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Tag: Columnists

  • Behind the Bylines: Meeting them where they don’t want to be

    In the final week of my journalism class, I asked my students a simple question: If given what they now know about how social media platforms are designed, should news live there? Almost all of them said no.

    When I asked where they actually get their news, almost all of them said social media.

    A recent Pew report on young adults and the future of news. U.S. adults under 30 are the least likely to intentionally follow the news and the most likely to get it from social platforms, usually by accident rather than choice. And yet, when you talk to them one-on-one, many will tell you plainly they feel more trapped by those platforms than empowered by them.

    We often characterize young people’s news consumption as if they had packed their bags and moved to TikTok in protest against traditional news outlets. The reality is much less intentional. My students are remarkably honest about not actually wanting to spend their lives in these feeds. They are not there because they made a deliberate choice to replace reported news coverage with vertical video. They are there because those platforms are quite literally engineered to keep them there.

    Nearly half of U.S. teens now say they are online “almost constantly,” despite ample research about the mental health effects and massive shifts to lessen access and dependence, including phone bans in schools, and even Australia’s recent move to ban social media for those under 16 (a move many of my students largely supported, though with some disagreements about the exact age).

    Newsrooms and journalism schools should be honest about the impact and trajectory of designing strategies that tap into the same compulsive systems that many of them feel trapped by. Should we celebrate that a clever explainer finally went viral without asking why we are so comfortable hitching civic information to the same slot machine that is burning through their time, attention, and mental health?

    It is unlikely that we will collectively abandon social media. Any journalist or media scholar who insists on that as the solution will lose this generation entirely. But we should focus on the harder and slower process. That is not creating new journalistic content that bolsters news influencer culture or vertical video for the sake of fitting into a feed, but rather collectively dedicating ourselves to news literacy and carrying habits of skepticism, verification, and context into the platforms where people are already immersed.

    Ultimately, we have to decide if journalists are educators or communicators. If they are simply communicating information by any means possible to convey the message, they are communicators, and a devotion to vertical video is warranted. But if they are educators, then sharing information by a means that best preserves its fidelity (and that includes consideration of the public’s ability to receive it) becomes paramount. This is perhaps one of the most critical factors in determining the future of journalism.

    That work, however, will not feel as immediately rewarding as watching follower counts go up on a newsroom’s TikTok. It will feel, many days, like digging a path with a spoon. My fellow journalism professors likely have more than a few bent spoons in their desk drawers. Still, this is what true literacy requires.

    Young adults are the future of news because their habits will decide whether any form of accountable, verifiable reporting still has a place in public life. So when news organizations say we have to “meet people where they are,” we should be honest about what that sometimes means. In this case, it could very well mean building civic information into systems that we are collectively starting to realize are bad for us. And if we keep chasing attention by tapping the vein that keeps us scrolling, we shouldn’t be surprised when they look up and find ourselves in a zombie-like trance, mindlessly salivating and groaning through our daily doomscrolls.

    Meanwhile, the industry continues to chase a moving target. In meeting after meeting, we talk about news influencers, vertical video, and “engagement,” as if the only problem is that we haven’t yet cracked the content format that will finally unlock the algorithm. We change our strategy every time a platform tweaks a feature. We design whole campaigns around metrics such as watch time, shares, and followers.

    Our pursuit of engagement metrics ultimately leads us down a well-trodden pathway toward civic disengagement. Anecdotally, my students represent those social media audiences who feel overwhelmed, mistrustful, and too exhausted to do anything with what they’ve just consumed.

    This is where the whole enterprise starts to feel futile for those of us teaching journalism or trying to practice it locally. We know that trust in news is low, that civic engagement is fraying, and that communities feel unheard. So we build classes and partnerships and local reporting projects to address that. Then we’re faced with the confounding reality that the only way any of it will “reach” people is if we pour it into the same platforms that helped hollow out attention and trust in the first place.

    It is not realistic to expect young adults to collectively abandon social platforms. Nor is it responsible to withdraw journalism from spaces that are already saturated with misleading or false information. “Meeting people where they are” still has value. But we should take seriously the fact that many of them are telling us, in different ways, that they do not actually want to stay where they are and that they experience these environments as constraints on their agency rather than expressions of it. The point of a social media company is to keep us on the platform. The point of journalism is to give us enough understanding that we can act in the world off the platform.

    That means two things.

    First, in classrooms and communities, we need to confront this contradiction. When my students say they get their news exclusively from social media but don’t actually want it to be there, and that they increasingly no longer want to be on these platforms for mental and cognitive health, as a news scholar, I’m inclined to pay attention to what this means in terms of their relationship with information, and knowledge-based journalism, and the fact that they’re less obsessed with where they will be next congregating. Their capacity to congregate at all remains in deep need of repair.

    Social platforms are not neutral delivery systems but environments with their own logics and harms. Media literacy cannot stop at “how to fact-check a post.” It has to include the ability to recognize when an environment is degrading one’s own capacity to think clearly and when novelty and outrage are eroding the skills we claim to value in “informed citizens.” In my classroom, this has meant asking students not only where they get news but also how those spaces make it easier or harder to do the intellectual work necessary to function within society.

    Second, newsrooms and educators need permission to stop chasing every metric that platforms dangle in front of us. Judge our work by whether it deepens understanding, strengthens local connection, and leads to real-world engagement, not just “engagement” that registers as a like or follow. If we say that our goal is to support informed participation in public life, we must be willing to judge our work by outcomes beyond platform metrics and to routinely assess whether people feel more capable of following an issue or can distinguish between assertion and evidence.

    This matters for all of us, within the journalism industry and beyond, because the skills we ask of ourselves and the conditions we impose on ourselves are increasingly misaligned. To navigate public life, we need to be able to sustain attention, weigh evidence, follow a complex story over time, and tolerate ambiguity. The digital places we “live” in, increasingly and overwhelmingly, incentivize almost the opposite. Addressing this is a collective responsibility.

    Wafa Unus is an associate professor of journalism at Fitchburg State University.

    Associate Professor of Journalism at Fitchburg State University Wafa Unus, Ph.D. (Courtesy Wafa Unus)

    Wafa Unus

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  • Family Recipe Box: Remedies for coughs ‘n colds

    Whatever sniffles and coughs come our way, Lord knows it’s not as bad as some of the deadly bugs that have plagued humanity since time immemorial, such as smallpox. Speaking of which, did you know there is a local hero in North Worcester County who probably saved hundreds of lives from this dread disease?

    Among the events worth celebrating in our country’s 250th year will be a local hero: Dr. Thaddeus Maccarty, Fitchburg’s first physician. This brave soul was appalled by the death toll of small pox — but intrigued by what was called “the Sutton method.” This practice meant inoculating the patient with the disease, and Dr. Maccarty travelled to a Great Barrington hospital and presented himself as both patient and doctor.

    He survived the disease, and returned to Fitchburg. There, a fearful populace was ready to tar and feather the young clinician, but fortunately, Dr. MacCarty was able to meet with Deacon Ebenezer Goodridge, a member of the “Committee of Safety.” According to Doris Kirkpatrick’s masterful “The City and the River,” because of MacCarty’s ability to explain the brand new idea of inoculation, and his “open and fearless frankness the doctor succeeded in quieting the Deacon’s suspicion and avoided a coat of tar.”

    By August 15, 1776, Fitchburg built a hospital for the care of people suffering from small pox and this hospital continued for several years and built a strong reputation. More than 800 residents from all the area towns came to the hospital where they were charged one pound, one shilling, or 10 days labor, or 10 bushels of corn for treatment.

    This was a hospital with security — there was a guard at the gate who made sure no one entered without paying, and no one left without a “certificate of cleanliness.” The full treatment ended with the patient receiving a bath in a solution of rum and vinegar.

    ‘There’s a cure for that’

    For most of human history, getting from zero to age two was a struggle, but it was only until 1802, and the Paris-based Hôpital des Enfants Malades, was there a hospital designed exclusively for children. The Brits soon followed suit, and the famous Great Ormond Street Hospital opened in London in 1855, the same year as Philadelphia’s “Children’s Hospital” opened in the US, the first in our country to do so.

    Children’s hospitals emerged out of volunteers’ efforts and were independent from other hospitals. If you were a member of the “undeserving poor,” you’d end up in a workhouse infirmary. Locally, Fitchburg’s beloved Burbank Hospital opened in 1901 with 16 beds atop Prospect Hill in the site known as Nichols Farm. By 1912, there was a children’s ward on-site. The tradition for hospitals treating children was to admit those with short-term, rather than long-term illness, for fear of contagion. Records do not reveal ingredients or medicines used for children at the hospital. However, during the late 19th century, the patent-medicine world was forever expanding.

    These well-trained nurses were ready to care for you at Burbank Hospital in Fitchburg in the earlier part of the 20th century. (COURTESY FITCHBURG HISTORICAL SOCIETY)

    A particularly noxious product became infamous: “Mrs. Winslow’s Soothing Syrup.” Touted as a medicine to help soothe an infant during teething pain, the bottle contained alcohol and morphine (unlabelled) and caused many infant deaths. The Prohibitionists took up these “medicines” and public protest created a fertile ground for legislation.

    Local suggestions

    Family Recipe Box put out the call across North Worcester County and the suggestions poured in: hint, if you don’t have lemons and honey in your pantry, consider yourself understocked.

    For sore throats: Several readers suggested: gargle frequently with salt water, as much salt as you can stand, as hot as you can stand.

    For ear aches: From Leominster, Donna Dap suggested “Put on a hat — your body heat is soothing,” while Rachel Rhada swears by putting garlic oil in your ears as it  “works every time!”

    For random ailments: Cramps — a heating pad, or soaking towels in hot water and laying over abdomen. Rachel Armington suggests: “for headaches or eyestrain: a few drops of peppermint oil on a folded tea towel that’s been run under warm/hot water and wrung damp. Just hold over the area until the towel cools.”

    For “the bug that’s going around”: Barb Boraski Vosburgh of Fitchburg urges all readers to consume “homemade chicken soup. My grandma, my mom, me, and now my daughter believes it is the best for colds, flu, etc.”

    Bring on the honey

    Rum has been the basis for curatives for centuries (and not just bathing in it). So has honey. But it’s the exotic spices that draw interest in the world of Ayurvedic and Holistic healing. Finally, after two weeks, I became higher functioning after the “back to school bug.” And so I decided to crank up my anti-oxidant and Vitamin C game. Couldn’t hurt, right?

    I did some experimenting, and came up with the following — this recipe makes enough to last in the fridge for about a week  — and I’ve been drinking this every day for the past two weeks. And washing my hands — a lot!

    G & T Shot

    INGREDIENTS:

    2 tsp ground ginger powder

    2 tsp ground turmeric powder

    1 tsp Fresh ground black pepper

    1/3 cup honey

    Juice of one lemon

    DIRECTIONS:

    Put a couple teaspoons of honey into your storage jar (I like a one-cup jam jar). Mix in your spices until you have a thick syrup. Add the lemon juice and honey, mix thoroughly. It’s really thick, and I used a small milk-frother. Store in the refrigerator, add 2 teaspoons of syrup into a cup, and pour in water that’s hot, but not hot enough for tea. This brings out the aroma. You can drink this hot, or let it cool.

    Notes: I like to make the Shot hot, but then let it cool in an Atlas jar, and then put the lid on and refrigerate. When it’s cold, shake it up vigorously — that’s your “G & T Shot.” Happy healing!

    Sally Cragin would love to read your family recipes and stories. Write to: sallycragin@gmail.com

    Sally Cragin is an award-winning writer/journalist and Fitchburg City Councilor-at-Large. (CHERYL CUDDAHY)
    Sally Cragin is an award-winning writer/journalist and Fitchburg City Councilor-at-Large. (CHERYL CUDDAHY)

    Sally Cragin

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  • Written in Granite: Historic buildings and our connection to them

    People, places and things…

    It’s not unusual for individuals to feel attached to certain historical sites and buildings and have an emotional connection to them.

    Maybe that is why many of us shed a tear when a wrecking ball recently tore a huge hole into the White House, decimating the entire iconic East Wing and ruining the elegant symmetry of the building for the construction of an oversized ballroom for President Trump.

    I’m not going to get into the politics of the undertaking, the legalities or the ethics of this estimated $300 million project, but historic urban places have their own unique “personalities,” and individuals can often feel very strongly about them.

    Nashua City Hall Plaza is one of these special sites for me. When it was first installed in 1965, a bronze bust of the late President John F. Kennedy stood directly in the center of the plaza, Nashua City Hall’s brick facade and its cement staircase. The symmetry was perfect as one’s eyes would travel straight from the monument all the way up to the cupola and gold eagle statue perched atop City Hall.

    A school field trip once took us to visit the famous monument. I recall circling the bust mounted on top of a black granite base with my fellow classmates and gazing upward at JFK’s head. Years later, this very spot became a favorite as a reassuring sign for me whenever I drove down Main Street and was stopped at the lights at the East Hollis and West Hollis streets intersection. I know it sounds corny, but I would look over to my right and see the late president’s handsome face looking eastward to traffic and keeping a watchful eye over the city.

    When the plaza was redesigned in 2016, the JFK bust was curiously moved off-center a few yards to the left and repositioned, and he now forever faces northward. Yeah, I freaked out. It’s not the end of the world, but some of us took exception to the decision.

    Another site many Nashuans feel a connection to is the Hunt Memorial Building atop Main Street’s Library Hill. As a little girl, I saw the Gothic Revival design with its three-story square tower as a princess’s castle. Whenever my parents drove by it, I marveled at its unique beauty, and I still feel this way today.

    At the moment, this former public library, built in 1903 by Cram and Ferguson Architects, is undergoing tower window replacement. It’s a delicate process, and a crane is handling the heavy lifting. From what I understand, these elegant, stately windows are coming from Quebec and will retain the integrity of the original Gothic wooden framing design.

    Cram and Ferguson Architects, based out of Concord, MA, has an impressive background, especially in traditionally inspired religious architecture. It’s fantastic that the city has retained these gifted artists under the direction of Ethan Anthony for the Hunt’s ongoing restoration and preservation projects over the years.

    The Hunt Memorial Building is a treasure and has been listed on the National Registry of Historic Places since 1971. Mayor Jim Donchess calls it “one of Nashua’s iconic pieces of history.”

    But what if the Hunt building was torn down in the name of progress, as so many old buildings meet this fate?

    Well, that almost happened. In the 1990s, the Board of Aldermen decided to sell the Hunt building to Grace Fellowship Church for $50,000. Then-Mayor Rob Wagner said “No way” and vetoed the sale.

    Here’s to the preservation of historic buildings!

    Joan T. Stylianos

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  • Written in Granite: Homelessness again on Nashua’s agenda Tuesday

    When enough is enough. Has the city of Nashua reached this point?

    The growing homeless encampments popping up across the Gate City have been dominating headlines. And people seem split on what should be done.

    The latest challenge concerns the largest homeless encampment located on Nashua’s west side in the Millyard by the Pine Street Extension (about 80 people). A man living at the encampment was arraigned on second-degree assault charges for allegedly strangling a woman and threatening her with a knife near busy Pine Street and Veterans Memorial Parkway.

    Homelessness is not going away, but how can the crisis be stemmed?

    Last Tuesday evening, the Government Committee on Infrastructure met at City Hall. Mayor Jim Donchess, several aldermen and other city officials sat down trying to hammer out a thoughtful, proper approach. The room was filled with concerned citizens who took their turn at the podium.

    Cynthia Whitaker, the president and CEO of Greater Nashua Mental Health, asked the committee and the Mayor to use humane and respectful approaches rather than punitive ones. She delivered perhaps the most poignant message of the evening:

    “We’re asking people to be invisible without giving them anywhere to go.”

    “We cannot simply remove camping and parking without providing sustainable options,” Whitaker explained. Police enforcement is costly and without alternatives, “It doesn’t reduce homelessness; it merely moves people from one location to another, often into more dangerous and isolating situations, where it becomes harder for outreach workers to connect them with the services they need.”

    A few months ago, an encampment developed in Ward 1 along Celina Avenue, consisting of individuals sheltering inside a row of campers and trailers parked along the road. Nashua Police had their hands full, towing five to seven unregistered vehicles at any time and then having to find holding space in the city for these large, disabled vehicles.

    The committee voted to recommend imposing a 2-hour parking limit on Celina Avenue to prevent another encampment from developing in an area where multiple companies are trying to operate their businesses.

    As far as prohibiting camping on public property and giving Nashua Police the authority to enforce the ban, Mayor Donchess says the police need the tools to do something now.

    Donchess says the city is in the process of establishing a resource center for the homeless, but in the meantime, Nashua and the rest of Granite State cities and towns don’t get much financial help. “The city of Lowell receives $258 million annually of school aid and $30 million of general aid,” the Mayor explained.

    “Nashua receives about 20% of that amount… It’s different here. The state gives us nothing for the homeless, no general aid, no support, no help. We don’t have the resources to spend $10 to $20 million a year on any new project.”

    Donchess told the crowd he understands the need to treat all individuals with humanity, but “Are we treating the people at the Pine Street Extension with humanity when we let that situation exist?”

    Ward 5 Alderman Ernest Jette is against the ordinance. The longtime attorney says, “These citations are pieces of paper; they don’t have the money. How are they going to pay?” Jette asked. “Not all the homeless are criminals. Let the homeless who are not violating any laws, not a threat to anyone, live peacefully. Don’t remove the homeless people from the only place they have to live.”

    The full aldermanic board will vote on these measures at its next meeting on Oct. 28.

    Joan T. Stylianos

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  • Family Recipe Box: Eating healthy and avoiding plastics

    Harvest season is underway, and if we’re not eating more healthy food right now, lord knows how we’ll fare in February and its cavalcade of mealy citrus and wilted greens. I’ve written about salads in previous columns, but this week’s Family Recipe Box takes a strategic view towards that collation which can range from iceberg minimal to smorgasbordian.

    The “Salad Bar” was an innovation of the 1970s and an offshoot of the “back to the land” movement. As women entered the workforce during the second wave of feminism, restaurant owners hit upon a dining opportunity to attract them: the bistro featuring a “light lunch.” Whether it was crepes (remember The Magic Pan in Boston?) soups or salads, restaurants for mid-day weekday dining began to expand from the classic steakhouse model (two martinis, french fries and steak flopping over the platter).

    Decades ago, there was a delightful chain called “Souper Salad” in the greater Boston area. I used to go to the restaurant in Harvard Square. The central attraction was a 30-foot long banquet table with dozens of bowls of greens, veggies, fruits and fixings.

    Coming to the big city from little old Lunenburg and beholding this masterpiece was mind-boggling. The centerpiece of salad bars back home was an aluminum platter of chopped up iceberg lettuce, rough cut cucumbers with the skins left on, and fridge-stiff tomatoes alongside beakers of Italian and Roquefort dressing.

    The Souper Salad presentation had many items I’d never seen before such as chickpeas, and varieties of lettuce. So many colors of pepper — diced red cabbage, and tiny florets of broccoli, plus add-ons like hard-boiled eggs and bacon bits. This is the era when “macrobiotic” was an extreme form of vegetarianism, and the health benefits of brown rice versus white rice were starting to be discussed.

    What I loved about Souper Salad (which was not cheap, by the way) was that all the salad components were washed, peeled, chopped, and ready to be combined. It’s very satisfying to contemplate a colorful array of raw vegetables that need only to be scooped into a bowl. But that’s always 20 minutes — or longer — after the time one gets the urge for a salad.

    A little work, a lot of sides

    Thus, Family Recipe Box presents the “Three Day Salad,” where you do all the work, but get at least a couple of meals, or a few days worth of sides. The trick is making the salad for a container of a specific size — and remembering to eat your salad on sequential days, so it doesn’t sulk in the fridge and turn brown.

    We like the 1.5-quart rectangular glass boxes with snap-plastic lids which can be found at Ocean State Job Lot for under $10. These will keep your salad crispy, and reduce the amount of plastic involved in meal preparation.

    Speaking of plastic — are you as anxious about the unseen and deadly world of nano-plastics as I am? For those just tuning in, news about the detrimental effects of nano-plastics has been going on for a few years. In 2024, National Institute of Health reported that “Researchers developed an imaging technique that detected thousands of tiny bits of plastic in common single-use bottles of water.”

    The study continued to explain that “plastics are a part of our everyday lives, and plastic pollution is a growing concern. When plastics break down over time, they can form smaller particles called microplastics, which are 5 mm or less in length — smaller than a sesame seed. Microplastics, in turn, can break down into even smaller pieces called nanoplastics, which are less than 1 μm in size. Unable to be seen with the naked eye, these are small enough to enter the body’s cells and tissues.”

    Now if that isn’t plot fodder for a Stephen King novel, I don’t know what is. What’s more ghastly is that the nanoplastics can apparently migrate throughout the organs, blood, and body, and can cross the blood/brain and placental barriers.

    So last year, I reviewed the worn collection of faux-Tupperware in the larder, and a dinged-up collection of water-bottles and purchased some small thick-walled glass bottles and snap-top glass containers. These may weigh a little more, but not as heavily as nanoplastics weigh on my mind.

    Three-Day Salad for 1.5 quart container

    INGREDIENTS:

    6 leaves Romaine

    2 plum tomatoes

    Half a cucumber

    radishes

    peppers

    hard-boiled egg diced

    toasted walnuts

    1/4 cup Craisins

    diced orange

    ripe avocado

    DIRECTIONS:

    Wash your greens, and slice cucumbers and radishes into half-circles. Put together, and take out 1/3 for the salad you are eating right now.

    Notes: If you are adding avocado, make sure you eat it on the first day. The philosophy of the three-day salad is that you do not need to make a salad on the second and third day because you have a salad. And by the fourth day, you’re probably ready to have cooked vegetables with your meal.

    You don’t need fancy lettuce either — romaine does just fine. (SALLY CRAGIN)
    Having a pre-made salad is literally money in the bank. (SALLY CRAGIN)
    Having a pre-made salad is literally money in the bank. (SALLY CRAGIN)

    One helpful household hint

    When you are making a salad, whether a “Three Day” or other variety, tear, rather than slice your greens. They will not go brown as quickly.

    Sally Cragin would love to read your family recipes and stories. Write to: sallycragin@gmail.com

    Sally Cragin is an award-winning writer/journalist and Fitchburg City Councilor-at-Large. (CHERYL CUDDAHY)
    Sally Cragin is an award-winning writer/journalist and Fitchburg City Councilor-at-Large. (CHERYL CUDDAHY)

    Sally Cragin

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  • Behind the Bylines: A simple invitation to share your take on local news

    As a journalism professor, I spend a lot of time talking to the future generation about local news. Sometimes, it’s exciting and motivating. But there are those days when it feels like I’m just not able to make the connection. The cognitive biases appear to be too ingrained to overcome. I can’t help but feel a little defeated in those moments, as though I’ve failed to make a meaningful connection or build enough trust to get them to rethink using social media as their only source of information. I catch the glazed-over look that says, “We know. And now what?”

    It’s easy to push forward with the lesson plan and move on to the loss of civic engagement that follows the local news, or examine data on media ownership, but that rarely does any good. In those moments when we look at each other in a quiet resolve, I try to take a step back and truly listen to what they have to say.

    Sometimes, no lecture can do as much good as understanding the root of their disengagement. And, in all truth, for local journalism, there’s little that’s more important than understanding what motivates the next generation to engage.

    All that to say, I want to take a moment to do the same thing with this column. I’ve been doing a lot of talking, and it’s about that time for me to turn off my PowerPoint presentation, move away from the podium, and sit down for a real conversation.

    Local news isn’t just a product to consume. Done right, local coverage connects neighbors and fosters a sense of community. But that only works if we’re building coverage around real questions people have, not guesses about what might interest them, or worse, what is profitable.

    So, I want to know what challenges you about local news and what you feel it does right. What do you wish there was more coverage of? What do you want to learn about your city that you can’t find easily? What is missing, and what do you cherish?

    If you stopped regularly engaging with local news, tell me what pushed you away. If you are a regular reader, please let me know what keeps you coming back.

    In part, this is for my own edification. I like to know who I’m talking to and what they are about. But I also think this is an important media literacy exercise for us all – to reflect on why we engage in certain things and why we don’t. And sharing our concerns with each other, instead of screaming them into the ether, might challenge our cognitive biases and perhaps lead to solutions.

    I will read your responses and explore ways in which I can improve my approach in my roles as a journalism scholar and educator, as well as my work as a partner to local news organizations. I will also unpack some of your concerns here, in this column, in the hope of sparking a broader conversation.

    Help me start it.

    Share your thoughts and concerns about local news. Send a short note with the subject line “Behind the Bylines: Feedback” to wunus@fitchburgstate.edu

    Associate Professor of Journalism at Fitchburg State University Wafa Unus, Ph.D. (Courtesy Wafa Unus)

    Wafa Unus

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  • Stages: Talking with MRT favorite MacDonald about season-opener ‘Misery’

    Merrimack Repertory Theatre begins its 2025-26 season with “Misery,” adapted by William Goldman based on the novel by Stephen King.

    The thrilling stage adaptation of the popular book runs Oct. 15 through Nov. 2 at the Nancy L. Donahue Theatre at Liberty Hall, Merrimack Street, Lowell.

    In this gripping psychological thriller, celebrated novelist Paul Sheldon is rescued from a car crash during a blizzard by Annie Wilkes — his self-proclaimed “number one fan.” What begins as a lifesaving gesture spirals into a chilling battle of wills when Annie’s obsession takes a sinister turn.

    Best known for the iconic 1990 film that earned Kathy Bates an Oscar, “Misery” on stage delivers the same suspense, heightened by the intimacy of live theatre.

    Stages recently caught up with MRT favorite Karen MacDonald, who stars as Annie Wilkes, her 14th role at the theater. Here’s what she said.

    STAGES: Why do you like MRT and Lowell?

    MacDonald: I have worked under 5 artistic directors, but, very happily, worked with Courtney Sale (show director) the most. I have a special fondness for Lowell. I love its surviving spirit and its people. The history of struggle and triumph, the arts and museums, the cultural diversity, and the food have always been inspiring and the MRT audiences are exceptional. They come ready to participate in the communal ritual of the theatre, with energy, opinions and support.

    S: Tell us about Annie Wilkes.

    KM: Taking on the character of Annie Wilkes is formidable. She is a complicated person. Trying to understand an obsessive dangerous personality, who is in a struggle with her past as a professional nurse and the line she crosses in this story into violence is a challenge. She has saved and kidnapped her idol, the writer, Paul Sheldon, and having that power over him and what she wants from him, leads her into a dark world. It’s not an easy place to go, but I am working on presenting Annie as a flawed, yet still human, being.

    S: Does it differ from the book and movie?

    KM: It has some differences and first and foremost, because it is a play. The playwright is the same person who wrote the screenplay, William Goldman. It has all the familiar plot lines. But it will be happening live every night which makes it unique. We faithfully tell the story and perform this script, on the MRT stage, for MRT audiences.

    S: Anything else you want to add?

    KM: My castmates Tom and Chris and I work closely with Courtney and our team, hoping to create an atmosphere from the first moment to sweep up our audience into the story. Our designers have brought their considerable skills to creating the world of Annie Wilkes. I want people to come and experience our production of “Misery.” For those who know the book or film, you have some idea of what to expect. But for those who know nothing about the story, get ready!

    Visit www.mrt.org for info and tickets.

    In the wings

    MECHANICS HALL NEWS: Experience a different side of Mechanics Hall, when Washburn Hall is transformed one Thursday night a month into Club 321 and becomes a favorite nightclub. Sip drinks and listen to music from your table or theater-style seating. Both are available and ready to suit your mood for an evening to remember in downtown Worcester. Reed Foehl plays tonight, Mark Mandeville and Marianne Richards are on Nov. 13, and Michelle “Evil Gal” Willson entertains on Dec. 11. The fun starts at 7 p.m. and there’s a $30 charge. For 18 and up, handicapped seating available and drinks and snacks for purchase. Visit https://mechanicshall.org/ for tickets and info.

    Nancye Tuttle’s email is nancyedt@verizon.net

    Nancye Tuttle

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  • Behind the Bylines: The kids are alright, and they want journalism back

    Something has shifted in my classroom. Students are no longer cynical about journalism. They are critical, curious, and ready to ask more of the press rather than abandon it. This is no small change. In the years following COVID, cynicism and disengagement were prevalent. It was understandable, but it marked the end of many conversations before they even began. Cynicism assumes nothing can change. Critics believe change is possible and ask how we get there. I welcome now a room full of critics.

    The tone of our discussions has changed. My students still question the press, as they should, but the posture feels different. When I ask who trusts the news, more than half of the hands go up. That number used to be almost none. The rest hover in the in-between: sometimes, but not always, and only under certain circumstances. Their questioning no longer stems from a sense of disillusionment. It comes from rightful indignation. They want to push on ideas. They want to debate and to think. The level and consistency of discourse in the room are striking.

    This is not a generation that wants to look away. It is a generation that is searching and beginning to ask why the answers are so hard to find.

    Many of them are frank about what phones and platforms have taken from them. Their time. Their attention. In some cases, their mental health. The habit formed before they were making conscious choices for themselves, and now it feels inescapable. Scrolling leaves them detached from their work, their friends, even the place they live. It is hours of disengagement under the guise of connection. Fatigue so easily turns into cynicism.

    I lean into these conversations partly to let students interrogate their own habits and expectations, but also because their perspectives matter. What they are telling me is not just a confession, it is a blueprint. Their behavior, frustration, and motivation are key components in determining how journalism will succeed or fail in the future.

    So I confront it directly. I print articles and pass them around. I assign features that require twenty minutes of uninterrupted attention. I put physical reading material in their hands. The results are telling. Students call the experience intentional. Some describe it as peaceful. Others say they value engaging with content that is not immediately drowned in commentary. Without the constant noise, they can think. And it is increasingly clear that they want to think.

    For years, I watched waves of dismissal in the classroom. The same hits played on repeat. “The press is broken.” “Everyone is biased.” “Why care?” That sentiment still appears, but it’s shifting. Students are not ignoring the flaws of journalism. They can name them clearly. What is different now is their willingness to ask themselves why they do not engage more, even though they agree that they should. They are beginning to envision their own role in upholding the constitutional right to a free press.

    That is an opening.

    Local news should pay attention. Local stories do what national ones can never. They still have the power to create a shared reality. My students want that kind of journalism. They want to belong to something larger than their own feed and want to feel grounded in a shared reality. They want to be seen, and to see each other, outside of platforms that they increasingly recognize as damaging.

    I have witnessed the impact of building intentional connections between students and local news. Through news–academic partnerships, my students have covered council meetings, budgets, and neighborhood debates. At first, these are assignments. Quickly, they become something more. Students who will never set foot in a newsroom still walk away with a sense of contribution and a sense of place. Their reporting makes them feel part of the community, and they start to feel invested in the decision-making and discourse. That is the power of local journalism. It’s not just in its product, but also in the process.

    This generation is beginning to reckon with what social media has done to their attention and to their reality, and they are vocal about it. They appreciate the non-digital. They want a printed page when the subject deserves it. They want a format that respects their time rather than exploits it.

    If journalism offers community, and it does, then these students are a path back to it. Local outlets can open doors to student reporting. The benefit is mutual. Local papers get additional support and hands-on deck, and students begin to understand why freedom of the press belongs to all of them.

    These students are ready. They are asking for journalism that fosters a shared life rather than a shared argument. They are asking for formats that invite attention instead of scattering it. Perhaps this is the moment for local journalism to do what social media promised and failed to deliver: create a sense of community that fosters both growth and discourse.

    This is not just a classroom lesson. It is a call. If local journalism steps forward to meet this generation, it will not just find its next reporters. It will find its next readers, its next advocates, its next community. The kids are alright. And they might be the ones who help make journalism alright again, too.

    Wafa Unus is an associate professor of journalism at Fitchburg State University.

    Associate Professor of Journalism at Fitchburg State University Wafa Unus, Ph.D. (Courtesy Wafa Unus)

    Wafa Unus

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  • Stages: Jack Neary is busy, and loves it

    Jack Neary, the Lowell born and bred playwright/actor/director, is busier than ever, and Stages is pleased to give this talented guy some ink.

    He’s been writing plays for as long as we’ve known him and he has improved and keeps getting better with smart dialogue, astute characters, and timely plots, all laced with smart jokes that add a touch of levity to dark subjects.

    Here’s a rundown of what Neary is doing in the coming weeks, and we hope that you partake of a few or all of them.

    On Friday, Oct. 10, he joins his music teacher nephew Jon Abrams in Abrams’ The Paul Simon Project. “I will be joining Jon to sing the Simon and Garfunkel harmonies in songs like ‘Mrs. Robinson,’ ‘The Boxer,’ ‘The Sounds of Silence’ and ‘Bridge Over Troubled Water’ among others. Jon will handle all the Paul Simon solo tunes.”

    It’s at the Rex Theatre, 23 Amherst Street, Manchester, N.H. on Oct. 10, 7:30 p.m. Tickets and info: https://palacetheatre.org/events/jon-abrams-presents-the-paul-simon-project/.

    On Tuesday, Oct. 14, there’s a free staged reading at 7;30 p.m. of Neary’s new play “Reconciliation” at Gloucester Stage Company in Gloucester.

    Notes Neary: “A staged reading of a brand-new play of mine, featuring Boston actors Georgia Lyman, Steve Barkhimer, Andy Dolan and (I hope, though it’s not official yet) Emmy Winner Gordon Clapp. Produced by PUNCTUATE4 Productions.

    Here’s a short synopsis:

    A disgraced Catholic priest, hidden by the Diocese in a nondescript parish, is confronted by a mysterious woman when he hears confessions. She shows him a photograph of a young girl he may or may not have known earlier in his life and proceeds to psychologically torture him.

    Tickets: FREE but reservations and further info: https://gloucesterstage.com/punctuate4productions/

    And don’t forget Neary’s Comedy of Horrors, four comedic horror tales a la The Twilight Zone that’s being produced by Acting Out Productions at Firehouse Center for the Arts, in Newburyport, Halloween weekend.

    Here are the plays and a synopsis of each.

    THE AUDITION: A gentleman auditioning for the role of Dracula takes his method acting style just a bit too far.

    VOICE RECOGNITION: So, who’s writing your story anyway? You or your MacBook Pro?

    HELL’S WAITING ROOM: Entering Eternity “down below” is a far more complicated process than you would ever imagine.

    SILENCE: You think that cellphone ringing in the middle of the audience is just a harmless annoyance? Think again.

    The address is 1 Market Square, Newburyport and dates are Oct. 31 and Nov. 1 at 7:30 p.m., Nov. 2 at 5 p.m.

    SPECIAL FAMILY AND FRIENDS DISCOUNT ON OCT. 31 ONLY: Reserve online and use the code RING2025

    Tickets and further info: https://firehouse.org/event/comedy-of-horrors/2025-10-31/ or call 978-462-7336.

    In the wings

    LOWELL CHAMBER ORCHESTRA: Sunday, Oct. 12 is the date of the Lowell Chamber Orchestra’s first concert of the season at 3 p.m. in the Donahue Family Academic Arts Center, Central St., Lowell. The Lowell Chamber Orchestra, conducted by MCC faculty member Orlando Cela, will perform three masterpieces from the Classical Era. Symphony No. 4 in D minor by Luigi Boccherini; Symphony No. 40 in G minor by Wolfgang Amadeus Mozart; and the Cello Concerto No. 2 in D Major by Franz Joseph Haydn will be featured. The cello soloist will be William Suh, winner of the 2025 LCO Young Artist Competition. Visit www.middlesex.edu/newsroom/2025/09.29.25.html for info.

    Nancye Tuttle’s email is nancyedt@verizon.net.

    Nancye Tuttle

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  • Written in Granite: Fate of Keefe Auditorium unknown

    Can we save Nashua’s Keefe Auditorium?

    Sometimes, nostalgia may not be enough.

    Mayor Jim Donchess recently appointed another well-qualified individual to the Keefe Auditorium Commission. Joe Olefirowicz joins members Alicia Gregg, Carl Dubois, Dan O’Donnell, Dennis Schneider and Julia Oliver-Barb. The commission will develop a plan “to upkeep and renovate the auditorium such that it could stand alone.” This shall include “the development of a design, capital campaign, and funding recommendations.”

    The Keefe Auditorium may be antiquated, but it has “great bones” and an orchestra pit, is ideally located downtown and happens to be the largest auditorium in New Hampshire. Unfortunately, the iconic performance venue is physically attached to the now-closed Elm Street Middle School building.

    The mayor and Board of Aldermen will let voters make their voices heard on the auditorium’s possible fate in a nonbinding ballot question during the municipal election on Nov. 4:

    “Elm Street Middle School is being redeveloped for new affordable and market-rate housing. The Keefe Auditorium is part of the Elm Street Middle School. To enable the Keefe Auditorium to continue to be used for performances, the City must spend approximately $25 million for a code-required heating system, bathrooms and fire protection with no new additional enhancements. Alternatively, the City could allow the Keefe Auditorium to be replaced by more housing and/or by green space.

    “Should the City spend approximately $25 million to meet code requirements and keep the Keefe Auditorium open?”

    That’s the multimillion-dollar question.

    Olefirowicz has an impressive background. He’s the music director at The First Church here and has also been a freelance conductor and concert artist locally and abroad in all genres of music. Olefirowicz is also a trained theatrical lighting designer and has done orchestra pit design.

    It won’t be easy to preserve the auditorium, he says. “It’s an uphill battle because the public’s perception of putting more money into the arts is a strong, opinionated subject.”

    Olefirowicz has good advice in that citizens should be thinking how we’d “use the auditorium for the next 40 to 50 years… The building alone, just its footprint, can’t be the only thing that happens to the space to make it viable for the city.”

    “I was the former acting principal keyboard of Symphony New Hampshire,” Olefirowicz says. “I played in the Keefe quite often and am very fond of the space.”

    Many Nashuans are sentimental about Elm Street school (1937) and its auditorium. Thousands of students and many teachers walked through those hallowed halls; one of them was Ronald N. Dube. “I graduated from Nashua High on Elm St. in 1960. I taught biology there from 1970 to 1976 on double sessions, then at the new Nashua High, before it became NHS South, until 1979. Then I went to North Middlesex Regional High School until they transferred me to the middle school in Pepperell in the same district. ”

    These days, Ron has written two more books, now available on Amazon and Barnes & Noble. His autobiography is titled “Ramblings of a Dexter Street Doodler.” The book features “a long history of the French immigration to Canada and then to cities like Nashua and Lowell. My family history is part of this. I remember stories from my grandmothers and did my own research.”

    “Ammonite Ridge” is Ron’s sci-fi novel. “The book is about a paleontologist on a quest to explore and collect from a site in a faraway place. There are lots of adventures, troubles, etc., along the way.”

    Double congratulations, Ron!

    Joan T. Stylianos

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  • GUEST COLUMN: Standing up to the threat of marijuana | Opinion – Medical Marijuana Program Connection

    GUEST COLUMN: Standing up to the threat of marijuana | Opinion – Medical Marijuana Program Connection

    The mental health crisis in Colorado is not a concern anymore; it is a crisis.

    Coloradans’ perception of marijuana as “Just a Plant” that could improve one’s mental health is now a factor in the deteriorating and even destruction of one’s mental health.

    When Coloradans voted on medical marijuana in 2000, the content of Delta-9 Tetrahydrocannabinol (THC) in the plant was about 5%, and concentrates were not available. THC is the psychoactive component of marijuana that induces a utopian feeling. Colorado has genetically modified marijuana plants to produce an average content of about 20% THC and has chemically created concentrates that average about 69% THC, some up above 90% THC. These more potent products make that utopian feeling more enticing.

    The more potent a drug is, the more addictive drug is. Addictive drugs used regularly often develop tolerance, where the amount that used to work to achieve that emotional change or utopia feeling no longer works. The person consumes more and more of the drug to achieve the same effect. The National Institute of Drug Abuse reports 30% of marijuana users are becoming addicted to THC, or what is called cannabis use disorder. And it’s no walk in the park to detox from THC, especially in high concentrations. Users can experience withdrawal symptoms, like mood swings, anxiety, disturbed sleep, and…

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  • PERSPECTIVE: Colorado after legalized marijuana | Opinion – Medical Marijuana Program Connection

    PERSPECTIVE: Colorado after legalized marijuana | Opinion – Medical Marijuana Program Connection

    On November 7, 2000, Coloradans approved Amendment 20, which legalized the use of marijuana. In 2012, recreational use of marijuana in Colorado was approved. Colorado has been at the forefront of the effort to legalize the use of cannabis in the U.S.; however, one has to ask: Have we become a better state because of this?

    Marijuana legalization has led to an era of industrialized THC, which is not for the faint of heart, especially families. State-sanctioned marijuana products are more dangerous and more accessible than ever before. Vapes and edibles can provide a powerful, potent chemical assault on the brain, resulting in addiction and psychosis.

    When Coloradans voted on medical marijuana in 2000 the delta-9 tetrahydrocannabinol (THC) content in the plant was 5% and concentrates were not available. Now we have genetically modified plants with an average of 20% THC and chemically created concentrates with an average of 69% THC, some up above 90% THC. THC is the psychoactive component of marijuana that gets you high.

    Any time you make a drug more potent, it becomes more addictive. We have seen this with the opioid epidemic as well as with both alcohol and nicotine. Addictive drugs used regularly often result in the development of tolerance, where the amount that used to work no longer works, and the person must take more and more to achieve the…

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