Last month, Allie X performed a secret show to celebrate her new album Girl With No Face. The Canadian singer-songwriter performed tracks like “Black Eye” and “Off With Her Tits” at 1720 Warehouse in Downtown Los Angeles. The industrial setting matched the dark synth pop of her set.
Since her debut EP in 2015, she’s continuously evolved musically and aesthetically. Her latest recalls the sleek early ’80s sound of acts like Eurythmics, Gary Numan, and The Human League.
We caught up with Allie X to talk about the new album and creating her striking visuals.
Congrats on the new album! How did making this compare with previous projects? Much more insane process. And probably more fulfilling.
Where did the concept of Girl With No Face come from? Well it’s the name of one of the songs. Then I decided it sounded right for the album name. I think of the Girl With No Face as the entity that was in the room with me. Something I conjured up in the isolation of the experience.
Which track from the album was the most fun to make? Maybe “Galina.” That one came together the fastest. Or “Hardware/Software.” Those were probably the only two that weren’t torturous to complete.
A lot of recent pop has leaned on the late ‘80s and early ‘90s. Lately, your music has more of an early ‘80s synth pop influence. What draws you towards that era? The experimentalism. The attitude. The sonics. The limitations. It’s my fave.
Visuals are a big part of your work. How do you collaborate with designers, stylists, videographers, etc. to bring your ideas to life? I am good at curating and making mood boards. Selecting the right people and instructing them is what I do. Then their talent shines through. It’s about having a vision and taste.
One thing that’s remained consistent with your music is really cool synth sounds. Do you have a favorite synthesizer? Umm of the ones I’ve used, maybe a Jupiter? Or a Prophet. But there are so many divine ones I haven’t used. Or so many complicated ones I don’t have enough knowledge to get a sound out of.
How much of a perfectionist are you in the studio? The production and mixing on this album is really great. Wellll I actually think perfection in music is boring. But I need it to be right. And trying to get this album to sound right was incredibly hard. But I kept going and going till it clicked in my head.
You grew up in Ontario. Who’s your favorite Canadian artist? Hmm Neil Young is pretty cool.
Now that the album is out, what’s next? Just announced a tour. Putting that together will be my focus.
Edmonton MP Matt Jeneroux hopes Taylor Swift’s lack of Canadian stops on her Eras Tour is not about Bad Blood.
In several posts on his social media accounts, the Conservative politician indicated he would follow Australia’s lead and file what he’s calling an “official grievance” with Parliament to encourage Taylor Swift to add some Canadian dates to The Eras Tour — if she has a Blank Space in her calendar, that is.
“I filed an official letter of grievance,” Jeneroux said on Thursday. “I don’t actually know if that’s really a thing, but we got a message from one of my friends who said the Australian parliament is filing an official letter of grievance to have Taylor Swift reconsider to come to Adalaide.
“I went and said: ‘Is this something we can do in Canada?’ and nobody seemed to know. So I thought let’s go and file an official letter of grievance and kind of see what happens.”
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The letter reads:
“It has come to my attention that despite much anticipation, Taylor Swift’s Eras Tour has neglected to include any Canadian dates or locations as she released her international dates, which includes stops throughout Asia and Europe,” Jeneroux wrote in a letter dated and signed on Wednesday, June 21.
“Similar to what’s being considered in Australia, I would like to file an official grievance within Parliament on behalf of all Swifties in Canada for her and her team to reconsider,” the letter continued.
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“Not only is this leaving Canadian fans without the opportunity to see her tour, but it is also leaving Canada out of the economic opportunities her shows generate. It is estimated that these shows could generate $4.6 billion for local economies. Fans just don’t simply attend concerts, they spend money at local businesses including hotels, restaurants and shops.
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“This motion is non-partisan in nature and requires swift action to address what I can only assume is a serious oversight,” the letter concludes.
“Considering the fact that I’m not totally clear on what a letter of grievance really is, it’s pretty lighthearted in the way we’ve approached it,” Jeneroux said.
“But I think often in politics, it’s meeting people, what they’re thinking about, what’s important to them, and I know a lot of people in our community and in my home too, this is top of mind.
“My daughters have never paid more attention to my career than yesterday when I wrote the letter,” he added with a smile.
Concordia University economist Moshe Lander doubts Jeneroux’s economic impact estimates. Mega tours do have economic impacts on the cities they visit, but not to the extent Jeneroux forecasted, he said, unless it was for the entire tour.
“I don’t think that that’s something he really costed out when he wanted to show his fake outrage,” Lander said.
“I think that he’s maybe trying to justify why he’s taking that stance.
“With a Taylor Swift concert, the economic benefit would be in the tourist dollars that it brings in. Her devoted followers will follow her around from one venue to another so you could find that of 20,000 people going to the concert, a portion of them would be coming from outside Edmonton.
“When they’re coming into Edmonton, they’re filling up local hotels, local bars, they’re buying local merchandise — that does have an economic impact, but it’s not long-lasting. It’s essentially for the 48 hours before and after the concert and then it’s all over,” Lander explained.
Jeneroux clarified the number he cited was a prediction of how much money would be generated in the U.S. economy by the tour.
Lander said another factor to consider is the venues available.
“She’s working 60,000-70,000 seat outdoor venues,” he said. “Canada doesn’t really have those type of outdoor venues and, if they do have it, there’s a limited amount of time where it’s a fun experience for the act and for the fans because the summer is so short here.”
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Economically, choosing Edmonton as a stop on a tour might not make sense, he added. It requires flying or driving and moving a lot of equipment and crew across a border and Alberta is fairly isolated in terms of being close to other stops.
“That’s a huge cost that has to be borne by the concert act, so I can certainly understand why Taylor Swift is saying: ‘Why go to Edmonton and fill out 18,000 seats when I could just do an extra night in San Francisco and get the same 18,000 seats without any of the transportation costs?’
“She only has so many days, so if Edmonton is sitting there saying: ‘Hey what about us?’ OK, so who are you replacing?
“You’ve got to be kidding me if you think… her managers are making that calculation, saying: ‘I think Edmonton is a good move. Why don’t you sacrifice SoCal for a night?’ It’s top to bottom economic nonsense, but it makes for good copy,” Lander said with a grin.
Matt Jeneroux Instagram.
Courtesy: Instagram/ Matt Jeneroux
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The reaction to the letter has been bigger than Jeneroux imagined in his Wildest Dreams.
“There’s been over 50 media requests across the country, internationally, that we’ve had… A whole bunch of people have reached out and said: ‘Boy, we’d like to help on your next campaign.’
“Ultimately, this is something that resonates with people,” he said.
And he just can’t Shake It Off.
“People all across the country have reached out and want to talk about this letter of grievance,” Jeneroux said.
“Our goal is to ensure that — there’s a segment of our population that is really passionate about this — that they’re heard.
“There’s important work happening in Parliament but from the lighthearted side of things, it’s pretty fun to watch,” he added.
“There’s a lot of anticipation for the concert dates that were released. I know, at least in our home with my daughters, we were very eager to see where she’d be playing and when there’s no Canadian dates, obviously some disappointment.
“There’s still a lot of venues across Canada that would for sure welcome Taylor Swift and her crew with open arms.”
EXCUSE ME HI I HAVE SOMETHING TO SAY 🙋♀️ I can’t wait to see so many of you on The Eras Tour next year at these new international dates! Visit https://t.co/EYBevxhQzH for more information on your registrations, pre-sales and on-sales!! pic.twitter.com/G8zx8QUUAV
Randy Bachman is shedding light on his incredible guitar obsession with a new temporary exhibit set to open at Calgary’s Studio Bell next month.
Organizers say the Guess Who co-founder and “Taking Care of Business” hitmaker will showcase more than 80 of his prized axes for “Randy Bachman: Every Guitar Tells a Story.”
The exhibit will include instruments from every part of Bachman’s career and feature videos of the 79-year-old musician telling the stories behind them.
Highlights include the first guitar Bachman purchased from a Sears catalogue at 13-years-old and his signature 1959 Les Paul electric guitar, which was used on the Guess Who’s beloved hits “These Eyes,” “No Time” and “American Woman.”
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Also planned for the display is his rare first-year white Stratocaster, which he played on numerous Bachman-Turner Overdrive albums, and his 1957 Gretsch electric guitar, which was famously stolen from a Toronto hotel in 1976 and recovered last year in Tokyo.
Classical composer Yannick Nézet-Séguin is among the leading Canadian Grammy nominees this year with a strong showing coming from an array of other homegrown talents.
The Montreal native picked up five nominations across four classical music categories, which put him neck-and-neck with Serban Ghenea, who is up for record of the year for his mixing work on Mary J. Blige’s Good Morning Gorgeous.
Ghenea was born in Romania before he moved to Canada as a youngster, going on to build his name in the music industry where he’s scored 19 Grammy wins over his career.
Nézet-Séguin’s nominations include best classical compendium for A Concert For Ukraine, and two in the opera recording category — for Aucoin: Eurydice and Blanchard: Fire Shut Up in My Bones.
Other big nominees this year included Toronto producer Boi-1da, born Matthew Samuels, who trailed closely behind with four nominations, including two in the album of the year category for Beyonce’s Renaissance and Kendrick Lamar’s Mr. Morale & The Big Steppers.
The music hitmaker, who built his name crafting songs with Eminem, Drake and Kardinal Offishall, also earned nods for producer of the year, non-classical, and best rap song for work on the track Churchill Downs by Jack Harlow.
Drake has three nods, even though he’s boycotted the Grammys in recent years by not submitting his own work. He still managed to pick up a mention in the album of the year category for his contributions to the song Heated on Beyonce’s nominated album.
The Toronto rapper also held two nominations for best rap song, one which he shared with Samuels for Harlow’s track and another for his appearance on Future’s single Wait For U.
Four-time Grammy winner Michael Buble’s latest effort Higher is among contenders for traditional pop vocal album, while DJ and producer Kaytranada’s Intimidated, featuring H.E.R., is up for dance/electronic recording. The rising Montreal star, who recently opened for the Weeknd, already holds two Grammy wins from 2021.
And Bryan Adams pocketed a nomination for So Happy It Hurtsin the best rock performance category.
Arcade Fire’s We landed recognition for best alternative music album, a vote of support from the music industry at a troubled time for the Montreal band as they push forward with a tour. Lead singer Win Butler is facing multiple allegations of sexual misconduct which he has denied, saying all encounters took place between consenting adults.
Winnipeg-born mixing engineer Jesse Ray Ernster is in the running in the record of the year category for his work on Doja Cat’s Woman.
In the album of the year category, Adele’s nominated 30 includes mixers Ghenea and Shawn Everett from Bragg Creek, Alta. as well as Vancouver producer Tobias Jesso Jr.
Meanwhile, Adele’s Easy On Me gave prolific Montreal film director Xavier Dolan and Quebec producer Nancy Grant nominations for best music video.
In the best music film category Justin Bieber grabbed a nomination alongside the team behind his Our World feature-length concert film, while Neil Young became a contender for A Band A Brotherhood A Barn, a documentary that traces the recording of the Neil Young & Crazy Horse album Barn.
And the creators who put together a project celebrating late legendary Toronto pianist Glenn Gould earned Grammy recognition. The Goldberg Variations – The Complete Unreleased 1981 Studio Sessions is up for best historical album.
The 65th Grammy Awards will hosted by Trevor Noah and broadcast Feb. 5 on Citytv and CBS.
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