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Tag: Bruce Springsteen

  • Bruce Springsteen to take over ‘The Tonight Show’ hosted by (his best impersonator) Jimmy Fallon | CNN

    Bruce Springsteen to take over ‘The Tonight Show’ hosted by (his best impersonator) Jimmy Fallon | CNN

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    CNN
     — 

    Bruce Springsteen is about to take the stage at a place where he’s often been talked about.

    The legendary entertainer is set to take over “The Tonight Show” for four nights of performances, also participating as a guest of host Jimmy Fallon – who has done a killer Springsteen impersonation over the years.

    Springsteen will appear on “The Tonight Show” from Monday, November 14 through Wednesday, November 16, and then again on the special Thanksgiving episode on November 24, NBC announced Monday.

    On each episode, the legendary rocker will perform music from “Only the Strong Survive,” his new covers album that comes out on Friday.

    The appearances will mark The Boss’s third time on the show, but his first as a musical guest.

    Late night funnyman Fallon, meanwhile, has made a bit of a side-career off of his Springsteen impersonation, even performing alongside the real deal on multiple occasions.

    Other musically gifted stars who have done takeovers of “The Tonight Show” include Mariah Carey, Taylor Swift and Lin-Manuel Miranda.

    “The Tonight Show Starring Jimmy Fallon” airs weeknights at 11:35 p.m. ET on NBC.

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  • Duran Duran stumbles, Dolly Parton rolls into Rock Hall

    Duran Duran stumbles, Dolly Parton rolls into Rock Hall

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    LOS ANGELES — Lionel Richie soared. Pat Benatar roared. Duran Duran stumbled but stayed sophisticated. Eminem was Eminem.

    The four acts found very different ways to celebrate on Saturday night, but all can now forever say they’re Rock & Roll Hall of Famers. So are Carly Simon, Eurythmics, Harry Belafonte, Judas Priest and Dolly Parton, who gave the honor an enthusiastic embrace after temporarily turning it down.

    The first act inducted at the Microsoft Theater in Los Angeles after a memorable speech from a shaven-headed Robert Downey Jr., Duran Duran took the stage and launched into their 1981 breakthrough hit “Girls on Film.”

    The shrieking crowd was there for it, but the music wasn’t. The band was all but inaudible other than singer Simon Le Bon, whose vocals were essentially acapella.

    It was a fun if inauspicious beginning to a mostly slick and often triumphant show.

    “The wonderful spontaneous world of rock ‘n’ roll!” the 64-year-old Le Bon shouted as the band stopped for a do-over.

    They kicked back in at full volume, playing a set that included “Hungry Like the Wolf” and “Ordinary World,” quickly snapping back into what Downey called their essential quality: “CSF — cool, sophisticated fun.”

    Lionel Richie brought both chill and warmth to the room hours later, opening his set with a spare rendition of his ballad “Hello” that seemed to make him nearly break down from the weight of the moment.

    “His songs are the soundtrack of my life, your life, everyone’s life,” Lenny Kravitz said in inducting Richie.

    After “Hello,” Richie breezed into his 1977 hit with the Commodores, “Easy.” The vibe went from smooth to triumphant when Foo Fighters front man Dave Grohl made a surprise appearance to play a guitar solo and swap vocals with Richie. That led into a singalong, celebratory rendition of 1983’s “All Night Long” that brought the night’s biggest reaction.

    In his acceptance speech, Richie lashed out at those during his career who accused him of straying too far from his Black roots.

    “Rock & Roll is not a color,” he said. “It is a feeling. It is a vibe. And if we let that vibe come through, this room will grow and grow and grow.”

    Eurythmics took the stage next with a soulful, danceable rendition of 1986’s “Missionary Man.”

    “Well I was born an original sinner, I was born from original sin,” singer Annie Lennox belted, bringing the audience clapping and to its feet four hours into the show. It was followed by a rousing rendition of their best-known hit, “Sweet Dreams.”

    Moments later her musical partner, Dave Stewart, called Lennox “one of the greatest performers, singers and songwriters of all time.”

    “Thank you, Dave, for this great adventure,” a tearful Lennox said.

    As he has been throughout his career, Eminem was the outlier. He was the only hip-hop artist among the inductees, the only one whose heyday came after the 1980s, and he brought an edge to the evening that was otherwise missing outside of the heavy metal stylings of Judas Priest.

    He also took the guest star game to another level. After opening briefly with 1999’s “My Name Is,” he brought on Aerosmith’s Steven Tyler to sing the chorus of “Dream On” for 2003’s “Sing for the Moment,” which samples the Aerosmith classic. Then he brought on Ed Sheeran to sing his part on the 2017 Eminem jam “River” as rain fell on the stage.

    “I’m probably not supposed to actually be here tonight for a couple of reasons,” Eminem, wearing a black hoodie, said as he accepted the honor. “One, I know, is that I’m a rapper and this is the Rock & Roll Hall of Fame.”

    He’s only the 10th hip-hop artist among well over 300 members of the Hall of Fame.

    He was inducted by his producer and mentor Dr. Dre, whom he credited with saving his life.

    But hitmakers of the 1980s defined the night.

    “Pat always reached into the deepest part of herself and came roaring out of the speakers,” Sheryl Crowe said in her speech inducting Benatar.

    Benatar, inducted along with her longtime musical partner and husband Neil Giraldo, took the stage with him and displayed that power moments later.

    “We are young!” the 69-year-old sang, her long, gray hair flowing as she soared through a version of 1983’s “Love is a Battlefield.”

    Inductees absent from the ceremony included Duran Duran guitarist Andy Taylor, who is four years into a fight with advanced prostate cancer, the 95-year-old Belafonte and Simon, who lost sisters Joanna Simon and Lucy Simon, both also singers, to cancer on back-to-back days.

    Carly Simon was a first-time nominee this year more than 25 years after becoming eligible. Olivia Rodrigo, 60 years Simon’s junior and by far the youngest performer of the night, then took the stage to sing Simon’s signature song, “You’re So Vain.”

    Janet Jackson appeared in a black suit with a massive pile of hair atop her head, remaking the cover of her breakthrough album “Control,” as she inducted the two men who made that and many other records with her, writer-producers Jimmy Jam and Terry Lewis.

    When the nominees were announced in May, Parton “respectfully” declined, saying it didn’t seem suitable for her to take a spot as a country-to-the-core artist. She was convinced otherwise, and ended up the headliner Saturday night.

    “I’m a rock star now!” she shouted as she accepted the honor. “This is a very, very, very special night.”

    Parton said she would have to retroactively earn her spot.

    She disappeared and emerged moments later decked out in black leather with an electric guitar and broke into a song she wrote just for the occasion.

    “I‘ve been rockin’ rockin’ rockin’ rockin’ since the day I was born,” she sang, “and I’ll be rockin’ to the day I’m gone.”

    She closed the night leading an all-star jam of her fellow inductees on her country classic “Jolene.” Le Bon, Benatar and even Judas Priest singer Rob Halford took a verse.

    “We got a star-studded stage up here,” Parton said. “I feel like a hillbilly in the city.”

    ———

    Follow AP Entertainment Writer on Twitter: https://twitter.com/andyjamesdalton

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  • John Mellencamp revisits ‘Scarecrow,’ his game-changing disc

    John Mellencamp revisits ‘Scarecrow,’ his game-changing disc

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    NEW YORK — An urgency in the ringing guitar and thunderous drums that opened the 1985 album “Scarecrow” was the first hint that this was something different for the artist then billed as John “Cougar” Mellencamp.

    The disc, which is getting the deluxe reissue treatment this week, stands as a rare reputation-changing work. It elevated Mellencamp from a generic heartland rocker to a serious artist with something to say, helping spark Farm Aid, a movement that lives on.

    In that first song, “Rain on the Scarecrow,” Mellencamp described the financial crisis that was swallowing family farms in the Midwest. The Indiana-bred singer embraced his roots in the anthem “Small Town.” At age 34, his writing in “Minutes to Memories” showed a new maturity about life.

    A high standard is maintained through the closer, “R.O.C.K. in the USA,” which neatly summarized the musical approach — even if Mellencamp had to be talked into putting it on the album.

    Ask him now, at age 71, whether “Scarecrow” represented an elevated standard, and you’ll discover the chip that remains on his shoulder. He’ll remind you of hit songs that predated the album.

    “I didn’t know,” he said, “because I didn’t know I had to change my game.”

    Still, the singer professionally christened “Johnny Cougar” against his will at age 21 admits he made five albums before making a good one. “Scarecrow” was No. 7, excepting one shelved when his first record company dropped him.

    “I think John really found his voice on this album,” said veteran music writer Anthony DeCurtis, who contributed liner notes to the reissue.

    “There were certainly signs of it before, like on ‘Jack and Diane’ and ‘Pink Houses,’” he said. “But the sense of him looking at the world, taking his personality as someone who grew up in Seymour, Indiana, and making a wider statement about it, that was all a big deal for him. It raised him to the level of someone who was an important musical voice in the culture.”

    As someone who didn’t think much about songwriting until he had a record deal, Mellencamp saw others around him setting a high benchmark and thought, “I better step up my game.” He mentioned Woody Guthrie, Bob Dylan, Bruce Springsteen and Joni Mitchell.

    As two chart-topping rockers aware of comparisons made between them, Springsteen and Mellencamp circled each other warily in the 1980s but are good friends today.

    You can see, in “Scarecrow,” Mellencamp creating a musical world from what he knew growing up in the Midwest, much like Springsteen did for the Jersey Shore. Mellencamp’s “Lonely Ol’ Night” is a thematic cousin to Springsteen’s 1984 hit “Dancing in the Dark” in the narrators’ late-night search for a connection.

    “What I learned from him was to be a good observer of life,” Mellencamp said. “You don’t have to be the person. You can watch. I’ve had people say to me, ‘John, have you ever had writer’s block?’ And I would say no, all you’ve got to do is look out the window.”

    He remembers a long conversation with his late friend and songwriting partner, George Green, wondering why so many of the small towns they knew were fading away. From those talks, they wrote “Rain on the Scarecrow.”

    The album’s cover features a serious-looking Mellencamp on a farm, a fuzzy scarecrow and tractor in the background. He dedicates it to his grandfather, Speck, who died at the end of 1983.

    After he made the record, he recalls another conversation with someone who was making some of their music videos, “who looked at me and said, ‘you know, this is a really special record for these times.’

    “I said, ‘You think so?’ he said. ”That was the first time I had ever given it any thought that it was much different than anything else I’d done.”

    With the spirit of Live Aid and the themes of “Scarecrow” in the air, Mellencamp helped organize the initial Farm Aid concert with Willie Nelson and Neil Young. To date, the organization says it has raised $64 million for family farming; Nelson and Mellencamp both appeared at its most recent show, in September in Raleigh, North Carolina.

    Mellencamp and his band were tight from years on the road in the mid-1980s, but he still gave them an assignment prior to making the new album: learn to play dozens of rock hits from the 1960s, a sound their leader wanted to recreate.

    They included several from artists name-checked in “R.O.C.K. in the USA.” Mellencamp didn’t want the song on “Scarecrow,” figuring it sounded “cartoonish” compared to the rest of the material. To his gratitude now, he listened to the pleas of record company executives to change his mind.

    Versions of songs from the band’s assignment, like James Brown’s “Cold Sweat” and “Shama Lama Ding Dong” from Otis Day & the Knights, make it on the “Scarecrow” reissue.

    “I don’t mean to sound arrogant,” he said, “but I was not surprised that people liked that record. I’m not surprised that ‘Small Town’ stuck around for as long as it has. I don’t listen to the radio anymore, but when I do, I always hear that song.”

    Through the 1980s, Mellencamp built a formidable jukebox worth of his own hits. But his time at the top coincided with his unhappiest time personally, and he stepped off.

    “I had a girlfriend over who was a real famous actress,” Mellencamp said (He didn’t drop names, but a good guess is Meg Ryan, who he dated for several years in the 2010s). “She looked at me one night and said, ‘You know, John, we’ve both been to the moon and we both know we don’t want to go back there.’ She was right.”

    He has a new album, “Orpheus Descending,” due out in February and a lengthy concert tour booked from February to May. Theaters, not arenas.

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