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Tag: california museum

  • ‘A real violation.’ More than 1,000 artifacts stolen from California museum in brazen heist

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    A thief or crew of thieves recently carried out one of the largest art heists in California history, breaking into a storage facility for the Oakland Museum of California under the cover of darkness and making off with more than 1,000 precious artifacts.

    Oakland police said the burglary took place just before 3:30 a.m. on Oct. 15, which is four days before robbers stole a trove of priceless Napoleonic jewels from the the Louvre Museum in Paris.

    (Oakland Museum of California / Oakland Police Department)

    Items stolen from the Oakland museum included Native American baskets, jewelry, laptops, daguerreotype photographs and intricately carved ivory tusks.

    The Oakland Police Department is working with the Federal Bureau of Investigation’s Art Crime Team to investigate the heist and retrieve the missing items.

    “It was devastating. It feels like a real violation. It feels like somebody entering your home,” said museum Chief Executive Lori Fogarty.

    Fogarty said staff were not working at the off-site storage facility the day of the burglary and discovered it the following morning, Oct. 16.

    “Our job is to preserve and take care of and steward the cultural, artistic and natural heritage of California,” she said. “So it feels like not just a loss to me and to the collection staff, we also feel like it’s a loss to the public.”

    The Oakland Museum of California features more than 110,000 square feet of gallery space and 2 million objects dedicated to telling the story of the Golden State.

    Oakland Police Department & FBI investigating a burglary at the Oakland Museum of California's off-site storage facility.

    (Oakland Museum of California / Oakland Police Department)

    Retired Los Angeles Police Capt. John Romero, who led the department’s commercial crimes unit, said that if the break-in was completed without setting off alarms or alerting security, it’s possible that the person or people behind it had some internal knowledge, he said. The fact that the heist took place at an off-site storage unit also suggests that the suspect or suspects had access to privileged information, he said.

    “If it’s a nondescript, all-brick building that’s very difficult for anybody to figure out [what it is] from the outside, it is almost always an employee, a former employee, a contractor or a vendor who sees it, and talks about it and gets approached to bring something out,” he said.

    This is not the first time that items belonging to the museum have been stolen. In 2014, Andre Taray Franklin, a 46-year-old parolee, was sentenced to four years in prison for stealing and reselling a 19th century gold jewelry box from the museum. He was also a suspect in a 2012 break-in at the museum in which gold nuggets and Gold Rush-era pistols were taken but was not charged in that incident.

    “Lightning has struck twice in my career,” said Fogarty, referencing the break-ins connected to Franklin and the recent heist.

    “He [Franklin] was caught, identified and convicted … and we retrieved the most important and valuable works,” she continued. “So I am going to believe deeply that these items are going to find their way back to the museum.”

    Given that the break-in took place two weeks ago, there is a good chance that many of the items have been sold, Romero said. Cultural-artifact thieves typically try to offload their loot before word gets out that the items are stolen.

    “These people are interested in fast cash, not the full appraisal value,” he said. “They need to get rid of it quickly.”

    Romero anticipates detectives will be looking closely at platforms such as Craigslist and Ebay, as well as groups that collect antiques or historic items, as they attempt to locate the Oakland museum’s stolen goods and identify those responsible.

    Well-known stolen cultural items are difficult to resell due to the odds of running into undercover agents and buyers’ reluctance to purchase an item that may later be seized by authorities, Romero said.

    Targeting a high number of lesser-known artifacts may make it easier to resell the loot, he said.

    Romero said this month’s break-in represents one of the largest museum heists he’s heard of in California in terms of the number of items taken.

    Former famous museum heists include a 2012 raid on the California Mining & Minerals Museum in Mariposa where thieves took an estimated $2 million worth of gold and gems, as well as a 1978 break-in at the M.H. de Young Memorial Museum in San Francisco where four paintings, including a Rembrant, were pilfered.

    Anyone with information is asked to contact Oakland police at (510) 238-3951 or submit a tip to the Art Crime Team online or by calling (800) 225-5324.

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    Clara Harter

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  • A successful liftoff: Space shuttle Endeavour’s rockets are installed

    A successful liftoff: Space shuttle Endeavour’s rockets are installed

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    In a delicate maneuver, crews this week successfully lifted into place giant rockets at the California Science Center, the first large components installed at the future home of the space shuttle Endeavour.

    Donated by Northrup Grumman, the solid rocket motors are each the size of a Boeing 757 fuselage and weigh 104,000 pounds. They had to be carefully moved from a horizontal to vertical position by crane before being lowered into place in the new exhibit at the Samuel Oschin Air and Space Center.

    One was installed Tuesday, the other Wednesday.

    Crews were then able to place the 177 pins attaching each solid rocket motor to the base of the solid rocket booster, known as the aft skirt. Each pin is 1 inch in diameter and about 2 inches long.

    “It felt great,” California Science Center President Jeffrey Rudolph said of the successful installation. “We’ve got two solid rocket motors standing tall in the new building now.”

    Visitors to the museum can now see the top of the rockets from outside the construction site. At one point during the crane lift, the solid rocket motors could even be seen from the 110 Freeway.

    This week’s installations mark the latest milestone in the six-month mission to assemble the permanent exhibit for Endeavour, the last space shuttle orbiter ever built. When completed, it will be arranged in a full stack configuration as if it were ready for launch. It will be the only surviving U.S. orbiter displayed in this position.

    The future home of Endeavour is under construction at the Samuel Oschin Air and Space Center site.

    (Luis Sinco / Los Angeles Times)

    Typically, during the era of space shuttle flights, this procedure would’ve been done at NASA’s Vehicle Assembly Building at the Kennedy Space Center in Florida. There, the shuttle’s full stack would‘ve been assembled in one of the largest buildings by volume in the world, rising more than 50 stories and equipped with plenty of cranes and platforms from which to work.

    At the California Science Center, crews had to develop unique techniques for the installation. This week, workers put together scaffolding along the aft skirts so they could get where they needed to insert the connecting pins.

    If the aft skirt and solid rocket motors didn’t align correctly, every pin could’ve taken some banging and pounding to insert, and the installation of each rocket could’ve taken all day and into the night.

    Instead, Tuesday’s work began around 9 a.m. and ended before 1 p.m. With one successful installation under their belts, workers were even quicker Wednesday — beginning at 8 a.m. and wrapping up by 10.

    “The crew worked really well, did an excellent job and things came together effectively and quite quickly,” Rudolph said.

    The next step will be to build another 30 vertical feet of scaffolding to install external tank attach rings, which eventually will serve as a connection between the solid rocket motors and the giant orange external tank.

    Later, even more scaffolding will rise to the top of the 116-foot solid rocket motors. That will help workers install the tips of the rockets, known as the forward assembly, which includes the nose cone and forward skirt.

    The forward skirt is particularly important as it will be the primary weight-bearing connection between the solid rocket boosters and the external tank. It is likely to be installed in early December.

    Each solid rocket motor makes up most of the length of the 149-foot solid rocket boosters. At liftoff, the white boosters were set underneath Endeavour’s wings and produced more than 80% of the lift.

    A child in sweat shirt and shorts and carrying a bag walks across a sun-dappled expanse of floor.

    A child walks to the California Science Center in Exposition Park in Los Angeles, where the space shuttle is slowly being pieced together.

    (Luis Sinco / Los Angeles Times)

    The most dramatic installations will take place after the winter holidays. The external tank will be lifted into place no sooner than early January.

    The Endeavour orbiter will be installed no earlier than the last week of January. Cranes — the tallest of which will be about the height of Los Angeles City Hall — will raise Endeavour from its horizontal position to point vertically to the stars for its final display. The rest of the museum will then be built around it.

    Once complete, the $400-million Samuel Oschin Air and Space Center will rise 20 stories tall. The California Science Center Foundation is still raising funds for the last $50 million needed for the project.

    Since Endeavour’s arrival at the center in 2012, the orbiter has been on display in the temporary Samuel Oschin Pavilion, essentially a warehouse, where it will be shown until Dec. 31. After that, it could be years before Endeavour will again be available for up-close viewing.

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    Rong-Gong Lin II

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