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  • Bad Bunny wins album of the year at the 2026 Grammy Awards, a first for a Spanish-language album

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    Bad Bunny won album of the year at the 2026 Grammy Awards for his critically-acclaimed “Debí Tirar Más Fotos,” closing out a surprising and history-making night. It is the first time a Spanish-language album has taken home the top prize.“Puerto Rico, believe me when I tell you that we are much bigger than 100 by 35,” he said in his acceptance speech in Spanish, referring to a Puerto Rican colloquialism about the island’s small size. “And there is nothing we can’t achieve. Thank God, thank you to the Academy, thank you to all the people who have believed in me throughout my career.“To all the people who worked on this album, thank you mami for giving birth to me in Puerto Rico, I love you,” he continued.Then he switched to English: “I want to dedicate this award to all the people who had to leave their homeland to follow their dreams.”Harry Styles presented the award — the English singer previously took home the top prize in 2023 for “Harry’s House.” He beat Bad Bunny that year, who was nominated for “Un Verano Sin Ti” — the first Spanish-language album to be up in the category.Anti-ICE messages from the stageBillie Eilish won song of the year for “Wildflower” and used the moment to add her voice to the chorus of musicians criticizing immigration authorities Sunday.“No one is illegal on stolen land,” she said while accepting the award for the song from her 2024 album “Hit Me Hard and Soft.” “(Expletive) ICE is all I want to say.”Immigration was a pointed theme of the night. Bad Bunny, after winning an award for his zeitgeist-shaping album “Debí Tirar Más Fotos,” used his speech to share an anti-ICE message, highlighting the humanity of all people.“Before I say thanks to God, I’m going to say ICE out,” he said, starting out his speech in English to huge applause. “We’re not savage, we’re not animals, we’re not aliens. We are humans and we are Americans.”Before Bad Bunny took home the best música urbana album trophy, Olivia Dean was named best new artist.”I never really imagined that I would be up here,” she said, receiving her first Grammy while wiping away tears. “I’m up here as a granddaughter of an immigrant. I wouldn’t be here … I am a product of bravery, and I think that those people deserve to be celebrated.”Kendrick Lamar, Lady Gaga, Jelly Roll and more win bigKendrick Lamar and SZA won record of the year at an electric 2026 Grammy Awards Sunday night for “Luther.”Cher presented the award and mistakenly said it goes to “Luther Vandross” instead of Kendrick Lamar and SZA for their single “Luther.”One of the song’s producers, Sounwave, began the acceptance speech by saying, “Let’s give a shoutout to the late and great Luther Vandross.”Lamar also won the first televised award of the night, rap album for “GNX,” accepting the trophy from Queen Latifah and Doechii.“It’s an honor to be here,” he said in his acceptance speech. “Hip-hop is always going to be right here … We’re gonna be having the culture with us.”The victory means Lamar broke Jay-Z’s record to become the rapper with the most career Grammys. Jay-Z has 25; after he took home rap album and record of the year, Lamar’s total is 27.Pop vocal album went to Lady Gaga for “Mayhem.”“Every time I’m here, I still feel like I need to pinch myself,” Gaga said in her speech.Pop solo performance went to Lola Young for “Messy,” whose speech playfully lived up to the song’s spirit.“I don’t know what to say,” she joked about “obviously” not having a speech prepared. “I’m very, very grateful for this.”The inaugural contemporary country album category went to Jelly Roll for “Beautifully Broken.”This year, the Grammys renamed country album to contemporary country album and added a traditional country album category, a distinction that exists in other genres. But the news arrived right after Beyoncé’s “Cowboy Carter” won best country album, inspiring backlash online.“I believe music had the power to change my life,” Jelly Roll said in his acceptance speech, which he spent the majority of thanking God.Pharrell Williams received the Dr. Dre Global Impact Award.“To everyone in this room who believes in the power of Black music,” he said, “thank you so much.”And Cher was presented the 2026 Lifetime Achievement Award. “The only thing I want you to take away,” she said, “I’ve been in this business for 60 (expletive) years. I just want to tell you, never give up on your dreams.”A live concert experienceA powerful Grammy Awards in memoriam segment celebrated the legacies of the late D’Angelo and Roberta Flack at the 68th annual ceremony Sunday night.Ms. Lauryn Hill appeared on the Grammy stage for the first time since 1999, when she became the first hip-hop artist to win album of the year for her “The Miseducation of Lauryn Hill.”The D’Angelo tribute was first: A medley of several songs, among them “Brown Sugar” with Lucky Daye, “Lady” with Raphael Saadiq and Anthony Hamilton and “Devil’s Pie” with Leon Thomas.Then, Hill focused her attention on Roberta Flack: “First Time Ever I Saw Your Face” with Jon Batiste, “Where Is The Love” with John Legend and Chaka Khan, and a mesh of “Feel Like Makin’ Love” and “Killing Me Softly with His Song” with her Fugees bandmate Wyclef Jean.If there was one set that felt like avant-garde artistic performance piece on Sunday night, it was Tyler, the Creator’s medley of “Thought I Was Dead,” “Like Him,” (in which he was joined by Regina King) and “Sugar On My Tongue.” It played out like theater: others would be wise to take note.All eight nominees in the best new artist category participated in a medley at the award show across multiple stages, the back halls of the arena and even the venue’s loading dock. It was an interesting and impressive mod-podge of different styles, from the British soul of Lola Young and Olivia Dean to Addison Rae and Katseye’s hypnotic pop. The Marías kicked things off with their dreamy indie rock; sombr and Alex Warren offered their radio hits — “12 to 12” and “Ordinary” respectively. Leon Thomas reminded the audience why he’s the only nominee also up for album of the year with his fully formed R&B.The hits arrived fast and furious in the show’s first hour. Rosé and Bruno Mars’ opened Grammys with an electric rendition of their multicultural pop smash, “APT.”; the Blackpink singer channeled a pop-punk Gwen Stefani in her tie and platinum blond hair. Sabrina Carpenter with her “Manchild” kiss-off. Justin Bieber slowed things down with “Yukon” from his comeback record “Swag.” Lady Gaga reimagined her hit “Abracadabra” as an electro-rock song.Surprises were abundant — even before the show startedAn exciting, early theme of the 68th Grammy Awards? First time winners.During the Premiere Ceremony held at the adjacent Peacock Theater in Los Angeles ahead of the main show, the Dalai Lama won his first Grammy for audio book, narration and storytelling recording, beating out Supreme Court Justice Ketanji Brown Jackson. You read that correctly.“Golden” from “KPop Demon Hunters” won song written for visual media at the Premiere Ceremony, marking the first time a K-pop act has won a Grammy. Songwriters delivered their acceptance speech in both English and Korean, highlighting the song’s bilingual appeal.Music film went to “Music for John Williams,” which means director Steven Spielberg has officially won his first Grammy. That makes him an EGOT winner — an artist with an Emmy, Grammy, Tony and Oscar.Artists speak out Trump administration’s immigration crackdownsThroughout Sunday’s Grammys, artists offered pro-immigration and anti-ICE messaging.During the Premiere Ceremony, country duo/group performance went to first-time winners Shaboozey and Jelly Roll. Shaboozey accepted the award with tears in his eyes. “I want to thank my mother, who as of today, has retired from her job of 30 years … working as a registered nurse in a psych ward … as an immigrant in this country. Thank you, mom.“Immigrants built this country, literally, actually. So, this for them,” he concluded. “Thank you for bring your culture, your music and your stories.”Amy Allen won songwriter of the year, nonclassical for a second year in a row and wore an “ICE Out” pin, an anti-immigration enforcement message. So did Kehlani – who won her first Grammy for R&B performance and later, her second, for R&B song.“I’ve never won anything before, this is a really crazy feeling,” she said as she fought back tears, reflecting on her first nomination 10 years ago. Then she shifted gears to focus on the current political moment: “Imma leave this and say, (expletive) ICE.”“I’m scared,” Gloria Estefan said of the current political moment backstage at the Grammys. “There are hundreds of children in detention centers. … I don’t recognize my country in this moment right now.”

    Bad Bunny won album of the year at the 2026 Grammy Awards for his critically-acclaimed “Debí Tirar Más Fotos,” closing out a surprising and history-making night. It is the first time a Spanish-language album has taken home the top prize.

    “Puerto Rico, believe me when I tell you that we are much bigger than 100 by 35,” he said in his acceptance speech in Spanish, referring to a Puerto Rican colloquialism about the island’s small size. “And there is nothing we can’t achieve. Thank God, thank you to the Academy, thank you to all the people who have believed in me throughout my career.

    “To all the people who worked on this album, thank you mami for giving birth to me in Puerto Rico, I love you,” he continued.

    Then he switched to English: “I want to dedicate this award to all the people who had to leave their homeland to follow their dreams.”

    Harry Styles presented the award — the English singer previously took home the top prize in 2023 for “Harry’s House.” He beat Bad Bunny that year, who was nominated for “Un Verano Sin Ti” — the first Spanish-language album to be up in the category.

    Anti-ICE messages from the stage

    Billie Eilish won song of the year for “Wildflower” and used the moment to add her voice to the chorus of musicians criticizing immigration authorities Sunday.

    “No one is illegal on stolen land,” she said while accepting the award for the song from her 2024 album “Hit Me Hard and Soft.” “(Expletive) ICE is all I want to say.”

    Immigration was a pointed theme of the night. Bad Bunny, after winning an award for his zeitgeist-shaping album “Debí Tirar Más Fotos,” used his speech to share an anti-ICE message, highlighting the humanity of all people.

    “Before I say thanks to God, I’m going to say ICE out,” he said, starting out his speech in English to huge applause. “We’re not savage, we’re not animals, we’re not aliens. We are humans and we are Americans.”

    Before Bad Bunny took home the best música urbana album trophy, Olivia Dean was named best new artist.

    “I never really imagined that I would be up here,” she said, receiving her first Grammy while wiping away tears. “I’m up here as a granddaughter of an immigrant. I wouldn’t be here … I am a product of bravery, and I think that those people deserve to be celebrated.”

    Kendrick Lamar, Lady Gaga, Jelly Roll and more win big

    Kendrick Lamar and SZA won record of the year at an electric 2026 Grammy Awards Sunday night for “Luther.”

    Cher presented the award and mistakenly said it goes to “Luther Vandross” instead of Kendrick Lamar and SZA for their single “Luther.”

    One of the song’s producers, Sounwave, began the acceptance speech by saying, “Let’s give a shoutout to the late and great Luther Vandross.”

    Lamar also won the first televised award of the night, rap album for “GNX,” accepting the trophy from Queen Latifah and Doechii.

    “It’s an honor to be here,” he said in his acceptance speech. “Hip-hop is always going to be right here … We’re gonna be having the culture with us.”

    The victory means Lamar broke Jay-Z’s record to become the rapper with the most career Grammys. Jay-Z has 25; after he took home rap album and record of the year, Lamar’s total is 27.

    Pop vocal album went to Lady Gaga for “Mayhem.”

    “Every time I’m here, I still feel like I need to pinch myself,” Gaga said in her speech.

    Pop solo performance went to Lola Young for “Messy,” whose speech playfully lived up to the song’s spirit.

    “I don’t know what to say,” she joked about “obviously” not having a speech prepared. “I’m very, very grateful for this.”

    The inaugural contemporary country album category went to Jelly Roll for “Beautifully Broken.”

    This year, the Grammys renamed country album to contemporary country album and added a traditional country album category, a distinction that exists in other genres. But the news arrived right after Beyoncé’s “Cowboy Carter” won best country album, inspiring backlash online.

    “I believe music had the power to change my life,” Jelly Roll said in his acceptance speech, which he spent the majority of thanking God.

    Pharrell Williams received the Dr. Dre Global Impact Award.

    “To everyone in this room who believes in the power of Black music,” he said, “thank you so much.”

    And Cher was presented the 2026 Lifetime Achievement Award. “The only thing I want you to take away,” she said, “I’ve been in this business for 60 (expletive) years. I just want to tell you, never give up on your dreams.”

    A live concert experience

    A powerful Grammy Awards in memoriam segment celebrated the legacies of the late D’Angelo and Roberta Flack at the 68th annual ceremony Sunday night.

    Ms. Lauryn Hill appeared on the Grammy stage for the first time since 1999, when she became the first hip-hop artist to win album of the year for her “The Miseducation of Lauryn Hill.”

    The D’Angelo tribute was first: A medley of several songs, among them “Brown Sugar” with Lucky Daye, “Lady” with Raphael Saadiq and Anthony Hamilton and “Devil’s Pie” with Leon Thomas.

    Then, Hill focused her attention on Roberta Flack: “First Time Ever I Saw Your Face” with Jon Batiste, “Where Is The Love” with John Legend and Chaka Khan, and a mesh of “Feel Like Makin’ Love” and “Killing Me Softly with His Song” with her Fugees bandmate Wyclef Jean.

    If there was one set that felt like avant-garde artistic performance piece on Sunday night, it was Tyler, the Creator’s medley of “Thought I Was Dead,” “Like Him,” (in which he was joined by Regina King) and “Sugar On My Tongue.” It played out like theater: others would be wise to take note.

    All eight nominees in the best new artist category participated in a medley at the award show across multiple stages, the back halls of the arena and even the venue’s loading dock. It was an interesting and impressive mod-podge of different styles, from the British soul of Lola Young and Olivia Dean to Addison Rae and Katseye’s hypnotic pop. The Marías kicked things off with their dreamy indie rock; sombr and Alex Warren offered their radio hits — “12 to 12” and “Ordinary” respectively. Leon Thomas reminded the audience why he’s the only nominee also up for album of the year with his fully formed R&B.

    The hits arrived fast and furious in the show’s first hour. Rosé and Bruno Mars’ opened Grammys with an electric rendition of their multicultural pop smash, “APT.”; the Blackpink singer channeled a pop-punk Gwen Stefani in her tie and platinum blond hair. Sabrina Carpenter with her “Manchild” kiss-off. Justin Bieber slowed things down with “Yukon” from his comeback record “Swag.” Lady Gaga reimagined her hit “Abracadabra” as an electro-rock song.

    Surprises were abundant — even before the show started

    An exciting, early theme of the 68th Grammy Awards? First time winners.

    During the Premiere Ceremony held at the adjacent Peacock Theater in Los Angeles ahead of the main show, the Dalai Lama won his first Grammy for audio book, narration and storytelling recording, beating out Supreme Court Justice Ketanji Brown Jackson. You read that correctly.

    “Golden” from “KPop Demon Hunters” won song written for visual media at the Premiere Ceremony, marking the first time a K-pop act has won a Grammy. Songwriters delivered their acceptance speech in both English and Korean, highlighting the song’s bilingual appeal.

    Music film went to “Music for John Williams,” which means director Steven Spielberg has officially won his first Grammy. That makes him an EGOT winner — an artist with an Emmy, Grammy, Tony and Oscar.

    Artists speak out Trump administration’s immigration crackdowns

    Throughout Sunday’s Grammys, artists offered pro-immigration and anti-ICE messaging.

    During the Premiere Ceremony, country duo/group performance went to first-time winners Shaboozey and Jelly Roll. Shaboozey accepted the award with tears in his eyes. “I want to thank my mother, who as of today, has retired from her job of 30 years … working as a registered nurse in a psych ward … as an immigrant in this country. Thank you, mom.

    “Immigrants built this country, literally, actually. So, this for them,” he concluded. “Thank you for bring your culture, your music and your stories.”

    Amy Allen won songwriter of the year, nonclassical for a second year in a row and wore an “ICE Out” pin, an anti-immigration enforcement message. So did Kehlani – who won her first Grammy for R&B performance and later, her second, for R&B song.

    “I’ve never won anything before, this is a really crazy feeling,” she said as she fought back tears, reflecting on her first nomination 10 years ago. Then she shifted gears to focus on the current political moment: “Imma leave this and say, (expletive) ICE.”

    “I’m scared,” Gloria Estefan said of the current political moment backstage at the Grammys. “There are hundreds of children in detention centers. … I don’t recognize my country in this moment right now.”

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  • Live Updates: Full list of winners at the 68th Grammys

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    The Grammys, also known as music’s biggest night. How did this appreciation of music come to be? I’m Megan Campanova, the entertainment reporter for Hearst National Desk. Here’s what you need to know about the Grammys. The Grammys started in 1959, and at the time there were only 28 categories. Now, today, there are 95 different categories, but only about 5 to 7 are usually televised. The ones that are televised are obviously the big four, so the big four are Song of the Year, Record of the Year, Best New Artist, and Album of the Year, and then. Producers can kind of decide the other ones that they want to add in that best fit the broadcast of that year. Uh, members who vote on these Grammys and who get the award are members of the Recording Academy. So members of the Recording Academy are producers, engineers, artists, anyone who kind of has any influence in making *** song, they get to vote on who gets *** Grammy. The nomination process begins in August of the previous year to August of last year. So, for example, in 2026, the nominations will be from August 2024 to August 2025. Any song released in that time frame is eligible for *** Grammy.

    Discover the full list of the 68th Grammy Award winners, highlighting outstanding achievements for Album of the Year, Song of the Year, Best New Artist and more.See below for a full list of nominees, with the winners in bold. Best rap album”Let God Sort Em Out,” Clipse, Pusha T and Malice”Glorious,” GloRilla”God Does Like Ugly,” JID”GNX,” Kendrick Lamar”Chromakopia,” Tyler, the CreatorAlbum of the year”Debí Tirar Más Fotos,” Bad Bunny”Swag,” Justin Bieber”Man’s Best Friend,” Sabrina Carpenter”Let God Sort Em Out,” Clipse, Pusha T and Malice”MAYHEM,” Lady Gaga”GNX,” Kendrick Lamar”Mutt,” Leon Thomas”Chromakopia,” Tyler, the CreatorRecord of the year”DtMF,” Bad Bunny”Manchild,” Sabrina Carpenter”Anxiety,” Doechii”Wildflower,” Billie Eilish”Abracadabra,” Lady Gaga”luther,” Kendrick Lamar with SZA”The Subway,” Chappell Roan”APT.,” Rosé and Bruno MarsSong of the year”Abracadabra,” Henry Walter, Lady Gaga and Andrew Watt”Anxiety,” Jaylah Hickmon”APT.,” Amy Allen, Christopher Brody Brown, Rogét Chahayed, Henry Walter, Omer Fedi, Philip Lawrence, Bruno Mars, Chae Young Park and Theron Thomas”DtMF,” Benito Antonio Martínez Ocasio, Scott Dittrich, Benjamin Falik, Hugo René Sención and Tyler Thomas Spry”Golden,” EJAI and Mark Sonnenblick”luther,” Jack Antonoff, Roshwita Larisha Bacha, Matthew Bernard, Ink, Scott Bridgeway, Sam Dew, Kendrick Lamar, Mark Anthony Spears, Solána Rowe and Kamasi Washington”Manchild,” Amy Allen, Jack Antonoff and Sabrina Carpenter”Wildflower,” Billie Eilish O’Connell and Finneas O’Connell.Best new artistOlivia DeanKatseyeThe MariasAddison RaeSombrLeon ThomasAlex WarrenLola Young Best Pop Solo Performance“DAISIES,” Justin Bieber“Manchild,” Sabrina Carpenter“Disease,” Lady Gaga“The Subway,” Chappell Roan“Messy,” Lola Young Best Pop Vocal Album “SWAG,” Justin Bieber”Man’s Best Friend,” Sabrina Carpenter”Something Beautiful,” Miley Cyrus”MAYHEM,” Lady Gaga”I’ve Tried Everything But Therapy — Part 2,” Teddy SwimsBest Contemporary Country Album “Patterns,” Kelsea Ballerini”Snipe Hunter,” Tyler Childers”Evangeline Vs. The Machine,” Eric Church”Beautifully Broken,” Jelly Roll”Postcards From Texas,” Miranda LambertBest Música Urbana Album “DeBÍ TiRAR MáS FOToS,” Bad Bunny”Mixteip,” J Balvin”FERXXO VOL X: Sagrado,” Feid”NAIKI,” Nicki Nicole”EUB DELUXE,” Trueno”SINFÓNICO — En Vivo,” Yandel

    Discover the full list of the 68th Grammy Award winners, highlighting outstanding achievements for Album of the Year, Song of the Year, Best New Artist and more.

    See below for a full list of nominees, with the winners in bold.

    Best rap album

    “Let God Sort Em Out,” Clipse, Pusha T and Malice

    “Glorious,” GloRilla

    “God Does Like Ugly,” JID

    “GNX,” Kendrick Lamar

    “Chromakopia,” Tyler, the Creator

    Album of the year

    “Debí Tirar Más Fotos,” Bad Bunny

    “Swag,” Justin Bieber

    “Man’s Best Friend,” Sabrina Carpenter

    “Let God Sort Em Out,” Clipse, Pusha T and Malice

    “MAYHEM,” Lady Gaga

    “GNX,” Kendrick Lamar

    “Mutt,” Leon Thomas

    “Chromakopia,” Tyler, the Creator

    Record of the year

    “DtMF,” Bad Bunny

    “Manchild,” Sabrina Carpenter

    “Anxiety,” Doechii

    “Wildflower,” Billie Eilish

    “Abracadabra,” Lady Gaga

    “luther,” Kendrick Lamar with SZA

    “The Subway,” Chappell Roan

    “APT.,” Rosé and Bruno Mars

    Song of the year

    “Abracadabra,” Henry Walter, Lady Gaga and Andrew Watt

    “Anxiety,” Jaylah Hickmon

    “APT.,” Amy Allen, Christopher Brody Brown, Rogét Chahayed, Henry Walter, Omer Fedi, Philip Lawrence, Bruno Mars, Chae Young Park and Theron Thomas

    “DtMF,” Benito Antonio Martínez Ocasio, Scott Dittrich, Benjamin Falik, Hugo René Sención and Tyler Thomas Spry

    “Golden,” EJAI and Mark Sonnenblick

    “luther,” Jack Antonoff, Roshwita Larisha Bacha, Matthew Bernard, Ink, Scott Bridgeway, Sam Dew, Kendrick Lamar, Mark Anthony Spears, Solána Rowe and Kamasi Washington

    “Manchild,” Amy Allen, Jack Antonoff and Sabrina Carpenter

    “Wildflower,” Billie Eilish O’Connell and Finneas O’Connell.

    Best new artist

    Olivia Dean

    Katseye

    The Marias

    Addison Rae

    Sombr

    Leon Thomas

    Alex Warren

    Lola Young

    Best Pop Solo Performance

    “DAISIES,” Justin Bieber

    “Manchild,” Sabrina Carpenter

    “Disease,” Lady Gaga

    “The Subway,” Chappell Roan

    “Messy,” Lola Young

    Best Pop Vocal Album

    “SWAG,” Justin Bieber

    “Man’s Best Friend,” Sabrina Carpenter

    “Something Beautiful,” Miley Cyrus

    “MAYHEM,” Lady Gaga

    “I’ve Tried Everything But Therapy — Part 2,” Teddy Swims

    Best Contemporary Country Album

    “Patterns,” Kelsea Ballerini

    “Snipe Hunter,” Tyler Childers

    “Evangeline Vs. The Machine,” Eric Church

    “Beautifully Broken,” Jelly Roll

    “Postcards From Texas,” Miranda Lambert

    Best Música Urbana Album

    “DeBÍ TiRAR MáS FOToS,” Bad Bunny

    “Mixteip,” J Balvin

    “FERXXO VOL X: Sagrado,” Feid

    “NAIKI,” Nicki Nicole

    “EUB DELUXE,” Trueno

    “SINFÓNICO — En Vivo,” Yandel

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  • A Closer Look at the Grammys’ Top Nominees

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    Shane Boose, who records and performs as Sombr, struck a chord with “Back to Friends,” a song tracking the emotional mess of a fractured situationship.

    But before he landed on the song, the native New Yorker was adrift in Los Angeles, “falling in with the wrong crowds” and becoming “a loser” — a term he defines, opaquely, as “the person my mom tells me not to become.”

    He found the right collaborator, and now he has his first Grammy nod, for best new artist.

    Read More ›

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    The New York Times

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  • Clipse Declares Let God Sort Em Out Is Rap Album of the Year at The Bomb Factory

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    “Yellow diamonds look like pee pee!” Those are real lyrics rapped by Pusha T on Clipse’s lead single “Ace Trumpets” off Let God Sort Em Out…

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    Eric Diep

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  • Watch Erykah Badu Enjoying Herself at Clipse’s Bomb Factory Show

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    Erykah Badu is a Clipse fan too. On Thursday, Sept. 4, Clipse, the duo of Pusha T and Malice, performed at The Bomb Factory for their Let God Sort Em Out Tour…

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    Eric Diep

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  • Let God Sort ’Em Out Comes Alive in Houston

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    The humid air hung heavy at White Oak Music Hall as Malice stepped back from the edge of the stage. Behind him two large screens displayed the image of his mother’s face. Across from him his brother Pusha T had just finished his verse in front of the image of their father. The song, “Birds Don’t Sing,” a memorial ode to their parents continued to play across the White Oak lawn. The voice of Stevie Wonder echoed into the night as the lights dimmed.

    “Remember those who lost their mothers and fathers and make sure that every single moment you have with them you show them love.”

    As the last four words repeated the lawn grew dark. Chants of “Push!” “Malice” and “Clipse” scattered throughout the crowd but eventually the edges of the gathering began to break up as people meandered to the exits. Then a voice cut through the night.

    “Oh yeah? Y’all thought it was over? Well fuck it come on then”

    The lawn lit back up as the audience turned around and headed back to the stage while “Cot Damn” from the 2002 album Lord Willin’ blasted through the White Oak sound system.

    click to enlarge

    Malice lifts his hands at the response from the White Oak crowd.

    Photo by Sean Thomas

    Pusha T and No Malice’s return as Clipse marks one of hip hop’s most triumphant comebacks. Their latest album, Let God Sort ’Em Out, was self released on July 11, 2025, delivering their first joint studio work in nearly 16 years. Crafted entirely with Pharrell Williams at the helm, the project fuses their signature sharp lyricism with a renewed maturity and introspection.

    Far from a nostalgic retreat, the album navigates weighty themes such as aging, grief and spiritual grounding while still firing off hard hitting verses and street rooted narratives. Standout tracks such as “The Birds Don’t Sing” and “Ace Trumpets” exemplify this balance, pairing opulent imagery with emotionally resonant songwriting.

    The momentum of the night mirrored the momentum behind their album. The release of Let God Sort ’Em Out has given Clipse a new chapter that feels both earned and necessary. In Houston, those songs carried a different weight as they unfolded in real time, surrounded by fans who have waited more than a decade for new music from the brothers.

    The crowd absorbed the contrast of reflection and bravado, with the meditative pull of “So Be It” sitting beside the raw energy of “M.T.B.T.T.F.” Each moment revealed the duality that has always defined Clipse, the ability to honor the past while still pushing forward with sharp edges intact.

    That duality of raw energy and meditation is continually displayed by the brothers with Pusha T doing most of the talking during the show as Malice gave a quiet but present back up.

    click to enlarge

    Malice looks at hsi brother on the Let God Sort Em Out Tour.

    Photo by Sean Thomas

    “Ya’ll been with us for a minute,” exclaimed Pusha T as he paced across the stage and listened to the crowd’s reaction to Keys Open Doors. “That was some ’06 shit. We’ve been talking that shit since ’06!”
    The Let God Sort Em Out Tour is straight to the point with little frills. The Clipse ran through their reunion album with a few earlier hits from their catalog, giving the night a rhythm that was both sharp and deliberate. There were no distractions, no theatrics, only two brothers side by side letting their music carry the weight.

    For the Houston crowd that had waited years to see them together again, that focus was more than enough. Clipse did not need grand gestures or elaborate production to make their return feel historic. What mattered was the presence of two brothers sharing the stage again, channeling both loss and triumph into a set that spoke to the past as much as the future. The performance was proof that Clipse remains essential, and that their story still has chapters left to tell.

    Set List
    Chains and whips
    P.O.V
    Popular demand (Popeyes)
    What happened to that boy
    M.T.B.T.T.F.
    Inglorious Bastards
    Momma I’m So Sorry
    Keys Open Doors
    Mr. Me Too
    Grindin’
    F.I.C.O
    So Be It
    Ace Trumpets
    Birds Don’t Sing
    Encore
    Cot Damn
    Virginia
    So Far Ahead

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    DeVaughn Douglas

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