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Tag: Calvin Klein

  • American menswear designer Jeffrey Banks is finally sharing his story and starting a new chapter

    NEW YORK (AP) — Designer Jeffrey Banks spent years co-authoring seven books on fashion before finally deciding it was time to share his own story.

    The menswear designer recounts more than 50 years in fashion, from working for Ralph Lauren to launching his own label, in his new memoir “Storyteller: Tales from a Fashion Insider.”

    At 72, Banks is having a breakout year. One of his designs was selected by the Metropolitan Museum of Art for its “Superfine: Tailoring Black Style” exhibit, and he’s relaunching his eponymous menswear label.

    Banks debuted his label of polished tailoring and American sportswear back in 1976 at 21. His menswear played with color and texture: think tartan plaid jackets, pinstriped suits and furs. And at a time when there were few Black designers, his clothes were being sold in major department stores from Macy’s to Bergdorf Goodman and he was landing multimillion-dollar deals.

    For his Jeffrey Banks menswear relaunch in January, he’s moving away from suiting and embracing sustainable sportswear, from knits to underwear.

    “As much as I love suits and tailored clothing,” he told The Associated Press, “I don’t think that’s the business for now, and the business of young people.”

    His industry friends have rallied around him on his book tour. The Council of Fashion Designers of America hosted a conversation between Banks and Isaac Mizrahi last week to celebrate the publication of Banks’ book.

    Mizrahi, who worked for Banks on his womenswear line, called him a trendsetter in the commercial space.

    “I was so inspired when I was working with him, and he was one of the first people to do a lot of things at once,” Mizrahi said. “I looked at that, and I thought that was real success.”

    Banks is a natural storyteller

    Banks’ memoir doubles as a love letter to the family, loved ones and fashionable friends who supported him over the years. One motivation for doing the book, he said, was to ensure his mother, who turns 105 in January, could read it.

    “She instilled in me and in my sister, as did my father, the idea that if we wanted something bad enough and we were willing to work hard enough for it, we could achieve and get anything that we wanted,” Banks said. “And the fact that we were Black, that shouldn’t make a difference.”

    Banks and his mother shared a love of clothing. At 10, he designed a yellow asymmetrical wool coat and matching sheath dress for her to wear on Easter Sunday.

    Former CFDA President Stan Herman, 97, said that Banks is a natural storyteller with an impeccable memory, who he joked, “was born with a Vogue in his crib.”

    In his book, he highlights his “Mentors” and “Best Friends Forever” through entertaining anecdotes and photos of fashion industry stalwarts like late designer Perry Ellis and celebrities like Bobby Short, Barbra Streisand and Audrey Hepburn. Ever the gentleman, Banks’ book does not divulge all his insider secrets despite working so closely with some of the biggest names in fashion.

    Banks’ fashion ascent

    Banks credits fashion industry giants Lauren and Calvin Klein as his mentors.

    He first met Lauren as a teenager while working at Britches of Georgetowne, a menswear store in Washington, D.C. In his book, Banks shares how Lauren gave him one of his personal suits to wear for prom before he later worked for the designer while attending Pratt Institute. Banks said the two first bonded over their admiration of Hollywood movie stars like Cary Grant and Fred Astaire.

    “Ralph always treated me like an equal, I mean, from Day One,” Banks said. “He always said … I’m his other son.”

    While attending the Parsons School of Design, Banks was personally recruited by Klein. At his first fashion show, Banks said he sat Klein and Lauren next to one another.

    It was while building Klein’s menswear line that Banks was offered the chance to start his own label. He then ventured into men’s outerwear with Lakeland, furs with Alixandre, a Jeffrey Banks Boys’ line and even womenswear.

    In 1980, he was tapped to overhaul Merona Sport, a family sportswear brand, he turned into a money-making juggernaut that catapulted his career. He writes that the brand jumped from generating $7 million to $70 million within six months. At the time, Mizrahi said, it was like Banks had “struck gold.”

    As Banks goes back to his roots with the relaunch of this menswear label, his fashion community is ready to embrace him again.

    “He’s still as relevant as ever,” Fern Mallis, former head of The Council of Fashion Designers of America, said. “And I think there’s definitely a place for him in the market, he’s got a wonderful following of fashionista friends. … We’ll be wearing it, posting it and writing about it.”

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  • Looks For Less: Get Hailey Bieber’s Style On A Budget

    Looks For Less: Get Hailey Bieber’s Style On A Budget

    New mother
    Hailey Bieber has been the ultimate influencer for just about everyone on the planet. She’s dictated trends like chrome nails, glazed donut skin (thanks, rhode), and even hair color. And if Hailey Bieber uses Kosas concealer, so do we.


    Not only does she make a product look easy to use, she’s also a supermodel who knows trends
    before the public does. Listening to Hailey Bieber expound about trends is the smart thing to do.

    But one thing I am confident about is the fact that I cannot afford
    Hailey Bieber’s entire wardrobe. Yes, she may be the inspiration for our capsule closets and obsession with basics…she’s also a multi-millionaire. And I, sadly, am not.

    That’s not going to stop me from aspiring to a supermodel-caliber closet on a regular salary. In fact, since
    Hailey celebrates the basics so much, it actually makes her style affordable to recreate. No one can tell if Hailey’s tee is Prada and mine is H&M…

    If you’re going to emulate a celebrity’s style, it’s key to invest in pieces where quality makes a visible difference like leather jackets or dresses. But ultimately, we’re looking to shop smarter and save money.

    Hailey Bieber has iconic outfits that we all can easily achieve, so let’s look into how to get her look for less!

    Hailey’s All White Moment

    Hailey is blessed. Even while pregnant with son, Jack Blues Bieber, she can wear regular-sized clothing. But what I especially like about this outfit is that it works for multiple occasions and looks terrific on all body types.

    Here are some great options for a similar Hailey-inspired look:

    And, of course, there’s the bag. A Birkin knockoff by YSL is awesome, but even then, still too pricey. Luckily enough, the market’s glutted with Birkin dupes that are more affordable.

    An Easy Fall Trench Look

    Honestly, this is such a fantastic look that’s easily put together with essential items already in your closet: a white tank, trousers, and trench coat. What Hailey does best is make basic look thrilling. And an easily achievable look.

    Plus, a trench coat is a necessity when it comes to fall weather. It’s one of the most underrated outerwear pieces for the fashion lover. A trench coat and heels says corporate, it gives off an official vibe that I love.

    If you want this ensemble, here are a few close-to-identical pieces:

    A Staple Oversized Leather Jacket

    Now that we’re suddenly transitioning into fall weather, we need to start thinking about cold weather pieces. If there’s one thing that is
    very Hailey Bieber, it’s an oversized leather jacket.

    She’s constantly photographed with a big leather Balenciaga bomber jacket — upwards of $6,000. So while we can’t afford Hailey’s iconic leather jacket — that she wears with everything — we
    can replicate.

    These are my favorite leather bombers that are inspired by Hailey:

    A Sassy Fur Coat

    If you’re partial to the mob wife aesthetic, this one’s for you. When Mrs. Bieber donned this YSL faux fur jacket with a pair of jeans, red pumps, and sunnies, we knew this would be a style inspo pic for many.

    Nothing makes you feel sassier than a fur coat. When I wear one, I seriously feel like a runway model hiding secrets in my jacket. Drape it over a dress for added warmth this winter, with leather leggings, or even jeans like HB.

    Here are some of my favorite oversized fur coats:

    A Simple Black Dress

    We all love a little black dress. But again, the weather is transitional right now. Great for date night, or dinner with your friends, or just a special occasion in general. I love this dress on Hailey because she lets her accessories do the talking.

    Whether you choose to style it with simple jewelry and a chic up-do, or colorful heels and matching bag, with a simple black dress like Hailey’s Bottega Veneta dress you cannot go wrong.

    Again, a $2,900 dress isn’t the ideal price tag, I’ve found a few similar looks for far less:

    And A Fun Red Dress

    Holiday Season calls for a red dress…I know it, you know it. So let’s get it out of the way early! Have one on deck so you don’t have to stress about it come December.

    What amazing about this Hailey look is that she really commits to the all red. Red pumps, red lip, red strawberry earrings, and of course…the red dress.

    This Ermanno Scervino Fall 2023 dress is, of course, far beyond our price range. But something like it is certainly achievable. Just look for a structured empire waist and tight bodice on your strapless dress.

    Here are a few similar options if you want the Bieber look:

    Jai Phillips

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  • Martha Graham Dance Company Explores the American Experience, Past and Present

    Martha Graham Dance Company Explores the American Experience, Past and Present

    Anne Souder in Martha Graham’s ‘Maple Leaf Rag.’ Hibbard Nash Photography

    Martha Graham Dance Company is turning 100! Soon. In two years, to be exact. But it’s never too early to start the party, and the Company will perform American Legacies at New York City Center as part of a three-year-long centennial celebration, starting tomorrow (April 17). The program focuses on the Company’s exploration of American themes and will feature Graham classics as well as a new production of a midcentury ballet and a powerful new work by a contemporary choreographer.

    Martha Graham (1894-1991) probably needs no introduction, but here’s a quick one: She was born in Pennsylvania to strict Irish-American Presbyterians. Eventually, her family moved to California, where she discovered concert dance and studied with modern dance pioneers Ruth St. Denis and Ted Shawn. After performing with Denishawn and The Greenwich Village Follies, she went off on her own to create a more serious and “human” dance technique, one that was rooted in the American experience and the most basic of movements—breathing. “Contraction and release,” with its radical instance on a flexible torso, revolutionized the way dancers moved on stage.

    Graham founded her company in 1926, making it both the oldest dance company in the United States and the oldest integrated dance company in the country. She went on to create 181 ballets over nearly 70 years. Now the Company, under the leadership of Artistic Director Janet Eilber (a former principal dancer who worked with Graham for almost a decade), continues to perform the Graham works but also regularly commissions new pieces by contemporary artists. “The range of our dancers has become mind-blowingly fabulous,” Eilber told Observer. “And at the same time, these new works have brought fresh eyes to the Graham classics that are on stage with them. Because the conversation is evident… when her work is put on stage next to the top voices of today’s dance world, there’s just—it’s hard to explain, but the Graham Company is being rediscovered and appreciated in a completely new light, I think.”

    Here’s what’s on in the American Legacies program:

    Rodeo (4/17 & 4/20)

    A group of dancers in western style costumes form a circle on stage with hands linkedA group of dancers in western style costumes form a circle on stage with hands linked
    Martha Graham Dance Company in Agnes de Mille’s ‘Rodeo.’ Photo by Carla Lopez, Luque Photography

    The oldest piece on the program is also one of the newest. Rodeo was created in 1942 for the Ballet Russe de Monte Carlo, but the Graham Company will be performing the New York premiere of a brand-new production of the classic ballet. Rodeo was not choreographed by Graham but by her contemporary Agnes de Mille. The De Mille Working Group approached Eilber with the idea to perform the ballet with the score reorchestrated for bluegrass, and she felt this would fit right in with their plan to reexamine mid-century Americana. “We wanted to find a way to talk about the roots of American music being in the immigrant and enslaved communities,” she said. “And Rodeo is the first dance for the stage that incorporated tap dance, also coming out of the immigrant and enslaved communities.”

    When I asked what is new about this new production, Eilber said, “Everything except the choreography.” Aaron Copland’s original score, which wove in old cowboy melodies, has been reorchestrated for a six-piece bluegrass ensemble by multi-instrumentalist and composer/arranger Gabe Witcher, returning the music back to its roots. The new jewel-toned costumes designed by Oana Botez are, according to Eilber, “taken to a heightened reality” and “are more like a dream. A rose-colored glasses memory of the era.” And the original theatrical sets have been swapped out for projections by designer extraordinaire Beowulf Boritt. All these changes were made to expand the conversation about this iconic work while staying true to de Mille’s “humorous and heartfelt story about a young, independent misfit searching for love.”

    We the People (4/17, 4/19, & 4/20)

    The other New York premiere on the program is Jamar Roberts’ We the People (2024), commissioned as a companion piece to the new production of Rodeo. A 21st-century work of Americana, if you will. Roberts danced with Alvin Ailey American Dance Theater for many years and was the Resident Choreographer there from 2019 to 2022. His style is fast and hard-hitting, and the Company is clearly thrilled to take it on. (I saw an excerpt of the piece at the 92NY in March, and can’t wait to see the rest.) The music is by Grammy Award and Pulitzer Prize-winning composer Rhiannon Giddens, inspired by songs from her latest album, You’re the One.

    We the People, like its 20th-century companion piece, is rooted in the social-political atmosphere of the day. While Rodeo is optimistic and romantic—an idealized view of the country made with an international cast during a World War—Roberts’ piece is about protest and power. “You take a risk when you commission something and don’t know what you’re going to get,” Eilber told me. “But it is exactly, and beyond, what I had hoped when we started talking about a companion piece.”

    Maple Leaf Rag (4/17 & 4/18)

    Two dancers in distinctive yellow costumes strike a difficult pose in which the man is holding the woman aloft sidewaysTwo dancers in distinctive yellow costumes strike a difficult pose in which the man is holding the woman aloft sideways
    Xin Ying and Lloyd Knight in ‘Maple Leaf Rag.’ Hibbard Nash Photography

    Maple Leaf Rag (1990) was Graham’s last complete work, made when she was 96. If that’s not reason enough to see it, get this: it’s funny! “In it, she makes fun of her own serious, angsty reputation,” Eilber explained, “which is, I think, wonderful for your last ballet to look back and make a joke.” A tribute to the choreographic muse, it harkens back to the days when the strain of creating in the early ‘30s was just too much for her, so she would ask her pianist (and mentor and lover Louis Horst) to play something to break the mood. The story goes, she would always ask for Scott Joplin’s “Maple Leaf Rag.”

    The score is a delight, the original costumes by fashion designer Calvin Klein are lovely, and the piece is always an audience favorite.

    The Rite of Spring (4/18 & 4/19)

    A male dancer in black dance briefs lifts a female dancer in a white dress with a black beltA male dancer in black dance briefs lifts a female dancer in a white dress with a black belt
    Xin Ying and Lorenzo Pagano in Martha Graham’s ‘The Right of Spring.’ Hubbard Nash Photography

    I’ve written before about how much I love The Rite of Spring in all its iterations, and Graham’s 1984 version is no exception. Graham danced as the Chosen One in the first American production of the work choreographed by Léonide Massine and conducted by Leopold Stokowski in 1930. She knew the work inside and out. But it wasn’t until 50 years later that she took on the story of ritual and rebirth as a choreographer.

    Edward T. Morris’ set is a minimalist version of its original (which was lost), and Pilar Limosner’s costumes are also updated. The Shaman, for instance, no longer wears a bright green unitard.

    The Rite of Spring is always worth seeing, especially when Igor Stravinsky’s music is played live (which it will be, as will the music for all the Graham classics, by The New School’s Mannes Orchestra under the direction of David Hayes).

    Appalachian Spring (4/19)

    It would be impossible to create a Graham program about Americana without including her celebrated masterwork Appalachian Spring (1944). Like Rodeo, the narrative ballet shines a patriotic light on American culture and the great frontier. Like Rodeo, it is romantic and hopeful. And like Rodeo, the score was written by Aaron Copland. This score later won the Pulitzer Prize for music and includes the now-unmistakable Shaker hymn “Simple Gifts.” The original set is by the sculptor, and Graham’s longtime collaborator, Isamu Noguchi.

    CAVE (4/20)

    Closing out the program is another commissioned work: Israeli-born and UK-based choreographer Hofesh Shechter’s CAVE (2022), presented in association with Hofesh Shechter Company, with an electronic score by Shechter and the German duo Âme.

    The piece grew from a desire to bring the techno club scene to the proscenium stage to create a sort of Rave-style event. “It’s inspired by the basic human urge to move to the beat,” Eilber said. “Just infectious primal moves. It’s like a big dance party. And because it was invented towards the end of the pandemic, and people had not been able to dance together… not been able to sweat and breathe on each other in a dance club, so it’s very cathartic. Audiences get very involved vocally, if not physically. It’s a great closer for our last night.”

    When I asked Eilber what she thought Graham would think of the program, of her classic works in conversation with those of de Mille, Roberts and Shechter, she smiled up at the ceiling. “Martha really was all about change, right? She loved to change. She looked for change. She tried to figure out what was going to happen next so she could do it first. I think she’d be thrilled that all of this was blossoming out of the essential human truths she was after back in the day.”

    Performances of American Legacies will take place Wednesday, April 17 at 7:30 p.m., Thursday, April 18 at 7 p.m. (Gala), and Friday and Saturday, April 19-20, at 7:30 p.m. at New York City Center.

    Martha Graham Dance Company Explores the American Experience, Past and Present

    Caedra Scott-Flaherty

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  • Idris Elba Just Wanted to Be Himself for His Calvin Klein Campaign

    Idris Elba Just Wanted to Be Himself for His Calvin Klein Campaign


    At 51, Idris Elba is still humble. He’s starred in a host of television shows and films—The Wire, Luther, Beasts of No Nation, Concrete Cowboy, Molly’s Game, and Thor, to name a few—but that hasn’t changed who he is off-screen. So when he was tapped to be in Calvin Klein’s latest campaign, modeling the label’s modern and minimalist styles, “it was definitely a massive compliment,” the actor and musician recently told Vanity Fair. 

    Photograph by Mert Alas.

    In the campaign, photographed by Mert Alas, Elba is captured being himself on the streets of London, outfitted in Calvin Klein’s refined yet classic styles, including a sateen bomber jacket, a black suit with a white T-shirt, white jeans, and classic tops. It wasn’t the first time Elba and Alas had worked together, and it was a welcome reunion as Elba had an idea for how he wanted the images to look. “I didn’t want to reinvent the wheel. I wanted to be in a classic [Calvin Klein]–looking ad and wanted to just be Idris, you know? Just to be me and not try to be a model or whatever, just be myself in these shots,” he explained. 

    While audiences have seen Elba play myriad characters, this campaign provided the opportunity to immortalize his true essence and energy, rather than what he’s used to: bringing someone else to life. “I just play a lot of characters and generally people are quite surprised when they actually meet me. They go, ‘Oh!’ I don’t know what they expected,” he shared. “I wanted the campaign to see me, see my energy. There’s lots of shots that are outside and in the real world, and ‘me walking down the street’ kinds of things, being part of our environment.”  

    Idris Elba Just Wanted to Be Himself for His Calvin Klein Campaign

    Photograph by Mert Alas.

    As for the styling, Elba describes Calvin Klein’s designs as being similar to what he calls his “simple and classic” everyday style. “These are pieces that I would literally integrate into my wardrobe now. When I go places for my career or go to an event, I tend to dress it up. I don’t mind making a splash if I have to. But my day-to-day wear is pretty clean, simple, and functional,” he said. 

    And as he begins the third decade of his career—Elba made his debut in 1994 on British television—he takes a moment to reflect on what it all means to have a successful life in front of the camera, whether it be for a fashion campaign or film role. “More than anything, to just have a lifelong career, and to be celebrated, and [to be asked to] be in a campaign like that is all one and the same achievement. It’s a lovely achievement. It makes you feel good. It’s good for my ego, at least. But I hadn’t ever seen myself to be in one of these campaigns.”



    Kia D. Goosby

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  • 25 Cotton Thongs That Are Cool and Comfortable

    25 Cotton Thongs That Are Cool and Comfortable

    We all wear underwear every day (presumably, of course), and that means it’s usually easy to pinpoint which style is your favorite. Hipsters, bikinis, high-waisted, G-strings—you name it. However, in the summertime, we can’t recommend a cotton thong enough. They are true game changers.

    Sure, cotton is the most breathable and comfortable fabric to have on your body all day, but when paired with a thong’s seamless silhouette, it creates a smooth feeling underneath your clothing that doesn’t make you hyper-aware of your every movement. (So key in summer.)

    Below we’ve rounded up the best cotton thongs that will have you rethinking your usual undergarment ways and hopefully for the better.

    Bianca Nieves

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  • Trust Us—You Want Halle Bailey to Be Part of Your World

    Trust Us—You Want Halle Bailey to Be Part of Your World

    When Bailey stepped into the role of Ariel, she entered the world of FODs  (First, Only, Different—a phrase coined by Shonda Rhimes). Bailey is quick to give flowers to the FODs who came before her, Brandy Norwood (who played Cinderella in the 1997 Rodgers and Hammerstein TV adaptation) and Anika Noni Rose (the voice of Tiana, Disney’s first Black princess, in The Princess and the Frog).

    For a girl who once played with mermaids with her sister, landing the part of Ariel is a dream come true for Bailey, and she hopes her casting is one day seen as standard and not extraordinary. “It’s crazy, because we’re in the year 2023. You would think that these firsts are not firsts anymore,” she says with wistful optimism. “I just hope that for the future it’s not such a shock anymore for a Black woman to be cast as Ariel and for that to just be a normal thing.”

    While the character of Ariel means so much to many, it’s beautiful to hear how much the character taught Bailey.

    “I’ve been comfortable really just being with somebody all the time. Somebody has always held my hand. I’ve never had to do anything alone. So this was really my first venture into solo adulthood. I had moved to London, and I was in intense rehearsals and stunts and mermaid training, and all of a sudden, I’m going through this not only physical transformation but [also] mental and spiritual transformation of me finding who I am on my own and building that confidence within myself to be able to do these things,” she says. “So I truly feel like Ariel taught me that I’m worthy, and I’m stronger than I thought. We were filming in the middle of the pandemic and in London, and my family couldn’t come visit me. So I was very isolated. Everything was closed down. I would literally go from work to home, and I would sleep on the weekends because I’d be so tired, and then I’d go right back to work. But looking back, I am happy that it was that way. [It] helped me mirror the emotions Ariel was feeling in the film to where she felt trapped and isolated and ready to see a brand-new world where her heart belonged. I felt like there were parallels to both of our lives in the time that I was filming, and I was grateful for that.”

    MacKenzie Green

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  • BTS’ Jung Kook Poses Shirtless For Stunning New Calvin Klein Campaign Shoot

    BTS’ Jung Kook Poses Shirtless For Stunning New Calvin Klein Campaign Shoot

    By Becca Longmire.

    BTS’ Jung Kook is Calvin Klein’s latest global brand ambassador.

    The company announced Tuesday that the K-pop superstar was starring in their Spring 2023 collections campaign for Calvin Klein Jeans and Calvin Klein Underwear.

    Jung Kook made his debut, posing in an array of sizzling snaps shot by Park Jong Ha. He donned the brand’s ’90s straight denim and body jeans, relaxed fit denim shirt, oversized denim jacket and relaxed fit standard logo crewneck tee.

    Jung Kook for Calvin Klein. Credit: PARK JONG HA
    Jung Kook for Calvin Klein. Credit: PARK JONG HA
    Jung Kook for Calvin Klein. Credit: PARK JONG HA


    READ MORE:
    BTS’ Jimin Unveils First Solo Album ‘FACE’ Following ‘Tonight Show’ Appearance

    The musician said in a statement, “I have been a fan of Calvin Klein for a long time, and I’m thrilled to be their newest global ambassador. This partnership is very special, as Calvin Klein’s heritage and brand values resonate with me.

    “My music is how I communicate with my fans around the world, and I see this partnership as an opportunity to connect with them in a new way. I’m incredibly excited for people to see a new side of me in this first campaign for the brand.”

    Jung Kook for Calvin Klein. Credit: PARK JONG HA
    Jung Kook for Calvin Klein. Credit: PARK JONG HA
    Jung Kook for Calvin Klein. Credit: PARK JONG HA
    Jung Kook for Calvin Klein. Credit: PARK JONG HA
    Jung Kook for Calvin Klein. Credit: PARK JONG HA
    Jung Kook for Calvin Klein. Credit: PARK JONG HA

    Jonathan Bottomley, Global Chief Marketing Officer of Calvin Klein, added, “We pride ourselves on identifying globally relevant talent whose cultural impact and values align with our own. Jung Kook is one of the world’s most popular artists; he possesses a rare ability to connect with international audiences through both his music and his style. We’re fortunate and excited to have him join the Calvin Klein team.”


    READ MORE:
    BTS Star RM Opens Up About Identity Crisis During Hiatus: ‘I Didn’t Know Who I Was’

    The campaign launches globally today, March 28.

    The shoot comes after Calvin Klein launched its “Calvins or nothing” campaign earlier this month, featuring Kendall Jenner, Michael B. Jordan, FKA Twigs and more. See more from the campaign here.

    Becca Longmire

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  • Michael B. Jordan Reveals He Apologized To His Mom Over Sexy Viral Underwear Ad

    Michael B. Jordan Reveals He Apologized To His Mom Over Sexy Viral Underwear Ad

    Michael B. Jordan’s underwear ad was so steamy that he felt compelled to apologize to his mom in advance over the viral snapshots.

    The “Creed III” star and director opened up about landing a partnership with Calvin Klein and why he gave his mom a premature apology before the risqué photos hit the internet.

    “I was like, my mama gon’ have to see this. Let me call her and be like, ‘I’m sorry. It’s out here,’” he told Entertainment Tonight about his sultry campaign with the iconic brand during his film’s premiere Monday.

    He added, “My business all out in the streets — literally.”

    Shot by famous photographers Mert & Marcus, fans quickly flooded the comments section under the photos on Instagram with loads of thirsty appreciation over the 36-year-old star’s ripped physique.

    “Babe, I’m a little bit jealous, please delete,” one fan quipped.

    Another joked, “I would only buy these [boxers] if Micheal is included.”

    “Dear Jesus and Calvin Klein, Thank you. Amen,” another fan wrote.

    Elsewhere in the interview, the PEOPLE’s Sexiest Man Alive alum gushed about his cast members reaching success in their careers. He also dished out praise for his co-star Jonathon Majors’ recent equally swoon-worthy cover shoot for Ebony magazine.

    “This was, like, a moment, you know? Just to have everything come together at one time, it feels great,” Jordan said of the epic campaign’s release aligning with the opening of his “Creed III” directorial debut.

    “And to be able to share that moment with my other actors, who are having a moment of their own as well, it just feels special. It feels like everything is happening at the right time,” he said.

    In the third installment of the sports drama franchise, Jordan’s Adonis “Donnie” Creed squares off in the ring against Majors’ Damian Anderson, a former childhood friend and fellow boxer.

    The film also stars Tessa Thompson, Phylicia Rashad, Wood Harris and Mila Davis-Kent.

    “Creed III” is set to hit theaters March 3.

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  • So, Visible Thongs Are Out, and Granny Panties Peeking Out of Your Pants Are In

    So, Visible Thongs Are Out, and Granny Panties Peeking Out of Your Pants Are In

    The last time we coordinated our underwear with our outerwear was, well, never. But there’s a first time for everything, right?

    If you tried out the visible-thong trend we’ve been tracking since 2020, including the peekaboo whale tale and the attention-grabbing G-string, then fear not. You’re definitely daring enough to tackle the 2022 version of stylish visible panty lines: high-rise panties that peek out from the top of your pants. While some may refer to this type of underwear as “granny panties,” members of the fashion set are demonstrating how to style the look in a way that is 100% intentional and not just the result of wearing big bloomers. 

    So what’s the key to achieving this delicate balance? We’re glad you asked: high waists, thick bands, and prominent logos for an extra “yes, I know you can see my undies” vibe. Experiment with boy shorts or lacy styles, classic cotton Calvin Kleins, and even newcomers to the category like Skims and MeUndies.

    And remember: Comfort is always in style. 

    Drew Elovitz

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