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Tag: Books and literature

  • Ojibwe woman makes history as North Dakota poet laureate

    Ojibwe woman makes history as North Dakota poet laureate

    North Dakota lawmakers have appointed an Ojibwe woman as the state’s poet laureate, making her the first Native American to hold this position in the state and increasing attention to her expertise on the troubled history of Native American boarding schools.

    Denise Lajimodiere, a citizen of the Turtle Mountain Band in Belcourt, has written several award-winning books of poetry. She’s considered a national expert on the history of Native American boarding schools and wrote an academic book called “Stringing Rosaries” in 2019 on the atrocities experienced by boarding school survivors.

    “I’m honored and humbled to represent my tribe. They are and always will be my inspiration,” Lajimodiere said in an interview, following a bipartisan confirmation of her two-year term as poet laureate on Wednesday.

    Poet laureates represent the state in inaugural speeches, commencements, poetry readings and educational events, said Kim Konikow, executive director of the North Dakota Council on the Arts.

    Lajimodiere, an educator who earned her doctorate degree from the University of North Dakota, said she plans to leverage her role as poet laureate to hold workshops with Native students around the state. She wants to develop a new book that focuses on them.

    Lajimodiere’s appointment is impactful and inspirational because “representation counts at all levels,” said Nicole Donaghy, executive director of the advocacy group North Dakota Native Vote and a Hunkpapa Lakota from the Standing Rock Nation.

    The more Native Americans can see themselves in positions of honor, the better it is for our communities, Donaghy said.

    “I’ve grown up knowing how amazing she is,” said Rep. Jayme Davis, a Democrat of Rolette, who is from the same Turtle Mountain Band as Lajimodiere. “In my mind, there’s nobody more deserving.”

    By spotlighting personal accounts of what boarding school survivors experienced, Lajimodiere’s book “Stringing Rosaries” sparked discussions on how to address injustices Native people have experienced, Davis said.

    From the 18th century and continuing as late as the 1960s, networks of boarding schools institutionalized the legal kidnapping, abuse, and forced cultural assimilation of Indigenous children in North America. Much of Lajimodiere’s work grapples with trauma as it was felt by Native people in the region.

    “Sap seeps down a fir tree’s trunk like bitter tears…. I brace against the tree and weep for the children, for the parents left behind, for my father who lived, for those who didn’t,” Lajimodiere wrote in a poem based on interviews with boarding school victims, published in her 2016 book “Bitter Tears.”

    Davis, the legislator, said Lajimodiere’s writing informs ongoing work to grapple with the past like returning ancestral remains — including boarding school victims — and protecting tribal cultures going forward by codifying the federal Indian Child Welfare Act into state law.

    The law, enacted in 1978, gives tribes power in foster care and adoption proceedings involving Native children. North Dakota and several other states have considered codifying it this year, as the U.S. Supreme Court considers a challenge to the federal law.

    The U.S. Department of the Interior released a report last year that identified more than 400 Native American boarding schools that sought to assimilate Native children into white society. The federal study found that more than 500 students died at the boarding schools, but officials expect that figure to grow exponentially as research continues.

    ___

    Trisha Ahmed is a corps member for the Associated Press/Report for America Statehouse News Initiative. Report for America is a nonprofit national service program that places journalists in local newsrooms to report on undercovered issues. Follow Trisha Ahmed on Twitter: @TrishaAhmed15.

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  • Future of Borges estate in limbo as widow doesn’t leave will

    Future of Borges estate in limbo as widow doesn’t leave will

    BUENOS AIRES, Argentina — The rights to the works of the late Jorge Luis Borges, considered Argentina’s most internationally significant author of the 20th century, have fallen into limbo because his widow died last month without a will.

    The revelation this week surprised the country’s literary circles, because Borges’ wife, Maria Kodama, devoted much of her life to fiercely protecting his legacy. She set up a foundation under the writer’s name, but did not detail plans for what should happen after she died, even though she was battling breast cancer.

    “If there really is no will, it’s surprising,” said Santiago Llach, a writer who is a specialist on Borges’ work. He said the announcement by Kodama’s longtime lawyer, Fernando Soto, that there was no will “generated buzz on social media and elsewhere.”

    Borges died in 1986 at age 86 and left Kodama, a translator and writer whom he had married earlier that year, as his only heir. They never had children. She died March 26, also aged 86.

    A day after Soto made his announcement, five of Kodama’s nephews went to court Tuesday to declare themselves her heirs, seeking to get ownership to all of her possessions, including the rights to Borges’ works and what are thought to be several valuable manuscripts.

    Soto said he did not know that Kodama hadn’t arranged for a will to be drawn up. “It’s amazing,” he said.

    “She didn’t like to talk about those issues,” the lawyer added. “She didn’t talk about her death.”

    Soto said he once asked Kodama about what would happen with Borges’ rights after her death and “she told me she had everything arranged and it would be ‘someone stricter than me.’”

    He recalled that Kodama said she would call on universities in Japan and the United States to “take care of the works,” but didn’t say what schools she had in mind. Soto noted she often gave talks at both Harvard University and the University of Texas.

    Borges’ widow led a life apart from her family.

    “She denied the existence of her family,” Llach said. “I have writer friends who knew her nephews and asked about them and she denied their existence. It was quite striking.”

    Soto said he was “surprised to find out she had nephews,” adding that “it was a big relief because I didn’t want the state to keep everything.”

    According to Argentine law, if there is no will and no natural heirs, a person’s estate is taken over by the state.

    Some people have raised the possibility that a Kodama will may be found once an inventory of all her possessions is carried out, but Soto said he considers that as “absolutely impossible.”

    “She would have never done that, she would have never written a will on her own,” he said.

    Llach said that if in fact there is no will, the question becomes whether “it was just a simple oversight, a punk gesture of ‘I don’t give a damn about all of that,’ or perhaps also a way of repairing a non-relationship with her nephews and family.”

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  • Percival Everett, Ling Ma among winners of $175,000 prizes

    Percival Everett, Ling Ma among winners of $175,000 prizes

    Percival Everett and Ling Ma, already two of the year’s most honored writers, are among eight winners of the lucrative Windham-Campbell Prize

    NEW YORK — Percival Everett and Ling Ma, already two of the year’s most honored writers, are among eight winners of the lucrative Windham-Campbell Prize. Each of the recipients, who also include the dramatists Dominique Morisseau and Jasmine Lee-Jones, will be given $175,000.

    Over the last few weeks, Everett has been voted into the American Academy of Arts and Letters, won the PEN/Jean Stein Award for his novel “Dr. No” and was a National Book Critics Circle awards fiction finalist. Ma, whose story collection “Bliss Montage” won the book critics fiction prize, is also this year’s winner of the Story Prize for best short fiction.

    The prizes were first thought of in the 1980s by author Donald Windham and actor-writer Sandy M. Campbell and formally established a decade ago to “call attention to literary achievement and provide writers with the opportunity to focus on their work independent of financial concerns.” The other winners announced Tuesday by Yale University, where the awards are administered, are the nonfiction writers Susan Williams and Darran Anderson and the poets Alexis Pauline Gumbs and dg nanouk okpik.

    Previous winners include James Salter, Yiyun Li and Suzan-Lori Parks.

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  • Graphic novelist, 9 other writers win $50,000 Whiting Awards

    Graphic novelist, 9 other writers win $50,000 Whiting Awards

    NEW YORK (AP) — A graphic novelist based in Hawaii, a reporter for an offshoot of The Economist and a contributor to The New Yorker are among this year’s winners of the Whiting Award, a $50,000 honor given annually to 10 emerging fiction and nonfiction writers.

    R. Kikuo Johnson is the first graphic novelist to receive a Whiting since the prize was established in 1985, according to the Whiting Foundation, which announced the awards Wednesday night. Other winners include Linda Kinstler, who writes for The Economist’s 1843 magazine; New Yorker writer Stephania Taladrid; fiction writers Marcia Douglas, Sidik Fofana and Carribean Fragoza; poets Tommye Blount and Ama Codjoe; dramatist Mia Chung and poet-dramatist Emma Wippermann.

    “Every year we look to the new Whiting Award winners, writing fearlessly at the edge of imagination, to reveal the pathways of our thought and our acts before we know them ourselves,” Courtney Hodell, Whiting’s director of literary programs, said in a statement. “The prize is meant to create a space of ease in which such transforming work can be made.”

    Previous winners include David Foster Wallace, Jeffrey Eugenides and Suzan-Lori Parks.

    The Whiting Foundation bestows the awards annually on 10 new writers of fiction, nonfiction, poetry, and drama who show early accomplishment and the promise of making a lasting mark on literary culture.

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  • Camila Cabello celebrates grandmother’s novel and strength

    Camila Cabello celebrates grandmother’s novel and strength

    MALAGA, Spain (AP) — Camila Cabello credits the strong women in her life for her success as an artist and a person. So it was only natural that she was there to celebrate her grandmother’s milestone — the publication of a novel.

    The Spanish-language book, “Los boleros que he vivido” (“The Boleros that I Have Lived”), has been a decades-long dream project of Cabello’s grandmother, Mercedes Rodriguez.

    The “Havana” singer traveled last week to Málaga, Spain, to celebrate and help promote Rodriguez’s book, which tells the story of a woman who separates from her husband after many years of marriage. The story across its 329 pages weaves through the woman’s efforts to reunite with her daughter and granddaughters in the U.S. — a tale that mirrors events in the lives of Cabello’s family.

    “In the end I finished it very quickly, really, very quickly, because it’s the story of my life and I still have a good memory,” Rodriguez said.

    As Rodriguez, 75, discussed the novel, Cabello held her hand. “My family is such a huge part of who I am, it’s such a big part of who I am as an artist, it’s such a big part of my music,” Cabello said.

    Music is like a character throughout the novel — every chapter is named after a bolero, the music genre of romantic lyrics originated in Cuba that became very popular in the first half of the 20th century throughout Latin America. For Rodriguez, music is essential: “It is something that no human being can stop living with in order to be happy,” she said.

    Of her granddaughter’s success, Rodriguez said, “It’s in her blood, she has photos at 2-years-old with a microphone in her hand and with the radio on.

    “I hear her sing at a concert, for example, and I even get breathless, it excites me so much, I just can’t explain it to you,” She said. “It’s something I’ve never felt in my life, seeing her on stage singing or hearing a record of her.”

    Rodriguez’s favorite Cabello song, “Never Be the Same,” stirs up intense emotions. “I can’t hear it because I make a fool of myself, I immediately start crying,” she said.

    Other family favorites include music of their native Cuba, as well as Latin pop stars as Alejandro Sanz or Luis Miguel, and a superstar favored by Cabello’s grandmother: Ed Sheeran.

    Cabello said that she feels a special bond with the women of her family, a lineage that stretches back to her grandma’s grandmother, who Rodriguez called Isabelita.

    “I feel like I wouldn’t be like who I am today if it weren’t for the fact that my family has such strong women. All women who have had strong personalities and who have done things their way,” she said, citing how her great great grandmother was “thinking really ahead of her time in terms of sexuality and relationships.” (Cabello notes it’s a theme her grandmother explores in “Los boleros que he vivido.”)

    “My mom has always been the same way, she,” Cabello said, referencing Rodriguez, “has always been the same way, my sister, who’s 15, is somebody like that too. Very independent thinkers.”

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  • Grisham’s ‘The Exchange,’ sequel to ‘The Firm,’ out in fall

    Grisham’s ‘The Exchange,’ sequel to ‘The Firm,’ out in fall

    One of literature’s most famous whistleblowers, attorney Mitch McDeere of John Grisham’s “The Firm,” will soon be back in action and back in trouble

    NEW YORK — One of literature’s most famous whistleblowers, attorney Mitch McDeere of John Grisham’s “The Firm,” will soon be back in action — and back in trouble.

    Doubleday announced Wednesday that Grisham’s “The Exchange,” a sequel to his million-selling breakout book from 32 years ago, will be published Oct. 17. The new novel takes place 15 years after McDeere and his wife, Abby, helped expose underworld ties at a Memphis firm and fled for their lives. The McDeeres are now in New York, where he’s a partner in the world’s largest international legal practice.

    “His work takes him across the globe, and not always to safe places,” Grisham said in a statement. “During a trip to Libya, his trusted associate is kidnapped, and an execution is threatened unless an enormous ransom is paid. Only Mitch can facilitate the exchange, and I hope readers have as much fun with the novel as I am writing it.”

    “The Firm” was Grisham’s second book, after “A Time to Kill,” and the basis for the hit film of the same name starring Tom Cruise. In 2012, it was adapted into a television series starring Josh Lucas and set a decade after the original story.

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  • BET co-founder, sports exec Sheila Johnson to publish memoir

    BET co-founder, sports exec Sheila Johnson to publish memoir

    The philanthropist, sports franchise executive and co-founder of Black Entertainment Television Sheila Johnson is writing a memoir

    NEW YORK — The philanthropist, sports franchise executive and co-founder of Black Entertainment Television, Sheila Johnson, has a memoir scheduled for September. “Walk Through Fire” will document her rise from suburban Chicago to becoming a pioneering billionaire as a Black woman, and how she endured her troubled marriage to fellow BET founder Robert L. Johnson.

    “After so many years, I’m thrilled to finally tell my story,” Johnson said in a statement issued Monday by her publisher, Simon & Schuster. “I hope that by sharing my own experiences, I can help others going through the kinds of obstacles I faced in my life and career.”

    In 1980, Johnson and her former husband started BET, the groundbreaking cable channel sold 20 years later to Viacom. Among numerous other achievements, she has had partial ownership of three sports teams — the NHL’s Washington Capitals, the NBA’s Washington Wizards of the National Basketball Association and the WNBA’s Washington Mystics — and is a global ambassador for the humanitarian agency CARE.

    Her 33-year marriage to Robert L. Johnson ended in 2002, and their divorce helped lead to her current marriage. The judge presiding over their case, William T. Newman, turned out to be an old acquaintance who, years earlier, had appeared in a play with her. Johnson and Newman have been married since 2005.

    Simon & Schuster is calling the book a “deeply personal portrait of how one woman, despite heartache and obstacles, finally found herself and her place in the world.”

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  • Judge rules online archive’s book service violated copyright

    Judge rules online archive’s book service violated copyright

    NEW YORK — A federal judge has sided with four publishers who sued an online archive over its unauthorized scanning of millions of copyrighted works and offering them for free to the public. Judge John G. Koeltl of U.S. District Court in Manhattan ruled that the Internet Archive was producing “derivative” works that required permission of the copyright holder.

    The Archive was not transforming the books in question into something new, but simply scanning them and lending them as ebooks from its web site.

    “An ebook recast from a print book is a paradigmatic example of a derivative work,” Koeltl wrote.

    The Archive, which announced it would appeal Friday’s decision, has said its actions were protected by fair use laws and has long had a broader mission of making information widely available, a common factor in legal cases involving online copyright.

    “Libraries are more than the customer service departments for corporate database products,” Internet Archive founder Brewster Kahle wrote in a blog post Friday. “For democracy to thrive at global scale, libraries must be able to sustain their historic role in society — owning, preserving, and lending books. This ruling is a blow for libraries, readers, and authors and we plan to appeal it.”

    In June 2020, Hachette Book Group, HarperCollins Publishers, John Wiley & Sons, and Penguin Random House sued in response to the Archive’s National Emergency Library, a broad expansion of its ebook lending service begun in the early weeks of the pandemic, when many physical libraries and bookstores had shut down. The publishers sought action against the emergency library and the archive’s older and more limited program, controlled digital lending (CDL). Works by Toni Morrison, J.D. Salinger and Terry Pratchett were among the copyrighted texts publishers cited as being made available.

    While the Authors Guild was among those opposing the emergency library, some writers praised it. Historian Jill Lepore, in an essay published in March 2020 in The New Yorker, encouraged readers who couldn’t afford to buy books or otherwise were unable to find them during the pandemic to “please: sign up, log on, and borrow!” from the Internet Archive.

    In a statement Friday, the head of the trade group the Association of American Publishers, praised the court decision as an “unequivocal affirmation of the Copyright Act and respect for established precedent.

    “In rejecting convoluted arguments from the defendant, the Court has underscored the importance of authors, publishers, and lawful markets in a global society and global economy. Copying and distributing what is not yours is not innovative — or even difficult — but it is wrong,” said Maria Pallante, the association’s president and CEO.

    The Internet Archive, founded in 1996, is a nonprofit “founded to build an Internet library, with the purpose of offering permanent access for researchers, historians, and scholars to historical collections that exist in digital format.” Unlike traditional libraries, it does not acquire books directly through licensing deals with publishers, but through purchases and donations. The archive also includes millions of movies, TV shows, videos, audio recordings and other materials.

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  • Ling Ma, Beverly Gage among authors honored by book critics

    Ling Ma, Beverly Gage among authors honored by book critics

    Ling Ma’s sharp and surreal “Bliss Montage” and Beverly Gage’s sweeping biography of the late FBI Director J

    ByHILLEL ITALIE AP National Writer

    NEW YORK — Ling Ma’s sharp and surreal “Bliss Montage” and Beverly Gage’s sweeping biography of the late FBI Director J. Edgar Hoover, “G-Man,” were among the winners Thursday night of the National Book Critics Circle awards.

    Ma’s story collection won the prize for fiction, with the judges praising her “sometimes startling” portraits of racism and xenophobia, and her gift for pulling readers “into a world where everything has been called into question.” Last week, “Bliss Montage” received the Story Prize for outstanding short fiction.

    Gage, whose book earlier in the day was honored by the New-York Historical Society, won Thursday night for best biography. “G-Man” has been widely praised as a thorough and nuanced take on one of the country’s most polarizing figures, and was cited by the critics circle for weaving together Hoover’s life and the “paradoxical national story involving American anxieties over security, masculinity, and race.”

    Other works awarded by the NBCC included Isaac Butler’s “The Method: How the Twentieth Century Learned to Act” for nonfiction, Hua Hsu’s “Stay True” for memoir, Cynthia Cruz’s “Hotel Oblivion” for poetry and Timothy Bewes’ “Free Indirect” for criticism. Ukrainian author Andrey Kurkov’s “Grey Bees,” translated by Boris Dralyuk, won for best translated book, and Morgan Talty’s “Night of the Living Rez” was named best debut work.

    Honorary awards were presented to former U.S. poet laureate Joy Harjo for lifetime achievement, and Jennifer Wilson for excellence in reviewing. The Toni Morrison Achievement Award, for “institutions that have made lasting and meaningful contributions to book culture,” was given to San Francisco’s City Lights bookstore. Barbara Hoffert, an editor at Library Journal and former NBCC president and board member, received the critics circle’s Service Award.

    The NBCC was founded in 1974 and has hundreds of members around the country. Past winners of book critic prizes have included Alice Munro, Robert A. Caro, Isabel Wilkerson and the current U.S. poet laureate, Ada Limón.

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  • Book ban attempts hit record high in 2022, library org says

    Book ban attempts hit record high in 2022, library org says

    NEW YORK (AP) — Attempted book bans and restrictions at school and public libraries continue to surge, setting a record in 2022, according to a new report from the American Library Association released Thursday.

    More than 1,200 challenges were compiled by the association in 2022, nearly double the then-record total from 2021 and by far the most since the ALA began keeping data 20 years ago.

    “I’ve never seen anything like this,” says Deborah Caldwell-Stone, who directs the ALA’s Office for Intellectual Freedom. “The last two years have been exhausting, frightening, outrage inducing.”

    Thursday’s report not only documents the growing number of challenges, but also their changing nature. A few years ago, complaints usually arose with parents and other community members and referred to an individual book. Now, the requests are often for multiple removals, and organized by national groups such as the conservative Moms for Liberty, which has a mission of “unifying, educating and empowering parents to defend their parental rights at all levels of government.”

    Last year, more than 2,500 different books were objected to, compared to 1,858 in 2021 and just 566 in 2019. In numerous cases, hundreds of books were challenged in a single complaint. The ALA bases its findings on media accounts and voluntary reporting from libraries and acknowledges that the numbers might be far higher.

    Librarians around the country have told of being harassed and threatened with violence or legal action.

    “Every day professional librarians sit down with parents to thoughtfully determine what reading material is best suited for their child’s needs,” ALA President Lessa Kanani’opua Pelayo-Lozada said in a statement. “Now, many library workers face threats to their employment, their personal safety, and in some cases, threats of prosecution for providing books to youth they and their parents want to read.”

    Caldwell-Stone says that some books have been targeted by liberals because of racist language — notably Mark Twain’s “The Adventures of Huckleberry Finn” — but the vast majority of complaints come from conservatives, directed at works with LGBTQIA+ or racial themes. They include Maia Kobabe’s “Gender Queer,” Jonathan Evison’s “Lawn Boy,” Angie Thomas’ “The Hate U Give” and a book-length edition of the “1619 Project,” the Pulitzer Prize-winning report from The New York Times on the legacy of slavery in the U.S.

    Bills facilitating the restriction of books have been proposed or passed in Arizona, Iowa, Texas, Missouri and Oklahoma, among other states. In Florida, where Gov. Ron DeSantis has approved laws to review reading materials and limit classroom discussion of gender identity and race books pulled indefinitely or temporarily include John Green’s “Looking for Alaska,” Colleen Hoover’s “Hopeless,” Margaret Atwood’s dystopian novel “The Handmaid’s Tale” and Grace Lin’s picture story “Dim Sum for Everyone!”

    More recently, Florida’s Martin County school district removed dozens of books from its middle schools and high schools, including numerous works by novelist Jodi Picoult, Toni Morrison’s Pulitzer Prize-winning “Beloved” and James Patterson’s “Maximum Ride” thrillers, a decision which the bestselling author has criticized on Twitter as “arbitrary and borderline absurd.”

    DeSantis has called reports of mass bannings a “hoax,” saying in a statement released earlier this month that the allegations reveal “some are attempting to use our schools for indoctrination.”

    Some books do come back. Officials at Florida’s Duval County Public Schools were widely criticized after they removed “Roberto Clemente: The Pride of the Pittsburgh Pirates,” a children’s biography of the late Puerto Rican baseball star. In February, they announced the book would again be on shelves, explaining that they needed to review it and make sure it didn’t violate any state laws.

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  • Sly Stone book to be released through new Questlove imprint

    Sly Stone book to be released through new Questlove imprint

    Questlove has own book imprint and is launching it with a memoir by one of the world’s most influential and enigmatic musicians, Sly Stone, leader of Sly and the Family Stone

    NEW YORK — Questlove has his own book imprint and is launching it with a memoir by one of the world’s most influential and enigmatic musicians, Sly Stone, leader of Sly and the Family Stone.

    “Thank You (Falettinme Be Mice Elf Agin),” named for the Sly and the Family Stone hit, will be released Oct. 17 through Questlove’s AUWA Books imprint, part of Macmillan Publishers. The memoir is co-written by Ben Greenman and will track Stone’s rise to the heights of stardom in the late 1960s to his long decline and virtual disappearance from the music scene.

    “For as long as I can remember folks have been asking me to tell my story,” the 80-year-old Stone, who was born Sylvester Stewart, said in a statement Wednesday. “I wasn’t ready. I had to be in a new frame of mind to become Sylvester Stewart again to tell the true story of Sly Stone. It’s been a wild ride and hopefully my fans enjoy it too.”

    Other books planned for the AUWA imprint include “Handbook for the Revolution: The Essential Guide for Workplace Organizing,” by Amazon Labor Union activist Derrick Palmer and “Hip-Hop Is History,” a chronology of hip-hop’s first 50 years co-written by Questlove and Greenman.

    “I have been writing books for over a decade, so it seemed like a natural step to publish them too,” Questlove said in a statement. A Grammy-winning musician and creator of the Oscar-winning documentary “Summer of Soul,” Questlove is also planning a film about Stone, whose other hits include “Dance to the Music” and “Everyday People.”

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  • Paris Hilton is ready to reclaim her story, share ups, downs

    Paris Hilton is ready to reclaim her story, share ups, downs

    Paris Hilton is adding her voice to the chorus of women speaking out to reclaim their narrative from the media and the public.

    This week she released “Paris: The Memoir,” sharing what it was like for her growing up a Hilton — being sent away to programs for troubled teens but finding mental and physical abuse, a leaked sex tape, the crafting of a party girl image and high-pitched voice and co-starring in a reality show, “The Simple Life,” with Nicole Richie.

    In 2020, Hilton released a YouTube documentary “This is Paris,” addressing her experiences at the schools. “That was the first time that I really became vulnerable and real and shared my story and what I went through,” said Hilton.

    Today, Hilton is involved in advocacy work and has welcomed a son with husband Carter Reum.

    In an interview with The Associated Press, Hilton talks about speaking out, slowing down and what she thinks of being called a socialite.

    Answers may have been edited for brevity and clarity.

    ——-

    AP: You’re one of quite a few women who have taken control of their story in recent years. Was there anyone who inspired you to do the same or to consider doing this?

    HILTON: I was at the premiere of Demi Lovato’s documentary a couple of years ago, and I was just so blown away by her honesty and her vulnerability and talking about so many private moments in her life. That really inspired me just to be able to feel free, to be open and to be more honest about what I was going through, because especially in Hollywood, it can be very hard, especially on your mental health. A lot of people go through things, and we all try to project this perfect life, but life isn’t perfect.

    AP: If you could map out how this book will be received, what would that look like?

    HILTON: For so long I’ve been misunderstood and underestimated, and there’s just so much more to me than what people think. It all really started off with my documentary, ‘This Is Paris.’ That was the first time that I really became vulnerable and real and shared my story and what I went through.

    AP: The public knows a lot about your ups and downs, but you shared things in your book like being sexually assaulted and having an abortion. Was that difficult?

    HILTON: A lot of the things that I put in the book were very hard to write about, a lot of memories that I tried to not think about for so many years. But I think it was important to include them because it’s part of my story. I just know that there’s a lot of women out there who need to hear that story as well.

    AP: Despite your many hats of being an entrepreneur, a DJ, having 30 fragrances and a billion-dollar business — you still get labeled as a socialite. Does that bother you?

    HILTON: I don’t really enjoy the term socialite because I feel that there’s just so much more that I do, but I do feel that people are finally now recognizing and seeing me for the businesswoman that I am.

    AP: How is your advocacy work against programs that allegedly reform so-called bad kids going?

    HILTON: The past two years, we’ve made so much impact, and I’ve already changed laws in eight states and all the way in Ireland. I’m going back to Washington, D.C., in April to introduce a new bill and we already have bipartisan support. So, I am just praying that everybody does the right thing because there are over 150,000 children being sent to these facilities every single year. It’s a multibillion-dollar industry… I’m not going to stop fighting until change is made.

    AP: You do write about how it hasn’t been easy to communicate with your parents about what happened to you. Have you been able to really discuss this with them?

    HILTON: My family and I have never been closer, and they had no idea what was happening behind closed doors in these places. They have deceptive marketing. My parents just thought I was going to a normal boarding school, and all the brochures have these pictures of children smiling with rainbows and riding horses. I completely understand now, especially as an adult, just everything. My parents and I have talked about everything, and it’s been extremely healing for us. My mom has been coming with me to Washington, D.C., and is there to support me.

    AP: You’re a new mom! (Hilton’s son Phoenix Barron Hilton Reum was born via a surrogate.) Are you dialing it back on all your traveling and business responsibilities?

    HILTON: I am saying no a lot just because I want to be there for all the moments, so I’m trying to do as much from home as possible, building my podcasting studio there, my recording studio for my music, a photo studio for photoshoots. I try to work from home as much as possible so I can pop in and out of his room because I am just so obsessed with my little baby boy.

    AP: You also write in your book about how you have ADHD and your husband researched it when you were dating to understand you better.

    HILTON: He’s just so supportive. And he talks to my ADHD doctor and has just really done so much research. He basically knows more about it than I do and is teaching me these things every single day as well. So that’s been really awesome.

    AP: Even sharing that you have ADHD will help people feel seen.

    HILTON: When people can harness it in the right way, it can actually be a superpower. That’s why I think in my career I’ve always been ahead of my time and taking risks and being an innovator and someone who thinks outside the box. I really attribute that to my ADHD. People should watch the movie ‘ The Disruptors,’ to understand more.

    AP: Last question. In your book you share you have five cellphones. One is dedicated to prank phone calls. Do you have those on you today?

    HILTON: Yeah. I only have a couple of them here. (Hilton holds up three phones.) I love doing prank phone calls with my mom.

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  • Oprah reflects upon book club as she announces 100th pick

    Oprah reflects upon book club as she announces 100th pick

    NEW YORK — For her 100th book club pick, Oprah Winfrey relied on the same instincts she has drawn upon from the start: Does the story move her? Does she think about it for days after? In a work of fiction, do the characters seem real to her?

    “When I don’t move on, that’s always a sign to me there’s something powerful and moving,” Winfrey told The Associated Press in a recent telephone interview.

    On Tuesday, she announced that she had chosen Ann Napolitano’s “Hello Beautiful,” a modern-day homage to “Little Women” from the author of the bestselling “Dear Edward.” The novel was published Tuesday by Dial Press, a Penguin Random House imprint, and Winfrey believes its themes of family, resilience and perspective give “Hello Beautiful” a “universal appeal” that makes it a proper milestone.

    A Winfrey pick no longer ensures blockbuster sales, but it retains a special status within the industry; for authors, a call from Winfrey still feels like being told they’ve won an Oscar. Winfrey told AP that she is in “awe” of the club and its history, “the very notion” that someone might go and buy a copy of “Anna Karenina” simply because she suggested it.

    Kristen McLean, an analyst for NPD Books, which tracks industry sales, says that Winfrey is especially effective these days when promoting a known author such as Barbara Kingsolver and her novel “Demon Copperhead,” a bestseller since Winfrey picked it last fall.

    Since 1996, Winfrey’s book choices have set her on a journey of extraordinary influence and success, frequent reinvention and the occasional controversy. It has endured through changes for both Winfrey and the publishing industry, through the rise of the internet and the end of Winfrey’s syndicated talk show, through immersions in the classics and unexpected lessons in the reliability of memoirs and the lack of diversity of book publishing.

    Thanks to Winfrey, contemporary authors such as Jacquelyn Mitchard and Jane Hamilton found audiences they never imagined, while picks published decades or even centuries earlier, from “Anna Karenina” to “As I Lay Dying,” placed high on bestseller lists. Winfrey didn’t invent the mass market book club, but she demonstrated that spontaneous passion can inspire people in ways that elude the most sophisticated marketing campaigns.

    Her most troubled choices — James Frey’s fabricated memoir “A Million Little Pieces,” Jeanine Cummins’ “American Dirt,” a novel criticized for stereotypical depictions of Mexicans — made so much news in part because of the spotlight of a Winfrey endorsement.

    The club began as the extension of conversations between herself and her producer at the time, Alice McGee. They would talk about the books they liked until McGee finally suggested, in 1996, that Winfrey share the experience with her viewers. The first pick, Mitchard’s “The Deep End of the Ocean,” has sold more than 2 million copies. Other books also became major bestsellers, whether by established authors like Joyce Carol Oates (“We Were the Mulvaneys”) and Toni Morrison (“The Bluest Eye”) or then-emerging writers like Janet Fitch and Tawni O’Dell.

    The club was so popular that some suspected a catch. Winfrey remembers Quincy Jones asking her: “How much money are they paying you for that book club, baby?” The process was so informal that Winfrey at first didn’t even bother going through intermediaries.

    “I would just call Wally Lamb,” she says of the author of “She’s Come Undone,” her fourth pick. “In the early stages, I would finish the book and then find the author. When you’d go to the back of the book, it gives you the bio of the author and it would tell you what city the author lives. And, this is when we had phone books, in every instance I was able to get the author’s phone number because the author was listed.”

    Winfrey’s system is now only slightly more structured. Leigh Newman, books director of the online/print publication Oprah Daily, will call the publisher first and arrange a “surprise call” with the author and Oprah. Winfrey’s staff will research the author’s background to make sure nothing problematic turns up — whether criminal charges or allegations of plagiarism. The vetting began, Winfrey says, after “A Million Little Pieces” turned out to have substantial falsehoods, leading to an extraordinary public scolding by Winfrey when she brought Frey back on her show to explain himself. (They have since reconciled).

    “I took it so personally,” she says. “I probably should haven’t taken it so personally but I felt like he had let me down and I let the audience down. … I was the one saying, ‘Can you believe this is a true story?’ and shouting that from the rooftops. I felt foolish for doing that, embarrassed for doing that.”

    Winfrey’s book choices are still in-house and intimate — mostly just determined by herself and Newman — although Winfrey says she made a rare exception for “Hello Beautiful,” recommended to her by the president of Creative Arts Agency, Richard Lovett. Otherwise, Newman will seek out books she thinks Winfrey might respond to — fiction or nonfiction, as long as the story is “compelling,” Newman explains. Winfrey will also come upon books on her own.

    The club follows no real formula. For the first few years, Winfrey averaged a selection nearly every month, a pace she came to find exhausting. She paused the club for much of 2002-2003, focused on older works in 2004-2005, and in other years only selected one or two titles. After her talk show ended in 2011, she launched Oprah’s Book Club 2.0 the following year, with the emphasis on digital media.

    She is currently aiming for a new book every eight weeks, with author interviews and interactive reader discussions showcased on OprahDaily.com. Winfrey has no plans to stop, and no specific goals for selections. In the aftermath of “American Dirt,” selected early in 2020, she had vowed to open herself up “to more Latinx books.” But she has not since picked any for her club and is not committing herself for the future.

    “I’d never choose a book because the author is Hispanic, or Black, or Indian. I’m not going to be put in that box,” she says. “The book has to live on many different levels to me. It doesn’t mean there are not fantastic books by authors of every race and creed. It means I haven’t seen one yet (for the club). But we’re mindful of it and I’ve come close a couple of times.”

    Winfrey’s choices are influenced at times by a relatively recent trend — competition.

    Over the past few years, Reese Witherspoon and Jenna Bush Hager have demonstrated that they too, can win the trust of large numbers of readers, whether Witherspoon’s early promotion of Delia Owens’ blockbuster “Where the Crawdads Sing” or Hager reviving interest in Donna Tartt’s 1990s bestseller “The Secret History.” The exuberance of young people on TikTok helped make Colleen Hoover the country’s most popular fiction writer.

    Winfrey is respectful: If she hears a book she might choose is also being pursued by Witherspoon or Hager, she will step back and pick another. But she also claims her place. Yes, Witherspoon, Hager and the BookTok kids are all great, but no one should forget who came first.

    “We started this conversation,” she says. “And I’m very, very proud of that.”

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  • Publisher says Japanese writer Kenzaburo Oe, who was awarded literature Nobel for his darkly poetic fiction, died at 88

    Publisher says Japanese writer Kenzaburo Oe, who was awarded literature Nobel for his darkly poetic fiction, died at 88

    Publisher says Japanese writer Kenzaburo Oe, who was awarded literature Nobel for his darkly poetic fiction, died at 88

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  • 6 books compete for nonfiction ‘winner of winners’ prize

    6 books compete for nonfiction ‘winner of winners’ prize

    LONDON (AP) — Books that explore subjects from William Shakespeare and The Beatles to the lure of Mount Everest and life inside one of the world’s most secretive states are competing to be named the best-ever winner of Britain’s leading nonfiction book prize.

    The Baillie Gifford Prize is marking its 25th year with a Winner of Winners prize. Three American writers, two from Canada and one from Britain are on the shortlist announced Thursday for the 25,000 pound ($30,000) trophy.

    The prize was launched in 1999 to reward English-language books from any country in current affairs, history, politics, science, sport, travel, biography, autobiography and the arts.

    Judges have chosen six of the 24 past winners of the award — known until 2015 as the Samuel Johnson Prize — as finalists for the one-off accolade. The winner will be announced April 27 at a ceremony in Edinburgh, Scotland.

    The eclectic shortlist includes cultural kaleidoscope “One Two Three Four: The Beatles in Time” by Craig Brown, the only U.K. writer on the list. Books by Canadians are Wade Davis’ mountaineering odyssey “Into the Silence” and Margaret MacMillan’s history of the post-World War I peace talks, “Paris 1919.”

    The U.S. finalists are Barbara Demick’s “Nothing to Envy: Real Lives in North Korea”; Patrick Radden Keefe’s “Empire of Pain,” about the Sackler family and its links to the opioid crisis; and James Shapiro’s “1599: A Year in the Life of William Shakespeare.”

    Just two of the six books are by women, reflecting a historic imbalance in nonfiction publishing that prize organizers say is being rectified. In the past decade, 40% of the prize winners have been women.

    Editor Jason Cowley, chair of the judging panel said that despite their disparate topics, “there is a family resemblance” among the six books.

    He said the works combine literary distinction with “a kind of formal innovation.”

    “All the books are very good at conveying what Hilary Mantel called the atmospheric pressure of the times,” he said.

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  • Dr. Seuss’ ‘How the Grinch stole Christmas!’ gets a sequel

    Dr. Seuss’ ‘How the Grinch stole Christmas!’ gets a sequel

    BOSTON (AP) — Dr. Seuss fans might find their hearts growing three sizes this coming holiday season with the release of a sequel to the 1957 classic children’s book “How the Grinch Stole Christmas!”

    The new book picks up one year after the original, and like the first, teaches a valuable lesson about the true spirit of the holiday, Dr. Seuss Enterprises and Random House Children’s Books announced Thursday.

    The sequel entitled “How the Grinch Lost Christmas!” is not based on a newly discovered manuscript by Seuss — whose real name was Theodor Geisel — but was written and illustrated by an author and artist with previous experience in the Dr. Seuss universe.

    “One of the most asked questions we receive from Seuss fans of all ages is ’What do you think happened to the Grinch after he stole Christmas?” said Alice Jonaitis, executive editor at Random House Children’s Books, in a statement.

    The original Grinch book has sold nearly 10 million copies in North America alone and like other Seuss books has been translated into multiple languages. It was made into a 1966 animated TV special narrated by Boris Karloff, a 2000 live-action movie starring Jim Carrey and a computer-animated film in 2018 with Benedict Cumberbatch voicing the Grinch.

    The new book, scheduled for release Sept. 5, is written by Alastair Heim and illustrated by Aristides Ruiz. Heim has written Seuss-themed books like “If I Ran Your School” and “I Am the Cat in the Hat.” Ruiz has illustrated the Cat in the Hat’s Learning Library books for more than two decades.

    “All throughout writing the story, I couldn’t fully believe that I was actually getting to play in the amazing creative sandbox Dr. Seuss created all those decades ago,” Heim said in an email.

    Working on the Grinch sequel was an awesome responsibility, Ruiz said via email.

    “When I heard of the opportunity to be a part of this project, I jumped at the chance only to find that it was difficult and daunting to approach adding to or expanding such an esteemed and treasured part of the American Christmas canon,” he said.

    In the original, the Grinch tries to ruin Christmas for the people of Who-ville by making off in the middle of the night with all the material trappings and sumptuous food of the holiday.

    When the Whos gather to sing on Christmas morning, the Grinch realizes that the holiday is not about toys and feasting, but about joyously celebrating with family and neighbors and as Seuss wrote, the Grinch’s “heart grew three sizes that day.”

    In the sequel, the Grinch wants to show how much he loves the holiday by winning Who-ville’s Christmas Crown with the most spectacular Christmas tree ever seen, according to Dr. Seuss Enterprises.

    But when his plan goes awry, the Grinch turns into his old, cold-hearted self, until his friend Cindy-Lou Who, reminds him that Christmas is not all about winning.

    Geisel, who died in 1991 at age 87, authored dozens of books, including “Green Eggs and Ham” and “The Cat in the Hat.”

    Some of his work has been criticized in recent years because of racist imagery that in 2021 prompted Dr. Seuss Enterprises to cease publication of six books, including “And to Think That I Saw It on Mulberry Street” and “If I Ran the Zoo.”

    But his work remains popular. Forbes magazine ranked him eighth on a 2022 list of the highest-paid dead celebrities, with $32 million in earnings.

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  • Rapid demise of ‘Dilbert’ is no surprise to those watching

    Rapid demise of ‘Dilbert’ is no surprise to those watching

    Dilbert comic strip creator Scott Adams experienced possibly the biggest repercussion of his recent comments about race when distributor Andrews McMeel Universal announced Sunday it would no longer work with the cartoonist.

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  • Rapid demise of ‘Dilbert’ is no surprise to those watching

    Rapid demise of ‘Dilbert’ is no surprise to those watching

    The comic strip “Dilbert” disappeared with lightning speed following racist remarks by creator Scott Adams, but it shouldn’t come as a shock to anyone who has followed them both

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  • Media drop Dilbert after creator’s Black ‘hate group’ remark

    Media drop Dilbert after creator’s Black ‘hate group’ remark

    The creator of the Dilbert comic strip faced a backlash of cancellations Saturday while defending remarks describing people who are Black as members of “a hate group” from which white people should “get away.”

    Various media publishers across the U.S. denounced the comments by Dilbert creator Scott Adams as racist, hateful and discriminatory while saying they would no longer provide a platform for his work.

    Andrews McMeel Syndication, which distributes Dilbert, did not immediately respond Saturday to requests for comment. But Adams defended himself on social media against those whom he said “hate me and are canceling me.”

    Dilbert is a long-running comic that pokes fun at office-place culture.

    The backlash began following an episode this past week of the YouTube show, “Real Coffee with Scott Adams.” Among other topics, Adams referenced a Rasmussen Reports survey that had asked whether people agreed with the statement “It’s OK to be white.”

    Most agreed, but Adams noted that 26% of Black respondents disagreed and others weren’t sure.

    The Anti-Defamation League says the phrase was popularized in 2017 as a trolling campaign by members of the discussion forum 4chan but then began being used by some white supremacists.

    Adams, who is white, repeatedly referred to people who are Black as members of a “hate group” or a “racist hate group” and said he would no longer “help Black Americans.”

    “Based on the current way things are going, the best advice I would give to white people is to get the hell away from Black people,” Adams said on his Wednesday show.

    In another episode of his online show Saturday, Adams said he had been making a point that “everyone should be treated as an individual” without discrimination.

    “But you should also avoid any group that doesn’t respect you, even if there are people within the group who are fine,” Adams said.

    The Los Angeles Times cited Adams’ “racist comments” while announcing Saturday that Dilbert will be discontinued Monday in most editions and that its final run in the Sunday comics — which are printed in advance — will be March 12.

    The San Antonio Express-News, which is part of Hearst Newspapers, said Saturday that it will drop the Dilbert comic strip, effective Monday, “because of hateful and discriminatory public comments by its creator.”

    The USA Today Network tweeted Friday that it also will stop publishing Dilbert “due to recent discriminatory comments by its creator.”

    The Plain Dealer in Cleveland and other publications that are part of Advance Local media also announced that they are dropping Dilbert.

    “This is a decision based on the principles of this news organization and the community we serve,” wrote Chris Quinn, editor of The Plain Dealer. ”We are not a home for those who espouse racism. We certainly do not want to provide them with financial support.”

    Christopher Kelly, vice president of content for NJ Advance Media, wrote that the news organization believes in “the free and fair exchange of ideas.”

    “But when those ideas cross into hate speech, a line must be drawn,” Kelly wrote.

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  • Seattle Opera puts story of Afghan women center stage

    Seattle Opera puts story of Afghan women center stage

    As the Taliban once again assert control of Afghanistan and push women further out of public view, a female Afghan filmmaker is working thousands of miles away to help bring to life a wildly popular tale of two heroines living in her homeland, including under the group’s first reign.

    The world premiere of Seattle Opera’s “A Thousand Splendid Suns” opens Saturday evening. It is based on a novel by Kabul-born author Khaled Hosseini that explores the inner worlds of Mariam and Laila over decades of Afghan history, some with stark parallels to the present.

    The women, born nearly two decades apart, forge an unlikely bond as they share an abusive husband and navigate struggles facing them and their country. It’s a story of hardships, injustices and loss, but also of deep love, endurance and one big decision that, ultimately, alters both their lives and leads to the survival of only one.

    It was supposed to be a story of a bygone era — until the Taliban’s takeover of Afghanistan in 2021 dramatically changed that.

    For the opera’s stage director, Roya Sadat, who lived under Taliban’s first rule and made a professional name for herself after the group’s 2001 ouster, that reversal is deeply personal.

    Born in the city of Herat, she happened to be in America when she learned that her birthplace had fallen to the Taliban in 2021. Just like other historic events in Afghanistan colored Mariam’s and Laila’s lives, that takeover has once again reshaped Sadat’s country and, this time, turned her into an asylee in the United States.

    “I was actually never thinking that one day I will leave Afghanistan,” the 39-year-old said. “When I heard this news, I was in shock. And I just said: ‘no, no, no, it’s not possible.’… It was like watching a terrible movie.”

    In that moment, Sadat added, directing “A Thousand Splendid Suns” took on a new meaning.

    “Suddenly, the topic changed in my mind, that ‘Oh my God, now this story is going to repeat again. Now, maybe, a thousand Laila and Mariam are going to be in the same situation,’” she said.

    In her director’s statement, Sadat writes about becoming “homeless” in the blink of an eye and describes how the goal of her work has evolved.

    “My task was no longer to simply portray the universal pain, struggle, and perseverance of women through the story of two Afghan women,” she said. “It became a duty to convey an unparalleled injustice to which my countrywomen are condemned.”

    Mariam and Laila have captured the imagination of composer Sheila Silver for a long time. She felt like she knew them and wanted to tell their story. She listened to the book in 2009 and recalled tears streaming down her face as one of the women faced her death.

    “This is what heroes are made of, people who make sacrifices for others that they love and so that was what drew me in,” Silver said. “It was about the love and bonding and resilience and strength of these two women.”

    And in that sense, she found their tales universal. “It’s their humanity that we’re celebrating,” she said. “It’s a story of that time with incredible parallels to this time today.”

    Hosseini, the book’s author who lives in California, wishes that wasn’t the case.

    He had hoped the story of “A Thousand Splendid Suns” would become a relic of the past, maybe a “cautionary tale.” But instead, he said, “what’s going on with women today is a cruel deja vu.”

    He lamented that the international spotlight on Afghanistan seemed to have faded. He hopes the opera’s audience will be moved by the music, but also that the production, even if in limited ways, can spark conversations about the situation there.

    “I’ve always thought of the arts as our most powerful … teachers of empathy,” he said. “I hope that this opera is an expression of the collective struggles and sacrifices of Afghans over the last four decades, particularly Afghan women.”

    Despite initial promises, the Taliban have increasingly imposed restrictions on women and girls with an expanding list of bans that included barring them from universities and schools beyond the sixth grade. That has sparked an international uproar, deepening Afghanistan’s isolation at a time of severe economic turmoil.

    The crackdown on women’s freedoms harkens back to when the Taliban ran Afghanistan from 1996 to 2001 — and to a somber part of Sadat’s own life under the group.

    She no longer could attend school. She turned to books, sometimes borrowed from relatives or friends, to expand her world. Home doubled as a school of sorts, where her mother and an aunt would teach her different subjects.

    Through it all, she clung to hope.

    It was under the Taliban, that, sitting on her family’s kitchen floor, Sadat started writing a script that later turned into her first movie. At the time, she said, she didn’t have electricity; the kitchen fire provided the light she needed to write.

    Toward the end of the Taliban’s reign, a relative helped her get a spot in a class that trained women in nursing. There, Sadat said she helped organize small cultural groups that produced theater critical of the Taliban’s treatment of women; to avoid getting caught, classmates would be on the lookout inside a stairwell to alert others if Taliban members approached.

    After the Taliban’s fall, Sadat and her sister co-founded Roya Film House, a company that has produced films and TV dramas.

    Working on the Seattle opera, she said, has been of special significance.

    “In creating the atmosphere of this work, I have tried to show the people the beauty of Afghan women’s lives — the parts of that world they do not know and the people they have not seen,” she said. “I want to evoke Kabul in the old years, full of songs, poetry, music, color, and joy. Throughout Afghanistan’s history, even on the path of pain and suffering, is the radiant face of a woman who shines.”

    ___

    Associated Press religion coverage receives support through the AP’s collaboration with The Conversation US, with funding from Lilly Endowment Inc. The AP is solely responsible for this content.

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