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Tag: Chloë Sevigny

  • Julia Roberts Reveals Why She Was “Scared” of Her ‘After the Hunt’ Co-Star Chloë Sevigny

    See, Julia Roberts is just like everyday people; she also gets intimidated by celebrities.

    The Oscar winner recently stopped by The Late Show With Stephen Colbert to talk about her new movie, After the Hunt, directed by Luca Guadagnino. Roberts stars alongside Andrew Garfield, Ayo Edebiri and Michael Stuhlbarg in the film, but there was one other co-star who she admitted “scared” her.

    “I understand there was one castmember, so I hear, that was intimidating to you, which I find hard to believe,” host Stephen Colbert said, as Roberts confirmed the actor in question was Chloë Sevigny. She then proceeded to recall her first time meeting the Monsters: The Lyle and Erik Menendez Story actress.

    “The fabulous Chloë Sevigny, who I had never met before and Ayo had never met before, and Luca has worked with a number of times because she’s fabulous,” Roberts said. “And we were all rehearsing at my house, which was a joy and a privilege, and one afternoon we were rehearsing, we were at the kitchen table and you know we’re really grinding it out — not really, we had our heads down, let’s just say — and the producer came in from the living room and he said, ‘Oh, Chloe should be here any minute.’”

    She continued, “I looked up and my eyes just happened to catch Ayo’s eyes. We looked at each other and I said, ‘I’m scared!’ And she goes, ‘Me too.’”

    From left: Michael Stuhlbarg, Ayo Edebiri, Julia Roberts, Chloë Sevigny and Andrew Garfield attend the After the Hunt photocall during the 82nd Venice International Film Festival on Aug. 29, 2025, in Venice, Italy.

    When Guadagnino questioned why they were scared to meet Sevigny, Roberts said she simply replied, “Because it’s Chloe.” Next thing she knew, Sevigny was knocking at her door, and the Pretty Woman star recalled them all freezing and then “looked at each other.”

    As Guadagnino sat there, still confused, Roberts said the filmmaker proceeded to tell her, “‘What? You live here. You have to answer the door.’”

    That’s when the Ticket to Paradise star remembered jumping up and trying to make her cheeks look pink so she would “look fetching and appealing” before officially introducing herself to the iconic Sevigny. Roberts said she finally opened the door and followed up with an ecstatic, “Hi!” However, Sevigny allegedly greeted Roberts in her normal tone.

    “I wanted to start crying,” Roberts quipped to Colbert. “I think she was just thinking, ‘This is where you live?’” In all seriousness, the Erin Brockovich star praised Sevigny, describing her as “exceptional and eccentric.”

    But Roberts also noted she and Edebiri weren’t the only ones fangirling over the American Horror Story alum that day, as her daughter also had to leave the room.

    The actress said after Sevigny knocked at the front door, her daughter went, “‘Going through the garage. See you later, Mom.’ She was vapor trails, because we’re all scared of Chloe. She’s part of the fear.” Roberts joked that Edebiri also asked to leave because she was so intimidated by the Boys Don’t Cry star.

    Thankfully, they all put their fears aside and were able to film After the Hunt together. The movie follows a college professor who finds herself at a personal and professional crossroad when a star student levels an accusation against one of her colleagues, which then threatens to expose a dark secret from her own past. The pic is set for a limited release Oct. 10 before expanding wide Oct. 17.

    Carly Thomas

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  • The Best Red Carpet Fashion from the 2025 Venice Film Festival

    Emma Stone. Getty Images

    The Venice Film Festival is always a glamorous affair, but this year’s prestigious competition just might be the most star-studded yet. The 11-day extravaganza, which kicks off on August 27 and runs through September 6, is filled with noteworthy film premieres, screenings and fêtes, all of which are attended by A-list filmmakers and celebrities.

    The 2025 lineup is replete with buzzy, highly-anticipated films; the main competition includes Yorgos Lanthimos’s Bugonia, starring Emma Stone and Jesse Plemons, Guillermo del Toro’s Frankenstein, with Oscar Isaac, Jacob Elordi, Mia Goth and Christoph Waltz, Noah Baumbach’s Jay Kelly, with George Clooney, Adam Sandler, Laura Dern and Billy Crudup, and Kathryn Bigelow’s A House of Dynamite, starring Idris Elba and Rebecca Ferguson.

    Luca Guadagnino’s eagerly awaited After the Hunt is also premiering at the festival out of competition, featuring Julia Roberts, Ayo Edebiri, Chloë Sevigny, Andrew Garfield and Michael Stuhlbarg.

    Alexander Payne is the jury president for the 82nd Venice International Film Festival, and this year’s Golden Lion for Lifetime Achievement which will be awarded to Werner Herzog and Kim Novak.

    Glitzy movie premieres aside, let’s not forget about the sartorial moments at Venice, because attendees always bring their most fashionable A-game to walk the red carpet in front of the Lido’s Palazzo del Cinema. It’s a week-and-a-half of some of the best style moments of the year, and we’re keeping you updated with all the top ensembles on the Venice red carpet. Below, see the best fashion moments from the 2025 Venice International Film Festival.

    "The Smashing Machine" Red Carpet - The 82nd Venice International Film Festival"The Smashing Machine" Red Carpet - The 82nd Venice International Film Festival
    Emily Blunt. Getty Images

    Emily Blunt

    in Tamara Ralph 

    "The Smashing Machine" Red Carpet - The 82nd Venice International Film Festival"The Smashing Machine" Red Carpet - The 82nd Venice International Film Festival
    Halsey. WireImage

    Halsey

    "The Smashing Machine" Red Carpet - The 82nd Venice International Film Festival"The Smashing Machine" Red Carpet - The 82nd Venice International Film Festival
    Dwayne Johnson. Getty Images

    Dwayne Johnson

    Celebrity Sightings - Day 6 - The 82nd Venice International Film FestivalCelebrity Sightings - Day 6 - The 82nd Venice International Film Festival
    Kaia Gerber and Lewis Pullman. FilmMagic

    Kaia Gerber and Lewis Pullman

    Gerber in Givenchy 

    "The Testament Of Ann Lee" Red Carpet - The 82nd Venice International Film Festival"The Testament Of Ann Lee" Red Carpet - The 82nd Venice International Film Festival
    Amanda Seyfried. Getty Images

    Amanda Seyfried

    in Prada

    "The Testament Of Ann Lee" Red Carpet - The 82nd Venice International Film Festival"The Testament Of Ann Lee" Red Carpet - The 82nd Venice International Film Festival
    Thomasin McKenzie. Corbis via Getty Images

    Thomasin McKenzie

    in Rodarte 

    The 82nd Venice International Film Festival - Day 6The 82nd Venice International Film Festival - Day 6
    Stacy Martin. Deadline via Getty Images

    Stacy Martin

    "The Wizard Of The Kremlin" (Le Mage Du Kremlin) Red Carpet - The 82nd Venice International Film Festival"The Wizard Of The Kremlin" (Le Mage Du Kremlin) Red Carpet - The 82nd Venice International Film Festival
    Alexa Chung. Corbis via Getty Images

    Alexa Chung

    in Chloe

    "The Wizard Of The Kremlin" (Le Mage Du Kremlin) Red Carpet - The 82nd Venice International Film Festival"The Wizard Of The Kremlin" (Le Mage Du Kremlin) Red Carpet - The 82nd Venice International Film Festival
    Alicia Vikander. Getty Images

    Alicia Vikander

    in Louis Vuitton

    "Father Mother Sister Brother" Red Carpet - The 82nd Venice International Film Festival"Father Mother Sister Brother" Red Carpet - The 82nd Venice International Film Festival
    Cate Blanchett. Max Cisotti/Dave Benett/WireImag

    Cate Blanchett

    in Maison Margiela 

    "Father Mother Sister Brother" Red Carpet - The 82nd Venice International Film Festival"Father Mother Sister Brother" Red Carpet - The 82nd Venice International Film Festival
    Charlotte Rampling. WireImage

    Charlotte Rampling

    in Saint Laurent 

    "Father Mother Sister Brother" Red Carpet - The 82nd Venice International Film Festival"Father Mother Sister Brother" Red Carpet - The 82nd Venice International Film Festival
    Mayim Bialik. Getty Images

    Mayim Bialik

    in Saint Laurent 

    Filming Italy Venice Award Delegation Red Carpet - The 82nd Venice International Film FestivalFilming Italy Venice Award Delegation Red Carpet - The 82nd Venice International Film Festival
    Alicia Silverstone. WireImage

    Alicia Silverstone

    "Father Mother Sister Brother" Red Carpet - The 82nd Venice International Film Festival"Father Mother Sister Brother" Red Carpet - The 82nd Venice International Film Festival
    Luka Sabbat. WireImage

    Luka Sabbat

    "The Wizard Of The Kremlin" (Le Mage Du Kremlin) Red Carpet - The 82nd Venice International Film Festival"The Wizard Of The Kremlin" (Le Mage Du Kremlin) Red Carpet - The 82nd Venice International Film Festival
    Jude Law. Corbis via Getty Images

    Jude Law

    Filming Italy Venice Award Delegation Red Carpet - The 82nd Venice International Film FestivalFilming Italy Venice Award Delegation Red Carpet - The 82nd Venice International Film Festival
    Da’Vine Joy Randolph. WireImage

    Da’Vine Joy Randolph

    in Alfredo Martinez 

    "Motor City" Red Carpet - The 82nd Venice International Film Festival"Motor City" Red Carpet - The 82nd Venice International Film Festival
    Shailene Woodley. FilmMagic

    Shailene Woodley

    in Fendi

    "Frankenstein" Red Carpet - The 82nd Venice International Film Festival"Frankenstein" Red Carpet - The 82nd Venice International Film Festival
    Molly Gordon. Getty Images

    Molly Gordon

    in Giorgio Armani

    "Frankenstein" Red Carpet - The 82nd Venice International Film Festival"Frankenstein" Red Carpet - The 82nd Venice International Film Festival
    Mia Goth. Getty Images

    Mia Goth

    in Dior 

    "Frankenstein" Red Carpet - The 82nd Venice International Film Festival"Frankenstein" Red Carpet - The 82nd Venice International Film Festival
    Jacob Elordi. WireImage

    Jacob Elordi

    "Frankenstein" Red Carpet - The 82nd Venice International Film Festival"Frankenstein" Red Carpet - The 82nd Venice International Film Festival
    Kaitlyn Dever. Getty Images

    Kaitlyn Dever

    in Giorgio Armani

    "Frankenstein" Red Carpet - The 82nd Venice International Film Festival"Frankenstein" Red Carpet - The 82nd Venice International Film Festival
    Callum Turner. Getty Images

    Callum Turner

    in Louis Vuitton 

    "Frankenstein" Red Carpet - The 82nd Venice International Film Festival"Frankenstein" Red Carpet - The 82nd Venice International Film Festival
    Leslie Bibb. Getty Images

    Leslie Bibb

    in Giorgio Armani

    "Frankenstein" Red Carpet - The 82nd Venice International Film Festival"Frankenstein" Red Carpet - The 82nd Venice International Film Festival
    Paris Jackson. Getty Images

    Paris Jackson

    in Trussardi

    "Frankenstein" Red Carpet - The 82nd Venice International Film Festival"Frankenstein" Red Carpet - The 82nd Venice International Film Festival
    Gemma Chan. Max Cisotti/Dave Benett/WireImag

    Gemma Chan

    in Armani Privé

    "Frankenstein" Red Carpet - The 82nd Venice International Film Festival"Frankenstein" Red Carpet - The 82nd Venice International Film Festival
    Rosie Huntington-Whiteley. Max Cisotti/Dave Benett/WireImag

    Rosie Huntington-Whiteley

    in Armani Privé

    "Frankenstein" Red Carpet - The 82nd Venice International Film Festival"Frankenstein" Red Carpet - The 82nd Venice International Film Festival
    Sofia Carson. WireImage

    Sofia Carson

    in Armani Privé

    "Broken English" Red Carpet - The 82nd Venice International Film Festival"Broken English" Red Carpet - The 82nd Venice International Film Festival
    Suki Waterhouse. Getty Images

    Suki Waterhouse

    in Rabanne 

    "Broken English" Red Carpet - The 82nd Venice International Film Festival"Broken English" Red Carpet - The 82nd Venice International Film Festival
    Tilda Swinton. Getty Images

    Tilda Swinton

    in Chanel 

    "After The Hunt" Red Carpet - The 82nd Venice International Film Festival"After The Hunt" Red Carpet - The 82nd Venice International Film Festival
    Julia Roberts. WireImage

    Julia Roberts

    in Versace 

    "After The Hunt" Red Carpet - The 82nd Venice International Film Festival"After The Hunt" Red Carpet - The 82nd Venice International Film Festival
    Ayo Edebiri. Getty Images

    Ayo Edebiri

    in Chanel

    "After The Hunt" Red Carpet - The 82nd Venice International Film Festival"After The Hunt" Red Carpet - The 82nd Venice International Film Festival
    Monica Barbaro. WireImage

    Monica Barbaro

    in Dior 

    "After The Hunt" Red Carpet - The 82nd Venice International Film Festival"After The Hunt" Red Carpet - The 82nd Venice International Film Festival
    Andrew Garfield. WireImage

    Andrew Garfield

    in Dior 

    "After The Hunt" Red Carpet - The 82nd Venice International Film Festival"After The Hunt" Red Carpet - The 82nd Venice International Film Festival
    Chloe Sevigny. Getty Images

    Chloe Sevigny

    in Saint Laurent 

    "After The Hunt" Red Carpet - The 82nd Venice International Film Festival"After The Hunt" Red Carpet - The 82nd Venice International Film Festival
    Lady Amelia Spencer and Lady Eliza Spencer. Getty Images

    Lady Amelia Spencer and Lady Eliza Spencer

    "After The Hunt" Red Carpet - The 82nd Venice International Film Festival"After The Hunt" Red Carpet - The 82nd Venice International Film Festival
    Isabeli Fontana. Getty Images

    Isabeli Fontana

    in Yara Shoemaker 

    "After The Hunt" Photocall - The 82nd Venice International Film Festival"After The Hunt" Photocall - The 82nd Venice International Film Festival
    Chloe Sevigny. WireImage

    Chloe Sevigny

    in Simone Rocha 

    "After The Hunt" Photocall - The 82nd Venice International Film Festival"After The Hunt" Photocall - The 82nd Venice International Film Festival
    Ayo Edebiri. Corbis via Getty Images

    Ayo Edebiri

    in Chanel  

    "After The Hunt" Photocall - The 82nd Venice International Film Festival"After The Hunt" Photocall - The 82nd Venice International Film Festival
    Julia Roberts. WireImage

    Julia Roberts

    in Versace 

    Celebrity Sightings - Day 3 - The 82nd Venice International Film FestivalCelebrity Sightings - Day 3 - The 82nd Venice International Film Festival
    Mia Goth. Getty Images

    Mia Goth

    in Versace 

    Celebrity Sightings - Day 3 - The 82nd Venice International Film FestivalCelebrity Sightings - Day 3 - The 82nd Venice International Film Festival
    Cate Blanchett. Getty Images

    Cate Blanchett

    "Jay Kelly" Red Carpet - The 82nd Venice International Film Festival"Jay Kelly" Red Carpet - The 82nd Venice International Film Festival
    George Clooney and Amal Clooney. WireImage

    George Clooney and Amal Clooney

    Amal Clooney in vintage Jean-Louis Scherrer 

    "Jay Kelly" Red Carpet - The 82nd Venice International Film Festival"Jay Kelly" Red Carpet - The 82nd Venice International Film Festival
    Laura Dern. WireImage

    Laura Dern

    in Armani Privé

    "Jay Kelly" Red Carpet - The 82nd Venice International Film Festival"Jay Kelly" Red Carpet - The 82nd Venice International Film Festival
    Riley Keough. WireImage

    Riley Keough

    in Chloe 

    "Jay Kelly" Red Carpet - The 82nd Venice International Film Festival"Jay Kelly" Red Carpet - The 82nd Venice International Film Festival
    Noah Baumbach and Greta Gerwig. Getty Images

    Noah Baumbach and Greta Gerwig

    Gerwig in Rodarte 

    "Jay Kelly" Red Carpet - The 82nd Venice International Film Festival"Jay Kelly" Red Carpet - The 82nd Venice International Film Festival
    Emily Mortimer. Getty Images

    Emily Mortimer

    "Jay Kelly" Red Carpet - The 82nd Venice International Film Festival"Jay Kelly" Red Carpet - The 82nd Venice International Film Festival
    Molly Sims. WireImage

    Molly Sims

    in Pamella Roland

    "Jay Kelly" Red Carpet - The 82nd Venice International Film Festival"Jay Kelly" Red Carpet - The 82nd Venice International Film Festival
    Naomi Watts and Billy Crudup. Getty Images

    Naomi Watts and Billy Crudup

    Watts in Valentino, Crudup in Celine 

    "Jay Kelly" Red Carpet - The 82nd Venice International Film Festival"Jay Kelly" Red Carpet - The 82nd Venice International Film Festival
    Shailene Woodley. WireImage

    Shailene Woodley

    in Kallmeyer 

    "Jay Kelly" Red Carpet - The 82nd Venice International Film Festival"Jay Kelly" Red Carpet - The 82nd Venice International Film Festival
    Eve Hewson. WireImage

    Eve Hewson

    in Schiaparelli

    "Jay Kelly" Red Carpet - The 82nd Venice International Film Festival"Jay Kelly" Red Carpet - The 82nd Venice International Film Festival
    Alba Rohrwacher. WireImage

    Alba Rohrwacher

    in Dior 

    "Jay Kelly" Red Carpet - The 82nd Venice International Film Festival"Jay Kelly" Red Carpet - The 82nd Venice International Film Festival
    Sunny Madeline Sandler, Sadie Madison Sandler, Jackie Sandler and Adam Sandler. WireImage

    Sunny Madeline Sandler, Sadie Madison Sandler, Jackie Sandler and Adam Sandler

    "Bugonia" Red Carpet - The 82nd Venice International Film Festival"Bugonia" Red Carpet - The 82nd Venice International Film Festival
    Emma Stone. WireImage

    Emma Stone

    in Louis Vuitton 

    "Bugonia" Red Carpet - The 82nd Venice International Film Festival"Bugonia" Red Carpet - The 82nd Venice International Film Festival
    Alicia Silverstone. WireImage

    Alicia Silverstone

    in Prada

    "Il Rapimento Di Arabella" Red Carpet - The 82nd Venice International Film Festival"Il Rapimento Di Arabella" Red Carpet - The 82nd Venice International Film Festival
    Benedetta Porcaroli. Getty Images

    Benedetta Porcaroli

    in Prada

    "Jay Kelly" Photocall - The 82nd Venice International Film Festival"Jay Kelly" Photocall - The 82nd Venice International Film Festival
    Riley Keough. WireImage

    Riley Keough

    in Chanel 

    "Jay Kelly" Photocall - The 82nd Venice International Film Festival"Jay Kelly" Photocall - The 82nd Venice International Film Festival
    Laura Dern. WireImage

    Laura Dern

    in Saint Laurent 

    "Bugonia" Photocall - The 82nd Venice International Film Festival"Bugonia" Photocall - The 82nd Venice International Film Festival
    Emma Stone. Getty Images

    Emma Stone

    in Louis Vuitton 

    "Jay Kelly" Photocall - The 82nd Venice International Film Festival"Jay Kelly" Photocall - The 82nd Venice International Film Festival
    Greta Gerwig. WireImage

    Greta Gerwig

    in Prada

    "Jay Kelly" Photocall - The 82nd Venice International Film Festival"Jay Kelly" Photocall - The 82nd Venice International Film Festival
    Alba Rohrwacher. WireImage

    Alba Rohrwacher

    in Dior 

    "Jay Kelly" Photocall - The 82nd Venice International Film Festival"Jay Kelly" Photocall - The 82nd Venice International Film Festival
    Eve Hewson. WireImage

    Eve Hewson

    in Erdem 

    Celebrity Sightings - Day 2 - The 82nd Venice International Film FestivalCelebrity Sightings - Day 2 - The 82nd Venice International Film Festival
    Emily Mortimer. Getty Images

    Emily Mortimer

    "La Grazia" Red Carpet - The 82nd Venice International Film Festival"La Grazia" Red Carpet - The 82nd Venice International Film Festival
    Cate Blanchett. WireImage

    Cate Blanchett

    in Armani Privé

    "La Grazia" Red Carpet - The 82nd Venice International Film Festival"La Grazia" Red Carpet - The 82nd Venice International Film Festival
    Tilda Swinton. WireImage

    Tilda Swinton

    in Chanel

    "La Grazia" Red Carpet - The 82nd Venice International Film Festival"La Grazia" Red Carpet - The 82nd Venice International Film Festival
    Claire Holt. WireImage

    Claire Holt

    in Intimissimi 

    "La Grazia" Red Carpet - The 82nd Venice International Film Festival"La Grazia" Red Carpet - The 82nd Venice International Film Festival
    Barbara Palvin. Getty Images

    Barbara Palvin

    in Intimissimi 

    "La Grazia" Red Carpet - The 82nd Venice International Film Festival"La Grazia" Red Carpet - The 82nd Venice International Film Festival
    Zhao Tao. WireImage

    Zhao Tao

    in Prada

    "La Grazia" Red Carpet - The 82nd Venice International Film Festival"La Grazia" Red Carpet - The 82nd Venice International Film Festival
    Fernanda Torres. WireImage

    Fernanda Torres

    in Armani Privé

    "La Grazia" Red Carpet - The 82nd Venice International Film Festival"La Grazia" Red Carpet - The 82nd Venice International Film Festival
    Heidi Klum and Leni Klum. WireImage

    Heidi Klum and Leni Klum

    in Intimissimi 

    "La Grazia" Red Carpet - The 82nd Venice International Film Festival"La Grazia" Red Carpet - The 82nd Venice International Film Festival
    Charleen Weiss. WireImage

    Charleen Weiss

    "La Grazia" Red Carpet - The 82nd Venice International Film Festival"La Grazia" Red Carpet - The 82nd Venice International Film Festival
    Charlotte Wells. WireImage

    Charlotte Wells

    "La Grazia" Red Carpet - The 82nd Venice International Film Festival"La Grazia" Red Carpet - The 82nd Venice International Film Festival
    Paola Turani. WireImage

    Paola Turani

    in Galia Lahav 

    "La Grazia" Red Carpet - The 82nd Venice International Film Festival"La Grazia" Red Carpet - The 82nd Venice International Film Festival
    RaMell Ross. WireImage

    RaMell Ross

    "La Grazia" Red Carpet - The 82nd Venice International Film Festival"La Grazia" Red Carpet - The 82nd Venice International Film Festival
    Shannon Murphy. WireImage

    Shannon Murphy

    "La Grazia" Red Carpet - The 82nd Venice International Film Festival"La Grazia" Red Carpet - The 82nd Venice International Film Festival
    Emanuela Fanelli. WireImage

    Emanuela Fanelli

    in Armani Privé

    Celebrity Sightings - Day 1 - The 82nd Venice International Film FestivalCelebrity Sightings - Day 1 - The 82nd Venice International Film Festival
    Benedetta Porcaroli and Carolina Cavalli. Getty Images

    Benedetta Porcaroli and Carolina Cavalli

    "Mother" Red Carpet - The 82nd Venice International Film Festival"Mother" Red Carpet - The 82nd Venice International Film Festival
    Noomi Rapace. Corbis via Getty Images

    Noomi Rapace

    in Courrèges

    "Mother" Red Carpet - The 82nd Venice International Film Festival"Mother" Red Carpet - The 82nd Venice International Film Festival
    Sylvia Hoeks. Getty Images

    Sylvia Hoeks

    in Prada

    Celebrity Sightings - Day 1 - The 82nd Venice International Film FestivalCelebrity Sightings - Day 1 - The 82nd Venice International Film Festival
    Alba Rohrwacher. Getty Images

    Alba Rohrwacher

    Celebrity Sightings - Day 1 - The 82nd Venice International Film FestivalCelebrity Sightings - Day 1 - The 82nd Venice International Film Festival
    Laura Dern. Getty Images

    Laura Dern

    in Emilia Wickstead

    Celebrity Sightings - Day 1 - The 82nd Venice International Film FestivalCelebrity Sightings - Day 1 - The 82nd Venice International Film Festival
    Emily Mortimer and Alessandro Nivola. Getty Images

    Emily Mortimer and Alessandro Nivola

    "Jay Kelly" Cast Arrive In Venice For The 82nd Venice International Film Festival"Jay Kelly" Cast Arrive In Venice For The 82nd Venice International Film Festival
    Amal Clooney and George Clooney. GC Images

    Amal Clooney and George Clooney

    Amal Clooney in Balmain 

    The Best Red Carpet Fashion from the 2025 Venice Film Festival

    Morgan Halberg

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  • The Return of Smoking Aligns With the Return of Retro Practices in General

    It’s a “trend” (read: way of life) many have been noticing for the past couple of years: smoking. Its steady rise back into mainstream culture arguably reaching a crescendo with Brat summer, the Charli XCX-fueled phenomenon-by-way-of-an-album that laid out what constitutes a “brat,” at least aesthetically: “pack of cigs, a Bic lighter and a strappy white top with no bra.” Note that pack of cigs was placed at the top of the list, even if XCX was largely just bullshitting/trolling the press…as is the wont of a true brat.

    And yet, it was as though she “manifested” the full-fledged opening of the floodgates when it came to “social smoking” being back in a big way. Unapologetically so. For, where once there was a stigma about it, the summer of 2024 seemed to confirm something that had been brewing for a while: if the “culture” was going to be subjected to the retro practices being consistently touted and implemented by a certain administration helmed by a certain orange creature, then it wanted to at least get back one “good” retro practice out of it: the joy of smoking. No matter that everyone, by now, is well-aware of the bodily harm it guarantees. 

    Here, too, another factor is at play with regard to the “why” of cigarettes a.k.a. “cancer sticks” taking off so much in recent times: it’s apparent that more and more people aren’t seeing much of a viable future for the world, so why not really find (a.k.a. buy, for an extremely exorbitant price) the thing you love and let it kill you? It’s not like there’s going to be an assured tomorrow anyway, n’est-ce pas? So “let it rip.” Or, in this case, let it burn. Put another way by Jared Oviatt a.k.a. “@cigfluencers” (now the go-to person for articles about why cigarettes are “back”), “The dream of stability, owning a home, financial security feels increasingly out of reach. So the question becomes: why not do what you want? Why not smoke? Nothing matters!”

    However, speaking to that aforementioned point about the exorbitant price, the people smoking are actually the ones who can own a home, do have financial security. To be sure, there seems to be something to the idea that “only” celebrities are smoking again (ergo, in some enraged people’s opinions, trying to make it “cool” again)—perhaps because the cost of a pack of cigarettes, to them, amounts to pennies. Which is why Rosalía brought an entire “cigarette bouquet” to Charli XCX for her 32nd birthday on August 2, 2024. Because, while roughly fifteen dollars a pack (when bought from a metropolitan city like L.A.) is alms to the richies, it makes far more of a dent in the average person’s so-called salary. Hence, the popularity of cigarettes among celebrities not necessarily causing a major uptick in smoking among “the commoners.” Who tend to prefer vaping anyway, a much more déclassé form of smoking, with only slightly less harmful health effects. Even so, Lana Del Rey remains committed to it, despite previously being one of the earlier known celebrities of the twenty-first century to parade her cig habit (once an indelible part of her visuals). 

    But then, that’s because Del Rey was always touting twentieth century views and “ideals” in the first place. It’s only now that “everyone else” has “caught up” to her (as she herself presently chooses vaping instead—to which her recent opening act, Addison Rae, would say, “Ew, I hate vaping”) by allowing themselves to fall behind. And why shouldn’t they, when everything around them reflects a society that has entered a time machine, reinvoking the worst of what “hippies” and “crusaders” fought against in the mid-twentieth century: racism, sexism and an overtly patriarchal society.

    Alas, since all of that has bubbled up to the surface again with a vengeance, many seem to think that, at the bare minimum, that should include the erstwhile “glamor” of cigarettes. Before the myth of their “doctor recommended” cachet was debunked with an early 1960s study that definitively concluded cigarettes cause lung cancer. It was in 1964, with the publication of Smoking and Health: Report of the Advisory Committee to the Surgeon General of the Public Health Service, that things for the tobacco industry started to get really dicey. Because that’s when the PSAs, both in print and on TV, started coming out, making increasingly indelible impressions on people as the decades wore on. 

    The 90s were an especially “anti-smoking” time, in terms of campaigns going hard against tobacco. One ad, seeking to satirize the supposed glamor of smoking now mostly associated with Old Hollywood films, depicted a man and woman with “movie star vibes” as the former asks, “Mind if I smoke?” Her reply: “Care if I die?” The message was out: smoking was decidedly gross, selfish and, worst of all (for men and women alike), caused impotence. And yes, it’s almost certain that’s a problem for “cigfluencer” Matty Healy, who went from dating the “wholesome” Taylor Swift to the “brat-adjacent” Gabbriette, a fellow smoker. Because, despite the 90s being always on-trend with the likes of those in the “Brat orbit,” anti-smoking isn’t something that took hold from that hallowed decade. Besides, even the it girls of the day (e.g., Kate Moss, Chloë Sevigny, Winona Ryder) clearly never paid much attention to such ads. Or the influence their unabashed smoking had on those who wanted to be like them.

    Even so, that didn’t stop the effects of the anti-smoking movement at the government level, with California in particular being ahead of the curve on banning smoking in restaurants, workplaces and bars starting in 1995 (though Beverly Hills specifically started banning smoking in certain public places in 1987). Rather ironic considering that Hollywood was the place that started selling cigarettes as “glamorous” in the first place. The dive that the reputation of the cigarette took by the mid-2000s was so noticeable that it can best be summed up by Aaron Eckhart’s character, Nick Naylor, in 2006’s Thank You For Smoking, when he laments that the only people you see smoking in movies anymore are “RAVs”: Russians, Arabs and villains (the former two often neatly fitting into the latter category for Americans anyway). 

    Enter Mary-Kate Olsen, who, despite her twin also being a smoker, was arguably the first to really bring back cigarettes as a mark of “class” and “wealth.” This while also embodying the brat definition of wielding them as an accessory long before Charli XCX herself crystallized what brat even meant. MK’s cigarette-smoking advocacy reached an apex at her 2015 wedding to Olivier Sarkozy, an event that prompted Page Six to famously describe the reception as having “bowls and bowls filled with cigarettes, and everyone smoked the whole night.” It was a phrase—and scene—that pop culture enthusiasts couldn’t stop obsessing over. And maybe it took XCX’s Brat to “inspire” a new generation glom on to what Mary-Kate had already done for cigs anyway. Well, her and a few other 00s-era “bad girls,” including Lindsay Lohan and Britney Spears (as a certain infamous 2008 Rolling Stone article phrased it, “She is an inbred swamp thing who chain-smokes”).

    All of which is to say that, sure, the “coolness” of smoking has survived numerous threats to its clout in the years since the truth about its dangers was made public. But it—smoking—has always been there, just waiting in the wings to reemerge again as a viable thing to do for securing one’s “effortless” chicness. However, the fact that the confluence of retro political policies and stances on gender (de facto, gender roles) has aligned with smoking’s latest renaissance doesn’t seem like a coincidence at all. So much as an additional way to “mirror the past.”  And to further undo all the human progress that was made since.

    Genna Rivieccio

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  • The Best Red Carpet Fashion from the 2025 Venice Film Festival

    Emma Stone. Getty Images

    The Venice Film Festival is always a glamorous affair, but this year’s prestigious competition just might be the most star-studded yet. The 11-day extravaganza, which kicks off on August 27 and runs through September 6, is filled with noteworthy film premieres, screenings and fêtes, all of which are attended by A-list filmmakers and celebrities.

    The 2025 lineup is replete with buzzy, highly-anticipated films; the main competition includes Yorgos Lanthimos’s Bugonia, starring Emma Stone and Jesse Plemons, Guillermo del Toro’s Frankenstein, with Oscar Isaac, Jacob Elordi, Mia Goth and Christoph Waltz, Noah Baumbach’s Jay Kelly, with George Clooney, Adam Sandler, Laura Dern and Billy Crudup, and Kathryn Bigelow’s A House of Dynamite, starring Idris Elba and Rebecca Ferguson.

    Luca Guadagnino’s eagerly awaited After the Hunt is also premiering at the festival out of competition, featuring Julia Roberts, Ayo Edebiri, Chloë Sevigny, Andrew Garfield and Michael Stuhlbarg.

    Alexander Payne is the jury president for the 82nd Venice International Film Festival, and this year’s Golden Lion for Lifetime Achievement which will be awarded to Werner Herzog and Kim Novak.

    Glitzy movie premieres aside, let’s not forget about the sartorial moments at Venice, because attendees always bring their most fashionable A-game to walk the red carpet in front of the Lido’s Palazzo del Cinema. It’s a week-and-a-half of some of the best style moments of the year, and we’re keeping you updated with all the top ensembles on the Venice red carpet. Below, see the best fashion moments from the 2025 Venice International Film Festival.

    "Frankenstein" Red Carpet - The 82nd Venice International Film Festival"Frankenstein" Red Carpet - The 82nd Venice International Film Festival
    Molly Gordon. Getty Images

    Molly Gordon

    in Giorgio Armani

    "Frankenstein" Red Carpet - The 82nd Venice International Film Festival"Frankenstein" Red Carpet - The 82nd Venice International Film Festival
    Mia Goth. Getty Images

    Mia Goth

    in Dior 

    "Frankenstein" Red Carpet - The 82nd Venice International Film Festival"Frankenstein" Red Carpet - The 82nd Venice International Film Festival
    Jacob Elordi. WireImage

    Jacob Elordi

    "Frankenstein" Red Carpet - The 82nd Venice International Film Festival"Frankenstein" Red Carpet - The 82nd Venice International Film Festival
    Kaitlyn Dever. Getty Images

    Kaitlyn Dever

    in Giorgio Armani

    "Frankenstein" Red Carpet - The 82nd Venice International Film Festival"Frankenstein" Red Carpet - The 82nd Venice International Film Festival
    Callum Turner. Getty Images

    Callum Turner

    in Louis Vuitton 

    "Frankenstein" Red Carpet - The 82nd Venice International Film Festival"Frankenstein" Red Carpet - The 82nd Venice International Film Festival
    Leslie Bibb. Getty Images

    Leslie Bibb

    in Giorgio Armani

    "Frankenstein" Red Carpet - The 82nd Venice International Film Festival"Frankenstein" Red Carpet - The 82nd Venice International Film Festival
    Paris Jackson. Getty Images

    Paris Jackson

    "Frankenstein" Red Carpet - The 82nd Venice International Film Festival"Frankenstein" Red Carpet - The 82nd Venice International Film Festival
    Gemma Chan. Max Cisotti/Dave Benett/WireImag

    Gemma Chan

    in Armani Privé

    "Frankenstein" Red Carpet - The 82nd Venice International Film Festival"Frankenstein" Red Carpet - The 82nd Venice International Film Festival
    Rosie Huntington-Whiteley. Max Cisotti/Dave Benett/WireImag

    Rosie Huntington-Whiteley

    in Armani Privé

    "Frankenstein" Red Carpet - The 82nd Venice International Film Festival"Frankenstein" Red Carpet - The 82nd Venice International Film Festival
    Sofia Carson. WireImage

    Sofia Carson

    in Armani Privé

    "Broken English" Red Carpet - The 82nd Venice International Film Festival"Broken English" Red Carpet - The 82nd Venice International Film Festival
    Suki Waterhouse. Getty Images

    Suki Waterhouse

    in Rabanne 

    "Broken English" Red Carpet - The 82nd Venice International Film Festival"Broken English" Red Carpet - The 82nd Venice International Film Festival
    Tilda Swinton. Getty Images

    Tilda Swinton

    in Chanel 

    "After The Hunt" Red Carpet - The 82nd Venice International Film Festival"After The Hunt" Red Carpet - The 82nd Venice International Film Festival
    Julia Roberts. WireImage

    Julia Roberts

    in Versace 

    "After The Hunt" Red Carpet - The 82nd Venice International Film Festival"After The Hunt" Red Carpet - The 82nd Venice International Film Festival
    Ayo Edebiri. Getty Images

    Ayo Edebiri

    in Chanel

    "After The Hunt" Red Carpet - The 82nd Venice International Film Festival"After The Hunt" Red Carpet - The 82nd Venice International Film Festival
    Monica Barbaro. WireImage

    Monica Barbaro

    in Dior 

    "After The Hunt" Red Carpet - The 82nd Venice International Film Festival"After The Hunt" Red Carpet - The 82nd Venice International Film Festival
    Andrew Garfield. WireImage

    Andrew Garfield

    in Dior 

    "After The Hunt" Red Carpet - The 82nd Venice International Film Festival"After The Hunt" Red Carpet - The 82nd Venice International Film Festival
    Chloe Sevigny. Getty Images

    Chloe Sevigny

    in Saint Laurent 

    "After The Hunt" Red Carpet - The 82nd Venice International Film Festival"After The Hunt" Red Carpet - The 82nd Venice International Film Festival
    Lady Amelia Spencer and Lady Eliza Spencer. Getty Images

    Lady Amelia Spencer and Lady Eliza Spencer

    "After The Hunt" Red Carpet - The 82nd Venice International Film Festival"After The Hunt" Red Carpet - The 82nd Venice International Film Festival
    Isabeli Fontana. Getty Images

    Isabeli Fontana

    in Yara Shoemaker 

    "After The Hunt" Photocall - The 82nd Venice International Film Festival"After The Hunt" Photocall - The 82nd Venice International Film Festival
    Chloe Sevigny. WireImage

    Chloe Sevigny

    in Simone Rocha 

    "After The Hunt" Photocall - The 82nd Venice International Film Festival"After The Hunt" Photocall - The 82nd Venice International Film Festival
    Ayo Edebiri. Corbis via Getty Images

    Ayo Edebiri

    in Chanel  

    "After The Hunt" Photocall - The 82nd Venice International Film Festival"After The Hunt" Photocall - The 82nd Venice International Film Festival
    Julia Roberts. WireImage

    Julia Roberts

    in Versace 

    Celebrity Sightings - Day 3 - The 82nd Venice International Film FestivalCelebrity Sightings - Day 3 - The 82nd Venice International Film Festival
    Mia Goth. Getty Images

    Mia Goth

    in Versace 

    Celebrity Sightings - Day 3 - The 82nd Venice International Film FestivalCelebrity Sightings - Day 3 - The 82nd Venice International Film Festival
    Cate Blanchett. Getty Images

    Cate Blanchett

    "Jay Kelly" Red Carpet - The 82nd Venice International Film Festival"Jay Kelly" Red Carpet - The 82nd Venice International Film Festival
    George Clooney and Amal Clooney. WireImage

    George Clooney and Amal Clooney

    Amal Clooney in vintage Jean-Louis Scherrer 

    "Jay Kelly" Red Carpet - The 82nd Venice International Film Festival"Jay Kelly" Red Carpet - The 82nd Venice International Film Festival
    Laura Dern. WireImage

    Laura Dern

    in Armani Privé

    "Jay Kelly" Red Carpet - The 82nd Venice International Film Festival"Jay Kelly" Red Carpet - The 82nd Venice International Film Festival
    Riley Keough. WireImage

    Riley Keough

    in Chloe 

    "Jay Kelly" Red Carpet - The 82nd Venice International Film Festival"Jay Kelly" Red Carpet - The 82nd Venice International Film Festival
    Noah Baumbach and Greta Gerwig. Getty Images

    Noah Baumbach and Greta Gerwig

    Gerwig in Rodarte 

    "Jay Kelly" Red Carpet - The 82nd Venice International Film Festival"Jay Kelly" Red Carpet - The 82nd Venice International Film Festival
    Emily Mortimer. Getty Images

    Emily Mortimer

    "Jay Kelly" Red Carpet - The 82nd Venice International Film Festival"Jay Kelly" Red Carpet - The 82nd Venice International Film Festival
    Molly Sims. WireImage

    Molly Sims

    in Pamella Roland

    "Jay Kelly" Red Carpet - The 82nd Venice International Film Festival"Jay Kelly" Red Carpet - The 82nd Venice International Film Festival
    Naomi Watts and Billy Crudup. Getty Images

    Naomi Watts and Billy Crudup

    Watts in Valentino, Crudup in Celine 

    "Jay Kelly" Red Carpet - The 82nd Venice International Film Festival"Jay Kelly" Red Carpet - The 82nd Venice International Film Festival
    Shailene Woodley. WireImage

    Shailene Woodley

    in Kallmeyer 

    "Jay Kelly" Red Carpet - The 82nd Venice International Film Festival"Jay Kelly" Red Carpet - The 82nd Venice International Film Festival
    Eve Hewson. WireImage

    Eve Hewson

    in Schiaparelli

    "Jay Kelly" Red Carpet - The 82nd Venice International Film Festival"Jay Kelly" Red Carpet - The 82nd Venice International Film Festival
    Alba Rohrwacher. WireImage

    Alba Rohrwacher

    in Dior 

    "Jay Kelly" Red Carpet - The 82nd Venice International Film Festival"Jay Kelly" Red Carpet - The 82nd Venice International Film Festival
    Sunny Madeline Sandler, Sadie Madison Sandler, Jackie Sandler and Adam Sandler. WireImage

    Sunny Madeline Sandler, Sadie Madison Sandler, Jackie Sandler and Adam Sandler

    "Bugonia" Red Carpet - The 82nd Venice International Film Festival"Bugonia" Red Carpet - The 82nd Venice International Film Festival
    Emma Stone. WireImage

    Emma Stone

    in Louis Vuitton 

    "Bugonia" Red Carpet - The 82nd Venice International Film Festival"Bugonia" Red Carpet - The 82nd Venice International Film Festival
    Alicia Silverstone. WireImage

    Alicia Silverstone

    in Prada

    "Il Rapimento Di Arabella" Red Carpet - The 82nd Venice International Film Festival"Il Rapimento Di Arabella" Red Carpet - The 82nd Venice International Film Festival
    Benedetta Porcaroli. Getty Images

    Benedetta Porcaroli

    in Prada

    "Jay Kelly" Photocall - The 82nd Venice International Film Festival"Jay Kelly" Photocall - The 82nd Venice International Film Festival
    Riley Keough. WireImage

    Riley Keough

    in Chanel 

    "Jay Kelly" Photocall - The 82nd Venice International Film Festival"Jay Kelly" Photocall - The 82nd Venice International Film Festival
    Laura Dern. WireImage

    Laura Dern

    in Saint Laurent 

    "Bugonia" Photocall - The 82nd Venice International Film Festival"Bugonia" Photocall - The 82nd Venice International Film Festival
    Emma Stone. Getty Images

    Emma Stone

    in Louis Vuitton 

    "Jay Kelly" Photocall - The 82nd Venice International Film Festival"Jay Kelly" Photocall - The 82nd Venice International Film Festival
    Greta Gerwig. WireImage

    Greta Gerwig

    in Prada

    "Jay Kelly" Photocall - The 82nd Venice International Film Festival"Jay Kelly" Photocall - The 82nd Venice International Film Festival
    Alba Rohrwacher. WireImage

    Alba Rohrwacher

    in Dior 

    "Jay Kelly" Photocall - The 82nd Venice International Film Festival"Jay Kelly" Photocall - The 82nd Venice International Film Festival
    Eve Hewson. WireImage

    Eve Hewson

    in Erdem 

    Celebrity Sightings - Day 2 - The 82nd Venice International Film FestivalCelebrity Sightings - Day 2 - The 82nd Venice International Film Festival
    Emily Mortimer. Getty Images

    Emily Mortimer

    "La Grazia" Red Carpet - The 82nd Venice International Film Festival"La Grazia" Red Carpet - The 82nd Venice International Film Festival
    Cate Blanchett. WireImage

    Cate Blanchett

    in Armani Privé

    "La Grazia" Red Carpet - The 82nd Venice International Film Festival"La Grazia" Red Carpet - The 82nd Venice International Film Festival
    Tilda Swinton. WireImage

    Tilda Swinton

    in Chanel

    "La Grazia" Red Carpet - The 82nd Venice International Film Festival"La Grazia" Red Carpet - The 82nd Venice International Film Festival
    Claire Holt. WireImage

    Claire Holt

    in Intimissimi 

    "La Grazia" Red Carpet - The 82nd Venice International Film Festival"La Grazia" Red Carpet - The 82nd Venice International Film Festival
    Barbara Palvin. Getty Images

    Barbara Palvin

    in Intimissimi 

    "La Grazia" Red Carpet - The 82nd Venice International Film Festival"La Grazia" Red Carpet - The 82nd Venice International Film Festival
    Zhao Tao. WireImage

    Zhao Tao

    in Prada

    "La Grazia" Red Carpet - The 82nd Venice International Film Festival"La Grazia" Red Carpet - The 82nd Venice International Film Festival
    Fernanda Torres. WireImage

    Fernanda Torres

    in Armani Privé

    "La Grazia" Red Carpet - The 82nd Venice International Film Festival"La Grazia" Red Carpet - The 82nd Venice International Film Festival
    Heidi Klum and Leni Klum. WireImage

    Heidi Klum and Leni Klum

    in Intimissimi 

    "La Grazia" Red Carpet - The 82nd Venice International Film Festival"La Grazia" Red Carpet - The 82nd Venice International Film Festival
    Charleen Weiss. WireImage

    Charleen Weiss

    "La Grazia" Red Carpet - The 82nd Venice International Film Festival"La Grazia" Red Carpet - The 82nd Venice International Film Festival
    Charlotte Wells. WireImage

    Charlotte Wells

    "La Grazia" Red Carpet - The 82nd Venice International Film Festival"La Grazia" Red Carpet - The 82nd Venice International Film Festival
    Paola Turani. WireImage

    Paola Turani

    in Galia Lahav 

    "La Grazia" Red Carpet - The 82nd Venice International Film Festival"La Grazia" Red Carpet - The 82nd Venice International Film Festival
    RaMell Ross. WireImage

    RaMell Ross

    "La Grazia" Red Carpet - The 82nd Venice International Film Festival"La Grazia" Red Carpet - The 82nd Venice International Film Festival
    Shannon Murphy. WireImage

    Shannon Murphy

    "La Grazia" Red Carpet - The 82nd Venice International Film Festival"La Grazia" Red Carpet - The 82nd Venice International Film Festival
    Emanuela Fanelli. WireImage

    Emanuela Fanelli

    in Armani Privé

    Celebrity Sightings - Day 1 - The 82nd Venice International Film FestivalCelebrity Sightings - Day 1 - The 82nd Venice International Film Festival
    Benedetta Porcaroli and Carolina Cavalli. Getty Images

    Benedetta Porcaroli and Carolina Cavalli

    "Mother" Red Carpet - The 82nd Venice International Film Festival"Mother" Red Carpet - The 82nd Venice International Film Festival
    Noomi Rapace. Corbis via Getty Images

    Noomi Rapace

    in Courrèges

    "Mother" Red Carpet - The 82nd Venice International Film Festival"Mother" Red Carpet - The 82nd Venice International Film Festival
    Sylvia Hoeks. Getty Images

    Sylvia Hoeks

    in Prada

    Celebrity Sightings - Day 1 - The 82nd Venice International Film FestivalCelebrity Sightings - Day 1 - The 82nd Venice International Film Festival
    Alba Rohrwacher. Getty Images

    Alba Rohrwacher

    Celebrity Sightings - Day 1 - The 82nd Venice International Film FestivalCelebrity Sightings - Day 1 - The 82nd Venice International Film Festival
    Laura Dern. Getty Images

    Laura Dern

    in Emilia Wickstead

    Celebrity Sightings - Day 1 - The 82nd Venice International Film FestivalCelebrity Sightings - Day 1 - The 82nd Venice International Film Festival
    Emily Mortimer and Alessandro Nivola. Getty Images

    Emily Mortimer and Alessandro Nivola

    "Jay Kelly" Cast Arrive In Venice For The 82nd Venice International Film Festival"Jay Kelly" Cast Arrive In Venice For The 82nd Venice International Film Festival
    Amal Clooney and George Clooney. GC Images

    Amal Clooney and George Clooney

    Amal Clooney in Balmain 

    The Best Red Carpet Fashion from the 2025 Venice Film Festival

    Morgan Halberg

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  • An Ode to It Girls and Sociopathy: Charli XCX’s “360”

    An Ode to It Girls and Sociopathy: Charli XCX’s “360”

    In Madonna’s seminal 1990 hit, “Vogue,” she talks about how Rita Hayworth “gave good face.” That’s at least eighty percent of the “job” description of being an it girl (or “internet girl,” the apparent updated version of that term). The other twenty percent seems to be a mixture of wearing over-the-top couture and being photographed at all the right parties. As a self-appointed party girl/internet obsession, Charli XCX knows all about combining the analog and digital elements of what it means to be “it.” And she pays homage to that at the beginning of her latest video, “360” (yet another single that will appear on Brat).

    Directed by ​​Aidan Zamiri, the scene opens on Charli walking down a hallway as she texts back and forth with fellow it girl Gabbriette, who chastises her for being (five hours) late to a place called Skyferrori’s (is that supposed to be a Sky Ferreira reference?) Trattoria. Traipsing into the restaurant, she’s met with the eyes of Rachel Sennott (who technically “collaborated” with Charli on Bottoms) and Chloe Cherry. It’s Rachel who tells her she can’t sing her song just yet, with Gabriette further explaining, “We have to fulfill the prophecy of finding a new, hot internet girl. That’s literally why we’re at dinner.” A little expository, but sure. Chloe Cherry then adds, “Or else our kind will cease to exist…forever.” Annoyed, Charli tries to speed up the process by suggesting, “What about…her?” as she points to the girl at the end of the table—who happens to be Julia Fox. Obviously, that’s a no go as it girls who are already it girls can’t be chosen. Charli then lands on the waitress (if that word is still permissible) and the others at the table aren’t opposed to it. 

    “What do you guys need me to do?” she asks gamely, even if nervously. Fox explains, “See, you actually need to have this, like, je ne sais quoi.” Charli affirms, “Yeah it’s, like, definitely a je ne sais quoi kind of situation.” In other words, no one wants to admit that it’s pure luck and, often, a little bit of nepo baby clout (as Paris Hilton knows from her late 90s/early 00s it girl days). Or, as Gabbriette describes it, “I would say it’s about being really hot in, like, a scary way.” Fox approves vehemently of that definition. With that “sorted,” Charli declares, “I’m gonna do my song now.” So it is that the A. G. Cook-produced notes begin and Charli delivers the manifesto, “I went my own way and I made it/I’m your favorite reference, baby/Call me Gabbriette, you’re so inspired/Ah, ah I’m tectonic, moves, I make ’em/Shock you like defibrillators/No style, I can’t relate.” Just as Sabrina Carpenter can’t relate to “desperation.” She, too, is something of an it girl at this moment, and her song, “espresso,” exudes the same kind of sociopathy that Charli and co. champion in “360.” Complete with the first proper visual from it outside of the “holding court” restaurant setting being Charli atop an elderly man on a gurney in a hospital. 

    Mounting him with her legs spread apart so that his midsection is between her thighs, other it girls soon gather around her (with Gabbriette blowing cigarette smoke right in his face) in between scenes of Charli in the gym jiggling about with a glass of red wine in hand as Sennott and Fox stand on either side of her (the former texting on her phone and the latter vaping while disinterestedly lifting a dumbbell). 

    In another cut back to the restaurant setting, Charli struts toward the table and gets on top of it so she can walk it like a runway. When she runs out of table, the waiters in the restaurant quickly scramble to provide her with more (a maneuver that smacks of this particular 1990 performance) so that she never has to worry about falling or looking foolish for not being able to continue her strut. Not that she ever would worry—because worry is a sentiment that is entirely out of the it girl’s vocabulary. She knows everything she wants will fall right into her lap not just because she’s “hot,” but because it always has before. For anything else to occur would signal some kind of cataclysm in the universe…at least in the it girl’s internet-speak-fueled mind. And when Charli wants to keep walking once the room itself ends, a waiter knocks out the wall for her so that she can. It’s just, like, the rules of what “little people” are expected to do for beautiful and rich ones. 

    The knocked-out wall leads into a room where an ordinary family sits on the couch as the likes of Richie Shazam (in a cone bra corset) and Chloe Cherry pose in the background while Charli keeps singing her song, declaring, “That city sewer slut’s the vibe/Internationally recognized/I set the tone, it’s my design/And it’s stuck in your mind/Legacy is undebated/You gon’ jump if A. G. made it/If you love it, if you hate it/I don’t fucking care what you think.” Ah, that old chestnut that only sounds authentic when Joan Jett says it via the chorus, “I don’t give a damn ‘bout my bad reputation.” 

    Charli continues to cement her own “bad reputation” as she stands before a pair of crashed cars (she is, after all, the creator of an album called Crash) in the middle of an L.A. street where who should eventually appear but none other than L.A.’s number one hater, Chloe Sevigny. A woman that some might call the original it girl if they’re not aware of Edie Sedgwick’s existence before hers (and yes, it’s almost surprising that Edie wasn’t AI-generated at some point within the context of this video—but maybe Charli decided to limit her poor taste to gyrating atop a hospitalized old man). 

    Charli and Chloe then strut down the road together as a random dumpster on fire shows up in the background. Joining their fellow it girls up ahead, the nine women stand together and throw various poses for a nonexistent camera as the fire keeps raging behind them. Perhaps an ultimate metaphor for the fact that, no matter what kind of chaos or tragedy is happening in the world, you can always count on an it girl’s vanity to totally ignore or disregard it. What’s eternally most important is how fierce she looks.

    Genna Rivieccio

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  • ‘Feud: Capote vs the Swans’ showcases spectacular fashion of writer’s legendary ball

    ‘Feud: Capote vs the Swans’ showcases spectacular fashion of writer’s legendary ball


    NEW YORK — “Feud: Capote vs the Swans” is a story set in New York City during the 1960s and Wednesday’s episode on FX recreates writer Truman Capote’s legendary Black and White Ball.

    The feud between the author and his elegant friends was still years away when Capote invited hundreds of his friends to dress up for a masked ball at the Plaza Hotel in 1966.

    The series features stunning costumes, as expected from a show about women who prided themselves on their appearances — and that’s the focus of the story.

    In French, high fashion is called “Haute Couture” and it was definitely on full display at the famous Black and White Ball. Capote was at the height of his fame when he threw the event.

    “He would’ve obviously loved being fictionalized in this way, he would’ve loved the attention,” said Tom Hollander, who plays Capote.

    Capote’s female friends, the ladies he called his “Swans,” were very particular about what they wore.

    Costume designer Lou Eyrich was in charge of recreating their look and had to make 800 costumes for the ball alone.

    “It was all about presentation, that’s the best way I can put it,” Eyrich said. “It’s like hundreds of things that you don’t think about when you watch it.”

    Fashion designer Zac Posen was enlisted to create gowns for the Swans to wear at the ball.

    “This was a totally new challenge for me,” Posen said. He explained that executive producer Ryan Murphy told him to imagine the ball needed to be an “exaggerated bigger version of what historically happened.”

    “I felt like I was living in the time period in the making of these pieces,” Posen said.

    Posen said the final result blurs fantasy with history and the result is spectacular.

    Episode 3 of “Feud: Capote vs the Swans” airs Wednesday night on FX and streams Thursday on Hulu. Both are owned by the same parent company as this station.

    RELATED | Betrayal spotlighted in FX’s ‘Feud: Capote vs the Swans’

    Sandy Kenyon has the story.

    Copyright © 2024 OnTheRedCarpet.com. All Rights Reserved.



    OTRC

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  • Chloë Sevigny Wore the Pant Trend Everyone’s Swapping Skinnies For

    Chloë Sevigny Wore the Pant Trend Everyone’s Swapping Skinnies For


    Chloë Sevigny has been our style queen since pretty much forever. So when she makes an appearance, we tend to take notes. Recently, Sevigny braved the crazy-cold temperatures last week in New York City, wearing a lush winter look comprised of navy tuxedo-striped trousers, a fluffy black coat, and a playful bag. And while mixing black and blue is not breaking any fashion rules, it can be challenging to pull off. 

    But then again, if anyone can make a fashion statement in mismatched trousers and a topcoat, it’s Sevigny. So this is your sign to give your blue jeans a break and try out this wide-leg style that is trending this season. It looks much more elevated, and if it’s super cold, you can always wear long underwear underneath. (Trust me on this.)

    Keep scrolling to check out wide-leg pants that we think would be Sevigny approved. Stick with basic black, mix it up with navy blue, or have fun with pinstripes and pretty fabrics. Bonus points if you get ’em tailored to fit perfectly with your favorite stacked-heel boots



    Drew Elovitz

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  • This TikTok-Viral $30 Tote Bag Has Never Gone Out of Style in 78 Years

    This TikTok-Viral $30 Tote Bag Has Never Gone Out of Style in 78 Years

    As a millennial, I’m not ashamed to say I love TikTok as much as any Gen Zer out there. I was recently scrolling through the app while working from home—er, I mean, after work!—and came across not one, not two, but three different videos all referencing a classic, affordable staple: the L.L.Bean Boat & Tote Canvas Bag ($30). Don’t you love it when the algorithm figures you out? 

    Showing off a perfectly preppy outfit complete with an L.L.Bean tote, Tiktoker @jesicaelise said: “Very rarely will I let you forget that I spent way too much time at a private school.” I felt that one. The video went viral with nearly half a million views and over 500 comments, with users gushing over their love for the timeless, incredibly durable tote bag, which debuted back in 1944.

    I also came across @aileciajones’s video and then finally @mippapiddleton‘s, in which she says she was influenced to buy the tote because of the two aforementioned videos. A lot of people on TikTok adore the monogram service that L.L.Bean’s website offers and have used it to write funny phrases on the bags instead of their names.

    And if that wasn’t enough proof of its surging popularity, I’ll also add this: After I pitched this story, our social media manager said she just bought one last week because she saw an image on Pinterest of Carolyn Bessette Kennedy wearing it in 1997. Meanwhile, Chloë Sevigny and Reese Witherspoon carried—get it?—the bag into the 2010s.

    While the bag is enjoying newfound fame on TikTok, it has clearly never gone out of style in the 78 years since it came on the market. Scroll down to see the TikToks and celebrity photos, and shop the bag for yourself. 

    Erin Fitzpatrick

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  • My Ideal Summer Uniform Is All Thanks to This NYC Fashion Icon

    My Ideal Summer Uniform Is All Thanks to This NYC Fashion Icon

    Before there were the legions of colorful Scandi Pinterest girls and old money aunties, the fashion set only relied on a handful of people designated as trendsetters and culture definers. These women, by and large stemming from early aughts hipster scenes throughout Los Angeles, Paris, and New York, were designated as It girls. And there was no one cooler than Chloë Sevigny

    In 1994, the New Yorker published a zany inside look at the cool-girl paradise of the time (read: the East Village party scene), crowned by then 19-year-old Sevigny. Her style, like most people, was at the heart of the zeitgeist following the post-’80s counter-culture movement. “Smells Like Teen Spirit” by Nirvana had come out a few years prior. Delia’s catalogs, filled with butterfly clips and platform boots, were being sent out to tween homes across America. Donald Trump was still a random businessman with political ambitions. All was (seemingly) well.

    Sevigny’s classic style moments all border on the eclectic: soccer jerseys paired with high heels, Western cowboy boots with baby-doll dresses at red carpet premieres. Socks, sandals, and Miu Miu sets are all included. They’re all held together by her nonchalant, laid-back attitude. Every time she wears a sheer jumpsuit or unironic pair of biker shorts, it doesn’t feel like she’s trying too hard to feel cool. It just feels like her.

    As a child who was way too young to have unrestricted access to the internet, I didn’t exactly know why Sevigny was famous when I constantly reblogged her on my Tumblr dashboard. All I knew was that she was cool, young, and exactly the woman I aspired to be in a “Lana Del Ray vinyl” way—opulent fur coats, glossy ballet slippers, close access to high-street designers, and cool men chain-smoking cigarettes in rock bands. Granted, I was literally 13, but somewhere deep down, I knew that New York’s favorite actress turned socialite turned fashion darling would continue to manifest herself in every aspect of my life.

    Ana Escalante

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  • All Of My Summer Outfits Include This Under-$60 Pair Of Cult-Favorite Shoes

    All Of My Summer Outfits Include This Under-$60 Pair Of Cult-Favorite Shoes

    After days straight of hiking, kanoeing, sailing, and wine-tasting on the brand’s annual Camp Teva retreat, I have to say, I’m fully onboard; Both Orignal Universal and platform styles are now integrated into my summer wardrobe.

    While you’d think chunky hiking sandals don’t exactly bode well when you’re walking around SoHo, I’ve gotten so many compliments already. It feels like Teva is trying to transform itself and step outside the box with a slew of designer collaborations and elevated colorways that feel much more inclined to the fashion crowd over the camp counselor one. Just this month, the California-based brand launched three styles in collaboration with Chloé, cementing itself once again as a footwear brand for the cool, edgy girl.

    Over the last few years, the rise of “ugly” dad sandals has been on the move, with design houses and nature brands alike serving up fresh takes on the controversial style. While most quilted, lambskin version of the chunky shoe can cost upwards of $2,000 on the resale end, my trusted pair of Tevas begin only at $55, with platform, hiking versions costing only $20 more— a mere fraction of the highly-lauded designer versions. Plus, you won’t feel bad about any scuffs or lived-in marks you’ll get from hiking a mountain-top (or, if you’re like me, accidentally dragging your feet across a subway grate on your way to your local NYC smoothie shop). 

    To be honest, it’s probably better that the general population doesn’t catch on quite yet to the best sandals I’ll ever own in my lifetime. I’ll gatekeep these shoes for as long as I can so I can continue to live my cool, indie-girl fanatasy alongside Chloë Sevigny— another Teva Truther. If that isn’t something to celebrate, I don’t know what is.

    Ana Escalante

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  • Chloe Sevigny’s Sale of the Century Was The Biggest Fashion Event of May

    Chloe Sevigny’s Sale of the Century Was The Biggest Fashion Event of May

    The biggest fashion event of the year just happened. No, I don’t mean the 2023 Met Gala — that snooze fest literally feels like a fever dream (or, if you’re talking about Jared Leto’s cat costume, a nightmare).


    No — on the Lord’s Day, Sunday, May 14, 2023, Chloe Sevigny held the Sale of the Century. Literally.

    @hanselkai

    Another reason i love living in #nyc #chloesevigny #closetsale

    Organized by former Vogue fashion writer Liana Satenstein, the #SaleOfTheCentury was Chloe Sevigny’s storage sale in New York City. Drawing a line that wrapped around multiple city blocks, New York fashion lovers celebrated Mother’s Day by celebrating THEE Mother herself: Chloe Sevigny.

    Liana wrote on Instagram: “We’ve gotten into the depths of @chloessevigny’s perpetual cool girl closet to unearth her sauciest step-and-repeat, club-ready classics. GEAR UP. #STORAGEWARS where are you? Cast our girl.”

    New Yorkers are no strangers to sample sales. Nor are we immune to the occasional closet cleanout of a social media It Girl. But an archive sale like this is unprecedented.

    Featuring pieces that Sevigny herself has been pictured wearing to events or by paparazzi, this is like if your coolest friend’s coolest friend lets you pick through her storage locker. And if that person was one of the original It Girls.

    The phrase “It Girl” may be thrown around now, but Sevigny is its prototype. And though she made her breakthrough as a teen actress in the film Kids, Sevigny has become known for her iconic street style. Always ahead of trends — and in fact, dictating them — Sevigny is one of the most enduring New York City icons.

    So it’s no surprise that the fashion girlies (gender-neutral term, at this point) showed out in droves to pick through her closet rejects.

    The line wasn’t just long, it was full of the best-dressed people in New York. As a haven to the style-obsessed and anyone who has ever referred to themselves as a “Carrie” (you know who you are), NYC is not wanting for events where people dress up to the nines. But rarely does a literal queue draw so many innovative outfits and Big Fits.

    Every red carpet for the rest of the year will have to compete with the looks we saw at the closet sale — Dune press tour, your move.

    People filmed GRWM-style videos just to wait in line for hours — and it paid off. The outfits I saw on TikTok will be inspiring my summer style. Filled with eclectic combinations of high and low pieces, it showed that Cool Girls are alive and well in New York City. And Chloe Sevigny is the mother to them all.

    Though there will likely never be an event like this again, for one brief moment, all the fashion lovers of New York came together to bask in the glory of good style. A Mother’s day miracle.

    LKC

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  • Chloë Sevigny Says There Will Always Be It Girls

    Chloë Sevigny Says There Will Always Be It Girls

    Imagine you are hopped up on cough syrup awaiting the results of a Covid test. (It will be negative, but you don’t know that yet.) You are swaddled in a blur of plaid wool blankets; your throat is happily numb from a slather of Vicks VapoRub. Then your phone rings and it’s Chloë Sevigny.

    She is at a raging H&M party in Brooklyn, which might as well be Mars because you’re not going anywhere anytime soon. And as you drift between the waking world and the cherry-flavored sludge of “get well soon” vibes, you realize even if you were face-to-face with Sevigny, who’s a brand ambassador for the retailer, it wouldn’t entirely matter. That’s because although she is a very real human, she’s also a kind of fever dream—a full (and wonderful) human who is also a looming avatar of cool, a Gen X icon who appears on Gen Z vision boards. She’s also a meme, because: 2022.

    Here’s what Sevigny has to say about the plight of an It Girl, the sex appeal of cardigans, and the infomercial that saved her Miu Miu shirt.

     

    H&M Sequined Knee-high Boots

    Sequined Knee-high Boots

    H&M Sequined Knee-high Boots
    Credit: H&M

    What’s the oldest H&M piece you have in your closet?

    Well, when Humberto (Leon) and Carol (Lim) did their Kenzo collaboration, I still have the blue dress I wore from that campaign, and a lot of stuff from them. Oh! I also have the Margiela stuff from 2012. Remember that? I feel like that collection really put H&M on a different level, because who can just call up Margiela, you know?

    One of the arguments against fast fashion is that it’s not built to last. But you just name-checked H&M pieces from 10 years ago. What are your tips for making clothes—all clothes, not just expensive ones—last longer?

    First, you’ve got to hand-wash things and hang them dry whenever you can. I know it takes longer, and I know not everyone can make that kind of time. But if you can, and you have the patience available, you’ve got to do it. It’s cheaper than dry cleaning, anyway! And then think about your detergent. Because I have a small child, I’ve been using this fragrance-free wash from Seventh Generation on everything. And if you need to get a stain out from a piece—when I have to do that on my very old Miu Miu pieces they gave me when I modeled for them? I use OXY on those.

    The curtain cleaner from the infomercial?

    Yep. I just dip them in and it makes them bright white again. I’ve been doing that forever.

    H&M Rhinestone Earrings

    Rhinestone Earrings

    H&M Rhinestone Earrings
    Credit: H&M

    A lot of the clothes you mentioned are gifts. What’s the best fashion present you’ve ever received?

    You know, I just dug something out of storage. It’s a hand-knit cardigan sweater with my name sewn onto the front that Harmony Korine’s mother made for me. It’s so DIY and the care that went into it is pretty special. Patrick O’Dell photographed me in it [in 2005], but I’ve started wearing it again and it is still so good.

    I feel like JW Anderson is gonna make you another version. It’ll be the new Harry Styles cardigan.

    Wait, speaking of JW, I also have these things I call “Cinderella Dresses,” which are the clothes you wear once and have to give back to the designer. But every once in a while—not that often!—you get to keep them. So I have the JW dress that I wore to the Met Gala, and a Valentino dress from the Golden Globes, and they’re getting stored properly by Julie Ann Clauss—she’s The Digital Archivist on Instagram—so they don’t get messed up. There’s also an older dress from [Alexander] McQueen that is very, very special.

    It’s been 28 years since Jay McInerney profiled you in The New Yorker and named you the It Girl of the ‘90s. Do you think New York It Girls can still exist now, or has the internet made it impossible for someone like Julia Fox to attain that kind of cultural aura?

    I think there will always be It Girls, because there’s always going to be someone on the scene who’s extra spectacular. Whether it’s because of their natural style or presence or intellect—in many ways, it’s mostly intellect that sets you apart and lets you rise above the rest! Julia [Fox] sure, and also Paloma [Elsesser] and Hailey Benton Gates; they’ve all got that mix. They can light up a room, but they also can understand and calibrate the mood in those rooms.

    H&M Sequined Slip Dress

    Sequined Slip Dress

    H&M Sequined Slip Dress
    Credit: H&M

    I had no idea, but that’s great. I mean, unfortunately, Shattered Glass is very timely. Now with all the fake news, and the dialogue around journalistic integrity and clickbait, I think it is very timely. So it’s a good thing people are finding that story again!

    This interview has been edited and condensed for clarity.

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  • Hungry Love: Bones and All

    Hungry Love: Bones and All

    Despite the alleged increasing “openness” of society to those who are “different,” there remains a paucity of films about cannibals. And even literary tales of such ilk remain scarce… which is why Camille DeAngelis’ 2015 novel, Bones and All, was such a unique revelation. Too unique for someone like Luca Guadagnino to pass up the chance to turn it into a cinematic tour de force, in addition to the opportunity to reteam with screenwriter David Kajganich. Notably, Kajganich also wrote the scripts for the Guadagnino films A Bigger Splash and Suspiria. Both movies being horror-esque (Suspiria obviously more so), Bones and All feels like a natural fit for the expansion of their collaborative filmography. For, while Bones and All is not outright “horror,” there is something altogether slow-burn terrifying about what happens to Maren Yearly (Taylor Russell) in this fantastical coming-of-age narrative. Because, yes, Guadagnino manages to imbue cannibalism with a sense of the fantastical and the Blink-182 adage “I guess this is growing up.” Or maybe “fucked-up fairy tale” is a more appropriate term than fantastical.  

    Flipping the scenario from the book, wherein Maren goes in search of her father, Kajganich adapts the material so that it’s actually her mother that abandoned her and her dad, Frank (André Holland), when she was a child, and who she now seeks out with the information Frank left behind after also ditching her in the end. Yet, “at least” he waits until his parental responsibility for her is legally over, choosing to bounce right when she turns eighteen (in the novel, Maren’s mother leaves the night after her sixteenth birthday—far crueler, no?). For anyone who ever said parental love was unconditional must have been extremely naïve. This latest abandonment doesn’t do much to make Maren feel better about the constant guilt she has over her need to feed upon human flesh. Most recently doing so at a sleepover where she bites the finger off a would-be friend apropos of nothing. It’s so absent-minded as to make it come across as it truly is: like complete second nature to Maren.  

    Among the things Frank left behind for her to help uncover who she really is and how to deal with it includes her birth certificate with her mother’s name and city of birth on it, as well as a tape (because, don’t forget, this is the 1980s) recounting all the victims Maren collected over the years. Per Frank’s rehashing, the first time she ate human flesh was as a baby of three years old. The victim in question was her babysitter, whose face Maren ate. This also marked the first time Frank had to pick up and move them to another state, never using the same last name from that instant forward. In the book, the babysitter, named Penny Wilson, is given far more thought by Maren, who notes of what she did, “I loathed myself even then. I don’t remember any of this, but I know it.”

    And yet, when she happens upon her first fellow “eater,” the ultra-creepy and disgusting Sully (Mark Rylance), after being left to her own devices, she begins to give in more fully to who and what she is. Even though seeing Sully in his underwear eating the dying old woman he “smelled” from afar and preyed upon doesn’t really make her feel all that “great” either. Nor does Sully’s ominous warning of her attempts to quell her urges, “Whatever you and I got, it’s gotta be fed.” So it is that Maren does join in on eating the now-dead old lady, but she doesn’t stick around much longer to engage with Sully, who eerily refers to himself in the third person, indicating some kind of split personality or dissociation technique from what he does. Though, lucidly enough, he assures Maren, “I got rules. Number one is never, never, ever eat an Eater.” Famous last words, as a certain character says in the movie.

    Mercifully, on her Greyhound route (for she’s on her way to the Minnesota town where her mother was born) that stops in Indiana, Maren encounters a far less disgusting (at least physically and aura-wise) eater in Lee (Timothée Chalamet). As the two both rally to verbally defend a woman shopping at the grocery store from being harassed by some dickhead, Lee is the one to lure him outside under the pretense of getting into a garden-variety fight. But what Maren sees later on after leaving the store is that Lee clearly ate this man. Therefore, his own number one rule seems to be: target assholes only. Thereby using his “condition” for some good, one supposes.

    Upon confirming his “predilection,” Maren is quick to join Lee in the truck of the victim, “Barry Cook” (as his ID indicates), and ask if he can help her, essentially, figure out how to “be.” As for Lee’s own “post-eating” ritual, it usually entails going to the home where his victim lived to double-check that they don’t have anyone in their life who might notice their absence. And so, at Barry’s porno poster-filled house, Lee puts on “Lick It Up” by KISS. Just one of the many pointed musical selections designed to remind us that this is the 80s (along with a macabre Americana score from Trent Reznor and Atticus Ross). Not to mention the wielding of politicians like Rudy Giuliani and Ronald Reagan in the background of it all.

    Another moment of overpowering sonic 80s-ness is when Lee and Maren finally succumb to their overt attraction to one another at a carnival, kissing on the Ferris wheel to the tune of Joy Division’s “Atmosphere.” It’s then that Maren confesses, “I’m hungry, Lee.” So Lee does what men have been programmed to do since time immemorial: hunt food for “his” woman. The ensuing experience of eating a carnival worker together is in direct contrast to what Maren felt with Sully, of whom she describes to Lee at a diner as, “…creepy, I guess.” Lee ripostes, “Did that dawn on you before or after you ate Mrs. Herman together?” She corrects, “Mrs. Harmon.” He scoffs, “Does that help? Memorizing their names?” Lee obviously being in total disagreement with Maren’s incessant need to moralize her inherent nature—as though there’s actually something she can do about it.

    The guilt hits her again after realizing that the carnie worker, an on the downlow gay (quite easy for someone with Chalamet’s aesthetic to lure), actually had a wife and child that Maren discovers at his address when they perform Lee’s post-eating ritual. Forced to reconcile every time with this feeling of culpability and sin, Lee’s presence becomes a source of comfort to Maren as they persist on her journey to Minnesota. One that results in yet another heartbreaking epiphany. So much so that Maren feels obliged to go her own way for a while, deserting Lee similarly to how she did with Sully. Except, this time, it’s much more callous because it’s evident the two have fallen in love. Even if that love has formed almost entirely from a bond of profound mutual alienation from society.

    As Guadagnino’s first movie shot in the U.S. (the milieu one automatically associates with the “road movie”), the subtlety with which he conveys the acute loneliness of being in this landscape is only further accented by the duo possessing the added burden of being cannibals. Despite the Shakespearean quality of Bones and All painting Maren and Lee as a pair of doomed “star-crossed lovers,” Guadagnino asserted that it’s also “a very romantic story, about the impossibility of love and yet, the need for it. Even in extreme circumstances” (see also: Badlands).

    Alas, the greatest “sin” of this particular set of Eaters is their reluctant assumption that they can “have nice things,” like love. Which is why, after reuniting in the third act, Lee foolishly inquires of Maren, “You wanna be people? Let’s be people.” Maren agrees, “Yeah, let’s be them for a while.” A.k.a. normies with jobs and a fixed residence. One that turns out to be in Ann Arbor, Michigan, as Maren manages to secure a job at a bookstore. Of course, these attempts to “go straight” are inevitably in vain. Because nothing is going to prevent the tragic fate that awaits them both in the final minutes of a film that may just end up prompting The Silence of the Lambs to step aside as the “premier” book and movie about cannibal life.

    Genna Rivieccio

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