died in March 2020. His son Ricou Jr. is a marine coordinator, actor and stuntman like his father, according to The Hollywood Reporter.

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  • ‘Creature from the Black Lagoon’ actor Ricou Browning dies

    ‘Creature from the Black Lagoon’ actor Ricou Browning dies

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    Ricou Browning, a skilled swimmer best known for his underwater role as the Gill Man in the quintessential 3D black-and-white 1950s monster movie “Creature from the Black Lagoon,” has died, his family told various media outlets. He was 93.

    Browning died Feb. 27 at his home in Southwest Ranches, Florida.

    In addition to acting roles, Browning also collaborated as a writer on the 1963 movie “Flipper,” and the popular TV series of the same name that followed.

    He told the Ocala Star Banner newspaper in 2013 that he came up with the idea after a trip to South America to capture fresh-water dolphins in the Amazon.

    “One day, when I came home, the kids were watching ‘Lassie’ on TV, and it just dawned on me, ‘Why not do a film about a boy and a dolphin?’” he told the newspaper.

    Browning directed the 1973 comedy “Salty,” about a sea lion, and the 1978 drama “Mr. No Legs,” about a mob enforcer who is a double amputee. He also did stunt work in various films, including serving as Jerry Lewis’s underwater double in the 1959 comedy “Don’t Give Up the Ship,” according to The New York Times.

    But nothing would mark Browning’s Hollywood career like swimming underwater in an elaborately grotesque suit as the Gill Man, a character that would hold its own in horror movie lore along side monsters like King Kong and Godzilla. Browning did the swimming scenes in two sequels, “Revenge of the Creature” (1955) and “The Creature Walks Among Us” (1956). Other actors played the Gill Man on land.

    Browning told the Ocala Star Banner, he could hold his breath for minutes underwater, making him especially adept for the swimming part.

    He was discovered when the film’s director visited Silver Springs, where Newt Perry, who performed as a stand-in for “Tarzan” actor Johnny Weissmuller, was promoting one of Florida’s first tourist attractions where Browning got a job as a teen swimming in water shows.

    Perry asked Browning to take the Hollywood visitors to Wakulla Springs, one of the largest and deepest freshwater springs in the world. They later recruited Browning to appear in the movie, which was partly filmed at the springs.

    Ricou Ren Browning was born on Feb. 16, 1930, in Fort Pierce, Florida. He swam on the U.S. Air Force swim team.

    Survivors include his four children, Ricou Browning Jr., Renee, Kelly and Kim; 10 grandchildren; and 11 great-grandchildren. His wife, Fran, died in March 2020. His son Ricou Jr. is a marine coordinator, actor and stuntman like his father, according to The Hollywood Reporter.

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  • Chris Rock to finally have his say in new stand-up special

    Chris Rock to finally have his say in new stand-up special

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    A year after Will Smith smacked him on the Academy Awards stage, Chris Rock is poised to finally have his say.

    The 58-year-old comedian on Saturday night will perform his first stand-up special since last year’s Oscars. He’s doing it in “Chris Rock: Selective Outrage,” streaming live on Netflix at 10 p.m. EST. Not only will Rock present about an hour of stand-up from the Hippodrome Theatre in Baltimore, but Netflix — in its first ever live show — will bookend the special with star-studded commentary.

    The pre-show, beginning at 9:30 p.m., will feature Paul McCartney, Jerry Seinfeld, Matthew McConaughey, Cedric the Entertainer, Ice-T and two hosts from last year’s Oscars: Wanda Sykes and Amy Schumer. Afterward Rock’s set, Dana Carvey and David Spade will host guests including Kareem Abdul-Jabbar, Arsenio Hall and JB Smoove.

    While Smith has apologized and repeatedly spoken about the incident since last March, Rock has avoided all the usual platforms where celebrities often go to air their feelings. He never sat down with Oprah Winfrey, and turned away the many media outlets that would have loved to land an exclusive in-depth interview.

    Instead, Rock has for much of the past year been touring new material in a long string of performances as part of his Ego Death tour. The shows, which had been announced before the 2022 Oscars, have featured performances with Dave Chappelle and Kevin Hart.

    On the road, Rock has often worked in jokes and reflections on the slap, though it’s never been more than an element of his shows. There’s no guarantee that he will talk it about Saturday night, but he’s widely expected to and has long suggested this would be his chosen forum.

    Rock first broke his public silence about the slap three nights after the Oscar ceremony, last year in Boston. “How was your weekend?” he asked the crowd. He added that he was “still kind of processing what happened.”

    Now, after plenty of processing, Rock will be taking the cultural spotlight just a week before the March 12 Oscars, where the slap is sure to revisited by this year’s host, Jimmy Kimmel. In the aftermath of last year’s events, Smith resigned his membership to the film academy. The academy board of governors banned Smith from the Oscars and all other academy events for a decade.

    At the annual luncheon for nominees held last month, motion picture academy president Janet Yang voiced regret about how the incident was handled, calling the academy’s response “inadequate.” Bill Kramer, the academy’s chief executive, has said the academy has since instituted a crisis communications team to prepare for and more rapidly respond to the unexpected.

    “Selective Outrage” is Rock’s second special for Netflix, following 2018’s “Tamborine.” They’re part of a two-special $40 million deal Rock signed with the streamer in 2016.

    While rivals have gotten into live streaming and sports, “Selective Outrage” marks Netflix’s first foray into live programming. Netflix, with 231 million global subscribers, also recently signed on to stream next year’s Screen Actors Guild Awards, signaling that “Selective Outrage” may be just the start of a new trend.

    ___

    Follow AP Film Writer Jake Coyle on Twitter at: http://twitter.com/jakecoyleAP

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  • Chris Rock to finally have his say in new stand-up special

    Chris Rock to finally have his say in new stand-up special

    [ad_1]

    A year after Will Smith smacked him on the Academy Awards stage, Chris Rock is poised to finally have his say.

    The 58-year-old comedian on Saturday night will perform his first stand-up special since last year’s Oscars. He’s doing it in “Chris Rock: Selective Outrage,” streaming live on Netflix at 10 p.m. EST. Not only will Rock present about an hour of stand-up from the Hippodrome Theatre in Baltimore, but Netflix — in its first ever live show — will bookend the special with star-studded commentary.

    The pre-show, beginning at 9:30 p.m., will feature Paul McCartney, Jerry Seinfeld, Matthew McConaughey, Cedric the Entertainer, Ice-T and two hosts from last year’s Oscars: Wanda Sykes and Amy Schumer. Afterward Rock’s set, Dana Carvey and David Spade will host guests including Kareem Abdul-Jabbar, Arsenio Hall and JB Smoove.

    While Smith has apologized and repeatedly spoken about the incident since last March, Rock has avoided all the usual platforms where celebrities often go to air their feelings. He never sat down with Oprah Winfrey, and turned away the many media outlets that would have loved to land an exclusive in-depth interview.

    Instead, Rock has for much of the past year been touring new material in a long string of performances as part of his Ego Death tour. The shows, which had been announced before the 2022 Oscars, have featured performances with Dave Chappelle and Kevin Hart.

    On the road, Rock has often worked in jokes and reflections on the slap, though it’s never been more than an element of his shows. There’s no guarantee that he will talk it about Saturday night, but he’s widely expected to and has long suggested this would be his chosen forum.

    Rock first broke his public silence about the slap three nights after the Oscar ceremony, last year in Boston. “How was your weekend?” he asked the crowd. He added that he was “still kind of processing what happened.”

    Now, after plenty of processing, Rock will be taking the cultural spotlight just a week before the March 12 Oscars, where the slap is sure to revisited by this year’s host, Jimmy Kimmel. In the aftermath of last year’s events, Smith resigned his membership to the film academy. The academy board of governors banned Smith from the Oscars and all other academy events for a decade.

    At the annual luncheon for nominees held last month, motion picture academy president Janet Yang voiced regret about how the incident was handled, calling the academy’s response “inadequate.” Bill Kramer, the academy’s chief executive, has said the academy has since instituted a crisis communications team to prepare for and more rapidly respond to the unexpected.

    “Selective Outrage” is Rock’s second special for Netflix, following 2018’s “Tamborine.” They’re part of a two-special $40 million deal Rock signed with the streamer in 2016.

    While rivals have gotten into live streaming and sports, “Selective Outrage” marks Netflix’s first foray into live programming. Netflix, with 231 million global subscribers, also recently signed on to stream next year’s Screen Actors Guild Awards, signaling that “Selective Outrage” may be just the start of a new trend.

    ___

    Follow AP Film Writer Jake Coyle on Twitter at: http://twitter.com/jakecoyleAP

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  • Complete list of winners at the 29th annual SAG Awards

    Complete list of winners at the 29th annual SAG Awards

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    LOS ANGELES (AP) — List of winners at the 29th Screen Actors Guild Awards, held Sunday in Los Angeles:

    FILM

    Ensemble: “Everything Everywhere All at Once”

    Male actor in a leading role: Brendan Fraser, “The Whale.”

    Female actor in a leading role: Michelle Yeoh, “Everything Everywhere All at Once.”

    Male actor in a supporting role: Ke Huy Quan, “Everything Everywhere All at Once.”

    Female actor in a supporting role: Jamie Lee Curtis, “Everything Everywhere All at Once.”

    Stunt Ensemble: “Top Gun: Maverick”

    TELEVISION

    Drama ensemble: “The White Lotus.”

    Comedy ensemble: “Abbott Elementary.”

    Female actor in a drama series: Jennifer Coolidge, “The White Lotus.”

    Male actor in a drama series: Jason Bateman, “Ozark.”

    Female actor in a comedy series: Jean Smart, “Hacks.”

    Male actor in a comedy series: Jeremy Allen White, “The Bear.”

    Male actor in a TV limited series or movie: Sam Elliott, “1883.”

    Female actor in a TV limited series or movie: Jessica Chastain, “George & Tammy.”

    Stunt ensemble: “Stranger Things”

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  • ‘Cocaine Bear’ gets high with $23.1M, ‘Ant-Man’ sinks fast

    ‘Cocaine Bear’ gets high with $23.1M, ‘Ant-Man’ sinks fast

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    NEW YORK (AP) — The gonzo R-rated horror comedy “Cocaine Bear” sniffed up $23.1 million in its opening weekend, according to studio estimates Sunday, while Marvel’s “Ant-Man and the Wasp: Quantumania” shrank unusually quickly in its second weekend.

    “Quantumania” was still No. 1 with an estimated $32.2 million in ticket sales in U.S. and Canadian theaters. But the “Ant-Man” sequel, hit with some of the worst reviews and audience scores of the Marvel Cinematic Universe, dropped a steep 69.7% in its second weekend. That’s the worst decline for an MCU film, falling faster than “Black Widow” (67.8%), a pandemic release that debuted simultaneously in homes.

    Instead, Universal Pictures’ “Cocaine Bear” rampaged through multiplexes, scoring notably above expectations. Made for about $35 million and directed by Elizabeth Banks, “Cocaine Bear” stirred up plenty of buzz just from its title and its made-to-go-viral trailer.

    “Cocaine Bear,” scripted by Jimmy Warden and produced by Phil Lord and Christopher Miller (“Spider-Man: Into the Spider-verse,” “The Lego Movie”), managed to turn a bizarre true-life tale into a tongue-in-cheek box office hit. It’s based on the real story of a 175-pound (79-kilogram) black bear who died in the Georgia mountains in 1985 after eating from a duffle bag of cocaine that had fallen from a smuggler’s plane. (The smuggler, a former Kentucky narcotics investigator, parachuted to his death in Tennessee.)

    The trailer for “Cocaine Bear,” which played ahead of the Super Bowl, was watched globally by more than 90 million, Universal said, and caught fire on social media. But transferring can-you-believe-that’s-a-real-movie buzz to the box office doesn’t always work. “Snakes on a Plane,” a movie many compared to “Cocaine Bear,” opened with $13.9 million in 2006.

    “Audiences discovered this very outrageous, hysterical comedy that our director Elizabeth Banks delivered,” said Jim Orr, Universal distribution chief. “The film absolutely delivers on its preposterous premise. People wanted to come out and have a good time at the theater.”

    “Cocaine Bear” managed to overperform despite mixed reviews from critics and a “B-” CinemaScore from audiences. Ticket buyers were 59% male, and 63% were aged 18-34. It added $5.3 million overseas. “Quantumania” is more easily outpacing “Cocaine Bear” internationally, where it added $46.4 million over the weekend.

    In just about the epitome of counterprogramming to “Cocaine Bear,” Lionsgate’s “Jesus Revolution” also debuted strongly. The film, likewise inspired by a true story, stars Kelsey Grammer as a California minister and Joel Courtney as youth minister, and dramatizes the movement of Christian hippies in the late ’60s and early ’70s. It launched with $15.5 million over the weekend and in advance screenings. Produced by the Kingdom Story Company, “Jesus Revolution” proved popular with Christian audiences, and early surpassed expectations. It earned an A+ CinemaScore.

    Next week should see a new champ at the box office, with the release of Michael B. Jordan’s “Creed III.”

    Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

    1. “Ant-Man and the Wasp: Quantumania,” $32.2 million

    2. “Cocaine Bear,” $23.1 million.

    3. “Jesus Revolution,” $15.5 million.

    4. “Avatar: The Way of Water,” $4.7 million.

    5. “Puss in Boots: The Last Wish,” $4.1 million.

    6. “Magic Mike’s Last Dance,” $3 million.

    7. “Knock at the Cabin,” $1.9 million.

    8. “80 for Brady,” $1.8 million.

    9. “Missing,” $1 million.

    10. “A Man Called Otto,” $850,000.

    ___

    Follow AP Film Writer Jake Coyle on Twitter at: http://twitter.com/jakecoyleAP

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  • Partial list of winners at the 29th annual SAG Awards

    Partial list of winners at the 29th annual SAG Awards

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    The SAG Awards are underway and actors from “Everything Everywhere All at Once” have taken home two of the film acting trophies

    ByThe Associated Press

    February 26, 2023, 8:43 PM

    LOS ANGELES — List of winners at the 29th Screen Actors Guild Awards, held Sunday in Los Angeles:

    FILM

    Male actor in a supporting role: Ke Huy Quan, “Everything Everywhere All at Once.”

    Female actor in a supporting role: Jamie Lee Curtis, “Everything Everywhere All at Once.”

    Stunt Ensemble: “Top Gun: Maverick”

    TELEVISION

    Drama ensemble: “The White Lotus.”

    Comedy ensemble: “Abbott Elementary.”

    Female actor in a drama series: Jennifer Coolidge, “The White Lotus.”

    Male actor in a drama series: Jason Bateman, “Ozark.”

    Female actor in a comedy series: Jean Smart, “Hacks.”

    Male actor in a comedy series: Jeremy Allen White, “The Bear.”

    Male actor in a TV limited series or movie: Sam Elliott, “1883.”

    Female actor in a TV limited series or movie: Jessica Chastain, “George & Tammy.”

    Stunt ensemble: “Stranger Things”

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  • List of winners at the 29th annual SAG Awards

    List of winners at the 29th annual SAG Awards

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    The SAG Awards are underway and have given early awards to Jessica Chastain, Sam Elliott, the cast of “Abbott Elementary” and the stunt performers in “Top Gun: Maverick.”

    ByThe Associated Press

    February 26, 2023, 8:43 PM

    LOS ANGELES — List of winners at the 29th Screen Actors Guild Awards, held Sunday in Los Angeles:

    FILM

    Stunt Ensemble: “Top Gun: Maverick”

    TELEVISION

    Comedy Ensemble: “Abbott Elementary.”

    Female actor in a comedy series: Jean Smart, “Hacks.”

    Male actor in a comedy series: Jeremy Allen White, “The Bear.”

    Male actor in a TV limited series or movie: Sam Elliott, “1883.”

    Female actor in a TV limited series or movie: Jessica Chastain, “George & Tammy.”

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  • Walter Mirisch, Oscar-winning producer, dead at 101

    Walter Mirisch, Oscar-winning producer, dead at 101

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    LOS ANGELES — Walter Mirisch, the astute and Oscar winning film producer who oversaw such classics as “Some Like It Hot,” “West Side Story” and “In the Heat of the Night,” has died of natural causes, the Academy of Motion Picture Arts and Sciences said Saturday. He was 101.

    Mirisch died on Friday in Los Angeles, according to a statement from the academy’s CEO Bill Kramer and its president Janet Yang.

    “Walter was a true visionary, both as a producer and as an industry leader,” they said, noting he had served as academy president and an academy governor for many years. “His passion for filmmaking and the Academy never wavered, and he remained a dear friend and advisor. We send our love and support to his family during this difficult time.”

    Mirisch received the best picture Academy Award for 1967’s “In the Heat of the Night,” and the company run by him and his brothers also produced the best-picture Oscar winners “The Apartment” and “West Side Story.”

    Born eight years before the first Academy Awards ceremony, he served as president of the Academy of Motion Picture Arts and Sciences from 1973 to 1977 and received two honorary Oscars, in 1978 and 1983, for his body of work and his humanitarian efforts.

    As a producer, Mirisch aggressively recruited top filmmakers such as Billy Wilder and Norman Jewison, then gave them freedom to craft the movies as they saw fit.

    “We offered these filmmakers what they needed,” he told the Los Angeles Times in 1983. “Billy could call me up and say, `I’d next like to do a picture about so-and-so’ — and that’s all we’d need to know. … We became, in effect, partners with our directors.”

    His company’s regular stable of directors included not only Wilder and Jewison, but Blake Edwards and John Sturges. The company also produced movies by John Ford, John Huston, William Wyler, George Roy Hill and Hal Ashby.

    Mirisch entered the movie business in his teens, advancing from usher to management jobs with a theater chain before going on to production work on low-budget action flicks and Westerns in the late 1940s.

    The company he founded in 1957 with his brother Marvin and half brother Harold was one of the most successful independent production outfits to arise from the old studio system as television cut into movie attendance.

    The Mirischs made a string of hits from the 1950s to the 1970s, among them “The Magnificent Seven,” “Fiddler on the Roof,” “The Great Escape,” “The Russians Are Coming, the Russians Are Coming,” “The Thomas Crown Affair,” “The Pink Panther” and its sequel, “A Shot in the Dark.”

    Their company started with a handful of Westerns before producing 1959’s “Some Like It Hot,” the Wilder comedy with Marilyn Monroe co-starring Jack Lemmon and Tony Curtis as cross-dressing musicians running from the mob.

    Mirisch was willing to take on unusual projects. A Harvard-trained business executive, he efficiently oversaw the commerce side of things, allowing his filmmakers to concentrate on their movies.

    Elmore Leonard — the crime novelist and screenwriter on two Mirisch productions, 1974’s “Mr. Majestyk” and the 1987 TV movie “Desperado” — dedicated his Hollywood satire “Get Shorty” to Mirisch, calling him “one of the good guys.”

    Mirisch was also among a handful of filmmakers Sidney Poitier acknowledged in his speech at the 2002 Academy Awards when he accepted an honorary Oscar for lifetime achievement.

    “Those filmmakers persevered, speaking through their art to the best in all of us,” said Poitier, who starred in Mirisch’s “In the Heat of the Night” and the sequel “They Call Me Mister Tibbs!”

    The Mirisch brothers adjusted their management style film by film, depending on the level of oversight they felt a director wanted or needed. In a 1972 interview in the journal “Films and Filming,” Mirisch said some directors worked well as their own producers, while others showed little interest beyond the actual filmmaking.

    “We’ve worked with brilliant directors and producer-directors, and I must say that the relationship with each of them has been entirely different,” he said.

    A team for most of their careers, the Mirisch brothers also worked in theater. Before joining the Allied Artists production company in the 1940s, Walter worked as a producer and later head of production and Harold and Marvin had administrative jobs.

    While at Allied, Walter produced both Westerns and a series of low-budget titles in the “Bomba the Jungle Boy” series that starred Johnny Sheffield, who had played Boy in the “Tarzan” movies of the 1940s.

    After his oldest brother, Harold, died in 1968, the surviving siblings continued their company with Marvin as chairman and Walter, the youngest brother, in charge of production. Marvin died in 2002.

    Walter Mirisch continued to produce theatrical movies into the 1980s. Although the quality and commercial success of his films generally declined, there were still some hits, including Oscar nominations and a Golden Globe for “Same Time Next Year.” Other films that came late in his career included “Midway,” “Gray Lady Down,” and the 1979 version of “Dracula.” He was also executive producer on a few television projects in the 1990s.

    Walter Mortimer Mirisch was born in New York City on Nov. 8, 1921. After studying at City College of New York, he earned a bachelor’s degree from the University of Wisconsin in Madison in 1942 and a graduate degree in business from Harvard in 1943.

    In 1947, Mirisch married Patricia Kahan, who preceded him in death. They had three children, Anne, Andrew and Lawrence.

    In lieu of flowers, the family requested donations to the Motion Picture and Television Fund (MPTF).

    A memorial service will be held at a future date.

    ___

    Former Associated Press writer David Germain contributed biographical information to this report from Los Angeles.

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