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Tag: Book

  • Mom who wrote children’s book on grief goes on trial for husband’s murder

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    A murder trial is underway for a Utah mother of three who published a children’s book about grief after her husband’s death and was later accused of killing him.Kouri Richins, 35, faces a slew of felony charges for allegedly killing her husband, Eric Richins, with fentanyl in March 2022 at their home just outside the ski town of Park City. The trial began Monday and is slated to run through March 26.Prosecutors say she slipped five times the lethal dose of the synthetic opioid into a Moscow mule cocktail that he drank.She is also accused of trying to poison him a month earlier on Valentine’s Day with a fentanyl-laced sandwich that made him break out in hives and black out, according to court documents.Prosecutors have argued that Richins killed her husband for financial gain while planning a future with another man she was seeing on the side. Richins has vehemently denied the allegations.She faces nearly three dozen counts, including aggravated murder, attempted murder, forgery, mortgage fraud and insurance fraud. The murder charge alone carries a sentence of 25 years to life in prison.Her defense attorneys, Wendy Lewis, Kathy Nester and Alex Ramos, said they are confident the jury will allow Richins to return home to her children after hearing her side of the story.“Kouri has waited nearly three years for this moment: the opportunity to have the facts of this case heard by a jury, free from the prosecution’s narrative that has dominated headlines since her arrest,” her legal team said in a statement, adding, “What the public has been told bears little resemblance to the truth.”As the trial began, Richins sat quietly with her defense team, wearing a black blazer and white blouse.In the months before her arrest in May 2023, Richins self-published the children’s book “Are You with Me?” about a father with angel wings watching over his young son after passing away. The book, which she promoted on a local television station, could play a key role for prosecutors in framing Eric Richins’ death as a calculated killing with an elaborate cover-up attempt.Years before her husband’s death, Richins opened numerous life insurance policies on Eric Richins without his knowledge, with benefits totaling nearly $2 million, prosecutors allege. Court documents also indicate she had a negative bank account balance, owed lenders more than $1.8 million and was being sued by a creditor.Among the witnesses who could be called to testify throughout the trial are a housekeeper who claims to have sold fentanyl to Richins on three occasions and the man with whom Richins was allegedly having an affair.The state’s key witness, housekeeper Carmen Lauber, told a detective she had sold Richins up to 90 blue-green fentanyl pills that she acquired from a dealer. Lauber is not charged with any crimes in connection with the case, and detectives said at an earlier hearing that she had been granted immunity.Defense attorneys are expected to argue that Lauber did not actually give Richins fentanyl and was motivated to lie for legal protection. None was ever found in her house, and the dealer has said he was in jail and detoxing from drug use when he told detectives in 2023 that he had sold fentanyl to Lauber. He later said in a sworn affidavit that he only sold her the opioid OxyContin.Other witnesses could include relatives of the defendant and her late husband, and friends of Eric Richins who have recounted phone conversations from the day prosecutors say he was first poisoned by his wife of nine years.One friend said in written testimony that they noticed fear in Eric Richins’ voice when he called on Valentine’s Day and said, “I think my wife tried to poison me.”

    A murder trial is underway for a Utah mother of three who published a children’s book about grief after her husband’s death and was later accused of killing him.

    Kouri Richins, 35, faces a slew of felony charges for allegedly killing her husband, Eric Richins, with fentanyl in March 2022 at their home just outside the ski town of Park City. The trial began Monday and is slated to run through March 26.

    Prosecutors say she slipped five times the lethal dose of the synthetic opioid into a Moscow mule cocktail that he drank.

    She is also accused of trying to poison him a month earlier on Valentine’s Day with a fentanyl-laced sandwich that made him break out in hives and black out, according to court documents.

    Prosecutors have argued that Richins killed her husband for financial gain while planning a future with another man she was seeing on the side. Richins has vehemently denied the allegations.

    She faces nearly three dozen counts, including aggravated murder, attempted murder, forgery, mortgage fraud and insurance fraud. The murder charge alone carries a sentence of 25 years to life in prison.

    Her defense attorneys, Wendy Lewis, Kathy Nester and Alex Ramos, said they are confident the jury will allow Richins to return home to her children after hearing her side of the story.

    “Kouri has waited nearly three years for this moment: the opportunity to have the facts of this case heard by a jury, free from the prosecution’s narrative that has dominated headlines since her arrest,” her legal team said in a statement, adding, “What the public has been told bears little resemblance to the truth.”

    As the trial began, Richins sat quietly with her defense team, wearing a black blazer and white blouse.

    In the months before her arrest in May 2023, Richins self-published the children’s book “Are You with Me?” about a father with angel wings watching over his young son after passing away. The book, which she promoted on a local television station, could play a key role for prosecutors in framing Eric Richins’ death as a calculated killing with an elaborate cover-up attempt.

    Years before her husband’s death, Richins opened numerous life insurance policies on Eric Richins without his knowledge, with benefits totaling nearly $2 million, prosecutors allege. Court documents also indicate she had a negative bank account balance, owed lenders more than $1.8 million and was being sued by a creditor.

    Among the witnesses who could be called to testify throughout the trial are a housekeeper who claims to have sold fentanyl to Richins on three occasions and the man with whom Richins was allegedly having an affair.

    The state’s key witness, housekeeper Carmen Lauber, told a detective she had sold Richins up to 90 blue-green fentanyl pills that she acquired from a dealer. Lauber is not charged with any crimes in connection with the case, and detectives said at an earlier hearing that she had been granted immunity.

    Defense attorneys are expected to argue that Lauber did not actually give Richins fentanyl and was motivated to lie for legal protection. None was ever found in her house, and the dealer has said he was in jail and detoxing from drug use when he told detectives in 2023 that he had sold fentanyl to Lauber. He later said in a sworn affidavit that he only sold her the opioid OxyContin.

    Other witnesses could include relatives of the defendant and her late husband, and friends of Eric Richins who have recounted phone conversations from the day prosecutors say he was first poisoned by his wife of nine years.

    One friend said in written testimony that they noticed fear in Eric Richins’ voice when he called on Valentine’s Day and said, “I think my wife tried to poison me.”

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  • What It Means to Launch a Book Rooted in Community – Garden Therapy

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    Vancouver friends, I’m celebrating the launch of The Wild & Free Garden, and I want you to join me.

    If you have been following me for a while, you might find it strange to learn that I haven’t hosted a launch party for any of my previous books. Lucky number thirteen, I guess!

    But really, this one has landed different. The Wild & Free Garden is rooted in community, full of local gardeners, shared knowledge, borrowed tools, and seeds passed from hand to hand. It’s meant to be celebrated through gathering.

    The book launch will take place on February 25 at the MONOVA, Museum of North Vancouver. Tickets are $33, which includes one signed copy of The Wild & Free Garden, as well as event admission for two guests and a special goodie from West Coast Seeds.

    Get your tickets here.

    More details on the launch and the book below!

    The Wild & Free Garden is my 13th book. I can hardly believe that I’ve written an average of a book a year since I signed my first book contract. I’m grateful to have the opportunity to write books and have them published; it’s truly a dream job.

    With 13 books, creating new articles on Garden Therapy, magazine contributions, and speaking events, it’s no wonder I haven’t made the time to host a book launch before.

    I had planned to do a big launch for Garden Alchemy in February 2020. It really felt like one worth celebrating, and I had a whole book tour scheduled for that spring. And well…you know what happened next. Events and travel were cancelled, and we began social distancing at home.

    My next two books, Regenerative Garden and The Big Book of Botanical Crafts, were both released in 2022, but by then, book launches were far from my mind. I didn’t really attend events or host parties anymore. It all felt a bit forgotten.

    Stephanie at event taking selfie with the crowd
    I missed doing events and workshops.

    So much has changed since then. In our work and live-from-home spaces, we all became busier than ever and more isolated. There seemed to be a correlation between the convenience and access to purchasing things and the inconvenience and lack of access to social connections.

    After moving houses twice, I set upon building a new garden again from scratch, and I decided this garden would be built from used or reclaimed materials. For the cost savings, yes, but also for the reduction of waste.

    The sharing economy became my first stop to shop for the materials I needed, and I often found exceptional quality and style from my Buy Nothing or neighbourhood groups. They would end up in a landfill if I didn’t repurpose them for my garden.

    Inspired, I decided to embark on a low-buy/no-buy year in 2025. I said goodbye to all my shopping apps and any remnant of fast shopping in my life.

    While it can be hard to eliminate these systems entirely and buy everything used, I made an effort to find what I needed in sharing groups first, then from local businesses.

    It was through these connections of chatting and meeting with people to collect their things that I realized how much we have lost contact with real people through one-click buying and same-day shipping. Convenience = disconnection.

    And that is how The Wild & Free Garden came together as a book about cost savings, waste reduction, and finding your people.

    The Wild & Free Garden is a DIY and design book, but it is also the manual of how I built my own garden and came into a community of connections that transformed my life. I built the gardens in my new home through community sharing and recycled materials, and made lifelong friends along the way. The garden came together entirely through connecting.

    So now, as we near the launch of the book, the idea of a launch party feels like a real-life expression of the book’s values. It calls for a gathering of people who are also interested in building community.

    Stephanie with friends

    The Book Launch Details

    The book launch will be taking place at MONOVA, the Museum of North Vancouver, on February 25, from 7:00 to 8:30 PM.

    LoriAnn Bird, author, herbalist, and dear friend of mine, will be joining me to share stories, gardens, and the people behind them.

    Vancouver’s North Shore Tourism Association has been a big champion of mine through the book’s creation, and they’ve helped me secure this beautiful location for the book launch. Your ticket to the event includes after-hours museum access!

    Tickets to the event are $33, which includes one signed copy of The Wild & Free Garden (valued at $32.99) PLUS event admission for two guests and a special gift from West Coast Seeds.

    Buy Tickets

    The “Wild” and “Free” Spaces

    At the event, you’ll also find two spaces inspired by the book with extra goodies. In the “Wild” area, you’ll find a self-guided creative space. I’ll be filling it with natural and found materials like pressed flowers, leaves, twine, paper, and more for you to create your own botanical artwork to take home.

    The Wild area is sponsored by Vancouver’s North Shore Tourism Association, and there will be plenty of wild materials from around the North Shore for you to craft with.

    The “Free” area will be a free market full of community-supported, garden-themed items, and has kindly been sponsored by West Coast Seeds. Guests are encouraged to bring new or like-new garden-themed items for the free space, but it’s completely optional.

    You can leave or take as much as you’d like, and there’s no obligation to bring anything at all. There are no rules about giving or taking. Giving is for anyone who finds themself with an abundance that they no longer need. Some people need more than others, and I want the Free area to be a place of generosity.

    I’ll be bringing some of my handmade soaps and gardening tools in addition to gardening books donated by Quarto, seeds from West Coast Seeds, and more goodies. So bring some jam from your garden! Or that extra trowel you never use. Or a division from your garden. It’s all about sharing.

    the wild & free book launch details

    If you’re local or happen to be in town on February 25th, get your tickets before they sell out. Space is limited for the event, and I’d love for you to join me in celebrating the launch of The Wild & Free Garden. This is an open invitation to gather, connect, and spend an evening being a little wild and a little free, together.

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    Stephanie Rose

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  • Scott Adams, ‘Dilbert’ cartoonist and author who pushed on through cancellation, dies at 68

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    Scott Adams, whose comic strip “Dilbert” satirized a certain kind of workplace culture for more than 30 years before its author was canceled because of his comments on race, died Tuesday morning after a battle with metastatic prostate cancer. He was 68.

    The announcement came via Adams’ YouTube channel, where he livestreamed daily until Monday morning.

    “Hi everyone. Unfortunately this isn’t good news. Of course he waited until just before the show started, but he’s not with us anymore,” his ex-wife, Shelly Adams, said through tears Tuesday morning.

    The cartoonist, whose extremely dry humor and heterodox political beliefs were on public display in recent years on his daily livestream “Coffee With Scott Adams,” spoke directly to his audience almost up to his death, getting some help from friends in his final days. .

    Adams revealed his Stage 4 cancer diagnosis in May 2025, shortly after former President Biden’s metastatic prostate cancer diagnosis went public.

    “Some of you have already guessed, so this won’t surprise you at all, but I have the same cancer Joe Biden has,” he said on his May 19, 2025, livestream. “I also have prostate cancer that has also spread to my bones, but I’ve had it longer than he’s had it. Well, longer than he’s admitted having it.”

    He noted that he and the former commander in chief both had “the bad kind” of prostate cancer.

    “There’s something you need to know about prostate cancer,” he said. “If it’s localized and it hasn’t left your prostate, it’s 100% curable. But if it leaves your prostate and spreads to other parts of your body … it is 100% not curable.”

    As May, Adams had been using a walker and dealing with terrible pain because, he said, the cancer had spread to his bones. Saying that the disease was “already intolerable,” he added, “I can tell you that I don’t have good days.” He said during a December show that he was “paralyzed” from the waist down in the sense that even though he had sensation, he couldn’t move any of those muscles.

    Given all that, he said, “my life expectancy is maybe this summer. I expect to be checking out from this domain sometime this summer.” But Adams outlived that prediction, livestreaming from his hospital bed during a stay for radiation treatment before Christmas and picking up again from his bed at home after that. Each show started off with the “simultaneous sip,” where Adams invited anyone watching to join him in a communal sip from the beverage of their choosing before he launched into reviewing the news of the day.

    Born Scott Raymond Adams on June 8, 1957, in Windham, N.Y., to a postal clerk father and a real estate agent mother, he started drawing cartoons when he was 6. Adams was valedictorian at Windham-Ashland-Jewett Central School, received his bachelor’s in economics from Hartwick College in Oneonta, N.Y., and then moved to California, where he earned a master’s in business administration at UC Berkeley.

    He proceeded to work for years at Crocker National Bank and Pacific Bell, holding the types of generic corporate office jobs his comic strip would use as fodder. While he was at PacBell, he awakened daily before dawn to try to figure out an alternative career. Cartooning won out.

    “Dilbert,” which launched in 1989, went from running in a handful of papers to, at its peak, appearing in more than 2,000 outlets in 57 countries and 19 languages. Adams received the National Cartoonists Society’s Reuben Award, the industry’s highest honor, in 1997. Page-a-day “Dilbert” calendars were top sellers for years, with more than 20 million calendars and “Dilbert” books in print.

    The comic took satirical aim at a micromanaged white-collar workplace and eventually grew into an empire that included a short TV series (mostly written by Adams), dozens of books and ubiquitous merchandise.

    Dilbert, the strip’s surrogate for Adams, interacted with characters including the Pointy-Haired Boss, the boss’ secretary Carol, co-worker Wally, who was trying to get fired so he would get severance, the competent but underappreciated Alice, hardworking but naive intern Asok, the clueless CEO, the evil HR chief Catbert and Dogbert, the smartest dog in the world.

    In addition to his numerous comic compilations, Adams’ books included business writing like “How to Lose Almost Every Time and Still Win Big” and “Win Bigly.”

    Adams married girlfriend Shelly Miles, a mother of two, in 2006, and the marriage lasted eight years. The two remained friends after their 2014 divorce, with Shelly ultimately reading Scott’s final message to viewers.

    In 2018, Adams learned that his stepson Justin, whom he said he had “raised from the age of 2,” was dead of an overdose at 18 after years of battling addiction. Adams fought back tears as he explained in his livestream that Justin’s decision-making abilities had suffered after a head injury sustained in a bike accident when he was 14.

    The cartoonist’s political views have been all over the map — he once called himself “a libertarian, minus the crazy stuff.” In 2016, he declared, “I don’t vote and I am not a member of a political party.” More recently he veered toward support for President Trump, whom he considered a great persuader of people.

    Then in February 2023, remarks Adams made on his podcast were interpreted as racist, leading to serious consequences in his career.

    During a midweek livestream, Adams had riffed off the results of a poll that asked whether people agreed with the statement “It’s OK to be white.” Among Black respondents, 26% disagreed and 21% said they were not sure — a total of 47% who didn’t think it was OK to be white.

    (The seemingly innocuous phrase “It’s OK to be white” had been co-opted in 2017 for an online trolling campaign aimed at baiting liberals and the media, the Anti-Defamation League said in a statement at the time. The phrase also has a history of use among white supremacists.)

    “If nearly half of all Blacks are not OK with white people … that’s a hate group. And I don’t want anything to do with them,” Adams said in his usual deadpan delivery. “And based on how things are going, the best advice I could give to white people is to get the hell away from Black people. Just get the f— away. Wherever you have to go, just get away. ’Cause there’s no fixing this. This can’t be fixed.”

    He continued, still deadpan, “So I think it makes no sense whatsoever, as a white citizen of America, to try to help Black citizens anymore. It doesn’t make sense. There’s no longer a rational impulse. And so I’m going to back off from being helpful to Black America, because it doesn’t seem like it pays off. Like, I’ve been doing it all my life and the only outcome is I get called a racist.”

    Within days, amid backlash about Adams’ comments, “Dilbert” was dropped by a number of newspapers, including the Los Angeles Times. Then his syndicator, which had provided “Dilbert” to outlets that published the comic, shed him as a client entirely. And Penguin Random House slammed the door shut when it nixed publication of his book “Reframe Your Brain,” which would have come out that fall, and removed his back catalog from its offerings.

    Adams discussed his own cancellation after the fact, saying a few days later on his livestream that he had been using hyperbole, “meaning an exaggeration,” to make a point. He said the stories that reported his comments had used a trick: “The trick is just to use my quote and to ignore the context which I helpfully added afterwards.”

    But he said that nobody would disagree with his two main points, which had been to “treat all individuals as individuals, no discrimination” and “avoid anything that statistically looks like a bad idea for you personally.” He also disavowed racists.

    Adams wound up self-publishing “Reframe Your Brain” in August 2023 with a dedication that read, “For the Simultaneous Sippers (Thank you for saving me.).”

    Even after his excommunication from the mainstream, Adams’ weekday morning livestreams regularly garnered tens of thousands of views on YouTube and were also viewable on Rumble, where the cartoonist had gone to avoid speech restrictions on YouTube at the height of the COVID-19 pandemic.

    The description on one of his video accounts read, “If you enjoy learning how to be more effective in life while catching up with the interesting news, this is the channel for you.”

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    Christie D’Zurilla

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  • Yes, Orange County has always had a neo-Nazi problem. A new deeply reported book explains why

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    On the Shelf

    American Reich: A Murder in Orange County, Neo-Nazis, and a New Age of Hate

    By Eric Lichtblau
    Little Brown and Company: 352 pages, $30

    If you buy books linked on our site, The Times may earn a commission from Bookshop.org, whose fees support independent bookstores.

    Have you heard of Orange County? It’s where the good Republicans go before they die.

    It should come as no surprise that Orange County, a beloved county for the grandfather of modern American conservatism, Ronald Reagan, would be the fertile landscape for far-right ideology and white supremacy. Reaganomics aside, the O.C. has long since held a special if not slightly off-putting place, of oceanfront leisure, modern luxury and all-American family entertainment — famed by hit shows (“The Real Housewives of Orange County,” “The O.C.” and “Laguna Beach,” among others). Even crime in Orange County has been sensationalized and glamorized, with themes veneered by opulence, secrecy and illusions of suburban perfection. To Eric Lichtblau, the Pulitzer Prize winner and former Los Angeles Times reporter, the real story is far-right terrorism — and its unspoken grip on the county’s story.

    “One of the reasons I decided to focus on Orange County is that it’s not the norm — not what you think of as the Deep South. It’s Disneyland. It’s California,” Lichtblau says. “These are people who are trying to take back America from the shores of Orange County because it’s gotten too brown in their view.”

    His newest investigative book, “American Reich,” focuses on the 2018 murder of gay Jewish teenager Blaze Bernstein as a lens to examine Orange County and how the hate-driven murder at the hands of a former classmate connects to a national web of white supremacy and terrorism.

    I grew up a few miles away from Bernstein, attending a performing arts school similar to his — and Sam Woodward’s. I remember the early discovery of the murder where Woodward became a suspect, followed by the news that the case was being investigated as a hate crime. The murder followed the news cycle for years to come, but in its coverage, there was a lack of continuity in seeing how this event fit into a broader pattern and history ingrained in Orange County. There was a bar down the street from me where an Iranian American man was stabbed just for not being white. The seaside park of Marblehead, where friends and I visited for homecoming photos during sunset, was reported as a morning meet-up spot for neo-Nazis in skeleton masks training for “white unity” combat. These were just some of the myriad events Lichtblau explores as symptoms of something more unsettling than one-offs.

    Samuel Lincoln Woodward, of Newport Beach, speaks with his attorney during his 2018 arraignment on murder charges in the death of Blaze Bernstein.

    (Allen J. Schaben / Los Angeles Times)

    Lichtblau began the book in 2020, in the midst of COVID. He wanted to find a place emblematic of the national epidemic that he, like many others, was witnessing — some of the highest record of anti-Asian attacks, assaults on Black, Latino and LGBTQ+ communities, and rising extremist rhetoric and actions.

    “Orange County kind of fit a lot of those boxes,” Lichtblau says. “The horrible tragedy with Blaze Bernstein being killed by one of his high school classmates — who had been radicalized — reflected a growing brazenness of the white supremacy movement we’ve seen as a whole in America in recent years.”

    Bernstein’s death had been only two years prior. The Ivy League student had agreed to meet former classmate Woodward one evening during winter break. The two had never been close; Woodward had been a lone wolf during his brief time at the Orange County School of the Arts, before transferring due to the school’s liberalness. On two separate occasions over the years, Woodward had reached out to Bernstein under the pretense of grappling with his own sexuality. Bernstein had no idea he was being baited, or that his former classmate was part of a sprawling underground network of far-right extremists — connected to mass shooters, longtime Charles Manson followers, neo-Nazi camps, and online chains where members bonded over a shared fantasy of harming minorities and starting a white revolution.

    “But how is this happening in 2025?”

    These networks didn’t appear out of nowhere. They had long been planted in Orange County’s soil, leading back to the early 1900s when the county was home to sprawling orange groves.

    Mexican laborers, who formed the backbone of the orange-grove economy (second to oil and generating wealth that even rivaled the Gold Rush), were met with violence when the unionized laborers wanted to strike for better conditions. The Orange County sheriff, also an orange grower, issued an order. “SHOOT TO KILL, SAYS SHERIFF,” the banner headline in the Santa Ana Register read. Chinese immigrants also faced violence. They had played a large role in building the county’s state of governance, but were blamed for a case of leprosy, and at the suggestion of a councilman, had their community of Chinatown torched while the white residents watched.

    Gideon Bernstein and Jeanne Pepper Bernstein, center, parents of Blaze Bernstein

    Gideon Bernstein and Jeanne Pepper Bernstein, center, parents of Blaze Bernstein, speak during a news conference after a 2018 sentencing for Samuel Woodward at Orange County Superior Court.

    (Jeff Gritchen/Pool / Orange County Register)

    Leading up to the new millennium brought an onslaught of white power rock coming out of the county’s music scene. Members with shaved heads and Nazi memorabilia would dance to rage-fueled declarations of white supremacy, clashing, if not worse, with non-white members of the community while listening to lyrics like, “When the last white moves out of O.C., the American flag will leave with me… We’ll die for a land that’s yours and mine” (from the band Youngland).

    A veteran and member of one of Orange County’s white power bands, Wade Michael Page, later murdered six congregants at at a Sikh temple in Wisconsin in 2012.

    “It’s come and gone,” says Lichtblau, who noticed these currents shifting in the early 2000s — and over the years, when Reagandland broke in certain parts to become purple. Even with sights of blue amid red, Trump on the landscape brought a new wave — one that Lichtblau explains was fueled by “claiming their country back” and “capturing the moment that Trump released.”

    It can be hard to fathom the reality: that the Orange County of white supremacy exists alongside an Orange County shaped both economically and culturally by its immigrant communities, where since 2004, the majority of its residents are people of color. Then again, to anyone who has spent considerable time there, you’ll notice the strange cognitive dissonance among its cultural landscape.

    It’s a peculiar sight to see a MAGA stand selling nativist slogans on a Spanish-named street, or Confederate flags in the back of pickup trucks pulling into the parking lots of neighborhood taquerias or Vietnamese pho shops for a meal. Or some of the families who have lived in the county for generations still employing Latino workers, yet inside their living rooms Fox News will be playing alarmist rhetoric about “Latinos,” alongside Reagan-era memorabilia proudly displayed alongside framed Bible verses. This split reality — a multicultural community and one of the far-right — oddly fills the framework of a county born from a split with its neighbor, L.A., only to develop an aggressive identity against said neighbor’s perceived liberalness.

    It’s this cultural rejection that led to “the orange curtain” or the “Orange County bubble,” which suggest these racially-charged ideologies stay contained or, exhaustingly, echo within the county’s sphere. On the contrary, Lichtblau has seen how these white suburban views spill outward. Look no further than the U.S. Capitol insurrection on Jan. 6, also the book’s release date.

    While popular belief might assume these insurrectionists came from deeply conservative areas, it was actually the contrary, as Lichtblau explains. “It was from places like Orange County,” he says, “where the voting patterns were seeing the most shift.” Some might argue — adamantly or reluctantly — that Jan. 6 was merely a stop-the-steal protest gone wrong, a momentary lapse or mob mentality. But Lichtblau sees something much larger. “This was white pride on display. There was a lot of neo-Nazi stuff, including a lot of Orange County people stuff.”

    As a society, it’s been collectively decided to expect the profile of the lone wolf killer, the outcast, wearing an identity strung from the illusions of a white man’s oppression — the type to rail against unemployment benefits but still cash the check. Someone like Sam Woodward, cut from the vestiges of the once venerable conservative Americana family, the type of God-fearing Christians who, as “American Reich” studies in the Woodward household, teach and bond over ideological hate, and even while entrenched in a murder case, continuously reach out to the victim’s family to the point where the judge has to intervene. The existence of these suburban families is known, as is the slippery hope one will never cross paths with them in this ever-spinning round of American roulette. But neither these individuals nor their hate crimes are random, as Lichtblau discusses, and the lone wolves aren’t as alone as assumed. These underground channels have long been ingrained in the American groundscape like landmines, now reactivated by a far-right digital landscape that connects these members and multiplies their ideologies on a national level. Lichtblau’s new investigation goes beyond the paradigm of Orange County to show a deeper cultural epidemic that’s been taking shape.

    Beavin Pappas is an arts and culture writer. Raised in Orange County, he now splits his time between New York and Cairo, where he is at work on his debut book.

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    Costa Beavin Pappas

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  • How Robert Crumb inspired the underground comix movement

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    Crumb: A Cartoonist’s Life, by Dan Nadel, Scribner, 480 pages, $35

    “In the spring of 1962, an 18-year-old Robert Crumb was beaned in the forehead by a solid glass ashtray. His mother, Bea, had hurled it at his father, Chuck, who ducked. Robert was bloodied and dazed, once again a silent and enraged witness to his family’s chaos.”

    So begins Dan Nadel’s Crumb: A Cartoonist’s Life. What follows is an engrossing blow-by-blow account of Robert Crumb’s peripatetic life, during which the artist almost single-handedly inspired the underground comix movement. At times, his work was called sexist, racist, and obscene, but even his critics often acknowledged that he was hilarious and original.

    Crumb played a major role in inspiring and encouraging the anarchic crew of young underground press cartoonists of the mid-to-late 1960s, a group that included me. We learned to rid ourselves of internal inhibitions and external censors (including the often-fussy leftists who typically staffed the underground papers) and go for broke—sometimes literally.

    I had the good fortune to meet Crumb in Chicago in the summer of 1968. He was on one of his cross-country trips, crashing on the couch of Jay Lynch, a local underground cartoonist and mutual friend. I was fresh out of high school and eager to learn the craft of cartooning.

    I pored over Robert’s jam-packed sketchbook of ink drawings of goofy characters and sketches of gritty urban life. It changed my life: His bolt of inspiration fed my creative work for years to come. He had that effect on other artists too.

    His childhood was often traumatic. Crumb and his four siblings were military brats, at the mercy of their Marine father’s rotation from post to post around the U.S. His parents did not get on well, to put it mildly, and their kids took solace in the world of comic books. Soon, under the tutelage of Robert’s older brother, Charles, they went beyond reading and began writing and drawing their own.

    Crumb’s mother, Bea, made sure that her kids read only “funny animal” comics and similarly innocent fare. It’s easy to see how Crumb’s rebellion against his dysfunctional parents would lead to his first hit character: Fritz the Cat, a mischievous rogue perennially on the make, living a bohemian life in an urban setting populated by other anthropomorphic animals and birds.

    After high school graduation, Robert moved to Cleveland where he applied for work at American Greetings. To their credit, the managers there recognized his budding talent. He took their professional skills and techniques training program; when he emerged, he was still an alienated and awkward young man, but he was one who could produce quality art with popular appeal.

    In the mid-’60s, even a declining industrial center like Cleveland had an emerging counterculture. There, Robert met Dana, his soon-to-be wife. Both were barely out of high school, and what was probably puppy love turned into an awkward marriage of naifs who clung to each other, trying to make decisions about a future they could barely imagine.

    After a few years of grinding out greeting cards and ingesting LSD and marijuana, Robert and Dana relocated to San Francisco in early 1967. That year, droves of would-be flower children arrived for the legendary but ill-fated “Summer of Love.” Robert made contact with local hip printers and artists while continuing to do cards for American Greetings and Fritz the Cat strips for Cavalier, a men’s magazine out of New York. His readership grew considerably.

    As the underground papers declined, the locus of counter-cultural cartooning shifted to underground comic books, such as Crumb’s Zap Comix. Free artistic expression and looser pornography laws meant comix could make fun of everything, including the pretensions of the counterculture and the left, sometimes in taboo-breaking and X-rated fashion. Soon the new comix were in head shops, indie record outlets, and bookstores. Crumb stayed financially afloat with a steady flow of hits, including Big Ass ComicsMotor City ComicsXYZ Comics, and Despair.

    To his everlasting chagrin, Crumb’s celebrity would attract many sleazy operators and rip-off artists. On the upside, he and Dana worked out an open-marriage arrangement, allowing both to have other lovers. But the tensions between Robert and Dana increased over time, and once he met Aline Kominsky, a cartoonist in her own right and a more suitable match, his first marriage unraveled and Robert married Aline. There followed decades of their self-satirizing comix chronicling their eccentric life together.

    Of all the taboo-breaking cartoonists active in the underground comix movement, why did Crumb prove the most popular? The foremost reason, I think, is that he’s an extremely gifted draftsman. He shifted between several drawing styles, from old-timey to more realistic, depending on the story he was telling, but all of them were instantly identifiable as Crumb’s work.

    Then there was Crumb’s policy of fully expressing his kinky libido and id in his comix, no matter how much flak he got from feminists or puritans. It was arguably sophomoric, but it was also entertaining and titillating. Crumb’s devotion to celebrating powerful Amazonian women, with large rumps and thick thighs, gave a name to a cultural niche-fetish—what became known as “Crumb women.”

    Another factor in Crumb’s popularity was that Crumb, by temperament, adored the past (and largely despised the present). That made him a good fit for a 1960s pop culture infused with nostalgia for earlier eras. Robert and Dana arrived in a San Francisco mobbed with long-haired flower children, the girls in ankle-length granny dresses and their boyfriends sporting 1880s beards, gamblers’ vests, and cowboy boots. Folk musicians like Joan Baez were reviving traditional musical styles, and rockers like the Rolling Stones were paying homage to older country and blues. Graphic designers such as Push Pin Studios used themes and tropes from art nouveau, art deco, and even Wild West signage to create distinctive ads, book covers, posters, and more.

    Crumb loved the music of the 1920s and loved newspaper comics going back to the earliest era. It may not be a coincidence that one of his most popular characters was a would-be guru and con man named Mr. Natural, who walked the city streets dressed nearly identically to the star of the first American comic strip to achieve widespread fame.

    That strip was The Yellow Kid, R.F. Outcault’s comic about an Irish urchin of the Lower East Side nicknamed for his trademark yellow nightshirt. It began its run in Joseph Pulitzer’s New York World in 1895 but was lured to William Randolph Hearst’s New York Journal in 1896 and achieved legendary status there. New full-color web presses of the era had revolutionized printing. Newspapers competed to attract readers with lavish color supplements with top illustrators and Sunday funnies featuring smart-aleck comic strips. All this soon proved hugely popular.

    Today, the humor of those early comic strips needs context. Up through the 1940s, American popular humor was dominated by stereotypes and caricatures; racial, ethnic, national, class, and sex-based differences were often juxtaposed for comic effect. This was also true of the cartoons of other countries and cultures: The other was always perceived as somewhat ridiculous.

    It is purely my own hunch, and not one suggested in Nadel’s evenhanded biography, that Crumb’s glee in toying with stereotypes of men, women, races, and social groups is not an exercise in bigotry so much as an homage to an earlier time, when everyone, no matter who, was granted agency and was fair game for teasing. In any event, Crumb’s wit, talent, insight, and unflagging dedication to his own shameless vision have earned him a place in the company of American defenders of free expression.

    This article originally appeared in print under the headline “Robert Crumb’s Roving Art and Life.”

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    Jay Kinney

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  • Ronald Reagan biographer, legendary California journalist Lou Cannon dies

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    For the record:

    2:49 p.m. Dec. 20, 2025An earlier version of this story included a photo caption that identified journalist Sander Vanocur as Lou Cannon.

    Journalist and author Lou Cannon, who was widely considered the nation’s leading authority on the life and career of President Reagan, died Friday in a Santa Barbara hospice. He was 92.

    His death was caused by complications from a stroke, his son Carl M. Cannon told the Washington Post, where his father served for years as a White House correspondent.

    The elder Cannon covered Reagan’s two-term presidency in the 1980s, but his relationship with the enigmatic Republican leader went back to the 1960s, when Reagan moved from acting to politics.

    Cannon interviewed Reagan more than 50 times and wrote five books about him, but still struggled to understand what made Reagan who he was.

    “The more I wrote,” Cannon told the Reno Gazette-Journal in 2001, “the more I felt I didn’t know.”

    Cannon was born in New York City and raised in Reno, Nev., where he attended the University of Nevada in Reno and later San Francisco State College.

    After service in the U.S. Army, he became a reporter covering Reagan’s first years as governor of California for the San Jose Mercury News. In 1972, Cannon began working for the Washington Post as a political reporter.

    Cannon recalled first encountering Reagan in 1965 while assigned to cover a lunch event for reporters and lobbyists and being surprised by Reagan’s command of the room when he spoke.

    Reagan was beginning his campaign for governor by proving he could answer questions and “was not just an actor reading a script.” At the time, the word actor was “a synonym for airhead. Well, Reagan was no airhead,” Cannon said in a 2008 interview at the Richard Nixon Presidential Library & Museum.

    To Cannon’s surprise, the reporters and lobbyists mobbed Reagan after the event was over to get his autograph. Cannon introduced himself.

    “I remember those steely eyes of his. I thought he had this great face, but his eyes are tough,” Cannon said. “His eyes are really something.”

    On the phone later, Cannon’s editor asked him what he thought of Reagan. He replied, “I don’t know anything, but if I were running this thing, why would anybody want to run against somebody that everybody knows and everybody likes? Why would you want him to be your opponent?

    “I predicted that Reagan was going to be president, but I didn’t have any idea he was going to be governor,” Cannon said. “I was just so struck by the fact that he impacted on people as, not like he was a politician, but like he was this celebrity, force of nature that people wanted to rub up against. It was like seeing Kennedy again. They wanted the aura, the sun.”

    In 1966, Reagan was elected governor by a margin of nearly 1 million votes and Cannon found himself “writing about Ronald Reagan every day.”

    Reagan’s political opponents in California and Washington consistently underestimated him, assuming the former actor could be easily beaten at the ballot box, Cannon said. Reagan ran for president unsuccessfully twice, but had the will to keep trying until he won — twice.

    “Reagan was tough, and he was determined, and you couldn’t talk him out of doing what he wanted to do,” Cannon said. “Nancy couldn’t talk him out of what he wanted to do, for god’s sakes. And certainly no advisor could or no other candidate. Ronald Reagan wanted to be president of the United States.”

    Cannon’s first book on the president, “Reagan,” was published in 1982. In 1991 he published “President Reagan: The Role of a Lifetime,” which is regarded as a comprehensive biography of the 40th president.

    Cannon also authored a book about the LAPD and the 1992 Rodney King riots in Los Angeles, in addition to chronicling a range of tales over the years, including the federal bust of a 1970s heroin kingpin in Las Vegas.

    Mr. Cannon’s first marriage, to Virginia Oprian, who helped him research his early books, ended in divorce. In 1985, he wed Mary Shinkwin, the Washington Post said. In addition to his wife, he is survived by three children.

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    Roger Vincent

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  • Hole Bassist Melissa Auf der Maur Announces New Memoir

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    Melissa Auf der Maur, the former bassist of Hole, touring member in the Smashing Pumpkins, and co-founder of New York’s Basilica Hudson, has announced a new memoir. Even the Good Girls Will Cry: A ’90s Rock Memoir comes out March 17 via Da Capo. Check out the book cover below.

    Billed as “part rock memoir, part travel diary, and part psychedelic scrapbook,” Even the Good Girls Will Cry documents Melissa Auf der Maur’s life as she grew up from a teenager in Montreal immersed in the city’s art and music life, to a cassette DJ and ticket girl, on through to a musician who got her big break. After her band Tinker earned an opening slot for the Smashing Pumpkins, she was whisked off on the journey of a lifetime. Auf der Mauf was invited to join Hole just in time for their 1994 Live Through This world tour, bonded with Courtney Love as a friend while she grieved the death of Kurt Cobain and former Hole bassist Kristen Pfaff, and began to see the alt-rock world from the inside looking out as a musician, photographer, producer, and more.

    “This book is about the decade that defined me and my generation, 1991-2001, and my life in the rock bands which allowed me to have a front row seat to an incredibly visceral and unforgettable moment in the counterculture,” said Auf der Maur. “It’s a love letter to the power of music and one-of-a-kind voices that make the world a cooler place; it’s also an ode to the analog, and what magic has been lost. Sharing what our generation witnessed, and what the world once was, in my hope of building a more livable future together.”

    Read about Hole’s Live Through This at No. 8 in “The 150 Best Albums of the 1990s.”

    All products featured on Pitchfork are independently selected by our editors. However, when you buy something through our retail links, we may earn an affiliate commission.

    Melissa Auf der Maur: Even the Good Girls Will Cry: A ’90s Rock Memoir

    Melissa Auf der Maur book cover

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    Nina Corcoran

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  • No Secrets Are Safe In This Is A Safe Space

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    Book Overview: This Is A Safe Space

    Content Warnings: sexual assault, stalking, blackmail, coercive control, infidelity, trauma

    Summary: Jenna, who runs a successful private therapy practice, still struggles with trust issues of her own. She’s made a promise to stop snooping in her husband Colten’s phone, but sometimes she can’t help herself. One night, she discovers a troubling exchange between him and his cousin Bodie, who’s one of his closest friends. A dancer from a bachelor party they both recently attended is threatening Bodie, claiming they crossed a line sexually and that she’ll expose the truth to his family if she doesn’t get what she wants. They don’t know much about this woman, or how far she’s willing to go. But Jenna might.

    Lexus Chardonnay, the stage name of the dancer from the party, is one you don’t forget. And Jenna’s heard it before—from one of her clients.

    Kaitlyn is a medical school student who dances on weekends to put herself through school. Jenna’s been her therapist for years, except she hasn’t seen her for three months. Not since Kaitlyn stopped showing up for treatment, without explanation. As Jenna begins to listen back to their past sessions, desperate for answers, a more complicated picture emerges, and she must decide who to trust as her career and her family hang in the balance.

    This is a Safe Space By Lucinda Berry
    Courtesy of Simon & Schuster

    Everyone says they want honesty in a relationship, but how many of us have sneaked a peek at a partner’s phone when nobody’s looking? Jenna knows she shouldn’t, yet one quiet night, she breaks her promise and scrolls through her husband’s texts. What she finds isn’t your run-of-the-mill flirty message or a secret Instagram account. It’s something much more alarming: a digital Pandora’s box that threatens not just her marriage, but the very career built on trust and confidentiality.

    Lucinda Berry’s new thriller, This Is A Safe Space, puts a modern twist on the old idea that some secrets refuse to stay buried. In an era when our whole lives (and our darkest lies) can hide behind a lock screen, this story taps into a very real, very today kind of fear. What if the person who creates a “safe space” for others has nowhere safe for herself? It’s a question Jenna is forced to confront as her professional world collides with a deeply personal nightmare.

    1. Our Phones, Our Secrets

    What would someone find if they opened your phone right now? It’s a disarming question, and in This Is A Safe Space, the answer nearly shatters one family. Jenna’s late-night phone snooping isn’t just a plot device; it’s a painfully relatable lapse in judgment. In an age of fingerprint locks and Face IDs, the smartphone has become a diary, confession booth, and safe deposit box of our secrets all in one. Jenna promised herself she’d trust her husband Colten, but the temptation of that glowing screen proves too strong. And when her worst suspicions appear confirmed by a string of cryptic texts, it kicks off a chain reaction of suspicion and fear.

    This thriller gets how a tiny breach of digital privacy can snowball. One moment of “just checking” leads Jenna into a web of lies connecting her home to her therapy practice. It’s a modern scenario that feels disturbingly familiar, tapping into the way real trust issues often begin with a single notification at 2 AM. By anchoring the mystery in something as ordinary as a text message, the story makes its psychological punches hit close to home!

    2. One Name, Two Lives

    Meet Lexus Chardonnay. It’s a stage name you won’t easily forget. For Jenna, it’s the name that makes her blood run cold. Those threatening messages on her husband’s phone revolve around a mysterious dancer with this flashy alias. But Jenna has heard it before, in a far different context. Lexus is actually Kaitlyn, a bright medical student who has sat across from Jenna in therapy for years. By day, Kaitlyn is studying to heal others; by night, under neon lights, she becomes Lexus, dancing to pay the bills.

    This dual life isn’t just a plot twist; it’s a commentary on the curated identities people juggle. On social media, we often present highlight reels of our lives, and some of us even keep whole parts of ourselves hidden under alter egos. The novel deftly shows how those separate worlds can collide in an instant. Jenna suddenly realizes the woman sending shockwaves through her family is the same person she’s tried to help through panic attacks and personal struggles. It’s a collision of worlds that raises the stakes and begs the question: how well do we really know anyone, even those we’re supposed to trust most?

    3. Victim Or Villain?

    Thrillers thrive on uncertainty over who wears the white hat and who’s hiding a dagger behind their back. This Is A Safe Space takes that uncertainty up a notch. The dancer threatening Jenna’s family might be an extortionist preying on men’s worst fears, or she could be a young woman lashing out after surviving something unspeakable. The story constantly tugs the rug out from under assumptions. One chapter, you’re convinced Bodie (Colten’s hapless cousin caught in the scandal) is being unfairly trapped; the next, you wonder if he’s not as innocent as he seems.

    It’s a fascinating tightrope walk between sympathy and suspicion. The novel asks if it’s possible to be both a victim and a perpetrator at once. In real life, people who are hurt sometimes hurt others in return, intentionally or not. Berry isn’t afraid to live in that gray area. She lets readers sit with the discomfort that comes when you simply can’t slot someone into “good” or “bad.” It makes the suspense that much more intense.

    4. When Control Turns Coercive

    Behind the thriller’s twists lies a sobering commentary on power and credibility. The situation Jenna uncovers isn’t just about a scandal. It’s about who gets believed and who gets blamed. Kaitlyn’s alter ego, Lexus, resorts to late-night threats and demands, behaviors that look like stalking on the surface. But the novel nudges readers to consider why she feels this is her only recourse. Women who speak up about being harmed are too often dismissed as “crazy” or attention-seeking, especially if their story threatens a tight-knit family’s reputation. It’s a frustrating reality that This Is A Safe Space digs into: if Kaitlyn truly was wronged, would anyone believe her without proof or pressure?

    The flip side is equally unsettling. If she’s lying, then she’s weaponizing the doubt that real victims face, making it harder for others to trust women’s stories. The narrative walks this fine line without preaching. Instead, it heightens the suspense: every character is unsure who to trust, and that creeping feeling of being watched or manipulated keeps both Jenna and the reader on edge. Coercive control isn’t always overt violence: sometimes it’s a barrage of texts, a veiled threat, or the silent treatment that warps reality. Berry shows how these subtler forms of manipulation can be just as chilling, especially in a world where deleting a message doesn’t erase what happened.

    5. Blurred Boundaries, Big Dilemmas

    Therapists are supposed to keep a professional distance, but what happens when the “someone” needing help is on the other side of the couch and also at your dinner table? Jenna’s predicament is every psychologist’s nightmare scenario. Ethically, a therapist shouldn’t entangle their personal life with a patient’s, yet here she is, smack in the middle of her client’s secret crisis. When Kaitlyn vanished from therapy without a word three months ago, Jenna never imagined their next encounter would be like this. Now Jenna is combing through old session notes and audio recordings, searching for clues in conversations that were meant to heal, not solve a mystery.

    The book grapples with the ethics of these dual relationships in a very human way. Jenna isn’t portrayed as a saint or a sinner for the choices she makes, just a person trying to protect her family and her patient at the same time. It raises tough questions: Can you ever really separate personal feelings from professional duty? Jenna knows the rulebook, but This Is A Safe Space shows how real life often laughs in the face of those rules. The tension of watching her walk that tightrope between what’s right as a therapist and what’s necessary as a wife and mother adds another layer of depth to an already twisty thriller.

    6. When Betrayal Hits Home

    Beyond the mystery and mind games, Berry delves into the emotional wreckage that betrayal leaves behind. Jenna might be a therapist, but discovering her husband’s possible deceit puts her on the other side of the couch, reeling, doubting, and hurt like anyone else. The novel illustrates betrayal trauma in a way that young readers and older ones alike can feel in their gut. When someone you love breaks your trust, it doesn’t just sting; it alters how you see the world. Jenna’s outlook shifts as she grapples with the notion that the man she built a life with may have dangerous secrets. Her empathy is tested too; can she still sympathize with her client’s pain when she’s drowning in her own?

    Lucinda Berry’s background as a psychologist shines through in these moments. The story doesn’t lecture about trauma; it shows it unfolding in real time, from Kaitlyn’s anxiety spirals to Jenna’s simmering panic behind her professional poise. The characters’ reactions feel authentic, messy, and human. This Is A Safe Space isn’t just another page turner; it’s a thriller that truly understands the psychology of broken trust!

    The scariest part of This Is A Safe Space isn’t what people confess; it’s what they keep to themselves.

    What are your thoughts on This Is A Safe Space? Let us know all your thoughts in the comments below or over on TwitterInstagram, or Facebook!

    TO LEARN MORE ABOUT LUCINDA BERRY:
    FACEBOOK | INSTAGRAM | WEBSITE

    Want more book reviews? Check out our library!

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    Asia M.

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  • The Artist Academic: Groundbreaking Book Seeks to Inspire Creatives and Educators

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    Bestselling author, romance novelist, and internationally recognized scholar, releases a professional memoir and guidebook aimed at inspiring academics, writers, and artists to carve their own paths, merge their passions, and live their purpose.

    On October 6, Dr. Patricia Leavy surprised her fans by releasing a professional memoir and career guidebook titled The Artist Academic. Readers haven’t been shy about asking Leavy to share the secrets to how she built a successful career as both an acclaimed scholar and bestselling novelist. On October 6, without any prepromotion, they got their wish as Leavy surprise dropped her new book, only weeks after releasing her latest novel, Cinematic Destinies.

    The Artist Academic offers strategies for bridging academic and artistic endeavors. Leavy details her career in academia, the frustrations that led her to explore creative approaches to research, her journey to becoming a public intellectual, and her successful transition to commercial novelist. She not only offers personal experience, but also a roadmap for others. The book includes invaluable advice and insider tips on the publishing industry, developing an author or artist platform, and building bridges between two worlds.

    The Artist Academic has received high praise from leading scholars, artists, and authors. Sociologist Laurel Richardson deemed the book, “A tour de force” while Roula-Maria Dib, founder of the London Arts-Based Research Centre praised the book as “both memoir and manifesto” and “a must-read.” Dr. Jessie Voigts, founder of Wandering Educators, hails the book as “a breath of fresh air.” Voigts goes on to say, “The Artist Academic is a must-read for every educator, art educator, graduate student, artist, and creative.” Other acclaimed scholars called the book “a gift” and “luminous guide” that “will change lives.”

    The Book ReVue gave The Artist Academic a glowing 5-star review, calling it “a transformative work.” They write, “Leavy’s work is significant because it illustrates that scholarship and creativity are not mutually exclusive; rather, they are complementary forces that, when combined, can broaden both comprehension and influence.” Amazon customers are also raving about the book. One 5-star review called it, “A truly inspirational manifesto for creatives.” Another said, “I came away with both ideas and inspiration.” Another said, “This is one of those books I’ll be revisiting again and again.”

    On the day of release, The Artist Academic became the Amazon #1 Bestseller in College & University Education and the #1 New Release in Biographies & Memoirs of Authors. The book remains one of Amazon’s Hot New Releases in multiple categories. In an interview with Wandering Educators, Leavy said, “Many people can relate to the topic. So many of us aren’t living our purpose because we can’t figure out how to prioritize our passion and still make our lives work. The book taps into something many people feel.”

    Dr. Patricia Leavy is a bestselling author and internationally known scholar. She has published 50 books, earning critical and commercial success in nonfiction and fiction, and her work has been translated into numerous languages. Her books have earned more than 100 awards. Recently, her novel Shooting Stars Above was featured on People “10 Romance Books to Read After Great Big Beautiful Life by Emily Henry.” Leavy has received career awards from the New England Sociological Association, the American Creativity Association, the American Educational Research Association, the International Congress of Qualitative Inquiry, and the National Art Education Association. In 2024 the London Arts-Based Research Centre established “The Patricia Leavy Award for Arts-Based Research.” Website www.patricialeavy.com.

    The Artist Academic is available here

    Source: Paper Stars Press

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  • Thirteen’s The Charm: Inside The Dark Enchantment Of Erin A. Craig’s The Thirteenth Child

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    Book Overview: The Thirteenth Child

    Content Warnings: death, parent deaths, gore, war, violence, illness and plague, cheating

    Summary: Hazel Trépas has always known she wasn’t like the rest of her siblings. A thirteenth child, promised to one of the gods, she spends her childhood waiting for her godfather, Merrick, the Dreaded End and Death himself, to arrive. When he does, he lays out his plan for Hazel’s future. She will become a great healer, known throughout the kingdom for her precision and skill. To aid her endeavors, Merrick blesses Hazel with a gift, the ability to instantly deduce the exact cure needed to treat the sick.

    But all gifts come with a price. . . .

    Hazel can see when Death has claimed a patient—when all hope is gone—and is tasked with ending their suffering, permanently. Haunted by the ghosts of those she’s killed, Hazel longs to run. But destiny brings her to the royal court,where she meets Leo, a rakish prince, and against her better judgment, she falls in love. But Hazel faces her biggest dilemma yet when she is called to heal the king. Hazel knows what she is meant to do and knows what her heart is urging her toward, but what will happen if she goes against the will of Death for the sake of love?

    The Thirteenth Child by Erin A. Craig

    Imagine being blessed at birth, not by a fairy godmother but by Death himself. That’s the haunting premise of Erin Craig’s The Thirteenth Child, a YA novel that spins a darkly enchanting tale from a Grimm fairy tale. It’s part epic fantasy, part romance, and it’s already topping bestseller lists. So what makes this gothic story stand out? Here are 7 reasons it’s casting a spell on young readers:

    1. A Grimm Inspiration Reborn

    Based on a Brothers Grimm tale, but far from a quaint fable. It draws inspiration from a lesser-known Grimm story called Godfather Death, but don’t expect a straight retelling. Craig uses that dark premise as a springboard for something much bigger! The novel nods to the original folktale’s themes of bargains and fate, then ups the ante with richer characters and higher stakes. It feels like a classic fairy tale at heart, but with far more twists and teeth.

    2. Hazel Trépas: A Heroine With A Dark Gift

    At the story’s heart is Hazel, a girl blessed (and cursed) by Death. Hazel Trépas is the thirteenth child of a poor family, promised from birth to the God of Death. When her eerie godfather finally shows up, he blesses Hazel with the power to heal any illness. The catch? She can also tell exactly when someone is beyond saving, and then she must end their suffering. Imagine the burden of that gift! Hazel is compassionate but haunted, determined to forge her own path despite the grim duty hanging over her. It’s impossible not to root for her as she fights for control of her life under Death’s shadow!

    3. Death As The Ultimate Godfather

    When Death becomes your mentor, expect the unexpected. Merrick, the god of Death himself, isn’t your typical hooded reaper. As Hazel’s godfather, he’s stern and otherworldly, yet oddly caring in his own way (more so than Hazel’s actual parents, frankly). He takes Hazel under his wing to mold her into the great healer he expects. Their bond is a fascinating push-pull of duty and affection. It’s not every day that Death plays dad, and here it’s equal parts chilling and touching.

    4. Gothic Atmosphere And Storybook Vibes

    Think candlelit castles, misty forests, and ghosts at the door. The book’s atmosphere is pure gothic goodness, from midnight chapel vigils to woodland spirits lurking by the road. Craig vividly renders a world where every blessing comes with a curse attached, making it feel like you’ve stepped into an eerie old storybook. Yet for all the dark, lush detail, the writing stays crisp and clear. It gives you goosebumps without ever getting you lost in the woods.

    5. Royal Intrigue And High-Stakes Twists

    Palace politics, family secrets, and fate hanging by a thread. When Hazel is summoned to the royal court to heal a dying king, the story kicks into high gear. Suddenly she’s navigating a den of vipers: scheming nobles, hidden agendas, and maybe even a murderous plot. In this kingdom, no one is entirely trustworthy, and danger lurks in every corridor. The novel delivers twist after twist as Hazel unravels what (or who) is behind the king’s illness. The stakes are sky-high, with Hazel’s own future tied to the fate of the realm, so by the climax you’ll be holding your breath hoping she can cheat Death itself!

    6. A ‘Romantasy’ Worth Swooning Over

    Amid the darkness is a swoon-worthy spark. Even in a dark tale, there’s room for love. Hazel’s chemistry with Prince Leo (the king’s younger son) brings a welcome glow to the gloom. Their banter is quick and witty (Leo’s cynicism meets its match in Hazel’s no-nonsense charm) and their reluctant alliance slowly blossoms into something more. Importantly, the romance never overshadows the main story; instead, it raises the emotional stakes. You’ll find yourself rooting for this couple to find a happily-ever-after, even as doom hangs over them. In a world so shadowed, their romance is a warm, defiant light.

    7. Haunting Themes With Heart

    A fairy tale that makes you think (and maybe cry). Beyond the magic and mayhem, this story tackles big questions about mortality and sacrifice. Hazel’s very role asks: What makes a life well-lived? How far should one go to save someone they love? There are definitely scenes that tug at the heartstrings (keep tissues handy), but there’s also a thread of hope shining through!

    The Thirteenth Child doesn’t just retell a fairy tale: it redefines it for a new generation, turning a morbid premise into a story about the fierce, fragile beauty of life!

    What are your thoughts on The Thirteenth Child? Let us know all your thoughts in the comments below or over on TwitterInstagram, or Facebook!

    Want more book reviews? Check out our library!

    TO LEARN MORE ABOUT ERIN A. CRAIG:
    GOODREADS | FACEBOOK | INSTAGRAM | TIKTOK | TWITTER | WEBSITE

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    Asia M.

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  • Jane Goodall, trailblazing naturalist whose intimate observations of chimpanzees transformed our understanding of humankind, has died

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    Jane Goodall, the trailblazing naturalist whose intimate observations of chimpanzees in the African wild produced powerful insights that transformed basic conceptions of humankind, has died. She was 91.

    A tireless advocate of preserving chimpanzees’ natural habitat, Goodall died on Wednesday morning in California of natural causes, the Jane Goodall Institute announced on its Instagram page.

    “Dr. Goodall’s discoveries as an ethologist revolutionized science,” the Jane Goodall Institute said in a statement.

    A protege of anthropologist Louis S.B. Leakey, Goodall made history in 1960 when she discovered that chimpanzees, humankind’s closest living ancestors, made and used tools, characteristics that scientists had long thought were exclusive to humans.

    She also found that chimps hunted prey, ate meat, and were capable of a range of emotions and behaviors similar to those of humans, including filial love, grief and violence bordering on warfare.

    In the course of establishing one of the world’s longest-running studies of wild animal behavior at what is now Tanzania’s Gombe Stream National Park, she gave her chimp subjects names instead of numbers, a practice that raised eyebrows in the male-dominated field of primate studies in the 1960s. But within a decade, the trim British scientist with the tidy ponytail was a National Geographic heroine, whose books and films educated a worldwide audience with stories of the apes she called David Graybeard, Mr. McGregor, Gilka and Flo.

    “When we read about a woman who gives funny names to chimpanzees and then follows them into the bush, meticulously recording their every grunt and groom, we are reluctant to admit such activity into the big leagues,” the late biologist Stephen Jay Gould wrote of the scientific world’s initial reaction to Goodall.

    But Goodall overcame her critics and produced work that Gould later characterized as “one of the Western world’s great scientific achievements.”

    Tenacious and keenly observant, Goodall paved the way for other women in primatology, including the late gorilla researcher Dian Fossey and orangutan expert Birutė Galdikas. She was honored in 1995 with the National Geographic Society’s Hubbard Medal, which then had been bestowed only 31 times in the previous 90 years to such eminent figures as North Pole explorer Robert E. Peary and aviator Charles Lindbergh.

    In her 80s she continued to travel 300 days a year to speak to schoolchildren and others about the need to fight deforestation, preserve chimpanzees’ natural habitat and promote sustainable development in Africa. She was in California as part of her speaking tour in the U.S. at the time of her death.

    Jane Goodall in Gombe National Park in Tanzania.

    (Chase Pickering / Jane Goodall Institute)

    Goodall was born April 3, 1934, in London and grew up in the English coastal town of Bournemouth. The daughter of a businessman and a writer who separated when she was a child and later divorced, she was raised in a matriarchal household that included her maternal grandmother, her mother, Vanne, some aunts and her sister, Judy.

    She demonstrated an affinity for nature from a young age, filling her bedroom with worms and sea snails that she rushed back to their natural homes after her mother told her they would otherwise die.

    When she was about 5, she disappeared for hours to a dark henhouse to see how chickens laid eggs, so absorbed that she was oblivious to her family’s frantic search for her. She did not abandon her study until she observed the wondrous event.

    “Suddenly with a plop, the egg landed on the straw. With clucks of pleasure the hen shook her feathers, nudged the egg with her beak, and left,” Goodall wrote almost 60 years later. “It is quite extraordinary how clearly I remember that whole sequence of events.”

    When finally she ran out of the henhouse with the exciting news, her mother did not scold her but patiently listened to her daughter’s account of her first scientific observation.

    Later, she gave Goodall books about animals and adventure — especially the Doctor Dolittle tales and Tarzan. Her daughter became so enchanted with Tarzan’s world that she insisted on doing her homework in a tree.

    “I was madly in love with the Lord of the Jungle, terribly jealous of his Jane,” Goodall wrote in her 1999 memoir, “Reason for Hope: A Spiritual Journey.” “It was daydreaming about life in the forest with Tarzan that led to my determination to go to Africa, to live with animals and write books about them.”

    Her opportunity came after she finished high school. A week before Christmas in 1956 she was invited to visit an old school chum’s family farm in Kenya. Goodall saved her earnings from a waitress job until she had enough for a round-trip ticket.

    Jane Goodall gives a little kiss to Tess, a 5- or 6-year-old female chimpanzee, in 1997.

    Jane Goodall gives a little kiss to Tess, a 5- or 6-year-old female chimpanzee, in 1997.

    (Jean-Marc Bouju / Associated Press)

    She arrived in Kenya in 1957, thrilled to be living in the Africa she had “always felt stirring in my blood.” At a dinner party in Nairobi shortly after her arrival, someone told her that if she was interested in animals, she should meet Leakey, already famous for his discoveries in East Africa of man’s fossil ancestors.

    She went to see him at what’s now the National Museum of Kenya, where he was curator. He hired her as a secretary and soon had her helping him and his wife, Mary, dig for fossils at Olduvai Gorge, a famous site in the Serengeti Plains in what is now northern Tanzania.

    Leakey spoke to her of his desire to learn more about all the great apes. He said he had heard of a community of chimpanzees on the rugged eastern shore of Lake Tanganyika where an intrepid researcher might make valuable discoveries.

    When Goodall told him this was exactly the kind of work she dreamed of doing, Leakey agreed to send her there.

    It took Leakey two years to find funding, which gave Goodall time to study primate behavior and anatomy in London. She finally landed in Gombe in the summer of 1960.

    On a rocky outcropping she called the Peak, Goodall made her first important observation. Scientists had thought chimps were docile vegetarians, but on this day about three months after her arrival, Goodall spied a group of the apes feasting on something pink. It turned out to be a baby bush pig.

    Two weeks later, she made an even more exciting discovery — the one that would establish her reputation. She had begun to recognize individual chimps, and on a rainy October day in 1960, she spotted the one with white hair on his chin. He was sitting beside a mound of red earth, carefully pushing a blade of grass into a hole, then withdrawing it and poking it into his mouth.

    When he finally ambled off, Goodall hurried over for a closer look. She picked up the abandoned grass stalk, stuck it into the same hole and pulled it out to find it covered with termites. The chimp she later named David Graybeard had been using the stalk to fish for the bugs.

    “It was hard for me to believe what I had seen,” Goodall later wrote. “It had long been thought that we were the only creatures on earth that used and made tools. ‘Man the Toolmaker’ is how we were defined …” What Goodall saw challenged man’s uniqueness.

    When she sent her report to Leakey, he responded: “We must now redefine man, redefine tool, or accept chimpanzees as human!”

    Goodall’s startling finding, published in Nature in 1964, enabled Leakey to line up funding to extend her stay at Gombe. It also eased Goodall’s admission to Cambridge University to study ethology. In 1965, she became the eighth person in Cambridge history to earn a doctorate without first having a bachelor’s degree.

    In the meantime, she had met and in 1964 married Hugo Van Lawick, a gifted filmmaker who had traveled to Gombe to make a documentary about her chimp project. They had a child, Hugo Eric Louis — later nicknamed Grub — in 1967.

    Goodall later said that raising Grub, who lived at Gombe until he was 9, gave her insights into the behavior of chimp mothers. Conversely, she had “no doubt that my observation of the chimpanzees helped me to be a better mother.”

    She and Van Lawick were married for 10 years, divorcing in 1974. The following year she married Derek Bryceson, director of Tanzania National Parks. He died of colon cancer four years later.

    Within a year of arriving at Gombe, Goodall had chimps literally eating out of her hands. Toward the end of her second year there, David Graybeard, who had shown the least fear of her, was the first to allow her physical contact. She touched him lightly and he permitted her to groom him for a full minute before gently pushing her hand away. For an adult male chimpanzee who had grown up in the wild to tolerate physical contact with a human was, she wrote in her 1971 book “In the Shadow of Man,” “a Christmas gift to treasure.”

    Jane Goodall shares a play with Bahati, a 3-year-old female chimpanzee.

    Jane Goodall plays with Bahati, a 3-year-old female chimpanzee, at the Sweetwaters Chimpanzee Sanctuary, north of Nairobi, on Dec. 6, 1997.

    (Jean-Marc Bouju / Associated Press)

    Her studies yielded a trove of other observations on behaviors, including etiquette (such as soliciting a pat on the rump to indicate submission) and the sex lives of chimps. She collected some of the most fascinating information on the latter by watching Flo, an older female with a bulbous nose and an amazing retinue of suitors who was bearing children well into her 40s.

    Her reports initially caused much skepticism in the scientific community. “I was not taken very seriously by many of the scientists. I was known as a [National] Geographic cover girl,” she recalled in a CBS interview in 2012.

    Her unorthodox personalizing of the chimps was particularly controversial. The editor of one of her first published papers insisted on crossing out all references to the creatures as “he” or “she” in favor of “it.” Goodall eventually prevailed.

    Her most disturbing studies came in the mid-1970s, when she and her team of field workers began to record a series of savage attacks.

    The incidents grew into what Goodall called the four-year war, a period of brutality carried out by a band of male chimpanzees from a region known as the Kasakela Valley. The marauders beat and slashed to death all the males in a neighboring colony and subjugated the breeding females, essentially annihilating an entire community.

    It was the first time a scientist had witnessed organized aggression by one group of non-human primates against another. Goodall said this “nightmare time” forever changed her view of ape nature.

    “During the first 10 years of the study I had believed … that the Gombe chimpanzees were, for the most part, rather nicer than human beings,” she wrote in “Reason for Hope: A Spiritual Journey,” a 1999 book co-authored with Phillip Berman. “Then suddenly we found that the chimpanzees could be brutal — that they, like us, had a dark side to their nature.”

    Critics tried to dismiss the evidence as merely anecdotal. Others thought she was wrong to publicize the violence, fearing that irresponsible scientists would use the information to “prove” that the tendency to war is innate in humans, a legacy from their ape ancestors. Goodall persisted in talking about the attacks, maintaining that her purpose was not to support or debunk theories about human aggression but to “understand a little better” the nature of chimpanzee aggression.

    “My question was: How far along our human path, which has led to hatred and evil and full-scale war, have chimpanzees traveled?”

    Her observations of chimp violence marked a turning point for primate researchers, who had considered it taboo to talk about chimpanzee behavior in human terms. But by the 1980s, much chimp behavior was being interpreted in ways that would have been labeled anthropomorphism — ascribing human traits to non-human entities — decades earlier. Goodall, in removing the barriers, raised primatology to new heights, opening the way for research on subjects ranging from political coalitions among baboons to the use of deception by an array of primates.

    Her concern about protecting chimpanzees in the wild and in captivity led her in 1977 to found the Jane Goodall Institute to advocate for great apes and support research and public education. She also established Roots and Shoots, a program aimed at youths in 130 countries, and TACARE, which involves African villagers in sustainable development.

    She became an international ambassador for chimps and conservation in 1986 when she saw a film about the mistreatment of laboratory chimps. The secretly taped footage “was like looking into the Holocaust,” she told interviewer Cathleen Rountree in 1998. From that moment, she became a globe-trotting crusader for animal rights.

    In the 2017 documentary “Jane,” the producer pored through 140 hours of footage of Goodall that had been hidden away in the National Geographic archives. The film won a Los Angeles Film Critics Assn. Award, one of many honors it received.

    In a ranging 2009 interview with Times columnist Patt Morrison, Goodall mused on topics from traditional zoos — she said most captive environments should be abolished — to climate change, a battle she feared humankind was quickly losing, if not lost already. She also spoke about the power of what one human can accomplish.

    “I always say, ‘If you would spend just a little bit of time learning about the consequences of the choices you make each day’ — what you buy, what you eat, what you wear, how you interact with people and animals — and start consciously making choices, that would be beneficial rather than harmful.”

    As the years passed, Goodall continued to track Gombe’s chimps, accumulating enough information to draw the arcs of their lives — from birth through sometimes troubled adolescence, maturity, illness and finally death.

    She wrote movingly about how she followed Mr. McGregor, an older, somewhat curmudgeonly chimp, through his agonizing death from polio, and how the orphan Gilka survived to lonely adulthood only to have her babies snatched from her by a pair of cannibalistic female chimps.

    Jane Goodall in San Diego.

    Jane Goodall in San Diego.

    (Sam Hodgson / San Diego Union-Tribune)

    Her reaction in 1972 to the death of Flo, a prolific female known as Gombe’s most devoted mother, suggested the depth of feeling that Goodall had for the animals. Knowing that Flo’s faithful son Flint was nearby and grieving, Goodall watched over the body all night to keep marauding bush pigs from violating her remains.

    “People say to me, thank you for giving them characters and personalities,” Goodall once told CBS’s “60 Minutes.” “I said I didn’t give them anything. I merely translated them for people.”

    Woo is a former Times staff writer.

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    Elaine Woo

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  • The Best Mushrooms to Grow at Home for Beginners – Garden Therapy

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    If you have ever been intrigued by the idea of growing mushrooms in your garden, this list of the best mushrooms to grow at home will help get you started. Even if you are a beginner mushroom gardener, there are a few delicious culinary mushrooms that you can easily grow. You don’t even really need a lot of space, because they can be grown indoors and in jars, as well as out in the garden. 

    When it comes to growing vegetables, many don’t consider adding mushrooms to their list. Okay, technically they’re fungi and not a vegetable but we sure do treat them like one! They’re so tasty in stir-fries, pasta, and even fresh from the garden.

    I’ve been interested in growing mushrooms at home for many years, and have grown them successfully outdoors in both bags and on logs. I’ve tried shiitake and oyster mushrooms and after reading about the other easy-to-grow types of mushrooms, I want to grow them all!

    Permaculture farmers Kristen Bradley and Nick Ritar have a whole chapter of their book, Milkwood: Real Skills for Down-To-Earth Living (Murdoch Books, 2019) on growing mushrooms. It’s filled with the biology and history of mushrooms and projects to cultivate mushrooms at home like mushroom bags, jars, and holey buckets. They were kind enough to share their go-to mushrooms to grow at home at the end of this post, so be sure to read on!

    Learn the best methods for growing mushrooms at home below, applying these practices inside or outside.

    Milkwood BookMilkwood Book

    How to Grow Mushrooms Inside

    Did you know it’s actually easier to grow mushrooms inside?

    Because you can control the conditions, they grow much quicker indoors than they would outside. When it comes to growing mushrooms, you can buy growing kits to makes things easier or start from scratch on your own. Just make sure to purchase from reputable dealers only.

    Spores Vs Spawn

    You can buy either spore or spawn. Think of mushroom spores like seeds and spawn as seedlings. Spawn will be much easier to grow for beginners.

    Location

    Mushrooms enjoy a cool, dark, and damp location best. A basement or inside a cabinet or closet are all good locations.

    You can use a container to grow them, such as empty salad containers you get at the grocery store. Just make sure the container is at least 6 inches deep to allow the mycelium (a mushroom root system) to grow.

    hands holding shiitakeshands holding shiitakes

    Starting Mushrooms

    Different mushrooms will like different mediums. Some like to grow in coffee grounds while others prefer sawdust. Refer to the fruiting substrates in the section below on different types of mushrooms to know what to use for each.

    To start your mushroom, place the spawn on its preferred growing medium. You will want to start your mushrooms at 70°F. You will want to use a thermometer to ensure you have the right temperature for your mushrooms.

    If necessary, you can place their container on a heating pad to help warm them up. For the first little while, mushrooms need to remain undisturbed. Limit their exposure to heat, light, and drafts.

    Once they have rooted, you can lower the temperature. This will take a few weeks. Like growing mediums, each mushroom has a preferred temperature that you can also find listed.

    When you lower the temperature, you will want to cover the spawn with an inch of potting soil. Cover the soil with a damp cloth and spritz the cloth to keep it wet.

    Harvesting Mushrooms

    Your mushrooms will be ready to harvest when the cap has fully opened and separated from the stem. This takes 3-4 weeks on average.

    Avoid pulling your mushrooms as this may damage the surrounding fungi.

    man picking homegrown shiitake mushrooms from a logman picking homegrown shiitake mushrooms from a log

    FAQ About Growing Mushrooms

    Is it Difficult to Grow Mushrooms?

    Not at all! In fact, it’s easier to do at home inside than outside. You can harvest mushrooms in about 3-4 weeks inside after you cover the spawn with soil. Outside, this process can take anywhere from 6 months to 3 years depending on the type of mushroom!

    You can learn more about growing mushrooms on logs outside on this post.

    Do Mushrooms Need Sunlight?

    Since mushrooms don’t contain chlorophyll, they don’t require any sunlight to grow.

    Will Mushrooms Grow Back After You Pick Them?

    Once you harvest a mushroom, its stem will rot away. New mushrooms may emerge and grow from other spawns or spores. To ensure you have a continuous crop, you may need to add more spawn.

    Should You Pull or Cut Mushrooms?

    Avoid pulling mushrooms to harvest. This can damage surrounding fungi and the mycelium below. Instead, cut the mushroom with a sharp knife right on the stalk.

    The Best Types of Mushrooms to Grow at Home

    by Kristen Bradley & Nick Ritar

    Published with permission from Murdoch Books Australia and Quarto Homes; photographs courtesy of Kristen Bradley, Kate Berry, and Ann F Berger (CC). 

    Clusters of Pearly Oyster MushroomsClusters of Pearly Oyster Mushrooms
    Clusters of Pearly Oyster Mushrooms

    Pleurotus ostreatus (Pearl Oyster)

    The species we recommend starting with for bucket or jar cultivation is the pearl oyster. There are lots of Pleurotus (oyster) species, including Pleurotus djamor (pink oyster), Pleurotus eryngii (king oyster), and Pleurotus citrinopileatus (golden oyster).

    However, some of these other varieties are slightly more fiddly than Pleurotus ostreatus, so pearl oyster is a good starting point.

    Preferred Fruiting Substrates

    Oyster mushrooms prefer pasteurised straw or sawdust, but will fruit well on most farm waste products containing cellulose and lignin. They also like hardwood logs or stumps for outdoor cultivation.

    Waste coffee grounds are becoming popular among urban growers of oyster mushrooms, but note that they must be used while very fresh as they have a relatively high nutrient content and can be prone to contamination.

    Climate

    Pleurotus ostreatus are awesomely adaptable and will tolerate a range of growing conditions. They should fruit anywhere from 7–25°C (45–77°F).

    Time from Inoculation to Fruiting

    These mushrooms grow quickly. From 2 to 3 weeks for indoor cultivation, depending on ambient temperature and the inoculation rates of substrate.

    Pleurotus rryingii (King Oyster)

    Considered by many to be the best tasting oyster mushroom, king oysters are a meaty, full feast that can be sliced and barbecued. They crisp up when stir-fried, yet stay wonderfully chewy and nutty.

    They can be grown in a similar way to pearl oysters, but their superior flavour makes them worth mentioning. Once you’ve mastered pearl oysters, give them a go.

    Shiitake mushrooms emerging from eucalyptus logShiitake mushrooms emerging from eucalyptus log
    Shiitake mushrooms emerging from eucalyptus log

    Lentinula edodes (Shiitake)

    Shiitake is a great species to use when you are starting outdoor cultivation. They will grow on logs in your garden. Although they’re a lot slower to fruit than oyster mushrooms, if you inoculate a batch of logs every year (or even better, every season), you can soon have a regular supply of shiitakes.

    Preferred fruiting substrates:

    Hardwood logs of almost every type, though yields will vary according to the log species. Eucalypts work well if you can’t find oak, beech, or alder. They can also be grown on sawdust.

    Climate

    There are different strains of shiitake, but the main strain that we use fruits between 14 and 20°C (57 and 68°F), which is a wide enough bracket for most temperate climates. There are both colder and warmer strains that fruit below, and above, that temperature envelope.

    Time from Inoculation to Fruiting

    Long. On logs: from 6 to 12 months (or longer), depending on climate and inoculation rates of the log. On sawdust blocks: 7 to 10 weeks. Worth the wait!

    Agrocybe aegerita (Velvet Pioppini)

    Native to poplar wood, this is a delicious mushroom with a nutty bite. It’s great for stir-fries and other cooking methods.

    Preferred Fruiting Substrates

    Hardwood sawdust is best. This one is great for jar cultivation. It also does well on logs and stumps.

    Climate

    Keep it cool –pioppinos like to stay around 13–18°C (55–64°F), and tend to fruit in the spring, after the colder months.

    Time from Inoculation to Fruiting

    Long – 8 to 12 months for outdoor log cultivation or about 6 weeks for indoor cultivation.

    Stropharia_rugosoannulata copyright Ann F. BergerStropharia_rugosoannulata copyright Ann F. Berger
    Stropharia_rugosoannulata copyright Ann F. Berger

    Stropharia rugosoannulata (King Stropharia or Garden Giant)

    This is our favourite mushroom to grow in wood chip gardens. It’s easy to grow and delicious to eat.

    Preferred Fruiting Substrates

    Hardwood wood chips are preferred, but, like oyster mushrooms, king stropharia will grow in straw and many other farm waste products.

    Climate

    King stropharia grow in a very broad range of temperatures, from about 5–35°C (41–95°F), so they’re great for both temperate and subtropical climates. They do need good moisture, however, so make sure this is supplied consistently.

    Time from Inoculation to Fruiting

    Long. About 4 to 6 months, depending on inoculation rates and which substrate you use.

    More Mushrooming Fun

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    Stephanie Rose

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  • Good Clean Fun: Melt and Pour Soap Supplies and Resource Guide – Garden Therapy

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    If you are getting started with melt and pour soap (or are searching out the best supplies for soap-making projects), you have come to the right place! This comprehensive guide covers the melt and pour soap supplies you will need to make fantastic soap projects.

    Melt and pour soap is a great way to get started in the soap world, ideal for those who are intimidated by lye and making cold process soap.

    I’ve made many soap recipes, both melt and pour and cold process soap. Both are wonderful options for making beautiful, artisan-inspired soap bars that you can use for yourself or to gift.

    Let me show you everything you need to get started!

    Jump ahead to…

    If you don’t yet have a copy of Good Clean Fun, what are you waiting for?! It’s a whole lot of inspiration and ideas for making perfect looking melt and pour soap projects with ease. Read more about Good Clean Fun here and grab your copy today!

    This resource guide lists all of the melt and pour soap supplies that were used in the book, along with some other fun materials that would make even more lovely projects.

    Good Clean Fun book coverGood Clean Fun book cover
    button_add-to-cartbutton_add-to-cart

    Melt and Pour Soap Supplies and Resource Guide

    Melt and Pour Soap Base

    There is a wide variety of soap bases, some scented, some unscented, some clear, some white, but they can all be split into two main categories: opaque and clear.

    Opaque soap bases will give you solid-coloured soaps that are not translucent. The base will be white or off-white. Here are some good opaque bases:

    Clear soap bases are translucent. Clear soap bases are best to use for projects that add decorative imbeds that you want to be able to see through the soap. To get a truly clear soap, there are not many options without chemicals. There is an option for SLES & SLS free soap, which can be used in the recipes calling for clear soap base. Here are some clear bases:

    chunks of melt and pour soap base on a wooden cutting board next to a knifechunks of melt and pour soap base on a wooden cutting board next to a knife
    Soap bases are cut into small chunks before being melted.

    Colour

    Here is a list of natural pigments to try:

    And here are some soap dyes

    Natures Way Turmeric PowderNatures Way Turmeric Powder
    Turmeric powder

    Essential Oils

    The best way to get started with essential oils is to purchase a starter pack and start using them. You will quickly learn which scents you love and which you don’t.

    Essential Oil Sets:

    Individual Essential Oils:

    set of essential oilsset of essential oils
    I prefer to use essential oils over artificial fragrances.

    Isopropyl Alcohol

    Isopropyl alcohol is very handy to have when making melt and pour soap. Keep some in a small spray-top bottle while making soap projects as it will be noted in some of the recipes.

    Botanicals

    You can choose botanicals from your garden or pick up some online.

    Equipment

    To start making melt and pour soap projects, you will need a few pieces of equipment. Many of these are commonly available in your kitchen. The other, more specialized equipment can be easy to find in craft stores and online.

    melt and pour chunks in a Pyrex containermelt and pour chunks in a Pyrex container
    Heatproof containers are essential.

    Soap Molds

    You can use any silicone or hard mold you like for melt and pour soap. Here are some that are used in the book and a few others I love:

    Metal molds such as cupcake and cake pans as well as hard plastic soap and candy molds can also be used but they can be difficult to remove the soap from. Tip: Shrink soap by placing it in the freezer and it will release from the mold more easily.

    rose soap flower mouldrose soap flower mould
    Your soap mould should always be washed and fully dry before you use it.

    Soap Making Accessories

    There is a DIY Soap Cutting Guide Box in the Projects chapters of Good Clean Fun. If you would like to purchase one instead, you can look at these:

    soaps ready for cuttingsoaps ready for cutting

    Soap Stamps / Embossing

    Soap stamps and rubber embossing plates can add a lot of personality to the projects. I love these ones:

    That’s it! Whew! With all of these supplies, you are sure to have some Good Clean Fun in your future. Have fun out there.

    Melt and Pour Soap Recipes to Try

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    Stephanie Rose

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  • Harris seemed to touch a nerve with Newsom, but says he has ‘a great sense of humor’

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    Kamala Harris picked her way through several sticky subjects in a Tuesday night TV interview, including her account of being ghosted by Gov. Gavin Newsom when she called for his support during her brief, unsuccessful 2024 presidential campaign.

    On the eve of the public release of her book detailing that campaign, Harris spoke with MSNBC’s Rachel Maddow on her relationship with Newsom as well as the redistricting ballot measure Californians will vote on in November — and she also hailed “the power of the people” in getting Jimmy Kimmel back on ABC.

    Kimmel was indefinitely suspended last week by the Walt Disney Co. over remarks he made about the suspect in the shooting of conservative activist Charlie Kirk. After fierce protests, consumers announcing subscription cancellations, and hundreds of celebrities speaking out against government censorship, Disney announced Monday that Kimmel would return on ABC the following day.

    “Talk about the power being with the people and the people making that clear with their checkbooks,” Harris said of Kimmel’s return. “It spoke volumes, and it moved a decision in the right direction.”

    Harris was speaking with Maddow about her new book, “107 Days,” which details her short sprint of a presidential campaign in 2024 after then-President Biden decided not to seek reelection.

    The book discloses which Democrats immediately supported her to become the Democratic nominee, and which didn’t, notably Newsom. She wrote that, when she called, he texted her that he was hiking and would call her back but never did.

    After Maddow raised the anecdote in the opening of the show, Harris said she had known Newsom “forever.”

    “Gavin has a great sense of humor so, you know, he’s gonna be fine,” Harris said.

    Newsom was icier when asked by a reporter about the interaction — or lack thereof — on Friday.

    “You want to waste your time with this, we’ll do it,” Newsom said, adding that he was hiking when he received a call from an unknown number, even as he was trying to learn more about Biden’s decision not to run for reelection while also asking his team to craft a statement supporting Harris to be the Democratic nominee. “I assume that’s in the book as well — that, hours later, the endorsement came out.”

    Harris brought up Newsom when asked about Proposition 50, the redistricting ballot measure championed by the governor and other California Democrats that voters will decide in November. If approved, the state’s congressional districts will be redrawn in an effort to boost Democratic seats in the house to counter efforts by President Trump to increase the number of Republicans elected in GOP-led states.

    “Let me say about what [Newsom] is doing, redistricting, it is absolutely the right way to go. Part of what we’ve got to, I think, challenge ourselves to accept, is that we tend to play by the rules,” Harris said. “But I think this is a moment where you gotta fight fire with fire. And so what Gavin is doing, what the California Legislature is doing, what those who are supporting it are doing is to say, ‘You know what, you want to play, then let’s get in the field. Let’s get in the arena, and let’s do this.’ And I support that.”

    But Harris was more cautious when asked about other electoral contests, notably the New York City mayoral race. Zohran Mamdani is the Democratic nominee and has large leads in the polls over other candidates in the race, including former Gov. Andrew Cuomo and incumbent Mayor Eric Adams.

    Asked whether she backed Mamdani, a Democratic socialist, Harris was measured.

    “Look, as far as I’m concerned, he’s the Democratic nominee, and he should be supported,” Harris said, prompting Maddow to ask whether she endorsed him.

    “I support the Democrat in the race, sure,” she replied. “But let me just say this, he’s not the only star. … I hope that we don’t so over-index on New York City that we lose sight of the stars throughout our country.”

    Harris, who announced this summer that she would not run for California governor next year, demurred when asked about whether she would run for president for a third time in 2028.

    “That’s not my focus right now,” she said.

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    Seema Mehta

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  • Atlanta author releases second novel set against the backdrop of Atlanta and Bollywood

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    Author Love Hudson-Maggio is proud to announce the release of her highly anticipated second novel, Bombay Baby, a sequel to her debut, Karma Under Fire. Published by Sweet Auburn Publishing, the book was officially released on September 8 and is now available for purchase. 

    Bombay Baby continues the saga of Harlow Kennedy, a rising star in jewelry design, and Vikram Chatwal, the billionaire scion of one of India’s richest families. The novel is a seductive tale of passion, power, and the price of ambition, as the couple grapples with familial discord, professional dilemmas, and personal heartache against the sparkling backdrop of India’s enchanting Bollywood film season.

    Author Love Hudson-Maggio’s latest novel :Bombay Baby” (Photo Credit: Courtesy of Love Hudson-Maggio and Sweet Auburn Publishing)

    “I am thrilled to share the next chapter of Harlow and Vik’s journey with readers,” said Love Hudson-Maggio. “This book delves deeper into the complexities of love and tradition, a theme that has always fascinated me. I hope readers are transported to the vibrant world of Mumbai and feel every triumph and challenge the characters face.”

    Love Hudson-Maggio is the CEO and founder of a marketing technology firm, and her unique background as a business leader and a Columbia University screenwriting fellow informs her ability to create compelling, character-driven narratives. She previously held director-level marketing positions at companies including Time Warner/CNN, Cox Communications, IHG Hotels & Resorts, and Salesforce.

    “My business background has taught me to look for the ‘why’ in every story,” Hudson-Maggio added. “In Bombay Baby, I wanted to explore the ‘why’ behind love, tradition, and the choices we make for family. It’s about finding your place in a world that asks you to be someone else.”

    Love Hudson-Maggio’s debut novel, Karma Under Fire, introduced readers to the compelling world of Harlow and Vik. The novel follows Harlow, a driven marketing executive who finds her life upended after a surprising inheritance leads her on a journey to India. It was a story that explored the unexpected ways destiny and karma can intertwine, setting the stage for the dramatic events that unfold in Bombay Baby.

    Karma Under Fire has been optioned for a movie by award-winning film and television director Seith Mann. A Morehouse College graduate, Mann is known for his acclaimed film Five Deep Breaths and for directing episodes of hit series like The Wire, The Walking Dead, Grey’s Anatomy, Entourage, Nurse Jackie, Dexter, Melrose Place, and Friday Night Lights.

    Bombay Baby is a compelling read for fans of contemporary romance, international settings, and stories that blend tradition with modern life. Bombay Baby is available for purchase on Amazon, at Barnes & Noble, and through Love Hudson-Maggio’s website. Readers can also find Karma Under Fire on Audible to catch up on the series. For more information about Love Hudson-Maggio and her books, visit her website at www.lovehudsonmaggio.com.

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  • Prince Harry risks fragile King Charles reconciliation with book comment

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    Prince Harry has denied airing dirty laundry in his book, Spare, and said “my conscience is clear” during a new interview in Ukraine.

    The Duke of Sussex’s comments came days after a private tea with King Charles III, which was seen as a positive sign for hopes of reconciliation.

    “I don’t believe that I aired my dirty laundry in public,” Harry told The Guardian. “It was a difficult message, but I did it in the best way possible. My conscience is clear.”

    Prince Harry speaks with young people who are involved with The Diana Award on September 11, 2025, in London.

    Aaron Chown – Pool/Getty Images

    Why It Matters

    No confirmation has emerged of what was discussed during Charles and Harry’s tea but the pervasive view among commentators has been that it is important for long-term hopes for peace that no details leak.

    And none have, though the Guardian interview featured a defense of Spare‘s incendiary royal bombshells that included a description of Queen Camilla as “dangerous.”

    What To Know

    Harry spoke out during an interview with The Guardian that was predominantly about his visit to Kyiv to promote the work his Invictus Games Foundation is doing to help soldiers wounded in the war. The trip was a surprise addition to his four-day U.K. visit and the rest of the media were not told in advance for security reasons.

    “I know that [speaking out] annoys some people and it goes against the narrative,” Harry said. “The book? It was a series of corrections to stories already out there. One point of view had been put out and it needed to be corrected.”

    Guardian journalist Nick Hopkins wrote that “being called stubborn slightly rankles with him.”

    “It’s not stubbornness, it is having principles,” Harry said. He repeated a mantra he has outlined before that “you cannot have reconciliation before you have truth.”

    However, he must also have known that the royals are not free to speak their truth about a conflict that has now been running seven years.

    For example, Prince William‘s perspective has been that Meghan Markle bullied palace staff at the private office the two couples shared at Kensington Palace.

    We know that only because of leaks, which Harry has argued are immoral and aspects of his interviews. William has never given his account in his own words.

    In Spare, Harry acknowledged that: “More than once a staff member slumped across their desk and wept.

    “For all this, every bit of it, Willy blamed one person. Meg. He told me so several times and he got cross when I told him he was out of line.”

    What Harry Said About Meghan

    Harry described how Meghan told him telling the truth “is the most efficient way to live,” adding: “She said, ‘Just stick to the truth.’ It is the thing I always fall back on. Always.

    “And if you think like that, who would be stupid enough to lie? It takes up too much time and effort.”

    In March 2021, they told Oprah Winfrey they were married in secret by then Archbishop of Canterbury Justin Welby in their back garden, prior to their May 2018 St. George’s Chapel wedding which had a global TV audience of millions.

    The comment prompted Welby to clarify the St. George’s Chapel wedding was indeed the legally binding ceremony and he would have been “committing a serious crime” if he had signed the marriage certificate knowing it was not.

    And a former spokesman for Elizabeth, Dickie Arbiter, asked for an apology after he was misquoted in Spare as saying Harry and Meghan could expect “no mercy” after they quit royal life.

    The comment had in fact been said by journalist Sir Trevor Phillips as a warning about how conservative Brits might react to the couple’s exit. Arbiter did not get his apology and nor was the passage altered in the book.

    Harry’s uncompromising, one sided view of notions like truth, lies and accountability may sound warning sirens about whether reconciliation is possible in the long-term.

    Harry and Charles’ Relationship

    Whatever risk Harry might have taken with the hard-line position in his Guardian interview, he did also make it clear his relationship with his father is important to him. Over the next year, “the focus really has to be on my dad,” he said.

    It is slightly unclear what he means, as their professional lives are entirely separate and they live in different countries.

    Hopkins, though, noted: “Harry won’t talk about his father, but he seems to suggest he wants, and needs, to see his father more often.”

    It is not clear when his next visit to Britain would be, though he has a high-profile lawsuit against the Daily Mail and its sister titles set to go to trial early next year.

    Assuming he does not settle out of court, he will likely have to testify in person in London. Making time to see his father alongside such a high-profile and controversial court appearance might be significantly harder to engineer than his 55-minute visit to Clarence House on Wednesday.

    Harry gave his Guardian interview during a visit to Ukraine where he visibly welled up talking about the very real conflict with Russia and the very literal injuries inflicted on thousands of soldiers who have returned from the front lines.

    He hopes his Invictus Games initiative will show those veterans a path to rehabilitation through sport, though some of his advice on the ground may have some relevance closer to home too.

    “You will feel lost at times, like you lack purpose,” he said during a panel discussion at the National Museum of the History of Ukraine, “but however dark those days are, there is light at the end of the tunnel.

    “You just need to look for it, because there will always be someone—a mother, father, sibling, friend, or comrade—there to pick you up.”

    “Don’t stay silent,” he said. “Silence will hold you in the dark. Open up to your friends and family, because in doing so you give them permission to do the same.”

    However, opening up for Harry, Charles and William may mean reopening old wounds.

    Do you have a question about Charles and Camilla, William and Princess Kate, Meghan and Harry, or their family that you would like our experienced royal correspondents to answer? Email royals@newsweek.com. We’d love to hear from you.

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  • AI company Anthropic to pay authors $1.5 billion over pirated books used to train chatbots

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    Artificial intelligence company Anthropic has agreed to pay $1.5 billion to settle a class-action lawsuit by book authors who say the company took pirated copies of their works to train its chatbot.Related video above: The risks to children under President Trump’s new AI policyThe landmark settlement, if approved by a judge as soon as Monday, could mark a turning point in legal battles between AI companies and the writers, visual artists and other creative professionals who accuse them of copyright infringement.The company has agreed to pay authors or publishers about $3,000 for each of an estimated 500,000 books covered by the settlement.”As best as we can tell, it’s the largest copyright recovery ever,” said Justin Nelson, a lawyer for the authors. “It is the first of its kind in the AI era.”A trio of authors — thriller novelist Andrea Bartz and nonfiction writers Charles Graeber and Kirk Wallace Johnson — sued last year and now represent a broader group of writers and publishers whose books Anthropic downloaded to train its chatbot Claude.A federal judge dealt the case a mixed ruling in June, finding that training AI chatbots on copyrighted books wasn’t illegal but that Anthropic wrongfully acquired millions of books through pirate websites. If Anthropic had not settled, experts say losing the case after a scheduled December trial could have cost the San Francisco-based company even more money.”We were looking at a strong possibility of multiple billions of dollars, enough to potentially cripple or even put Anthropic out of business,” said William Long, a legal analyst for Wolters Kluwer.U.S. District Judge William Alsup of San Francisco has scheduled a Monday hearing to review the settlement terms.Anthropic said in a statement Friday that the settlement, if approved, “will resolve the plaintiffs’ remaining legacy claims.””We remain committed to developing safe AI systems that help people and organizations extend their capabilities, advance scientific discovery, and solve complex problems,” said Aparna Sridhar, the company’s deputy general counsel.As part of the settlement, the company has also agreed to destroy the original book files it downloaded.Books are known to be important sources of data — in essence, billions of words carefully strung together — that are needed to build the AI large language models behind chatbots like Anthropic’s Claude and its chief rival, OpenAI’s ChatGPT. Alsup’s June ruling found that Anthropic had downloaded more than 7 million digitized books that it “knew had been pirated.” It started with nearly 200,000 from an online library called Books3, assembled by AI researchers outside of OpenAI to match the vast collections on which ChatGPT was trained.Debut thriller novel “The Lost Night” by Bartz, a lead plaintiff in the case, was among those found in the dataset.Anthropic later took at least 5 million copies from the pirate website Library Genesis, or LibGen, and at least 2 million copies from the Pirate Library Mirror, Alsup wrote.The Authors Guild told its thousands of members last month that it expected “damages will be minimally $750 per work and could be much higher” if Anthropic was found at trial to have willfully infringed their copyrights. The settlement’s higher award — approximately $3,000 per work — likely reflects a smaller pool of affected books, after taking out duplicates and those without copyright. On Friday, Mary Rasenberger, CEO of the Authors Guild, called the settlement “an excellent result for authors, publishers, and rightsholders generally, sending a strong message to the AI industry that there are serious consequences when they pirate authors’ works to train their AI, robbing those least able to afford it.” The Danish Rights Alliance, which successfully fought to take down one of those shadow libraries, said Friday that the settlement would be of little help to European writers and publishers whose works aren’t registered with the U.S. Copyright Office.”On the one hand, it’s comforting to see that compiling AI training datasets by downloading millions of books from known illegal file-sharing sites comes at a price,” said Thomas Heldrup, the group’s head of content protection and enforcement.On the other hand, Heldrup said it fits a tech industry playbook to grow a business first and later pay a relatively small fine, compared to the size of the business, for breaking the rules.”It is my understanding that these companies see a settlement like the Anthropic one as a price of conducting business in a fiercely competitive space,” Heldrup said.The privately held Anthropic, founded by ex-OpenAI leaders in 2021, earlier this week put its value at $183 billion after raising another $13 billion in investments.Anthropic also said it expects to make $5 billion in sales this year, but, like OpenAI and many other AI startups, it has never reported making a profit, relying instead on investors to back the high costs of developing AI technology for the expectation of future payoffs.The settlement could influence other disputes, including an ongoing lawsuit by authors and newspapers against OpenAI and its business partner Microsoft, and cases against Meta and Midjourney. And just as the Anthropic settlement terms were filed, another group of authors sued Apple on Friday in the same San Francisco federal court.”This indicates that maybe for other cases, it’s possible for creators and AI companies to reach settlements without having to essentially go for broke in court,” said Long, the legal analyst.The industry, including Anthropic, had largely praised Alsup’s June ruling because he found that training AI systems on copyrighted works so chatbots can produce their own passages of text qualified as “fair use” under U.S. copyright law because it was “quintessentially transformative.”Comparing the AI model to “any reader aspiring to be a writer,” Alsup wrote that Anthropic “trained upon works not to race ahead and replicate or supplant them — but to turn a hard corner and create something different.”But documents disclosed in court showed Anthropic employees’ internal concerns about the legality of their use of pirate sites. The company later shifted its approach and hired Tom Turvey, the former Google executive in charge of Google Books, a searchable library of digitized books that successfully weathered years of copyright battles.With his help, Anthropic began buying books in bulk, tearing off the bindings and scanning each page before feeding the digitized versions into its AI model, according to court documents. That was legal but didn’t undo the earlier piracy, according to the judge.

    Artificial intelligence company Anthropic has agreed to pay $1.5 billion to settle a class-action lawsuit by book authors who say the company took pirated copies of their works to train its chatbot.

    Related video above: The risks to children under President Trump’s new AI policy

    The landmark settlement, if approved by a judge as soon as Monday, could mark a turning point in legal battles between AI companies and the writers, visual artists and other creative professionals who accuse them of copyright infringement.

    The company has agreed to pay authors or publishers about $3,000 for each of an estimated 500,000 books covered by the settlement.

    “As best as we can tell, it’s the largest copyright recovery ever,” said Justin Nelson, a lawyer for the authors. “It is the first of its kind in the AI era.”

    A trio of authors — thriller novelist Andrea Bartz and nonfiction writers Charles Graeber and Kirk Wallace Johnson — sued last year and now represent a broader group of writers and publishers whose books Anthropic downloaded to train its chatbot Claude.

    A federal judge dealt the case a mixed ruling in June, finding that training AI chatbots on copyrighted books wasn’t illegal but that Anthropic wrongfully acquired millions of books through pirate websites.

    If Anthropic had not settled, experts say losing the case after a scheduled December trial could have cost the San Francisco-based company even more money.

    “We were looking at a strong possibility of multiple billions of dollars, enough to potentially cripple or even put Anthropic out of business,” said William Long, a legal analyst for Wolters Kluwer.

    U.S. District Judge William Alsup of San Francisco has scheduled a Monday hearing to review the settlement terms.

    Anthropic said in a statement Friday that the settlement, if approved, “will resolve the plaintiffs’ remaining legacy claims.”

    “We remain committed to developing safe AI systems that help people and organizations extend their capabilities, advance scientific discovery, and solve complex problems,” said Aparna Sridhar, the company’s deputy general counsel.

    As part of the settlement, the company has also agreed to destroy the original book files it downloaded.

    Books are known to be important sources of data — in essence, billions of words carefully strung together — that are needed to build the AI large language models behind chatbots like Anthropic’s Claude and its chief rival, OpenAI’s ChatGPT.

    Alsup’s June ruling found that Anthropic had downloaded more than 7 million digitized books that it “knew had been pirated.” It started with nearly 200,000 from an online library called Books3, assembled by AI researchers outside of OpenAI to match the vast collections on which ChatGPT was trained.

    Debut thriller novel “The Lost Night” by Bartz, a lead plaintiff in the case, was among those found in the dataset.

    Anthropic later took at least 5 million copies from the pirate website Library Genesis, or LibGen, and at least 2 million copies from the Pirate Library Mirror, Alsup wrote.

    The Authors Guild told its thousands of members last month that it expected “damages will be minimally $750 per work and could be much higher” if Anthropic was found at trial to have willfully infringed their copyrights. The settlement’s higher award — approximately $3,000 per work — likely reflects a smaller pool of affected books, after taking out duplicates and those without copyright.

    On Friday, Mary Rasenberger, CEO of the Authors Guild, called the settlement “an excellent result for authors, publishers, and rightsholders generally, sending a strong message to the AI industry that there are serious consequences when they pirate authors’ works to train their AI, robbing those least able to afford it.”

    The Danish Rights Alliance, which successfully fought to take down one of those shadow libraries, said Friday that the settlement would be of little help to European writers and publishers whose works aren’t registered with the U.S. Copyright Office.

    “On the one hand, it’s comforting to see that compiling AI training datasets by downloading millions of books from known illegal file-sharing sites comes at a price,” said Thomas Heldrup, the group’s head of content protection and enforcement.

    On the other hand, Heldrup said it fits a tech industry playbook to grow a business first and later pay a relatively small fine, compared to the size of the business, for breaking the rules.

    “It is my understanding that these companies see a settlement like the Anthropic one as a price of conducting business in a fiercely competitive space,” Heldrup said.

    The privately held Anthropic, founded by ex-OpenAI leaders in 2021, earlier this week put its value at $183 billion after raising another $13 billion in investments.

    Anthropic also said it expects to make $5 billion in sales this year, but, like OpenAI and many other AI startups, it has never reported making a profit, relying instead on investors to back the high costs of developing AI technology for the expectation of future payoffs.

    The settlement could influence other disputes, including an ongoing lawsuit by authors and newspapers against OpenAI and its business partner Microsoft, and cases against Meta and Midjourney. And just as the Anthropic settlement terms were filed, another group of authors sued Apple on Friday in the same San Francisco federal court.

    “This indicates that maybe for other cases, it’s possible for creators and AI companies to reach settlements without having to essentially go for broke in court,” said Long, the legal analyst.

    The industry, including Anthropic, had largely praised Alsup’s June ruling because he found that training AI systems on copyrighted works so chatbots can produce their own passages of text qualified as “fair use” under U.S. copyright law because it was “quintessentially transformative.”

    Comparing the AI model to “any reader aspiring to be a writer,” Alsup wrote that Anthropic “trained upon works not to race ahead and replicate or supplant them — but to turn a hard corner and create something different.”

    But documents disclosed in court showed Anthropic employees’ internal concerns about the legality of their use of pirate sites. The company later shifted its approach and hired Tom Turvey, the former Google executive in charge of Google Books, a searchable library of digitized books that successfully weathered years of copyright battles.

    With his help, Anthropic began buying books in bulk, tearing off the bindings and scanning each page before feeding the digitized versions into its AI model, according to court documents. That was legal but didn’t undo the earlier piracy, according to the judge.

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  • How civilizations lose their spark—and how we might keep ours

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    The feeling will be familiar to many who have visited the great cities of history: I had come to Athens for the first time and made a pilgrimage to its democratic Assembly, Plato’s Academy, and Aristotle’s Lyceum. And it left me with a sense of profound sadness. Here were the scenes of some of the most extraordinary moments in human history, and all that was left was rubble, garbage, and dog waste. Instead of bustling creativity, there was silence, interrupted only by the odd intoxicated passerby.

    To be sure, I also experienced spectacular beauty in Athens, such as the grand monuments on the Acropolis. But even that was a museum to bygone glory. This used to be the place around which the world revolved, and now it’s a collection of patched-together columns, stone blocks and shards with plaques telling us that it used to be impressive.

    This must be what Percy Shelley, a great admirer of ancient Greece, reflected upon when he wrote about the crumbled monument to Ozymandias, king of kings: “‘Look on my works, ye Mighty, and despair!’ / Nothing beside remains. Round the decay / Of that colossal wreck, boundless and bare / The lone and level sands stretch far away.”

    This encounter with the transience of great civilizations set my mind racing. What made it possible for them to rise so spectacularly, and why did they decline so thoroughly? It forced me to consider whether travelers will one day visit our proud landmarks and plazas and think about how our civilization lost its way and became so sluggish and stationary. 

     

    This is a precarious time to write about history’s golden ages. Ours is an era of authoritarian and populist revival, with savage dictators trying to extinguish neighbouring democracies, when the fear of inevitable decline seems more prevalent than belief in progress. 

    The American legal scholar Harold Berman compared his history of the rise of Western law to a drowning man who sees his whole life flash before him, perhaps in an unconscious effort to find something within his own experiences to help him escape his impending doom. We are not yet drowning, but drawing on historical human experience can be a useful way to avoid ending up in a bad situation. It might even help us to keep our vessels seaworthy. 

    It is said that we should study history to avoid repeating its mistakes, and that is all very well. But our ancestors were not just capable of mistakes. Human history is a long list of depravations and horrors, but it is also the source of the knowledge, institutions, and technologies that in the last few centuries have set most of humanity free from such horrors for the first time. The historical record shows what mankind is capable of, in terms of exploration, imagination, and innovation. This in itself is an important reason to study it, to broaden our mental horizon of what is possible. 

    In my new book, Peak Human: What We Can Learn from the Rise and Fall of Golden Ages, I explore seven of the world’s great civilizations: ancient Athens, the Roman Republic and early Roman Empire, the Abbasid Caliphate, Song China, Renaissance Italy, the Dutch Republic, and the Anglosphere. Each of them exemplifies what I think of as a golden age: a period with a large number of innovations that revolutionize many fields and sectors in a short period of time. 

    A golden age is associated with a culture of optimism, which encourages people to explore new knowledge, experiment with new methods and technologies, and exchange the results with others. Its characteristics are cultural creativity, scientific discoveries, technological achievements, and economic growth that stand out compared to what came before and after and compared to other contemporary cultures. Its result is a high average standard of living, which is usually the envy of others and often also of its heirs. 

    Peak Human could have been a much longer book, exploring many other cultures, because golden ages are dependent not on geography, ethnicity, or religion but on what we make of these circumstances. These cultures just happened to excel in the era in which they, for some reason or another, began to interpret or emphasize a particular part of their beliefs and traditions to make them more open to surprises—unconventional ideas and methods imported by merchants and migrants, dreamed up by eccentrics, or stumbled upon by someone fortunate. 

    There are certain important preconditions for this progress. The basic raw materials are a wide variety of ideas and methods to learn from and to combine in new ways. It therefore takes a certain population density to create progress, and urban conglomerations are often particularly creative. Being open to the contributions of other civilizations is the quickest way of making use of more brains, which is why these golden ages often appeared at the crossroads of different cultures and in every instance benefited greatly from the inspiration brought about by international trade, travel, and migration. They were often maritime cultures, always on the lookout for new discoveries. Distance is the “number one enemy of civilization,” as the French historian Fernand Braudel understood so well. 

    To make use of these raw materials, it takes a relatively inclusive society. Citizens have to be free to experiment and innovate, without being subjected to the whims of feudal lords, centralized governments, or ravaging armies. This takes peace, rule of law, and secure property rights. Most importantly, there has to be an absence of orthodoxies imposed from the top about what to believe, think, and say; how to live; and what to do. If we limit the realm of the acceptable to what we already know and are comfortable with, we will be stuck with it, and we will deserve the stagnation we get. If we want more knowledge, wealth, and technological capacity, we have to cut misfits and troublemakers some slack. 

    Institutions that are built for discovery, innovation, and adaptation have profound effects on science, culture, economy, and warfare. It is not easy to sustain such institutions for a long time. The most depressing aspect of studying golden ages is that they don’t last. You don’t have to wait 2,300 years to go back to Athens. There are many stories about people visiting centers of progress just a few decades later and finding that it’s all over. It’s the same place, the same traditions, and the same people, but that irreplaceable spark has disappeared. 

    The California historian Jack Goldstone calls these episodes of temporary growth “efflorescences.” That is really another word for an anti-crisis: Just as a crisis is a sudden and unexpected downturn in indicators of human well-being, an efflorescence is a sharp, unexpected upturn. 

    Goldstone argues that most societies have experienced such efflorescences, and that these usually set new patterns of thought, political organization, and economic life for many generations. This is a corrective to the common notion that humankind has a long history of stagnation and then suddenly experiences progress. History is full of growth and progress; it is just that they were always periodic and efflorescent rather than self-sustaining and accelerating. In other words: They don’t last.

    Civilizations in every era have tried to break away from the shackles of oppression and scarcity, but increasingly they faced opposite forces, which sooner or later dragged them back to Earth. Elites who have benefited from innovation want to kick away the ladder behind them; groups threatened by change try to fossilize culture into an orthodoxy; and aggressive neighbours, attracted to the wealth of nearby achievers, try to kill the goose to steal its golden eggs. 

    Why would intellectual, economic, and political elites accept a system that keeps delivering surprises and innovations? Yes, it might provide their society with more resources, but at the risk of upending a status quo that made them powerful to begin with. Often such institutions came about as a result of revolutionary upheaval or emerged unintentionally because they happened to provide important solutions in difficult situations or at a time of fierce competition against rivals. 

    But sooner or later, most elites regain their composure and begin to reimpose orthodoxies and stamp out the potential for unpredictability. The great economic historian Joel Mokyr calls this Cardwell’s Law, after the technology historian D. S. L. Cardwell, who observed that most societies remain technologically creative for only a short period. 

    The perceived self-interest of incumbents who have much to lose from change goes a long way to explaining why episodes of creativity and growth are terminated. But such groups are always there, always eager to stop the future in its tracks. Why do their reactions prevail in some places and moments but not in others? Many factors are at play, but there is one psychological factor that reinforces all of them. 

    “What is civilization’s worst enemy?” asked the art historian Kenneth Clark. He answered: “First of all fear—fear of war, fear of invasion, fear of plague and famine, that make it simply not worthwhile constructing things, or planting trees or even planting next year’s crop. And fear of the supernatural, which means that you daren’t question anything or change anything.”

     

    We humans have two basic settings: We are traders, and we are tribalists. Early humans prospered (relatively) because they ventured out to explore, experiment, and exchange, to discover new places, partners, and knowledge. But sometimes they only survived their adventures because they were also acutely sensitive to risks and instantly reacted to a potential threat by fighting or fleeing back to the familiar, their cave and their tribe. We need both the adventurous and the risk-sensitive aspects of our personality. But since Homo sapiens emerged over hundreds of thousands of years in a world more dangerous than today’s, our “spider sense” is over-sensitive to threats: It often misfires and is easily manipulated by those who want to divide and conquer. 

    As I documented in my book Open: The Story of Human Progress, this anxious aspect has remained a central part of our nature, even after we left the savannah for a safer world. When we feel threatened as a community by, say, neighbouring armies, pandemics, or recessions, there is often a societal fight-or-flight instinct, causing us to hunt for scapegoats and flee behind physical and intellectual walls, even though complex threats might call for learning and creativity rather than simply avoidance or attack. 

    Again and again, we see civilizations prosper when they embrace trade and experiments but decline when they lose cultural self-confidence. When under threat, we often seek stability and predictability, shutting out that which is different and unpredictable. Unfortunately, this often makes the fear of disaster self-fulfilling, since those barriers limit access to other possibilities and restrict the adaptation and innovation that could have helped us deal with the threat. The problem with paralyzing fear is that it has a tendency to paralyze. 

    I wouldn’t go so far as to say that we have nothing to fear but fear itself. That sounds a bit like underestimating armed raiders and bubonic plague. But it is certainly true that an insular, suppressive angst deprives us of the tools we need to take on the problems we face. Outsiders can kill and destroy, but they can’t kill curiosity and creativity. Only we can do that to ourselves. 

    History often repeats because human nature does. All of the golden ages ended, except one—the one that we are in now. But “history,” said the American journalist Norman Cousins, “is a vast early warning system.” We still know how to swim, but that doesn’t happen automatically; it takes a conscious effort. For that reason, repeating history’s swimming lessons once in a while is helpful. 

    To situate my argument in the context of current culture wars, I object both to the relativist idea that all cultures are equal and to the idea that there is a hierarchy of two opposing and clashing cultures—civilization vs. barbarians (often associated with European Judeo-Christian culture vs. the rest). 

    Yes, some cultures are better than others. Denying that is, as pointed out by the physicist David Deutsch, “denying that the future state of one’s own culture can be better than the present.” It implies that chattel slavery and human rights are equally good (or bad). Some cultures are better than others because they provide institutions for positive-sum games instead of zero-sum; they create liberties and opportunities rather than oppression and destruction. 

    But no, we are not talking here about the inherent traits of two opposite and clashing civilizations. Among the seven golden ages featured here, we meet pagans, Muslims, Confucians, Catholics, Calvinists, Anglicans, and secular civilizations. Those who were seen as barbarians in one era became world leaders in science and technology in the next, and then roles reversed again. They excelled at a time in which their culture was open to the contributions of other civilizations, and so gained access to more brains. 

    This is why both the nationalist right and the woke left are hopelessly unhistorical in their crusades against cultural hotchpotch: Civilizations are not monoliths with inherent traits but complex, growing things defined by how they engage with, adopt, and adapt (appropriate, if you like) what they find elsewhere. It’s the connections and combinations that make them what they are. 

    The battle between freedom and coercion, and between reason and superstition, is not a clash of civilizations. It is a clash within every civilization, and at some level within each one of us. Every culture, country, and government is capable of decency and creativity as well as ignorance and jawdropping barbarianism. That is why “golden” should be understood as much in relationship to what you could otherwise have been as it should be understood as making a comparison with others. It is of course not just down to sheer will, but you and I have it within ourselves to help make our particular place on earth decent and creative rather than the opposite. 

    It is important to grapple with the question “golden ages for whom?” All of the civilizations I describe in this book practised slavery, all of them denied women basic rights, and all took great delight in exterminating neighbouring populations to the last man, woman, and child. 

    Whenever I am tempted to look back at these ages and dream about how amazing it would have been to be alive then—to debate philosophy in the Athenian Lyceum or Baghdad’s House of Wisdom, to discuss political strategy with Cicero or the Song emperor, or to be present at the creation of the Pantheon, The Last Supper, or the printing press—I remind myself that I wouldn’t have come near those places. I would have been a destitute peasant, struggling desperately to keep my family safe from hunger and raiders for another season. 

    If I were one of the lucky ones, that is. As the classicist Mary Beard has remarked, when people say they admire the Roman Empire, they always assume they would have been the emperor or a senator (a few hundred people) and never the enslaved masses in mines, plantations, and other people’s households (a few million). 

    Recorded history is the work of a tiny literate elite, and for most people, in most eras, life was nasty, brutish, and short. In fact, that went for the elites too. No matter how powerful they were, everything could be lost in an instant if they had the misfortune to displease a capricious ruler, and even he had little chance against, say, a bacterial infection or a barbarian invasion. Remember that every time history books record that a city was “sacked,” it means that thousands of civilians were raped, mutilated, and disembowelled. This also tells us something about what mankind is capable of. 

    But history is more than a crime scene. It is also the place where ideas were developed that helped humanity to identify the crimes and overcome them. If we discard all the achievements of those who came before us because they weren’t sufficiently enlightened and decent (they weren’t), we will eventually lose the capacity to discern what is enlightened and decent. Because that very language and moral sense emerged out of their struggles. 

    If you discover something inspiring and useful there, in the overgrown ruins of the past, that can be salvaged to help ensure that our civilization does not just become one in the long list of Goldstone’s temporary efflorescenses, let’s fight for it, shall we? As Goethe once told us, you cannot inherit a tradition from your parents; you have to earn it.

    Johan Norberg is the author of Peak Human: What We Can Learn from the Rise and Fall of Golden Ages, from which this article is adapted by permission of Atlantic Books.

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    Johan Norberg

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  • Queen Camilla fought off groper with her shoe: Book

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    Queen Camilla once fought off a man who tried to grope her on a train by taking off her shoe and hitting him “in the nuts with the heel,” according to a new book.

    The queen told former U.K. Prime Minister Boris Johnson that the man had attempted to take advantage of her when she was a schoolgirl, according to Power and the Palace by former royal correspondent Valentine Low.

    An extract, serialized in U.K. broadsheet The Sunday Times, quoted Camilla telling Johnson: “I did what my mother taught me to. I took off my shoe and whacked him in the nuts with the heel.”

    Queen Camilla visits a rape crisis center in Crawley, England, on October 17, 2019.

    Tristan Fewings – WPA Pool/Getty Images

    Why It Matters

    In adult life, Queen Camilla has supported sexual assault victims, doing so for more than a decade. She has visited numerous sexual assault referral centers (SARCs) across the U.K.

    What To Know

    According to Low, Camilla described the encounter to Johnson during a meeting at Clarence House in 2008, when the Conservative Party politician was the mayor of London.

    Low quoted Guto Harri, Johnson’s communication’s director at the time, who said after their conversation: “Boris was raving about her. They obviously got on like a house on fire. He was making guttural noises about how much he admired and liked her.”

    He added that the pair had a “serious conversation” about an experience Camilla had “when she was a schoolgirl.”

    “She was on a train going to Paddington,” Harri said, “she was about 16, 17 and some guy was moving his hand further and further.”

    When Johnson asked what happened next, Camilla replied: “I did what my mother taught me to. I took off my shoe and whacked him in the nuts with the heel.”

    “She was self-possessed enough when they arrived at Paddington to jump off the train, find a guy in uniform and say, ‘That man just attacked me,’ and he was arrested,” Harri added.

    Harri told Low that Camilla’s ordeal as a teenager had fueled her commitment to helping sexual assault victims and that she gave her backing to Johnson’s own plans to open three new rape crisis centers in London to supplement one that already existed.

    “I think she formally opened two out of three of them,” he said. “Nobody asked why the interest, why the commitment. But that’s what it went back to.”

    Camilla has spent years advocating for sexual abuse survivors and personally wrote to Gisèle Pelicot, a Frenchwoman whose husband drugged her so that he and hundreds of strangers could rape her in a campaign of abuse that spanned more than a decade.

    What People Are Saying

    The Acting Your Age Campaign in the U.K. released a statement on Instagram: “The revelation in Valentine Low’s new book, about Queen Camilla, has again put violence against women & girls on the map. This is vital.”

    A palace source told Newsweek in May: “She [Camilla] was tremendously affected by the Madame Pelicot case in France and that lady’s extraordinary dignity and courage as she put herself in the public eye because, as she rightly put it, why should she be made to feel like a victim or hide away in shame?”

    What Happens Next

    Power and the Palace is scheduled for release in the U.K. on September 11 with Headline Publishing Group.

    Do you have a question about King Charles III and Queen Camilla, William and Kate, Meghan Markle and Harry, or their family that you would like our experienced royal correspondents to answer? Email royals@newsweek.com. We’d love to hear from you.

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  • The Smiths’ Mike Joyce to Publish Autobiography, The Drums

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    The Smiths drummer Mike Joyce has announced his autobiography. The Drums offers a frontline view of the band’s story from “the self-confessed biggest Smiths fan in the world,” as the product description puts it. “His off-piste, frank and witty perspective allows him to re-contextualise fan favourite moments through a beautifully vulnerable, human insight into his life.” The Drums is due for release on November 6.

    New Modern, an imprint of HMV owner Doug Putman’s new Putman Publishing house, is behind the publication. Beyond international postage, details of a North American release have not been revealed.

    In 2013, Morrissey published the first Smiths memoir, the slightly notorious Autobiography, which he managed to get released via the august imprint Penguin Classics. Johnny Marr followed suit with Set the Boy Free in 2016.

    Smiths bassist Andy Rourke, who played alongside Joyce with Sinéad O’Connor after the band’s dissolution, died of pancreatic cancer in 2023.

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    Jazz Monroe

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