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Tag: Classical music

  • HAUSER: The Superstar Cellist Who Fills Arenas

    HAUSER: The Superstar Cellist Who Fills Arenas

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    Over the last few years, HAUSER has become one of the world’s most popular classical performers. His shows are spectacles that thrill thousands of fans for up to three hours. With dozens of musicians on stage, the Croation cellist covers well known orchestral themes as well as new arrangements of modern hits.

    Although his previous album focused on Latin pop songs like “Livin’ La Vida Loca,” his new album, out April 19, returns to traditional melodies. CLASSIC II is full of favorite compositions like Rachmaninoff’s Symphony No. 2 and Mozart’s Piano Concerto No. 23.

    Soon, HAUSER will embark on a summer North American tour with stops at iconic venues like Carnegie Hall, Nashville’s Ryman Auditorium and the Orpheum Theater in Los Angeles. Focusing on the classics, the concerts will give audiences across the country one of the most unique experiences in music.

    Watch HAUSER talk to Jordan Edwards and Demi Ramos about his ascension as a solo artist, epic live performances, and favorite compositions.

    HAUSER North American Tour Dates

    Fri, May 31, 2024 – Hollywood, FL – Hard Rock Live

    Sat, June 1, 2024 – Clearwater, FL – Ruth Eckerd Hall

    Sun, June 2, 2024 – Orlando, FL – Walt Disney Theater

    Tues, June 4, 2024 – Virginia Beach, VA – Sandler Center

    Wed, June 5, 2024 – Washington, DC – Warner Theatre

    Thurs, June 6, 2024 – New York, NY – Carnegie Hall

    Sat, June 8, 2024 -Toronto, ON – Massey Hall

    Sun, June 9, 2024 – Detroit, MI – Fisher Theatre

    Tues, June 11, 2024 – Indianapolis, IN – Murat Theatre

    Thurs, June 13, 2024 – Minneapolis, MN – State Theatre

    Fri, June 14, 2024 – Chicago, IL – Ravinia Festival

    Sat, June 15, 2024 – Nashville, TN – Ryman Auditorium

    Mon, June 17, 2024 – Dallas, TX – AT&T Performing Arts Center

    Tues, June 18, 2024 – Austin, TX – Bass Concert Hall

    Thurs, June 20, 2024 – Denver, CO – Paramount Theatre

    Fri, June 21, 2024 – Salt Lake City, UT – Eccles Theater

    Sat, June 22, 2024 – Las Vegas, NV – Wynn Las Vegas – Encore Theater

    Sun, June 23, 2024 – Costa Mesa, CA – Segerstrom Center for the Arts

    Tues, June 25, 2024 – Phoenix, AZ – Mesa Arts Center

    Thurs, June 27, 2024 – Los Angeles, CA – Orpheum Theatre

    Fri, June 28, 2024 – Saratoga, CA – The Mountain Winery

    Sat, June 29, 2024 – Oakland, CA – Fox Theater

    Sun, June 30, 2024 – Temecula, CA – Pechanga Theater

    HAUSER – Song to the MoonHAUSER performing Song to the Moon from Rusalka by Antonín Dvořák with the London Symphony Orchestra From my new …

    For more from HAUSER, follow him on Instagram and TikTok.

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    Staff

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  • Dallas Cellist Joseph Kuipers Strikes a Chord with Budding Musicians

    Dallas Cellist Joseph Kuipers Strikes a Chord with Budding Musicians

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    During the COVID-19 pandemic, Plano cellist Joseph Kuipers began to notice a worrisome trend in his students. Prior to the tumultuous year that was 2020, the most common issues he saw in his corps of young cellists were laziness and a lack of desire to put in the work and practice…

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    Ismael M. Belkoura

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  • Amos Lee Keeps It Loose, Keeps It Tight with the Dallas Symphony Orchestra

    Amos Lee Keeps It Loose, Keeps It Tight with the Dallas Symphony Orchestra

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    The decorum nearly held. It was late in Friday night’s roughly 100-minute set, as singer-songwriter Amos Lee, his four bandmates (guitarist Connor Kennedy, pianist-arranger Jaron Olevsky, bassist Solomon Dorsey and drummer Matt Scarano) and the Dallas Symphony Orchestra, led by conductor Andrew Lipke, collectively leaned into the amiable, sweet shuffle of “Flower,” from Lee’s 2011 album Mission Bell…

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    Preston Jones

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  • Metropolitan Opera presents semi-staged `Turandot’ after stage malfunction

    Metropolitan Opera presents semi-staged `Turandot’ after stage malfunction

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    NEW YORK — The Metropolitan Opera was forced to stage a semi-staged performance of Puccini’s “Turandot” on Wednesday night after a stage elevator jammed.

    Met general manager Peter Gelb made an announcement from the stage before the show.

    “I’m sorry to say that this is not going to be a normal night at the opera — not that when it comes to the Met, normal and opera are two words that are typically used in the same sentence,” Gelb said.

    The Met usually has sets for four different operas in the house at any given time, and Gelb said the malfunction occurred as sets were moved following a daytime rehearsal of Puccini’s “La Rondine (The Swallow.)”

    “Our brilliant cast, orchestra and chorus are ready to perform for you in what will be an historic first — a semi-staged presentation of `Turandot’ at the Met,” Gelb said.

    The performance took place with the cast and chorus on a portion of a set used for the apartments of the three ministers of state: Ping, Pang and Pong.

    Ticket holders were given the option of refunds.

    Franco Zeffirelli’s staging premiered in 1987 and has among the most lavish sets in Met history, recreating an imperial throne room with 199 people on stage.

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  • Your Orlando weekend agenda: MadSoul, Bassrush, Movie Trash, Monster Jam, Uncomfortable Brunch, Gloria Gaynor + more

    Your Orlando weekend agenda: MadSoul, Bassrush, Movie Trash, Monster Jam, Uncomfortable Brunch, Gloria Gaynor + more

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    Friday, March 1:

    Baroque Magnificence: Bach Mass in B Minor
    8 pm; Steinmetz Hall, Dr. Phillips Center for the Performing Arts, 445 S. Magnolia Ave.; 407-358-6603.

    Blame It On the Boogie: A Disco Dance Party
    8 pm; Will’s Pub, 1042 N. Mills Ave.;
    $15.

    Color Palettes: Danielle Lazala 7 pm Friday; Framework Craft Coffee House, 1201 N. Mills Ave; 321-270-7410; instagram.com/thechainedgallery.

    Constant Throw, Off the Rains, Graveyard Dogs, Skater Brainz
    7 pm; Uncle Lou’s Entertainment Hall, 1016 N. Mills Ave.; $5; 407-270-9104.

    Daði Freyr 7 pm; The Plaza Live, 425 N. Bumby Ave.; $27-$43; 407-228-1220.

    Ekkstacy, Alexsucks 6 pm; The Social, 54 N. Orange Ave.; $20; 407-246-1419.

    Freaky Fridays: Cemetery ManFrancesco Dellamorte (three-time BAFTA award nominee Rupert Everett) is the groundskeeper at the Buffalora cemetery where the dead just won’t stay dead — and it’s up to him to deal with those who come back to life with a hunger for human flesh. 11:59 pm; Enzian Theater, 1300 S. Orlando Ave., Maitland; $11; 407-629-0054; enzian.org.

    Getdown Downtown 6 pm; Independence Lane, 1776 Independence Lane, Maitland; free; 407-539-6223.

    Michel Camilo Trio 7 & 9:30 pm; Judson’s Live, Dr. Phillips Center for the Performing Arts, 445 S. Magnolia Ave.; $55.

    Movie Trash: Jade Part police procedural, part erotic thriller, part murder mystery, all over-the-top performances. This flick is pure 1990s nonsense. 8 pm; The Nook on Robinson, 2432 E. Robinson St.; instagram.com/orlandopopupmovieservices.

    Pardi Gras Music and costumed revelers. 7 pm; Pointe Orlando, 9101 International Drive; Free; 407-264-9950; pointeorlando.com.

    Responsibility and Resilience Featuring work from KYLE, Shannon Rae Lindsey, Dina Mack, Daniel Harris Mendoza, Rachel Simmons and Shannon Staunton. 6 pm; Hollerbach’s Art Haus, 205 E. First St., Sanford; free; 321-788-2805; facebook.com/hollerbachsarthaus.

    Trash Panda, Frog Mallet, Demonfuck, Playground Drug Dealer 7 pm; Conduit, 6700 Aloma Ave., Winter Park; $15; 407-673-2712.

    Saturday, March 2:

    The 12th Annual Mayor’s Jazz in the Park Yvonne Loggins Coleman, WUCF 89.9 FM. Jones High School Alumni Band, Safia Valines, The Yo Cats, Naomi Joy Music, Dave Capp Project, Micah Silverstein, Dimas Sanchez and the Afro Latin Jazz Project, Omari Dillard. Noon; Cypress Grove Park, 290 Holden Ave.; free.

    Alkaline Trio, Drug Church 7 pm; House of Blues, Disney Springs, Lake Buena Vista; $34.50-$85; 407-934-2583.

    Apes of the States, Doom Scroll, Myles Bullen, Danny Attack 7 pm; Stardust Video and Coffee, 1842 E. Winter Park Road; $20; 407-623-3393.

    Bassrush Presents: Peekaboo, Lyny 10 pm; The Vanguard, 578 N. Orange Ave.; $14.99-$49.99; 570-592-0034.

    Danny Kamins, Thomas Milovac, Jonas Van den Bossche 6:30 pm; The Dining Room, 2902 Ambergate Road, Winter Park; facebook.com/atthediningroom

    Festival Dor de Moldova Authentic cuisine, beer and wine, live musical and dance performances, traditional decorations reminiscent of childhood. Noon; German American Society of Central Florida, 381 Orange Lane, Casselberry; free; 407-834-0574; orlandogermanclub.com.

    Horse Head, Fish Narc, Zubin 8 pm; Will’s Pub, 1042 N. Mills Ave.; $25.

    Hulder, Devil Master, Worm, Necrofier
    6 pm; The Abbey, 100 S. Eola Drive; $25; 407-704-6261.

    Laurie Berkner 3 pm; The Plaza Live, 425 N. Bumby Ave.; $25-$60; 407-228-1220.

    MadSoul Festival Muna, Melanie Faye, Nohemy, Kaelin Ellis, Palomino Blond, I Met a Yeti, Sara Nelson, Jasmine Burney-Clark, Maddie Barker, Wahid, Venture Motel, Harla, Mr. Floyd Larry, Nervous Nature, Jasmine Burney-Clark, Brandon Wolf, Rep. Anna Eskamani, Rep. Alexandria Ocasio-Cortez, Rep. Justin Jones, Rep. Greg Casar, Rep. Zooey Zephyr. 2 pm; Loch Haven Park, 777 E. Princeton St.; free-$100; 407-246-2283.

    Michel Camilo Trio 7 & 9:30 pm; Judson’s Live, Dr. Phillips Center for the Performing Arts, 445 S. Magnolia Ave.; $55.

    Monster Jam Experience full-throttle fun as 12,000-pound monster trucks tear up the dirt in wide-open competitions of speed and skill. 7 pm; Camping World Stadium, 1 Citrus Bowl Place; $25-$100; 407-423-2476; campingworldstadium.com.

    National Theatre Live: Vanya Andrew Scott (Sherlock, Fleabag) brings multiple characters to life in a radical new version of Chekhov’s Uncle Vanya by Simon Stephens (The Curious Incident of the Dog in the Night-Time). 11 am; Enzian Theater, 1300 S. Orlando Ave., Maitland; $20; 407-629-0054; enzian.org.

    St. Patrick’s Day Parade 9 am; Park Avenue, Park and Comstock avenues, Winter Park; events.cityofwinterpark.org.

    Seven Seas Food Festival: Gloria Gaynor 7 pm; Bayside Stadium, 5677 SeaWorld Drive; $99-$209; 407-545-5550.

    Stayin’ Alive: One Night of the Bee Gees 7 pm; The Clermont Performing Arts Center, 3700 S. Highway 27, Clermont; $27-$41.50; 352-394-4800.

    Symphony Storytime Series: Carnival of the Animals 10 & 11:30 am; The Plaza Live, 425 N. Bumby Ave.; $10; 407-228-1220.

    Vision Video, Tears of the Dying, Super Passive 7 pm; Conduit, 6700 Aloma Ave., Winter Park; $20; 407-673-2712.

    Sunday, March 3:

    Alexa Tarantino Quartet 5 & 7:30 pm; Judson’s Live, Dr. Phillips Center for the Performing Arts, 445 S. Magnolia Ave.; $35.

    Distant Stations, Saucers Over Washington, John David Williams 8 pm; Uncle Lou’s Entertainment Hall, 1016 N. Mills Ave.; $5; 954-258-0307.

    Central Florida Sounds of Freedom Band and Colorguard: Love Is Universal 3 pm; Alexis and Jim Pugh Theater, Dr. Phillips Center for the Performing Arts, 445 S. Magnolia Ave.; $25.

    Nu Deco Ensemble 7 pm; Steinmetz Hall, Dr. Phillips Center for the Performing Arts, 445 S. Magnolia Ave.; $35-$75; 407-358-6603.

    Psycho Frame, Balmora, Beast Plague, Memento, Jezter 7 pm; Will’s Pub, 1042 N. Mills Ave.; $15-$20.

    Rossini’s Stabat Mater 3 pm; Rollins College, Knowles Memorial Chapel, 1000 Holt Ave., Winter Park; $15; 407-646-2182.

    Seven Seas Food Festival: Night Ranger 7 pm; Bayside Stadium, 5677 SeaWorld Drive; $99-$209; 407-545-5550.

    Symphony Storytime Series: Carnival of the Animals 11 am & 12:30 pm; The Plaza Live, 425 N. Bumby Ave; $10; 407-228-1220.

    Uncomfortable Brunch: Killer Joe When 22-year-old Chris (Emile Hirsch) finds himself in debt to a drug lord, he hires a hit man to kill his mother, whose $50,000 life insurance policy benefits his sister Dottie (Juno Temple). Noon; Enzian Theater, 1300 S. Orlando Ave., Maitland; $11; 407-629-0054; enzian.org.

    Friday-Sunday, March 1-3:

    Thundering Spirit Pow Wow Drumming, dancing, crafts and food at an intertribal gathering. 9 am Friday-Sunday; Renningers Florida Twin Markets, 20651 U.S. Highway 441, Mount Dora; $10-$15; 352-636-4271; thunderingspiritfamily.com.

    Saturday-Sunday, March 2-3:

    37th Annual Festival of the Arts A juried show featuring national and international artists and contemporary craftspeople, to stimulate, energize and foster the arts in the community. Colonial Town Park, 950 Market Promenade Ave., Lake Mary; free; lakemaryheathrowarts.com.

    House of Mouse Expo A fan event for all properties under the Disney umbrella. Exhibition Building at Osceola Heritage Park, 1901 Chief Osceola Trail, Kissimmee; $35-$70; 321-697-3333; ohpark.com.

    Spirit Fest 70-plus booths with many new vendors, practitioners, readers, artists, authors and more. Avanti Palms Resort and Conference Center, 6515 International Drive; $10; 407-494-9817; spiritfestusa.com.

    Through March 10:

    Central Florida Fair Enjoy a midway featuring rides, games, food, live music and entertainment, animals, livestock exhibitions and competitive exhibits, and so much more. Central Florida Fairgrounds, 4603 W. Colonial Drive; 407-295-3247; centralfloridafair.com.

    Florida Strawberry Festival Strawberry treats of all kinds, concerts, rides, exhibits, displays, contests and a berry sweet time for the whole family. Strawberry Festival Grounds, 303 N. Lemon St., Plant City; $10; 813-752-9194; flstrawberryfestival.com.

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    Kristin Howard and Jessica Bryce Young

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  • How a run-down Ford launched a music revolution that swept Brazil’s Carnival

    How a run-down Ford launched a music revolution that swept Brazil’s Carnival

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    RIO DE JANEIRO — Sound begins blasting ear drums and rattling bones even before the speakers — hauled by big rigs creeping their way through Brazil’s thronging Carnival crowds — draw near.

    The behemoth sound trucks known as electric trios are a Brazilian innovation that amplified music and effectively did away with front-row seats — making Carnival more accessible. In the seven decades since the first one hit Brazil’s streets, they have become a fixture of the country’s annual pre-Lenten festivities and draw millions to the streets. Singer Caetano Veloso’s ode to the earth-shaking vehicles proclaimed that the only people not following them must already be dead.

    From Salvador, on Brazil’s northeast coast, trios spread throughout the country and found more disciples; an Instagram account that posts seemingly banal videos of the nation’s rigs has about 150,000 followers, with fans praising each trio’s merits. They’ve grown ever more sophisticated and ever larger — with lights, LED screens, dressing rooms and VIP areas.

    Their appeal has never been just the novelty of amplification. Their steady, constant advance meant anyone, rich or poor, could get close enough to the music to feel it throb through their body, said Isaac Edington, who coordinates Salvador’s festivities as president of its tourism agency.

    Helen Salgado, a 31-year-old actress, traveled to Salvador from Rio to immerse herself in the oceans of people churning around trios in celebrations ahead of the official start of Carnival on Saturday. She said she was driven to ecstasy without consuming so much as a drop of alcohol.

    “It was very loud … and marvelous!” Salgado said by phone, laughing. “I think that’s why there’s all this frenzy: The sound dominates you and intoxicates you.”

    But long before these walls of sound took Brazil by storm, there was a Ford.

    It was a 1929 Model A — the Model T’s lesser-known successor — imported from the U.S. to Salvador. For years, metalworker Osmar Macedo used the convertible to haul iron.

    In 1950, Osmar, as he is universally known, and his friend Dodô, a radio technician and fellow amateur musician, outfitted the Ford with two speakers and connected their guitar and cavaquinho to the car’s battery, Aroldo Macedo, Osmar’s son, told The Associated Press. They drove the car, with its dented fender and chipping maroon paint, through the streets playing music and delighting Carnival revelers who jumped and jived in their wake, said Macedo, 65.

    The duo repeated the stunt the next year, this time with a third musician, and so called themselves the Trio Eletrico.

    The term stuck, and was applied to all mobile stages that rolled across Salvador, the capital of Bahia state. Soon enough, trios were the centerpiece of the city’s Carnival.

    They started featuring Bahia’s top artists, like Veloso, who clambered aboard one built specially for him in 1972 that resembled a spaceship. They became launchpads for the careers of musicians, including Daniela Mercury, Ivete Sangalo and Margareth Menezes, Brazil’s current culture minister, who called the trio “one of Brazil’s great inventions.”

    “It was a great revolution in the Carnival of the people, the Carnival of the street,” Menezes said by phone from Salvador, where she’s preparing the Trio of Culture that will feature herself alongside Gilberto Gil and Chico César. “Everyone wants to shake themselves to the sound of the electric trio.”

    That popular spirit is at the heart of Carnival, which isn’t just about cutting loose; it also represents the subversion of established order and roving street parties are a manifestation of the people taking control of the city.

    Salvador’s trios were a guiding light for Rio when street parties reemerged after Brazil cast off its military dictatorship in 1985, according to Rita Fernandes, president of the Sebastiana association that organizes some of the city’s most traditional parties.

    Rick Mello’s Rick Sound provides trios for more than two dozen street parties in Rio and also rents the trucks to samba schools rehearsing for the traditional Sambadrome parade. There were 11 trios shoehorned into his warehouse in January — and he says he can’t run full sound tests inside because the clamor, reaching up to 180 decibels, could blow out an eardrum.

    “Compared to Bahia, this is a Volkswagen Beetle,” Mello said, referring to his biggest truck, which has 60 speakers. “But one day we’ll get there.”

    Perhaps the best known of all the trios was the Dragon. Salvador-based band Asa de Aguia (Eagle’s Wing) performed atop the truck for years and immortalized it in a song as “the biggest electric trio on the planet.”

    But the Dragon was a handful. Its 30-meter (98-foot) length made cornering a feat, and at 5.5 meters (18 feet) tall, it often snagged power lines and toppled utility poles when touring to Rio or Sao Paulo for gigs, according to José Mario Bordonal, whose company bought it a decade ago.

    Bordonal and his siblings founded their company to build sound trucks in their tiny hometown in Sao Paulo’s rural interior, Cravinhos.

    Their first trio upset the order of things about 35 years ago, with a wild street party for the working class that lured even the well-heeled to forgo a private Carnival soiree, Bordonal said. The police, and the soiree’s organizer, were furious.

    Roughly a quarter-century later, the Dragon caused fresh ruckus.

    “When it got to Cravinhos … it entered the first street, and it pulled down two poles right away,” Bordonal said.

    He modified the Dragon’s axles to make cornering easier and reduced its height — but extended its length to 34 meters (111 feet). Bordonal eventually sold it, and has since built a bigger trio whose 200 speakers blasted Sao Paulo’s biggest street party of the Carnival season on Feb. 4 — and he has plans for an even larger one.

    But Salvador’s vast fleet makes it the unrivaled kingdom. During Carnival this year, as many as 70 will plod through the swarming crowds each day, Edington said. Rio has roughly that amount through all of Carnival, according to its tourism agency.

    In a tribute to the trios’ forebears, Salvador’s two main trio routes are named for Osmar and Dodô, and a replica of their Ford appears atop one of the mammoth rigs.

    Coming full circle from the imported Ford that became Brazil’s first trio, singer Claudia Leitte is in the process of dispatching a trio to the U.S.

    Leitte, who once sang atop a trio for seven hours straight, intends to bring a Salvador-style Carnival to Miami’s Ocean Drive.

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  • Homecoming: Branford Marsalis to become artistic director at New Orleans center named for his father

    Homecoming: Branford Marsalis to become artistic director at New Orleans center named for his father

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    NEW ORLEANS — Branford Marsalis, the jazz saxophonist and composer whose career includes movie scores, Grammy-winning recordings and a stint as the leader of The Tonight Show band, is taking on a new job in his hometown of New Orleans.

    Marsalis was to be named Tuesday as the new artistic director for the Ellis Marsalis Center for Music. The center is named for Branford’s late father, patriarch of a family of accomplished New Orleans musicians that also includes trumpeter and composer Wynton Marsalis. Wynton and Branford Marsalis are brothers.

    The Ellis Marsalis Center for Music provides music and cultural education programs for young people and adults. It is part of the Musicians’ Village, a housing development built in cooperation with Habitat for Humanity.

    Branford Marsalis and fellow New Orleans musician Harry Connick Jr. spearheaded its development to provide housing for New Orleans musicians who lost their homes after levee failures during Hurricane Katrina in 2005 led to catastrophic flooding.

    The elder Marsalis died in 2022, a victim of the COVID-19 pandemic. A pianist who performed regularly in New Orleans and an educator at the University of New Orleans, he was the center’s artistic director when it opened in 2012.

    In a statement released ahead of Tuesday’s official announcement, Branford Marsalis described his father as “a teacher in music and in life” and said he was honored to fill the role his father held.

    “I hope to make my dad proud,” he said.

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  • Hit-Boy enters Grammys with producer nod while helping father navigate music industry after prison

    Hit-Boy enters Grammys with producer nod while helping father navigate music industry after prison

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    LOS ANGELES — When Hit-Boy walks the Grammy red carpet, he expects to proudly strut into the Feb. 4 awards ceremony with his father beside him for the first time.

    For three decades, Hit-Boy’s dad was in-and-out of prison, with his recent stint lasting nine years until his release several months ago. With his father’s newfound freedom, the super producer — who has worked with music heavyweights from Jay-Z, Nas and Kanye West — is focused on strengthening their father-son bond while navigating the music industry together.

    Hit-Boy has the Grammys and a producer of the year, non-classical nomination in his sights. He’s had three songs involving Brent Faiyaz, Blxst and The Alchemist. He also produced three Nas albums, including “King’s Disease III,” which is up for best rap album; one with Musiq Soulchild; and his two “Surf or Down” albums, which featured the producer as a rapper and his father on several tracks under the stage name Big Hit.

    When Hit-Boy first heard about being a nominee again, he felt an instant “wave of emotions.” He was one of the most productive producers this past year compared to others in his category – which includes Jack Antonoff, Metro Boomin, Dernst “D’Mile” Emile II and Daniel Nigro.

    “I literally broke down in tears,” said Hit-Boy, a three-time Grammy winner through Jay-Z and Kanye West’s “… In Paris,” Nipsey Hussle’s “Racks in the Middle” and Nas’ album “King Disease.” He’s worked with top performers including Beyoncé, Mary J. Blige, Drake, Mariah Carey, Ariana Grande and Jennifer Lopez.

    But for Hit-Boy, this past year was different.

    “When I really look back and had that moment to reflect, I was like ‘Wow, I didn’t have the biggest artists in the world that’s going to stream,” he said. “They are going to make it work. I was working with artists that don’t have million-dollar budgets behind them.”

    Throughout the year, Hit-Boy said he worked mostly with Nas and his father, Big Hit, who recorded his lyrics for the intro on “Surf or Down Vol. 1″ while incarcerated. After his father’s release, Hit-Boy took him directly to the studio — where they both laid down tracks.

    This month, Big Hit, 52, released his debut album “The Truth is in My Eyes,” which features Snoop Dogg, Benny The Butcher, Musiq Soulchild, Dom Kennedy, The Alchemist and Mozzy. He said it was tough being away from his son and watching his success from afar.

    “It was torture just knowing the kind of impact I could’ve had and what I missed in his life,” said the rapper, who was arrested during a traffic stop in Illinois in 2014. Turns out, he had an outstanding warrant, which stemmed from a hit-and-run accident in Los Angeles that left several people injured.

    At the time, Hit-Boy said his father was gaining positive momentum and made good impressions with the likes of Jay-Z and 50 Cent before his arrest, which the producer called devastating.

    “I thought about how I could have shaped and molded him,” Big Hit said. “Being a wonderful addition. Instead of bringing him down, I could have tightened him up. But I still did my best in the situation where I was at. But we’re pushing full speed ahead. We’re bridging that gap.”

    Since Big Hit’s release, Hit-Boy has been laser-focused on keeping his father busy and spending time with him almost daily while creating an independent lane for their careers. The producer said he’s funded “every single thing since he touched down.”

    “It’s bigger than just doing the music,” Hit-Boy said. “I’m creating that network, helping them to have a workflow. I’m spending money on these marketing plans. I’m coming with all the best ideas I can. Every day is an adventure. My whole life, he’s got out and went back in. Stressed out that he might do something to jeopardize it again. It’s part of that brainwork where you just got to hold it down and financially. I wanted to build, put together pieces that would bring people completely into his world.”

    Hit-Boy said several labels have offered Big Hit deals, but they turned them down. The producer said they’ll be better off on their own for now.

    “They wanted to put some cool money in his pocket,” Hit-Boy said. “But I’ve been in the game since I was 19. He got locked up at 19 until he was in his 30s. Now, I’m in my 30s and I’m locked up in the industry, because I’m still to this day in a bad publishing deal with Universal Music Publishing Group. I would feel so crazy to let my dad get caught up with these same systems, the same ways and ideologies that I’ve been fed since I was a kid. I just can’t go for it.”

    Hit-Boy, 36, and his team decided against releasing Big Hit’s new album on digital stream platforms. He wants people to buy directly from them, which according to his team has so far worked out.

    “We got physical CDs. We’re not going to do any DSPs, no streaming,” the producer said. “I’ve been seeing a lot of people complain about that. Snoop just went on a platform and talked about how he got a billion streams, but only earned about $40,000 or $45,000. I feel like if we sell 10,000 CDs, we’re going to blow that out the water. We’re going to start small. We don’t need to have a billion streams, because that might only equate to 10,000. We’re going to let people buy the music directly from us.”

    Hit-Boy said he and his father are making music, doing business together like he always wanted. If he could win a Grammy with his dad, mother and young son in attendance, it would mean the world to him.

    “Every time I won a Grammy, he was locked up,” he said. “That would be dope to win. I’m going to speak it into existence.”

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  • Playing live, 'Nutcracker' musicians bring unseen signature to holiday staple

    Playing live, 'Nutcracker' musicians bring unseen signature to holiday staple

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    PHOENIX — Musicians in a cramped space under a Phoenix stage send up the familiar tones of “The Nutcracker.” Overhead, satin-and-glue pointed toes pitter-patter across stage in a performance of the holiday favorite.

    For Ballet Arizona and many other productions around the world, a pit full of musicians is as much part of the tradition as the dancers above.

    Shows can turn to recordings as they weather costs and crises, and in recent years, productions across the country have been working to recover after the pandemic forced them to go silent during public health closures. But fans, musicians and union leaders say live music brings an unseen signature to each show — even if the path is sometimes fraught.

    In New York, a production some consider the quintessential American “Nutcracker” opened minutes after musicians agreed to a contract. In Los Angeles, a company gives audiences both options. And in the Phoenix show, the pit was put on hiatus during the Great Recession tied to the 2008 housing crisis.

    It wasn’t until joining Ballet Arizona five years ago that Demitra Bereveskos performed “The Nutcracker” to live music. Her “Nutcracker” debut was when she was 7, likely as an angel and little mouse, she said; by her first year in the Phoenix production, she was dancing in “Waltz of the Flowers.”

    “I remember being on stage and hearing the opening harp, and I’d never heard a harp like that before and it just set up the entire dance for me,” Bereveskos said. “I was probably soaring the entire time just from hearing the notes plucked on that harp.”

    Pyotr Ilyich Tchaikovsky’s 1892 score follows the story of a young girl who falls into a fantastical dream after being gifted a nutcracker doll. Her adventure, featuring the Nutcracker Prince, Mouse King’s army and Sugar Plum Fairy, draws audiences of all ages to shows that can be as raucous and funny as they are elegant and elaborately choreographed.

    Audiences and dancers alike can feel when the score is performed live, said Phoenix Symphony violinist Dian D’Avanzo, who has played the Ballet Arizona show for over 30 years — in the past, with her daughter dancing onstage at the same time.

    “I don’t think it feels like Christmas until my first Nutcracker when at the end of the first act, I get to look up and see the snow falling onstage,” said D’Avanzo, who sits at the front of the pit as the “Nutcracker” concertmaster. “We don’t get snow falling here in Phoenix, so when I get to see that snowfall coming down at the end of the first act for the snowflake dance, it’s Christmas.”

    If something is missed in the pit, it can profoundly affect the show’s timing, said Phoenix Symphony’s principal horn, Gabe Kovach, who has played over 500 “Nutcracker” shows. The musicians can hear the flutter of the dancers’ feet and the leaps on the stage above many of their heads, which can actually help keep the timing together, he said.

    “Things can happen so quickly with staging and the dancers,” said Kovach. Pit performances are arduous, he said, but “when you see the faces of the kids coming down and hanging over the pit, you know it’s their first experience, it definitely rejuvenates you time after time.”

    A pit orchestra performs with the New York City Ballet, which debuted “George Balanchine’s The Nutcracker” in 1954. Sara Cutler, who retired earlier this year as principal harpist, has performed “The Nutcracker” about 2,000 times in over four decades, only taking a year off during the pandemic shutdowns. Even though it came with unexpected challenges — like when blocking had to be changed so that Cutler’s harp would no longer be hit by a ballerina’s falling shoe, thrown each performance to defeat the Mouse King — it was like a ”comfortable slipper that we settle into every Christmastime,” Cutler said.

    This year, though, the show opened about 10 minutes after voting ended to ratify the musicians’ contract, said Cutler, president of Associated Musicians of Greater New York, an American Federation of Musicians union.

    The union’s largest local started negotiating with the ballet in May — a long, hard process, she said. The ballet’s musicians took a pay cut across the board after pandemic closures were lifted and were still far behind 2019 compensation rates when negotiations started, she said.

    “All of that literally got resolved the weekend before ‘Nutcracker’ opened,” she said. “And so yes, there were questions leading up to it. Was there going to be a ‘Nutcracker’? Was the orchestra going to participate in ‘Nutcracker’? We never said we wouldn’t, but it was definitely a hanging question.”

    It was a relief when both sides shook hands, said Cutler, who believes live music enhances the experience for everyone from dancers to audience members. The ballet, too, was pleased about reaching an agreement.

    “The marriage of music and dance is a hallmark of NYCB,” its statement said, calling the New York City Ballet Orchestra’s performance of the “magnificent” score “a tremendous enhancement to the production.”

    But it’s not uncommon for smaller or midsize companies to use recordings, with the cost of music sometimes eclipsing dancers’ pay, said Julia Rivera, director of audience development for the Los Angeles Ballet. The company features an orchestra in some of its “Nutcracker” shows. For the recorded shows, a music supervisor manually times and keys each piece to the pace of the performance.

    “I think that when the music is treated carefully, that it doesn’t necessarily take away from the experience to have recorded music,” Rivera said. Some see the musicians as part of the performance, “and although I don’t disagree with that, it is out of reach for some ballet companies.”

    When live music is possible, she said, dancers can learn to take direction from artistic directors and conductors alike.

    “If they’re dancing with a company that is capable of doing classical story ballets and contemporary and new or avant-garde works, for them to be versatile, to be able to perform in both environments, is very important,” she said.

    The Phoenix Symphony and the union that represents its musicians agreed to a new contract over the summer, said Cindy Baker, president of Professional Musicians of Arizona, an American Federation of Musicians union. But around 2008, during the economic downturn, shows did turn to recorded music, said Baker, who plays violin, viola and harp.

    “It just wasn’t the same at all,” said Baker.

    The pit can be chaotic: Dry ice smoke from the stage might obscure music, and fake snow, sometimes made of plastic, can fall and stick to the musicians, Baker said. Some performers know the music so well they practically have the whole book memorized, and find ways to prank each other as they play the familiar notes. One year, Baker hid tea, coffee and chocolate between the music pages, revealing them one by one as they played on and forcing a fellow musician to contain his laughter.

    But like other hallmarks of the iconic ballet, including the Christmas tree that magically becomes taller as the main character dreams, the music doesn’t get old, Baker said.

    “It’s still great music so you play it and you know there are kids there with just excitement when they see the tree grow,” Baker said. “It’s always fun.”

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  • King Charles pays light-hearted tribute to comedian Barry Humphries at Sydney memorial service

    King Charles pays light-hearted tribute to comedian Barry Humphries at Sydney memorial service

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    CANBERRA, Australia — King Charles III paid a light-hearted tribute to the late Barry Humphries at a state memorial service Friday in Australia, recalling his own apprehension when the comedian’s alter ego, Dame Edna Everage, played a prank on him a decade ago.

    Video of the prank during a Royal Variety Performance in London in 2013 was widely replayed after Humphries died in Sydney in April at age 89.

    Humphries, in the character of the snobbish Everage, approached the then Prince Charles and Camilla, the Duchess of Cornwall, as they sat in the theater’s royal box.

    Everage looked at her ticket then explained to the laughing royals before leaving, “I’m so sorry, they found me a better seat.”

    Charles alluded to the joke in a message read by Australian Arts Minister Tony Burke at the memorial service in the Sydney Opera House.

    “I suspect that all those who appeared on stage or on TV with Barry’s Dame Edna, or who found her appearing at the back of the royal box, will have shared that unique sensation where fear and fun combine,” Charles wrote, prompting laughter from the audience.

    “Those who tried to stand on their dignity soon lost their footing. Those who wondered whether Australia’s housewife superstar might this time just go too far were always proved right. No one was safe,” Charles added.

    Humphries’ comic characters “poked and prodded us, exposed pretensions, punctured pomposity, surfaced insecurities but, most of all, made us laugh at ourselves,” Charles wrote.

    Among celebrities who sent video tributes to the Australian-born entertainer, who spent decades in London, were composer Andrew Lloyd Webber, musician Elton John and comedians Jimmy Carr, David Walliams and Rob Brydon. Media magnate Rupert Murdoch and Prime Minister Anthony Albanese also paid tribute.

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  • The AP names its five Breakthrough Entertainers of 2023

    The AP names its five Breakthrough Entertainers of 2023

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    NEW YORK — In this big year of entertainment — think “Barbenheimer,” the twin conquests of Taylor Swift and Beyoncé and the jolting strikes by actors and writers — we witnessed five streaking stars. Their party was 2023.

    Kris Bowers, Reneé Rapp, Charles Melton, Lily Gladstone and Ayo Edebiri all set down markers in TV, film and music this year. The five have been named The Associated Press’ Breakthrough Entertainers of the Year.

    Gladstone and Melton both snagged Golden Globe nominations and are getting Oscar buzz for their work in “Killers of the Flower Moon” and “May December,” respectively. Gladstone has been called “the quiet, powerful center” at the heart of Martin Scorsese real-life tale of greed and treachery, while Melton “will break your heart” in his movie about an actor preparing to play a Mary Kay Letourneau-like role.

    A year of success for all the honorees puts all those years of working hard in perspective.

    “I was walking dogs and working Chinese takeout seven years ago,” Melton tells the AP.

    For Gladstone, the weight of history is woven into her success. If she were to win an Academy Award, she’d become the first Native American to ever win a competitive Oscar. “It would be an incredible moment in my life, but it would mean so much more than just me,” she says.

    On the small screen, Edebiri had a great 2023, earning Emmy and Golden Globe nominations for her role as Sydney Adamu on Hulu’s culinary dramedy “The Bear” and laughs for her portrayal of Josie in the satirical coming-of-age teen comedy “Bottoms.”

    “I was really fortunate to have people in my corner who were like, ‘We’re going to help you. Like, why wouldn’t we?’” she tells the AP.

    Like her fellow honorees, Rapp was making a name for herself as an actor but made the leap to pop star. She went from “Mean Girls” on Broadway and Mindy Kaling’s “The Sex Lives of College Girls” on TV to betting on herself and her music, releasing her first album, “Snow Angel,” and touring.

    Of her experience as an actor, Rapp is honest: “It was just like a welcomed blessing that was a means to get to what I wanted to do.” Apparently others agree: “Snow Angel” debuted at No. 44 on Billboard 200 Album charts.

    For Bowers, it’s all been about music right from the start. This year alone, the composer and pianist’s credits include “Origin” and “The Color Purple” in addition to “Chevalier,” “Queen Charlotte: A Bridgerton Story,” and “Haunted Mansion.”

    “I feel like the daily process is always trying to figure out the voice inside that’s telling me that I don’t belong or shouldn’t be here,” he says.

    For him and the four other honorees, the place they do belong is on the list of The Associated Press’ Breakthrough Entertainers of the Year.

    ___

    For more on AP’s 2023 class of Breakthrough Entertainers, please visit: https://apnews.com/hub/ap-breakthrough-entertainers

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  • Review: Swan song or not, Hayao Miyazaki's 'The Boy and the Heron' is a master surveying his empire

    Review: Swan song or not, Hayao Miyazaki's 'The Boy and the Heron' is a master surveying his empire

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    When Hayao Miyazaki’s “The Boy and the Heron” premiered at the Toronto International Film Festival in September, the filmmaker Guillermo del Toro said in his introductory remarks: “We are privileged enough to be living in a time where Mozart is composing symphonies.”

    You might be tempted to call that hyperbole, but — this being Miyazaki, the legendary anime filmmaker of “Spirited Away,” “My Neighbor Totoro” and “Kiki’s Delivery Service” — it’s closer to fact. The occurrence of a new film from Miyazaki deserves to be treated like the coming of a seldom-seen comet or something rarer still, like a winning New York Jets season.

    Ten years ago, Miyazaki released the profoundly personal “The Wind Rises.” It was then expected to be his swan song. But the 82-year-old filmmaker — known for his propensity for retiring again and again — soon announced that he would make one more. A decade of anticipation followed. Then, just as “The Boy and the Heron” finally debuted, word came that Miyazaki is pondering yet another movie.

    As long as he keeps extending, so does our chance to keep returning to some of the most magical realms of animation. Watching “The Boy and the Heron,” which opens nationwide Friday, is like returning to a faintly familiar dreamland. Only, since the only location here is really Miyazaki’s boundless imagination, it’s less the feeling of stepping back into a recognizable place than it is revisiting a well-remembered sense of discombobulation and wonder.

    “The Boy and the Heron,” loosely adapted from Genzaburō Yoshino’s 1937 novel “How Do You Live?,” first feels like a familiar setup for Miyazaki. A young protagonist is harboring an inexpressible grief while traveling to a new home. In the film’s indelible, nightmarish opening scenes, a boy’s mother dies in a Tokyo hospital fire amid bombing late in World War II. Flames fill the frame.

    A year later, the boy, Mahito (voiced by Soma Santoki in the subtitled version I saw) is sent to live in a country estate by his father, who has already found a new wife, Natsuko (Yoshino Kimura). She’s also the younger sister of Mahito’s deceased mother. The basic framework of the story has personal echoes for Miyazaki. As a three-year-old, he was evacuated with his family to the countryside during the war.

    Mahito is miserable in his new home. He doesn’t like his stepmother-to-be and the kids at school are unkind. To escape going to school, he gives himself a head wound. Not unlike the 10-year-old Chihiro of “Spirited Away,” who’s transported into a fantastical world from an abandoned amusement park en route to her family’s new home, Mahito finds a portal to a surreal dimension while ambling around the estate’s grounds.

    He’s prodded toward an old tower, built by Mahito’s great-uncle, by an ornery gray heron (Masaki Suda) who won’t leave him alone. Think of herons and you might picture elegant, long-legged creatures, but this one is more of an annoying pest. It’s also a kind of disguise, because a big-nosed man peels back the bird’s head like a child momentarily taking off a Hollywood costume. He becomes something of a mischievous guide to Mahito. In Miyazaki films, guardian angels seldom look the part. (The English dub versions includes a voice cast of Christian Bale, Gemma Chan, Willem Dafoe and Robert Pattinson.)

    Once Mahito makes his way into the tower, he lands in a fantasy world that, for its pure vividness, rivals anything Lewis Carroll ever dreamed up. There are armies of giant parakeets who protect a Parakeet King and little balls of sprites called the Waruwaru that float serenely to the sky. Almost like a Miyazaki greatest hits, “The Boy and the Heron” is filled with little fluffy orbs and fantastical oversized creatures, with drips of blood and drops of tears. It is, though, more avian than any previous Miyazaki movie, which tended to lead into wooded forests or watery seas. “The Boy and the Heron” will be, certainly, a hit among psychedelic-loving bird watchers.

    But just as in the world above, there is violence and cruelty here, too. (Gird yourself now for the fate of the Waruwaru.) This is less a fantasy to escape to than a parallel world, populated with childlike versions of some of the people in Mahito’s life, including his mother. It’s a dizzying place that seems just as directly pulled from Miyazaki’s subconscious as any other realm he’s conjured before. You’ll leave “The Boy and the Heron” in disbelief that this, supposedly, is a filmmaker in autumn. It’s just as uncompromising a vision, and just as attuned to the experience of childhood.

    “The Boy and the Heron” eventually drifts toward an aged, long-haired wizard (voiced by Shōhei Hino) who’s spent his years holding this strange world together. As it teeters on the brink of collapse, he offers to bequeath his creation and all its responsibilities to Mahito, who instead decides to return to his own world. It’s a parting sentiment from Miyazaki, a great sorcerer himself. Here, Miyazaki makes his peace with seeing his own tower crumble, while imploring his legion of followers: Go and create your own worlds, dream your own dreams.

    Whether it’s a final goodbye or not, it’s among the most poignant partings of recent cinema. It’s a grand culmination of both Miyazaki’s extraordinary body of work and of a film that gathers, like a flock, or a symphony, so many of his trademark obsessions.

    “The Boy and the Heron,” a Studio Ghibli release is rated PG-13 by the Motion Picture Association for some violent content/bloody images and smoking. Running time: 124 minutes. Three and a half stars out of four.

    ___

    Follow AP Film Writer Jake Coyle at: http://twitter.com/jakecoyleAP

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  • Final goodbye: Recalling influential people who died in 2023

    Final goodbye: Recalling influential people who died in 2023

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    From a hot dog vendor to head of the formidable mercenary army Wagner Group, his rise through Russian society could easily be described as meteoric. But it all came to a sudden end when the plane carrying him and others mysteriously exploded.

    The Aug. 23 death of Yevgeny Prigozhin put an exclamation point on what had already been an eventful year for the brutal mercenary leader. His Wagner troops brought Russia a rare victory in its grinding war in Ukraine, successfully capturing the city of Bakhmut. But internal friction with Russian military leaders later burst into the open, with Prigozhin briefly mounting an armed rebellion — the most severe challenge yet to Russian President Vladimir Putin’s rule.

    The rebellion was called off and a deal was struck after less than 24 hours. However, just two months later, Prigozhin joined the list of those who have run afoul of the Kremlin and died unnatural deaths.

    He was just one of many noteworthy people who died in 2023.

    The world also said goodbye to former U.S. Secretary of State Henry Kissinger, who died Nov. 29. Serving under two presidents, Kissinger’s shadow loomed large in the foreign policy arena, prompting both admiration and criticism from around the globe. And he continued his involvement in global affairs even in his final months.

    Another political figure who died this year was former U.S. first lady Rosalynn Carter, who died Nov. 19. She was the closest adviser to her husband, former President Jimmy Carter, during his one term in the White House and then across four decades of global humanitarian work.

    Others from the world of politics who died this year include: former Italian Premier Silvio Berlusconi; former U.S. senators Dianne Feinstein, James Buckley and James Abourezk; former British treasury chief Nigel Lawson; former Pakistani leader Pervez Musharraf; former U.S. Supreme Court Justice Sandra Day O’Connor; former Chinese Premier Li Keqiang; former Finnish President Martti Ahtisaari; former New Mexico governor and American ambassador to the United Nations Bill Richardson; former New Jersey Lt. Gov. Sheila Oliver; and former Greek Foreign Minister Theodoros Pangalos.

    Among the entertainers who left the world this year was singer Tina Turner, who died May 24. Turner’s powerful voice and stage presence brought her fame across multiple decades, first with her abusive husband, Ike Turner, in the 1960’s and 70’s. But after leaving their marriage, she found fame again in the 1980’s with her hit “What’s Love Got to Do With It.”

    Others in the world of arts and entertainment who died this year include: actors Suzanne Somers, Matthew Perry, Raquel Welch, Richard Belzer, Chaim Topol, Jacklyn Zeman, Lance Reddick, Alan Arkin, Paul Reubens, David McCallum, Richard Roundtree and Tom Sizemore; musicians Jimmy Buffett, Sinéad O’Connor, Rita Lee Jones, Burt Bacharach, David Crosby, Fito Olivares, Ryuichi Sakamoto, Astrud Gilberto, Coco Lee and Tony Bennett; civil rights activist and entertainer Harry Belafonte; author Cormac McCarthy; filmmaker William Friedkin; TV hosts Bob Barker and Jerry Springer; poet Louise Glück; guitarist Jeff Beck; fashion designer Mary Quant; wrestler The Iron Sheik; composer Kaija Saariaho; and “Sesame Street” co-creator Lloyd Morrisett.

    Here is a roll call of some influential figures who died in 2023 (cause of death cited for younger people, if available):

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    JANUARY

    ___

    Fred White, 67. A drummer who backed up his brothers Maurice and Verdine White in the Grammy-winning ensemble Earth, Wind & Fire. Jan. 1.

    Ken Block, 55. A motorsports icon known for his stunt driving and for co-founding the action sports apparel brand DC Shoes. Jan. 2. Snowmobiling accident.

    Walter Cunningham, 90. The last surviving astronaut from the first successful crewed space mission in NASA’s Apollo program. Jan. 3.

    Fay Weldon, 91. A British author known for her sharp wit and acerbic observations about women’s experiences and sexual politics in novels including “The Life And Loves Of A She-Devil.” Jan. 4.

    Russell Pearce, 75. A Republican lawmaker who was the driving force behind Arizona’s landmark 2010 anti-immigration legislation known as the “show me your papers” law. Jan. 5.

    Charles Simic, 84. The Pulitzer Prize-winning poet who awed critics and readers with his singular art of lyricism and economy, tragic insight and disruptive humor. Jan. 9.

    Lynette “Diamond” Hardaway, 51. An ardent supporter of former President Donald Trump and one half of the conservative political commentary duo Diamond and Silk. Jan. 8.

    Jeff Beck, 78. A guitar virtuoso who pushed the boundaries of blues, jazz and rock ‘n’ roll, influencing generations of shredders along the way and becoming known as the guitar player’s guitar player. Jan. 10.

    Constantine, 82. The former and last king of Greece, who won an Olympic gold medal in sailing and spent decades in exile after becoming entangled in his country’s volatile politics in the 1960s. Jan. 10.

    Tatjana Patitz, 56. She was one of an elite group of supermodels who graced magazine covers in the 1980s and ’90s and appeared in George Michael’s “Freedom! ’90” music video. Jan. 11.

    Lisa Marie Presley, 54. The only child of Elvis Presley and a singer-songwriter dedicated to her father’s legacy. Jan. 12.

    Robbie Knievel, 60. An American stunt performer who set records with daredevil motorcycle jumps following in the tire tracks of his thrill-seeking father Evel Knievel. Jan. 13.

    Ray Cordeiro, 98. He interviewed music acts including the Beatles during a six-decade career on Hong Kong radio that earned him the title of the world’s longest-working disc jockey. Jan. 13.

    Lloyd Morrisett, 93. The co-creator of the beloved children’s TV series “Sesame Street,” which has used empathy and fuzzy monsters like Elmo and Cookie Monster to charm and teach generations around the world. Jan. 15.

    Gina Lollobrigida, 95. An Italian film legend who achieved international stardom during the 1950s and was dubbed “the most beautiful woman in the world” after the title of one of her movies. Jan. 16.

    Chris Ford, 74. A member of the Boston Celtics 1981 championship team, a longtime NBA coach and the player credited with scoring the league’s first 3-point basket. Jan. 17.

    David Crosby, 81. The brash rock musician who evolved from a baby-faced harmony singer with the Byrds to a mustachioed hippie superstar and troubadour in Crosby, Stills, Nash & Young. Sept. 18.

    Cindy Williams, 75. She was among the most recognizable stars in America in the 1970s and 1980s for her role as Shirley on the beloved sitcom “Laverne & Shirley.” Jan. 25.

    Billy Packer, 82. An Emmy award-winning college basketball broadcaster who covered 34 Final Fours for NBC and CBS. Jan. 26.

    Sylvia Syms, 89. She starred in classic British films including “Ice Cold in Alex” and “Victim.” Jan. 27.

    Barrett Strong, 81. One of Motown’s founding artists and most gifted songwriters who sang lead on the company’s breakthrough single “Money (That’s What I Want)” and collaborated with Norman Whitfield on such classics as “I Heard It Through the Grapevine,” “War” and “Papa Was a Rollin’ Stone.” Jan. 28.

    Tom Verlaine, 73. The guitarist and co-founder of the seminal proto-punk band Television who influenced many bands while playing at ultra-cool downtown New York music venue CBGB alongside the Ramones, Patti Smith and Talking Heads. Jan. 28.

    Bobby Hull, 84. A Hall of Fame forward who helped the Chicago Blackhawks win the 1961 Stanley Cup Final. Jan. 30.

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    FEBRUARY

    ___

    Paco Rabanne, 88. The Spanish-born designer known for perfumes sold worldwide but who made his name with metallic space-age fashions that put a bold, new edge on catwalks. Feb. 3.

    Harry Whittington, 95. The man who former Vice President Dick Cheney accidentally shot while they were hunting quail on a Texas ranch more than 17 years ago. Feb. 4.

    Hsing Yun, 95. A Buddhist abbot who established a thriving religious community in southern Taiwan and built universities overseas. Feb. 5.

    Pervez Musharraf, 79. The general who seized power in a bloodless coup and later led a reluctant Pakistan into aiding the U.S. war in Afghanistan against the Taliban. Feb. 5.

    Burt Bacharach, 94. The singularly gifted and popular composer who delighted millions with the quirky arrangements and unforgettable melodies of “Walk on By,” “Do You Know the Way to San Jose” and dozens of other hits. Feb. 8.

    Carlos Saura, 91. Spain’s celebrated filmmaker who earned three Academy Award nominations for Best Foreign Language Film during his seven-decade career. Feb. 10.

    Hugh Hudson, 86. A British filmmaker who debuted as a feature director with the Oscar-winning Olympics drama “Chariots of Fire” and made other well-regarded movies including “My Life So Far” and the Oscar-nominated “Greystroke.” Feb. 10.

    Hans Modrow, 95. He served as East Germany’s last communist leader during a turbulent tenure that ended in the country’s first and only free election. Feb. 11.

    David Jude Jolicoeur, 54. Widely known as Trugoy the Dove, he was one of the founding members of the Long Island hip hop trio De La Soul. Feb. 12.

    Huey “Piano” Smith, 89. A beloved New Orleans session musician who backed Little Richard, Lloyd Price and other early rock stars, and with his own group made the party favorites “Don’t You Just Know It” and “Rockin’ Pneumonia and Boogie Woogie Flu.” Feb. 13.

    Leiji Matsumoto, 85. The anime creator known for ”Space Battleship Yamato” and other classics using a fantastical style and antiwar themes. Feb. 13.

    Raquel Welch, 82. Her emergence from the sea in a skimpy, furry bikini in the film “One Million Years B.C.” propelled her to international sex symbol status in the 1960s and ’70s. Feb. 15.

    Tim McCarver, 81. The All-Star catcher and Hall of Fame broadcaster who during 60 years in baseball won two World Series titles with the St. Louis Cardinals and had a long run as one of the country’s most recognized, incisive and talkative television commentators. Feb. 16.

    Stella Stevens, 84. A prominent leading lady in 1960s and 70s comedies perhaps best known for playing the object of Jerry Lewis’s affection in “The Nutty Professor.” Feb. 17.

    Richard Belzer, 78. The longtime stand-up comedian who became one of TV’s most indelible detectives as John Munch in “Homicide: Life on the Street” and “Law & Order: SVU.” Feb. 19.

    Ahmed Qureia, 85. A former Palestinian prime minister and one of the architects of interim peace deals with Israel. Feb. 22.

    James Abourezk, 92. A South Dakota Democrat who grew up on the Rosebud Indian Reservation, became the first Arab American U.S. senator and was known for his quick wit as he advocated for populist causes. Feb. 24.

    Betty Boothroyd, 93. The first female speaker of Britain’s House of Commons. Feb. 26.

    Ricou Browning, 93. A skilled swimmer best known for his underwater role as the Gill Man in the quintessential 3D black-and-white 1950s monster movie “Creature from the Black Lagoon.” Feb. 27.

    Gérard Latortue, 88. A former interim prime minister of Haiti who helped rebuild and unite the country after a violent coup in the mid-2000s. Feb. 27.

    ___

    MARCH

    ___

    Just Fontaine, 89. The French soccer great who scored a record 13 goals at the 1958 World Cup. March 1.

    Barbara Everitt Bryant, 96. The first woman to run the U.S. Census Bureau and its leader during the contentious debate over how to compensate for undercounts of minority groups in the 1990 census. March 2.

    Tom Sizemore, 61. The “Saving Private Ryan” actor whose bright 1990s star burned out under the weight of his own domestic violence and drug convictions. March 3.

    Kenzaburo Oe, 88. The Nobel literature laureate whose darkly poetic novels were built from his childhood memories during Japan’s postwar occupation and from being the parent of a disabled son. March 3.

    Judy Heumann, 75. A renowned activist who helped secure legislation protecting the rights of people with disabilities. March 4.

    Gary Rossington, 71. A co-founder and last surviving original member of Lynyrd Skynyrd who helped write the classic answer song “Sweet Home Alabama” and played unforgettable slide guitar on the rock anthem “Free Bird.” March 5.

    Georgina Beyer, 65. A trailblazing New Zealand politician who in 1999 became the world’s first openly transgender member of Parliament. March 6.

    Traute Lafrenz, 103. She was the last known survivor of a German group known as the White Rose that actively resisted the Nazis. March 6.

    Peterson Zah, 85. A monumental Navajo Nation leader who guided the tribe through a politically tumultuous era and worked tirelessly to correct wrongdoings against Native Americans. March 7.

    Chaim Topol, 87. A leading Israeli actor who charmed generations of theatergoers and movie-watchers with his portrayal of Tevye, the long-suffering and charismatic milkman in “Fiddler on the Roof.” March 8.

    Robert Blake, 89. The Emmy award-winning performer who went from acclaim for his acting to notoriety when he was tried and acquitted in the killing of his wife. March 9.

    Jiang Yanyong, 91. A Chinese military doctor who revealed the full extent of the 2003 SARS outbreak and was later placed under house arrest for his political outspokenness. March 11.

    Bud Grant, 95. The stoic and demanding Hall of Fame coach who took the Minnesota Vikings and their mighty Purple People Eaters defense to four Super Bowls in eight years and lost all of them. March 11.

    Dick Fosbury, 76. The lanky leaper who revamped the technical discipline of high jump and won an Olympic gold medal with his “Fosbury Flop.” March 12.

    Pat Schroeder, 82. A pioneer for women’s and family rights in Congress. March 13.

    Gloria Bosman, age unknown. A smooth-voiced South African jazz musician who was lauded for her contribution to the country’s music industry in a career spanning more than two decades. March 14.

    Jacqueline Gold, 62. She helped make lingerie and sex toys a female-friendly mainstream business as head of Britain’s Ann Summers chain. March 16.

    Lance Reddick, 60. A character actor who specialized in intense, icy and possibly sinister authority figures on TV and film, including “The Wire,” ″Fringe” and the “John Wick” franchise. March 17.

    John Jenrette, 86. The former U.S. congressman was a colorful politician who was convicted in the Abscam bribery scandal in the late 1970s and whose wife talked to Playboy about an in-session dalliance on the U.S. Capitol steps. March 17.

    Fito Olivares, 75. A Tejano musician known for songs that were wedding and quinceanera mainstays, including the hit “Juana La Cubana.” March 17.

    Willis Reed, 80. He dramatically emerged from the locker room minutes before Game 7 of the 1970 NBA Finals to spark the New York Knicks to their first championship and create one of sports’ most enduring examples of playing through pain. March 21.

    Darcelle XV, 92. The iconic drag queen who was crowned the world’s oldest working drag performer in 2016 by the Guinness Book of World Records. March 23.

    Paul O’Grady, 67. An entertainer who achieved fame as drag queen Lily Savage before becoming a much-loved comedian and host on British television. March 28.

    Ryuichi Sakamoto, 71. A world-renowned Japanese musician and actor who composed for Hollywood hits such as “The Last Emperor” and “The Revenant.” March 28.

    Hedda Kleinfeld Schachter, 99. A bridal industry pioneer and Holocaust survivor who decided over a half century ago that brides deserved better than cookie-cutter dresses. March 29.

    ___

    APRIL

    ___

    Nigel Lawson, 91. The tax-cutting U.K. Treasury chief under the late Margaret Thatcher and a lion of Conservative politics in the late 20th century. April 3.

    Ben Ferencz, 103. The last living prosecutor from the Nuremberg trials, who tried Nazis for genocidal war crimes and was among the first outside witnesses to document the atrocities of Nazi labor and concentration camps. April 7.

    Elisabeth Kopp, 86. An advocate of equal rights and the environment who was the first woman elected to Switzerland’s seven-member executive branch. April. 7.

    Michael Lerner, 81. The Brooklyn-born character actor who played a myriad of imposing figures in his 60 years in the business, including monologuing movie mogul Jack Lipnick in “Barton Fink,” the crooked club owner Bugsy Calhoun in “Harlem Nights” and an angry publishing executive in “Elf.” April 8.

    Anne Perry, 84. The best-selling crime novelist known for her Thomas Pitt and William Monk detective series, and for her own murderous past that inspired the movie “Heavenly Creatures.” April 10.

    Al Jaffee, 102. Mad magazine’s award-winning cartoonist and ageless wise guy who delighted millions of kids with the sneaky fun of the Fold-In and the snark of “Snappy Answers to Stupid Questions.” April 10.

    Mary Quant, 93. The visionary fashion designer whose colorful, sexy miniskirts epitomized Swinging London in the 1960s and influenced youth culture around the world. April 13.

    Charles Stanley, 90. A prominent televangelist who once led the Southern Baptist Convention. April 18.

    Richard Riordan, 92. A wealthy Republican businessman who served two terms as Los Angeles mayor and steered the city through the Northridge earthquake and the recovery from the deadly 1992 riots. April 19.

    Todd Haimes, 66. He led the Roundabout Theatre Company from an off-off-Broadway company teetering on the edge of bankruptcy into a major theatrical force with works on five stages — including three Broadway theaters — and dozens of Tony Awards. April 19.

    Barry Humphries, 89. A Tony Award-winning comedian internationally renowned for his garish stage persona Dame Edna Everage, a condescending and imperfectly-veiled snob whose evolving character delighted audiences over seven decades. April 22.

    Len Goodman, 78. A long-serving judge on “Dancing with the Stars” and “Strictly Come Dancing” who helped revive interest in ballroom dancing on both sides of the Atlantic. April 22.

    Harry Belafonte, 96. The civil rights and entertainment giant who began as a groundbreaking actor and singer and became an activist, humanitarian and conscience of the world. April 25.

    Carolyn Bryant Donham, 88. The white woman who accused Black teenager Emmett Till of making improper advances leading to his lynching in Mississippi in 1955. April 25.

    Jerry Springer, 79. The onetime mayor and news anchor whose namesake TV show featured a three-ring circus of dysfunctional guests willing to bare all — sometimes literally — as they brawled and hurled obscenities before a raucous audience. April 27.

    LeRoy “Lee” Carhart, 81. He emerged from a two-decade career as an Air Force surgeon to become one of the best-known late-term abortion providers in the United States. April 28.

    Larry “Gator” Rivers, 73. He helped integrate high school basketball in Georgia before playing for the Harlem Globetrotters and becoming a county commissioner in his native Savannah. April 29.

    ___

    MAY

    ___

    Gordon Lightfoot, 84. The legendary folk singer-songwriter known for “If You Could Read My Mind” and “Sundown” and for songs that told tales of Canadian identity. May 1.

    Tori Bowie, 32. The sprinter who won three Olympic medals at the 2016 Rio de Janeiro Games. May 2. Complications of childbirth.

    Vida Blue, 73. A hard-throwing left-hander who became one of baseball’s biggest draws in the early 1970s and helped lead the brash A’s to three straight World Series titles before his career was derailed by drug problems. May 6.

    Grace Bumbry, 86. A pioneering mezzo-soprano who became the first Black singer to perform at Germany’s Bayreuth Festival during a more than three-decade career on the world’s top stages. May 7.

    Rita Lee Jones, 75. Brazil’s million-selling “Queen of Rock” who gained an international following through her colorful and candid style and such hits as “Ovelha Negra,” “Mania de Você” and “Now Only Missing You.” May 8.

    Denny Crum, 86. He won two NCAA men’s basketball championships and built Louisville into one of the 1980s’ dominant programs during a Hall of Fame coaching career. May 9.

    Heather Armstrong, 47. Known as Dooce to fans, the pioneering mommy blogger laid bare her struggles as a mother and her battles with depression and alcoholism on her website and on social media. May 9.

    Jacklyn Zeman, 70. She played Bobbie Spencer for 45 years on ABC’s “General Hospital.” May 9.

    Rolf Harris, 93. The veteran entertainer whose decades-long career as a family favorite on British and Australian television was shattered when he was convicted of sexual assaults on young girls. May 10.

    Kenneth Anger, 96. The shocking and influential avant-garde artist who defied sexual and religious taboos in short films such as “Scorpio Rising” and “Fireworks,” and dished the most lurid movie star gossip in his underground classic “Hollywood Babylon.” May 11.

    Doyle Brunson, 89. One of the most influential poker players of all time and a two-time world champion. May 14.

    Jim Brown, 87. The pro football Hall of Famer was an unstoppable running back who retired at the peak of his career to become an actor as well as a prominent civil rights advocate during the 1960s. May 18.

    Timothy Keller, 72. A pastor and best-selling author who founded the influential Redeemer Presbyterian Church in New York City. May 19.

    Andy Rourke, 59. Bass guitarist of The Smiths, one of the most influential British bands of the 1980s. May 19.

    Ray Stevenson, 58. The Irish actor who played the villainous British governor in “RRR,” an Asgardian warrior in the “Thor” films, and a member of the 13th Legion in HBO’s “Rome.” May 21.

    Ed Ames, 95. The youngest member of the popular 1950s singing group the Ames Brothers, who later became a successful actor in television and musical theater. May 21.

    Tina Turner, 83. The unstoppable singer and stage performer who teamed with husband Ike Turner for a dynamic run of hit records and live shows in the 1960s and ’70s and survived her horrifying marriage to triumph in middle age with the chart-topping “What’s Love Got to Do With It.” May 24.

    George Maharis, 94. A stage-trained actor with rough-hewn good looks who became an icon to American youth in the 1960s as he cruised the country in a Corvette convertible in the hit television series “Route 66.” May 24.

    Carroll Cooley, 87. The retired Phoenix police captain was the arresting officer in the landmark case partially responsible for the Supreme Court’s Miranda rights ruling that requires suspects be read their rights. May 29.

    John Beasley, 79. The veteran character actor who played a kindly school bus driver on the TV drama “Everwood” and appeared in dozens of films dating back to the 1980s. May 30.

    Theodoros Pangalos, 84. A former Greek foreign minister known for his undiplomatic outbursts and on whose watch Greece suffered one of its most embarrassing foreign policy debacles in 1999. May 31.

    ___

    JUNE

    ___

    Kaija Saariaho, 70. She wrote acclaimed works that made her the among the most prominent composers of the 21st century. June 2.

    George Winston, 73. The Grammy-winning pianist who blended jazz, classical, folk and other stylings on such million-selling albums as “Autumn,” “Winter Into Spring” and “December.” June 4.

    Astrud Gilberto, 83. The Brazilian singer, songwriter and entertainer whose off-hand, English-language cameo on “The Girl from Ipanema” made her a worldwide voice of bossa nova. June 5.

    Robert Hanssen, 79. A former FBI agent who took more than $1.4 million in cash and diamonds to trade secrets with Moscow in one of the most notorious spying cases in American history. June 5.

    Richard Snyder, 90. A visionary and imperious executive at Simon & Schuster who in bold-faced style presided over the publisher’s exponential rise during the second half of the 20th century and helped define an era of consolidation and growing corporate power. June 6.

    Françoise Gilot, 101. A prolific and acclaimed painter who created art for more than a half-century but was nonetheless more famous for her turbulent relationship with Pablo Picasso — and for leaving him. June 6.

    The Iron Sheik, 81. A former pro wrestler who relished playing a burly, bombastic villain in 1980s battles with some of the sport’s biggest stars and later became a popular Twitter personality. June 7.

    Pat Robertson, 93. A religious broadcaster who turned a tiny Virginia station into the global Christian Broadcasting Network, tried a run for president, and helped make religion central to Republican Party politics in America through his Christian Coalition. June 8.

    Theodore “Ted” Kaczynski, 81. Branded the “Unabomber” by the FBI, he was the Harvard-educated mathematician who retreated to a shack in the Montana wilderness and ran a 17-year bombing campaign that killed three people and injured 23 others. June 10.

    Roger Payne, 88. The scientist who spurred a worldwide environmental conservation movement with his discovery that whales could sing. June 10.

    Silvio Berlusconi, 86. The boastful billionaire media mogul who was Italy’s longest-serving premier despite scandals over his sex-fueled parties and allegations of corruption. June 12.

    Treat Williams, 71. An actor whose nearly 50-year career included starring roles in the TV series “Everwood” and the movie “Hair.” June 12. Motorcycle crash.

    Cormac McCarthy, 89. The Pulitzer Prize-winning novelist who in prose both dense and brittle took readers from the southern Appalachians to the desert Southwest in novels including “The Road,” “Blood Meridian” and “All the Pretty Horses.” June 13.

    Glenda Jackson, 87. A two-time Academy Award-winning performer who had a second career as a British lawmaker before an acclaimed late-life return to stage and screen. June 15.

    Daniel Ellsberg, 92. The history-making whistleblower who by leaking the Pentagon Papers revealed longtime government doubts and deceit about the Vietnam War and inspired acts of retaliation by President Richard Nixon that helped lead to his resignation. June 16.

    Big Pokey, 48. A popular Texas rapper and original member of Houston’s pioneering Screwed Up Click. June 18.

    George Frazier, 68. The former pitcher was a World Series champion who had a nearly three-decade run as a television broadcaster. June 19.

    H. Lee Sarokin, 94. The federal judge who freed boxer Rubin “Hurricane” Carter and in a landmark case famously said tobacco companies engaged in a “vast” conspiracy to conceal the dangers of smoking. June 20.

    Winnie Ewing, 93. A charismatic politician who is considered the mother of the modern Scottish independence movement. June 21.

    Sheldon Harnick, 99. A Tony- and Grammy Award-winning lyricist who with composer Jerry Bock made up the premier musical-theater songwriting duos of the 1950s and 1960s with shows such as “Fiddler on the Roof,” “Fiorello!” and “The Apple Tree.” June 23.

    John Goodenough, 100. He shared the 2019 Nobel Prize in chemistry for his work developing the lithium-ion battery that transformed technology with rechargeable power for devices ranging from cellphones, computers, and pacemakers to electric cars. June 25.

    Peg Yorkin, 96. She donated $10 million to the Feminist Majority Foundation, which she co-founded and pushed to bring the most common method of abortion to the United States. June 25.

    Sue Johanson, 93. A nurse who became a popular TV sex expert in Canada and the United States when she was in her 60s. June 28.

    Alan Arkin, 89. The wry character actor who demonstrated his versatility in everything from farcical comedy to chilling drama, receiving four Academy Award nominations and winning an Oscar in 2007 for “Little Miss Sunshine.” June 29.

    ___

    JULY

    ___

    Yan Mingfu, 91. A former top Communist Party figure who acted as an envoy to pro-democracy protesters in Beijing’s Tiananmen Square in 1989 and was forced out after the protests were crushed. July 3.

    John Berylson, 70. An American businessman known for his enthusiastic ownership of the English soccer team Millwall. July 4. Car crash.

    Coco Lee, 48. A Hong Kong-born singer and songwriter who had a highly successful career in Asia. July 5.

    James Lewis, 76. The suspect in the 1982 Tylenol poisonings that killed seven people in the Chicago area, triggered a nationwide scare and led to an overhaul in the safety of over-the-counter medication packaging. July 9.

    Mikala Jones, 44. A Hawaii surfer known for shooting awe-inspiring photos and videos from the inside of massive, curling waves. July 9. Surfing accident.

    André Watts, 77. A pianist whose televised debut with the New York Philharmonic as a 16-year-old in 1963 launched an international career of more than a half-century. July 12.

    Jane Birkin, 76. An actor and singer who made France her home and charmed the country with her English grace, natural style and social activism. July 16.

    Kevin Mitnick, 59. His pioneering antics tricking employees in the 1980s and 1990s into helping him steal software and services from big phone and tech companies made him the most celebrated U.S. hacker. July 16.

    Tony Bennett, 96. The eminent and timeless stylist whose devotion to classic American songs and knack for creating new standards such as “I Left My Heart In San Francisco” graced a decadeslong career that brought him admirers from Frank Sinatra to Lady Gaga. July 21.

    Hugh “Sonny” Carter Jr., 80. He was an organizer in the “Peanut Brigade” that helped elect his cousin Jimmy to the White House and later enforced the president’s frugal ways in the West Wing. July 23.

    Sinéad O’Connor, 56. The gifted Irish singer-songwriter who became a superstar in her mid-20s was as much known for her private struggles and provocative actions as her fierce and expressive music. July 26.

    Randy Meisner, 77. A founding member of the Eagles who added high harmonies to such favorites as “Take It Easy” and “The Best of My Love” and stepped out front for the waltz-time ballad “Take It to the Limit.” July 26.

    Paul Reubens, 70. The actor and comedian whose Pee-wee Herman character — an overgrown child with a tight gray suit and an unforgettable laugh — became a 1980s pop cultural phenomenon. July 30.

    Angus Cloud, 25. The actor who starred as the drug dealer Fezco “Fez” O’Neill on the HBO series “Euphoria.” July 31.

    ___

    AUGUST

    ___

    Sheila Oliver, 71. The New Jersey lieutenant governor rose to become one of the state’s most prominent Black leaders and passionately advocated for revitalizing cities and against gun violence. Aug. 1.

    Mark Margolis, 83. The Emmy-nominated actor who played murderous former drug kingpin Hector Salamanca in “Breaking Bad” and then in the prequel “Better Call Saul.” Aug. 3.

    William Friedkin, 87. The Oscar winning director who became a top filmmaker in his 30s with the gripping “The French Connection” and the horrifying “The Exorcist” and struggled in the following decades to match his early success. Aug. 7.

    Sixto Rodriguez, 81. He lived in obscurity as his music career flamed out early in the U.S. only to find success in South Africa and a stardom of which he was unaware. Aug. 8.

    Robbie Robertson, 80. The Band’s lead guitarist and songwriter who in such classics as “The Weight” and “Up on Cripple Creek” mined American music and folklore and helped reshape contemporary rock. Aug. 9.

    Tom Jones, 95. The lyricist, director and writer of “The Fantasticks,” the longest-running musical in history. Aug. 11.

    Magoo, 50. The rapper known for his work in the hip-hop duo Timbaland & Magoo and hit song “Up Jumps da Boogie” featuring Aaliyah and Missy Elliott. Aug. 13.

    Clarence Avant, 92. The judicious manager, entrepreneur, facilitator and adviser who helped launch or guide the careers of Quincy Jones, Bill Withers and many others and was known as the “Black Godfather” of music and beyond. Aug. 13.

    Ada Deer, 88. An esteemed Native American leader from Wisconsin and the first woman to lead the Bureau of Indian Affairs. Aug. 15.

    Jerry Moss, 88. A music industry giant who co-founded A&M Records with Herb Alpert and rose from a Los Angeles garage to the heights of success with hits by Alpert, the Police, the Carpenters and hundreds of other performers. Aug. 16.

    Michael Parkinson, 88. The renowned British broadcaster who interviewed some of the world’s most famous celebrities of the 20th century from Muhammad Ali to Miss Piggy. Aug. 16.

    Jiri Cerny, 87. A legendary Czech music critic who introduced Western music to generations of listeners behind the Iron Curtain and became one of the voices of the 1989 anti-communist Velvet Revolution. Aug. 17.

    Betty Tyson, 75. Convicted in a 1973 murder, she spent 25 years in prison before being exonerated on the basis of new evidence. Aug. 17.

    James Buckley, 100. The former New York senator was an early agitator for then-President Richard Nixon’s resignation and winner of a landmark lawsuit challenging campaign spending limits. Aug. 18.

    John Warnock, 82. The Silicon Valley entrepreneur and computer scientist who helped invent the PDF and co-founded Adobe Systems. Aug. 19.

    Ron Cephas Jones, 66. A veteran stage actor who won two Emmy Awards for his role as a long-lost father who finds redemption on the NBC television drama series “This Is Us.” Aug. 19.

    Howard Hubbard, 84. A retired Catholic bishop who acknowledged covering up allegations of sexual abuse in his upstate New York diocese and later married a woman in a civil ceremony. Aug. 19.

    Yevgeny Prigozhin, 62. As head of the Wagner Group, he made his name as a profane and brutal mercenary boss before mounting an armed rebellion that was the most severe and shocking challenge to Russian President Vladimir Putin’s rule. Aug. 23. Plane crash.

    Bob Barker, 99. The enduring, dapper game show host who became a household name over a half century of hosting “Truth or Consequences” and “The Price Is Right.” Aug. 26.

    Samuel “Joe” Wurzelbacher, 49. He was thrust into the political spotlight as “Joe the Plumber” after questioning Barack Obama about his economic policies during the 2008 presidential campaign. Aug. 27.

    Gil Brandt, 91. The Pro Football Hall of Fame member was the player personnel director alongside the stoic, fedora-wearing coach Tom Landry and media-savvy general manager Tex Schramm as part of the trio that built the Dallas Cowboys into “America’s Team” in the 1970s. Aug. 31.

    ___

    SEPTEMBER

    ___

    Jimmy Buffett, 76. The singer-songwriter who popularized beach bum soft rock with the escapist Caribbean-flavored song “Margaritaville” and turned that celebration of loafing into a billion-dollar empire of restaurants, resorts and frozen concoctions. Sept. 1.

    Bill Richardson, 75. A two-term Democratic governor of New Mexico and an American ambassador to the United Nations who dedicated his post-political career to working to secure the release of Americans detained by foreign adversaries. Sept. 1.

    Steve Harwell, 56. The longtime frontman of the Grammy-nominated pop rock band Smash Mouth that was behind the megahit “All Star.” Sept. 4. Acute liver failure.

    Shabtai Shavit, 84. The Israeli spymaster who was credited with advancing Israel’s historic peace treaty with Jordan during his term as director of the Mossad intelligence agency. Sept. 5.

    Ian Wilmut, 79. The cloning pioneer whose work was critical to the creation of Dolly the Sheep in 1996. Sept. 9.

    Prince Mangosuthu Buthelezi, 95. The controversial South African politician and traditional minister of the Zulu ethnic group. Sept. 9.

    Roy Kidd, 91. He coached Eastern Kentucky to two NCAA Division I-AA football championships in a Hall of Fame career. Sept. 12.

    Eno Ichikawa, 83. He revived the spectacular in Japanese Kabuki theater to woo younger and global audiences. Sept. 13.

    Michael McGrath, 65. A Broadway character actor who shined in zany, feel-good musicals and won a Tony Award for “Nice Work If You Can Get It.” Sept. 14.

    Fernando Botero, 91. A renowned Colombian painter and sculptor whose depictions of people and objects in plump, exaggerated forms became emblems of Colombian art around the world. Sept. 15.

    Giorgio Napolitano, 98. The first former Communist to rise to Italy’s presidency and the first person to be elected twice to the mostly ceremonial post. Sept. 22.

    Matteo Messina Denaro, 61. A convicted mastermind of some of the Sicilian Mafia’s most heinous slayings, Italy’s No. 1 fugitive was captured after decades on the run. Sept. 25. Died in a prison hsopital.

    David McCallum, 90. The actor who became a teen heartthrob in the hit series “The Man From U.N.C.L.E.” in the 1960s and was the eccentric medical examiner in the popular “NCIS” 40 years later. Sept. 25.

    Dianne Feinstein, 90. A centrist Democrat from California and champion of liberal causes who was elected to the U.S. Senate in 1992 and broke gender barriers throughout her long career in local and national politics. Sept. 28.

    Michael Gambon, 82. The Irish-born actor knighted for his storied career on the stage and screen who gained admiration from a new generation of moviegoers with his portrayal of Hogwarts headmaster Albus Dumbledore in six of the eight “Harry Potter” films. Sept. 28.

    Mankombu Sambasivan Swaminathan, 98. A renowned agricultural scientist who revolutionized India’s farming and was a key architect of the country’s “Green Revolution.” Sept. 28.

    Saad Eddin Ibrahim, 85. A prominent Egyptian-American academic and pro-democracy activist during the reign of former Egyptian President Hosni Mubarak. Sept. 29.

    ___

    OCTOBER

    ___

    Tim Wakefield, 57. The knuckleballing workhorse of the Red Sox pitching staff who bounced back after giving up a season-ending home run to the Yankees in the 2003 playoffs to help Boston win its curse-busting World Series title the following year. Oct. 1.

    Dick Butkus, 80. A Hall of Fame middle linebacker for the Chicago Bears whose speed and ferocity set the standards for the position in the modern era. Oct. 5.

    Michael Chiarello, 61. A chef known for his Italian-inspired Californian restaurants who won an Emmy Award for best host for “Easy Entertaining With Michael Chiarello” and appeared on Bravo’s “Top Chef” and “Top Chef Masters.” Oct. 6. Allergic reaction that resulted in anaphylactic shock.

    Burt Young, 83. The Oscar-nominated actor who played Paulie, the rough-hewn, mumbling-and-grumbling best friend, corner-man and brother-in-law to Sylvester Stallone in the “Rocky” franchise. Oct. 8.

    Hughes Van Ellis, 102. He was the youngest known survivor of the Tulsa Race Massacre and spent his latter years pursuing justice for his family and other descendants of the attack on “Black Wall Street.” Oct. 9.

    Kevin Phillips, 82. The author, commentator and political strategist whose landmark book, “The Emerging Republican Majority,” became a blueprint for GOP thinking in the 1970s and beyond. Oct. 9

    Louise Meriwether, 100. The author and activist whose coming-of-age novel “Daddy Was a Number Runner” is widely regarded as a groundbreaking and vital portrait of race, gender and class. Oct. 10.

    Mark Goddard, 87. An actor best known for playing Major Don West in the 1960s television show “Lost in Space.” Oct. 10.

    Rudolph Isley, 84. A founding member of the Isley Brothers who helped perform such raw rhythm and blues classics as “Shout” and “Twist and Shout” and the funky hits “That Lady” and “It’s Your Thing.” Oct. 11.

    Louise Glück, 80. The Nobel laureate was a poet of unblinking candor and perception who wove classical allusions, philosophical reveries, bittersweet memories and humorous asides into indelible portraits of a fallen and heartrending world. Oct. 13.

    Piper Laurie, 91. The strong-willed, Oscar-nominated actor who performed in acclaimed roles despite at one point abandoning acting altogether in search of a “more meaningful” life. Oct. 14.

    Suzanne Somers, 76. The effervescent blonde actor who played Chrissy Snow on the television show “Three’s Company” and later became an entrepreneur and New York Times best-selling author. Oct. 15.

    Martti Ahtisaari, 86. The former president of Finland and global peace broker who was awarded the Nobel Peace Prize in 2008 for his work to resolve international conflicts. Oct. 16.

    Bobby Charlton, 86. An English soccer icon who survived a plane crash that decimated a Manchester United team destined for greatness to become the heartbeat of his country’s 1966 World Cup triumph. Oct. 21.

    Bishan Bedi, 77. The India cricket great whose dazzling left-arm spin claimed 266 test wickets. Oct. 23.

    Richard Roundtree, 81. The trailblazing actor who starred as the ultra-smooth private detective in several “Shaft” films beginning in the early 1970s. Oct. 24.

    Richard Moll, 80. A character actor who found lasting fame as an eccentric but gentle giant bailiff on the original “Night Court” sitcom. Oct. 26.

    Li Keqiang, 68. The former premier was China’s top economic official and an advocate for private business but was left with little authority after President Xi Jinping made himself the most powerful Chinese leader in decades. Oct. 27.

    Wu Zunyou, 60. An epidemiologist who helped drive the country’s strict zero-COVID measures in China that suspended access to cities and confined millions to their homes. Oct. 27.

    Matthew Perry, 54. The Emmy-nominated “Friends” actor whose sarcastic, but lovable Chandler Bing was among television’s most famous and quotable characters. Oct. 28.

    Ken Mattingly, 87. An astronaut who is best remembered for his efforts on the ground that helped bring the damaged Apollo 13 spacecraft safely back to Earth. Oct. 31.

    ___

    NOVEMBER

    ___

    Bob Knight, 83. The brilliant and combustible coach who won three NCAA titles at Indiana and for years was the scowling face of college basketball. Nov. 1.

    Frank Borman, 95. The astronaut who commanded Apollo 8’s historic Christmas 1968 flight that circled the moon 10 times and paved the way for the lunar landing the next year. Nov. 7.

    Steve Norton, 89. He ran the first U.S. gambling facility outside Nevada — Resorts casino in Atlantic City — and gave advice around the world on how to set up and operate casinos. Nov. 12.

    Don Walsh, 92. The retired Navy captain was an explorer who in 1960 was part of a two-man crew that made the first voyage to the deepest part of the ocean — to the “snuff-colored ooze” at the bottom of the Pacific’s Mariana Trench. Nov. 12.

    Terry R. Taylor, 71. In two trailblazing decades as the first female sports editor of The Associated Press, she transformed the news agency’s emphasis into multilayered coverage of rigorous reporting, entertaining enterprise and edgy analysis. Nov. 14.

    Daisaku Ikeda, 95. He headed Soka Gakkai, a Japanese Buddhist organization, that includes famed musician Herbie Hancock and other celebrities in its fold. Nov. 15.

    Bobby Ussery, 88. A Hall of Fame jockey who won the 1967 Kentucky Derby and then crossed the finish line first in the 1968 edition only to be disqualified days later. Nov. 16.

    George “Funky” Brown, 74. The co-founder and longtime drummer of Kool & The Gang who helped write such hits as “Too Hot,” “Ladies Night,” “Joanna” and the party favorite “Celebration.” Nov. 16.

    Rosalynn Carter, 96. The former first lady was the closest adviser to Jimmy Carter during his one term as U.S. president and their four decades thereafter as global humanitarians. Nov. 19.

    Marty Krofft, 86. A TV producer known for imaginative children’s shows such as “H.R. Pufnstuf” and primetime hits including “Donny & Marie” in the 1970s. Nov. 25.

    Terry Venables, 80. A charismatic and tactically innovative English soccer coach who led his national team to the European Championship semifinals in 1996 after winning trophies at club level with Barcelona and Tottenham. Nov. 25.

    Tim Dorsey, 62. A former police and courts newspaper reporter who found lasting fame as the creator of the crime-comedy novel series starring Serge A. Storms, an energetic fan of Florida history and an ingenious serial killer. Nov. 26.

    Frances Sternhagen, 93. The veteran character actor who won two Tony Awards and became a familiar maternal face to TV viewers later in life in such shows as “Cheers,” “ER,” “Sex and the City” and “The Closer.” Nov. 27.

    Charlie Munger, 99. He helped Warren Buffett build Berkshire Hathaway into an investment powerhouse. Nov. 28.

    Henry Kissinger, 100. The former secretary of state exerted uncommon influence on global affairs under Presidents Richard Nixon and Gerald Ford, earning both vilification and the Nobel Peace Prize. Nov. 29.

    Shane MacGowan, 65. The singer-songwriter and frontman of “Celtic Punk” band The Pogues, best known for the Christmas ballad “Fairytale of New York.” Nov. 30.

    ___

    DECEMBER

    ___

    Sandra Day O’Connor, 93. The former U.S. Supreme Court justice was an unwavering voice of moderate conservatism and the first woman to serve on the nation’s highest court. Dec. 1.

    ___

    Follow Bernard McGhee on X at https://twitter.com/BMcGhee13

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  • ‘A noisy rock ‘n’ roll’: How growing interest in Formula One is felt across the music world

    ‘A noisy rock ‘n’ roll’: How growing interest in Formula One is felt across the music world

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    LOS ANGELES — Beyond the engineering, the athleticism, the speed, the luxury — fans love the sound of Formula One.

    The fierce rhythms of a V6 turbocharged hybrid engine; the sticky staccato of a rushed downshift; sexy, loud zooms. There’s a real musical appreciation for the elite motorsport. Engines are described using RPMs, the same way vinyl records are.

    It is no wonder that F1 has long been an enthusiasm of musicians and music fans for decades — the Beatles ’ George Harrison wrote “Faster” about the series, what he called “a noisy rock ‘n’ roll”; the same spirit that inspired a Mario Andretti namecheck in A Tribe Called Quest’s “Award Tour.” But in the last few years, an accelerating interest in F1, particularly among young Americans, has made its influence on the music world — and vice versa — impossible to ignore.

    There’s Bad Bunny ’s “Monaco” and Carín León’s “Por La Familia,” both of which feature Red Bull driver Sergio “Checo” Perez in their videos. The up-and-coming indie twang band Wednesday released a track called “Formula One” on their 2023 album. Musicians loving F1 is limited to no genre and no country — its appeal is as global as the sport itself.

    A prime example is this week’s inaugural Las Vegas Grand Prix, which will see F1 drivers zipping down the strip, bathed in the electric glow of its opulent casinos. Music will mix with the motorsport at countless events beginning Wednesday, including an opening ceremony with will.i.am, J Balvin, Tiësto, John Legend, Keith Urban, Kylie Minogue, Thirty Seconds to Mars and more.

    Concerts have become an expected addition to the F1 experience, and the trend has made its way stateside over the last decade.

    Since 2012, Circuit of The Americas in Austin, Texas, had been home to the sole U.S. F1 race — until the inclusion of Miami last year and Vegas in 2023. Glynn Wedgewood, COTA’s senior vice president of music and entertainment, says the track first introduced live music performances with Elton John in 2015. Since then, Taylor Swift, Imagine Dragons and Pink have performed. By 2019, COTA was boasting three days of performances. 2023’s lineup alone included The Killers, Queen with Adam Lambert and Tiësto.

    That lineup — which leans more rock-oriented for the COTA audience, compared to the Latin lineups of Miami, is “a testament to what we’ve seen over the past several years,” Wedgewood says. “It’s a young rock audience.”

    Wedgewood references the effects of Netflix’s “Drive to Survive”, the popular docuseries that successfully altered the demographics traditionally associated with the world’s most luxurious motorsport (older, wealthy, male) and opened it up to a younger generation — particularly Americans. In 2018, 265,000 people attended the COTA race. In 2023, that number jumped to 432,000. That translates to television viewership as well. According to ESPN, F1 viewership in 2022 jumped significantly among teenagers, women and the key 18-34-year-old demographic.

    The connection between music and Formula One, for Wedgewood, is innate.

    “The majority of people listen to music in their car,” he says. “It’s almost subconsciously ingrained in our DNA — that racing goes hand-in-hand with music.”

    This year, will.i.am became Formula One’s first Global Artist in Residence, which he pitched to Formula One Group CEO Stefano Domenicali as a series of musical collaborations celebrating the sport as well as an opportunity to bring the concert aspect of F1 to a global audience — not just the ticket holders lucky enough to see it live. The role led the Black Eyed Peas’ member to release his first solo single in over a decade: “The Formula,” featuring Lil Wayne. That was followed by “Let’s Go,” another F1-inspired track, which features J Balvin.

    will.i.am has been a huge F1 fan since the Peas performed at the first Singapore Grand Prix held at the Marina Bay Circuit in 2008. Since then, he’s noticed a disconnect between the live music and entertainment experiences at F1 races and what’s broadcast on TV — as well as missed opportunity for artists.

    “Why aren’t people releasing music around the time they’re playing their F1 event?” he asks, comparing it to the Super Bowl — for which artists frequently release new music in advance of their (televised) halftime performances. “Artists in Residency can really help bridge that gap.”

    Tiësto, a lifelong F1 fan, released the album “Drive” in April, featuring an F1 racing helmet on the cover.

    “It’s not just the car and racing, it’s about the environment around it, the excitement around it,” he says of a race weekend. “There’s an organic connection there.”

    He believes the evolving experience of going to a Grand Prix mirrors growing interest in the sport, particularly in the U.S. and with young people.

    “They want to see the race, you know, but they want to party. They want to have a drink. It is the perfect moment to create a festival,” he says.

    Formula One drivers, too, have been getting into music. Ferrari F1 driver Charles LeClerc signed with music management company Verdigris earlier this year and has been releasing instrumental compositions; Lewis Hamilton, the seven-time world champion, is no stranger to music making, having been featured on Christina Aguilera’s 2018 track “Pipe” under the pseudonym XNDA. Chloe Stroll, the sister of Aston Martin driver Lance Stroll, has built a nascent singer-songwriter career celebrated by the sport’s fans.

    “What made me like the sport was music. I went to the sport playing music,” says will.i.am. “I’ve always loved cars, but why do I like F1 and not (IndyCar)? What is it about F1 that makes me like the sport? That is their tiptoe into this cultural hug,” he says, referencing F1’s embrace of fashion, music, and art.

    “They see the value of different disciplines coming in, celebrating their sport,” he added.

    The modern marriage of F1 and music hasn’t been without bumps. Despite the influx of new fans, watching races live remains an elite experience. The Vegas race is the most expensive event on this year’s calendar — and it hasn’t yet sold out. Last year’s performance-laden pre-race show in Miami was met with distaste from the F1 drivers themselves who criticized the pomp and circumstance of the driver introductions — namely that they stood too long in the Florida sun in their uniforms during prep time.

    In Vegas, the opening ceremony is being held on Wednesday. Driver introductions will take place on Saturday in advance of the race.

    On Thursday night, producer Mark Ronson will perform at the T-Mobile Zone at the Sphere between two racing practice sessions. The mastermind behind the “Barbie” soundtrack already knows there’s a big crossover between music fans and F1 fans.

    Now “we’ll find out the cross-section of F1 and ‘Barbie’ fans,” he jokes.

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  • ‘A noisy rock ‘n’ roll’: How growing interest in Formula One is felt across the music world

    ‘A noisy rock ‘n’ roll’: How growing interest in Formula One is felt across the music world

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    LOS ANGELES — Beyond the engineering, the athleticism, the speed, the luxury — fans love the sound of Formula One.

    The fierce rhythms of a V6 turbocharged hybrid engine; the sticky staccato of a rushed downshift; sexy, loud zooms. There’s a real musical appreciation for the elite motorsport. Engines are described using RPMs, the same way vinyl records are.

    It is no wonder that F1 has long been an enthusiasm of musicians and music fans for decades — the Beatles ’ George Harrison wrote “Faster” about the series, what he called “a noisy rock ‘n’ roll”; the same spirit that inspired a Mario Andretti namecheck in A Tribe Called Quest’s “Award Tour.” But in the last few years, an accelerating interest in F1, particularly among young Americans, has made its influence on the music world — and vice versa — impossible to ignore.

    There’s Bad Bunny ’s “Monaco” and Carín León’s “Por La Familia,” both of which feature Red Bull driver Sergio “Checo” Perez in their videos. The up-and-coming indie twang band Wednesday released a track called “Formula One” on their 2023 album. Musicians loving F1 is limited to no genre and no country — its appeal is as global as the sport itself.

    A prime example is this week’s inaugural Las Vegas Grand Prix, which will see F1 drivers zipping down the strip, bathed in the electric glow of its opulent casinos. Music will mix with the motorsport at countless events beginning Wednesday, including an opening ceremony with will.i.am, J Balvin, Tiësto, John Legend, Keith Urban, Kylie Minogue, Thirty Seconds to Mars and more.

    Concerts have become an expected addition to the F1 experience, and the trend has made its way stateside over the last decade.

    Since 2012, Circuit of The Americas in Austin, Texas, had been home to the sole U.S. F1 race — until the inclusion of Miami last year and Vegas in 2023. Glynn Wedgewood, COTA’s senior vice president of music and entertainment, says the track first introduced live music performances with Elton John in 2015. Since then, Taylor Swift, Imagine Dragons and Pink have performed. By 2019, COTA was boasting three days of performances. 2023’s lineup alone included The Killers, Queen with Adam Lambert and Tiësto.

    That lineup — which leans more rock-oriented for the COTA audience, compared to the Latin lineups of Miami, is “a testament to what we’ve seen over the past several years,” Wedgewood says. “It’s a young rock audience.”

    Wedgewood references the effects of Netflix’s “Drive to Survive”, the popular docuseries that successfully altered the demographics traditionally associated with the world’s most luxurious motorsport (older, wealthy, male) and opened it up to a younger generation — particularly Americans. In 2018, 265,000 people attended the COTA race. In 2023, that number jumped to 432,000. That translates to television viewership as well. According to ESPN, F1 viewership in 2022 jumped significantly among teenagers, women and the key 18-34-year-old demographic.

    The connection between music and Formula One, for Wedgewood, is innate.

    “The majority of people listen to music in their car,” he says. “It’s almost subconsciously ingrained in our DNA — that racing goes hand-in-hand with music.”

    This year, will.i.am became Formula One’s first Global Artist in Residence, which he pitched to Formula One Group CEO Stefano Domenicali as a series of musical collaborations celebrating the sport as well as an opportunity to bring the concert aspect of F1 to a global audience — not just the ticket holders lucky enough to see it live. The role led the Black Eyed Peas’ member to release his first solo single in over a decade: “The Formula,” featuring Lil Wayne. That was followed by “Let’s Go,” another F1-inspired track, which features J Balvin.

    will.i.am has been a huge F1 fan since the Peas performed at the first Singapore Grand Prix held at the Marina Bay Circuit in 2008. Since then, he’s noticed a disconnect between the live music and entertainment experiences at F1 races and what’s broadcast on TV — as well as missed opportunity for artists.

    “Why aren’t people releasing music around the time they’re playing their F1 event?” he asks, comparing it to the Super Bowl — for which artists frequently release new music in advance of their (televised) halftime performances. “Artists in Residency can really help bridge that gap.”

    Tiësto, a lifelong F1 fan, released the album “Drive” in April, featuring an F1 racing helmet on the cover.

    “It’s not just the car and racing, it’s about the environment around it, the excitement around it,” he says of a race weekend. “There’s an organic connection there.”

    He believes the evolving experience of going to a Grand Prix mirrors growing interest in the sport, particularly in the U.S. and with young people.

    “They want to see the race, you know, but they want to party. They want to have a drink. It is the perfect moment to create a festival,” he says.

    Formula One drivers, too, have been getting into music. Ferrari F1 driver Charles LeClerc signed with music management company Verdigris earlier this year and has been releasing instrumental compositions; Lewis Hamilton, the seven-time world champion, is no stranger to music making, having been featured on Christina Aguilera’s 2018 track “Pipe” under the pseudonym XNDA. Chloe Stroll, the sister of Aston Martin driver Lance Stroll, has built a nascent singer-songwriter career celebrated by the sport’s fans.

    “What made me like the sport was music. I went to the sport playing music,” says will.i.am. “I’ve always loved cars, but why do I like F1 and not (IndyCar)? What is it about F1 that makes me like the sport? That is their tiptoe into this cultural hug,” he says, referencing F1’s embrace of fashion, music, and art.

    “They see the value of different disciplines coming in, celebrating their sport,” he added.

    The modern marriage of F1 and music hasn’t been without bumps. Despite the influx of new fans, watching races live remains an elite experience. The Vegas race is the most expensive event on this year’s calendar — and it hasn’t yet sold out. Last year’s performance-laden pre-race show in Miami was met with distaste from the F1 drivers themselves who criticized the pomp and circumstance of the driver introductions — namely that they stood too long in the Florida sun in their uniforms during prep time.

    In Vegas, the opening ceremony is being held on Wednesday. Driver introductions will take place on Saturday in advance of the race.

    On Thursday night, producer Mark Ronson will perform at the T-Mobile Zone at the Sphere between two racing practice sessions. The mastermind behind the “Barbie” soundtrack already knows there’s a big crossover between music fans and F1 fans.

    Now “we’ll find out the cross-section of F1 and ‘Barbie’ fans,” he jokes.

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  • Jon Batiste announces first North American headlining tour, celebrating ‘World Music Radio’

    Jon Batiste announces first North American headlining tour, celebrating ‘World Music Radio’

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    LOS ANGELES — LOS ANGELES (AP) — Jon Batiste, the Grammy- and Oscar-winning musician and former bandleader for “The Late Show with Stephen Colbert” will embark on his first North American headlining tour in support of his latest album. The expansive “World Music Radio,” featuring his signature rich blend of R&B, hip-hop, swing, jazz and pop, was released earlier this summer.

    The tour news arrived Monday, on the heels of the 2024 Grammy nominations announcement: Batiste is up for six Grammys, including album, song, and record of the year.

    The “Uneasy Tour: Purifying the Airwaves for the People” will kick off Feb. 16 in Portland, Oregon, and take Batiste across the U.S. and Canada. The tour wraps in Miramar Beach, Florida, on April 27.

    Along the way, he’ll hit numerous cities including Seattle, San Francisco, Detroit, Philadelphia, New York and Atlanta.

    “I’m into numbers, so: 20 theaters and 24 performances to bless the pivotal year 2024. For my first solo run I wanted to play in smaller venues and curate experiences that let me really feel the people while I play. Think of these 24 shows less as a tour and more as a series of 24 not to be missed experiences, each being one-of-a-kind,” Batiste told The Associated Press in an exclusive statement. “We are designing these performances to be catalysts to bring people together, raise awareness for things I care about and inspire change in this country, and the world.”

    The goal, he says, is to experience his performances in “intimate, life-affirming presentations created to unite, uplift and inspire us all in this time of change and uncertainty,” he explained.

    Presales begin Nov. 14 and tickets for the general public go on sale Nov. 17.

    For those who can’t wait until next year for their Batiste: The multi-instrumentalist is the subject of a new documentary titled “American Symphony,” which follows his journey to compose a symphony while his wife, writer Suleika Jaouad, undergoes cancer treatment. It will hit theaters on Nov. 24 and Netflix on Nov. 29.

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  • The 2024 Grammy Award nominations are about to arrive. Here’s what to know

    The 2024 Grammy Award nominations are about to arrive. Here’s what to know

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    LOS ANGELES — Buckle up, music lovers! The nominations for the 2024 Grammy Awards will arrive Friday.

    Nominees will be announced during a video stream live on the Grammy website and the Recording Academy’s YouTube channel at 8 a.m. Pacific/11 a.m. Eastern.

    A host of talent is on deck to announce the nominees, including “Weird Al” Yankovic, Jimmy Jam, Jon Bon Jovi, Kim Petras, Samara Joy and Muni Long.

    Only recordings released between Oct. 1, 2022, through Sept. 15, 2023, are eligible, so don’t expect to see album nominations for the Rolling Stones, Bad Bunny, or Drake. (But Drake’s 2022 album with 21 Savage, “Her Loss”? That’s on the table.) And much to the chagrin of fans of Michelle Williams’ reading of Britney Spears’ memoir “The Woman in Me,” the actor will not be eligible in the best audio book, narration and storytelling recording category this cycle.

    The 2024 awards will feature a few changes, including one that inspired a lot of online chatter over the summer: “Only human creators” can win the music industry’s highest honor, a decision aimed at the use of artificial intelligence in popular music.

    Afterward, Recording Academy CEO and President Harvey Mason jr. told The Associated Press: “AI, or music that contains AI-created elements is absolutely eligible for entry and for consideration for Grammy nomination. Period.”

    He continued: “What’s not going to happen is we are not going to give a Grammy or Grammy nomination to the AI portion.”

    There are also three new categories: best pop dance recording, best African music performance and best alternative jazz album.

    Two existing categories have been moved to the general field, which means that all Grammy voters can participate in selecting the winners: producer of the year, non-classical, and songwriter of the year, non-classical, the latter of which was first introduced this past year.

    Previously, the general categories were made up solely of the “Big Four” awards: best new artist, as well as album, record, and song of the year.

    The 2024 Grammy Awards will air Feb. 4 live on CBS and Paramount+ from the Crypto.com Arena in Los Angeles.

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  • What to stream this week: Annette Bening, Jason Aldean, Awkwafina, NKOTB and ‘Blue Eye Samurai’

    What to stream this week: Annette Bening, Jason Aldean, Awkwafina, NKOTB and ‘Blue Eye Samurai’

    [ad_1]

    Awkwafina starring as a game-show-obsessed woman in “Quiz Lady” and the animated historical drama “Blue Eye Samurai” about a mixed-race, revenge-seeking female samurai in Japan are some of the new television, movies, music and games headed to a device near you

    Also among the offerings worth your time as selected by The Associated Press’ entertainment journalists are a studio album from Jason Aldean, a new Hulu series made from Charmaine Wilkerson’s novel “Black Cake” and Annette Bening portrays a real-life hero who swam the treacherous passage from Cuba to Key West in 2013.

    — It took Diana Nyad more than 30 years and five tries to swim from Cuba to the Florida Keys. “Free Solo” filmmakers Elizabeth Chai Vasarhelyi and Jimmy Chin’s “Nyad,” streaming Friday, Nov. 3 on Netflix, dramatizes her feat of endurance, along with the perseverance of her closest friends and collaborators. Bening plays Nyad, who was 60 when she began training herself again for the open-ocean swim. In a stand-out supporting performance, Jodie Foster plays her friend and trainer Bonnie Stoll. In my review, I wrote that there is enough here to help the film “if not swim against the tide of sport-biopic convention then at least ride a swift current to the finish line.”

    — In “Quiz Lady,” a 30-something accountant named Anne (Awkwafina) has devotedly watched every episode of “Can’t Stop the Quiz” since she was 4-year-old. After her pug is kidnapped and held for ransom, Anne and her estranged sister Jenny (Sandra Oh) embark on a mission to get Anne on “Can’t Stop the Quiz,” a “Jeopardy!”-like show in which Will Ferrell plays an Alex Trebek-like host. “Quiz Lady” debuts Friday, Nov. 3, on Hulu.

    — The formidable trio of Jessie Buckley, Riz Ahmed and James Allen White anchor director Christos Nikou’s “Fingernails,” a sci-fi drama set in a near-future where couples can use science to determine if they’re meant to be together. In the film, which debuts Friday, Nov. 3 on Apple TV+, Buckley and White play a couple with a 100% positive score, proving that they’re soulmates. But things get complicated when Buckley’s character hits it off with a colleague (Ahmed).

    — AP Film Writer Jake Coyle

    — Last month, the singer-songwriter Jimmy Buffett, who turned his unique brand of beach bum soft rock and “Margaritaville” escapism into a lifestyle and movement, died. As the music world continues to mourn the loss of a giant, Mailboat and Sun Records have teamed up to release his final album, a posthumous release titled “Equal Strain on All Parts,” recorded earlier this year. It features Paul McCartney, Emmylou Harris, Lennie Gallant, Angelique Kidjo, and the Preservation Hall Jazz Band. Buffett’s light-hearted, goodtime jams live on, as evidenced on the previously released tracks, “My Gummie Just Kicked In” and “Bubbles Up.”

    — “Highway Desperado” is the 11th studio album from mainstream country juggernaut Jason Aldean, released on the heels of his first Billboard Hot 100 No. 1 single, the controversy-creating “Try That in a Small Town.” Produced by Michael Knox, Aldean says “Highway Desperado” takes inspiration from his live show. “I think when I look back on it, I built my career early on my live show, and have been on the road touring since I was 18 years old,” Aldean said in a press release. “For us, touring is our favorite part. Getting on the bus and going town to town and playing our shows and doing our thing and seeing the fans… the title for the tour and album was really inspired from that.”

    — In 2008, after having been on a hiatus as a group for 12 years, Boston boy band New Kids on the Block returned with a new album, “The Block.” This year, to celebrate the 15th anniversary of the album responsible for the second chapter of their career, NKOTB will release “The Block: Revisited.” It includes four previously unreleased tracks as well as a new remix of their single “Dirty Dancing,” this time featuring a new generation of boy band: Dino, DK, and Joshua of the best-selling K-pop group SEVENTEEN.

    — For some, Australian-via-Zimbabwe rapper-singer Tkay Maidza ’s unique vocal tone might be most closely associated with her cover of the 1988 Pixies’ song “Where Is My Mind?” as utilized in an Apple AirPods commercial. (She recasts the song in a style all her own — quite the feat for a track frequently covered and tethered to the final scene in “Fight Club.”) But it’s her original work that deserves attention. “Sweet Justice,” her sophomore album that follows 2016’s self-titled debut and a 2020 EP series — is an eclectic collection of soulful electronics and psychedelic production elevated by her playful flow and smooth vocal tone.

    — AP Music Writer Maria Sherman

    — Before Charmaine Wilkerson’s novel “Black Cake” was published in 2022, Oprah Winfrey secured the TV rights in a bidding war and it’s now a new Hulu series. The first three episodes of “Black Cake” drop Wednesday, with new episodes released weekly. It follows Benny and Byron, adult estranged siblings whose mother has died and left them a mysterious flash drive with the details of her family history, explaining how she arrived in California from the Caribbean in the 1960s. The story also connects to a Caribbean Black cake from their heritage.

    — Another popular novel, the WWII-themed “All the Light We Cannot See” by Anthony Doerr, has also been turned into a series. Shawn Levy directs the story of Marie (played by newcomer Aria Mia Loberti) as a blind, young woman in hiding in German-occupied France and a Nazi solder named Werner (Louis Hoffman). He’s an orphan who was drafted against his will and the show explores how they’re linked by a radio broadcast, despite their different backgrounds. The four-episode series also stars Mark Ruffalo and Hugh Laurie and premieres Thursday on Netflix.

    — The animated historical drama “Blue Eye Samurai” about a mixed-race, revenge-seeking female samurai in Japan is already getting praise for its use of 2D and 3D artistry. Maya Erskine voices the lead character, Mizu, alongside Masi Oka, George Takei, Randall Park, Kenneth Branagh, Brenda Song, Cary-Hiroyuki Tagawa and Darren Barnet. “Blue Eye Samurai” drops Friday, Nov. 3 on Netflix.

    — Naturalist Sir David Attenborough narrates a long-awaited third installment of the “Planet Earth” series. The new episodes use modern technology including drones, submersibles, and high-speed cameras to capture both awe-inspiring views of nature and the heartbreaking struggles of wildlife because of climate change. “Planet Earth III” debuts Saturday, Nov. 4 on BBC America and AMC+.

    — In 2021, National Geographic premiered the limited series called “9/11: One Day in America,” to critical acclaim. A second installment called “JFK: One Day in America” premieres Sunday, Nov. 5. The three-part series has previously unseen testimony from surviving witnesses to create an oral history of the assassination of President John F. Kennedy. Nov. 22 marks the 60th anniversary of his death. “One Last Day: JFK” will also stream on Disney+ and Hulu a day later.

    — Alicia Rancilio

    — The bad news: Humanity is extinct. The good news: Our robot descendants are fans of human culture. In The Talos Principle II, you are an artificial intelligence on a mission to figure out how people screwed it all up, and maybe avoid repeating their mistakes. The 2014 original, from the Croatian developer Croteam, was one of the more challenging puzzle games of its generation. The studio is promising a wider array of 3D brainteasers in the sequel, with new techniques like gravity manipulation and mind transference — not to mention “questions about the nature of the cosmos and the purpose of civilization.” If you dig mind-benders like Portal and The Witness, you probably already have Talos II on your wish list for Thursday on PlayStation 5, Xbox X/S and PC.

    — Another highly regarded European studio, France’s Don’t Nod, is back with another intriguing puzzle game, Jusant. The goal here is to climb to the top of a gigantic, mysterious tower, but as you ascend, you’ll discover different environments and artifacts from a lost civilization. I found it exhausting to just watch the preview, but the developer — best known for the time-twisting adventure Life Is Strange — describes Jusant as “a meditative journey.” And you have an adorable companion, a watery blob named Ballast, to ask for clues when you get stuck. The conquest begins Tuesday on PlayStation 5, Xbox X/S and PC.

    — Lou Kesten

    ___

    Catch up on AP’s entertainment coverage here: https://apnews.com/entertainment.

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  • What to stream this week: Annette Bening, Jason Aldean, Awkwafina, NKOTB and ‘Blue Eye Samurai’

    What to stream this week: Annette Bening, Jason Aldean, Awkwafina, NKOTB and ‘Blue Eye Samurai’

    [ad_1]

    Awkwafina starring as a game-show-obsessed woman in “Quiz Lady” and the animated historical drama “Blue Eye Samurai” about a mixed-race, revenge-seeking female samurai in Japan are some of the new television, movies, music and games headed to a device near you

    Also among the offerings worth your time as selected by The Associated Press’ entertainment journalists are a studio album from Jason Aldean, a new Hulu series made from Charmaine Wilkerson’s novel “Black Cake” and Annette Bening portrays a real-life hero who swam the treacherous passage from Cuba to Key West in 2013.

    — It took Diana Nyad more than 30 years and five tries to swim from Cuba to the Florida Keys. “Free Solo” filmmakers Elizabeth Chai Vasarhelyi and Jimmy Chin’s “Nyad,” streaming Friday, Nov. 3 on Netflix, dramatizes her feat of endurance, along with the perseverance of her closest friends and collaborators. Bening plays Nyad, who was 60 when she began training herself again for the open-ocean swim. In a stand-out supporting performance, Jodie Foster plays her friend and trainer Bonnie Stoll. In my review, I wrote that there is enough here to help the film “if not swim against the tide of sport-biopic convention then at least ride a swift current to the finish line.”

    — In “Quiz Lady,” a 30-something accountant named Anne (Awkwafina) has devotedly watched every episode of “Can’t Stop the Quiz” since she was 4-year-old. After her pug is kidnapped and held for ransom, Anne and her estranged sister Jenny (Sandra Oh) embark on a mission to get Anne on “Can’t Stop the Quiz,” a “Jeopardy!”-like show in which Will Ferrell plays an Alex Trebek-like host. “Quiz Lady” debuts Friday, Nov. 3, on Hulu.

    — The formidable trio of Jessie Buckley, Riz Ahmed and James Allen White anchor director Christos Nikou’s “Fingernails,” a sci-fi drama set in a near-future where couples can use science to determine if they’re meant to be together. In the film, which debuts Friday, Nov. 3 on Apple TV+, Buckley and White play a couple with a 100% positive score, proving that they’re soulmates. But things get complicated when Buckley’s character hits it off with a colleague (Ahmed).

    — AP Film Writer Jake Coyle

    — Last month, the singer-songwriter Jimmy Buffett, who turned his unique brand of beach bum soft rock and “Margaritaville” escapism into a lifestyle and movement, died. As the music world continues to mourn the loss of a giant, Mailboat and Sun Records have teamed up to release his final album, a posthumous release titled “Equal Strain on All Parts,” recorded earlier this year. It features Paul McCartney, Emmylou Harris, Lennie Gallant, Angelique Kidjo, and the Preservation Hall Jazz Band. Buffett’s light-hearted, goodtime jams live on, as evidenced on the previously released tracks, “My Gummie Just Kicked In” and “Bubbles Up.”

    — “Highway Desperado” is the 11th studio album from mainstream country juggernaut Jason Aldean, released on the heels of his first Billboard Hot 100 No. 1 single, the controversy-creating “Try That in a Small Town.” Produced by Michael Knox, Aldean says “Highway Desperado” takes inspiration from his live show. “I think when I look back on it, I built my career early on my live show, and have been on the road touring since I was 18 years old,” Aldean said in a press release. “For us, touring is our favorite part. Getting on the bus and going town to town and playing our shows and doing our thing and seeing the fans… the title for the tour and album was really inspired from that.”

    — In 2008, after having been on a hiatus as a group for 12 years, Boston boy band New Kids on the Block returned with a new album, “The Block.” This year, to celebrate the 15th anniversary of the album responsible for the second chapter of their career, NKOTB will release “The Block: Revisited.” It includes four previously unreleased tracks as well as a new remix of their single “Dirty Dancing,” this time featuring a new generation of boy band: Dino, DK, and Joshua of the best-selling K-pop group SEVENTEEN.

    — For some, Australian-via-Zimbabwe rapper-singer Tkay Maidza ’s unique vocal tone might be most closely associated with her cover of the 1988 Pixies’ song “Where Is My Mind?” as utilized in an Apple AirPods commercial. (She recasts the song in a style all her own — quite the feat for a track frequently covered and tethered to the final scene in “Fight Club.”) But it’s her original work that deserves attention. “Sweet Justice,” her sophomore album that follows 2016’s self-titled debut and a 2020 EP series — is an eclectic collection of soulful electronics and psychedelic production elevated by her playful flow and smooth vocal tone.

    — AP Music Writer Maria Sherman

    — Before Charmaine Wilkerson’s novel “Black Cake” was published in 2022, Oprah Winfrey secured the TV rights in a bidding war and it’s now a new Hulu series. The first three episodes of “Black Cake” drop Wednesday, with new episodes released weekly. It follows Benny and Byron, adult estranged siblings whose mother has died and left them a mysterious flash drive with the details of her family history, explaining how she arrived in California from the Caribbean in the 1960s. The story also connects to a Caribbean Black cake from their heritage.

    — Another popular novel, the WWII-themed “All the Light We Cannot See” by Anthony Doerr, has also been turned into a series. Shawn Levy directs the story of Marie (played by newcomer Aria Mia Loberti) as a blind, young woman in hiding in German-occupied France and a Nazi solder named Werner (Louis Hoffman). He’s an orphan who was drafted against his will and the show explores how they’re linked by a radio broadcast, despite their different backgrounds. The four-episode series also stars Mark Ruffalo and Hugh Laurie and premieres Thursday on Netflix.

    — The animated historical drama “Blue Eye Samurai” about a mixed-race, revenge-seeking female samurai in Japan is already getting praise for its use of 2D and 3D artistry. Maya Erskine voices the lead character, Mizu, alongside Masi Oka, George Takei, Randall Park, Kenneth Branagh, Brenda Song, Cary-Hiroyuki Tagawa and Darren Barnet. “Blue Eye Samurai” drops Friday, Nov. 3 on Netflix.

    — Naturalist Sir David Attenborough narrates a long-awaited third installment of the “Planet Earth” series. The new episodes use modern technology including drones, submersibles, and high-speed cameras to capture both awe-inspiring views of nature and the heartbreaking struggles of wildlife because of climate change. “Planet Earth III” debuts Saturday, Nov. 4 on BBC America and AMC+.

    — In 2021, National Geographic premiered the limited series called “9/11: One Day in America,” to critical acclaim. A second installment called “JFK: One Day in America” premieres Sunday, Nov. 5. The three-part series has previously unseen testimony from surviving witnesses to create an oral history of the assassination of President John F. Kennedy. Nov. 22 marks the 60th anniversary of his death. “One Last Day: JFK” will also stream on Disney+ and Hulu a day later.

    — Alicia Rancilio

    — The bad news: Humanity is extinct. The good news: Our robot descendants are fans of human culture. In The Talos Principle II, you are an artificial intelligence on a mission to figure out how people screwed it all up, and maybe avoid repeating their mistakes. The 2014 original, from the Croatian developer Croteam, was one of the more challenging puzzle games of its generation. The studio is promising a wider array of 3D brainteasers in the sequel, with new techniques like gravity manipulation and mind transference — not to mention “questions about the nature of the cosmos and the purpose of civilization.” If you dig mind-benders like Portal and The Witness, you probably already have Talos II on your wish list for Thursday on PlayStation 5, Xbox X/S and PC.

    — Another highly regarded European studio, France’s Don’t Nod, is back with another intriguing puzzle game, Jusant. The goal here is to climb to the top of a gigantic, mysterious tower, but as you ascend, you’ll discover different environments and artifacts from a lost civilization. I found it exhausting to just watch the preview, but the developer — best known for the time-twisting adventure Life Is Strange — describes Jusant as “a meditative journey.” And you have an adorable companion, a watery blob named Ballast, to ask for clues when you get stuck. The conquest begins Tuesday on PlayStation 5, Xbox X/S and PC.

    — Lou Kesten

    ___

    Catch up on AP’s entertainment coverage here: https://apnews.com/entertainment.

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  • Florida’s ‘Fantasy Fest’ ends with increased emphasis on costumes and less on decadence

    Florida’s ‘Fantasy Fest’ ends with increased emphasis on costumes and less on decadence

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    The 10-day Fantasy Fest costuming and masking celebration is ending in Key West, after some 100 events with an increased emphasis on imaginative costuming and decreases in past years’ decadence

    ByThe Associated Press

    October 29, 2023, 12:28 PM

    In this Friday, Oct. 27, 2023, photo provided by the Florida Keys News Bureau, four men costumed as pigtailed and uniformed schoolgirls bring their hijinks to the Fantasy Fest Masquerade March in Key West, Fla. The procession was a highlight of the island city’s 10-day Fantasy Fest costuming and masking celebration that continues through Sunday, Oct. 29. The festival’s 2023 theme is “Uniforms and Unicorns … 200 Years of Sailing into Fantasy,” chosen to salute the Florida Keys’ bicentennial and that of the U.S. Navy in Key West. (Andy Newman/Florida Keys News Bureau via AP)

    The Associated Press

    KEY WEST, Fla. — The 10-day Fantasy Fest costuming and masking celebration ends late Sunday in Key West, after some 100 events with an increased emphasis on imaginative costuming and decreases in past years’ decadence.

    Tens of thousands of spectators thronged the subtropical island’s historic downtown Saturday night for Fantasy Fest’s highlight event, a parade featuring over 40 motorized floats and costumed marching groups.

    Illustrating the festival’s move toward a more PG-rated focus, its 2023 theme was “Uniforms and Unicorns … 200 Years of Sailing into Fantasy,” in salute to the Florida Keys’ bicentennial and that of the U.S. Navy’s presence in Key West.

    “The parade really demonstrated the festival’s direction away from decadent aspects and into good fun and off-the-charts creativity,” said Fantasy Fest director Nadene Grossman Orr. “It feels like Fantasy Fest has entered a new era of creative expression.”

    Parade standouts included a uniformed group with huge blue wings depicting the Navy’s elite Blue Angels Flight Demonstration Squadron, dancers in unicorn headdresses performing intrepid acrobatic feats, and an elaborate float and marching ensemble portraying a Kentucky Derby for unicorns.

    Among other notable entries were a “litter” of elaborately costumed cats and a troupe dressed as characters from the blockbuster film “Barbie.”

    Florida Keys tourism officials said Fantasy Fest brings approximately $30 million in annual revenues to the island chain and provides important fundraising opportunities for local nonprofit organizations. The 2023 campaign for festival king and queen raised more than $587,000 for the Florida Keys SPCA.

    Fantasy Fest 2024, themed “It’s a 90’s Neon Cosmic Carnivale!,” is scheduled Oct. 18-27.

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