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Singer-rapper Aaron Carter found dead at 34 in Southern California home, authorities say
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Singer-rapper Aaron Carter found dead at 34 in Southern California home, authorities say
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FERRIDAY, La. — Family, friends and fans will gather Saturday to bid farewell to rock ‘n’ roll pioneer Jerry Lee Lewis at memorial services held in his north Louisiana home town.
Lewis, known for hits such as “Great Balls of Fire” and “Whole Lotta Shakin’ Goin’ On,” died Oct. 28 at his Mississippi home, south of Memphis, Tennessee. He was 87.
Saturday’s funeral service is set for 11 a.m. at Young’s Funeral Home in Ferriday, the town where he was born, family members said. A private burial will follow. At 1 p.m., a celebration of life is planned at the Arcade Theater, also in Ferriday.
Lewis, who called himself “The Killer,” was the last survivor of a generation of artists that rewrote music history, a group that included Elvis Presley, Chuck Berry and Little Richard.
After his personal life blew up in the late 1950s following news of his marriage to his cousin, 13-year-old — possibly even 12-year-old — Myra Gale Brown, while still married to his previous wife, the piano player and rock rebel was blacklisted from radio and his earnings dropped to virtually nothing. Over the following decades, Lewis struggled with drug and alcohol abuse, legal disputes and physical illness.
In the 1960s, Lewis reinvented himself as a country performer and the music industry eventually forgave him. He had a run of top 10 country hits from 1967 to 1970, including “She Still Comes Around” and “What’s Made Milwaukee Famous (Has Made a Loser Out of Me).”
Lewis was the cousin of TV evangelist Jimmy Swaggart and country star Mickey Gilley. Swaggart and Lewis released “The Boys From Ferriday,” a gospel album, earlier this year. Swaggart will officiate at his funeral service.
In 1986, along with Elvis, Berry and others, he was in the inaugural class of inductees for the Rock & Roll Hall of Fame and joined the Country Hall of Fame this year. His life and music was reintroduced to younger fans in the 1989 biopic “Great Balls of Fire,” starring Dennis Quaid, and Ethan Coen’s 2022 documentary “Trouble in Mind.”
A 2010 Broadway music, “Million Dollar Quartet,” was inspired by a recording session that featured Lewis, Elvis, Carl Perkins and Johnny Cash.
Lewis won a Grammy in 1987 as part of an interview album that was cited for best spoken word recording, and he received a lifetime achievement Grammy in 2005.
The following year, “Whole Lotta Shakin’” was selected for the Library of Congress’ National Recording Registry, whose board praised the “propulsive boogie piano that was perfectly complemented by the drive of J.M. Van Eaton’s energetic drumming. The listeners to the recording, like Lewis himself, had a hard time remaining seated during the performance.”
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Associated Press writer Hillel Italie contributed to this report.
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Jerry Lee Lewis, the untamable rock ‘n’ roll pioneer whose outrageous talent, energy and ego collided on such definitive records as “Great Balls of Fire” and “Whole Lotta Shakin’ Goin’ On” and sustained a career otherwise upended by personal scandal, died Friday morning at 87.
The last survivor of a generation of groundbreaking performers that included Elvis Presley, Chuck Berry and Little Richard, Lewis died at his Mississippi home, south of Memphis, Tennessee, representative Zach Farnum said in a release. The news came two days after the publication of an erroneous TMZ report of his death, later retracted.
Of all the rock rebels to emerge in the 1950s, few captured the new genre’s attraction and danger as unforgettably as the Louisiana-born piano player who called himself “The Killer.”
Tender ballads were best left to the old folks. Lewis was all about lust and gratification, with his leering tenor and demanding asides, violent tempos and brash glissandi, cocky sneer and crazy blond hair. He was a one-man stampede who made the fans scream and the keyboards swear, his live act so combustible that during a 1957 performance of “Whole Lotta Shakin’ Goin’ On” on “The Steve Allen Show,” chairs were thrown at him like buckets of water on an inferno.
“There was rockabilly. There was Elvis. But there was no pure rock ’n ’roll before Jerry Lee Lewis kicked in the door,” a Lewis admirer once observed. That admirer was Jerry Lee Lewis.
But in his private life, he raged in ways that might have ended his career today — and nearly did back then.
For a brief time, in 1958, he was a contender to replace Presley as rock’s prime hit maker after Elvis was drafted into the Army. But while Lewis toured in England, the press learned three damaging things: He was married to 13-year-old (possibly even 12-year-old) Myra Gale Brown, she was his cousin, and he was still married to his previous wife. His tour was canceled, he was blacklisted from the radio and his earnings dropped overnight to virtually nothing.
“I probably would have rearranged my life a little bit different, but I never did hide anything from people,” Lewis told the Wall Street Journal in 2014 when asked about the marriage. “I just went on with my life as usual.”
Over the following decades, Lewis struggled with drug and alcohol abuse, legal disputes and physical illness. Two of his many marriages ended in his wife’s early death. Brown herself divorced him in the early 1970s and would later allege physical and mental cruelty that nearly drove her to suicide.
“If I was still married to Jerry, I’d probably be dead by now,” she told People magazine in 1989.
Lewis reinvented himself as a country performer in the 1960s, and the music industry eventually forgave him, long after he stopped having hits. He won three Grammys, and recorded with some of the industry’s greatest stars. In 2006, Lewis came out with “Last Man Standing,” featuring Mick Jagger, Bruce Springsteen, B.B. King and George Jones. In 2010, Lewis brought in Jagger, Keith Richards, Sheryl Crow, Tim McGraw and others for the album “Mean Old Man.”
In “The Rolling Stone Illustrated History of Rock & Roll,” first published in 1975, he recalled how he convinced disc jockeys to give him a second chance.
“This time I said, ‘Look, man, let’s get together and draw a line on this stuff — a peace treaty you know,’” he explained. Lewis would still play the old hits on stage, but on the radio he would sing country.
Lewis had a run of top 10 country hits between 1967-70, and hardly mellowed at all. He performed drinking songs such as “What’s Made Milwaukee Famous (Has Made a Loser Out of Me)”, the roving eye confessions of “She Still Comes Around” and a dry-eyed cover of a classic ballad of abandonment, “She Even Woke Me Up to Say Goodbye.” He had remained popular in Europe and a 1964 album, “Live at the Star Club, Hamburg,” is widely regarded as one of the greatest concert records.
A 1973 performance proved more troublesome: Lewis sang for the Grand Ole Opry and broke two longstanding rules — no swearing and no non-country songs.
“I am a rock and rollin’, country-and-western, rhythm and blues-singin’ motherf—–,” he told the audience.
Lewis married seven times, and was rarely far from trouble or death. His fourth wife, Jaren Elizabeth Gunn Pate, drowned in a swimming pool in 1982 while suing for divorce. His fifth wife, Shawn Stephens, 23 years his junior, died of an apparent drug overdose in 1983. Within a year, Lewis had married Kerrie McCarver, then 21. She filed for divorce in 1986, accusing him of physical abuse and infidelity. He countersued, but both petitions eventually were dropped. They finally divorced in 2005 after several years of separation. The couple had one child, Jerry Lee III.
Another son by a previous marriage, Steve Allen Lewis, 3, drowned in a swimming pool in 1962, and son Jerry Lee Jr. died in a traffic accident at 19 in 1973. Lewis also had two daughters, Phoebe and Lori Leigh, and is survived by his wife Judith.
His finances were also chaotic. Lewis made millions, but he liked his money in cash and ended up owing hundreds of thousands of dollars to the Internal Revenue Service. When he began welcoming tourists in 1994 to his longtime residence near Nesbit, Mississippi — complete with a piano-shaped swimming pool — he set up a 900 phone number fans could call for a recorded message at $2.75 a minute.
The son of one-time bootlegger Elmo Lewis and the cousin of TV evangelist Jimmy Swaggart and country star Mickey Gilley, Lewis was born in Ferriday, Louisiana (Swaggart and Lewis released “The Boys From Ferriday,” a gospel album, earlier this year). As a boy, he first learned to play guitar, but found the instrument too confining and longed for an instrument that only the rich people in his town could afford — a piano. His life changed when his father pulled up in his truck one day and presented him a dark-wood, upright piano.
“My eyes almost fell out of my head,” Lewis recalled in “Jerry Lee Lewis: His Own Story,” written by Rick Bragg and published in 2014.
He took to the piano immediately, and began sneaking off to Black juke joints and absorbing everything from gospel to boogie-woogie. Conflicted early on between secular and sacred music, he quit school at 16, with plans of becoming a piano-playing preacher. Lewis briefly attended Southwestern Assemblies of God University in Waxahachie, Texas, a fundamentalist Bible college, but was expelled, reportedly, for playing the “wrong” kind of music.
“Great Balls of Fire,” a sexualized take on Biblical imagery that Lewis initially refused to record, and “Whole Lotta Shakin’” were his most enduring songs and performance pieces. Lewis had only a handful of other pop hits, including “High School Confidential” and “Breathless,” but they were enough to ensure his place as a rock ‘n’ roll architect.
“No group, be it (the) Beatles, Dylan or Stones, have ever improved on ‘Whole Lotta Shakin’’ for my money,” John Lennon would tell Rolling Stone in 1970.
A roadhouse veteran by his early 20s, Lewis took off for Memphis in 1956 and showed up at the studios of Sun Records, the musical home of Elvis, Carl Perkins and Johnny Cash. Told by company founder Sam Phillips to go learn some rock ‘n roll, Lewis returned and soon hurried off “Whole Lotta Shakin’” in a single take.
“I knew it was a hit when I cut it,” he later said. “Sam Phillips thought it was gonna be too risque, it couldn’t make it. If that’s risque, well, I’m sorry.”
In 1986, along with Elvis, Chuck Berry and others, he made the inaugural class of inductees for the Rock & Roll Hall of Fame and joined the Country Hall of Fame this year. The Killer not only outlasted his contemporaries but saw his life and music periodically reintroduced to younger fans, including the 1989 biopic “Great Balls of Fire,” starring Dennis Quaid, and Ethan Coen’s 2022 documentary “Trouble in Mind.” A 2010 Broadway music, “Million Dollar Quartet,” was inspired by a recording session that featured Lewis, Elvis, Perkins and Cash.
He won a Grammy in 1987 as part of an interview album that was cited for best spoken word recording, and he received a lifetime achievement Grammy in 2005. The following year, “Whole Lotta Shakin’” was selected for the Library of Congress’ National Recording Registry, whose board praised the “propulsive boogie piano that was perfectly complemented by the drive of J.M. Van Eaton’s energetic drumming. The listeners to the recording, like Lewis himself, had a hard time remaining seated during the performance.”
A classmate at Bible school, Pearry Green, remembered meeting Lewis years later and asking if he was still playing the devil’s music.
“Yes, I am,” Lewis answered. “But you know it’s strange, the same music that they kicked me out of school for is the same kind of music they play in their churches today. The difference is, I know I am playing for the devil and they don’t.”
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This story has been updated to clarify where Lewis’ home is located.
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LOS ANGELES — Leslie Jordan, the actor whose wry Southern drawl and versatility made him a comedy and drama standout on TV series including “Will & Grace” and “American Horror Story,” has died. The Emmy-winner, whose videos turned him into a social media star during the pandemic, was 67.
“The world is definitely a much darker place today without the love and light of Leslie Jordan. Not only was he a mega talent and joy to work with, but he provided an emotional sanctuary to the nation at one of its most difficult times,” a representative for Jordan said in a statement Monday. “Knowing that he has left the world at the height of both his professional and personal life is the only solace one can have today.”
The native of Chattanooga, Tennessee, who won an on outstanding guest actor Emmy in 2005 for his role as Beverly Leslie in “Will & Grace,” had a recurring role on the Mayim Bialik comedy “Call me Kat” and co-starred on the sitcom “The Cool Kids.”
Jordan’s other eclectic credits include “Hearts Afire,” “Boston Legal,” “Fantasy Island” and “The United States vs. Billie Holiday.” He played various roles on the “American Horror Story” franchise series.
Jordan died Monday in a single car crash in Hollywood, according to reports by celebrity website TMZ and the Los Angeles Times, citing unnamed law enforcement sources.
Jordan earned an unexpected new following in 2021 when he spent time during the pandemic lockdown near family in his hometown. He broke the sameness by posting daily videos of himself on Instagram.
Many of Jordan’s videos included him asking “How ya’ll doin?” and some included stories about Hollywood or his childhood growing up with identical twin sisters and their “mama,” as he called her. Other times he did silly bits like complete an indoor obstacle course.
“Someone called from California and said, ’Oh, honey, you’ve gone viral.’ And I said, ’No, no, I don’t have COVID. I’m just in Tennessee,” said Jordan. Celebrities including Michelle Pfeiffer, Jessica Alba and Anderson Cooper, along with brands such as Reebok and Lululemon, would post comments.
Soon he became fixated with the number of views and followers he had, because there wasn’t much else going on. By the time of his death, he amassed 5.8 million followers on Instagram and another 2.3 million on TikTok.
“For a while there, it was like obsessive. And I thought, ’This is ridiculous. Stop, stop, stop.′ You know, it almost became, ’If it doesn’t happen on Instagram, it didn’t happen.’ And I thought, ‘You’re 65, first of all. You’re not some teenage girl.’”
The spotlight led to new opportunities. Earlier this month he released a gospel album called “Company’s Comin’” featuring Dolly Parton, Chris Stapleton, Brandi Carlile, Eddie Vedder and Tanya Tucker. He wrote a new book, “How Y’all Doing?: Misadventures and Mischief from a Life Well Lived.”
It was Jordan’s second book, following his 2008 memoir, “My Trip Down the Red Carpet.”
“That sort of dealt with all the angst and growing up gay in the Baptist Church and la, la, la, la, la. And this one, I just wanted to tell stories,” he told The Associated Press in a 2021 interview. Among the anecdotes: working with Lady Gaga on “American Horror Story”; how meeting Carrie Fisher led to Debbie Reynolds calling his mother and the Shetland pony he got as a child named Midnight.
In a 2014 interview with Philadelphia magazine, Jordan was asked how he related to his role in the 2013 film “Southern Baptist Sissies,” which explores growing up gay while being raised in a conservative Baptist church.
“I really wanted to be a really good Christian, like some of the boys in the movie. I was baptized 14 times,” Jordan said. “Every time the preacher would say, ‘Come forward, sinners!,’ I’d say ‘Oooh, I was out in the woods with that boy, I better go forward.’ My mother thought I was being dramatic. She’d say, ‘Leslie, you’re already saved,’ and I’d say, ’Well, I don’t think it took.”
Jordan said he considered himself a storyteller by nature.
“It’s very Southern. If I was to be taught a lesson or something when I was a kid, I was told a story,” he told AP.
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Mark Kennedy and Alicia Rancilio in New York contributed to this report.
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NEW YORK — Joanna Simon, an acclaimed mezzo-soprano, Emmy-winning TV correspondent and one of the three singing Simon sisters who include pop star Carly, has died at age 85.
Simon, the eldest of four, died Wednesday, just a day before her sister Lucy died, according to Lucy’s daughter, Julie Simon. Their brother Peter, a photographer, died in 2018 at 71. All three had cancer.
“In the last 2 days, I’ve been by the side of both my mother and my aunt, Joanna, and watched them pass into the next world. I can’t truly comprehend this,” Julie wrote on Facebook.
Joanna Simon, who died of thyroid cancer, rose to fame in the opera world and as a concert performer in the 1960s. She was a frequent guest on TV talk shows. After her retirement from singing, she became an arts correspondent for PBS’s “MacNeil-Lehrer News Hour,” where she won an Emmy in 1991 for a report on mental illness and creativity.
“I am filled with sorrow to speak about the passing of Joanna and Lucy Simon. Their loss will be long and haunting. As sad as this day is, it’s impossible to mourn them without celebrating their incredible lives that they lived,” Carly Simon said in a statement Saturday.
She added: “We were three sisters who not only took turns blazing trails and marking courses for one another. We were each other’s secret shares. The co-keepers of each other’s memories.”
Joanna Simon was married to novelist and journalist Gerald Walker from 1976 until his death in 2004. She was the companion of Walter Cronkite from 2005 until his death in 2009.
On stage, she made her professional debut in 1962 as Cherubino in Mozart’s “The Marriage of Figaro” at New York City Opera. That year, she won the Marian Anderson Award for promising young singers. Simon took on a range of material. As a concert performer, she leaned into classic and contemporary songs of her time.
The siblings were born to publishing giant Richard Simon and his wife, Andrea. Carly and Lucy once performed as the Simon Sisters, opening for other acts in Greenwich Village folk clubs.
“I have no words to explain the feeling of suddenly being the only remaining direct offspring of Richard and Andrea Simon,” Carly Simon said. “They touched everyone they knew and those of us they’ve left behind will be lucky and honored to carry their memories forward.”
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LONDON — Robbie Coltrane, the baby-faced comedian and character actor whose hundreds of roles included a crime-solving psychologist on the TV series “Cracker” and the gentle half-giant Hagrid in the “Harry Potter” movies, has died. He was 72.
Coltrane’s agent Belinda Wright said he died Friday at a hospital in his native Scotland, and but did not immediately other details. She called him “forensically intelligent” and “brilliantly witty” in just one of many tributes made to him.
“Harry Potter” author J.K. Rowling, who decades ago had said Coltrane was her first choice to play Hagrid, tweeted Friday that he was “an incredible talent, a complete one off.”
“I was beyond fortunate to know him, work with him and laugh my head off with him,” she wrote.
Born Anthony Robert McMillan in Rutherglen, Scotland, Coltrane was in his early 20s when he began pursuing an acting career and renamed himself in honor of jazz musician John Coltrane.
He already had a notable screen career, with credits including “Mona Lisa,” “Nuns on the Run” and Kenneth Branagh’s adaptation of “Henry V” when he broke through on his own as a hard-bitten detective in “Cracker,” the 1990s TV series for which he won best actor at the British Academy Television Awards three years running.
He went on to appear in all eight “Harry Potter” movie as the young wizard’s mentor and had a wide variety of other parts, including a Russian crime boss in the James Bond thrillers “GoldenEye” and “The World is Not Enough” and Pip’s guardian Mr. Jaggers in a 2012 adaptation of Dickens’ “Great Expectations.” More recently, he received rave reviews for playing a beloved TV star who may harbor a dark secret in the 2016 miniseries “National Treasure.”
On Friday, his “Nuns on the Run” co-star Eric Idle tweeted that he had been talking about Coltrane, “wondering where he was,” when he learned of his death.
“Such a bright and brilliant man. A consummate actor, an extraordinarily funny comedian and an amazing actor. He was also a very good friend,” Idle wrote.
Wright said Coltrane is survived by his sister Annie Rae, his ex-wife Rhona Gemmell and his children Spencer and Alice.
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Angela Lansbury, the celebrated actor who spent seven decades in film, television and theater, died on Tuesday, according to a statement released by her family. She was 96.
“The children of Dame Angela Lansbury are sad to announce that their mother died peacefully in her sleep at home in Los Angeles at 1:30 AM today, Tuesday, October 11, 2022, just five days shy of her 97th birthday,” her family said in a statement obtained by NBC News and People.
Lansbury’s lead role as amateur detective Jessica Fletcher in the long-running series “Murder, She Wrote” made her something of a feminist idol. She also had a significant queer fan base thanks to her consistent work in musical theater.
Born in London on Oct. 16, 1925, Lansbury was the daughter of actor Moyna Macgill and socialist politician Edgar Lansbury. Her father died of stomach cancer when she was 9, and in 1940, her family moved to the United States to escape the Nazi blitz. Around age 17, she met the screenwriter John Van Druten at a party her mother hosted. Van Druten suggested her for the role of a conniving maid in the 1944 psychological thriller “Gaslight.” It became Lansbury’s first film appearance, and the part earned her an Oscar nomination at age 20. At the height of Hollywood’s studio-system era, Lansbury quickly signed a seven-year contract with the profitable MGM. She initially earned $500 a week (or roughly $7,300 in today’s economy).
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Lansbury’s path to full-fledged stardom didn’t crystallize with her first Oscar nod, though. MGM tended to stick her in supporting roles, so she often played second fiddle to the likes of Elizabeth Taylor (1944’s “National Velvet”), Judy Garland (1946’s “The Harvey Girls”), Deborah Kerr (1947’s “If Winter Comes”), Katharine Hepburn (1948’s “State of the Union”), Ethel Barrymore (1951’s “Kind Lady”) and Anne Baxter (1960’s “Season of Passion”).
“They didn’t know what to do with me,” Lansbury said of MGM in a 2015 interview with The Telegraph. “They didn’t make the sort of movies that I could possibly have shone in, so they used me as a utility. I played a lot of older women.”
Still, Lansbury garnered critical praise from the start. The New York Times called her early performances “fetching” and “commendable.” Lansbury earned her second Oscar nomination, for playing Sibyl Vane in the 1945 adaptation of “The Picture of Dorian Gray,” just one year after her first.
As the 1960s crept in and the studio system combusted, Lansbury became a name unto herself. Finally, a star was born. Her film roles — some of them, at least — got meatier. In 1962, Lansbury played manipulative mothers in both “All Falls Down” and “The Manchurian Candidate.” Collectively, the roles earned her a prize from the National Board of Review, while the latter anchored her third Oscar nomination and her first Golden Globe win.

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When she continued to be relegated to supporting roles on the big screen, it was the stage where Lansbury found her calling. After starring in the critically reviled 1964 Stephen Sondheim musical “Anyone Can Whistle,” Lansbury landed the title role in the musical “Mame,” playing a bohemian who introduces her 10-year-old nephew to her liberated lifestyle, a performance that led to her first of five Tony Awards. (When Lansbury revived the role in 1983, The New York Times’ Frank Rich wrote, “One feels a rush when she enters, a vision in gold from her toes to her raised bugle.”) Even though Lansbury was disappointed that the role of Mame in the 1974 film adaptation went to Lucille Ball, who was considered a more profitable star, Lansbury’s career prospered greatly after the stage run ended in 1968.
Throughout the ’70s, Lansbury starred in revivals of “Gypsy” in both London and New York. She played Gertrude in “Hamlet,” Anna Leonowens in “The King and I” and Mrs. Nellie Lovett in the original “Sweeney Todd: The Demon Barber of Fleet Street.” She also secured her splashiest film role, playing a witch in the now-classic 1971 Disney fantasy “Bedknobs and Broomsticks.”

But the role that made her a household name ― and fattened her bank account ― didn’t come until the 1980s, when she was nearing her 60s. After Jean Stapleton and Doris Day reportedly turned down the principal role in CBS’s “Murder, She Wrote,” Lansbury took the job. She spent 12 seasons playing Jessica Fletcher, the widowed mystery writer who solved crimes in her spare time. The series premiered in 1984, and Lansbury has said it was the closest she came to “universal fame.” The role of Jessica also marked a turning point for female characters on television: She was an older, self-sufficient career woman, and Lansbury insisted that Jessica remain single so she would represent female independence.
“Jessica Fletcher didn’t want to begin a whole new cycle of life with somebody new, because she had a very complete life as an authoress,” Lansbury said in 2012. “She had success and the comfort and coziness of her home, her pursuits, her friends.”
The actor earned 10 Emmy nominations for the show, though she never won. Lansbury didn’t appear in stage roles during her stint on “Murder,” but she did make additional film and TV appearances, memorably voicing the motherly Mrs. Potts in 1991’s “Beauty and the Beast.”
Throughout all of this, Lansbury married twice. At age 19, she eloped with the 35-year-old actor Richard Cromwell, who had appeared in “Jezebel” and “Young Mr. Lincoln.” The marriage lasted nine months, and Lansbury later found out he was gay, though they remained friendly until his death in 1960. Her second marriage, to producer Peter Shaw, began in 1949 and lasted 54 years, until his death in 2003.
Shaw and Lansbury left California in 1970 and began to split their time between Ireland and New York City. Together, they had two children, Anthony Peter Shaw (born in 1952) and Deirdre Angela Shaw (born in 1953).

In keeping with her late father’s political career, Lansbury aligned herself with America’s Democratic Party and the United Kingdom’s Labour Party.
“I think the exciting thing about acting is I leave myself at home, and the person that arrives on the set is hopefully akin to the character that I’m going to play,” Lansbury said in 2018. “And that gives me the chance to indulge myself in the thing I love doing most, which is acting. Acting as somebody else, not me, because I’m dull as dishwater.”
Lansbury’s output had slowed in more recent years, but she appeared in 2005’s “Nanny McPhee,” 2011’s “Mr. Popper’s Penguins,” 2017’s “Little Women” miniseries and 2018’s “Mary Poppins Returns.” She returned to the stage with 2007’s “Deuce,” a Terrence McNally play that netted her another Tony nomination, as well as the 2009 revival of Stephen Sondheim’s “A Little Night Music” and a brief 2013 run as the titular character in “Driving Miss Daisy.” Lansbury earned three additional Emmy nominations for her appearance in the 2004 TV movie “The Blackwater Lightship” and her guest spots on “Law & Order: Special Victims Unit” and “Law & Order: Trial By Jury.” In 2014, she was awarded an honorary Oscar.
“I think stamina is built into my constitution,” she said in 2012.
Her contributions through “Murder, She Wrote” live on: The lucrative 2019 murder-mystery comedy “Knives Out” features a brief clip of the show and thanks Lansbury in its closing credits.
In June, Lansbury received a special Tony Award for lifetime achievement, though she was not present to accept the accolade at New York’s Radio City Music Hall. Her last Broadway appearance was in a 2012 revival of Gore Vidal’s play, “The Best Man.”
Even if MGM initially didn’t let her shine, Lansbury would become defined by her versatility. Through her work, she stepped into the shoes of freewheeling bohemians, masterful manipulators, romantic artists and sweet go-getters. The British newspaper The Independent posited in 2010 that Lansbury may be Britain’s “most successful actress ever.”
“I think of myself as a journeyman actress,” she said in 2004. “I will attempt almost anything that I think that I can bring off.”
Nina Golgowski contributed reporting.
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NASHVILLE, Tenn. — Loretta Lynn, the Kentucky coal miner’s daughter whose frank songs about life and love as a woman in Appalachia pulled her out of poverty and made her a pillar of country music, has died. She was 90.
In a statement provided to The Associated Press, Lynn’s family said she died Tuesday at her home in Hurricane Mills, Tennessee.
“Our precious mom, Loretta Lynn, passed away peacefully this morning, October 4th, in her sleep at home in her beloved ranch in Hurricane Mills,” the family said in a statement. They asked for privacy as they grieve and said a memorial will be announced later.
Lynn already had four children before launching her career in the early 1960s, and her songs reflected her pride in her rural Kentucky background.
As a songwriter, she crafted a persona of a defiantly tough woman, a contrast to the stereotypical image of most female country singers. The Country Music Hall of Famer wrote fearlessly about sex and love, cheating husbands, divorce and birth control and sometimes got in trouble with radio programmers for material from which even rock performers once shied away.
Her biggest hits came in the 1960s and ’70s, including “Coal Miner’s Daughter,” “You Ain’t Woman Enough,” “The Pill,” “Don’t Come Home a Drinkin’ (With Lovin’ on Your Mind),” “Rated X” and “You’re Looking at Country.” She was known for appearing in floor-length, wide gowns with elaborate embroidery or rhinestones, many created by her longtime personal assistant and designer Tim Cobb.
Her honesty and unique place in country music was rewarded. She was the first woman ever named entertainer of the year at the genre’s two major awards shows, first by the Country Music Association in 1972 and then by the Academy of Country Music three years later.
“It was what I wanted to hear and what I knew other women wanted to hear, too,” Lynn told the AP in 2016. “I didn’t write for the men; I wrote for us women. And the men loved it, too.”
In 1969, she released her autobiographical “Coal Miner’s Daughter,” which helped her reach her widest audience yet.
“We were poor but we had love/That’s the one thing Daddy made sure of/He shoveled coal to make a poor man’s dollar,” she sang.
“Coal Miner’s Daughter,” also the title of her 1976 book, was made into a 1980 movie of the same name. Sissy Spacek’s portrayal of Lynn won her an Academy Award and the film was also nominated for best picture.
Long after her commercial peak, Lynn won two Grammys in 2005 for her album “Van Lear Rose,” which featured 13 songs she wrote, including “Portland, Oregon” about a drunken one-night stand. “Van Lear Rose” was a collaboration with rocker Jack White, who produced the album and played the guitar parts.
Reba McEntire was among the stars who reacted to Lynn’s death, posting online about how the singer reminded her of her late mother. “Strong women, who loved their children and were fiercely loyal. Now they’re both in Heaven getting to visit and talk about how they were raised, how different country music is now from what it was when they were young. Sure makes me feel good that Mama went first so she could welcome Loretta into the hollers of heaven!”
Born Loretta Webb, the second of eight children, she claimed her birthplace was Butcher Holler, near the coal mining company town of Van Lear in the mountains of east Kentucky. There really wasn’t a Butcher Holler, however. She later told a reporter that she made up the name for the purposes of the song based on the names of the families that lived there.
Her daddy played the banjo, her mama played the guitar and she grew up on the songs of the Carter Family. Her younger sister, Crystal Gayle, is also a Grammy-winning country singer, scoring crossover hits with songs like “Don’t It Make My Brown Eyes Blue” and “Half the Way.” Lynn’s daughter Patsy Lynn Russell also was a songwriter and producer of some of her albums.
“I was singing when I was born, I think,” she told the AP in 2016. “Daddy used to come out on the porch where I would be singing and rocking the babies to sleep. He’d say, ‘Loretta, shut that big mouth. People all over this holler can hear you.’ And I said, ‘Daddy, what difference does it make? They are all my cousins.’”
She wrote in her autobiography that she was 13 when she got married to Oliver “Mooney” Lynn, but the AP later discovered state records that showed she was 15. Tommy Lee Jones played Mooney Lynn in the biopic.
Her husband, whom she called “Doo” or “Doolittle,” urged her to sing professionally and helped promote her early career. With his help, she earned a recording contract with Decca Records, later MCA, and performed on the Grand Ole Opry stage. Lynn wrote her first hit single, “I’m a Honky Tonk Girl,” released in 1960.
She also teamed up with singer Conway Twitty to form one of the most popular duos in country music with hits such as “Louisiana Woman, Mississippi Man” and “After the Fire is Gone,” which earned them a Grammy Award. Their duets, and her single records, were always mainstream country and not crossover or pop-tinged.
And when she first started singing at the Grand Ole Opry, country star Patsy Cline took Lynn under her wing and mentored her during her early career.
The Academy of Country Music chose her as the artist of the decade for the 1970s, and she was elected to the Country Music Hall of Fame in 1988. She won four Grammy Awards, was inducted into the Songwriters Hall of Fame in 2008, was honored at the Kennedy Center Honors in 2003 and was awarded the Presidential Medal of Freedom in 2013.
In “Fist City,” Lynn threatens a hair-pulling fistfight if another woman won’t stay away from her man: “I’m here to tell you, gal, to lay off of my man/If you don’t want to go to Fist City.” That strong-willed but traditional country woman reappears in other Lynn songs. In “The Pill,” a song about sex and birth control, Lynn sings about how she’s sick of being trapped at home to take care of babies: “The feelin’ good comes easy now/Since I’ve got the pill,” she sang.
She moved to Hurricane Mills, Tennessee, outside of Nashville, in the 1990s, where she set up a ranch complete with a replica of her childhood home and a museum that is a popular roadside tourist stop. The dresses she was known for wearing are there, too.
Lynn knew that her songs were trailblazing, especially for country music, but she was just writing the truth that so many rural women like her experienced.
“I could see that other women was goin’ through the same thing, ‘cause I worked the clubs. I wasn’t the only one that was livin’ that life and I’m not the only one that’s gonna be livin’ today what I’m writin’,” she told The AP in 1995.
Even into her later years, Lynn never seemed to stop writing, scoring a multi-album deal in 2014 with Legacy Records, a division of Sony Music Entertainment. In 2017, she suffered a stroke that forced her to stop touring, but she released her 50th solo studio album, “Still Woman Enough” in 2021.
She and her husband were married nearly 50 years before he died in 1996. They had six children: Betty, Jack, Ernest and Clara, and then twins Patsy and Peggy. She had 17 grandchildren and four step-grandchildren.
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Online: https://lorettalynn.com/
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Follow Kristin M. Hall at https://twitter.com/kmhall
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NASHVILLE, Tenn. — Fans of Naomi Judd, the late matriarch of the Grammy-winning country duo The Judds, will have a chance to say goodbye and rejoice in their hits in a final tour helmed by daughter Wynonna and all-star musical partners.
The Judd family continues to grieve her sudden death during a year that should have been a celebration. The tour was announced only weeks before Naomi Judd, 76, took her life on April 30, the day before their induction into the Country Music Hall of Fame.
“It’s devastatingly beautiful to go back to the past and relive some of these memories,” said Wynonna Judd this week as she sat on a tour bus after rehearsals. “Yesterday I was in rehearsal and there’s a part in the show where they sync up Mom singing with me. And I turned around and I just lost it.”
The 11-city tour starts Friday night in Grand Rapids, Michigan, and will include stops in Green Bay, Wisconsin, Fort Worth, Texas, and Nashville before ending in their home state in Lexington, Kentucky. Special guests include Brandi Carlile, Ashley McBryde, Little Big Town, Kelsea Ballerini, Trisha Yearwood, Faith Hill and tour opener Martina McBride.
Judd’s husband Larry Strickland, and her two daughters, Wynonna and Ashley, reflected on their mother’s legacy, not only in music, but as a caregiver and an advocate. The red-headed duo scored more than a dozen No. 1 hits, combining young Wynonna’s powerful vocals with Naomi’s family harmonies and stage charm. Reflecting their Appalachian roots with polished pop stylings, their hits included “Why Not Me,” “Mama He’s Crazy,” “Rockin’ With the Rhythm of the Rain,” and “Love Can Build a Bridge.”
Naomi’s husband of nearly 33 years said he hopes that fans feel uplifted to hear their hit songs performed again in arenas. But he knows he will struggle when he sees his wife on the big screens or hears her voice again.
“I’m having trouble now just seeing pictures of her. I don’t know how much I can handle,” Strickland said.
Strickland said his wife was excited to tour again with her daughter because she loved the connection with the fans. The storyline of the single mother supporting two daughters becoming one of the biggest duos in country music history, along with Naomi’s flashy wardrobe and bubbly approachability, made fans identify with her.
“She loved being on the stage and singing,” Strickland said. “She loved people. And she would do her twisting and twirling. She was the harmony singer. She was all about her hair and the little dresses that she would have made. And so that was her world.”
Her family has endless stories of Naomi Judd’s empathy and passion for helping, her love of animals, especially dogs, and her desire to learn. A nurse by trade before her music career, she was on the board of the American Humane Association and was a member of the National Alliance on Mental Illness. Her daughter Ashley recalled how she walked around with $20 and $50 bills in her bra and would hand them out to people, especially women.
Wynonna Judd said that recently she visited the same hospital outside Nashville where her mom died. And she noticed that on one of the walls in the emergency room were pictures of volunteers who helped assist patients.
“And there’s a picture of my mother in the cutest little wig and she has her name tag, ‘Naomi Judd,’” she said.
Naomi Judd struggled most of her life with depression, which she shared openly in her book “River of Time: My Descent into Depression and How I Emerged With Hope.” Her family said she was also being treated for bipolar disorder and PTSD.
“That’s the complexity of this issue, because my mother, even in her darkest hour, would put on her wig and go down to the emergency room and help other people during their emergencies,” Wynonna Judd said, her strong voice cracking. “So I find it pretty devastating that she got to a point where she was done helping herself.”
Strickland, too, noted how mental illness affected his wife. Despite feeling incredibly excited for the tour, her mental state was deteriorating, he said. Strickland said she was seeing a psychiatrist, but her depression was resistant to treatment, and they were trying different types of medication to help her.
“The lows that she would experience with her mental illness just seemed to get worse,” he said.
Since The Judds debuted in the 1980s, the family has lived under the public eye, headlining awards shows and appearing on magazine covers, in books and TV shows. But Naomi’s death has only intensified scrutiny, to the point where the family is dispelling rumors that there is a dispute over the estate. Strickland, who is Ashley and Wynonna’s stepfather, was named the executor of the estate.
Ashley Judd said it was “obviously natural, good, and proper that Mom’s estate would flow to Pop, her partner of 43 years and then upon his eventual passing, come to her daughters.”
The actor was with her mother when she died and has advocated for the family’s legal request to keep police investigative records relating to her mother’s death from being publicly released. After an appeal, the Tennessee Supreme Court sent the case back to the lower court. Ashley Judd said that privacy should be afforded to any family dealing with suicide.
“We are an open family,” she said. “We’re committed to raising awareness about the walk with mental illness and reducing shame and stigma, guiding people towards resources, and helping families build resistance to and resilience from the devastation. And there’s also a certain dignity and decency that’s necessary around the actual day of the death.”
Wynonna Judd said since her mother’s death, people who have had similar experiences have reached out to her to ask that mental illness resources and information are provided to fans during the tour.
“This is very real to me. This is not just show business. This is an opportunity to help someone out there not end their life,” she said. “We must get rid of the stigma of the words mental illness because people will not reach out for help.”
Wynonna’s relationship with her mother was sometimes filled with drama, but it continues to this day, when she sits under a tree at her home in Tennessee and processes her grief. “I love my mother and she makes me crazy still. Your relationship with your mother never ends,” she said. “I still talk to her and it’s awesome and it’s hard.”
The family wants the fans to remember Naomi Judd as a beautiful, talented, smart and colorfully complex woman, who had highs and lows, and was honest about her journey.
“I want them to see that in adversity, in death, there is life,” said Wynonna Judd.
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The national suicide and crisis lifeline is available by calling or texting 988. There is also an online chat at 988lifeline.org.
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Online: https://www.thejudds.com/
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Follow Kristin M. Hall at https://Twitter.com/kmhall
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LOS ANGELES — Coolio, the rapper who was among hip-hop’s biggest names of the 1990s with hits including “Gangsta’s Paradise” and “Fantastic Voyage,” died Wednesday at age 59, his manager said.
Coolio died at the Los Angeles home of a friend, longtime manager Jarez Posey told The Associated Press. The cause was not immediately clear.
Coolio won a Grammy for best solo rap performance for “Gangsta’s Paradise,” the 1995 hit from the soundtrack of the Michelle Pfeiffer film “Dangerous Minds” that sampled Stevie Wonder’s 1976 song “Pastime Paradise” and was played constantly on MTV.
The Grammy, and the height of his popularity, came in 1996, amid a fierce feud between the hip-hop communities of the two coasts, which would take the lives of Tupac Shakur and The Notorious B.I.G. soon after.
Coolio managed to stay mostly above the conflict.
“I’d like to claim this Grammy on behalf of the whole hip-hop nation, West Coast, East Coast, and worldwide, united we stand, divided we fall,” he said from the stage as he accepted the award.
Born Artis Leon Ivey Jr., in Monessen, Pennsylvania south of Pittsburgh, Coolio moved to Compton, California. He spent some time as a teen in Northern California, where his mother sent him because she felt the city was too dangerous.
He said in interviews that he started rapping at 15 and knew by 18 it was what he wanted to do with his life, but would go to community college and work as a volunteer firefighter and in airport security before devoting himself full-time to the hip-hop scene.
His career took off with the 1994 release of his debut album on Tommy Boy Records, “It Takes a Thief.” It’s opening track, “Fantastic Voyage,” would reach No. 3 on the Billboard Hot 100.
A year later, “Gangsta’s Paradise” would become a No. 1 single, with its dark opening lyrics:
“As I walk through the valley of the shadow of death, I take a look at my life and realize there’s not much left, ‘cause I’ve been blastin’ and laughin’ so long, that even my mama thinks that my mind is gone.”
Social media lit up with reactions to the unexpected death.
“This is sad news,” Ice Cube said on Twitter. “I witness first hand this man’s grind to the top of the industry. Rest In Peace, @Coolio.”
“Weird Al” Yankovic tweeted “RIP Coolio” along with a picture of the two men hugging.
Coolio had said in an interview at the time it was released that he wasn’t cool with Yankovic’s 1996 “Gangsta’s Paradise” parody, “Amish Paradise.” But the two later made peace.
The rapper would never again have a song nearly as big as “Gangsta’s Paradise,” but had subsequent hits with 1996’s “1, 2, 3, 4 (Sumpin’ New)” (1996), and 1997’s “C U When U Get There.”
His career album sales totaled 4.8 million, with 978 million on-demand streams of his songs, according to Luminate. He would be nominated for six Grammys overall.
And with his distinctive persona he would become a cultural staple, acting occasionally, starring in a reality show about parenting called “Coolio’s Rules,” providing a voice for an episode of the animated show “Gravity Falls” and providing the theme music for the Nickelodeon sitcom “Kenan & Kel.”
He had occasional legal troubles, including a 1998 conviction in Stuttgart, Germany, where an boutique shop owner said he punched her when she tried to stop him from taking merchandise without paying. He was sentenced to six months probation and fined $30,000.
He was married to Josefa Salinas from 1996 to 2000. They had four children together.
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LORD Snowdon, the former husband of Princess Margaret passed away in January 2017, aged 86.
The Queen’s former brother-in-law was father to four children spread across two marriages.
Born Antony Charles Robert Armstrong-Jones, in 1930 he was the 1st Earl of Snowdon.
He was married to Princess Margaret, daughter of King George VI and younger sister of Queen Elizabeth II.
They were together for 18 years after marrying at Westminster Abbey in February 1960.
Their fiery marriage finally ended in 1978 after apparently troublesome times including frequent love affairs which began early on.
The same year he married Lucy Lindsay-Hogg before divorcing her in 2000.
Commonly known as Lord Snowdon, Armstrong-Jones was an English photographer and film maker.
The photographic agency he worked with – Camera Press – confirmed he “died peacefully at home on 13 January 2017”.
Lord Snowdon shared two children with Princess Margaret – David Armstrong-Jones and Lady Sarah Chatto.
He had one daughter – Lady Frances Armstrong-Jones – with his second wife, Lucy.
Lord Snowdon also fathered a daughter, Polly Fry, shortly before marrying Princess Margaret in 1960.
A DNA test taken by Polly in 2004 confirmed the Earl was her father, but he denied taking the test until four years later when he admitted the truth.
His son with Melanie Cable-Alexander, Jasper William Oliver, was born on April 30, 1998.
Other than being married to the Queen’s only sibling, Lord Snowdon was known for his famous photos and portraits.
Educated at Eton and Cambridge, Armstrong-Jones halted plans to be an architect, choosing to become a photographer instead.
He did that for more than 50 years, with some of his most famous work including photographs of the Royal Family at work and play, iconic images of his ex-wife Princess Margaret and the late Diana, Princess of Wales.
He was one of the first on the scene after the Aberfan disaster in 1966.
The Queen later acknowledged that she “got it wrong” when she sent Lord Snowdon there rather than visiting herself.
Princess Margaret died in 2002, aged 71, at the start of her sister’s Golden Jubilee year.
It has been rumoured she married Lord Snowdon on the “rebound” from her forbidden relationship with married Group Captain Peter Townsend.
The Queen’s sister enjoyed a full life, with many extra-marital affairs alleged to have taken place.
Her lengthy romance with Roddy Llewellyn, a landscape gardener 18 years her junior, began after meeting him in Mustique.
The Caribbean island became the legendary scene of some wild parties hosted by the Princess, something that caused a rift between her and Lord Snowdon.
She died just seven weeks after the Queen Mother following years of illness and disability.
The royal had smoked since she was 15 years old and had to have part of her left lung removed like her father King George VI.
She died in 2002 after suffering a final stroke, with a funeral held on the 50th anniversary of her father’s death.
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Amanda Devlin
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