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Tag: books

  • ‘Absolution’ Excerpt: Read the Beginning of Jeff VanderMeer’s Newest Southern Reach Book

    ‘Absolution’ Excerpt: Read the Beginning of Jeff VanderMeer’s Newest Southern Reach Book

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    But then, too, there was the assurance, the confidence, in the accounts of the biologists as remedy to allay suspicion. Because Sergeant Rocker, too, had then taken to the waters and disappeared, the biologists using their tracking equipment to make sure they could follow the alligators in their new lives.

    The Tyrant kept to herself, while the others remained in close proximity, for a while. None, at least overnight, seemed inclined to leave the area, and by the fourth day, Team Leader 1 put the most junior member of their party on the task of monitoring moments that might include a full day of basking in the same stretch of mud.

    On day six they found Firestorm’s front leg, bobber wire wrapped around it, the whole prominently displayed on a mudbank with deep boot prints suggesting poachers. There was, one biologist wrote, “a bathetic or pathetic quality to the paleness of the leg, enraptured in the evidence of our experiment, lost so far from her home. I wept for an hour, but do not know if this was an appropriate response.”

    (No, Old Jim did not believe it was an appropriate response, even as he himself wept at odd hours, for his own reasons, down in Central’s archives.)

    Battlebee turned up dead and bloated and white, with a chunk ripped out of him postmortem by some creature, possibly Sergeant Rocker, speculation being that stress and the anesthetic had been too hard on him. Postmortem examination revealed stomach contents that included fish, a turtle, mud, and, inexplicably, a broken teacup.

    She had also been pregnant, “a fact that surprised us,” Team Leader 2 wrote, “given her credentials identified her as a male,” amid some general confusion: “To be honest, I cannot now remember when we first took this project on, when we first encountered these subjects. The heat here is abysmal.”

    Sergeant Rocker opted out of the project by shedding his harness in the water near the tent of Team Leader 1, indicating, as she absurdly put it, “A politeness on the part of Sergeant Rocker in keeping with his personality when I knew him best. I felt this loss much more deeply than expected.”

    This sentimentality toward an alligator seen as an obligation just days before weighed on Old Jim, although he could not put a finger on why. Nor did he understand why the alligator experiment registered with the biologists in their reports as a great success, and they would even reference it with a kind of beautiful, all-consuming nostalgia when the mission began to sour. The myth of competence, perhaps. The myth of persistence. The myth of objectivity.

    Perhaps, both he and the biologists would have been wiser to focus on how Sergeant Rocker had turned into an escape artist, for the harness was intact and still latched, with no tears anywhere. So how had the alligator possibly gotten free? Old Jim kept seeing the biologists by a trick of faulty video running away from the release site, only to re-form in their drinking circle.

    He replayed the video so often that it became a disconcerting mess of light and shadow, of pixelated disembodied heads and legs and shapes that leapt out and sharpened, only to become subsumed into the past.

    “All possible measures were taken but nothing could be done.”

    Or had the outcome been exactly as intended?

    Excerpted from Absolution: A Southern Reach Novel by Jeff VanderMeer. Published by MCD, an imprint of Farrar, Straus and Giroux. Copyright © 2024 by VanderMeer Creative, Inc. All rights reserved.

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    Jeff VanderMeer

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  • What to know about Han Kang, winner of the 2024 Nobel Prize in literature

    What to know about Han Kang, winner of the 2024 Nobel Prize in literature

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    Max Kim, Los Angeles Times (TNS)

    SEOUL, South Korea — You’d be hard pressed to find anyone here who had anticipated that Han Kang would be awarded the 2024 Nobel Prize in literature, the world’s highest literary honor.

    Although the South Korean novelist had already tallied up a number of other prestigious international accolades and is widely read here, she is 53, and the award traditionally favors writers in the twilight of their careers.

    “I thought that she might win it one day, but I didn’t expect it to be so soon,” said Jeong Kwa-ri, a literary critic and former professor of Korean literature at Yonsei University, Han’s alma mater. “Most of the South Korean writers who have been seen as top contenders are in their 70s and 80s.”

    Recognized last week by the Swedish Academy “for her intense poetic prose that confronts historical traumas and exposes the fragility of human life,” Han is the first Asian woman to win the literature Nobel in its 123-year-old history and the second South Korean Nobel laureate. Then-President Kim Dae-jung was awarded the Nobel Peace Prize in 2000 for his diplomacy with North Korea.

    Han has kept a low profile following the win, reportedly refusing a celebration her father planned, citing the wars still raging in Gaza and Ukraine. But the rest of the country has been abuzz with “Han Kang Syndrome.”

    Salespeople display books by South Korean author Han Kang, who won the 2024 Nobel Prize in Literature, at a bookstore in Seoul on Oct. 11, 2024. From the president to K-pop megastars BTS, South Korea erupted into celebration on Oct. 10, after “The Vegetarian” author Han Kang won the country’s first Nobel Prize for literature. (Jung Yeon-Je/AFP via Getty Images/TNS)

    As of Tuesday, the country’s book retailers have reported more than 800,000 sales of Han’s works and expect to hit the 1 million mark by the end of the week. Stores, dealing with long lines, are rapidly selling out, and printing presses have been working around the clock to produce more.

    Han, who was born in 1970 in the city of Gwangju, comes from a literary family. Her father is Han Sung-won, a famous novelist who has cheerfully noted that his daughter’s stature has eclipsed his own.

    “It used to be that Han Kang was known as Han Sung-won’s daughter, but now I’ve become Han Sung-won, the father of Han Kang,” he said in an interview in 2016.

    Many of Han’s novels are intimate portraits of violence inflicted on ordinary lives, spanning both South Korea’s long history of authoritarian rule and the feminist struggles of the present.

    Among her best-known works in South Korea is “Human Acts,” a novel about the Chun Doo-hwan military dictatorship’s massacre of civilians in 1980 following pro-democracy protests in the city of Gwangju.

    A man shows a book of South Korean author Han Kang at a bookstore in Seoul on Oct. 11, 2024, after she was announced as the laureate of the 2024 Nobel Prize in Literature. From the president to K-pop megastars BTS, South Korea erupted into celebration on Oct. 10, after "The Vegetarian" author Han Kang won the country's first Nobel Prize for literature. (Jung Yeon-Je/AFP via Getty Images/TNS)
    A man shows a book of South Korean author Han Kang at a bookstore in Seoul on Oct. 11, 2024, after she was announced as the laureate of the 2024 Nobel Prize in Literature. From the president to K-pop megastars BTS, South Korea erupted into celebration on Oct. 10, after “The Vegetarian” author Han Kang won the country’s first Nobel Prize for literature. (Jung Yeon-Je/AFP via Getty Images/TNS)

    Public debate about the massacre has long been an irritant for South Korean conservatives, who have at times sought to downplay the government’s role or promoted conspiracy theories that the protests were an act of North Korean subterfuge.

    Under the conservative administration of former President Park Geun-hye, the daughter of another military dictator, Han was placed on a blacklist in 2014, barring her from receiving government support, along with other creatives deemed to be ideologically undesirable.

    Told through multiple perspectives, “Human Acts” draws inspiration from real-life figures, including Moon Jae-hak, a high school student who was shot to death by junta forces deployed to Gwangju.

    “I was so happy that I thought my heart would stop,” Kim Kil-ja, Moon’s mother, said of Han’s Nobel in an interview with local media. “Her book has managed to spread the truth about the incident to the world.”

    Han’s own recommendation for those just diving into her work is “We Do Not Part,” a novel that explores a civilian massacre the South Korean government committed on the island of Jeju in 1948, a period of anti-communist paranoia. The English translation of the novel, which won France’s Prix Médicis award last year, is due in January 2025.

    But the most famous — and notorious — of Han’s oeuvre is “The Vegetarian,” a darkly surreal tale about a woman who spirals into madness after vowing to give up meat. Lauded as a parable about female resistance against patriarchal South Korean society, the novel won the 2016 Man Booker International Prize, an honor shared by Han and her British translator, Deborah Smith.

    But the award placed the book at the center of a fierce debate about literary translations. Critics said the award-winning English translation by Smith, who had only started learning Korean a few years earlier, not only committed basic errors — such as confusing the Korean word for “foot” with “arm” — but altered the text far beyond the acceptable parameters of translation.

    “Translations of Korean literature have long suffered from many obstacles, with more ‘pure’ translations failing to find success,” Jeong, the literary critic, said.

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    Tribune News Service

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  • “Y’all Yelled About It” Plus a Comic Book Check-in With Kerm

    “Y’all Yelled About It” Plus a Comic Book Check-in With Kerm

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    Y’all yelled about it, and we heard you! Today, Jomi and Steve will dive into a few of the many shows and movies in the world of fandom that you have suggested we watch, including From, Slow Horses, and The Wild Robot. Later, producer Kerm joins to discuss some of our favorite recently released comic books!

    Hosts: Jomi Adeniran and Steve Ahlman
    Producer: Jonathan Kermah
    Additional Production Support: Arjuna Ramgopal

    Subscribe: Spotify / Apple Podcasts

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    Jomi Adeniran

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  • Massive and historic autograph book up for sale

    Massive and historic autograph book up for sale

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    Massive and historic autograph book up for sale – CBS News


    Watch CBS News



    Joseph F. Mikulec spent years walking hundreds of thousands of miles to collect some 50,000 signatures, featuring everyone from presidents and prime ministers to local shopkeepers. The book, which weighs around 60 pounds, is now for sale. Barry Petersen has the story.

    Be the first to know

    Get browser notifications for breaking news, live events, and exclusive reporting.


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  • Presley Memoir

    Presley Memoir

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    Photo: Dimitrios Kambouris/WireImage

    “It’s difficult to go about your day without hearing an Elvis song out in the world,” Riley Keough writes in her new memoir, From Here to the Great Unknown, which she co-authored with her late mother, Lisa Marie Presley. That may sound like an obvious statement, but it’s a true one: For decades, the tragedy and mythology of rock-and-roll legend Elvis Presley — what he ate, who he loved, what he was like — have felt like they belonged to his fans just as much as they did the Presley family. When Lisa Marie Presley died in the winter of 2023, she’d last been publicly seen at the Golden Globes with her children, there to promote Baz Luhrmann’s Elvis. A few days later, she was gone.

    From Here to the Great Unknown tells Lisa Marie’s story through two voices: her own and that of Keough, who was helping her mother go through tapes and write the memoir at the time of her death. Keough weaves both voices together in a dual narrative demarcated by type: Lisa Marie’s words are in a serif font, and her own are sans serif. (It’s a little unusual at first, though easy to understand in context.) What emerges is less of a retelling of Presley’s life — though there is plenty of that — and more of a conversation between mother and daughter about parents and children, what we expect of those who raise us and what they impart to us when they leave.

    The memoir lays out an introspective therapy session between mother and daughter, something more intimate than the usual Presley-industrial complex offerings. Stories narrated regaled by Lisa Marie, spoken aloud into tapes, now have an audience. When Presley details the sexual abuse she allegedly endured from Priscilla Presley’s boyfriend Michael Edwards, Keough allows the story to stand in full before writing: “Hearing my mother describe these incidents broke my heart. I know what happened was one of her deepest childhood traumas but I don’t think she — or any of us who knew her — fully considered how it may have contributed to some of the fundamental feelings she carried, like shame and self-hatred.”

    Having Keough’s response contextualizes her mother’s pain: Lisa Marie is telling this story to not just us but those closest to her. In the abstract, writing a book can feel like shouting into a void, but in the case of From Here to the Great Unknown, Keough is always listening on the other side. Sometimes, she’s there to correct the record: When Lisa Marie suggests that she got pregnant with Keough by her then-boyfriend Danny Keough, she says she didn’t “mean to” trap him with a baby. Keough herself writes: “My mom subsequently told me every detail of timing her ovulation for that moment in Aruba. And she absolutely meant to trap my dad.” Keough’s responses are rarely, if ever, judgmental; she’s more keen to explain that this is just the person her mother was, a reflection of her own upbringing. The Presleys and Keoughs exist within their own context. For all that they’ve been subject to tabloid-magazine covers and public speculation, these are the people who’ve grappled with these myths hanging over their heads.

    The early stretches of the memoir are told in detailed ramblings, but as the chronology progresses, Lisa Marie’s dispatches grow shorter and shorter. “I don’t know who I am,” Presley writes. “I never really got the chance to uncover my own identity. I didn’t have a family. I didn’t have a childhood, and though some of it was fun, there was also constant trouble.” Although the last 15 years of her life were marked by addiction and grief — Lisa Marie’s only son, and Keough’s younger brother, Ben, died in 2020 — what Keough proves through her writing is that Lisa Marie, though she did not know it, did have a family. She did have her own identity. “Where there are gaps in her story, I fill them in,” Keough writes. Even when things spiraled out, there was room for a family vacation to Hawaii or a trip to England to catch up with friends. “Despite all this love she had inside her, and all her effort to live, we could all see it. We could all feel it coming,” Keough notes. The final years of Lisa Marie’s life feel — through both their writings — like a horrible inevitability.

    The book concludes at Graceland, the Memphis estate and museum where Elvis lived, where both Lisa Marie and her son, Ben, are buried along with her father. In May 2024, Keough fought against Graceland’s foreclosure and won, though she’s still seeking control of the estate after a loan Lisa Marie took out on the property was never paid back. Despite the ongoing struggle to keep Graceland with the Presley family, much of the press for From Here to the Great Unknown has been centered there. Keough sat down with Oprah Winfrey, both clad in white, in Elvis’s white living room, and the estate itself is selling an exclusive copy with a signed lithograph from Keough. With the book now out in the world, the story of the Presley family goes back to the people — to consume, to speculate about, to admonish or worship — but the dialogue between Presley and Keough, as a daughter finds her mother in transcription, stays bound between its covers, going back and forth until the end.

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    Fran Hoepfner

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  • Why are credit card interest rates so high in Canada? – MoneySense

    Why are credit card interest rates so high in Canada? – MoneySense

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    Credit card interest rates hover around 20%, roughly where they have been since the early 1980s when inflation and interest rates were in double digits. Canada’s inflation has averaged about 2% between 1992 and 2022, and all interest rates have declined dramatically with it except credit card rates. Even as inflation has exceeded 2.0% for the past few years, the recent back-up in other interest rates remains well below credit card rates. In fact, one has to squint to see any decline in credit card interest rates since 1980.

    Let’s compare some numbers. In 1981, the interest rate on a Visa or a Mastercard was about 25%. Inflation was 12%, and the bank rate—the rate at which the Bank of Canada loans to the banking system—was a bit over 21%. The prime rate, or the rate of interest offered to a bank’s best customers, was 22.75%, so the additional charge to use a credit card was a mere 2.25%, which compensated the bank for demanding fewer income and collateral requirements relative to prime loans.

    In summer 2024, credit card interest rates are about 20%, with an even steeper 23% rate for a cash advance. The prime rate for the bank’s best customers is 6.95%, putting the credit card spread at a whopping 13.05%. If you think that’s disturbing, back in the pandemic years, inflation was 2%, the Bank of Canada’s overnight rate was one quarter of 1%, and the prime rate was 2.45%. The credit card premium over the prime rate then was a staggering 17.45% compared to just 2.25% in 1981. The credit card interest rate has declined a mere 5% in forty years compared to a 20.3% decline in the prime rate marked in the depths of the pandemic, and 15.8% as of summer 2024.

    Think about what an interest rate of 17.45% would do for your savings if you could get it. And bear in mind that your savings account was likely earning a fifth of a percent during the pandemic, and it’s your savings that are contributing to the funding of the very credit card balance on which you pay about 20%.

    Or compare that heavenly credit card investment return you can’t get to the return on a government bond that you can get. If you were to invest $1,000 in a thirty-year Government of Canada bond at 3.3%, you would have $2,250 by 2053. Alternatively, if you were able to invest that $1,000 at 17.45% for thirty years, you’d have $124,621 by 2053.

    The rates charged on credit cards are staggeringly rapacious, but many people are forced to pay them because they have no other borrowing options, at least none that come with the convenience of fewer income and collateral requirements.

    The banks, in fact, prefer that you borrow against credit cards rather than take out a prime-based loan. To borrow at prime, the bank will ask for collateral, making the hurdle to a low(er)-rate line
    of credit more difficult to clear than the hurdle to credit cards. They do this because they make so much more money off credit cards. OSFI (Office of the Superintendent of Financial Institutions) data show that banks make almost as much every quarter on credit cards as they do on their entire mortgage book, which has a significantly higher principal value.

    More outrageous still are the high rates of interest charged to a credit card borrower who slips up and misses a payment, as I once did during a busy period of life. After missing a monthly deadline, I received a message from TD Canada Trust—the people who advertise that their customer service is like sitting in a big comfy green chair—that screamed at me in capital letters like a text from Donald Trump:

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    Andrew Spence

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  • Common risks to retirement, investing and financial freedom – MoneySense

    Common risks to retirement, investing and financial freedom – MoneySense

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    While enthusiasm may be necessary for great accomplishments elsewhere, on Wall Street it almost invariably leads to disaster.

    —Benjamin Graham

    Inflation delays retirement for half of older Canadians

    Results of a survey of Canadians older than 55 conducted in June 2022.

    I have delayed (or plan to delay) my retirement because…
    I don’t have enough savings/investments 62%
    Rising inflation/cost of living this year 54%
    I have too much debt 40%
    My children still require financial support 26%
    I love my job too much to quit 23%
    The COVID-19 pandemic 21%
    I am taking care of my partner/spouse 13%
    I am taking care of my partner or other family member 10%

    The goal of this chapter is education, which, in my mind, is key to eliminating fear of the future. So, let’s look at some of these risks and what can be done to plan for each one.

    Get free MoneySense financial tips, news & advice in your inbox.

    Lifestyle inflation

    When people think of the word “inflation,” they naturally recognize it as an economic term. Inflation affects all aspects of our economy, and we’ll talk about this shortly. However, lifestyle inflation is just as important to discuss.

    Think about this. You have been working for a particular company for several years, and you just got hired by another business that pays you a lot more; in fact, your take-home pay has increased 30 percent overnight.

    The first thing you do is think of how you are going to spend that extra money: a new car, a larger home or apartment, a vacation, new clothes—the list is endless.

    Lifestyle inflation is a simple equation that most people follow: The more you earn, the more you spend. It is termed “lifestyle inflation” because one’s standard of living goes up in relation to the income earned.

    The problem is that people tend to spend like there is no tomorrow instead of saving for tomorrow. And in doing so, they shortchange their financial future.

    For example, if you were to spend $500 of extra pay from your new job, you could cost yourself literally years of extra work. Consider that investing $500/month over ten years at an annualized 5% rate of return would net an extra $75,000.

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    Francis Gingras Roy, CIM

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  • The Black List Upended the Film Industry. The Book World Is Next

    The Black List Upended the Film Industry. The Book World Is Next

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    Fifty-four Academy Awards and 267 nominations. That’s the sort of concrete impact the Black List has had since launching in 2005 as Hollywood insiders’ go-to index of emerging screenwriters. The Social Network, Edge of Tomorrow, Selma, Don’t Worry Darling—each one started as a submission on the Black List.

    “I knew there were great writers and great scripts that existed outside of the Hollywood ecosystem,” its founder Franklin Leonard says. “I wanted to find a way for that to benefit everybody.”

    With success came growth, and growth brought opportunity. Established as a website in 2012, the Black List has since proved itself a fundamental resource for agents, producers, and studios in search of their next hit. Across its nearly 20 years, it has platformed thousands of screenplays and television pilots. Today it boasts some 7,000 entertainment professionals.

    In September, Leonard took another leap—expanding into the world of books. The Black List now hosts fiction manuscripts. To help navigate the unfamiliar meadows of publishing, he brought on board Randy Winston, the former director of writing programs at New York’s Center for Fiction and a kingmaker in his own right.

    As for how it works: Interested writers create a profile (free), upload their novel-length manuscripts of any genre ($30 a month), and, if they so choose, can pay for expert feedback from literary professionals via the site ($150). Like the annual Black List, the best manuscripts are featured in Leonard’s subscriber newsletter and guaranteed to land in the inbox of publishing industry power players.

    Curious about the expansion, I phoned Franklin to hear how he again plans to capture lightning in a bottle.

    JASON PARHAM: There’s no nice way to ask this, so I’ll just ask it. What makes you think you can pull this off again?

    FRANKLIN LEONARD: It’s a fair question [laughs]. And I’ll be honest, I was loath to jump into it. It’s not a great look to be like, “I’m from Hollywood and I’m here to save you.”

    Yes, I know the Hollywood savior complex well.

    And that was the last thing I wanted to do. I built this thing specifically to solve the problem and a system that I saw in Hollywood. I didn’t work in books, so I didn’t want to be presumptuous and assume that you just take that and apply it. So last year, Allie Sanders, a book agent at Anonymous Content, set up a series of meetings for me. She said, “You tell people how you plan to do this, and ask them to tell you where you are wrong.” I was very happy to discover that people were like, there’s a need for this. The question became, how does this model need to be shifted so that it can be successful?

    There’s an obvious need for it, as you said, but only because of very obvious problems endemic to institutions like Hollywood and publishing. Why are they so reluctant to change?

    There’s a lot of reasons. The most material one is actually just a practical one: There is a superabundance of material. There are more screenplays written every year than any one person could read, or any small group of people could read. There are more novels written every year than any editorial staff of a publishing house could read.

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    Jason Parham

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  • Four Books By Taylor Jenkins Reid You Need To Read

    Four Books By Taylor Jenkins Reid You Need To Read

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    Writing memorable characters is a skill that not a lot of authors have. They may be good at world-building or making crazy plot twists. However, at the end of the day, characters are the main reason why readers become fans of an author. One of those authors is Taylor Jenkins Reid. Believe us when we say that after reading at least one of her novels, your life will not be the same. One day you’re going to be chilling, maybe washing the dishes or taking a shower, and like a war flashback, you are going to remember one of the characters and how you went to the trenches with them. Because we want you to have that feeling, we at The Honey POP are recommending four books to get into the Taylor Jenkins Reid multiverse of characters.

    Daisy Jones and The Six

    Courtesy of Penguin Random House

    Imagine that your favorite band has a messy disbandment, and for years you’ve wanted to know the drama behind it. Who did what? Or was that song actually about the guitarist cheating? Meet your favorite new band, Daisy Jones and The Six. After their breakup, they decided almost 30 years later to give an interview and talk about what happened from the first to the last day of fame. Written in an interview style, we get to know every detail about the band members and their loved ones, how their iconic album Aurora was made, and many stories that the rock and roll life of the 70s gave birth to.

    The Seven Husbands of Evelyn Hugo

    Courtesy of Penguin Random House

    You know the actress that your grandpa used to have a crush on back in his day? The one that your grandma used to say that her acting was lovely, but her love life was a mess. This actress was always in the tabloids and on movie posters because every director in Hollywood in the 50s wanted her to be the lead. We bet that you’re thinking about Marilyn Monroe, however, we’re talking about Cuban actress Evelyn Hugo. After years of hiatus, Hugo decided to give one last interview, to clear things up. She was a legend because she had seven husbands in her life. But, in reality, those seven men were just the tip of the iceberg when it comes to knowing the truth behind the Hollywood sweetheart.

    Malibu Rising

    Courtesy of Penguin Random House

    A party that would last a lifetime. Meet the Riva siblings, your new favorite nepo babies, whose father is iconic rock legend Mick Riva. Every summer, they throw the biggest party in Malibu, but this year is different. The reason? oldest daughter and famous supermodel, Nina Riva, is in every tabloid because her husband was found cheating. This book is way more than just the preparation for the party. It is a memoir of the Riva family. A trip down memory lane that shows that being the child of a rockstar isn’t what it seems to be.

    Carrie Soto is Back

    Courtesy of Penguin Random House

    Carrie Soto sacrifices everything in her life to be the best tennis player of her generation. After six years of being away from the tennis court, she sees how at the US Open another player is taking the record she worked so hard to get. This is when a new challenge faces the tennis legend. At 37 years old, she will need to get the record back and make history one last time. Beside her is her father, who is training her, and a past fling who is also trying to prove something to the world.

    We can’t wait to see what Taylor Jenkins Reid has to offer in future books. We know for a fact that her characters are going to become a part of us. Who knows, maybe in 50 years her books are going to be in the classic sessions of bookstores.

    Have you read another book by Taylor Jenkins Reid? Be sure to let us know by tweeting us at @thehoneypop or visiting us on Facebook and Instagram.

    If you liked this, be sure to check out more reviews of your favorite authors and books!

    TO LEARN MORE ABOUT TAYLOR JENKINS REID:
    FACEBOOK | INSTAGRAM | X | WEBSITE | GOODREADS

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    Cams

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  • Mapping the Marvel Universe in 6 Very Cool Charts

    Mapping the Marvel Universe in 6 Very Cool Charts

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    Mapping the Marvel universe is not the kind of thing one can do just by snapping their fingers.

    For starters, there are many Earths out there in the multiverse; there are also all kinds of mystical dimensions and other weird locations. But even on just one version of Earth there are many points of interest, from the hometowns of fan-favorite heroes to fictional nations that exist only in comic books. Trying to find every Marvel-ous hangout in New York City? Fuggedaboutit.

    Still, for his latest book of cool charts, that’s exactly what Tim Leong did: map the Marvel universe. For his new book, Marvel Super Graphic, Leong made a diagram of mystical planes, an illustration of the proximity of Kamala Khan’s New Jersey residence to Moon Girl’s Lower East Side lab, and even a Mean Girls–esque illustration of who-sits-where in the Empire State University cafeteria.

    But that’s just the beginning. Leong—who, full disclosure, once served as WIRED’s design director—filled Marvel Super Graphic with charts and graphics about many aspects of the Marvel comic book universe. Check out some geographically-focused highlights from the book above.

    —Angela Watercutter

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    Tim Leong

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  • What Really Happened While Filming Hodor’s Fateful ‘Game of Thrones’ Scene

    What Really Happened While Filming Hodor’s Fateful ‘Game of Thrones’ Scene

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    The exterior of the cave of the Three-Eyed Raven is constructed in a quarry near Ballymena, Northern Ireland—an almost perfect bowl-shaped hollow now filled with scenery, tents, and cabins. The cave’s interior and its various tunnels have been constructed at the studio in Banbridge, and it’s there where we’ll spend the majority of our time. The walls have been covered in moss and the floor strewn with real animal bones. On our first day, we’re also joined by the 85-year-old actor Max von Sydow who plays the Three-Eyed Raven—one of the old guard of actors I love to watch so much. Physically, Max seems more frail than even Margaret John had been, and I worry about him sat for hours in the cold. But just like Margaret did, he can snap into character like an old pro.

    Since I’ve returned to the series, this is the first scene where Hodor has to interact. Meera will talk with him about the food she’s been dreaming of when they reach home. The mention of home and sausages lights up Hodor’s face.

    It’s supposed to be a lovely, lighthearted moment before all hell breaks loose and the undead descend on us, but I just can’t relax. In fact, I feel suffocated by the enormity of everything that’s expected of me. Jesus fucking Christ, Kristian. You need to be on your A game, I tell myself, but I’m agitated, so much so that Jack notices I’m struggling.

    “Are you OK?” he asks after a few takes, which I’ve barely managed to get through. “Are you having difficulty?”

    “Yes, it’s awful,” the words tumble from me. Hodor’s subtle tics used to come easily to me, but now I’m tying myself in knots trying to express them. I explain to Jack the mad journey I’ve been on for the past year, and the personal journey I’ve been on, too. I’m finding stepping back into inhabiting someone other than myself very hard. Then I stop. Did I just say all of that … to a director I don’t know? I think. Years ago, I would have kept silent, like when my back was breaking in the Great Hall. I stop talking and watch Jack’s eyes carefully. Is he going to understand? Help me work this out? Or dismiss me and move on?

    “OK, just take it easy,” he smiles.

    “I’ll be fine, but everyone might need to be a bit patient,” I say quickly. Jack gives me a shoulder squeeze.

    “Just relax. It will all come flooding back,” he reassures me.

    Jack is right, just like John Ruskin had been years ago. And after a while, I do start to remember: Do not overthink Hodor; do not overthink your performance. As the morning wears on, Hodor reappears like an old friend.

    [My stunt double] Brian is also worth his weight in gold. As soon as the magical shield keeping us safe in the cave vanishes and the wights and White Walkers come for Bran, we need to hotfoot it out. This means take after take of me pulling Isaac on the sled, which is attached on runners to the tunnel floor. Thankfully, Brian will take the reins on many of these shots—the shots where my face is not in view. My back hasn’t yet completely recovered, and this also gives me the chance to concentrate on what’s ahead. Besides, Isaac has gotten even heavier in the intervening years.

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    Kristian Nairn

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  • What to read this weekend: A house haunted by AI and the mysterious murder of a superhero

    What to read this weekend: A house haunted by AI and the mysterious murder of a superhero

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    New releases in fiction, nonfiction and comics that caught our attention.

    Putnam Pub Group

    An agoraphobic engineer named Henry spends his days locked away in his extremely smart home building freaky little robots, including one that looks like a magician and rides around on a tiny bike. His wife, Lily, is the only person he really ever sees, but things have grown tense between them — a situation only worsened by the fact that he’s usually holed up alone in the attic working on a secret project. One day, Lily invites some former coworkers over to encourage Henry to socialize, and Henry takes the opportunity to finally show off his greatest creation: William, an advanced AI system housed in a crude robot body. Horror ensues.

    Mason Coile’s William (stylized W1LL1AM) takes the well-worn trope of a naive creator faced with their out-of-control creation and adds haunted smart-house creepiness, with a twist ending. Naturally, it’s drawn comparisons to Frankenstein and even The Shining, but I’d dare to say there’s a hint of Demon Seed in there, too. This is another short read, coming in at under 250 pages, and it’s just the right thing to get you into the spooky season mood. It takes place, appropriately, on Halloween.

    $15 at Amazon

    Penguin Press

    Elon Musk’s acquisition of Twitter and its subsequent transformation into X as we now know it dominated headlines for months, so you couldn’t be blamed for feeling like you’ve heard all there is to know about the whole saga. But for those who do want a deeper look into how it all transpired, journalists Kate Conger and Ryan Mac have dredged up a ton of previously unreported information in their book Character Limit, which pulls from interviews with insiders and internal recordings from the rooms where it all went down to give us the full story of Twitter’s takeover. And it is a messy one.

    $26 at Amazon

    Image Comics

    I can’t think of another new series in recent memory that’s left me so hungry for the next issue as The Tin Can Society #1. Before I get into it, though, I should note that this first issue opens with a content warning about violence and discussions of ableism and racism. It is intense from the jump. The Tin Can Society begins with a crime scene: tech mogul turned superhero Johnny Moore has been murdered.

    Moore, born with spina bifida, rose to fame as the genius creator of advanced exoskeleton-style mobility aids, and he wore a full-body armored version of one of these suits while operating as the vigilante hero, Caliburn. When he’s found dead, the suit is gone. The Tin Can Society follows Moore’s childhood friends, who come together after years apart to get to the bottom of his murder. There’s a lot of heart in the first issue as it bounces between their present-day setting and the past, building out the backstory of Moore’s early life and the tight-knit friend group that once was. I’m excited to see where this one goes. The Tin Can Society will be a nine-part mini series, and the next issue drops in late October.

    $5 at Amazon

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    Cheyenne MacDonald

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  • Jameela Jamil, Lucien Laviscount and More Join Cast of ‘People We Meet on Vacation’ Adaptation

    Jameela Jamil, Lucien Laviscount and More Join Cast of ‘People We Meet on Vacation’ Adaptation

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    New additions to the cast of the upcoming adaptation of Emily Henry‘s bestseller have been announced.

    Netflix announced Wednesday that Sarah Catherine Hook, Jameela Jamil, Lucien Laviscount, and Lukas Gage are set to join Tom Blyth and Emily Bader in the feature adaptation of Henry’s People We Meet on Vacation.

    Their roles in the film are to be announced.

    News of the casting comes amid Blyth and Bader being announced as the romantic leads. My Lady Jane star Bader will portray Poppy while The Hunger Games: The Ballad of Songbirds & Snakes star Blyth will star as Alex. The story will follow the longtime best friends who took one week of every summer vacation together. However, things changed when they stopped speaking for two years. When Poppy reaches out and convinces Alex to take one more vacation together, she sees it as her time to fix their broken relationship. But there’s one unspoken truth they have yet to confront: Are they really just friends or is there more to their relationship?

    Brett Haley is set to direct, with Yulin Kuang adapting the screenplay. Temple Hill’s Marty Bowen, Wyck Godfrey and Isaac Klausner will produce. Temple Hill’s Laura Quicksilver and Erin Siminoff are overseeing the project for 3000 Pictures.

    Hook is set to star in season three of The White Lotus as well as lead Amazon’s series remake of Cruel Intentions. Laviscount recently starred on the fourth season of Netflix’s Emily in Paris, while Gage recently starred in Prime Video’s remake of Road House. Meanwhile, Jamil’s recent credits include She-Hulk.

    People We Meet on Vacation is just one of the novels from the Henry book universe getting the adaptation treatment. Four of her novels are in development to become films —  Beach Read, People We Meet on Vacation, Book Lovers and Funny Story — while her novel, Happy Place is going to be a series on Netflix.

    The film is being produced under a partnership in which Sony Pictures will offer Netflix a first look at any films it intends to make for streaming.

    Hook is repped at Gersh and Luber Rocklin.

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    Lexy Perez

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  • 15 ‘Goosebumps’ villains that still send shivers down our spine

    15 ‘Goosebumps’ villains that still send shivers down our spine

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    Of all the disturbing media that was at our disposal in the ’90s – from Are You Afraid of the Dark to Unsolved Mysteries – Goosebumps is the series that has truly stuck with me.

    I read as many of the R.L. Stine books as I possibly could. Anytime we took a trip to Barnes & Noble I would beg my parents for money to grab one for more for my collection.

    So when the T.V. series premiered in 1995, I was beyond thrilled. But after all these years, I never truly realized how deeply terrifying and messed up the monsters actually were for a kid’s show. I’ve compiled this epic list of the creepiest villains from the Goosebumps series. And now I need to call my therapist.

    Enjoy!

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    Zach

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  • Va. Girl Scout shares love of reading by collecting, donating hundreds of books – WTOP News

    Va. Girl Scout shares love of reading by collecting, donating hundreds of books – WTOP News

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    A young girl in Virginia is passing on her love for reading in a big way. Emma, 11, recently became a Cadet in her Girl Scout Troop and decided to pick a passion of hers for her service project.

    Emma Fischer, 11, poses with books she collected for Inova Cares for Children Clinic in Falls Church.
    (Courtesy Kolin Fischer)

    Courtesy Kolin Fischer

    Eleven-year-old Emma Fischer
    Matua Elementary School sixth grader Emma Fischer counts books she collected for her Girl Scout Cadet service project.
    (Courtesy Kolin Fischer)

    Courtesy Kolin Fischer

    Eleven-year-old Emma Fischer
    Emma Fischer poses with the box for collecting books in Virginia.
    (Courtesy Kolin Fischer)

    Courtesy Kolin Fischer

    Eleven-year-old Emma Fischer
    Emma Fischer, 11, organizes books she collected for her Girl Scout Cadet service project.
    (Courtesy Kolin Fischer)

    Courtesy Kolin Fischer

    Eleven-year-old Emma Fischer
    Emma Fischer, 11, moves books she collected for her Girl Scout Cadet service project.
    (Courtesy Kolin Fischer)

    Courtesy Kolin Fischer

    A young girl in Virginia is sharing her love for reading in a big way.

    Emma Fischer, 11, recently became a Cadet in her Girl Scout Troop and decided to pick a passion of hers for her service project.

    “I decided to combine my love of reading with this challenge,” Fischer said.

    Fischer, a sixth grader at Mantua Elementary School in Fairfax, decided to collect books for the Inova Cares for Children clinic in Falls Church.

    She put up flyers and her dad, Kolin, let her post to his Facebook page. She set up a collection box in front of the Mantua Swim and Tennis Club, until they quickly discovered they’d have to keep emptying the box because they were receiving so many donations.

    “It was sometimes two, three times a day. We were shuttling back and forth, filling up the car, bringing it back home, and coming back out,” said Kolin.

    They collected around 650 new and used books. Fischer said she’s grateful that the books are going to children in need.

    “I feel really good about it, and I really love that it takes their minds off of whatever they’re going through right now,” she said.

    Fischer and her family will be delivering the books to the clinic next Friday.

    Fischer’s dad said his daughter’s love for reading helped their family get through an incredibly tough time.

    “My father in law, her grandfather, passed away, and (before) she would come to the hospital with books to take his mind off of what he was going through,” he said. “She thought back to that time when she was coming up with ideas: ‘I was able to take my grandfather’s mind off of the kind of the pain he was going through. And maybe this can help children in the same type of way.’”

    Fischer is incredibly grateful that so many people decided to donate.

    “It felt amazing. I was really surprised (by) how much the community was willing to support me,” Fischer said.

    Get breaking news and daily headlines delivered to your email inbox by signing up here.

    © 2024 WTOP. All Rights Reserved. This website is not intended for users located within the European Economic Area.

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    Valerie Bonk

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  • Beyond the bookshelves: 3 ways school libraries have evolved to meet students’ needs

    Beyond the bookshelves: 3 ways school libraries have evolved to meet students’ needs

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    Key points:

    School libraries have undergone a significant shift over the years, adapting to changes in technology, education philosophies, and the dynamic needs of students. Once simply a quiet space to check out books, libraries have evolved to provide students with a holistic and interactive learning experience. 

    Over the past several years, these spaces have transformed into collaborative areas that encourage group work, discussions, and hands-on activities, promoting creativity and innovation–ultimately becoming instrumental in shaping well-rounded, adaptable learners. 

    While still a repository for information, there has been a major shift from traditional print materials to a blend of physical and digital resources including: e-books, online databases, and multimedia resources to support diverse learning levels. Librarians and media specialists are now tasked with not only ensuring students and educators have easy access to essential physical media and textbooks, but also efficiently managing an infinite amount of digital resources. 

    Here are three ways school districts are using libraries as a venue to provide students with effective, personalized approaches to learning: 

    Flexible spaces 

    School libraries have shifted to interactive spaces, equipped with 3D printers, coding kits, multimedia production equipment, whiteboards, games, and other tools that encourage communication and teamwork. Traditional beige, rigid layouts with rows of bookshelves and tables have given way to open, adaptable spaces that accommodate group work, discussions and various learning activities. Libraries now incorporate mixed-use furniture, movable partitions, and diverse seating arrangements to create spaces that can be easily reconfigured to accommodate various group sizes and activities. Design elements such as writable surfaces, multimedia stations, and intentionally placed power outlets are integrated to support collaborative projects and technology use. For instance, in our library, we have bike desks and crafting stations, and recently our students engineered a Makerspace-style mini-golf course throughout the aisles of our non-fiction section using found materials. 

    This shift reflects a move toward active and collaborative learning environments, as well as provides students with the tools and resources to engage in hands-on, creative learning projects. These modern spaces encourage creativity, innovation, problem-solving, and integration of STEM concepts, while giving students a “brain break” from traditional classroom learning. 

    By embracing flexible learning spaces, libraries are transforming into dynamic centers that not only house information but actively encourage social interaction, teamwork, and the development of crucial collaborative skills essential for success in today’s interconnected world. 

    The digital shift 

    Along with traditional physical materials, school libraries now also house a wealth of digital tools, including e-books, online databases and multimedia resources. Especially relevant during periods of remote or hybrid learning, educational technology can grant students remote access to library resources before or after school, or in the event of an absence. Adopting student-centric digital platforms empowers learners to conveniently access essential learning materials, online databases, and educational software independently from anywhere, promoting continuous learning and opportunities for enrichment outside the physical school environment.

    Integrating with edtech software and e-learning platforms allows librarians to collaborate with teachers in delivering digital content and resources directly to students, facilitating a seamless connection between classroom instruction and library resources. 

    By understanding and embracing digital media trends, school libraries are not only adapting to the changing educational landscape, but also playing a pivotal role in fostering digital literacy, creativity and innovation among students. 

    Partnering with a resource management system 

    Library resource management software enables librarians and media specialists to effectively manage physical and digital resources efficiently, inducing cataloging, circulation and inventory management, ultimately streamlining library operations. Valuable analytics provide insights into resource usage patterns, students’ reading habits, preferences, and overall engagement with library materials. This enables librarians to make recommendations for resources that align with students’ interests and learning preferences. It also provides the ability to curate collections that reflect diverse perspectives and cultures fostering inclusivity and equal learning opportunities to broaden students’ world views. 

    Adopting a data-driven approach can inform librarians about the effectiveness of certain materials and guide future collection development, ultimately reducing the need for over-purchasing, duplicate spending or underutilization of resources, which results in efficient time management and cost savings. 

    Changes in our schools’ libraries reflect the broader educational shift towards preparing students for the demands of the 21st century, where digital literacy, collaboration, and adaptability are essential skills for success. Shifting the focus from a “traditional library” to a space that promotes lifelong learning skills prepares students for continuous learning in an ever-changing world, contributing to the development of students’ critical thinking, research skills, and overall academic success.

    Latest posts by eSchool Media Contributors (see all)

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    Carrie Friday, Melbourne High School

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  • “This Chose Me”: Why Dateline’s Dan Slepian Can’t Leave Sing Sing Behind

    “This Chose Me”: Why Dateline’s Dan Slepian Can’t Leave Sing Sing Behind

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    Within moments of meeting Dan Slepian, he gets a call from a prisoner at the Sing Sing Correctional Facility. Slepian has known the man for more than decade, from his time volunteering at the New York State prison, and they talk about his latest court appearance. Though Slepian’s not working on an immediate Dateline story on this particular case, it’s one of dozens he’s following at any time. “My name might be written on bathroom walls in prisons around the country,” he says.

    ‘The Sing Sing Files’ by Dan Slepian

    You couldn’t blame anyone wrongfully incarcerated for trying to get ahold of Slepian, whose dogged reporting for NBC’s Dateline has helped free several innocent men and is the subject of his new book, The Sing Sing Files. It’s a riveting read—and an infuriating one. Throughout a two-decade odyssey reporting on the criminal justice system, Slepian encounters police, prosecutors, and judges who appear more motivated to put someone away for a crime, or uphold a questionable conviction, than to find the truth. Meanwhile, he speaks with jurors who describe the pressure they feel to deliver guilty verdicts. In one particularly galling case, Richard Rosario is convicted of a Bronx murder despite having been in Florida at the time it occurred and having 13 alibis—the title of a previous Slepian podcast. (Rosario’s conviction was later vacated, and a jury awarded him $5 million for wrongful conviction.)

    It’s “really, really challenging when people in prison are calling you, and mothers are calling you in tears, begging you to help them,” Slepian, 54, tells me, adding, “This chose me. You know what I mean? I didn’t choose this. I have to do this. People say, like, ‘Do you have hobbies?’ I don’t have time for hobbies. I have a platform [and] I have a responsibility, given what I’ve seen, to speak for people who cannot speak for themselves, who society has thrown away.”

    Slepian’s criminal justice crusade began while he was embedded with the NYPD after the 9/11 attacks. Up until this point, his trajectory was fairly conventional for a TV journalist; an ambitious kid hustles his way into a WNBC internship, gets accepted to NBC’s coveted page program, and works for the late talk show pioneer Phil Donahue before landing a booking job, in 1996, at prime-time newsmagazine Dateline, where he eventually becomes a producer and conducts a variety of investigations. In 2002, Slepian received a tip about the 1990 Palladium nightclub murder, a case in which David Lemus and Olmedo Hidalgo, who didn’t know each other and couldn’t be placed at the scene by any physical or forensic evidence, were nonetheless convicted of the crime. That experience shattered his innocence, Slepian recalls, opening up “Pandora’s box” and revealing “the pathology of mass incarceration as a whole.” Now he refers to himself as “an evangelist” for criminal justice reform.  

    “I’m an evangelist, because the same way that if you were around in the 1930s and went to Germany, you would come back to the United States and you would say, ‘You got to see what’s happening over there,’” he says. “You’re a witness to something that’s not right. For me, I grew up believing that the system worked just the way it was supposed to. I’m a white kid from a middle-class suburb in Westchester County, New York.”

    It was while filming a story on the Palladium case in 2002 at an upstate prison that Slepian met the mother of Jon-Adrian “JJ” Velazquez, who becomes central to his journey in the book. Velazquez was imprisoned for almost 24 years, only receiving clemency in 2021, nearly a decade after Slepian’s Dateline special raised damning questions about his case. (Slepian also explored Velazquez’s plight in his podcast Letters From Sing Sing, which was a finalist last year for a Pulitzer Prize.)

    Velazquez’s legal ordeal is truly harrowing, and it tested Slepian’s ability to demonstrate a type of journalistic detachment that, while well-intentioned, can come across as performative, even tone-deaf. Despite knowing Velazquez for more than a decade and believing he was innocent, Slepian, as he recalls in the book, still recited a rote speech about his objectivity following a devastating setback in court.

    When I ask about this moment, now eight years after the fact, Slepian gets emotional. “The DA was standing there; I wanted to show my objectivity. I wanted to put it on display,” Slepian tells me. “And I said this mantra: ‘JJ, if I find anything showing your guilt, that’s coming out.’ And there was this long pause, and he just said three words…‘Really, Dan?’ Pause. ‘Now?’ I literally can’t really talk about it. So I realized at that moment that I was part of this game. I was part of the system where everyone’s just doing their jobs. There’s no bad guys.”

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    Michael Calderone

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  • George R.R. Martin Sends Shots, Midnight Mailbag

    George R.R. Martin Sends Shots, Midnight Mailbag

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    The Boys are back to answer all of your burning nerd-verse questions with a new Midnight Mailbag (42:32), but first they dive into the latest Nerd News: George R. R. Martin’s response to the differences from the books to the TV show in House of the Dragon (07:56).

    Hosts: Van Lathan, Charles Holmes, and Jomi Adeniran
    Producers: Aleya Zenieris, Jonathan Kermah, and Steve Ahlman
    Additional Production Support: Arjuna Ramgopal

    Subscribe: Spotify / Apple Podcasts

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    Van Lathan

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  • The Internet Archive Loses Its Appeal of a Major Copyright Case

    The Internet Archive Loses Its Appeal of a Major Copyright Case

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    The Internet Archive has lost a major legal battle—in a decision that could have a significant impact on the future of internet history. Today, the US Court of Appeals for the Second Circuit ruled against the long-running digital archive, upholding an earlier ruling in Hachette v. Internet Archive that found that one of the Internet Archive’s book digitization projects violated copyright law.

    Notably, the appeals court’s ruling rejects the Internet Archive’s argument that its lending practices were shielded by the fair use doctrine, which permits for copyright infringement in certain circumstances, calling it “unpersuasive.”

    In March 2020, the Internet Archive, a San Francisco-based nonprofit, launched a program called the National Emergency Library, or NEL. Library closures caused by the pandemic had left students, researchers, and readers unable to access millions of books, and the Internet Archive has said it was responding to calls from regular people and other librarians to help those at home get access to the books they needed.

    The NEL was an offshoot of an ongoing digital lending project called the Open Library, in which the Internet Archive scans physical copies of library books and lets people check out the digital copies as though they’re regular reading material instead of ebooks. The Open Library lent the books to one person at a time—but the NEL removed this ratio rule, instead letting large numbers of people borrow each scanned book at once.

    The NEL was the subject of backlash soon after its launch, with some authors arguing that it was tantamount to piracy. In response, the Internet Archive within two months scuttled its emergency approach and reinstated the lending caps. But the damage was done. In June 2020, major publishing houses, including Hachette, HarperCollins, Penguin Random House, and Wiley, filed the lawsuit.

    In March 2023, the district court ruled in favor of the publishers. Judge John G. Koeltl found that the Internet Archive had created “derivative works,” arguing that there was “nothing transformative” about its copying and lending. After the initial ruling in Hachette v. Internet Archive, the parties negotiated terms—the details of which have not been disclosed—though the archive still filed an appeal.

    James Grimmelmann, a professor of digital and internet law at Cornell University, says the verdict is “not terribly surprising” in the context of how courts have recently interpreted fair use.

    The Internet Archive did eke out a Pyrrhic victory in the appeal. Although the Second Circuit sided with the district court’s initial ruling, it clarified that it did not view the Internet Archive as a commercial entity, instead emphasizing that it was clearly a nonprofit operation. Grimmelmann sees this as the right call: “I’m glad to see that the Second Circuit fixed that mistake.” (He signed an amicus brief in the appeal arguing that it was wrong to classify the use as commercial.)

    “Today’s appellate decision upholds the rights of authors and publishers to license and be compensated for their books and other creative works and reminds us in no uncertain terms that infringement is both costly and antithetical to the public interest,” Association of American Publishers president and CEO Maria A. Pallante said in a statement. “If there was any doubt, the Court makes clear that under fair use jurisprudence there is nothing transformative about converting entire works into new formats without permission or appropriating the value of derivative works that are a key part of the author’s copyright bundle.”

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    Kate Knibbs

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  • 100 Of The Greatest Books In The English Language

    100 Of The Greatest Books In The English Language

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    Labeling a book “great” is a matter of opinion, but when you pile together the opinion of 13 other book-loving folks, you start to get somewhere close to credibility.

    Alistofbooks.com compiles 13 lists of the greatest books ever published, using contributions from individuals and organizations ranging from The Harvard Book Store to the BBC.

    Below, then, is one take on the 623 greatest books ever published–100 included below, and below that a link to the other 523.

    This just might be the only reading list you ever need in terms of classic and modern literature.

    100 Of The Best English-Published Books

    1. The Great Gatsby (Fitzgerald)

    2. The Grapes Of Wrath (Steinbeck)

    3. 1984 (Orwell)

    4. Ulysses (Joyce)

    5. Lolita (Nabokov)

    6. Catch 22 (Heller)

    7. The Catcher in the Rye (Salinger)

    8. Beloved (Morrison)

    9. The Sound and the Fury (Faulkner)

    10. To Kill a Mockingbird (Lee)

    11. The Lord of the Rings (Tolkien)

    12. 100 Years of Solitude (Marquez)

    13. Brave New World (Huxley)

    14. To the Lighthouse (Wolf)

    15.  Invisible Man (Ellison)

    16. Gone with the Wind (Mitchell)

    17. Jane Eyre (Bronte)

    18. On the Road (Kerouac)

    19. Pride and Prejudice (Austen)

    20. Lord of the Flies (Golding)

    21. Middlemarch (Eliot)

    22. Anna Karenina (Tolstoy)

    23. Animal Farm (Orwell)

    24. A Passage to India (Forster)

    25. In Search of Lost Time (Proust)

    26. Wuthering Heights (Bronte)

    27. The Chronicles of Narnia (Lewis)

    28. The Color Purple (Walker)

    29. Midnight’s Children (Rushdie)

    30. A Portrait of the Artist as a Young Man (Joyce)

    31. Winnie the Pooh (Milne)

    32. Heart of Darkness (Conrad)

    33. Mrs. Dalloway (Wolf)

    34. Slaughterhouse Five (Vonnegut)

    35. War and Peace (Tolstoy)

    36. Of Mice and Men (Steinbeck)

    37. Moby Dick (Melville)

    38. Little Women (Alcott)

    39. Native Son (Wright)

    40. The Hitchhikers Guide to the Galaxy (Adams)

    41. Great Expectations (Dickens)

    42. The Sun Rises (Hemmingway)

    43. Rebecca (Maurier)

    44. The Stranger (Camus)

    45. Alice’s Adventure in Wonderland and Through the Looking Glass

    46. For Whom the Bell Tolls (Hemingway)

    47. The Hobbit (Tolkien)

    48. Madame Bauvary (Flaubert)

    49. The Wind in the Willows (Grahame)

    50. The Handmaid’s Tale (Atwood)

    51. Tess of the D’Urbervilles (Hardy)

    52. Their Eyes Were Watching God (Hurston)

    53. A Prayer for Owen Meany (Irving)

    54. Emma (Jane Austen)

    55. Copperfield (Dickens)

    56. The Portrait of a Lady (James)

    57. The Trial (Kafka)

    58. Crime and Punishment (Dostoevsky)

    59. A Clockwork Orange (Burgess)

    60.  The Age of Innocence (Wharton)

    61. Don Quixote (Cervantes)

    62. As I Lay Dying (Faulkner)

    63. His Dark Materials (Pullman)

    64. Brideshead Revisited (Waugh)

    65. The Golden Notebook (Lessing)

    66. Adventures of Huckleberry Finn (Twain)

    67. Things Fall Apart (Achebe)

    68. Tom Jones (Fielding)

    69. Harry Potter and The Philosopher’s Stone (Rowling)

    70. Song of Solomon (Morrison)

    71. Molloy; Malone Dies; The Unnamable (Beckett)

    72. Finnegan’s Wake (Joyce)

    73. Absalom! Absalom! (Faulkner)

    74. The Life and Opinions of Tristan Shandy, Gentleman

    75. Charlotte’s Web (White)

    76. The Ambassadors (James)

    77. Sons and Lovers (Lawrence)

    78. A Farewell to Arms (Hemingway)

    79. Women in Love (Lawrence)

    80. Birdsong (Faulks)

    81. Gulliver’s Travels (Swift)

    82. Watership Down (Adams)

    83. Gravity’s Rainbow (Pynchon)

    84. Frankenstein (Shelley)

    85. Clarissa: Or, The History of a Young Lady (Richardson)

    86. The Old Man and the Sea (Hemingway)

    87. Dune (Herbert)

    88. The Life and Adventures of Robinson Crusoe (Defoe)

    89. Go Tell it on the Mountain (Baldwin)

    90. All the King’s Men (Warren)

    91. The Magic Mountain (Mann)

    92. The Call of the Wild (London)

    93. The Tin Drum (Grass)

    94. The 42nd Parallel (Passos)

    95. Under the Volcano (Lowry)

    96. Disgrace (Coetzee)

    97. The Diary of a Young Girl (Ann Frank)

    98. Bleak House (Dickens)

    99. Light in August (Faulkner)

    100. The Scarlet Letter (Hawthorne)

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    TeachThought Staff

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