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  • The Fabulous Thunderbirds Have Been “Struck Down by the Blues”

    The Fabulous Thunderbirds Have Been “Struck Down by the Blues”

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    Any musician who has labored in the trenches for 50 plus years could be excused for being burned out, jaded or just plain tired. Kim Wilson is none of these.

    On the contrary, Wilson is completely psyched about the release of the album Struck Down, which celebrates the 50th anniversary of his band, the Fabulous Thunderbirds. The record captures the classic T-Birds sound, but in no way does it sound dated. Houston audiences will have a chance to hear the new material live when the band plays for two nights at Main Street Crossing on Wednesday and Thursday, August 7 and 8.

    Vocalist / harmonicist Wilson founded the T-Birds – along with guitarist Jimmie Vaughan – in Austin in 1974. At the time, Vaughan described the band thusly: “We’re an encyclopedia of music from the Gulf Coast, you know, Lightnin’ Slim, Lazy Lester, Texas shuffles, rockin’ Cajun. We are all 27, handsome motherfuckers that dress cool, and our music drives girls wild.”

    Flash forward a few decades, and Wilson is the last T-Bird standing, having led the band through numerous personnel changes since Vaughan’s departure from the group in 1990. There have been many hills and valleys, but Wilson is bullish on the new album and the band’s future.

    Contemporary blues acts often strike a precarious balance between “authenticity” and “relevance,” and Wilson seems comfortable with maintaining this equilibrium. “This is not a museum piece,” Wilson says via Zoom from his home in California. “This is a modern recording, but the sound of it is incredible. Shelly Yakus (John Lennon, Tom Petty, U2 and dozens of other heavy hitters) did the mixing.

    “I haven’t recorded digitally in about eight years, and I found out what they’ve done with digital recording, and it’s kind of blown my mind, how good they can make it sound. They’re about ready to make me a believer. I had a couple of Grammy-nominated CD’s, and they were recorded straight to analog mono. So this is a departure from that. But, that being said, it’s an incredible sounding CD.  Since the Tuff Enuff days [ca. 1986], it’s really the best thing we’ve done, by far,” Wilson says. “Between the material, the sonics, the performance, it’s the best record we’ve done. Including Tuff Enuff.  It’s a true T-Birds record.”

    Wilson and Yakus had never worked together prior to Struck Down, but they quickly discovered a simpatico approach to making records. “The first thing Shelly said is that you have to mix with emotion. And I said, ‘Oh. This is my guy.’ I’ve never had anyone tell me that. You have to have someone who’s a little bit old school for a band like this.”

    So, the album’s title song, “Struck Down by the Blues.”  What exactly does that mean? “It means you just get hit by it. It’s like a truck. And you don’t care what happens after that, you’re gonna do it,” Wilson enthuses. “You’re gonna do it no matter what. I used to say that I was either going to be a musician or a wino. But I had no choice. I was gonna do it no matter what. And it worked out great.”
    From there, the conversation takes a philosophical turn, with Wilson (who would know better?) reflecting on the notion of what it takes to be a real bluesman, as opposed to a poser or a pale imitation. “You have to be you and do it to death. That’s what I learned from all those old guys that I played with. I was friends with everybody. Muddy Waters, Jimmy Rogers, Buddy Guy. And when I was I kid, I was playing with some Texas guys – Albert Collins, Pee Wee Crayton and Lowell Fulson. I was 18, 19, 20 years old when I was playing with these guys.

    “And I learned from them immediately, you’re gonna do it to death, and that’s it. You’ve got to have a monstrously high standard. You’ve got to believe in yourself, because if you don’t believe in yourself, ain’t nobody gonna believe in you.

    “Here’s the thing about blues,” Wilson says, as the master class continues. “All these guys who originated it – and the women – they’ve all got their take on things, they’ve all got their own personality, they’ve all got their own style, they’ve all got their own quirks. It’s an amazing thing to gather all that stuff in. Now it’s more like everybody’s singing church music and calling it blues. It’s very generic. When they mixed rock with blues – not rock and roll, rock – that’s when things got really muddled.”
    Happily, old-school T-Birds fans don’t need to worry about those sorts of things. Wilson makes it clear that he and the collection of musicians that he has assembled are staying true to the spirit and the essence of the blues. “What I love about these guys is that they have their own take on things,” Wilson says. “No matter what I tell them, it’s going to translate and come out of their soul in a whole different way, their own way. That’s very important.

    “In this homogenized, generic world that we live in, it’s really good to have your own identity. And this band is expounding on the past of this band [the T-Birds], which was expounding on the past of music. If you expound on the past, you can hear the past, you can hear the present, you can hear the future. I think there’s a true future with this band. And people are going to realize that when they hear this record.”

    The Fabulous Thunderbirds will play at 8 p.m. on Wednesday and Thursday, August 7 and 8, at Main Street Crossing, 111 W. Main in Tomball. For more information, call 281-290-0431 or visit MainStreetCrossing.com.

    For more information on the Fabulous Thunderbirds, visit FabulousThunderbirds.com

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    Tom Richards

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  • Legendary Bluesman Goes Rogue on New Album

    Legendary Bluesman Goes Rogue on New Album

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    The phrase, “If you know, you know,” certainly applies to musician Nick Gravenites. While the name may not be familiar to some casual fans, hardcore music geeks are well aware of his contributions.

    The son of Greek immigrants, Gravenites grew up in Chicago, where he haunted the city’s blues clubs with Mike Bloomfield, Paul Butterfield and Elvin Bishop, soaking up the music directly from the greats. Artists like Muddy Waters, Howlin’ Wolf and Buddy Guy. He wrote “Born in Chicago,” recorded by the Paul Butterfield Blues Band. A few years later, in 1967, Gravenites and guitarist Mike Bloomfield formed The Electric Flag, an outfit that fused rock, soul and blues.

    After moving to San Francisco in the mid ‘60s, Gravenites wrote songs for Janis Joplin, produced the debut album by Quicksilver Messenger Service and scored the 1967 Roger Corman film The Trip, written by Jack Nicholson and starring Peter Fonda. He also produced Brewer and Shipley’s hit single “One Toke Over the Line,” but let’s not hold that against him.

    Over the years, Gravenites has made many friends in the community of musicians, and now they are turning out to help their old compadre. At the age of 85, Gravenites has just released a new album, Rogue Blues, produced by longtime friend and fellow Bay Area musician Pete Sears, with other musical pals pitching in.

    Despite poor health, Nick Gravenites recorded Rogue Blues with the help of musical friends including guitarist Jimmy Vivino, drummer Wallly Ingram and harmonica player Charlie Musselwhite.

    Photo by Kathleen McCallum

    Sears has quite an impressive resume himself, playing bass and keyboards with Jefferson Starship and Rod Stewart, among many others. That’s him on “Every Picture Tells a Story” and “Maggie May.”

    Due to recent health issues, Gravenites is not currently able to speak with members of the media, so Sears has jumped into the fray. Speaking from his recording studio at his home in San Francisco, Sears explains that the album was assembled over the course of the past two years.

    “We did three sessions, two in 2022 and one in 2023. I laid the groundwork here. We recorded Nick’s vocals and the piano tracks,” Sears says. Though not in the best of health, Gravenites was enthusiastic about the recording sessions.

    “Nick showed up here,” Sears recalls. “He made it up the stairs somehow. He came up the front steps and just gathered himself. The first take, he just went for it. And he’s such an amazing vocalist, because he knows how to sing around the beat naturally. He’s always been that way. That’s what he’s kind of known for.”

    “He’s getting medical care and everything, but he would rather be home in his own bed smoking dope.”

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    Other musicians’ contributions were recorded elsewhere. “[Harmonica player] Charlie Musselwhite was recorded in Clarksdale, Mississippi, where he lives now. I sent him the track with Nick singing and my piano and Wally Ingram [Sheryl Crow, Timbuk 3, David Lindley] on drums. [Guitarist] Jimmy Vivino [Conan O’Brien] and Wally Ingram were recorded down in Los Angeles. And, of course, I was on the phone with them while it was being done, in the producer role.”

    Gravenites and Sears have worked together on music projects for over 50 years, and during that time, they have developed a long-lasting friendship. “We used to go fishing together,” Sears recalls. “And he used to come over for poker nights at our house. It’s a deep friendship. He’s a man who will tell people what he thinks. He’s upset people over the years, including [San Francisco concert promoter] Bill Graham, famously. Bill told him he’d never work in this town again. He’s very honest that way. But Nick is a fiercely loyal friend.”

    Multi-instrumentalist Pete Sears produced Rogue Blues, recruiting a variety of contributers.

    Photo by Bob Minkin

    A number of Gravenites’ musical friends, including Maria Muldaur (“Midnight at the Oasis”), recently organized a benefit concert to raise funds to help with his medical expenses. “We’re trying to improve his situation,” Sears says. “To get him into some facility where he can have his own room. Right now, he’s sharing a room with three other guys. He’s getting medical care and everything, but he would rather be home in his own bed smoking dope.”

    The impetus for Rogue Blues came from a somewhat unlikely source. “Thomas Yeats, he’s a comic book illustrator of some renown,” Sears says. “He does the Prince Valiant comic strip in the Sunday newspaper. He’s also a blues fan, and he loves Nick. He’s been a good friend of Nick’s for some time. He drives him around and that sort of thing. Very supportive of Nick.

    “Thomas came to me and asked if I’d make an album with Nick, just piano and voice, because Nick is no longer able to play guitar because of arthritis. I was resistant at first. I didn’t feel comfortable doing it that way, so I started adding friends.”

    In addition to Musselwhite, Vivino and Ingram, Sears recruited harmonicist Larry Chambers (Chambers Brothers), guitarist Barry Sless (Bob Weir and the Wolf Brothers) and drummer Roy Blumenfeld (The Blues Project).

    “Thomas chose the songs, because he had done a lot of research on live gigs with Nick, many of them that I was playing on,” Sears says. “He was looking for songs that hadn’t been recorded. That’s how it went down. Just trying to give it that old-time early blues recording on the porch type feel.”
    The musicians’ level of experience and familiarity with Gravenites’ style contributed to a smooth recording process. “Everybody that played on the album has been around the block. Each person I’ve played with in other settings. They’ve been doing it for a long time. But there is a freshness coming from the fact that everybody loves the blues and they enjoyed doing it. And everybody likes each other.

    “The whole thing was a labor of love for everybody involved,” Sears says. “Nobody was paying me to do it, and I had no idea it would turn into something.”

    For more information on Rogue’s Blues, visit MC-Records.com. For more information on Nick Gravenites, visit NickGravenites.com.

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    Tom Richards

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