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Tag: celebrities

  • Elizabeth Banks knows risk of new movie ‘Cocaine Bear’ could come back and bite her | CNN

    Elizabeth Banks knows risk of new movie ‘Cocaine Bear’ could come back and bite her | CNN

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    CNN
     — 

    With her bonkers new movie “Cocaine Bear,” Elizabeth Banks knew she wanted “to make something muscular and masculine.”

    In a new interview with Variety published on Wednesday, Banks – who directed and coproduced the film about a drug-fueled bear on a killing rampage – shared how difficult it was to convince some Hollywood power players that a woman could helm such a movie.

    “I wanted to break down some of the mythology around what kinds of movies women are interested in making,” Banks said. “For some bizarre reason, there are still executives in Hollywood who are like, ‘I don’t know if women can do technical stuff.’ There are literally people who are like, ‘Women don’t like math.’ It just persists.”

    She acknowledged that the new movie – which is based on a true story from the 1980s about a drug drop gone wrong that resulted in a bear ingesting cocaine – is “a ginormous risk,” adding that it “could be a career ender for me.”

    Part of the trepidation is the lackluster box office performance of original comedies, which has caused the industry to cool around the genre.

    But Banks is hopeful that the sheer zaniness of the concept – plus the bloody horror aspect of a cocaine-addled bear ripping people to shreds – will get people in the movie theater.

    “I love gore. I grew up on ‘Evil Dead,’” Banks told Variety. “The gore is part of the fun of the ride.”

    “Cocaine Bear” is set for release on February 24.

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  • Viola Davis achieves EGOT with Grammy win for her audiobook | CNN

    Viola Davis achieves EGOT with Grammy win for her audiobook | CNN

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    CNN
     — 

    After winning a Grammy Award, Viola Davis has officially completed the holy grail of entertainment awards.

    Davis’ Sunday win for the audiobook of her memoir “Finding Me” completes her EGOT collection. She previously won an Emmy for her role in “How to Get Away with Murder,” an Oscar for “Fences,” and two Tony awards for “King Hedley III” and “Fences.”

    Davis, 57, won the award for “Best Audio Book, Narration, and Storytelling Recording,” according to a tweet from the Recording Academy, which hosts the Grammys.

    In her acceptance speech, the multi-hyphenate performer paid tribute to her younger self.

    “I wrote this book to honor the 6-year-old Viola,” she said. “To honor her life, her joy, her trauma, everything. And, it has just been such a journey – I just EGOT!”

    Davis’ career has been studded with awards and firsts. In 2015, she became the first Black woman to win an Emmy for best actress in a drama and in 2017, she became the first Black woman to score three Academy Award nominations.

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  • How stars like Dolly Parton and Tom Hanks became American sweethearts | CNN

    How stars like Dolly Parton and Tom Hanks became American sweethearts | CNN

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    CNN
     — 

    In our increasingly divided world, there are few things on which we can agree – not politics, not religion, certainly not social issues.

    But there is Dolly Parton.

    The blonde icon with a bouffant is one of the few celebrities most Americans love unconditionally. She’s made believers of conservatives and progressives, country fans and indie contrarians, boomers who grew up with her and “Zoomers” who’ve posed with murals of her face. She is a feminist heroine, an ally to the LGBTQ community and a Southern girl from the Smokies whose story of success is a near-perfect example of the American dream come true. She helped fund Moderna’s Covid-19 vaccine. Decades into her career, Dolly Parton is Teflon.

    Parton is perhaps the most prominent example of an exceedingly rare category of celebrity – the American sweetheart. Over many years, sweetheart celebrities have cultivated reputations rooted in kindness, authenticity and hard-earned success that have elevated them above your average A-lister. They’re the kind of celebrities who host an inauguration celebration to appease a hurting country. They inspire sympathy when they’re photographed alone on a park bench eating a sandwich. And when they die, they prompt nationwide mourning, as though Americans just lost their own grandmother.

    These “sweethearts” become symbols in American pop culture. We turn to them for inspiration, moral guidance, reliable entertainment and even solace, said Claire Sisco King, an associate professor of communication studies at Vanderbilt University who studies celebrity culture.

    “It’s really difficult stuff that people experience every day – political divisiveness, concern about the future of the planet and the potential extinction of human life,” Sisco King told CNN. “So the idea that someone who’s famous could be really nice gives people a sense of hope.”

    Some of our biggest American sweethearts have been cultural fixtures for decades. Scholars of celebrity culture spoke to CNN about how certain celebrities rise above the rest of the Hollywood set to become the public’s sweethearts and the meaningful relationships fans can form with these untouchable icons.

    It might seem glib to focus so much on celebrities when their wealth and status largely shields them from everyday challenges, but celebrity culture serves a more important function than we realize, Sisco Kind said.

    Celebrities do “emotional labor” for their fans and haters alike, she said. They allow us to feel things through them – we might feel love and adoration for someone like Dolly Parton or the late Betty White, because they can represent kindness and humility, but deride more divisive figures like Kim Kardashian or Taylor Swift, who to some may represent narrow beauty norms or disingenuity.

    We also want to identify with celebrities, she said. The tabloid US Weekly regularly features the section, “Stars – they’re just like us!” – a collection of paparazzi shots of A-listers pumping gas, shopping for groceries or dropping their kids off at school. Those kinds of images can reinforce the idea that celebrities are relatable, Sisco King said.

    It makes sense that we’d want to identify with famous people whose reputations for niceness are equally well-known, said Jenna Drenten, an associate professor of marketing at Loyola University Chicago who studies how celebrities leverage social media.

    “Often fans use a simple rule of thumb: does this person seem like someone I’d want to be friends with?” Drenten told CNN.

    It certainly helps a celebrity build a “sweetheart” reputation when they became famous for playing sweethearts, like Tom Hanks: In between playing an irascible toy cowboy, he’s portrayed a widower whose kindness attracts Meg Ryan, a Southern man who stumbles into historical events and compares life to sweets, a little boy who grew up too fast and Mr. Rogers. Because many of his best-known roles are of good-natured guys, we associate him off-screen with that same persona, Sisco King noted.

    “We expect actors to show us authenticity and an earnest emotional experience,” she said. “Because of that emphasis on authenticity, we tend to conflate actors and the characters they play.”

    Hanks is not Forrest Gump or Mr. Rogers, but he’s clearly aware of his reputation, and he lives up to it on red carpets or in interviews, Sisco King noted. He performs the “nice guy” persona because fans expect it from him.

    Oprah became one of the most beloved TV personalities of all time after enduring a difficult childhood.

    These sweethearts also, often indirectly, support the fantastical “American dream” – that any of us can become hugely successful through hard work, Sisco King said. Oprah endured several traumas in her youth, and racism and sexism in the TV industry, and she still earned her own daytime talk show and burnished her reputation as a genuine TV personality. Even after she became a billionaire, her many fans continue to uplift her as a rare gem.

    Dolly Parton famously grew up in poverty in rural Tennessee. Keanu Reeves has experienced a number of personal tragedies that have endeared him to fans. All the strife in their lives only contributes to their legend.

    “(Celebrities’) stories, coming from humble beginnings to achieving greatness, become a way of affirming people’s faith in or hope that they can achieve similarly,” Sisco King said.

    Put simply, per Drenten: “Americans love an underdog story.” And when those underdogs blossom into titans of their industry and seemingly hold onto their humanity, we often can’t help but root for them.

    Our relationships to celebrities have become much more intimate in the last few years, particularly since the onset of the pandemic, Sisco King said. Our faves weren’t working or doing press junkets, so they stayed in the public eye with intimate online snapshots from quarantine or cheeky cooking segments on Instagram Live. This was when it almost felt like celebrities really were like us. (That didn’t last long once they started vacationing or escaping the virus in spacious, comfortable homes.)

    Not to mention, Tom Hanks getting Covid-19 in March 2020 concretized the seriousness of the pandemic for many people – his was one of the first verified cases of the virus among major celebrities. It was shocking, at the time, that such an illness could penetrate a celebrity’s bubble. He shared the news directly with fans on Instagram.

    That the pandemic happened in an “era of ubiquitous digital networks” was a “perfect convergence,” Sisco King said: We had easy access to famous people with whom we could develop parasocial relationships, or those one-sided relationships we have with celebrities we’ll likely never know. When most-to-all interaction occurred virtually, it only deepened the strong feelings we have for certain celebs.

    “We can get kind of obsessed with particular celebrities because they are easier to get access to,” Sisco King said. “That kind of intensifies that kind of parasocial relationship.”

    There remains an expectation that celebrities should continue to provide access to fans. Some sweethearts are up to the task – Parton’s team regularly posts on her behalf, sharing a mix of sponsored content, irresistible throwback photos and even memes. Hanks might even post personally if his “Hanx!” signatures are to be believed. Oprah shares candid videos about what she’s cooking, where she’s hiking and the shenanigans she’s dragging Gayle King into.

    Keanu Reeves' quiet acts of charity are among the reasons he has endeared himself to fans.

    On Twitter, TikTok and other platforms, even brief anecdotes about celebrities can travel far and fast, which can help further boost the reputations of some sweethearts. Tales of stars doing basic acts of good, from Hanks delivering a platter of martinis to his table at the Golden Globes to Paul Rudd reaching out to a bullied fan, frequently go viral. It’s even more impactful when a sweetheart celebrity doesn’t divulge their good deed themselves – when Keanu Reeves’ $31.5 million donation to cancer research was revealed by the press, it only deepened the belief that Reeves is a humble, genuinely good person.

    Even among American sweethearts, Parton is a “special case,” Sisco King said.

    “Part of what has made her so beloved is that she’s adored by people of so many different walks of life,” Sisco King said. “She can mean so many different things to so many different people.”

    Parton has been upheld as a feminist icon who has overcome sexism and objectification to rise to the top of her industry, which can endear her to people marginalized by race, gender or sexuality. She’s a talented lyricist whose songs still move listeners decades later. She is who we want her to be, Sisco King said.

    The ever-savvy Parton has capitalized on this prolonged, social media-aided wave of stardom. In the last five years alone, she’s slapped her name onto a Netflix series inspired by her lyrics, an NBC Christmas special, Duncan Hines cake mix, a Williams-Sonoma collection, a T-Mobile Super Bowl commercial and a live New Year’s Eve show (the last two in collaboration her goddaughter Miley Cyrus). Then there are the third parties who sell prayer candles emblazoned with her face, cross stitch patterns with her lyrics, wrapping paper with her image or car air fresheners shaped like her wigged head. The brand Lingua Franca sells nearly $400 cashmere sweaters embroidered with “What would Dolly do?” and “In Dolly we trust.”

    Resisting Dolly Parton's charms is a near-impossible task.

    And yet, for the most part, fans haven’t grown cynical of Parton and her marketing prowess. When a celebrity we love does something we don’t love – Tom Hanks cursing at paparazzi and fans swarming his wife, maybe, or Parton lending her likeness to products we dislike – we can “suspend disbelief” in a way to “compartmentalize those concerns when you’re really deeply invested in a celebrity,” Sisco Kind said.

    Parton has also accumulated “goodwill capital,” said Gayle Stever, a professor of psychology for Empire State College, State University of New York who studies fandom. “Her generosity and philanthropy are well-known, and people appreciate that.” Even if she makes a move we wouldn’t, we’re able to disregard it, because we think we know her well enough.

    Celebrity sweethearts like Parton and Hanks can feel just as important to us as our real-life loved ones, Sisco King noted. We feel connected to the ones we think we know well, even if the love isn’t reciprocated.

    When the biggest celebrities of the day include a billionaire tech exec with slippery Twitter fingers and a formerly lauded rapper who uses racist and antisemitic language, it can be something of a comfort when an affable figure like Paul Rudd or Keanu Reeves appears onscreen.

    Engaging with beloved celebrities can also bring about more good than video tributes and merch with a famous person’s face. Stever said that often, adult fans of sweetheart celebs are motivated to join them in the causes their idols care about. It matters when Parton draws attention to children’s literacy or Oprah highlights antiracist efforts, or when Betty White publicized animal advocacy, because they may prompt their fans to get involved.

    “Those kinds of role models encourage people to be philanthropic and to care about others,” Stever said. “I think this serves a huge cultural purpose … all of these people have accumulated a huge amount of positive social capital that inspires their fans to support the good works that these admired celebrities support. We need that.”

    On a personal level, engaging with beloved celebrity sweethearts “allows us to process our own feelings,” Sisco King said. By viewing their work or supporting them, we can feel those emotions that we might otherwise bury.

    “It’s the same reason we seek out films and television shows that produce emotional experiences – ‘I want to have a good cry,’” she said. “I think celebrity culture functions kind of similarly.”

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  • Beyoncé is going on tour. Will Ticketmaster be able to handle it? | CNN Business

    Beyoncé is going on tour. Will Ticketmaster be able to handle it? | CNN Business

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    New York
    CNN
     — 

    Good news: Beyoncé’s Renaissance tour is happening. Bad news: Fans are already gearing up for a difficult time getting tickets, especially following Ticketmaster’s botched ticket rollout for Taylor Swift’s Eras tour.

    Beyoncé announced the tour — which had been previously rumored — on Wednesday. In an Instagram post, the superstar posted simply “RENAISSANCEㅤ ㅤWORLD TOUR 2023.” Her website shows tour dates from May to September. Beyoncé will perform in cities around the world, making several stops in the United States.

    Ticketmaster published a blog post on Wednesday with instructions on how to get tickets for the tour.

    People who want access to the North American leg of the tour have to be registered as Verified Fans, the post explained.

    “Demand for this tour is expected to be high,” the page said. “If there is more demand than there are tickets available, a lottery-style selection process will determine which registered Verified Fans get a unique access code and which are placed on the waitlist,” the company said, adding that the access code doesn’t guarantee a ticket.

    Fans have been eagerly awaiting news of the tour, but many are already bracing themselves for a Ticketmaster disaster, following the recent Swift ticket debacle.

    “Hey @Ticketmaster you better have you servers ready!!!” one person tweeted. “Don’t screw this up,” said another.

    The Swift concert drama started even before tickets officially went on sale. In mid-November, Ticketmaster’s site overloaded when fans tried to purchase pre-sale tickets for just a handful of dates. Demand was so high that Ticketmaster ultimately canceled the public sale of the tickets. Swift was furious, calling the debacle “excruciating for me.”

    Ticketmaster had to contend with more than just the ire of Swift and her fans. The fiasco prompted a US Senate Judiciary Committee hearing, designed to examine the lack of competition in the ticketing industry (and give senators an opportunity to quote their favorite T-Swift song lyrics.) The hearing gave members of the committee and others a chance to call out Ticketmaster’s power within the industry.

    Over a decade ago, the company merged with Live Nation, despite fears that the conglomerate would create a monopoly in the ticketing sector. In 2010, a court filing that raised objections to the merger said that Ticketmaster had over 80% share among major venues. Ticketmaster disputes that market share estimate, and says it holds at most just over 30% of the concert market, according to CFO Joe Berchtold, who spoke about the business on NPR.

    Today, it’s widely criticized for holding too much power in the sector — effectively barring fans and artists from buying or selling tickets through a competitor.

    Renaissance, which dropped this summer, has been widely acclaimed and was nominated for album of the year at the Grammys Feb. 5.

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  • Alec Baldwin has been formally charged in ‘Rust’ shooting | CNN

    Alec Baldwin has been formally charged in ‘Rust’ shooting | CNN

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    CNN
     — 

    Actor and producer Alec Baldwin has been criminally charged in connection with the 2021 fatal shooting on the set of the movie “Rust,” the Santa Fe County, New Mexico, district attorney’s office told CNN Tuesday.

    The charges against Baldwin and the set’s armorer, Hannah Guiterrez Reed, include two counts of involuntary manslaughter, the DA’s office said. Attorneys for both defendants previously insisted their respective clients are innocent.

    District Attorney Mary Carmack-Altwies told CNN earlier this month she would charge Baldwin and the film’s armorer with involuntary manslaughter, accusing them of failing to perform safety procedures that could have prevented the accident that resulted in the death of cinematographer Halyna Hutchins.

    This story is developing…

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  • Hollywood stars Ryan Reynolds and Rob McElhenney revel in FA Cup’s enchantment | CNN

    Hollywood stars Ryan Reynolds and Rob McElhenney revel in FA Cup’s enchantment | CNN

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    CNN
     — 

    When Ryan Reynolds and Rob McElhenney took control of lower league soccer club Wrexham AFC in 2021, it was widely assumed that it was the Hollywood stars who would be bringing the magic.

    Two years on, however, this isn’t just a story about the A-listers generously sprinkling stardust – it’s more about the Hollywood duo getting to experience the enchantment of English football, notably the FA Cup.

    “I think what a lot of people don’t understand about the sport of football is how much anxiety it creates more than any other sport,” McElhenney told CNN’s Don Riddell as he reflected on Wrexham’s remarkable 4-3 victory over Coventry City to reach the fourth round of the world’s oldest competition.

    “That last 20 minutes was harrowing, it was amongst the greatest and worst 20 minutes of my entire life,” added McElhenney, as he relived how Wrexham nervously held on having led 4-1 at one stage of the match.

    The world’s third-oldest football club, Wrexham has never played in the top-flight of English football, but the club has a proud record in the FA Cup, having previously reached the quarterfinals and famously beat Arsenal in the third round in 1992.

    Currently playing in the National League – English soccer’s fifth tier – Wrexham was 60 places and three divisions below Coventry when the two teams met in the FA Cup third round.

    McElhenney and Reynolds made headlines when they completed their takeover of the club in 2021, with ambitions of taking the Welsh club back to the top of soccer.

    Wrexham is one of a number of Welsh teams that play in the English football league system due to the club being founded before the creation of the Welsh football league

    At the time of the takeover by McElhenney and Reynolds, Wrexham had been languishing outside the top four divisions of English soccer, known as the Football League, for over a decade.

    McElhenney and Reynolds have already delivered a TV series – “Welcome to Wrexham” – which documents their time at the club as its emerges from obscurity.

    Second in the National league – behind leaders Notts County on goal difference, but having played a game less – if Wrexham wins promotion it will play in English football’s League Two next season.

    Secure three more promotions and Wrexham will be playing in the Premier League.

    And on Sunday, Wrexham hosts Sheffield United in the FA Cup’s fourth round.

    United is second in the Championship – and on course to win promotion to the Premier League – and is likely to provide a much stiffer test than Coventry.

    “I think, especially for Americans to see a tournament like this, we just don’t have really anything like this. So there’s something really, really special about this one,” McElhenney says.

    The owners’ obvious passion for the club has won over the hearts of Wrexham fans and allowed McElhenney, a guy from Philadelphia, to connect with a community from rural Wales.

    “I know those people, I grew up with those people, I am one of those people and to be welcomed into their community has been the ride of my life,” added McElhenney.

    McElhenney’s love for soccer, like many in North America, is a new-found love.

    The star of “It’s Always Sunny in Philadelphia” had been more of a NFL and hockey man, but that changed when he watched a soccer documentary about Diego Maradona.

    “I was watching this tiny man who was a magician, I just never seen an athlete do what that man was able to do with the football,” McElhenney recalls of the man widely considered to be one of the world’s greatest ever players.

    But it was Maradona’s successor – Lionel Messi – who consummated McElhenney’s love for the beautiful game.

    “I had a friend say, ‘You think that guy’s magic? I know of another little man who’s playing right now, who is doing just what Madonna did, except he’s doing it at the highest level for a longer period of time.’

    “Of course that was Messi.”

    McElhenney began to take more of an interest in soccer, though admits he struggled with the concept of promotion and relegation.

    “It’s amazing how many times I’ve had to explain the system over the last year and a half to wide-eyed, slack jawed Americans who had never heard anything like this, and to be fair, I was one of them.”

    McElhenney missed the final couple minutes of Wrexham's win over Coventry when the feed for US viewers temporarily went down.

    McElhenney loved the concept that a team could rise from nothing to the top of a sport through the merit of their performances.

    “That was really the impetus for this entire thing,” says McElhenney on buying Wrexham.

    “It just got my wheels turning insofar as what a great story, what a great opportunity to take a storied club with a rich history, who maybe hasn’t been succeeding at the level that they should be and to invest in them.

    “Not only in them, but in the community itself and to see if we could bring them back to their glory in a way that you just could not do in American sports.”

    A fourth-round FA Cup tie is not the only unexpected experience for McElhenney – in December, he and Reynolds met King Charles III and Camilla, the queen consort.

    The British monarch visited Wrexham to commemorate the granting of “city status” as part of Queen Elizabeth II’s Platinum Jubilee celebrations earlier in the year.

    As part of the royal visit, Charles and Camilla visited the Racehorse Ground – the world’s oldest stadium according to Guinness World Records and the home of AFC Wrexham – and shared a moment with the two actors on the pitch.

    Wrexham Football Club co-owners Ryan Reynolds and Rob McElhenney speak with Britain's King Charles and Queen Camilla, as they visit Wrexham Football Club.

    “I didn’t plan to go in December, but when the king calls you come, you hop on a plane and you come,” McElhenney recalls.

    “His majesty made a joke that I thought was really funny to me and her majesty, the queen consort, really inquisitive and curious about the ladies’ team, about what we were doing with the stadiums.

    “We spoke for over an hour, and I just was not expecting that at all. It was, it was truly an honor and something I’ll cherish forever.”

    McElhenney and Reynolds have clearly been on quite the journey. A second series of “Welcome to Wrexham” is due for release later this year and with an ambition to reach the Premier League, there is plenty more in store for the pair.

    But first Sunday’s game against Sheffield United.

    “I went to visit last summer and it’s a beautiful town full of wonderful people, they could not have been more welcoming,” smiles McElhenney.

    “But they of course are now the enemy … I’m sharpening my blade for the Blades,” a reference to United’s nickname, which is a nod to Sheffield – once the steel-making capital of the world.

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  • Ticketmaster gets grilled: 6 takeaways from hearing over Taylor Swift concert fiasco | CNN Business

    Ticketmaster gets grilled: 6 takeaways from hearing over Taylor Swift concert fiasco | CNN Business

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    CNN
     — 

    Lawmakers grilled a top executive of Ticketmaster’s parent company, Live Nation Entertainment, on Tuesday after the service’s inability to process orders for Taylor Swift’s upcoming tour left millions of people unable to buy tickets late last year.

    During the three-hour hearing, senators pressed Live Nation president and CFO Joe Berchtold and some other witnesses on whether his company was too dominant in the industry, thereby harming rivals, musicians and fans.

    “I want to congratulate and thank you for an absolutely stunning achievement,” Sen. Richard Blumenthal said to Berthtold. “You have brought together Republicans and Democrats in an absolutely unified cause.”

    Here’s a look at the big takeaways from the hearing:

    When tickets for Swift’s new five-month Eras Tour went on sale on Ticketmaster in mid November, heavy demand snarled the ticketing site, infuriating fans who couldn’t snag tickets. Unable to resolve the problems, Ticketmaster subsequently canceled Swift’s concert ticket sales to the general public, citing “extraordinarily high demands on ticketing systems and insufficient remaining ticket inventory to meet that demand.”

    In his testimony Tuesday, Berchtold partly blamed the Swift ticketing incident on the bots.

    Ticketmaster, he said, was “hit with three times the amount of bot traffic than we had ever experienced” amid the “unprecedented demand for Taylor Swift tickets.” The bot activity “required us to slow down and even pause our sales. This is what led to a terrible consumer experience that we deeply regret.”

    Berchtold also went on defense more broadly about his company. He emphasized that Ticketmaster does not set ticket prices, does not determine the number of tickets put up for sale and that “in most cases, venues set service and ticketing fees,” not Ticketmaster.

    He also rejected suggestions that its dominance has allowed for soaring fees, citing data from the market intelligence firm Pollstar showing that Live Nation controls about 200 out of approximately 4,000 venues in the United States, or about 5%.

    The venues controlled by Live Nation set fees that are “consistent with the other venues in the marketplace,” he said.

    Members of the entertainment industry and one rival spoke out against Ticketmaster’s dominance in the industry.

    Jack Groetzinger, CEO of SeatGeek, alleged that many venue owners “fear losing Live Nation concerts if they don’t use Ticketmaster” and its services, and argued the company must be broken up.

    “Live Nation controls the most popular entertainers in the world, routes most of the large tours, operates the ticketing systems and even owns many of the venues,” he told lawmakers. “This power over the entire live entertainment industry allows Live Nation to maintain its monopolistic influence over the primary ticketing market.”

    He continued: “As long as Live Nation remains both the dominant concert promoter and ticketer of major venues in the US, the industry will continue to lack competition and struggle,” he said.

    Bandmate Jordan Cohen, right, listens as singer-songwriter Clyde Lawrence, left, testifies before a Senate Judiciary Committee hearing to examine promoting competition and protecting consumers in live entertainment.

    Clyde Lawrence, a singer-songwriter on the witness panel, explained how the company acts as a promoter, a venue and the ticketing company, which eats into performing artists’ revenues. Artists, he said, have no leverage over Live Nation.

    “Since both our pay and theirs is a share of the show’s profits, we should be true partners aligned in our incentives — keep costs low while ensuring the best fan experience,” he said. “But with Live Nation not only acting as the promoter but also the owner and operator of the venue, it seriously complicates these incentives.”

    Lawrence also said with Ticketmaster, “we’ll see a 40%-ish or closer to 50% fee added on top” of the base ticket price.

    The fallout from the ticketing fiasco once again cast a harsh spotlight on Ticketmaster and its power in the industry, more than a decade after it completed its merger with Live Nation despite concerns the deal would create a near monopoly in the ticketing sector.

    “To have a strong capitalist system, you have to have competition,” Sen. Amy Klobuchar, a Democrat from Minnesota, said during her opening remarks. “You can’t have too much consolidation — something that, unfortunately for this country, as an ode to Taylor Swift, I will say, we know ‘all too well.’”

    Kathleen Bradish, vice president for legal advocacy at the American Antitrust Institute, called Ticketmaster “a very traditional monopoly” and told lawmakers the lack of competition in the live entertainment industry results in consumers having to pay higher prices.

    “Its dominance in markets up and down the live entertainment supply chain creates the incentive and the ability to limit competition and protect its market position,” she explained. “Customers pay the price for these monopolistic acts with higher ticket prices and fees, lower quality, less choice and less innovation.”

    On the concert side, the company excludes “smaller or independent concert promoters and venues. In digital ticketing, it includes excluding ticket resellers and brokers who provide important competition via the secondary ticketing market,” she said.

    Lawmakers repeatedly questioned the US government’s past handling of the Live Nation merger with Ticketmaster. It involved a legally binding consent agreement that allowed the company to merge with Ticketmaster so long as the combined company abided by a number of behavioral conditions.

    A 2019 Justice Department review found that Live Nation was not meeting its commitments under the order, but instead of suing, the Department modified the agreement and extended it for another five years, according to Bradish at the American Antitrust Institute.

    “DOJ should pursue new enforcement action to obtain effective structural relief,” said Bradish, calling for a breakup of Live Nation under either Section 7 of the Clayton Act or Section 2 of the Sherman Act.

    A Senate Judiciary Committee hearing on Tuesday examined promoting competition and protecting consumers in live entertainment on Capitol Hill

    Sen. Mike Lee said the way that history has unfolded since the Live Nation merger raises “very serious doubts” about the usefulness of consent agreements imposed by the federal government.

    If the current Justice Department concludes that the consent decree has been violated, “unwinding the merger ought to be on the table,” Blumenthal said.

    In response to Berchtold’s explanation about the bot problem, some lawmakers questioned the company’s security practices, noting many small businesses can determine when bad actors are infiltrating their systems.

    Republican Senator Marsha Blackburn suggested Berchtold strengthen its cyberprotections, get better advice and hire new IT workers to better protect its systems. (Berchtold said the company has poured billions of dollars into security to protect its systems over the years.)

    Another Republican, Sen. John Kennedy, went further in criticizing the company over the Swift ticketing issue. He said whoever at Live Nation was in charge of the incident “ought to be fired.”

    In the back half of the hearing, some of the focus shifted to possible solutions – but there were no easy answers.

    Some lawmakers focused on the ability to resell tickets. While this option can be useful for customers who need to change plans, it can also help prop up the scalping market.

    When senators discussed whether restricting the ability to transfer tickets would help, Live Nation’s exec was in favor of it. But the SeatGeek CEO said this might only entrench Live Nation’s dominance, as it holds the kind of market share that would force consumers to solely transact there in the absence of other resale market options.

    – CNN’s Brian Fung and Aditi Sangal contributed to this report

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  • Jeremy Renner was crushed by snowcat as he tried to save nephew, sheriff’s report says | CNN

    Jeremy Renner was crushed by snowcat as he tried to save nephew, sheriff’s report says | CNN

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    CNN
     — 

    Actor Jeremy Renner was attempting to stop his sliding snowcat from hitting his nephew when he was pulled under the snow-clearing vehicle and crushed on New Year’s Day, according to a Washoe County Sheriff’s Office incident report.

    The vehicle started sliding sideways after the “Avengers” star used it to pull his nephew’s truck out of the snow, and the parking brake, which was not engaged, would have stopped it, according to the redacted incident report, filed Friday. The document was obtained by CNN Tuesday through a public records request.

    “The Pistenbully snow groomer began sliding causing Renner to exit the vehicle without setting the emergency brake,” the report conclusion reads.

    “Although the Pistenbully had some mechanical issues, it is believed based on our mechanical inspection that the parking brake would keep the Pistenbully from moving forward. When Renner attempted to stop or divert the Pistenbully to avoid injury to [his nephew], he was pulled under the vehicle by the track and run over.”

    The report also notes that the brake indicator light inside the vehicle’s cab was not functioning and that “mechanical issues may have been a factor in this accident.”

    Renner was airlifted to the hospital, where he remained for more than two weeks, undergoing at least two surgeries and receiving treatment in the intensive care unit.

    A 911 call log obtained by CNN said Renner was “completely crushed under a large snowcat [vehicle]” and he had “extreme [difficulty] breathing.” It goes on to read that, “the right side of his chest is collapsed – upper torso is crushed.”

    The incident began on New Year’s Day, when Renner towed his nephew’s truck off the actor’s driveway after it had been stuck in snow, he told investigators while hospitalized on January 5, according to the incident report.

    After successfully towing the truck out of the snow and into the street, Renner said the snowplow began “sliding sideways,” then “it began to roll down the hill.” At that point, Renner told investigators he jumped out of the snowplow.

    “Once he was off the Pistenbully, he realized it was heading directly toward [his nephew,]” the report reads. “He feared the Pistenbully was going to hit [his nephew], so he decided to attempt to stop or divert the Pistenbully.”

    To enter the cab of the snowplow, Renner had to climb onto the moving track, the report notes. When he jumped on the track, the report says that’s when Renner was “immediately pulled under the left side track.”

    “The Pistenbully rolled over him and continued down the road,” the report says. “He laid on the ground and focused on his breathing while [his nephew and others] rendered aid to him until medical personnel arrived on scene.”

    Renner, who plays superhero archer Hawkeye in the Marvel movie and TV “Universe,” says he broke more than 30 bones in the incident.

    He posted a photo on Instagram last week with a caption that read: “Morning workouts, resolutions all changed this particular new years …. Spawned from tragedy for my entire family, and quickly focused into uniting actionable love ❤️ I want to thank EVERYONE for their messages and thoughtfulness for my family and I …. Much love and appreciation to you all. These 30 plus broken bones will mend , grow stronger, just like the love and bond with family and friends deepens . Love and blessings to you all.”

    Impairment was not believed to be a factor in the incident, the report also concludes.

    CNN has reached out to Renner’s representatives for comment.

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  • Pamela Anderson’s New Netflix Documentary Reveals Some Surprising Secrets

    Pamela Anderson’s New Netflix Documentary Reveals Some Surprising Secrets

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    Pamela Anderson was once one of the biggest stars in America, earning up to $300,000 an episode for her star turn on the TV series Baywatch alone. But the actress and Playboy centerfold has fallen out of the spotlight and into financial woes over the years.

    To the surprise of many, she was mostly silent last year when Hulu aired the popular miniseries Pam & Tommy, which chronicled her tumultuous relationship with rocker Tommy Lee.

    Now Anderson is back, and she has a lot to say.

    In her upcoming memoir, “Love, Pamela, and Netflix documentary, “Pamela, a love story,” which both drop on January 31, Anderson opens up about a number of shocking incidents from her topsy-turvy life, including revelations about actors Tim Allen and Sylvester Stallone, and a disturbing story of revenge on an abusive babysitter.

    Related: Former Disney Actress Says She Makes 10 Times More Money Doing Porn: ‘I Am Having So Much More Fun.’

    She tried to kill her babysitter

    In the documentary, Anderson reveals that she tried to kill a female babysitter after years of being molested by her.

    Growing up in Ladysmith, Canada, Anderson said an unnamed babysitter abused her and her brother for years.

    “She always told me not to tell my parents. I tried to protect my brother from her,” Anderson said.

    She admits to trying to kill her one day. “I tried to stab her in the heart with a candy cane pen.”

    Although she was unsuccessful in her attempted murder, Anderson told her she wanted her to die.

    “She died in a car accident the next day,” she says. “I thought I’d killed her with my magical mind, and I couldn’t tell anybody. I was sure that I did it, that I’d wished her dead and she died,” continues Anderson. “I lived with that the whole of my young life.”

    She says Tim Allen exposed himself to her

    Anderson recalls having a disturbing encounter with Home Improvement star Tim Allen in her memoir.

    One of Anderson’s first roles was as Lisa the Tool Girl on the show.

    “On the first day of filming, I walked out of my dressing room, and Tim was in the hallway in his robe,” she writes in an excerpt from her memoir “Love, Pamela,” which Variety obtained ahead of the book’s release. “He opened his robe and flashed me quickly — completely naked underneath.”

    Allen denied the incident in a statement to CNN.

    “No, it never happened,” he said. “I would never do such a thing.”

    Sylvester Stallone tried to buy her off the market

    Early in her career, Anderson says Rocky star Sly Stallone approached her with a proposal he didn’t think she’d refuse.

    “He offered me a condo and a Porsche to be his ‘No. 1 girl,’ ” says Anderson in her Netflix documentary. “And I was like, ‘Does that mean there’s No. 2? Uh-uh.’”

    Taken back, Stallone told her to think twice before rejecting him.

    “He goes ‘That’s the best offer you’re gonna get, honey. You’re in Hollywood now,’ ” Anderson says.

    Representatives for Stallone told The New York Post the incident didn’t happen.

    “The statement from Pamela Anderson attributed to my client is false and fabricated,” said a spokesperson for Stallone. “Mr. Stallone confirms that he never made any portion of that statement.”

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  • Blue Ivy takes stage with mom Beyoncé in Dubai | CNN

    Blue Ivy takes stage with mom Beyoncé in Dubai | CNN

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    CNN
     — 

    Talent runs deep in the Carter family.

    Beyoncé took to the stage for the opening of the Atlantis resort in Dubai over the weekend and was joined on stage by daughter, Blue Ivy Carter, 11, for a performance of “Brown Skin Girl.”

    Beyoncé also performed some of her greatest hits like “Crazy in Love,” “Beautiful Liar,” and “Naughty Girl,” all while her husband Jay-Z looked on from a hotel room balcony in the audience. She opened the show with a cover of Etta James’ “At Last” as fireworks erupted around her.

    Beyond her music, her costume changes also created a buzz. Beyoncé wore multiple lavish ensembles, including a Nicolas Jebran bodysuit emblazoned with gold detail and a massive headpiece.

    The last full concert Beyoncé performed was in 2018 for the Global Citizen Festival.

    There to cheer her on were stars like Rebel Wilson, Kendall Jenner, Simon Huck, and Jonathan Cheban. Several celebrities took to social media before and after the performance to reveal that filming on their phones was not allowed during the show.

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  • Buckingham Palace reveals details of three-day celebration to mark King Charles III’s coronation | CNN

    Buckingham Palace reveals details of three-day celebration to mark King Charles III’s coronation | CNN

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    London
    CNN
     — 

    Buckingham Palace on Saturday revealed details of King Charles III’s coronation that will see three days of celebrations across the country in which the public will be invited to participate.

    The coronation will take place on Saturday May 6, a “Coronation Big Lunch” and “Coronation Concert” the following day, and an extra bank holiday on Monday. The public will be invited on the last day to join “The Big Help Out” by volunteering in their communities.

    “Everyone is invited to join in, on any day,” Michelle Donelan, UK Secretary for Digital, Culture, Media and Sport, said in a statement.

    “Whether that is by hosting a special street party, watching the Coronation ceremony or spectacular concert on TV, or stepping forward during The Big Help Out to help causes that matter to them.”

    The coronation itself will be “a solemn religious service, as well as an occasion for celebration and pageantry,” conducted by the Archbishop of Canterbury Justin Welby, the palace said.

    It will, the palace reiterated, “reflect the Monarch’s role today and look towards the future, while being rooted in longstanding traditions and pageantry.”

    That line from the palace has been interpreted by experts as a hint that Charles’ coronation will be different and more subdued from the one his late mother experienced seven decades ago, with a shorter ceremony and amendments to some of the feudal elements of the ritual. Queen Elizabeth’s coronation was the first live televised royal event and lasted three hours.

    Charles and his wife Camilla, the Queen Consort, will arrive at Westminster Abbey in procession from Buckingham Palace, known as “The King’s Procession,” and return later in a larger ceremonial procession, known as “The Coronation Procession,” accompanied by other members of the royal family.

    The King and Queen Consort, alongside members of the royal family, will then appear on the balcony of Buckingham Palace to conclude the day’s events.

    At this point, the palace has not specified which members of the family will appear in the procession and on the balcony, following Prince Andrew’s continued exile from public life as a result of historical sexual abuse allegations and the publication of Prince Harry’s memoir which railed against his family.

    “It would help Charles a lot in terms of his image if Harry and Meghan were there,” royal historian Kate Williams previously told CNN. “It’s particularly going to look bad for him if his son is not there because, of course, Harry still is very high in line to the throne, as are his children.”

    In a sign that not all Britons will be celebrating the event, anti-monarchy campaign group Republic vowed to protest near Westminster Abbey. “The coronation is a celebration of hereditary power and privilege, it has no place in a modern society,” spokesperson Graham Smith said in a statement.

    “At a cost of tens of millions of pounds this pointless piece of theatre is a slap in the face for millions of people struggling with the cost-of-living crisis.

    “We have already been in touch with the Metropolitan Police, and we expect them to facilitate peaceful and meaningful protest. We intend to make our presence felt in parliament square as the royal procession passes through to the Abbey.”

    The day after the coronation, May 7, thousands of events are expected to take place across the country as part of the “Coronation Big Lunch,” while as-yet unnamed “global music icons and contemporary stars,” will come together for a “Coronation Concert” held on Windsor Castle’s East Lawn, the palace said.

    “The Coronation Big Lunch helps you bring the celebration right into your own street or back yard,” said Peter Stewart, Chief Purpose Officer at the event’s organizing body, the Eden Project.

    “Sharing friendship, food and fun together gives people more than just a good time – people feel less lonely, make friends and go on to get more involved with their community,” he added in a statement.

    The concert will be attended by a public audience composed of volunteers from the King and Queen Consort’s charity affiliations as well as several thousand members of the public selected through a national ballot held by the BBC.

    They will watch a “world-class orchestra play interpretations of musical favorites fronted by some of the world’s biggest entertainers, alongside performers from the world of dance…and a selection of spoken word sequences delivered by stars of stage and screen,” the palace said, adding that a line-up would be released in due course.

    King Charles III and the Queen Consort attend a reception at Buckingham Palace on December 6.

    A diverse group comprised of Britain’s Refugee choirs, NHS choirs, LGBTQ+ singing groups and deaf signing choirs, will form “The Coronation Choir” and also perform at the concert, alongside “The Virtual Choir,” made up of singers from across the Commonwealth.

    Well-known locations across the country will also be lit up using projections, lasers, drone displays and illuminations as part of the concert.

    The celebrations will conclude on the bank holiday Monday with hundreds of activities planned by local community groups for “The Big Help Out.”

    “It is going to be a festival of volunteering,” said Jon Knight, Chief Executive of the Together Coalition.

    “The aim is to create a legacy of better-connected communities long beyond the Coronation itself.”

    To get updates on the British Royal Family sent to your inbox, sign up for CNN’s Royal News newsletter.

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  • Pompeo alleges Haley plotted with Kushner and Ivanka Trump to try to become vice president | CNN Politics

    Pompeo alleges Haley plotted with Kushner and Ivanka Trump to try to become vice president | CNN Politics

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    CNN
     — 

    Former Secretary of State Mike Pompeo claims in his upcoming memoir that former UN Ambassador Nikki Haley plotted with former President Donald Trump’s daughter Ivanka and his son-in-law Jared Kushner to try to become Trump’s vice president, according to an excerpt of the book obtained by CNN.

    Pompeo, in his book “Never Give an Inch: Fighting for the America I Love,” takes several shots at potential 2024 Republican rivals, including Haley and former national security adviser John Bolton, as the onetime Kansas congressman and CIA director fuels speculation about his own presidential ambitions.

    Pompeo writes that he was told by John Kelly, Trump’s chief of staff at the time, that Haley had scheduled a meeting with the president to discuss what she claimed was a personal matter and then came to the Oval Office meeting with Kushner and Ivanka Trump, who were serving as White House senior advisers.

    “As best Kelly could tell, they were presenting a possible ‘Haley for vice president’ option. I can’t confirm this, but he was certain he had been played, and he was not happy about it. Clearly, this visit did not reflect a team effort but undermined our work for America,” Pompeo writes in his book.

    CNN has reached out to Kelly for comment on Pompeo’s claim.

    Haley refuted Pompeo’s allegations on Thursday, saying she “never had a conversation with Jared, Ivanka, or the president about the vice presidentship.”

    “Pompeo even says he’s not sure if it’s true,” the former South Carolina governor told Fox News, dismissing the claim as “gossip” and saying “there is no truth to it.”

    “What I’ll tell you is it’s really sad when you’re having to go out there and put lies and gossip to sell a book,” Haley said. “I don’t know why he said it but that’s exactly why I stayed out of DC as much as possible – to get away from the drama and get away from the gossip.

    But a White House source from that time has backed Pompeo’s claim, adding more context by recalling how Kushner and Ivanka Trump were pushing Haley to be secretary of state to succeed Rex Tillerson, who had objected to Kushner getting involved in foreign relations too often and in ways Tillerson disagreed with.

    But the president was not enamored with the idea and went with Pompeo, with whom he got along better and whom he liked more, the source said.

    After that switch, Trump began talking negatively about his vice president, Mike Pence, who he thought was too often trying to convince him to back off controversial statements or actions. Kushner and Ivanka Trump began pushing Haley again, the source said. Kelly tried to talk the president out of it, arguing that Pence had helped win him the support of evangelical Christian voters in 2016. Kelly was surprised, the source said, that Pence lasted through the 2020 election.

    Pompeo, whose book will be published next week, is also scathing in his assessment of Bolton, who has said he may launch a presidential bid to stop Trump from getting a second term in office.

    Pompeo takes issue with Bolton’s 2020 book “The Room Where It Happened: A White House Memoir” and claims the former Trump national security adviser divulged classified information and should be prosecuted.

    “His self-serving stories contained classified information and deeply sensitive details about conversations involving a sitting commander in chief,” Pompeo writes. “That’s the very definition of treason.”

    “John Bolton should be in jail for spilling classified information. I hope I can one day testify at a criminal trial as a witness for the prosecution,” Pompeo writes.

    When Bolton wrote the book, there was significant controversy over security reviews of the book before it was published.

    “My book was fully cleared in the prepublication review process conducted by the cognizant career NSC Senior Director, whose home agency was the National Archives,” Bolton told CNN in response to Pompeo’s claims.

    “Pompeo’s comments tell you more about his character than about my book,” he added.

    Trump remains the only declared candidate in the 2024 presidential election, but several Republicans have signaled they could jump into the race. CNN has reported that President Joe Biden plans to launch his reelection campaign sometime after his State of the Union address, which is scheduled for February 7.

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  • ‘Rust’ will be completed and still star Alec Baldwin as he faces involuntary manslaughter charges in death of crew member, attorney says | CNN

    ‘Rust’ will be completed and still star Alec Baldwin as he faces involuntary manslaughter charges in death of crew member, attorney says | CNN

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    CNN
     — 

    Alec Baldwin, who is set to face involuntary manslaughter charges in the death of a crew member during a “Rust” film rehearsal, will continue starring as the lead role, a production attorney told CNN on Friday.

    As the film proceeds, operations will include “on-set safety supervisors and union crew members and will bar any use of working weapons or any ammunition,” said Melina Spadone, attorney for Rust Movie Productions.

    Spadone’s remarks come a day after prosecutors announced plans to charge Baldwin and the film’s armorer, Hannah Gutierrez Reed, in the on-set shooting death of Halyna Hutchins in October 2021 at a ranch in Santa Fe, New Mexico.

    Hutchins, the film’s director of photography, was struck and killed by a live round of ammunition Baldwin fired from a prop gun, and director Joel Souza was wounded in the right shoulder. Souza will continue directing the film as production moves forward, Spadone said.

    Baldwin, who is also a producer of the film, did not answer reporters’ requests for comment on the charges while walking into his Manhattan home on Friday. A source close to Baldwin told CNN on Friday that he plans to complete the movie.

    Despite the fatal shooting being ruled an accident by the New Mexico chief medical investigator, prosecutors believe a crime was committed.

    “Just because it’s an accident doesn’t mean that it’s not criminal,” First Judicial District Attorney Mary Carmack-Altwies said Thursday as she explained the charging decision. “Our involuntary manslaughter statute covers unintentional killings.”

    Carmack-Altwies said she will charge Baldwin and the film’s armorer with involuntary manslaughter, accusing them of failing to perform safety procedures that could have prevented the accident.

    Formal charges are expected to be filed by month’s end, Carmack-Altwies told CNN.

    “Every person that handles a gun has a duty to make sure that if they’re going to handle that gun, point it at someone and pull the trigger, that it is not going to fire a projectile and kill someone,” Carmack-Altwies said.

    Still, prosecutors face immense challenges in attempting to try a case centering around a prominent Hollywood figure in addition to the legal thresholds they must prove to obtain a conviction.

    Baldwin has been a major film, Broadway and TV star for decades, winning Emmys for TV’s “30 Rock” and an Oscar nomination for 2003’s “The Cooler.”

    The two trials Baldwin and the film’s armorer could potentially undergo would take weeks to a month and would require expert testimony, Carmack-Altwies said.

    The district attorney requested $635,000 in “emergency” funds “to prosecute such a high-profile case,” she wrote to state officials last August.

    “I need funding for an attorney, investigator, media contact person, paralegal, expert witnesses, and general trial expenses,” she said.

    And even before any trial could be held, each defendant will attend a preliminary hearing to determine if probable cause for trial exists.

    “These hearings will take weeks to complete and will happen rather quickly once charges are filed,” Carmack-Altwies explained.

    But the case will be difficult to prosecute given that it’s unclear how live rounds got on set, according to CNN senior legal analyst Elie Honig, adding that experts have varying opinions regarding the on-set responsibilities of actors and crew members.

    “Remember, this is a criminal case. You need all 12 jurors to find guilt beyond a reasonable doubt. So I’m not saying that there’s no chance here, but this is a really difficult case for the prosecution,” Honig said.

    santa fe district attorney

    Santa Fe DA explains decision to charge Alec Baldwin over ‘Rust’ shooting

    Baldwin faces charges in both capacities as the person who’s accused of firing the gun and as the producer of the film, Carmack-Altwies said, arguing that Baldwin as a producer had a responsibility to ensure the set was safe.

    Gutierrez Reed, the film’s armorer who loaded the prop gun, is also responsible for not ensuring the gun’s safety, prosecutors say. Her attorney has said she believed the rounds were dummy ammunition.

    “Nobody was checking those or at least they weren’t checking them consistently,” Carmack-Altwies said. “And then they somehow got loaded into a gun handed off to Alec Baldwin. He didn’t check it. He didn’t do any of the things that he was supposed to do to make sure that he was safe or that anyone around him was safe. And then he pointed the gun at Halyna Hutchins and he pulled the trigger.”

    Baldwin has maintained that he never pulled the trigger and was not aware the gun contained live rounds.

    Gutierrez Reed and Baldwin each will face two counts of involuntary manslaughter, but each count carries a different level of punishment, Carmack-Altwies said when she announced the charges.

    A jury would decide which count would be more appropriate, and if convicted, they will only be sentenced to one count, the prosecutor said.

    Conviction for both defendants carries up to 18 months in jail and a $5,000 fine. But one charge carries an additional firearms enhancement – because a gun was involved – and would require a mandatory punishment of five years in jail, Carmack-Altwies said.

    Regarding the charges, Gutierrez Reed’s attorney Jason Bowles said Thursday, “We’re expecting the charges but they’re absolutely wrong as to Hannah – we expect that she will be found not guilty by a jury and she did not commit manslaughter. She has been emotional about the tragedy but has committed no crime.”

    Meanwhile, Baldwin’s attorney Luke Nikas said the actor was “blindsided” by the charges.

    “Mr. Baldwin had no reason to believe there was a live bullet in the gun – or anywhere on the movie set. He relied on the professionals with whom he worked, who assured him the gun did not have live rounds.”

    When prosecutors announced the charges Thursday, Hutchins’ family praised their decision.

    “It is a comfort to the family that, in New Mexico, no one is above the law,” the family said in a statement released by attorney Brian J. Panish.

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  • Alec Baldwin intends to finish ‘Rust’ production despite facing involuntary manslaughter charges, source says | CNN

    Alec Baldwin intends to finish ‘Rust’ production despite facing involuntary manslaughter charges, source says | CNN

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    CNN
     — 

    Despite facing involuntary manslaughter charges connected to the “Rust” set shooting death of a cinematographer, Alec Baldwin intends to finish the movie’s production, a source close to the actor told CNN.

    Meanwhile, the New Mexico prosecutor who is planning to charge Baldwin is gearing up for a big trial.

    First Judicial District Attorney Mary Carmack-Altwies requested $635,000 in “emergency” money “to prosecute such a high-profile case,” she wrote to state officials last August.

    “I need funding for an attorney, investigator, media contact person, paralegal, expert witnesses, and general trial expenses.”

    She said the trials of Baldwin and another person working on the movie “Rust” would each “take weeks to a month to complete” and require expert testimony.

    And even before any trial could be held, each defendant will have a preliminary hearing to determine if probable cause for trial exists. “These hearings will take weeks to complete and will happen rather quickly once charges are filed,” she said.

    Carmack-Altwies said Thursday she will charge Baldwin and the film’s armorer with involuntary manslaughter, accusing them of failing to perform safety procedures that could have prevented the accident. Baldwin was holding the prop gun that discharged, killing cinematographer Halyna Hutchins on the New Mexico set in October 2021.

    Baldwin did not answer reporters’ requests for comment on the charges while walking into his Manhattan home on Friday.

    Melina Spadone, an attorney for Rust Movie Productions, confirmed to CNN Friday the “Rust” film is “still on track for completion” and will star Baldwin in the lead role.

    The film will include “on-set safety supervisors and union crew members and will bar any use of working weapons or any ammunition,” Spadone said, adding Joel Souza will continue to direct the film.

    Carmack-Altwies requested the extra money in a letter dated August 30. She was granted about half of the amount requested, and is expected to ask the legislature for the remainder.

    If the case goes to trial, there are few precedents for a major star being charged in the shooting death of a colleague during production of a movie. The attention would likely be enormous, particularly since the shooting happened away from Hollywood.

    In the 1980s, director John Landis and four associates were acquitted of involuntary manslaughter in connection with the deaths of actor Vic Morrow and two children during the filming of “Twilight Zone: The Movie.” The trial lasted for 10 months and gained global attention.

    Some jurors said they were not dazzled by figures from the film industry since they lived in Los Angeles. Rather, they told The New York Times that prosecutors “had not proved that anyone could have foreseen the crash of the helicopter.”

    Baldwin has been a major film and TV star for decades, winning Emmys for TV’s “30 Rock” and an Oscar nomination for “The Cooler.” He also starred in “Working Girl,” “Beetlejuice” and “The Hunt for Red October,” and on Broadway. In addition, he is known for publicly advocating for liberal political causes.

    Prosecutors will have to overcome significant challenges, including not knowing how live rounds got on set and experts’ varying opinions about the on-set responsibilities of actors and crew members, said CNN senior legal analyst Elie Honig.

    “Remember, this is a criminal case. You need all 12 jurors to find guilt beyond a reasonable doubt. So I’m not saying that there’s no chance here, but this is a really difficult case for the prosecution,” Honig said.

    The charges will be formally filed by the end of the month, Carmack-Altwies told CNN.

    The prosecutor said she will not request the arrests of Baldwin and Gutierrez Reed. Instead, they will be summoned to appear in court either in-person or virtually, she said.

    Baldwin and Gutierrez Reed will each face two counts of involuntary manslaughter, but each count carries a different level of punishment, Carmack-Altwies said when she announced the charges.

    A jury would decide which count would be more appropriate, and if convicted, they will only be sentenced to one count, the prosecutor said.

    In either defendant’s case, a conviction is punishable by up to 18 months in jail and a $5,000 fine. But one charge carries an additional firearms enhancement – because a gun was involved – and would require a mandatory punishment of five years in jail, the prosecutor said.

    Hutchins was killed when a prop gun Baldwin was holding fired a live round of ammunition, striking Hutchins in the chest and hitting Souza, the director, in the shoulder.

    Baldwin has maintained that he never pulled the trigger and was not aware the gun contained live rounds. Hannah Gutierrez Reed, the set armorer who loaded the prop gun, says she believed the rounds were dummy ammunition, according to her lawyer.

    Prosecutors, however, say both Baldwin and Gutierrez Reed were responsible for checking the safety of the prop.

    “Every person that handles a gun has a duty to make sure that if they’re going to handle that gun, point it at someone and pull the trigger, that it is not going to fire a projectile and kill someone,” Carmack-Altwies told CNN Thursday.

    This image from the Santa Fe County Sheriff's Office shows the scene of the shooting on October 21, 2021.

    Though a medical examiner determined Hutchins’ death was an accident, prosecutors argue the “fast and loose” safety standards on set and lack of caution around firearms props contributed to the fatal shooting.

    “There was such a lack of safety and safety standards on that set,” Carmack-Altwies told CNN, adding that live rounds were mixed with dummy rounds on set.

    “Nobody was checking those or at least they weren’t checking them consistently,” she said. “And then they somehow got loaded into a gun handed off to Alec Baldwin. He didn’t check it. He didn’t do any of the things that he was supposed to do to make sure that he was safe or that anyone around him was safe. And then he pointed the gun at Halyna Hutchins and he pulled the trigger.”

    Baldwin has said he did not pull the trigger before the gun fired.

    During FBI testing of the the gun’s normal functioning, the weapon could not be fired without pulling the trigger while the firearm was cocked, an FBI forensics report said. Eventually, the gun malfunctioned during testing after internal parts fractured, which caused the gun to go off in the cocked position without pulling the trigger, the report said.

    In addition to acting in “Rust,” Baldwin was also producing the film. Prosecutors will be charging him in both capacities, Carmack-Altwies explained, saying that as a producer, Baldwin had a responsibility to ensure the set was safe.

    Ultimately, the prosecutor said, “just because it’s an accident doesn’t mean that it’s not criminal.”

    “Our involuntary manslaughter statute covers unintentional killings,” she said. “Unintentional that means they didn’t mean to do it. They didn’t have the intent to kill. But it happened anyway, and it happened because of more than mere negligence… They didn’t exercise due caution or circumspection and that’s what happened here.”

    In September, Carmack-Altwies requested additional funding from the state, noting that her office could charge up to four people in costly cases that “look to be too big for just my office to handle.” State officials approved more than $300,000 of the $635,000 the prosecutor requested, leaving open the possibility of additional funds at a later time.

    Baldwin’s attorney Luke Nikas said the actor was “blindsided” by the charges, which Nikas called “a terrible miscarriage of justice.”

    “Mr. Baldwin had no reason to believe there was a live bullet in the gun – or anywhere on the movie set. He relied on the professionals with whom he worked, who assured him the gun did not have live rounds,” Nikas said.

    The executive director of the entertainment union SAG-AFTRA called the anticipated charges against Baldwin “wrong and uninformed.”

    “The charges clearly indicate a lack of understanding about the standards and expectations of how a film set operates,” Duncan Crabtree-Ireland told CNN’s Laura Coates. “The fact is, actors are not firearms experts. Actors cannot be expected and are not expected to do final safety checks or anything of that nature.”

    Gutierrez Reed’s attorney Jason Bowles said, “We were expecting the charges but they’re absolutely wrong as to Hannah – we expect that she will be found not guilty by a jury and she did not commit manslaughter.”

    Hutchins’ family said in a statement Thursday that they support the charges and “fervently hope the justice system works to protect the public and hold accountable those who break the law.”

    “It is a comfort to the family that, in New Mexico, no one is above the law,” the statement said.

    This image released by the Santa Fe County Sheriff's Office shows the outside of the set building where Hayla Hutchins was shot.

    In an interview with CNN in August, Baldwin said he believes the responsibility falls on Gutierrez Reed and assistant director Dave Halls, who handed him the gun.

    However, Halls and Gutierrez Reed have repeatedly said they are not at fault and accuse Baldwin of attempting to shuffle off blame for the accident.

    Gutierrez Reed maintains she did not know there were live rounds in the ammunition on set and has sued the film’s gun and ammunition supplier and its founder, who deny wrongdoing. She claims live rounds of ammunition were mixed into the dummy ammunition purchased from the company.

    Halls has signed a plea deal on a charge of negligent use of a deadly weapon, which grants him six months of probation and a suspended sentence, Carmack-Altwies’ office said.

    Hutchins’ family filed a wrongful death lawsuit against Baldwin and others involved in the movie’s production, and reached an undisclosed settlement in the suit in October.

    As part of the settlement agreement, Hutchins’ husband, Matthew Hutchins, was set to be an executive producer on “Rust” when it resumed filming.

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  • Alec Baldwin and armorer to be charged with involuntary manslaughter after fatal shooting of Halyna Hutchins on the set of ‘Rust’ | CNN

    Alec Baldwin and armorer to be charged with involuntary manslaughter after fatal shooting of Halyna Hutchins on the set of ‘Rust’ | CNN

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    CNN
     — 

    Alec Baldwin, the actor who fatally shot cinematographer Halyna Hutchins during a rehearsal for the Western movie “Rust” in 2021, and the film’s armorer will be charged with involuntary manslaughter, prosecutors said Thursday.

    Baldwin has maintained he was not aware the gun he fired on set contained a live round.

    Baldwin and armorer Hannah Gutierrez Reed will each be charged with two counts of involuntary manslaughter, prosecutors said.

    The shooting has resulted in a whirlwind of finger-pointing and allegations of negligence from those involved.

    Hutchins was struck and killed by a live round of ammunition fired from a prop gun being held by Baldwin, who maintains he did not pull the gun’s trigger. Director Joel Souza was also injured.

    In the summary of the postmortem investigation into Hutchins’ death – which was formally signed by the New Mexico chief medical investigator – the cause of death is listed as “gunshot wound of chest,” and the manner of death is listed as an “accident.”

    “Review of available law enforcement reports showed no compelling demonstration that the firearm was intentionally loaded with live ammunition on set. Based on all available information, including the absence of obvious intent to cause harm or death, the manner of death is best classified as accident,” the report concluded.

    An FBI forensics report said the weapon could not be fired during FBI testing of its normal functioning without pulling the trigger while the gun was cocked. The report also noted the gun eventually malfunctioned during testing after internal parts fractured, which caused the gun to go off in the cocked position without pulling the trigger.

    In an interview with CNN in August, Baldwin placed responsibility for the tragedy on Gutierrez-Reed, who served as the armorer and props assistant on the film, and assistant director Dave Halls, who handed him the gun.

    Halls signed a plea agreement “for the charge of negligent use of a deadly weapon,” the district attorney’s office announced in its statement Thursday. Prosecutors said the terms of that deal include six months of probation.

    Charges will not be filed against film director Joel Souza, the statement says.

    CNN has reached out to Baldwin and Gutierrez Reed for comment and will reach out to Halls and Souza.

    On Thursday, Halls’ attorney Lisa Tarraco released a statement in defense of her client, who does not face charges in connection with the tragedy.

    “Absent no charges at all, this is the best outcome for Mr. Halls and the case,” Tarraco said. “He can now put this matter behind him and allow the focus of this tragedy to be on the shooting victims and changing the industry so this type of accident will never happen again. “

    In November, Baldwin filed suit against Gutierrez Reed and Halls and other individuals associated with the film, according to a cross-complaint obtained by CNN.

    Through their respective attorneys, both Gutierrez Reed and Halls maintained they were not at fault and accused Baldwin of deflecting blame onto others. Gutierrez Reed also sued the movie’s gun and ammunition supplier and its founder – who deny wrongdoing – and alleged a cache of dummy ammunition was sold with live rounds mixed in.

    In October, Hutchins’ family reached an undisclosed settlement in a wrongful death lawsuit filed against Baldwin and others involved in producing the film.

    Matthew Hutchins, widower of Halyna Hutchins, described her death as a “terrible accident” in a statement at the time of the settlement. Production on “Rust” was to resume this month with Matthew Hutchins joining as an executive producer on the film as part of the agreement.

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  • Donald Trump mistook E. Jean Carroll for his ex-wife Marla Maples in a photo, deposition transcripts show | CNN Politics

    Donald Trump mistook E. Jean Carroll for his ex-wife Marla Maples in a photo, deposition transcripts show | CNN Politics

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    CNN
     — 

    Newly unsealed transcripts from Donald Trump’s deposition in the E. Jean Carroll case show that the former president mistook Carroll for his ex-wife Marla Maples in a photo.

    The transcripts show that during his October 2022 deposition, Trump was shown a black and white photo where he is interacting with several people, including with his then-wife Ivana, Carroll and her then-husband.

    “I don’t know who – it’s Marla,” Trump said when shown the photo. “That’s Marla, yeah. That’s my wife,” he says when asked to clarify.

    Trump’s lawyer, Alina Habba, then interjected and said “no, that’s Carroll,” according to the transcript.

    Carroll first sued Trump in 2019 for defamation after he denied her rape allegation. She filed a second lawsuit against Trump in November under a new law that allowed her to sue for battery even though the statute of limitations on the crime had passed.

    Trump has denied sexually assaulting the former magazine columnist and said he never pressured a woman to have sex with him, according to a deposition transcript that was unsealed last week.

    In his deposition transcript, Trump reiterated previous comments that he didn’t know Carroll and that she isn’t his type, a claim that could be called into question after his response to being shown the photograph.

    Trump said that while it is not “politically correct” to say she isn’t his type, he said he had to defend himself. He added that it wasn’t meant to be an insult.

    When asked if he ever kissed a woman without her consent, Trump testified, “Well, I don’t … I can’t think of any complaints. But no. I mean, I don’t think so.” He also denied ever touching a woman’s breasts or buttocks.

    Carroll’s attorney Roberta Kaplan asked Trump, “Have you ever pressured a woman to engage in sex with you?”

    “The answer is no. But you may have some people, like your client, who are willing to lie,” Trump testified.

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  • Meryl Streep to appear in Season 3 of ‘Only Murders in the Building’ | CNN

    Meryl Streep to appear in Season 3 of ‘Only Murders in the Building’ | CNN

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    CNN
     — 

    Another legend is about to walk the halls of a certain murder-filled Manhattan apartment building.

    Meryl Streep is set to appear in the upcoming third season of “Only Murders in the Building,” Hulu confirmed to CNN on Tuesday.

    The casting news first surfaced on “Only Murders” star and executive producer Selena Gomez’s Instagram, when she shared a fun video from set alongside costars and co-executive producers Steve Martin and Martin Short.

    The lead trio were joined in the clip by cast members Jackie Hoffman and Paul Rudd, as Gomez exclaimed that “the gang is back” for Season 3.

    When she asked, “Could this honestly get any better?” Rudd replied that he thought it could, at which point Streep appeared from behind the couch where Gomez, Short and Martin were sitting.

    The three-time Oscar-winning actress then jokingly offered Martin a pillow and asked Short if he needed anything, to which he responded, “Just the tea I had asked for a half hour ago!”

    The casting move looks to be a testament to Gomez’s powers of manifestation, as last month she had listed Streep at the top of her wish list for stars to join the acclaimed show.

    “I would reach for the biggest of all … probably Meryl, or someone really amazing like that,” she told Vogue.

    Gomez’s Instagram video comes just days after she returned to social media following an absence.

    Primarily a film actress, Streep’s last major foray into television was in 2019, when she joined Season 2 of hit HBO series “Big Little Lies.”

    She earned a Primetime Emmy nomination for her work on the show. (HBO, like CNN, is part of Warner Bros. Discovery.)

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  • Lisa Marie Presley’s memorial to be held at Graceland | CNN

    Lisa Marie Presley’s memorial to be held at Graceland | CNN

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    CNN
     — 

    A public memorial has been planned at Graceland for Lisa Marie Presley.

    The singer and songwriter died last week after being hospitalized following an apparent cardiac arrest.

    She was 54.

    According to a statement on Graceland’s website, the memorial is open to the general public and will be held at 9 a.m. on January 22 on the front lawn of Graceland Mansion in Memphis, Tennessee.

    “In lieu of flowers, the family encourages all who wish to send something to do so in the form of a donation to The Elvis Presley Charitable Foundation,” a notice on the site reads.

    The Elvis Presley Charitable Foundation supports arts, education and efforts on behalf of children in the Memphis area.

    Elvis Presley purchased the estate in 1957 when he was just 22 years old.

    He died in the mansion from cardiac arrest in 1977 and is buried on the grounds of Graceland, which is now a museum and a popular tourist attraction. Lisa Marie Presley will be buried there as well, alongside her son Benjamin Keough, who died by suicide in 2020 at the age of 27.

    The Graceland estate was held in trust for Lisa Marie Presley, the only child of Elvis and Priscilla Presley, until her 25th birthday.

    “Lisa Marie Presley became more closely involved with the management team of The Elvis Presley Trust and its business entity, Elvis Presley Enterprises, Inc.(EPE), of which she was owner and Chairman of the Board until February 2005 when she sold a major interest in the company,” according to the Graceland website.

    Over the weekend, grief expert David Kessler shared a photo of himself and Presley on his verified Instagram account, writing that she had asked him to accompany her to Memphis for an 88th birthday celebration for her late father days before her death.

    “She had countless invites for the weekend, but for her, there were only three important ones: being at her father’s birthday celebration, spending time at her son and father’s grave after the tours left Graceland, and meeting with a recently bereaved mother,” Kessler wrote.

    Presley was active in helping others deal with their grief, he wrote, including co-hosting grief groups with him at her home for other bereaved parents.

    Kessler wrote that their time visiting Graceland was “so much fun and she was optimistic” and that “Graceland was her happy place and the employees who all knew her shared that she was looking so much better.”

    “She looked more at peace and was so proud of the Elvis movie. Saturday night we sat at the graves of her father and son,” he wrote. “We talked about the heartbreak she grew up with and the more recent devastation of her son’s death. She showed me where she would be buried someday. I said a long time from now …and she said yes, I have so much to do.”

    Presley is survived by her three daughters, actress Riley Keough and twins Finley and Harper Lockwood. A rep for Graceland confirmed to People that they will inherit the estate.

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  • This Valentine’s Day, you can visit a Taylor Swift-themed ‘breakup bar’ in Chicago | CNN

    This Valentine’s Day, you can visit a Taylor Swift-themed ‘breakup bar’ in Chicago | CNN

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    CNN
     — 

    Chicago’s got bad blood.

    Taylor Swift fans and despondent singles alike will be able to visit a Swift-themed “breakup bar” this Valentine’s Day in Chicago.

    The time-limited pop-up venue is named “Bad Blood” in homage to Swift’s song from her 2014 album 1989. Events organization BucketListers announced the pop-up on its Instagram Friday.

    The “breakup bar” will be open from January 27 to February 26, according to the BucketListers website.

    Swifties hoping to drown their sorrows will have to pay $20 for the experience, which includes a “welcome beverage,” says BucketListers. The pop-up is located at Chicago’s Electric Garden, a beer garden located in the city’s West Loop neighborhood.

    “Whether you want to sing about your lover, those who were never yours, those you’re never getting back together with, or those who still have your scarf, this is the perfect place for you,” wrote BucketListers on the event page.

    The event will also feature tarot card readers and a spinning wheel of cocktails.

    Unfortunately, “Taylor will not be there,” BucketListers pointedly specified.

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