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Tag: Children's entertainment

  • Jamie Lee Curtis is working on a new children’s book, ‘Just One More Sleep,’ for January publication

    Jamie Lee Curtis is working on a new children’s book, ‘Just One More Sleep,’ for January publication

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    Oscar winner Jamie Lee Curtis also has a busy career as a children’s author

    This cover image released by Penguin Young Readers shows “Just One More Sleep” by Jamie Lee Curtis and illustrated by Laura Cornell. (Penguin Young Readers via AP)

    The Associated Press

    NEW YORK — NEW YORK (AP) — Oscar winner Jamie Lee Curtis also has a busy career as a children’s author. Her next work, “Just One More Sleep,” is set to come out in January.

    “The passage of time, how children relate to waiting, and patience are the themes at play in my newest book for children,” Curtis said in a statement released Thursday by Philomel Books, an imprint of Penguin Young Readers. The actor had previously released her children’s stories through HarperCollins.

    “The seed for this book was planted when I saw my 4-year-old neighbor, Betty, on Christmas Eve 2020 and I said ‘Santa is on his way!’ She scolded me and said, ‘No Jamie, one more sleep, then Santa.’ That moment of her literal truth gave birth to this lovely book, which I hope will resonate with all families with young children,” Curtis said.

    She will again team with illustrator Laura Cornell, who worked with Curtis on “Tell Me Again About the Night I Was Born,” “Today I Feel Silly” and several other picture stories.

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  • Child star Mia Armstrong is working on a picture book about her experiences with Down syndrome

    Child star Mia Armstrong is working on a picture book about her experiences with Down syndrome

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    Child star and activist Mia Armstrong has a picture book coming out next year about her experiences with Down syndrome, what her publisher calls “all the joys and challenges.”

    NEW YORK — Child star and activist Mia Armstrong has a picture book coming out next year about her experiences with Down syndrome, what her publisher calls “all the joys and challenges.”

    Random House Children’s Books announced Monday that Armstrong’s “I Am a Masterpiece!” will be released next January. Illustrated by Alexandra Thompson and co-written by Armstrong and author Marissa Moss, the book is Armstrong’s way of helping kids see the world as she sees it.

    Armstrong has spoken often about Down syndrome, and has called it her “superpower.”

    “I wrote this story because I want to inspire other people to love their own stories and be proud of who they are,” the 12-year-old Armstrong said in a statement. “Down syndrome does not define me and is just one small part of who I am. I’m also an actress, a model, a voiceover artist, a rock climber, a thrill seeker, a daughter, a sister, and a friend. My dream is for ‘I Am a Masterpiece!” to help kids everywhere recognize that people with Down syndrome are capable, strong and unique and that all people deserve to be accepted and loved.”

    Armstrong is the first child with Down syndrome to provide the voice for a cartoon character, the superhero Eon on the Netflix show “Action Pack.” Her other credits include “Hello Jack! The Kindness Show” and “Carol of the Bells.”

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  • The friendship behind summer’s most charming comedy ‘Theater Camp’

    The friendship behind summer’s most charming comedy ‘Theater Camp’

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    There is quite a bit of history between the team behind “Theater Camp,” a loving satire of musical theater kids and their teachers that opens in theaters Friday.

    Molly Gordon, Ben Platt, Noah Galvin and Nick Lieberman are all, first and foremost, theater kids themselves. They’re also longtime friends. Lieberman has been making things with Platt since they were in high school. Galvin and Gordon are best friends and did a play together about a decade ago. And Galvin and Platt are currently engaged.

    It’s Platt and Gordon’s relationship that stretches back the furthest, though. Both children of parents in the entertainment industry, they’ve been friends since they were 3 years old.

    “I was deeply in love with him,” Gordon laughed in an interview with her collaborators during the Sundance Film Festival. “He came out to me and didn’t want to be with me, but I still tried for years.”

    The ins and outs of all of their collaborations, musical workshops, web series, comedy videos and hours improvising would require a flow chart to process fully. But what it boils down to is when the four found each other, they didn’t want to let go.

    About five years ago, they found themselves with a moment between projects and decided that they would finally do something together. So they “stole” some kids from Galvin’s old performing arts high school in Manhattan and put together a short film about a musical theater camp.

    “It seemed like the most natural world for us to jump off the ledge into together as this comedy collective for the first time,” Platt said. “We all felt like it really suited us tonally and emotionally. It was exactly the kind of thing we wanted to make. (The short) was a quite a janky, very fast, very, very, very cheap, quick little moment. But it definitely set off an alarm in all of us.”

    A few years would go by before they got the greenlight for the feature, helped by Picturestart and Topic Studios, as well as Jessica Elbaum, of Will Ferrell’s Gloria Sanchez Productions, who’d gotten to know Gordon and Galvin during “Booksmart.”

    “I’m such a nerd, so I knew who Jessica was,” Gordon said. “We got lunch one day and she said ‘I feel like you want more than this. I feel like you want to write things.’ She’s done that to Noah too. She’s really good at spotting people who want more.”

    “Theater Camp” is the feature debut for Gordon and Lieberman. They all wrote the screenplay, and everyone but Lieberman acts in the film. The premise is that a documentary crew has come to make a film about a crumbling but beloved upstate New York camp, AdirondACTS, run by Amy Sedaris’ character. In the first few minutes she has a seizure, and her son, a finance bro (Jimmy Tatro), steps in to try to run the camp. Gordon and Platt play camp teachers and former students, while Galvin is a techie with unsung talents.

    “We don’t often give a voice to the tech people,” Galvin said.

    Nearly all of the scenarios in the film are based on things that have happened to them or stories they’ve heard from friends.

    “Theater is a world of people who are so absurd and in their own worlds. You can get away with them doing things that are ridiculous,” Lieberman said. “But you also want to find a way to ground it.”

    “The Bear” breakout Ayo Edebiri — nominated this week for an Emmy — plays a new hire, who tries to hide the fact that she has no experience teaching musical theater.

    “We all have moments with teachers who are so formative and meaningful and also, like, wildly absurd,” Platt said.

    Though all the 20-somethings have been in the business for most of their lives, making “Theater Camp” was still a baptism by fire in some ways. They only had 19 days to shoot, which they did last summer at a defunct camp in upstate New York, and then had to feverishly edit the film to get a cut to Sundance in time for this year’s festival. This was made more complicated by the fact that “Theater Camp” was also largely improvised.

    “There’s about 47 different versions of this movie. Some of them are bad, some of them are good,” Gordon said. “But like Christopher Guest edits for a year!”

    Still the set was a joyous place and all took care to make sure it was a fun experience, especially for their young co-stars. Some of their favorite moments ever were at school performances and theater camps and they wanted to recreate that.

    “It felt like being in a real theater program,” Gordon said. “Even if they messed up, that could be turned into a beautiful moment. I think everyone was scared when we were pitching this movie. How are the kids going to improvise? And they improvised around all of us. They were amazing.”

    The truth and history in “Theater Camp” runs deep, from real footage of Platt and Gordon performing together as kids, up through some more dramatic elements in which the co-dependent friends have a fight.

    “I just felt totally, completely free to be intense and unlikable and funny and weird and all of the things necessary in a way that I don’t think I’ve ever experienced,” Platt said. “We’ve all been part of things where the making of it just really didn’t live up to what the project was. And even if it came out beautifully, there was something either challenging or difficult about the making of it. The fact that people can look back on this experience separate from the product and be like, ‘This was so fun and I’m going to remember this positively’ is the best thing.”

    The film premiered to positive reviews at Sundance earlier this year and was quickly acquired by Searchlight Pictures for a theatrical release in the summer — the ideal scenario. But the making was already a peak.

    “There will never be another quite like it,” Platt said.

    ___

    A version of this story first ran during Sundance on Jan. 20, 2023. It has been updated to in advance of the film’s release Friday.

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  • Afros, twists and plaits: Trinidad on a quest for more diverse hairstyles at schools after outcry

    Afros, twists and plaits: Trinidad on a quest for more diverse hairstyles at schools after outcry

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    SAN JUAN, Puerto Rico — Government officials are pushing to relax hair codes at schools in Trinidad and Tobago following a recent public outcry over nearly two dozen students who didn’t receive their high school diploma because they wore Afros, cornrows and other hairstyles at graduation.

    Education Minister Nyan Gadsby Dolly called for new rules that would allow students to wear Afros, locks, twists, plaits and cornrows, which are called canerows in the Caribbean in reference to sugarcane. She presented the proposal during a meeting Thursday with legislators, principals and teachers, noting that wigs or dyed hair wouldn’t be allowed.

    The meeting was held more than a week after a private high school in Trinidad prevented 23 graduating students from walking the stage to receive their diploma because of their hairstyles.

    Gadsby-Dolly called the incident “unfortunate and regrettable” shortly after it happened, writing on Facebook that: “The time for this conversation in Trinidad and Tobago has come.”

    It was the latest incident in the Caribbean involving a school taking action against students of African descent for their hairstyles.

    In 2020, Jamaica’s Supreme Court ruled that a primary school had the legal right to ban a 5-year-old student from attending class because she wore locks, sparking an outcry. She eventually was allowed to return to school.

    A year later, Jamaica’s Education Ministry warned schools that they weren’t allowed to turn away students taking tests because of their hairstyles after it received complaints of such incidents.

    The debate has played out elsewhere, including in the United States, with the U.S. Army dropping a ban on locks in 2017. Then in 2019, California became the first state to prohibit discrimination based on hairstyles including Afros and braids. The bill was signed just months after a referee in New Jersey told a Black high school wrestler he had to cut off his locks if he wanted to compete. Since then, more than 20 U.S. states have approved similar laws, including Michigan last month.

    Meanwhile, media in Brazil for the past decade have reported dozens of cases of teachers telling Black children they need to change their hair. In May, a video went viral of a mother in the city of Maringa claiming her 5-year-old daughter had been a victim of racism at school. The child said in the video that the teacher blamed her curly hair for a bad smell in the classroom. Maringa officials suspended the teacher and are investigating the case.

    In September, a history teacher in the city of Belo Horizonte told an 11-year-old girl with curly hair that she looked like “a mad woman who came out of a mental institution,” according to police. The teacher was charged and is awaiting trial. If found guilty, he could spend three years in jail.

    Several days before Trinidad’s education minister called the meeting on hairstyles, she stressed the need for reform in the twin-island nation of 1.4 million people where more than 30% are of African descent.

    “Let’s keep discussing weighty matters; our maturity as a nation depends on it,” she wrote on Facebook.

    Trinidad’s Education Ministry said in a statement that schools must create their own hair rules by October that reflect a national code that is in the works.

    The ministry added that the educational environment is dynamic and requires “adjustments to policies to keep pace with accepted changes in societal norms, values and beliefs.”

    Gadsby Dolly warned that students shouldn’t be punished for their hairstyles while a new code is being drafted.

    ___

    Mauricio Savarese in Rio de Janeiro contributed to this report.

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  • Bail hearing set for Utah woman accused of killing husband then writing grief book for kids

    Bail hearing set for Utah woman accused of killing husband then writing grief book for kids

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    PARK CITY, Utah — A Utah woman who wrote a children’s book about coping with grief after her husband’s death, and was later accused of fatally poisoning him, is scheduled to appear in court Monday to determine whether she should remain detained or have an opportunity to post bail.

    Kouri Richins, 33, is charged with murder and drug possession.

    Prosecutors say in court documents that she slipped five times the lethal dose of fentanyl into a Moscow mule cocktail she made for her husband, Eric Richins, amid marital disputes and fights over a multimillion-dollar mansion she ultimately purchased as an investment.

    The mother of three self-published an illustrated book about an angelic father watching over his sons.

    The case became a true-crime fixation when charges were filed last month, prompting people to pore over the children’s book and scrutinize remarks she made while promoting it as a tool to help children grieve the loss of a loved one.

    Prosecutors have painted a picture of a conniving woman who tried to kill her husband weeks earlier by lacing a Valentine’s Day sandwich with hydrocodone and repeatedly denied her involvement on the day of his death in March 2022, even telling police, “My husband is active. He doesn’t just die in his sleep. This is insane.”

    In a motion calling for her release filed on Friday, Kouri Richins’ attorneys argued the evidence against her is circumstantial because police never seized fentanyl from the family home. They also called into question the credibility of the key witnesses expected to support the prosecutors’ request to keep her in custody.

    The attorneys said prosecutors “simply accepted” the narrative from Eric Richins’ family that his wife had poisoned him “and worked backward in an effort to support it” by spending about 14 months investigating and finding no evidence to support their theory.

    The case also has shined a spotlight on Kamas, Utah, an agricultural town on the backside of Utah’s Wasatch Mountains near Park City, one of the American West’s preeminent destinations for skiing, hiking and outdoor recreation. The couple and their three sons lived in a new development in the town of Francis, roughly 50 miles (80 kilometers) east of Salt Lake City.

    If the case goes to trial, it could hinge largely on an unidentified informant who prosecutors say sold Richins the drugs that medical examiners later found in her husband’s system.

    Charging documents and warrants detail interviews in which the informant said she sold Richins hydrocodone and fentanyl in the weeks and months before her husband’s death. Prosecutors say the drug purchase timeline corresponds with Eric Richins’ death and their allegation that his wife laced the sandwich weeks prior.

    After her husband survived the first alleged poisoning, Kouri Richins asked for stronger drugs, “some of the Michael Jackson stuff,” the dealer told investigators, according to prosecutors. When the pop star died of cardiac arrest in 2009, medical examiners found prescription drugs and powerful anesthetics in his system, not fentanyl.

    Charging documents suggest the case likely will revolve around financial and marital disputes as possible motives. The couple had argued over whether to purchase an unfinished, 20,000-square-foot (1,860-square-meter) mansion nearby and discussed divorce prior to his death, court filings allege.

    Prosecutors also say Kouri Richins made major changes to the family’s estate plans before her husband’s death, taking out life insurance policies on him with benefits totaling nearly $2 million.

    They also allege Richins took out and spent a $250,000 home equity line of credit, withdrew $100,000 from her husband’s bank accounts, spent more than $30,000 on his credit cards and stole about $134,000 meant for taxes for his businesses.

    Some of the allegations correspond to civil court filings submitted in different cases after Eric Richins’ death in which his blood relatives and widowed wife filed competing claims over how to split a masonry business with his former partner and whether Kouri Richins can benefit from a trust set aside for his next of kin.

    Greg Skordas, an attorney and victims’ advocate working with Eric Richins’ relatives, said Richins’ three children are staying with a relative while their mother awaits trial. Katie Richins-Benson, who is Eric Richins’ sister and the trustee to his estate, has filed for guardianship.

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  • Sharing the sentence: Separation takes toll on incarcerated moms and their kids

    Sharing the sentence: Separation takes toll on incarcerated moms and their kids

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    LINCOLN, Ill. — Dressed in her Sunday best — pink ruffled sleeves and a rainbow tulle tutu — Crystal Martinez’s 4-year-old daughter proudly presented her with a multicolored bouquet of carefully crafted tissue paper flowers. With her 5-year-old son nestled on her lap, laughing in delight, Martinez held out her arms and pulled the girl into a hug so tight that her glasses were knocked askew.

    “I want you! I don’t want the flowers,” Martinez said, smiling and holding her children close.

    Martinez’ five children, including the three aged 13, 10 and 6, last month traveled for three hours from Chicago to visit her in Logan Correctional, Illinois’ largest state prison for women and transgender people, on the Reunification Ride. The donation-dependent initiative buses prisoners’ family members 180 miles (290 km) from the city to Logan every month so they can spend time with their mothers and grandmothers.

    The number of incarcerated women in the United States dropped by tens of thousands because of COVID-19. But as the criminal justice system returns to business as usual and prison populations creep back to pre-pandemic norms, more children are being separated from their mothers, putting them at greater risk of health and behavioral problems and making them vulnerable to abuse and displacement.

    Black and Hispanic women are more likely to be imprisoned than white women and are affected disproportionately by family separation due to incarceration.

    Women held at Logan describe the Reunification Ride — one of the increasingly rare, under-funded programs designed to keep families together — as a crucial lifeline.

    “I thank God that it is at least once a month. Some people don’t get to see their kids at all,” said Joshlyn Allen, whose 5- and 3-year-old children visited her with their grandmother.

    The kids and their caregivers meet at 7 a.m. at a South Side big box store parking lot, bleary-eyed but excited. Organizers hand out snacks, games, water and coloring supplies as they get on the road.

    Three hours later, the charter bus pulls up at the facility’s barbed wire gates in Lincoln, Illinois, with children peering from the windows. As families progress slowly through security, shouts of “Mommy!” and squeals of glee fill the prison gym made cheerful with handmade decorations.

    The prisoners create decorations for the visits, including colorful paper flowers, butterflies, family photos framed in construction paper and even the bouquet presented to Martinez by her daughter. Families are not allowed to bring anything besides essentials, such as diapers.

    The number of women incarcerated in the U.S. dropped by about 30%, to 146,000, from 2019 to 2020, according to U.S. Department of Justice data. The nonprofit Prison Policy Initiative attributes that decrease to slowdowns in court proceedings, temporary process changes and efforts to reduce prison populations due to the pandemic.

    But female prison and jail populations are rebounding to pre-pandemic levels.

    “We are seeing more and more families separated,” said Alexis Mansfield, Reunification Ride coordinator for the Women’s Justice Institute.

    About 58% of women in state or federal prisons are parents of minor children in the U.S. Black and Latina women experience greater incarceration rates than white women and are about as likely or more likely to be parents, according to the Bureau of Justice Statistics.

    Although women are far less likely to be imprisoned than men, their incarceration can have outsized effects on families, Mansfield said. She has witnessed children reuniting with their incarcerated mothers after months or years apart who “immediately disclose that they’re being abused or that they’re facing a challenge at school.”

    “That bond between mothers and children is so strong. And without seeing their moms, very often kids are in vulnerable positions with nobody to turn to,” she said.

    Gina Fedock, professor at the University of Chicago’s Crown Family School of Social Work, Policy and Practice, researches the well-being of marginalized women, particularly those behind bars.

    Programs like Reunification Ride that offer recurring visits are rare in the U.S., Fedock said.

    “Most states don’t have such opportunities,” she said. “There’s a real lack of consistent resources, particularly these types of transportation programs.”

    University of Chicago researchers found only one similar initiative in a nationwide sweep, Hour Children in New York, Fedock said.

    Incarcerated women tend to be the primary caregivers and often are the breadwinners, meaning children whose mothers are imprisoned are frequently displaced or enter the child welfare system, she said.

    The impact of this kind of “ambiguous loss” of a parent can lead to increased risk of health issues, developmental delays, behavioral problems and issues with education, since kids moving in with a different caregiver often have to switch schools abruptly, according to the researcher.

    “It’s really easy for (the children) to fall through the cracks,” Fedock said.

    Maintaining the maternal bond can reduce “the traumatic effects of parental incarceration for those children and their families,” Fedock explained. “Every constraint on the parent constrains the parenting relationship.”

    Nyia Pritchett said she was unable to visit her mother, Latonyia Dextra, without Reunification Ride. Before the trip, the 27-year-old had not seen Dextra in person for three years.

    Pritchett, who lives an hour outside of Chicago, awoke at 4 a.m. to catch the bus.

    “It’s worth it,” she said. “So much time my mom has missed out of our lives. The little times like this mean a lot.”

    Dextra is serving a 28-year sentence and has been imprisoned since Pritchett was a child. During the visit, she braided Pritchett’s vibrant red curls into a crown.

    “It felt like when I was a little girl,” Pritchett said.

    Pritchett wept while recounting the time spent without her mother. Dextra held her and wiped away her tears.

    Dextra said her children give her hope and that “this program means a lot.”

    The Reunification Ride, formerly the recipient of public funds that dried up in 2015 during Illinois’ two-year budget impasse, has been adopted by nonprofits that rely on crowdsourcing and volunteers to keep the program alive. Each trip costs about $3,000 to $3,500.

    “We realized that this was just too important to stop,” Mansfield said.

    Erika Ray is serving a 42-year sentence for armed robbery and murder. Her 23-year-old daughter, Jada Lesure, was just 7 when her mother was charged. Lesure now brings her 4-year old son to visit.

    The programs offer a child-friendly, welcoming alternative to the strict rules of a typical visit behind glass or in small visitor spaces where kids struggle to sit still, without games or food, Ray said.

    “There wasn’t any program like this” when Jada was a child, Ray said, watching her grandson zoom happily around the gym.

    But even as an adult, Lesure said, “I need my mom. Everybody needs their mom.”

    Ray laments it will be a long time before she is able to return home.

    “There is no way to punish the parent and not punish the child,” she said.

    ___

    Savage is a corps member for the Associated Press/Report for America Statehouse News Initiative. Report for America is a nonprofit national service program that places journalists in local newsrooms to report on undercovered issues.

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  • ‘Spider-Man: Across the Spider-Verse’ swings to massive $120.5 million opening

    ‘Spider-Man: Across the Spider-Verse’ swings to massive $120.5 million opening

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    NEW YORK — NEW YORK (AP) — “Spider-Man: Across the Spider-Verse” opened in U.S. and Canadian theaters with a massive $120.5 million, more than tripling the debut of the 2018 animated original and showing the kind of movie-to-movie box-office growth that would be the envy of even the mightiest of Hollywood franchises.

    Sony Pictures’ “Across the Spider-Verse,” the multi-verse spinning animated Spider-Man spinoff, sailed way past expectations, according to studio estimates Sunday, riding terrific reviews (95% fresh on Rotten Tomatoes) and strong buzz for the hotly anticipated follow-up to the Oscar-winning “Spider-Man: Into the Spider-Verse.”

    In the sometimes formulaic realm of superhero movies, 2018’s “Into the Spider-Verse” offered a blast of originality, introducing a teenage webslinger from Brooklyn, Miles Morales ( Shameik Moore ), a punk-rock Gwen (Hailee Steinfeld) and a host of other Spider-People. It launched with $35.4 million on its way to $384.3 million worldwide.

    “Across the Spider-Verse,” which exponentially expands the film’s universe-skipping worlds, cost $100 million to make, about half the cost of the average live-action comic-book movie. So at even the forecast $80 million that “Spider-Verse” had been expected to open, “Across the Spider-Verse” would have been a hit.

    Instead, it has turned out to be a box-office sensation, and the second largest domestic opening of 2023, trailing only “The Super Mario Bros. Movie.” “Across the Spider-Verse,” directed by Joaquim Dos Santos, Kemp Powers and Justin K. Thompson, even topped “Guardians of the Galaxy Vol. 3,” which debuted with $118 million, for best opening weekend of the summer so far.

    The film, shepherded by writer-producers Phil Lord and Christopher Miller, is part two in a trilogy that will conclude with a third chapter to be released next year. “Across the Spider-Verse” over-performed abroad, too, with $88.1 million overseas.

    After few family offerings for much of the first half of 2023, theaters are suddenly flush with kid-friendly entertainment. Last week’s top film, the Walt Disney Co.’s live action remake “The Little Mermaid,” slid to second with $40.6 million in it second weekend.

    After launching with $95.5 million and $117.5 million over the four-day Memorial Day weekend, “The Little Mermaid” dipped 57%, partly due to the formidable competition from “Across the Spider-Verse.”

    Having cost a reported $250 million to make, “The Little Mermaid” was met with mixed reviews but more enthusiasm from audiences, which gave it an “A” CinemaScore. But overseas, where previous Disney live-action remakes have thrived, is proving harder territory this time. The film added $42.4 million internationally over the weekend.

    Disney also supplied the weekend’s top counter-programming option in “The Boogeyman,” a mostly well-received horror adaptation of a Stephen King short story. Director Rob Savage’s $35 million film, starring Sophie Thatcher and Chris Messina, had originally been intended to debut on Hulu before the studio pivoted. It opened with $12.3 million in ticket sales.

    In limited release, the Sundance breakout film “Past Lives” launched with an impressive $58,067 per-screen average on four screens. Celine Song’s directorial debut stars Greta Lee as a woman torn between a childhood friend from Korea (Teo Yoo) and her American husband (John Magaro).

    Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

    1. “Spider-Man: Across the Spider-Verse,” $120.5 million.

    2. “The Little Mermaid,” $40.6 million.

    3. “The Boogeyman,” $12.3 million.

    4. “Guardians of the Galaxy Vol. 3,” $10.2 million.

    5. “Fast X,” $9.2 million.

    6. “The Super Mario Bros. Movie,” $3.4 million.

    7. “About My Father,” $2.1 million.

    8. “The Machine,” $1.8 million.

    9. “Suga: Agust D Tour Live in Japan,” $1.2 million.

    10. “You Hurt My Feelings,” $770,000.

    ___

    Follow AP Film Writer Jake Coyle on Twitter at: http://twitter.com/jakecoyleAP

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  • ‘Spider-Man: Across the Spider-Verse’ swings to massive $120.5 million opening

    ‘Spider-Man: Across the Spider-Verse’ swings to massive $120.5 million opening

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    NEW YORK — NEW YORK (AP) — “Spider-Man: Across the Spider-Verse” opened in U.S. and Canadian theaters with a massive $120.5 million, more than tripling the debut of the 2018 animated original and showing the kind of movie-to-movie box-office growth that would be the envy of even the mightiest of Hollywood franchises.

    Sony Pictures’ “Across the Spider-Verse,” the multi-verse spinning animated Spider-Man spinoff, sailed way past expectations, according to studio estimates Sunday, riding terrific reviews (95% fresh on Rotten Tomatoes) and strong buzz for the hotly anticipated follow-up to the Oscar-winning “Spider-Man: Into the Spider-Verse.”

    In the sometimes formulaic realm of superhero movies, 2018’s “Into the Spider-Verse” offered a blast of originality, introducing a teenage webslinger from Brooklyn, Miles Morales ( Shameik Moore ), a punk-rock Gwen (Hailee Steinfeld) and a host of other Spider-People. It launched with $35.4 million on its way to $384.3 million worldwide.

    “Across the Spider-Verse,” which exponentially expands the film’s universe-skipping worlds, cost $100 million to make, about half the cost of the average live-action comic-book movie. So at even the forecast $80 million that “Spider-Verse” had been expected to open, “Across the Spider-Verse” would have been a hit.

    Instead, it has turned out to be a box-office sensation, and the second largest domestic opening of 2023, trailing only “The Super Mario Bros. Movie.” “Across the Spider-Verse,” directed by Joaquim Dos Santos, Kemp Powers and Justin K. Thompson, even topped “Guardians of the Galaxy Vol. 3,” which debuted with $118 million, for best opening weekend of the summer so far.

    The film, shepherded by writer-producers Phil Lord and Christopher Miller, is part two in a trilogy that will conclude with a third chapter to be released next year. “Across the Spider-Verse” over-performed abroad, too, with $88.1 million overseas.

    After few family offerings for much of the first half of 2023, theaters are suddenly flush with kid-friendly entertainment. Last week’s top film, the Walt Disney Co.’s live action remake “The Little Mermaid,” slid to second with $40.6 million in it second weekend.

    After launching with $95.5 million and $117.5 million over the four-day Memorial Day weekend, “The Little Mermaid” dipped 57%, partly due to the formidable competition from “Across the Spider-Verse.”

    Having cost a reported $250 million to make, “The Little Mermaid” was met with mixed reviews but more enthusiasm from audiences, which gave it an “A” CinemaScore. But overseas, where previous Disney live-action remakes have thrived, is proving harder territory this time. The film added $42.4 million internationally over the weekend.

    Disney also supplied the weekend’s top counter-programming option in “The Boogeyman,” a mostly well-received horror adaptation of a Stephen King short story. Director Rob Savage’s $35 million film, starring Sophie Thatcher and Chris Messina, had originally been intended to debut on Hulu before the studio pivoted. It opened with $12.3 million in ticket sales.

    In limited release, the Sundance breakout film “Past Lives” launched with an impressive $58,067 per-screen average on four screens. Celine Song’s directorial debut stars Greta Lee as a woman torn between a childhood friend from Korea (Teo Yoo) and her American husband (John Magaro).

    Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

    1. “Spider-Man: Across the Spider-Verse,” $120.5 million.

    2. “The Little Mermaid,” $40.6 million.

    3. “The Boogeyman,” $12.3 million.

    4. “Guardians of the Galaxy Vol. 3,” $10.2 million.

    5. “Fast X,” $9.2 million.

    6. “The Super Mario Bros. Movie,” $3.4 million.

    7. “About My Father,” $2.1 million.

    8. “The Machine,” $1.8 million.

    9. “Suga: Agust D Tour Live in Japan,” $1.2 million.

    10. “You Hurt My Feelings,” $770,000.

    ___

    Follow AP Film Writer Jake Coyle on Twitter at: http://twitter.com/jakecoyleAP

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  • What led Capitol Police to stop a youth performance of the ‘Star-Spangled Banner’

    What led Capitol Police to stop a youth performance of the ‘Star-Spangled Banner’

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    Video of a children’s choir singing the national anthem in the U.S. Capitol, only to be unceremoniously cut off by federal authorities, spread across social media on Friday.

    Capitol Police say singers from Rushingbrook Children’s Choir from Greenville, South Carolina, were stopped May 26 because of a miscommunication. Musical performances in the hallowed seat of Congress require permission, and police said officers had been unaware that the choir had approval from the House speaker. Capitol Police denied choir leaders’ claims that the performance was stopped because it might be found offensive.

    Choir director David Rasbach and Micah Rea, a choir leader who helped organize the trip, told The Associated Press that they worked with the offices of Reps. William Timmons, Joe Wilson and Russell Fry, all Republicans from South Carolina, to get permission for the performance. They said they were informed the visit was approved by the office of House Speaker Kevin McCarthy, R-Calif.

    After stopping by Wilson’s office for photos, the group went on a tour of the Capitol that ended in Statuary Hall, famous for housing a collection of statues donated by each of the 50 states, where the choir began to perform. A visitor guide asked if they had permission for the show, Rasbach and Rea said, and told them they could start singing once he conferred with someone else.

    Video shows the children concluding the first verse of the anthem as onlookers applauded. But as they started another verse, an officer can be seen talking with Rea and another man. About a minute later, a man identified as a staffer for Wilson approached Rasbach to stop the singing.

    “When they stopped us and I walked over to the Capitol Police I said, ‘Why are you stopping us?’” Rasbach said. “They said, ‘Because this is considered a demonstration and we don’t allow demonstrations in the Capitol.’”

    Rasbach said that in later conversations with Capitol Police, an officer told him that “not only was it a demonstration, but she said that people could be offended,” and that he took this to mean that they could be offended by the national anthem. He was unable to provide the name of the officer who made this statement, as he never asked for it. Rea agreed with Rasbach’s description of the conversation.

    Capitol Police initially issued a statement saying they were under the impression the group didn’t have permission to perform in the building. They later issued a second statement saying there had been a “miscommunication” and that the police “were not aware that the Speaker’s Office had approved this performance.”

    Musical performances are among the activities specifically listed as requiring a special permit from the Capitol Police, along with demonstrations such as marches, rallies and vigils, any filming or photography for commercial uses and foot races, according to a policy posted on the agency’s website.

    “Although popup demonstrations and musical performances are not allowed in the U.S. Capitol without the proper approval, due to a miscommunication, the U.S. Capitol Police were not aware that the Speaker’s Office had approved this performance,” the second statement reads. “We apologize to the choir for this miscommunication that impacted their beautiful rendition of the Star-Spangled Banner and their visit to Capitol Hill.”

    In their initial statement about the event, Capitol Police addressed the idea that the show was stopped because it could be offensive.

    “Recently somebody posted a video of a children’s choir singing the Star-Spangled Banner in the U.S. Capitol Building and wrongfully claimed we stopped the performance because it ‘might offend someone.’ Here is the truth. Demonstrations and musical performances are not allowed in the U.S. Capitol. Of course, because the singers in this situation were children, our officers were reasonable and allowed the children to finish their beautiful rendition of the Star-Spangled Banner,” the statement said.

    McCarthy and three South Carolina representatives who had worked with the choir confirmed that the speaker’s office had invited the choir to the Capitol.

    “We recently learned that schoolchildren from South Carolina were interrupted while singing our National Anthem at the Capitol,” they said in a joint statement issued to the AP. “These children were welcomed by the Speaker’s office to joyfully express their love of this Nation while visiting the Capitol, and we are all very disappointed to learn their celebration was cut short.”

    ___

    Associated Press writer Philip Marcelo contributed to this report.

    ___

    This is part of The Associated Press’ ongoing effort to fact-check misinformation that is shared widely online, including work with Facebook to identify and reduce the circulation of false stories on the platform. Here’s more information on Facebook’s fact-checking program: https://www.facebook.com/help/1952307158131536

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  • Ed Ames, ’50s pop singer with Ames Brothers and ’60s TV star in ‘Daniel Boone,’ dies at 95

    Ed Ames, ’50s pop singer with Ames Brothers and ’60s TV star in ‘Daniel Boone,’ dies at 95

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    Ed Ames, the youngest member of the popular 1950s singing group the Ames Brothers, who later became a successful actor in television and musical theater, has died. He was 95.

    The last survivor of the four singing brothers, Ames died May 21 from Alzheimer’s disease, his wife, Jeanne Ames, said Saturday.

    “He had a wonderful life,” she said.

    On television, Ames was likely best known for his role as Mingo, the Oxford-educated Native American in the 1960s adventure series “Daniel Boone” that starred Fess Parker as the famous frontiersman. He also was the center of a bit on “The Tonight Show” that — thanks to his painfully uncanny aim with a hatchet — became one of the show’s most memorable surprise moments.

    Ames had guest roles in TV series such as “Murder, She Wrote” and “In the Heat of the Night,” and toured frequently in musicals, performing such popular songs as “Try to Remember” and the song that became his biggest hit single, “My Cup Runneth Over.”

    As part of the 1950s music scene, he and his brothers were one of numerous pop quartets that included the Four Aces, Four Lads, Gaylords, Hilltoppers, Lancers, Four Knights, Ink Spots and, still around from a previous era, the Mills Brothers. But the Ames Brothers — Ed, Joe, Gene and Vic — had a unique tone: they were basses and baritones, not tenors.

    Their recordings of “Rag Mop,” “Sentimental Me” and “Undecided” became big hits, and they launched a busy career appearing on TV variety shows, recording 40 albums and playing in night clubs and auditoriums across the country.

    By the end of the 1950s, rock ‘n’ roll had overtaken the pop charts and singing quartets were on the decline. The Ameses, meanwhile, had tired of the constant travel and absence from their growing families. The finale for Ed came when he arrived home unexpectedly and his wife called to their 3-year-old daughter: “Who is it?” The girl replied, “One of the Ames Brothers.”

    “That did it,” he told a reporter. “My brothers and I agreed that we had all had it and should go our separate ways.” The group, which was earning $20,000 a week, played its last engagement at the Sahara in Las Vegas on New Year’s 1961.

    Ed’s efforts to establish himself as a solo singer were not immediately successful and he turned to acting. He almost lost his house before he found a role in a production of Arthur Miller’s “The Crucible.”

    In the long-running musical “The Fantasticks,” he sang “Try to Remember,” which became one of his theme songs. He joined the traveling company of Gower Champion’s “Carnival” and transferred to the New York company until the show’s final performance.

    In a role that presaged his future role on “Daniel Boone,” he then won attention as the stoic Native American in the 1963 Broadway play “One Flew Over the Cuckoo’s Nest” with Kirk Douglas and Gene Wilder in the adaptation of Ken Kesey’s novel.

    Ames earned top money at Las Vegas casinos and in hotel supper clubs and toured extensively in the musicals “Man of La Mancha,” “Fiddler on the Roof,” “South Pacific” and “I Do, I Do.”

    “I Do, I Do” provided his biggest hit single, “My Cup Runneth Over,” a gold record winner in 1967. He had another hit in 1968 with “Who Will Answer?”

    It was during his run on “Daniel Boone” that he contributed to what was called the longest sustained burst of laughter in the history of “The Tonight Show.”

    For a 1965 episode he was persuaded to demonstrate the hatchet-throwing skills he learned as Mingo. The silhouette of a cowboy was painted on a piece of wood, and Ames threw a hatchet at the target. It landed on squarely on the cowboy’s crotch.

    Ames was born Edmund Dantes Urick in Malden, Massachusetts, the youngest of 11 children, four who died in childhood. Their parents were Ukrainian immigrants and their mother taught the children to read Shakespeare and to appreciate music they heard every Saturday on the Metropolitan Opera broadcasts.

    The four youngest boys began singing at local events as the Urick Brothers. Ed was still in high school when they moved to night clubs, but as a husky six-footer with a deep voice, he was able to pass for 21.

    In New York, comedy writer Abe Burrows advised a name change because Urick was hard to remember. Ames was the brothers’ choice.

    After the four brothers split up, the other brothers also continued performing and recording, but gained less notice than Ed. Vic died in 1978, Gene in 1997 and Joe in December 2007.

    Ames and his first wife, Sara Cacheiro, had three children: Sonja, Ronald and Linda. The couple divorced in 1978, and in 1998 he married Jeanne Arnold.

    ___

    The late Associated Press writer Bob Thomas was a contributor to this report from Los Angeles.

    ___

    This version corrects the name of Ames’ first wife to Sara Cacheiro.

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  • Latest GOP 2024 hopeful DeSantis ‘blazing a trail’ on book bans in Republican-controlled states

    Latest GOP 2024 hopeful DeSantis ‘blazing a trail’ on book bans in Republican-controlled states

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    TALLAHASSEE, Florida — As he vies for the Republican presidential nomination, Florida Gov. Ron DeSantis is touting a series of measures he has pushed that have led to an upswing in banned or restricted books — not just in Florida schools but in an increasing number of other conservative states.

    Florida last year became the first in a wave of red states to enact laws making it easier for parents to challenge books in school libraries they deem to be pornographic, deal improperly with racial issues or are in other ways inappropriate for students.

    Books ensnared in the Florida regulations include explicit graphic novels about growing up LGBTQ+, a children’s book based on a true story of two male penguins raising a chick in a zoo and “The Bluest Eye,” a novel by Nobel laureate Toni Morrison that includes descriptions of child sexual abuse. Certain books covering racial themes also have been pulled from library shelves, sometimes temporarily, as school administrators try to assess what material is allowed under the new rules.

    The day before DeSantis entered the presidential race earlier this week, a K-8 school in Miami-Dade County put the poem “The Hill We Climb” by Amanda Gorman on a restricted list for elementary students after a parent complained. The reasons for the objection to the poem, which Gorman read during President Joe Biden’s inauguration, were not clear. The book version remains available to the middle school students, but Gorman criticized the decision to restrict it for younger grades, saying it robbed “children of the chance to find their voices in literature.”

    While efforts to ban books or censor education material have come up sporadically over the years, critics and supporters credit DeSantis with inspiring a new wave of legislation in other conservative states to regulate the books available in schools — and sometimes even in public libraries. The number of attempts to ban or restrict books across the U.S. last year was the highest in the 20 years the American Library Association has been tracking such efforts.

    EveryLibrary, a national political action committee, said it’s tracking at least 121 different proposals introduced in state legislatures this year targeting libraries, librarians, educators and access to materials. The group said 39 of those proposals would allow for criminal prosecution.

    “He really is blazing a trail,” said Tiffany Justice, the Florida-based co-founder of the conservative parents group Moms for Liberty, whose members have filed challenges to books in libraries in several states. “What Ron DeSantis does that I think is effective is he uses all the levers of power to make long-term change happen.”

    “Other governors,” Justice said, “are paying attention and following suit.”

    In Arkansas, Republican Gov. Sarah Huckabee Sanders signed a law, set to take effect this summer, that could impose criminal penalties on librarians who knowingly provide “harmful” materials to minors. The law also would establish a process for the public to challenge materials and ask they be relocated to a section minors can’t access.

    “It’s a perverse world when we’re talking about trying to criminalize librarians,” said Nate Coulter, executive director of the Central Arkansas Library System in Little Rock, which is expected to sue over Arkansas’ law.

    In Indiana, school libraries will be required by July 1 to publicly post a list of books they offer and provide a complaint process for community members under a law Republican Gov. Eric Holcomb signed this month. In Texas, a bill creating new standards for banning books from schools that the government considers too explicit has been sent to Republican Gov. Greg Abbott’s desk.

    In Oklahoma, the state school board has approved new rules that prohibit “pornographic materials and sexualized content” in school libraries and allow parents to submit formal complaints. The rules still must be approved by Republican Gov. Kevin Stitt.

    DeSantis insists books aren’t actually being “banned” in his state’s schools, preferring to call the forced removal of some books “curation choices that are consistent with state standards.”

    “There has not been a single book banned in the state of Florida,” DeSantis said during a live appearance on Twitter Wednesday when he announced his campaign. He later said “our mantra in Florida is education, not indoctrination.”

    Librarians, free speech advocates and some parents and educators say the push is driven by a small, conservative minority that happens to have outsized clout in Republican primaries, like the one DeSantis is now competing in.

    “This is all part of his plan to run for president, and he believes his vilification of books and what’s happening in public schools is his path to the presidency,” said Andrew Spar, president of the Florida Education Association, the state’s main teachers union.

    Kasey Meehan, who directs the Freedom to Read program at the writers’ organization PEN America, said that, when books are targeted in Florida, they later become the subject of complaints filed by parents in other states.

    “It’s something that continues to cause alarm for individuals who are advocating for the freedom to read or for a diversity of knowledge, ideas and books to be available to students across the country,” Meehan said.

    PEN earlier this month sued the Escambia school district in Florida over the removal of 10 books, including “The Bluest Eye” and “Lucky,” a bestselling memoir by Alice Sebold about her rape when she was 18 years old.

    There have been challenges to books in schools for decades — “The Bluest Eye” has been targeted in various states for years, long before DeSantis became governor. But the restrictions accelerated in Florida after DeSantis signed bills last year barring discussion of sexual orientation and gender identity in kindergarten through third-grade classrooms, a ban that has since expanded through 12th grade. He also created a mechanism for parents to challenge books in school libraries and has targeted how race is taught in Florida schools.

    Many teachers and districts complain that the laws’ standards are so vague they don’t know what books might place them in legal jeopardy.

    Michael Woods, a special education teacher in Palm Beach, said new rules compelling him to catalog books in his classroom led him to empty a small library he set up where students could choose to read something that interested them. Now those volumes are stored in a box he’s stashed in his closet for fear of getting in trouble.

    “That kind of positive connection to reading is no longer there,” he said.

    The individual challenges to books might be coming from a fairly narrow segment of the population, according to PEN and the American Library Association, which track requests to pull books. The library association said 40% of all requests challenged 100 or more books at a time.

    Raegan Miller of Florida Freedom to Read, a group fighting the book restrictions, said she has talked about education issues with fellow parents of all political persuasions for years, and no one has ever complained about inappropriate material in their children’s schools. She contends the issue has been ginned up by a small group of conservative activists.

    “Do you really think we are all just happily dropping our kids off at Marxist indoctrination and pornography?” Miller said. “You only hear this stuff at school board meetings.”

    Moms for Liberty, which boasts 285 chapters, has a strong presence at school board meetings in the state and nationwide. It also has successfully backed several candidates for school board.

    Justice, the group’s co-founder, notes the books are still available in public libraries and through booksellers. The question, she said, is whether it’s appropriate for taxpayer-funded schools to provide them to children.

    Some books don’t belong in certain settings, she said: “A seminary library would have different books than a medical school library.”

    It’s the local, elected officials, she added, who should determine what’s appropriate.

    “That’s representative government,” Justice said.

    ___

    Associated Press writers Sean Murphy in Oklahoma City and Arleigh Rodgers in Indianapolis contributed to this report.

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  • Amanda Gorman’s poem for Biden’s inauguration banned by Florida school

    Amanda Gorman’s poem for Biden’s inauguration banned by Florida school

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    MIAMI — A poem written for President Joe Biden’s inauguration has been placed on a restricted list at a South Florida elementary school after one parent’s complaint.

    In a Facebook post on Tuesday, poet Amanda Gorman vowed to fight back. Her poem, “The Hill We Climb” was challenged by the parent of two students at Bob Graham Education Center in Miami Lakes, along with several books.

    “I’m gutted,” she wrote. “Robbing children of the chance to find their voices in literature is a violation of their right to free thought and free speech.”

    Gorman, who at 17 became the country’s National Youth Poet Laureate, said she wrote the poem “The Hill We Climb,” so “all young people could see themselves in a historical moment,” and that she’s received countless letters and videos from children who were inspired to write their own poems.

    She became an international sensation at Biden’s inauguration, where she was the youngest poet to read at the ceremony since Robert Frost was invited to John F. Kennedy’s in 1961.

    In “The Hill We Climb,” Gorman references everything from Biblical scripture to “Hamilton,” and at times echoes the oratory of Kennedy and the Rev. Martin Luther King Jr. With urgency and assertion she begins by asking, “Where can we find light/In this never-ending shade?” and used her own poetry and life story as an answer.

    She said she planned to share a message of hope for President Joseph Biden’s inauguration without ignoring “the evidence of discord and division.” She had completed a little more than half of the poem before Jan. 6 and the siege of the U.S. Capitol by supporters of then-President Donald Trump.

    The poem and books are still available in the media center for middle school-aged children, Ana Rhodes, a spokesperson for the Miami-Dade school district, said in a statement.

    While book bans are not new, they are happening much more frequently, especially in Florida — where Republican Gov. Ron DeSantis has championed policies that allow the censorship of books some have deemed inappropriate for children in schools, causing national uproar.

    DeSantis, who is expected to announce his presidential candidacy Wednesday, has leaned heavily into cultural divides on race, sexual orientation and gender as he gains support from conservative voters who decide Republican primary elections.

    Yecenia Martinez, principal of the K-8 school, which is part of the Miami-Dade public school system, did not immediately respond to an email seeking comment about the poem’s ban. The school is named after Bob Graham, a former Democratic governor and U.S. senator from Florida.

    Daily Salinas, the parent who objected to the poem and books, told the Miami Herald she’s not “for eliminating or censoring any books.” Salinas said she wants materials to be appropriate and for students “to know the truth” about Cuba. It was not immediately clear what she objected to in Gorman’s poem.

    After her complaint, a materials review committee made up of three teachers, a library media specialist, a guidance counselor and the principal, determined one of the books in question was balanced and age appropriate, and would remain available for all students, the newspaper reported.

    The other four were deemed “better suited” or “more appropriate” for middle school students. The books were to remain in the middle school section of the media center, the review concluded.

    “And let’s be clear: most of the forbidden works are by authors who have struggled for generations to get on the bookshelves,” Gorman’s post said. “The majority of these censored works are by queer and non-white voices.”

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  • Drag performers sue St. George, Utah, over denying permit for show in public park

    Drag performers sue St. George, Utah, over denying permit for show in public park

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    SALT LAKE CITY — A Utah-based group that organizes drag performances is suing a city over the denial of permits for an all-ages show it aimed to host in a public park in April.

    The group, Southern Utah Drag Stars, and its CEO Mitski Avalōx accuse the city of St. George of “flagrant and ongoing violations of their free speech, due process, and equal protection rights” and, in a complaint filed in federal court on Tuesday, are asking for damages and for St. George to reverse its decision and authorize a drag show at the end of June.

    “This is the latest offense in a larger pattern of attacks discriminating against gender-diverse and LGBTQ+ people and their rights in Utah and throughout the country,” said Emerson Sykes, an attorney with the ACLU, which is representing the group.

    The lawsuit marks the most recent development in a fight over drag shows in St. George, Utah, a conservative city 111 miles (179 kilometers) northeast of Las Vegas, Nevada. Since HBO filmed a drag show in a public park for an episode of its series “We’re Here” last year, the city has emerged as a flashpoint in the nationwide battle over drag performances as they’ve garnered newfound political scrutiny in Republican-controlled cities and states.

    Public events like drag queen story hours and the all-ages event that Avalōx intended to put together have been increasingly targeted in legislatures throughout the country. This week, Florida Gov. Ron DeSantis signed a ban on minors from attending drag shows and Montana Gov. Greg Gianforte signed a ban on people dressed in drag from reading books to children at public schools and libraries.

    In Utah, a proposal from a St. George Republican to require warning notices for events like drag shows or pride parades in public places stalled after advancing through the state House of Representatives in March. The proposal stemmed from the pushback that resulted from the June 2022 HBO-produced drag show in St. George. City officials issued permits for the event over the objection from some council members and community activists. City Manager Adam Lenhard resigned months later over the incident after writing councilmembers that he could not legally deny the show permits, according to emails obtained by the Salt Lake Tribune.

    Anti-drag activists in Utah and throughout the United States have cast the artform, which often involves dressing and acting exaggeratedly as another gender for entertainment, as sexually deviant and a subversive attempt to influence children.

    Avalōx, who goes by she and they pronouns, founded Southern Utah Drag Stars after the fallout, hoping to showcase drag for members of the LGBTQ+ community in a rural place where such forms of entertainment are often lacking.

    “I made it my mission to continue to do these events and not just one month out of the year, but to do so people that were like me when I was little … can see that there are queer adults that get to live a long and fulfilled life,” Avalōx said in an interview. “My biggest ambition was to provide a public space where people can go to a park and enjoy a show that’s meant for everyone.”

    Avalōx said that Drag Stars intended to host a show in a St. George city park in April and were told by a city events coordinator that they could start advertising before obtaining a permit. The city council later denied the group’s permit, citing an ordinance that forbids advertising before permit approval.

    St. George declined to comment on the lawsuit but its city attorney at the time defended its enforcement of the ordinance and the events coordinator denied approving a request from Avalōx to begin advertising.

    In their complaint, Avalōx and lawyers with the ACLU frame St. George’s decision to deny them event permits as part of a broader nationwide assault on drag performers and, accuse the city of “flagrant and ongoing violations of their free speech, due process, and equal protection rights.”

    They argue that St. George invoked an ordinance that had never been enforced in a manner that was selective and discriminatory toward the LGBTQ+ community.

    “The City has employed its unfettered discretion under the ordinances to discriminatorily enforce them,” they argue in the complaint.

    The complaint also says city councilwoman Michelle Tanner has been “stoking conflict” and broadly fostering an anti-LGBTQ climate in St. George, including by accusing those who perform in drag in front of children of “predatory behavior.”

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  • Utah kids’ book author accused in husband’s killing changed life insurance policies, prosecutors say

    Utah kids’ book author accused in husband’s killing changed life insurance policies, prosecutors say

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    SALT LAKE CITY — A Utah woman who wrote a children’s book about grief after her husband’s death and was later arrested on accusations of killing him made changes to her husband’s life insurance years before he was fatally poisoned, according to charging documents updated Thursday.

    The additional allegations, which were previously mentioned in search warrants but not the charging documents, led to the postponement of a detention hearing scheduled for Friday that would have been the first time Kouri Richins was in court since her case became the latest true crime sensation earlier this month. The hearing has been rescheduled for June 12.

    Prosecutors say Kouri Richins, 33, poisoned her husband, Eric Richins, 39, by slipping five times the lethal dose of fentanyl into a cocktail she made for him in March 2022. The mother of three later self-published a children’s book titled “Are You with Me?” about an angel wing-clad deceased father watching over his sons. She promoted it on television and radio, describing the book as a way to help children grieve the loss of a loved one.

    Years before, Kouri Richins bought four life insurance policies on her husband’s life without his knowledge from 2015 to 2017 with benefits totaling nearly $2 million, prosecutors alleged in the documents updated Thursday.

    The documents don’t disclose when Eric Richins discovered the changes but do say he met with a divorce attorney and estate planner in October 2020, a month after he discovered his wife had carried out several other major financial moves without his knowledge.

    Prosecutors said Eric Richins found out that his wife had taken out a $250,000 home equity line of credit and spent it, withdrawn $100,000 from his bank accounts, and spent more than $30,000 on his credit cards, according to the documents. Kouri Richins also stole about $134,000 from her husband’s business meant for tax payments, the documents state.

    She agreed to repay her husband when he confronted her, according to the documents.

    Family members interviewed by investigators indicated that Eric Richins was seeking to divorce Kouri Richins and had recently changed his will and life insurance policy.

    Previous charging documents and warrants detail the yearlong investigation that authorities pursued before arresting Kouri Richins this month. The documents include interviews with an unnamed informant who says she dealt Richins hydrocodone and fentanyl in the weeks and months before her husband’s death.

    Richins, a real estate agent, told the dealer that both drugs were for an investor with back pain. The dealer said Richins purchased the hydrocodone shortly before Valentine’s Day, when prosecutors say she laced drugs into Eric Richins’ sandwich.

    After he survived, his wife asked for stronger drugs, specifically “some of the Michael Jackson stuff,” the dealer told investigators. When Jackson died of cardiac arrest in 2009, medical examiners found prescription drugs and powerful anesthetics in his system, not fentanyl.

    Kouri Richins’ attorney, Skye Lazaro, has declined to comment on the charges.

    The case has directed the world’s eyes to the sleepy towns on the backside of Utah’s Wasatch Mountains, which are rapidly evolving from predominantly agricultural communities to high-end bedroom communities, where first- and second-time homeowners like the Richinses can enjoy easy access to skiing, hiking trails and the alpine lakes of the nearby Uinta Mountains. The Richinses lived in a new development in the town of Francis, which is roughly 50 miles (80 kilometers) east of Salt Lake City.

    Eric Richins descended from a large family, well-known locally, with members active in local politics and The Church of Jesus Christ of Latter-day Saints. He met Kouri Richins when she worked at a local Home Depot where he often shopped, a former colleague told KUTV.

    Eric’s family told investigators that he had raised suspicions that his wife had previously tried to poison him, including on a vacation to Greece a few years ago. They also raised questions about marital disagreements stemming from changes to his will and the purchase of a incomplete nearby mansion in Midway, Utah, that Kouri Richins bought hoping to quickly sell.

    The person who says she sold Kouri Richins the fentanyl told investigators she left the pills at the expansive, unfinished home — a 20,000-square-foot (1,860-square-meter) manor that, when complete, will have eight bedrooms and an indoor volleyball court, a video ad promoting its sale shows.

    Marital disputes over the home are the basis for one of many unanswered questions about motive that will likely arise should Richins’ case go to trial. Since Eric Richins’ death, his relatives have fought his wife over his estate, including competing claims over how to split a masonry business with his former partner and what claims Kouri Richins has to a trust set aside for his next of kin.

    Greg Skordas, an attorney and victims’ advocate working with Eric Richins’ relatives, said Richins’ three children are staying with an unnamed relative while their mother awaits trial. Katie Richins-Benson, Eric Richins’ sister and the trustee to his estate, filed for guardianship over the children.

    Civil court filings that were submitted in different cases after Eric Richins’ death outline how what attorneys call “the suspicious circumstances” surrounding his death have long circulated. The murder charges have become entangled with questions over his assets and an estate held in a trust and managed by his sister. Kouri Richins has fought with members of her deceased husband’s family since the day after his death, the documents show.

    Kouri Richins and her sister-in-law had a fight the day after Eric Richins’ death at the family home, according to the documents. Kouri Richins subsequently sued for more than $3.6 million and to remove Katie Richins-Benson as trustee, arguing that a prenuptial agreement she and her husband signed entitled her to his assets if he died before they divorced.

    Utah law prohibits those convicted of homicide from profiting from their crime.

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  • Pale Male, red-tailed hawk who nested above NYC’s Fifth Avenue for 30 years, dies at 33

    Pale Male, red-tailed hawk who nested above NYC’s Fifth Avenue for 30 years, dies at 33

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    NEW YORK — Pale Male, a red-tailed hawk who brought a touch of the wild to swanky Manhattan as he nested above Fifth Avenue for three decades, has died.

    Pale Male died late Tuesday after being found ill and grounded in Central Park, wildlife rehabilitator Bobby Horvath posted on Facebook. The hawk was believed to be 33 years old.

    Horvath posted that he picked Pale Male up and took him to his rehab group’s veterinarian, who did bloodwork and X-rays. The hawk later ate a small meal but remained weak and lethargic, Horvath said. “We hoped for any improvement, but sadly it was not meant to be,” he said.

    Pale Male, so named because of his whitish plumage, was first spotted in Central Park as a juvenile in 1991 and began nesting on Fifth Avenue across from the park in 1993.

    Bird lovers crowded inside the park to watch as Pale Male and his succession of mates hatched and raised their young each spring.

    The birders were outraged in 2004 when Pale Male’s nest with then-mate Lola was ripped from its ledge on the 12th floor of a ritzy apartment building whose residents included actor Mary Tyler Moore and CNN anchor Paula Zahn. Moore publicly opposed the nest removal.

    The co-op board, which had voted to remove the nest as a hazard, quickly reversed itself and restored a row of anti-pigeon spikes that the hawks had used to anchor their nest, and even added a new metal “cradle” on the ledge. Pale Male and Lola rebuilt their nest.

    As his legend grew, Pale Male was the subject of a 2009 documentary, “The Legend of Pale Male,” and at least three illustrated children’s books.

    Horvath wrote in his post that Pale Male inspired bird lovers and photographers around the world. Some took up bird photography professionally, he wrote, but “most were just local residents or tourists who just wanted an opportunity to get a glimpse of this famous hawk.”

    David Barrett, who runs birding Twitter accounts including Manhattan Bird Alert, said that for much of Pale Male’s life “he was not only the world’s most famous red-tailed hawk, but he was probably the world’s most famous bird, one that people knew by name.”

    Barrett said the hawk’s fame “shows that even in an intensely urban place like Manhattan, there are many people who have a fondness for wildlife and feel a connection to it.”

    It is difficult to know with 100% certainty that the hawk that died Tuesday was Pale Male, since Pale Male was never banded.

    Some observers began wondering around 2021 if Pale Male had died and been replaced in the Fifth Avenue nest by another hawk who resembled him.

    No eggs were observed in the nest in recent breeding seasons, which Barrett said points toward the likelihood that the resident male hawk was in fact an elderly Pale Male, no longer interested in propagating.

    Horvath said he believes the hawk whose final hours he witnessed Tuesday was Pale Male, a bird he has been following for 20 years.

    “I’ve rescued babies of his that were poisoned,” Horvath said in an interview. “I have a history with his family.”

    If Pale Male did live past 30, his life was one of the longest ever recorded for a red-tailed hawk. He survived several mates including Chocolate, Blue, Lola and Lima. His most recent mate was Octavia.

    He is survived by an unknown number of descendants.

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  • Salman Rushdie makes rare public address after attack, warns free expression under threat

    Salman Rushdie makes rare public address after attack, warns free expression under threat

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    Writer Salman Rushdie has made a public speech nine months after being stabbed and seriously injured onstage

    FILE – Salman Rushdie attends the 68th National Book Awards Ceremony and Benefit Dinner on Nov. 15, 2017, in New York. Writer Salman Rushdie has made a public speech nine months after being stabbed and seriously injured onstage, warning that freedom of expression in the West is under its most severe threat of his lifetime. Rushdie delivered a video message to the British Book Awards, where he was awarded the Freedom to Publish award on Monday evening May 15, 2023. (Photo by Evan Agostini/Invision/AP, File)

    The Associated Press

    LONDON — Writer Salman Rushdie has made a public speech, nine months after being stabbed and seriously injured onstage, warning that freedom of expression in the West is under its most severe threat in his lifetime.

    Rushdie delivered a video message to the British Book Awards, where he was awarded the Freedom to Publish award on Monday evening. Organizers said the honor “acknowledges the determination of authors, publishers and booksellers who take a stand against intolerance, despite the ongoing threats they face.”

    He said that “we live in a moment, I think, at which freedom of expression, freedom to publish has not in my lifetime been under such threat in the countries of the West.”

    “Now I am sitting here in the U.S., I have to look at the extraordinary attack on libraries, and books for children in schools,” he said. “The attack on the idea of libraries themselves. It is quite remarkably alarming, and we need to be very aware of it, and to fight against it very hard.”

    Rushdie, 75, was blinded in one eye and suffered nerve damage to his hand when he was attacked at a literary festival in New York state in August. His alleged assailant, Hadi Matar, has pleaded not guilty to charges of assault and attempted murder.

    Rushdie spent years in hiding with police protection after Iran’s Grand Ayatollah Ruhollah Khomeini issued a fatwa, or edict, in 1989 calling for his death over the alleged blasphemy of the novel “The Satanic Verses.”

    In his speech, Rushdie also criticized publishers who change decades-old books for modern sensibilities, such as large-scale cuts and rewrites to the works of children’s author Roald Dahl and James Bond creator Ian Fleming.

    He said publishers should allow books “to come to us from their time and be of their time.”

    “And if that’s difficult to take, don’t read it, read another book,” he said.

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  • ‘Guardians Vol. 3’ and ‘Super Mario Bros.’ top box office again

    ‘Guardians Vol. 3’ and ‘Super Mario Bros.’ top box office again

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    Several new movies infiltrated theaters nationwide this weekend, from a lighthearted trip to Italy with Jane Fonda, Candice Bergen, Diane Keaton and Mary Steenburgen to a Ben Affleck-fronted detective thriller. The two top spots were once again claimed by Marvel and Mario, however.

    In its second weekend, “Guardians of the Galaxy Vol. 3” added $60.5 million from North American theaters, according to studio estimates on Sunday. That’s a slim 49% drop from its opening, which is rare for big superhero films that tend to be front-loaded and have big second weekend drops of 60% or more. As the smallest Marvel drop since the beginning of the pandemic, it also answers the “ superhero fatigue ” question that some floated last weekend. Including $91.9 million from international showings, “Vol. 3” has already grossed over $528.8 million worldwide.

    Second place went to “The Super Mario Bros. Movie” with $13 million in its sixth weekend, bringing its domestic grosses just shy of $536 million. Families with younger children have had almost no other options at the theaters since Mario entered the picture, resulting in repeat viewings and its continued dominance at the box office, where it is still playing in 3,800 locations domestically. Globally, it’s at $1.2 billion.

    With Chris Pratt in the leading positions of chart-topping movies, as Star Lord in “Guardians” and the voice of Mario, debates have ensued about how much of the draw is star power versus brand power.

    It was an especially crowded weekend for new movies, opening both wide and limited in all genres and of all qualities. “ Book Club: The Next Chapter ” fared the best on the charts with $6.5 million from 3,508 locations. The sequel, released by Focus Features on Mother’s Day weekend, reunites the cast with director Bill Holderman and his co-writer Erin Simms. Audiences were heavily female (77%), Caucasian (59%) and over 45 (66%) and the hope is that there will be a Mother’s Day boost and decent holdover for the $20 million production. Older audiences typically don’t rush out on opening weekend. The first film opened to $13.5 million in 2018 and went on to gross over $104 million.

    Robert Rodriguez’s “Hypnotic,” meanwhile, is bombing. The mystery starring Affleck as a detective whose daughter is missing cost a reported $65 million to make. It went into the weekend with poor reviews (32% on Rotten Tomatoes) and limited marketing from distributor Ketchup Entertainment, and earned just $2.4 million from 2,118 locations.

    There was also quite a bit of competition on home screens, from a Michael J. Fox documentary on Apple TV+ to the Jennifer Lopez action pic “The Mother” on Netflix. “Air,” which is still in the top 10 after six weekends in theaters, also made its debut on Prime Video.

    Things are going to pick up considerably next weekend when “Fast X” enters the summer box office race, followed by the live-action “The Little Mermaid” on May 26.

    ___

    Follow AP Film Writer Lindsey Bahr on Twitter: www.twitter.com/ldbahr.

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  • Child social media stars have few protections. Illinois aims to fix that

    Child social media stars have few protections. Illinois aims to fix that

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    CHICAGO — Holed up at home during the pandemic lockdown three years ago, 13-year-old Shreya Nallamothu was scrolling through social media when she noticed a pattern: Children even younger than her were the stars — dancing, cracking one-liners and being generally adorable.

    “It seemed innocuous to me at first,” Nallamothu said.

    But as she watched more and more posts of kids pushing products or their mishaps going viral, she started to wonder: Who is looking out for them?

    “I realized that there’s a lot of exploitation that can happen within the world of ‘kidfluencing,’” said Nallamothu, referring to the monetization of social media content featuring children. “And I realized that there was absolutely zero legislation in place to protect them.”

    Illinois lawmakers aim to change that by making their state what they say will be the first in the country to create protections for child social media influencers. Nallamothu, now 15, raised her concerns to Illinois state Sen. David Koehler of Peoria, who then set the legislation in motion.

    The Illinois bill would entitle child influencers under the age of 16 to a percentage of earnings based on how often they appear on video blogs or online content that generates at least 10 cents per view. To qualify, the content must be created in Illinois, and kids would have to be featured in at least 30% of the content in a 30-day-period.

    Video bloggers — or vloggers — would be responsible for maintaining records of kids’ appearances and must set aside gross earnings for the child in a trust account for when they turn 18, otherwise the child can sue.

    The bill passed the state Senate unanimously in March, and is scheduled to be considered by the House this week. If it wins approval, the bill will go back to the Senate for a final vote before it makes its way to Gov. J.B. Pritzker, who said he intends to sign it in the coming months.

    Family-style vlogs can feature children as early as birth and recount milestones and family events — the wholesome clips that Nallamothu had been initially scrolling through.

    But experts say the commercialized “ sharenthood ” industry, which can earn content creators tens of thousands of dollars per brand deal, is underregulated and can even cause harm.

    “As we see influencers and content creators becoming more and more of a viable career path for young people, we have to remember that this is a place where the law has not caught up to practice,” said Jessica Maddox, a University of Alabama professor who studies social media platforms.

    She added that child influencers “are in desperate need of the same protections that have been afforded to other child workers and entertainers.”

    The Illinois bill is modeled largely after California’s 1939 Jackie Coogan law, named for the silent film-era child actor who sued his parents for squandering his earnings. Coogan laws now exist in several states and require parents to set aside a portion of child entertainers’ earnings for when they reach adulthood.

    Other states have tried to pass laws to regulate against potential child exploitation on social media without success. A 2018 California child labor bill included a social media advertising provision that was removed by the time it was passed, and Washington’s 2023 bill stalled in committee.

    Across the Atlantic, France passed a law in 2020 that entitles child influencers under 16 to a portion of their revenue, as well as “the right to forget,” which means video platforms must withdraw the images of the child at the minor’s request. Parental consent is not needed.

    Illinois’ own bill underwent several changes during the legislative session that watered down its reach, including stripping out a provision allowing child influencers to request deletion of content once they reached the age of 18, and requiring family vloggers to register their channels.

    Still, Chicago-based Tyler Diers, the Midwest executive director of technology trade association Technet, which opposed the bill before the changes but is now neutral, said that when one state legislature takes up an issue, others tend to follow, “and oftentimes perfect what the first state did.”

    Nallamothu emphasized that the Illinois bill isn’t aimed at “parents posting their kids on Facebook for their close family and friends,” or even a funny clip that went viral.

    “This is for families who make their income off of child vlogging and family vlogging,” she said.

    Many social media platforms — including Facebook, Instagram and TikTok — don’t allow children to have accounts until they’re at least 13 years old. But that hasn’t stopped them from appearing on social media. And the internet is littered with examples of children being showcased for financial gain — and the harm it has caused as a consequence.

    In 2019, an Arizona mother was accused of torturing her seven adopted children for subpar performances in their popular YouTube series, Fantastic Adventures; a Maryland couple who posted “prank” videos of themselves screaming at their children and breaking their toys lost custody and were sentenced to five years of probation for child neglect.

    Another YouTube couple filmed every step of their family’s process of adopting a young child from China with autism, only to eventually place him in a new home.

    Chris McCarty, an 18-year-old college student who founded Quit Clicking Kids, an advocacy organization focused on protecting minors being monetized online, and who was the force behind the bill in Washington, noted that “this issue is not going away.”

    “Once these kids start growing up, the true extent of the damage inflicted by monetized family channels will be realized,” McCarty said at a hearing for the Washington bill in February.

    TikToker Bobbi Althoff is the mother of two little girls she lovingly refers to as “Richard” and “Concrete” to her 3.7 million followers. Althoff used to share her older daughter’s face and real name online, but stopped after people made rude comments about her.

    “I kept thinking about my daughter growing up to read these things, and it really upset me because I hate reading things like that about myself,” she said.

    When she shared her decision on Instagram, she lost thousands of followers and received backlash.

    “A lot of people were supportive, but there were definitely a lot of people that were very strange about it,” Althoff said, describing how some viewers seemed to feel like “they had a relationship with my daughter… and wanted to keep seeing her grow.”

    Although TikTok-famous tots are not quite old enough to reflect on their experiences, child reality TV stars of the last decade can offer comparable insight on how it feels to be on the other side of the camera.

    Ohio-based Jason Welage enjoyed his time as a preteen on TruTV’s 2015 reality show Kart Life, which followed families in the world of go-kart racing. Now 20, Welage says some of the less pleasant aspects have followed him into adulthood.

    “When you Google the show, the first clip that comes up on YouTube is me coming off the track and crying,” he said. “I still hear about it to this day.”

    His parents funneled the $10,000 he earned on the show back into his racing, which can cost families up to $150,000 a year, according to his mother, Meghan, who, like her son, supports the child influencer legislation in Illinois and hopes similar laws will be implemented in other states or even federally.

    For children appearing on social media or TV, “it’s definitely work for them,” she said. Her son “wanted to go play, but instead he had to go sit on a stool in our motorhome and do interviews.”

    “There should be something to compensate the child for what they are going through or what they have to do,” she said.

    ___

    AP Staff Writer Elaine Ganley in Paris contributed to this report.

    ___

    Savage is a corps member for the Associated Press/Report for America Statehouse News Initiative. Report for America is a nonprofit national service program that places journalists in local newsrooms to report on undercovered issues.

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  • Child social media stars have few protections. Illinois aims to fix that

    Child social media stars have few protections. Illinois aims to fix that

    [ad_1]

    CHICAGO — Holed up at home during the pandemic lockdown three years ago, 13-year-old Shreya Nallamothu was scrolling through social media when she noticed a pattern: Children even younger than her were the stars — dancing, cracking one-liners and being generally adorable.

    “It seemed innocuous to me at first,” Nallamothu said.

    But as she watched more and more posts of kids pushing products or their mishaps going viral, she started to wonder: Who is looking out for them?

    “I realized that there’s a lot of exploitation that can happen within the world of ‘kidfluencing,’” said Nallamothu, referring to the monetization of social media content featuring children. “And I realized that there was absolutely zero legislation in place to protect them.”

    Illinois lawmakers aim to change that by making their state what they say will be the first in the country to create protections for child social media influencers. Nallamothu, now 15, raised her concerns to Illinois state Sen. David Koehler of Peoria, who then set the legislation in motion.

    The Illinois bill would entitle child influencers under the age of 16 to a percentage of earnings based on how often they appear on video blogs or online content that generates at least 10 cents per view. To qualify, the content must be created in Illinois, and kids would have to be featured in at least 30% of the content in a 30-day-period.

    Video bloggers — or vloggers — would be responsible for maintaining records of kids’ appearances and must set aside gross earnings for the child in a trust account for when they turn 18, otherwise the child can sue.

    The bill passed the state Senate unanimously in March, and is scheduled to be considered by the House this week. If it wins approval, the bill will go back to the Senate for a final vote before it makes its way to Gov. J.B. Pritzker, who said he intends to sign it in the coming months.

    Family-style vlogs can feature children as early as birth and recount milestones and family events — the wholesome clips that Nallamothu had been initially scrolling through.

    But experts say the commercialized “ sharenthood ” industry, which can earn content creators tens of thousands of dollars per brand deal, is underregulated and can even cause harm.

    “As we see influencers and content creators becoming more and more of a viable career path for young people, we have to remember that this is a place where the law has not caught up to practice,” said Jessica Maddox, a University of Alabama professor who studies social media platforms.

    She added that child influencers “are in desperate need of the same protections that have been afforded to other child workers and entertainers.”

    The Illinois bill is modeled largely after California’s 1939 Jackie Coogan law, named for the silent film-era child actor who sued his parents for squandering his earnings. Coogan laws now exist in several states and require parents to set aside a portion of child entertainers’ earnings for when they reach adulthood.

    Other states have tried to pass laws to regulate against potential child exploitation on social media without success. A 2018 California child labor bill included a social media advertising provision that was removed by the time it was passed, and Washington’s 2023 bill stalled in committee.

    Across the Atlantic, France passed a law in 2020 that entitles child influencers under 16 to a portion of their revenue, as well as “the right to forget,” which means video platforms must withdraw the images of the child at the minor’s request. Parental consent is not needed.

    Illinois’ own bill underwent several changes during the legislative session that watered down its reach, including stripping out a provision allowing child influencers to request deletion of content once they reached the age of 18, and requiring family vloggers to register their channels.

    Still, Chicago-based Tyler Diers, the Midwest executive director of technology trade association Technet, which opposed the bill before the changes but is now neutral, said that when one state legislature takes up an issue, others tend to follow, “and oftentimes perfect what the first state did.”

    Nallamothu emphasized that the Illinois bill isn’t aimed at “parents posting their kids on Facebook for their close family and friends,” or even a funny clip that went viral.

    “This is for families who make their income off of child vlogging and family vlogging,” she said.

    Many social media platforms — including Facebook, Instagram and TikTok — don’t allow children to have accounts until they’re at least 13 years old. But that hasn’t stopped them from appearing on social media. And the internet is littered with examples of children being showcased for financial gain — and the harm it has caused as a consequence.

    In 2019, an Arizona mother was accused of torturing her seven adopted children for subpar performances in their popular YouTube series, Fantastic Adventures; a Maryland couple who posted “prank” videos of themselves screaming at their children and breaking their toys lost custody and were sentenced to five years of probation for child neglect.

    Another YouTube couple filmed every step of their family’s process of adopting a young child from China with autism, only to eventually place him in a new home.

    Chris McCarty, an 18-year-old college student who founded Quit Clicking Kids, an advocacy organization focused on protecting minors being monetized online, and who was the force behind the bill in Washington, noted that “this issue is not going away.”

    “Once these kids start growing up, the true extent of the damage inflicted by monetized family channels will be realized,” McCarty said at a hearing for the Washington bill in February.

    TikToker Bobbi Althoff is the mother of two little girls she lovingly refers to as “Richard” and “Concrete” to her 3.7 million followers. Althoff used to share her older daughter’s face and real name online, but stopped after people made rude comments about her.

    “I kept thinking about my daughter growing up to read these things, and it really upset me because I hate reading things like that about myself,” she said.

    When she shared her decision on Instagram, she lost thousands of followers and received backlash.

    “A lot of people were supportive, but there were definitely a lot of people that were very strange about it,” Althoff said, describing how some viewers seemed to feel like “they had a relationship with my daughter… and wanted to keep seeing her grow.”

    Although TikTok-famous tots are not quite old enough to reflect on their experiences, child reality TV stars of the last decade can offer comparable insight on how it feels to be on the other side of the camera.

    Ohio-based Jason Welage enjoyed his time as a preteen on TruTV’s 2015 reality show Kart Life, which followed families in the world of go-kart racing. Now 20, Welage says some of the less pleasant aspects have followed him into adulthood.

    “When you Google the show, the first clip that comes up on YouTube is me coming off the track and crying,” he said. “I still hear about it to this day.”

    His parents funneled the $10,000 he earned on the show back into his racing, which can cost families up to $150,000 a year, according to his mother, Meghan, who, like her son, supports the child influencer legislation in Illinois and hopes similar laws will be implemented in other states or even federally.

    For children appearing on social media or TV, “it’s definitely work for them,” she said. Her son “wanted to go play, but instead he had to go sit on a stool in our motorhome and do interviews.”

    “There should be something to compensate the child for what they are going through or what they have to do,” she said.

    ___

    AP Staff Writer Elaine Ganley in Paris contributed to this report.

    ___

    Savage is a corps member for the Associated Press/Report for America Statehouse News Initiative. Report for America is a nonprofit national service program that places journalists in local newsrooms to report on undercovered issues.

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  • Child social media stars have few protections. Illinois aims to fix that

    Child social media stars have few protections. Illinois aims to fix that

    [ad_1]

    CHICAGO — Holed up at home during the pandemic lockdown three years ago, 13-year-old Shreya Nallamothu was scrolling through social media when she noticed a pattern: Children even younger than her were the stars — dancing, cracking one-liners and being generally adorable.

    “It seemed innocuous to me at first,” Nallamothu said.

    But as she watched more and more posts of kids pushing products or their mishaps going viral, she started to wonder: Who is looking out for them?

    “I realized that there’s a lot of exploitation that can happen within the world of ‘kidfluencing,’” said Nallamothu, referring to the monetization of social media content featuring children. “And I realized that there was absolutely zero legislation in place to protect them.”

    Illinois lawmakers aim to change that by making their state what they say will be the first in the country to create protections for child social media influencers. Nallamothu, now 15, raised her concerns to Illinois state Sen. David Koehler of Peoria, who then set the legislation in motion.

    The Illinois bill would entitle child influencers under the age of 16 to a percentage of earnings based on how often they appear on video blogs or online content that generates at least 10 cents per view. To qualify, the content must be created in Illinois, and kids would have to be featured in at least 30% of the content in a 30-day-period.

    Video bloggers — or vloggers — would be responsible for maintaining records of kids’ appearances and must set aside gross earnings for the child in a trust account for when they turn 18, otherwise the child can sue.

    The bill passed the state Senate unanimously in March, and is scheduled to be considered by the House this week. If it wins approval, the bill will go back to the Senate for a final vote before it makes its way to Gov. J.B. Pritzker, who said he intends to sign it in the coming months.

    Family-style vlogs can feature children as early as birth and recount milestones and family events — the wholesome clips that Nallamothu had been initially scrolling through.

    But experts say the commercialized “ sharenthood ” industry, which can earn content creators tens of thousands of dollars per brand deal, is underregulated and can even cause harm.

    “As we see influencers and content creators becoming more and more of a viable career path for young people, we have to remember that this is a place where the law has not caught up to practice,” said Jessica Maddox, a University of Alabama professor who studies social media platforms.

    She added that child influencers “are in desperate need of the same protections that have been afforded to other child workers and entertainers.”

    The Illinois bill is modeled largely after California’s 1939 Jackie Coogan law, named for the silent film-era child actor who sued his parents for squandering his earnings. Coogan laws now exist in several states and require parents to set aside a portion of child entertainers’ earnings for when they reach adulthood.

    Other states have tried to pass laws to regulate against potential child exploitation on social media without success. A 2018 California child labor bill included a social media advertising provision that was removed by the time it was passed, and Washington’s 2023 bill stalled in committee.

    Across the Atlantic, France passed a law in 2020 that entitles child influencers under 16 to a portion of their revenue, as well as “the right to forget,” which means video platforms must withdraw the images of the child at the minor’s request. Parental consent is not needed.

    Illinois’ own bill underwent several changes during the legislative session that watered down its reach, including stripping out a provision allowing child influencers to request deletion of content once they reached the age of 18, and requiring family vloggers to register their channels.

    Still, Chicago-based Tyler Diers, the Midwest executive director of technology trade association Technet, which opposed the bill before the changes but is now neutral, said that when one state legislature takes up an issue, others tend to follow, “and oftentimes perfect what the first state did.”

    Nallamothu emphasized that the Illinois bill isn’t aimed at “parents posting their kids on Facebook for their close family and friends,” or even a funny clip that went viral.

    “This is for families who make their income off of child vlogging and family vlogging,” she said.

    Many social media platforms — including Facebook, Instagram and TikTok — don’t allow children to have accounts until they’re at least 13 years old. But that hasn’t stopped them from appearing on social media. And the internet is littered with examples of children being showcased for financial gain — and the harm it has caused as a consequence.

    In 2019, an Arizona mother was accused of torturing her seven adopted children for subpar performances in their popular YouTube series, Fantastic Adventures; a Maryland couple who posted “prank” videos of themselves screaming at their children and breaking their toys lost custody and were sentenced to five years of probation for child neglect.

    Another YouTube couple filmed every step of their family’s process of adopting a young child from China with autism, only to eventually place him in a new home.

    Chris McCarty, an 18-year-old college student who founded Quit Clicking Kids, an advocacy organization focused on protecting minors being monetized online, and who was the force behind the bill in Washington, noted that “this issue is not going away.”

    “Once these kids start growing up, the true extent of the damage inflicted by monetized family channels will be realized,” McCarty said at a hearing for the Washington bill in February.

    TikToker Bobbi Althoff is the mother of two little girls she lovingly refers to as “Richard” and “Concrete” to her 3.7 million followers. Althoff used to share her older daughter’s face and real name online, but stopped after people made rude comments about her.

    “I kept thinking about my daughter growing up to read these things, and it really upset me because I hate reading things like that about myself,” she said.

    When she shared her decision on Instagram, she lost thousands of followers and received backlash.

    “A lot of people were supportive, but there were definitely a lot of people that were very strange about it,” Althoff said, describing how some viewers seemed to feel like “they had a relationship with my daughter… and wanted to keep seeing her grow.”

    Although TikTok-famous tots are not quite old enough to reflect on their experiences, child reality TV stars of the last decade can offer comparable insight on how it feels to be on the other side of the camera.

    Ohio-based Jason Welage enjoyed his time as a preteen on TruTV’s 2015 reality show Kart Life, which followed families in the world of go-kart racing. Now 20, Welage says some of the less pleasant aspects have followed him into adulthood.

    “When you Google the show, the first clip that comes up on YouTube is me coming off the track and crying,” he said. “I still hear about it to this day.”

    His parents funneled the $10,000 he earned on the show back into his racing, which can cost families up to $150,000 a year, according to his mother, Meghan, who, like her son, supports the child influencer legislation in Illinois and hopes similar laws will be implemented in other states or even federally.

    For children appearing on social media or TV, “it’s definitely work for them,” she said. Her son “wanted to go play, but instead he had to go sit on a stool in our motorhome and do interviews.”

    “There should be something to compensate the child for what they are going through or what they have to do,” she said.

    ___

    AP Staff Writer Elaine Ganley in Paris contributed to this report.

    ___

    Savage is a corps member for the Associated Press/Report for America Statehouse News Initiative. Report for America is a nonprofit national service program that places journalists in local newsrooms to report on undercovered issues.

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