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Tag: Carly Pearce

  • This Ain’t Texas—Here’s Why Country Music Is Here to Stay

    This Ain’t Texas—Here’s Why Country Music Is Here to Stay

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    “I listen to everything but country,” is a phrase that might go extinct soon. We’ve all encountered that one person who adamantly declares they’re allergic to twang, but in 2024, this once divisive style of music has charged its way into the mainstream.

    The rise of country music into the wider cultural sphere wasn’t all so sudden. Within the last 10 years, country-rooted acts like Kacey Musgraves, Lainey Wilson, Kelsea Ballerini, and Elle King have paved the way for the genre to thrive in popularity. It made people realize that country music can transcend its problematic past, one that’s historically made some communities feel alienated. “There are some fundamental problems in the history of country music,” Ballerini admitted to StyleCaster in a past interview, but she’s determined to carve out a new space where everyone is welcome. “I can always do better, we can all always do better. The power of conversation and community is really important.”

    Of course, there have been those pop icons like Shania Twain, Dolly Parton, and Taylor Swift that have cemented themselves beyond mainstream success over the years. This summer, Spotify held its “Year of the Cowgirl” activation on August 7, and the room was filled to the brim with appreciation for the fashion and the music that inspired it all, but what really caused the boom lately?

    “Genre-bending” artists are pioneering their own sound

    Everyone these days wants to dip their toes into country. With Post Malone’s new album and his monumental headlining slot at Stagecoach (arguably, the Coachella of the genre), music acts that are usually tied down or associated with another style, like rap, are embracing new sounds. 

    “If you’re more of a coastal cowgirl, you’ve got great new albums from Kacey Musgraves and Zach Bryan that released this year, and if you’re looking for a little more Yee-Haw, you’ve got barnburners from Post Malone and Shaboozey to dance to,” Spotify’s country editor Claire Heinichen says.Country music of past decades was much more homogenous, but in the last five to 10 years, we have seen so much sonic diversity that welcomes everyone to join in on the fun.” 

    Carly Pearce performs onstage as Spotify celebrates Year of the Cowgirl with performances from Carly Pearce, Carter Faith, and Brandi Cyrus at Desert 5 Spot on August 07, 2024 in Los Angeles, California.

    “For a lot of people, country music was never a part of their lives and it feels new,” musician Carter Faith says. “Especially with what is happening in the country music genre right now—a lot of people are trying to mix a lot of worlds together, like rap and country and pop and country. So I think that has opened people’s eyes to what country music can be.”

    Brandi Cyrus, who has played festivals like EDC, has witnessed the emergence of electronic music blending seamlessly with country music—a rising genre called YEEDM. “To see places like that really embrace country and see so many electronic artists want to dabble in country and play around with it and play country music, and make these remixes, has been amazing,” she says.

    What specifically cemented cowgirl into the cultural sphere of 2024 was Beyoncé’s Cowboy Carter—her eighth album didn’t conform to the traditional sounds of country, with many publications calling the album “genre-defying.” Despite that label, Beyoncé featured Black country artists, like Linda Martell, Brittany Spencer, and Rhiannon Giddens, to honor the Black roots that have uplifted the genre since its founding. “Texas Hold ’Em” became one of the most successful singles of the year, topping the Billboard charts to make Beyoncé the first Black woman to have a number-one country song in Billboard history. Coming off the high of the ultimate party tour of Renaissance, Cowboy Carter is the perfect cool-down and soundtrack to ride off into the sunset. 

    The emergence of the coastal cowgirl

    When was the last time that you went to a party and someone wasn’t wearing a fun and flirty cowboy hat? It seems like cowboy hats are everyone’s favorite quirky accessory, but it didn’t come out of the blue. Western fashion and music listening go hand-in-hand. And the more people listen, the more they want to dress according to their music choices. It’s more than a lifestyle—it’s a whole identity.

    Music and micro-niche trends have only propelled the popularity of Southern staples. Since the release of Cowboy Carter, Klarna reported a 331% increase in cowboy purchases, and fringe jacket sales have increased by nearly 45%. For those who don’t want to go into the nitty gritty of traditional country fashion, coastal cowgirl is the perfect way to flaunt your Southern and Western flair. The trend pairs casual West Coast colors and light dress wear with cowboy boots and hats to put a healthy balance of party and trendy.

    Three-time CMA winner and Year of the Cowgirl winner Carly Pearce feels like country fashion has seeped into the mainstream. “I see so many of my favorite brands doing Western lines with fringes and more cowboy hats, more suede and more patterns, more belts, more jewelry, and more boots,” she says, “I think country is just getting started as far as being as big as it is.”

    Carly Pearce performs onstage as Spotify celebrates Year of the Cowgirl with performances from Carly Pearce, Carter Faith, and Brandi Cyrus at Desert 5 Spot on August 07, 2024 in Los Angeles, California.

    Cyrus observes that people who are usually stuck in their own personal aesthetics are now feeling confident enough to experiment. “Sometimes to take a risk and to step outside of what you’re comfortable with it takes something to inspire that,” she says. “So in a way I almost feel like Western fashion, cowgirl fashion, has maybe opened up people’s mind to listening to the music.”

    The trend has sparked many people to find out that their Daylists (Spotify’s autogenerated playlists based on time and vibe) have been set to “Coastal Cowgirl.” “Country Love Songs Coastal Cowgirl” is the most likely Daylist title in the U.S., while as many as 220,000 users on the streaming service have a playlist with the title “Cowgirl.”

    As for the future of country music and the cowgirl aesthetic, it’s certainly not going anywhere. “Country music is expanding in every direction sonically,” Heinichen says, noting that lots of artists “got some really exciting releases coming later this year, so I think we’re going to keep watching this phenomenon grow.”

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    Lea Veloso

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  • Carly Pearce faced accusations of supporting Satanism due to a misinterpreted photo from her CMA Fest performance – 247 News Around The World

    Carly Pearce faced accusations of supporting Satanism due to a misinterpreted photo from her CMA Fest performance – 247 News Around The World

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    • Carly Pearce faced accusations of supporting Satanism due to a misinterpreted photo from her CMA Fest performance and reaffirmed her Christian Faith.
    • The number “668” on the parking spot was not a reference to “666” but the actual number of the spot.
    • Pearce reaffirmed her Christian faith and emphasized her commitment to using her platform to point people towards Jesus.
    • She also shared her struggles with heart-related health issues and encouraged her followers to prioritize their health and well-being.

    Carly Pearce, a renowned country singer, has recently faced a barrage of accusations from fans who believe she supports Satanism due to a photo she shared. In response to these allegations, Pearce has taken to social media to reaffirm her strong Christian faith and distance herself from the rumors.

    Carly Pearce faced accusations of supporting Satanism

    The controversy began when Pearce posted a photo on social media that some fans interpreted as featuring a satanic reference. This sparked a wave of accusations, with many fans claiming that the singer was promoting or supporting Satanism. The situation became even more intense as Pearce revealed that she was dealing with a heart condition, adding to the emotional toll of the situation.

    In a video response on YouTube, Pearce addressed the allegations directly, stating that she was “shocked” by the accusations and that they were “completely false.” She emphasized her commitment to her Christian faith, explaining that her values and beliefs are rooted in her faith and that she would never engage in activities that went against her religious principles.

    Pearce also highlighted the importance of not jumping to conclusions based on limited information and the potential harm that such unfounded accusations can cause. She encouraged her fans to focus on the positive aspects of her music and the message she conveys through her songs, rather than getting caught up in baseless rumors.

    Carly Pearce's Tweet

    The singer’s response has been met with widespread support from her fans and the music community, with many praising her for her courage and commitment to her faith. The incident serves as a reminder of the importance of staying grounded in one’s values and beliefs, even in the face of adversity and misinformation.

    Carly Pearce faced accusations of supporting Satanism
    Carly Pearce faced accusations of supporting Satanism

    Carly Pearce’s response to the Satanism allegations has been a powerful testament to her unwavering commitment to her Christian faith and her ability to stay focused on what truly matters. Her message of positivity and hope has resonated with fans and the music community alike, and she continues to be a beacon of inspiration for those who value her music and her values.

    Also Read: Chrissy Teigen And John Legend Take Kids To Natural History Museum

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    247 News Around The World

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  • Tim McGraw lets his music do the talking at Orlando concert | Review

    Tim McGraw lets his music do the talking at Orlando concert | Review

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    Country-music superstar Tim McGraw was a man of his word Saturday night. And by that, I mean a man of few words.

    “Y’all know if you’ve been to my shows before I don’t talk a lot,” he said to the audience after singing the first four songs of his set without interruption. “We just like to play music.”

    Without a lot of chitchat, McGraw was able to fit 20 hits into his 95-minute show at Orlando’s Kia Center, just the third stop on his brand-new “Standing Room Only” tour. That tour title is not bragging from the singer who delivered a poignant “Humble & Kind” as one of his encores. The title comes from his latest studio album, McGraw’s 16th, released last summer.

    McGraw has been making music consistently since the 1990s, which means that even with 20 songs on the setlist multiple favorites didn’t make the cut. They were mostly from McGraw’s sentimental side — early ballads such as “Please Remember Me,” Can’t Be Really Gone,” “Not a Moment Too Soon,” and “Don’t Take the Girl,” which admittedly would have been out of place in the rockin’ party atmosphere McGraw created.

    Pictures: Country Superstar Tim McGraw Concert Orlando

    He emerged through a cloud of smoke to launch into a bass-heavy “Truck Yeah,” the rocker looking for those who’ve “gotta little redneck in their blood.” That likely applied to many in the sea of cowboy hats as they drank cocktails out of mason jars.

    Like his music, McGraw straddled the line between country and rock: Big belt buckle, big hat, tight jeans and tighter black T-shirt (Bro has been working out).

    The singer still hits the high notes in his cover of Elton John’s “Tiny Dancer,” though the sound mix was increasingly fuzzy the louder the song got. More successful was a rendition of “Over and Over,” his collaboration with Nelly, which segued seamlessly into a driving (pun intended) “Shotgun Rider.”

    Lights add drama to Tim McGraw’s March 16 concert at the Kia Center in Orlando. (Stephen M. Dowell/Orlando Sentinel)

    Generally, McGraw’s voice rose above the mix better in the gentler songs: a rolling “Watch the Wind Blow By,” a lyrical “Where the Green Grass Grows,” a percolating “Just to See You Smile” with the percussion helping the song lightly chug along.

    On the biggest hits, McGraw let the eager audience sing lines from the chorus — though he caught out his friend Khristian Dentley from Take 6, who was in the audience and missed a lyric from the banging honky-tonker “I Like It, I Love It.”

    “Man, you’ve got to know this one,” McGraw exclaimed good-naturedly. The rest of the packed Kia Center certainly did.

    Opening act Carly Pearce, rhinestone boots glittering in the stage lights, gave a solid set of predominantly radio-friendly midtempo songs.

    Tim McGraw takes the stage at the Kia Center in Orlando on March 16, through a cloud of smoke. (Stephen M. Dowell/Orlando Sentinel)
    Tim McGraw takes the stage at the Kia Center in Orlando on March 16, through a cloud of smoke. (Stephen M. Dowell/Orlando Sentinel)

    She sang both her own and Ashley McBryde’s parts in big hit “Never Wanted to Be That Girl,” a cheating song that’s this generation’s “Does He Love You?”

    Pearce, who called herself “the luckiest girl ever,” still has a glow of excitement over her success, even though she’s been getting airplay since 2017’s “Every Little Thing.”

    “I don’t have to clean Air B&B’s anymore,” she enthused with a laugh, referring to the job she held before “Every Little Thing” hit big.

    Pictured at his rocking "Standing Room Only" tour stop at Orlando's Kia Center on March 16, Tim McGraw looks like he's been hitting the gym. (Stephen M. Dowell/Orlando Sentinel)

    Pictured at his rocking “Standing Room Only” tour stop at Orlando’s Kia Center on March 16, Tim McGraw looks like he’s been hitting the gym. (Stephen M. Dowell/Orlando Sentinel)Pearce upped the tempo in her set for a rollicking cover of “Let’s Go to Vegas” — originally a hit for McGraw’s wife, Faith Hill — as well as a sassy “Next, Girl” and a blazing “Truck on Fire,” a new song in the classic woman-scorned genre with the memorable raging chorus of “Liar, liar, truck on fire; flames rollin’ off of your Goodyear tires.”

    She closed with another ill-treated woman song, the crowd-pleasing “What He Didn’t Do.”

    For his part, McGraw also wrapped things up with a crowd pleaser, “Live Like You Were Dying,” before departing as he arrived, through a cloud of smoke, still a man of few words.

    Follow me at facebook.com/matthew.j.palm or email me at mpalm@orlandosentinel.com. Find more arts news at OrlandoSentinel.com/entertainment.

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