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  • ‘Black Adam’ takes top spot at box office again

    ‘Black Adam’ takes top spot at box office again

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    “ Black Adam,” the Dwayne Johnson-fronted DC superhero film, kept its hold on the No. 1 spot at the North American box office in its second weekend in theaters. Down 59% from its launch, and facing little new competition, “Black Adam” added $27.7 million in ticket sales, bringing its domestic total to $111.1 million, according to studio estimates Sunday.

    Johnson spent a decade trying to bring the character to the big screen and has visions for follow-ups involving Superman. But the future of “Black Adam” is not written quite yet, though it’s earned $250 million worldwide. The Warner Bros. film carried a hefty price tag of $200 million, not including marketing and promotion costs, and a sequel has not been officially greenlit.

    But big changes are afoot at DC—the studio just announced a new leadership team of Peter Safran and James Gunn, whose love for propping up little-known comic book characters is well-documented. And on Sunday, Johnson posted a note to his 344 million Instagram followers about the end of the world press tour, thanking those who worked behind the scenes to launch “our NEW DC FRANCHISE known as BLACK ADAM.”

    Bucking recent romantic comedy trends, moviegoers remained curious about “Ticket to Paradise,” Universal’s Julia Roberts and George Clooney destination romp, which fell only 37% in weekend two to claim second place. The genre has not been the most reliable bet at the box office lately, with films like “Bros” stumbling in theaters, but the star power of Roberts and Clooney is proving hard to resist. “Ticket to Paradise” added $10 million from 3,692 North American theaters, bringing its domestic total to $33.7 million. Globally, it’s grossed $119.4 million to date.

    Horror movies, meanwhile, claimed spots three through five on the weekend before Halloween on Monday. Lionsgate’s “Prey for the Devil” opened in third place with $7 million from 2,980 theaters. Notably, it is the only of the three horror films that carried a PG-13 rating. The others were R-rated.

    Paramount’s “Smile” took fourth place in its fifth weekend with another $5.1 million, bringing its domestic total to $92.4 million (on a $17 million budget), while “Halloween Ends” landed in fifth place in its third weekend with $3.8 million. “Ends,” which has grossed $60.3 million in North America, was released simultaneously on NBC Universal’s streaming service Peacock.

    “This is just another mandate in favor of horror,” said Paul Dergarabedian, Comscore’s senior media analyst. “It’s not just about being in October, horror movies have played well throughout the pandemic. It’s a genre that continues to kill it at the box office time and again.”

    Chinonye Chukwu’s Mamie Till-Mobley film “Till” went wide this weekend, adding $2.8 million from 2,058 locations to take seventh place. Boasting a 98% on Rotten Tomatoes, the United Artists Releasing film has gotten good word of mouth with much of it centered on Danielle Deadwyler’s performance.

    This weekend also saw the expansion of several notable films, like Todd Field’s “ Tár,” which expanded to 1,087 theaters nationwide where it grossed $1 million and landed in 10th place. Cate Blanchett’s performance as a renowned composer and conductor won her a top acting prize from the Venice Film Festival last month.

    Another Venice-winner, “The Banshees of Inisherin” widened to 58 theaters and 12 new markets over the weekend. The Martin McDonagh film starring Colin Farrell and Brendan Gleeson earned $540,000. The Searchlight Pictures release will expand to around 800 locations next weekend.

    Charlotte Wells’ “Aftersun” expanded to 17 locations where it earned $75,242, bringing its cumulative grosses to $166,030. The A24-released father-daughter film starring Paul Mescal and Frankie Corio will continue to expand throughout awards season.

    James Gray’s “Armageddon Time” opened in six theaters in New York and Los Angeles, to $72,000. Gray mined his own childhood to tell the story about an 11-year-old in Queens in the fall of 1980. The film, which premiered at Cannes earlier this year, stars Banks Repeta, Anne Hathaway, Jeremy Strong and Anthony Hopkins.

    But as far as blockbusters are concerned, things will be somewhat slow-going until “Black Panther: Wakanda Forever” arrives on Nov. 11.

    “That’ll get the box office going again in a way that feels more like summer,” Dergarabedian said.

    —-

    Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

    1. “Black Adam,” $27.7 million.

    2. “Ticket to Paradise,” $10 million.

    3. “Prey for the Devil,” $7 million.

    4. “Smile,” $5.1 million.

    5. “Halloween Ends,” $3.8 million.

    6. “Lyle, Lyle, Crocodile,” $2.8 million.

    7. “Till,” $2.8 million.

    8. “Terrifier 2,” $1.8 million.

    9. “The Woman King,” $1.1 million.

    10. “Tár,” $1 million.

    —-

    Follow AP Film Writer Lindsey Bahr on Twitter: www.twitter.com/ldbahr.

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  • ‘Black Adam,’ with Dwayne Johnson, debuts with $67M

    ‘Black Adam,’ with Dwayne Johnson, debuts with $67M

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    NEW YORK — Warner Bros.’ “Black Adam” opened with an estimated $67 million, according to studio estimates Sunday, handing Dwayne Johnson his biggest box-office weekend as a leading man and launching the D.C. Comics character he spent a decade to bring to the big screen.

    “Black Adam” was a $200-million bid to upset the power balance in a DC Extended Universe dominated by the likes of Batman, Wonder Woman and Superman. The $67 million debut fell well shy of that stratosphere, even with the considerable draw of Johnson acting in his first superhero movie. Still, “Black Adam” managed the highest opening weekend since “Thor: Love and Thunder” debuted with $143 million in July.

    “Black Adam,” which stars Johnson as an ancient Egyptian summoned to the modern day, was notably hobbled by poor reviews (40% fresh on Rotten Tomatoes). Moviegoers were kinder, giving the film a B+ CinemaScore. It collected $73 million internationally for a $140 million global haul.

    “Black Adam” took a circuitous route to reach theaters. The character had originally been planned to launch as a villain in 2019’s “Shazam!” before executives pivoted to give Black Adam a standalone feature. The goofier “Shazam!,” which cost closer to $100 million to make, opened with $53.5 million in ticket sales and wound up an over-achieving success with $366 million worldwide.

    The stakes were higher for “Black Adam,” though. While promoting the film, Johnson hasn’t been shy about his desire to follow up “Black Adam” with a showdown with Superman. But whether the receipts for “Black Adam” are enough to warrant that remains unclear. Under new leadership, Warner Bros. is overhauling its approach to DC Comics adaptations.

    Jeff Goldstein, distribution chief for Warner Bros., celebrated the results as a personal best for Johnson outside of the “Fast & Furious” films, and a PG-13 film with broad-based appeal that audiences responded to better than critics. Still, it’s a time of transition for Warner Bros.’ reorganizing DC unit as the studio seeks more Marvel-sized successes. Next on tap is “Shazam! Fury of the Gods” in March.

    “It’s all about making good movies. It’s all about finding the right scripts,” said Goldstein. “Our studio is definitely going through a major revamping of our production leadership and style and approach. I think that we’ll be able to crack this nut. We’re definitely focused in on doing that.”

    “Ticket to Paradise,” the Bali-set romantic comedy starring Julia Roberts and George Clooney, proved smart counterprogramming. The Universal Pictures release debuted with $16.3 million, well above recent sales for rom-coms, which have struggled in recent years at the box office. The film is already a hit abroad, where it’s been in release for the last month, accruing $80.2 million in ticket sales.

    Earlier this month, Universal’s R-rated “Bros,” an LGBTQ milestone in the genre, debuted with a disappointing $4.8 million. “Ticket to Paradise” had a notable advantage in its two stars, and appealed particularly to older audiences; 64% of ticket buyers were 35 and up, the studio said.

    “It became an event film for all audiences this weekend but especially for older audiences that can be difficult to get into theaters,” said Jim Orr, head of distribution for Universal. “We all know this is a demographic group that doesn’t exactly run out to see films opening weekend. That gives us great encouragement for the weeks and months ahead.”

    Paul Dergarabedian, senior media analyst for data firm Comscore, noted it was the first weekend with a $65 million opener and more than $100 million in overall domestic ticket sales since July. That was owed largely to star power, he said, in the appeal of both “Ticket to Paradise” and “Black Adam” with Johnson.

    “He was the engine that really drove this box office despite some headwinds in terms of the DC brand and this not being as known a character,” said Dergarabedian. “This is a very strong starting point for Dwayne Johnson in the mix of DC Comics. He’s like a box-office supercharger. Forty-percent Rotten Tomatoes, but people just want to see Dwayne Johnson on the big screen because he is bigger than life.”

    Last week’s top film, “Halloween Ends,” dropped massively in its second weekend. The Universal horror sequel, which was simultaneously released on Peacock, declined 80% with $8 million. Meanwhile, Paramount Pictures’ “Smile,” continued to defy the typical declines for horror releases. With $8.4 million in its fourth week of release, “Smile” came in third and boosted its overall domestic sales to $84.3 million.

    As more acclaimed awards contenders land in theaters, Searchlight Pictures’ “The Banshees of Inisherin” started its run with one of the best per-theater averages of the year. The Martin McDonagh drama, starring Colin Farrell and Brendan Gleeson, opened with $181,000 in four theaters for a per-theater average of $45,250. For A24, Charlotte Wells’ “Aftersun,” starring Paul Mescal and Frankie Corio as a father and daughter on vacation, also debuted solidly in four theaters, with a $16,589 per-theater average.

    Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

    1. “Black Adam,” $67 million.

    2. “Ticket to Paradise,” $16.3 million.

    3. “Smile,” $8.4 million

    4. “Halloween Ends,” $8 million.

    5. “Lyle, Lyle Crocodile,” $4.2 million.

    6. “The Woman King,” $1.9 million.

    7. “Terrifier 2,” $1.9 million.

    8. “Don’t Worry Darling,” $880,000.

    9. “Amsterdam,” $811,000.

    10. “Triangle of Sadness,” $600,000.

    ———

    Follow AP Film Writer Jake Coyle on Twitter at: http://twitter.com/jakecoyleAP

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