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Tag: Carrie-Anne Moss

  • Celebrity birthdays for the week of Aug. 17-23

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    Celebrity birthdays for the week of Aug. 17-23:

    Aug. 17: Actor Robert De Niro is 82. Guitarist Gary Talley of The Box Tops is 78. “Downton Abbey” creator Julian Fellowes is 76. Actor Robert Joy (“CSI: NY”) is 74. Singer Kevin Rowland of Dexy’s Midnight Runners is 72. Bassist Colin Moulding of XTC is 70. Country singer-songwriter Kevin Welch is 70. Singer Belinda Carlisle of The Go-Go’s is 67. Actor Sean Penn is 65. Jazz saxophonist Everette Harp is 64. Guitarist Gilby Clarke (Guns N’ Roses) is 63. Singer Maria McKee (Lone Justice) is 61. Drummer Steve Gorman (The Black Crowes) is 60. Singer-bassist Jill Cunniff (Luscious Jackson) is 59. Actor David Conrad (“Ghost Whisperer,” “Relativity”) is 58. Rapper Posdnuos of De La Soul is 56. Actor-singer Donnie Wahlberg (New Kids on the Block) is 56. TV personality Giuliana Rancic (“Fashion Police,” ″E! News”) is 51. Actor Bryton James (“Family Matters”) is 39. Actor Brady Corbet (“24,” “Thirteen”) is 37. Actor Austin Butler (“Dune: Part Two,” “Elvis”) is 34. Actor Taissa Farmiga (“American Horror Story”) is 31.

    Aug. 18: Actor Robert Redford is 89. Actor Henry G. Sanders (“Dr. Quinn, Medicine Woman”) is 83. Drummer Dennis Elliott (Foreigner) is 75. Comedian Elayne Boosler is 73. Country singer Steve Wilkinson of The Wilkinsons is 70. Comedian-actor Denis Leary is 68. Actor Madeleine Stowe is 67. TV news anchor Bob Woodruff is 64. Actor Adam Storke (“Mystic Pizza”) is 63. Actor Craig Bierko (“Sex and the City,” ″The Long Kiss Goodnight”) is 61. Singer Zac Maloy of The Nixons is 57. Musician Everlast (House of Pain) is 56. Rapper Masta Killa of Wu-Tang Clan is 56. Actor Edward Norton is 56. Actor Christian Slater is 56. Actor Kaitlin Olson (“The Mick,” ″It’s Always Sunny in Philadelphia”) is 50. Comedian Andy Samberg (“Brooklyn Nine-Nine,” ″Saturday Night Live”) is 47. Guitarist Brad Tursi of Old Dominion is 46. Actor Maia Mitchell (“The Fosters”) is 32. Actor Madelaine Petsch (“Riverdale”) is 31. Actor Parker McKenna Posey (“My Wife and Kids”) is 30.

    Aug. 19: Actor Debra Paget (“The Ten Commandments,” “Love Me Tender”) is 92. Actor Diana Muldaur (“Star Trek: The Next Generation”) is 87. Actor Jill St. John is 85. Singer Billy J. Kramer is 82. Country singer-songwriter Eddy Raven is 81. Singer Ian Gillan of Deep Purple is 80. Actor Gerald McRaney is 78. Actor Jim Carter (“Downton Abbey”) is 77. Singer-guitarist Elliot Lurie of Looking Glass is 77. Bassist John Deacon of Queen is 74. Actor Jonathan Frakes (“Star Trek: The Next Generation”) is 73. Actor Peter Gallagher is 70. Actor Adam Arkin is 69. Singer-songwriter Gary Chapman is 68. Actor Martin Donovan is 68. Singer Ivan Neville is 66. Actor Eric Lutes (“Caroline in the City”) is 63. Actor John Stamos is 62. Actor Kyra Sedgwick is 60. Actor Kevin Dillon (“Entourage”) is 60. Country singer Lee Ann Womack is 59. Former MTV reporter Tabitha Soren is 58. Country singer Clay Walker is 56. Rapper Fat Joe is 55. Actor Tracie Thoms (“Cold Case”) is 50. Actor Erika Christensen (“Parenthood”) is 43. Actor Melissa Fumero (“Brooklyn Nine-Nine”) is 43. Actor Tammin Sursok (“Pretty Little Liars”) is 42. Singer Karli Osborn (SHeDaisy) is 41. Rapper Romeo (formerly Lil’ Romeo) is 36. Actor Ethan Cutkosky (TV’s “Shameless”) is 26.

    Aug. 20: News anchor Connie Chung is 79. Trombone player Jimmy Pankow of Chicago is 78. Actor Ray Wise (“Reaper,” ″Twin Peaks”) is 78. Actor John Noble (“Lord of the Rings” films) is 77. Singer Robert Plant (Led Zeppelin) is 77. Singer Rudy Gatlin of the Gatlin Brothers is 73. Singer-songwriter John Hiatt is 73. Actor-director Peter Horton (“thirtysomething”) is 72. “Today” show weatherman Al Roker is 71. Actor Jay Acovone (“Stargate SG-1”) is 70. Actor Joan Allen is 69. Director David O. Russell (“Silver Linings Playbook,” “American Hustle”) is 67. Actor James Marsters (“Angel,” ″Buffy the Vampire Slayer”) is 63. Rapper KRS-One is 60. Actor Colin Cunningham (“Falling Skies”) is 59. Actor Billy Gardell (“Mike and Molly”) is 56. Singer Fred Durst of Limp Bizkit is 55. Actor Ke Huy Quan (“Everything Everywhere All at Once,” “Indiana Jones and the Temple of Doom”) is 55. Guitarist Brad Avery of Third Day is 54. Actor Misha Collins (“Supernatural”) is 51. Singer Monique Powell of Save Ferris is 50. Actor Ben Barnes (“Westworld,” ″Prince Caspian”) is 44. Actor Meghan Ory (“Once Upon a Time”) is 43. Actor Andrew Garfield (“The Amazing Spider-Man”) is 42. Actor Brant Daugherty (“Pretty Little Liars”) is 40. Singer-actor Demi Lovato is 33.

    Aug. 21: Guitarist James Burton (with Elvis Presley) is 86. Singer Jackie DeShannon is 84. Actor Patty McCormack (“Frost/Nixon,” “The Ropers”) is 80. Singer Carl Giammarese of The Buckinghams is 78. Actor Loretta Devine (“Boston Public”) is 76. Newsman Harry Smith is 74. Singer Glenn Hughes (Deep Purple, Black Sabbath) is 73. Guitarist Nick Kane (The Mavericks) is 71. Actor Kim Cattrall (“Sex and the City”) is 69. Actor Cleo King (“Mike and Molly”) is 63. Singer Serj Tankian of System of a Down is 58. Actor Carrie-Anne Moss (“The Matrix,” ″Chocolat”) is 55. Musician Liam Howlett of Prodigy is 54. Actor Alicia Witt (“Law & Order: Criminal Intent,” ″Cybill”) is 50. Singer-chef Kelis is 46. Actor Diego Klattenhoff (“The Blacklist”) is 46. TV personality Brody Jenner (“The Hills”) is 42. Singer Melissa Schuman of Dream is 41. Comedian Brooks Wheelan (“Saturday Night Live”) is 39. Actor Cody Kasch (“Desperate Housewives”) is 38. Musician Kacey Musgraves is 37. Actor Hayden Panettiere (“Nashville,” ″Heroes”) is 36. Actor RJ Mitte (“Breaking Bad”) is 33. Actor Maxim Knight (“Falling Skies”) is 26.

    Aug. 22: Newsman Morton Dean is 90. TV writer/producer David Chase (“The Sopranos”) is 80. Correspondent Steve Kroft (“60 Minutes”) is 80. Guitarist David Marks of The Beach Boys is 77. Guitarist Vernon Reid of Living Colour is 67. Country singer Collin Raye is 65. Actor Regina Taylor (“The Unit,” ″I’ll Fly Away”) is 65. Singer Roland Orzabal of Tears for Fears is 64. Drummer Debbi Peterson of The Bangles is 64. Guitarist Gary Lee Conner of Screaming Trees is 63. Singer Tori Amos is 62. Keyboardist James DeBarge of DeBarge is 62. Country singer Mila Mason is 62. Rapper GZA (Wu-Tang Clan) is 59. Actor Adewale Akinnuoye-Agbaje (“Oz,” “Lost”) is 58. Actor Ty Burrell (“Modern Family”) is 58. Celebrity chef Giada De Laurentiis is 55. Actor Melinda Page Hamilton (“Devious Maids,” ″Mad Men”) is 54. Actor Rick Yune (“Die Another Day,” “The Fast and the Furious”) is 54. Guitarist Paul Doucette of Matchbox Twenty is 53. Rapper Beenie Man is 52. Singer Howie Dorough of the Backstreet Boys is 52. Comedian Kristen Wiig (“Bridesmaids,” ″Saturday Night Live”) is 52. Actor Jenna Leigh Green (“Sabrina the Teenage Witch”) is 51. Keyboardist Bo Koster of My Morning Jacket is 51. Bassist Dean Back of Theory of a Deadman is 50. Actor and TV host James Corden is 47. Guitarist Jeff Stinco of Simple Plan is 47. Actor Brandon Adams (“The Mighty Ducks”) is 46. Actor Aya Sumika (“Numb3rs”) is 45. Actor Ari Stidham (TV’s “Scorpion”) is 33.

    Aug. 23: Actor Vera Miles is 95. Actor Barbara Eden is 94. Actor Richard Sanders (“WKRP In Cincinnati”) is 85. Country singer Rex Allen Jr. is 78. Actor David Robb (“Downton Abbey”) is 78. Singer Linda Thompson is 78. Actor Shelley Long is 76. Fiddler-singer Woody Paul of Riders in the Sky is 76. Singer-actor Rick Springfield is 76. Actor-producer Mark Hudson (The Hudson Brothers) is 74. Actor Skipp Sudduth (“The Good Wife”) is 69. Guitarist Dean DeLeo of Stone Temple Pilots is 64. Singer-bassist Ira Dean of Trick Pony is 56. Actor Jay Mohr is 55. Actor Ray Park (“X-Men,” ″The Phantom Menace”) is 51. Actor Scott Caan (“Hawaii Five-0”) is 49. Singer Julian Casablancas of The Strokes is 47. Actor Joanne Froggatt (“Downton Abbey”) is 45. Actor Jaime Lee Kirchner (“Bull”) is 44. Saxophonist Andy Wild of Nathaniel Rateliff and the Night Sweats is 44. Actor Annie Ilonzeh (“Chicago Fire”) is 42. Musician Sky Blu of LMFAO is 39. Actor Kimberly Matula (“The Bold and the Beautiful”) is 37.

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  • John Williams Wrote a Special Version of the Star Wars Theme for an Acolyte Star

    John Williams Wrote a Special Version of the Star Wars Theme for an Acolyte Star

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    Amandla Stenberg as Mae in The Acolyte
    Image: Lucasfilm

    Not only is Amandla Stenberg about to become one of the newest Force wielders in the Star Wars galaxy, they’re also about to blow your mind as a musician too.

    The official Star Wars site just posted a beautiful new video of Stenberg, who stars in the upcoming The Acolyte, playing the violin, something they’ve been doing since childhood. But what’s special about this video though is that John Williams himself not only approved Stenberg to play the piece, he also wrote them a specific new version optimized for solo violin. Which basically means you’ve heard the Star Wars theme a billion times, but never quite like this. Check it out.

    The Acolyte | Amandla & Her Violin | Streaming June 4 on Disney+

    Well, that was amazing. And we’re hoping Stenberg is equally as amazing as Mae, their character on The Acolyte which is coming sooner than you think on June 4. Mae is described by the official Star Wars site as someone who “gets swept up into a sinister mystery—one that puts her into the center of a conflict in unexpected ways.” We imagine that will be expanded out mightily in the coming months.

    As for Williams, as far as we know, his music isn’t in The Acolyte (the composer for the show is Get Out’s Michael Abels), but hopefully, we get a theme here and there. The show, which co-stars Lee Jung-jae, Manny Jacinto, Dafne Keen, Charlie Barnett, Jodie Turner-Smith, Rebecca Henderson, Dean-Charles Chapman, Joonas Suotamo, and Carrie-Anne Moss, premieres with two episodes on June 4. Are you as excited as we are?


    Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

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    Germain Lussier

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  • Dark City: The Matrix’s Underappreciated Precursor

    Dark City: The Matrix’s Underappreciated Precursor

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    For some reason, Dark City remains little revered or appreciated not only as a standalone film, but as something of the unwitting source material for The Matrix. While the plotlines are theoretically “different,” ultimately the Wachowskis borrowed heavily (even if unintentionally) from the themes explored by Dark City director Alex Proyas (who co-wrote the script with Lem Dobbs and David S. Goyer). Granted, Dark City was released just one year prior to The Matrix, so it could have been sheer coincidence that each “team” happened to have a similar style and narrative thread.

    After all, it’s often believed that the collective consciousness is tapped into the same zeitgeist at the same moment. And in the late 90s, the internet was becoming an increasingly prevalent and insidious force to be reckoned with (as no one could better attest to than Pamela Anderson). Whether they were fully aware of it or not, that “new reality” seemed to be weighing on both Proyas and the Wachowskis in various ways (not to mention Andrew Niccol, whose The Truman Show [released in 1998 as well] also mirrors Dark City at a particular moment when the protagonist reaches the end of the “city’s” limits). This being showcased through their brooding “anti-heroes,” John Murdoch (Rufus Sewell) and Thomas “Neo” Anderson (Keanu Reeves) as they navigate through a world that, quelle surprise, proves to be a simulation.

    In Dark City’s case, the simu is created by a group of Hellraiser-looking aliens who want to understand if memories are what make a human, well, human—or if they’re fundamentally who they are no matter what memories they have. This experiment is conducted by swapping out each human’s “memory set” every night at the stroke of midnight via inducing a mass slumber (in such a world, Taylor Swift might never have created her concept album, Midnights). This means that no matter where a person is, or what they’re doing, they’ll fall asleep so that “the Strangers” (as the extraterrestrials are called) and their go-to human henchman, Dr. Daniel Schreber (Kiefer Sutherland, getting as close to playing Igor in Young Frankenstein as he ever will), can “imprint” them with a new memory a.k.a. a new identity. For who are we if not the sum total of our memories?

    Unfortunately for Schreber, he’s dealing with an anomaly of a human in John, who wakes up in the middle of being imprinted with the identity of a murderer, prompting Schreber to flee. Coming to fully in a bathtub, John has no clear memory at all thanks to the interruption of the procedure. In this way, he becomes a “glitch in the matrix” that is the Strangers’ universe. Or rather, their patch of city in an infinite universe, as we eventually come to find out. With John in the Neo role in terms of taking on a sinister entity that wishes to keep humans in the dark (very literally in this scenario) about the true nature of their (non-)reality, both Dark City and The Matrix effectively remake the allegory of the cave from Plato’s Republic. Fittingly, that allegory is placed after the analogy of the sun. As for the cave allegory, it essentially speaks to what Plato’s mentor, Socrates, said at his trial: “The unexamined life is not worth living.” To remain in the dark might feel comfortable (in a comatose sort of fashion), but, in the end, it’s a vegetative state. This allegory was repurposed by the Wachowskis in the form of red pill/blue pill, with the former color leading one out of the darkness of their ignorance, no matter how painful it might be to deal with the knowledge they had previously been able to block out.

    John and Neo are both “inconsistencies” in the world that’s been built for their kind by the overlords that control it all. As such, they differ from their fellow humans in that the latter has no desire to leave their prison, just as the people chained in the cave, because they have no idea that another form of existence can be possible. This is the only “reality” they’ve ever known, so why would they try to alter it? Once the knowledge of the false reality is gleaned, however, one can start to make their way out of the cave and into “the light.” For John, that light is realizing that they’re in a manufactured city floating in the ether of space and, for Neo, that light is realizing his body has been marinating in a pod while being harvested for bioelectric power by artificially intelligent machines as his mind is placated with the false reality (“the matrix”) shared by all the other humans in their pods. Again, the cave dwellers in the allegory might argue that remaining in the dark is preferable. To this end, one might say The Matrix isn’t an unintentional rip-off of Dark City, so much as both movies are riffing on what Socrates and Plato were saying centuries ago.

    As for the similarities in theme and aesthetic, Peter Doyle, the visual effects colorist who worked on both films, laughingly recalled, “…I do remember sitting with [the Wachowskis] after they had just been shown Dark City. Because when they came through town with Barrie Osborne, the producer, the film hadn’t quite been released yet, so they’d set up to have a look. And then everyone just sitting around laughing, realizing that they’re just about to make Dark City again but called The Matrix instead.” So yes, they did see the movie while in the process of making The Matrix, but no one thought much of it. After all, a genre like that was so niche, the assumption was that nobody would complain about having another film of that “breed” added to the scant pile (“beefed up” in 1999 with David Cronenberg’s eXistenZ and Josef Rusnak’s The Thirteenth Floor, released in rapid succession right after The Matrix). As it turned out, no one in the U.S. would really complain, for Dark City was destined to become an obscure 90s gem compared to the blockbuster status The Matrix would achieve in said country, parodied and copied ad nauseam over the next decade.

    In addition to the aforementioned titans of Greek philosophy, the influence of The Twilight Zone on Dark City can’t be underestimated either, with said show often presenting narratives where the reality experienced by the lead character was a fabrication of some kind (including the very first episode, “Where Is Everybody?”). As for the fabrication that is Dark City, Schreber explains to John and Inspector Frank Bumstead (William Hurt), “When they first brought us here, they extracted what was in us, so they could store the information. Remix it like so much paint, and give us back new memories of their choosing… Your entire history is an illusion, a fabrication—as it is with all of us.”

    With this in mind, the set design was key to giving audiences that “remixed memory” feel the population is experiencing. Per production designer Patrick Tatopoulos, “The movie takes place everywhere, and it takes place nowhere. It’s a city built of pieces of cities. A corner from one place, another from someplace else. So, you don’t really know where you are. A piece will look like a street in London, but a portion of the architecture looks like New York, but the bottom of the architecture looks again like a European city. You’re there, but you don’t know where you are. It’s like every time you travel, you’ll be lost.” In other words, since everyone is everyone (with “memory sets” being swapped back and forth all the time), then everywhere might as well be everywhere, too. As it increasingly is in “real life” thanks to the unremitting effects of globalization. Perhaps that’s how the Wachowskis also chose to view the similarities between their film and Proyas’ precursor to it: “every late 90s sci-fi neo-noir is every late 90s sci-fi neo-noir.” And yes, as though to highlight that point, they used some of the same “everywhere is everywhere” sets from Dark City for The Matrix.

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    Genna Rivieccio

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