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  • The 10 Best Mystery Graphic Novels

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    Psst. Hey you, c’mere. Word on the street is you’re lookin’ for some mysterious graphic novels. Well, kid, you’re in luck, I’ve got exactly what ya lookin’ for hidden right under my the folds of my nondescript trench coat. Woah woah woah don’t go callin’ the fuzz! I swear I’m an honest guy, look, see? Nothing but hard boiled mysteries under here for a hard boiled sleuth like yourself. It’s a hard boiled world, kid, and we all gotta make ends meet. Some people become private eyes, some take part in a life of crime, but me? I stand in rainy back alleys looking to sell comics to nerds like you. Is it legal? Technically. Is it respectable? Hardly. Do I have in my possession the 10 best mystery graphic novels around? Absolutely.

    Blacksad

    Cover art for "Blacksad"
    (Dark Horse originals)

    Blacksad is takes in a hard boiled world where everyone’s an animal. I don’t mean that in a moral sense, I mean it literally – it’s cats and dogs out there! Aside from being a tuxedo cat, John Blacksad is also a private investigator. Whether it’s hounding murderers or rescuing kidnapped kittens, he’s your man for the job, so to speak. Presented in bite-sized vignettes, the story follows Blacksad as he throws a bone to the local canine law enforcement, or rubs scales with the city’s reptilian underbelly. In this dog eat dog world, he’s gonna need all nine of his lives to survive. The art style? Imagine Ed Hopper’s famous painting Nighthawks, but everyone’s covered in fur.

    My Favorite Thing Is Monsters

    Cover art for "My Favorite Thing Is Monsters"
    (Fantagraphics)

    My Favorite Thing Is Monsters by Emil Ferris proves that when push comes to shove, anyone can become a hard boiled detective – even if that someone is a ten year old girl. Karen Reyes is an elementary school aged horror buff, who has a taste of real terror when she discovers that her upstairs neighbor has been murdered. Presented as notes in her personal diary, My Favorite Thing Is Monsters details Karen’s quest to figure out who killed Anka Silverberg – a Holocaust survivor who fled Nazi Germany. Like any good noir story, the truth of the present becomes clear through the past – the action flashes back to Anka’s younger years to cast a light on her grim future. After Karen gets to the bottom of this mystery, she might end up finding a new hobby – she’ll have seen enough monsters to last a lifetime.

    From Hell

    Cover art for "From Hell"
    (Paperback)

    When it comes to graphic novel noir, nobody does it quite like Alan Moore. From Hell shifts away from the steaming mid-century American cityscapes that serve as many of Moore’s narrative backdrops, and transports the reader to the Victorian past. The novel revolves around one of the world’s most notorious criminals, a man named for the shredded state of his victims’ bodies: Jack the Ripper. Through a combination of hard facts, leading theories, and artistic liberties, Moore rewrites one of the most famous true crime stories in history. There’s more to the Whitechapel murders than meets the eye, this conspiracy infects all levels London society – reaching as deep as the city’s secret underground orders to the heights of the Royal Family itself.

    Fables

    (Vertigo)

    Fables is a collection of hardboiled Brother’s Grimm fairytales for the modern era. After a mysterious figure known as The Adversary exiled famous folklore figures from their fabled homeland, these nursery rhyme characters had to remake their lives in the real world. The novel follows Bigby Wolf, a former huffer, puffer and house blow downer gone to the good side. Bigby serves as the sheriff of Fabletown, a home for fairytale legends in a gritty section of New York City. Things were quiet for a time, until Snow White’s hard-partying sister turned up dead. Bibgy’s got a few leads – signs point to the jealous ex-lover Bluebeard, but her new beanstalk climbing boyfriend Jack is also a suspect. Maybe an argument got out of hand while he was hopped up on magic beans? When it comes to fables, anything you can imagine is possible – that’s the problem.

    The Fade Out

    Cover art for "The Fade Out"
    (Image Comics)

    The Fade Out by Ed Brubaker and Sean Phillips is a classic noir that takes place in Hollywood in the 40’s – the golden age of the genre. After a night of hard partying, struggling screenwriter Charlie awakens in a starlet’s apartment only to find her dead on the floor. As news of Valeria Sommers’ untimely demise spreads, the studios attempt to cover up the gory details. Charlie isn’t content to forget the mysterious circumstances surrounding Valeria’s death, and works to untangle the mystery before the showbiz bigwigs can shut him down. It’s a thriller that exposes the scuzzy underbelly of glitz and glamour, proving that no matter how bright the perfect smiles of celebrities shine, they’re just as ugly as the rest of us on the inside.

    Redlands

    Cover art for "Redlands"
    (Image Comics)

    Jordie Bellaire’s Redlands is a Southern Gothic mystery set in small town Florida. The town of Redlands is ruled by a coven of witches, who came to power through decades of demonic sacrifice. Serving as the local law enforcement, these weird sisters maintain an uneasy peace with the local population. After young women start turning up dead, that peace is shattered. A serial killer is stalking Redlands, and the coven is being guided towards the culprit by the vengeful spirit of a murdered victim. Occult magic is used as a vehicle for feminist revenge, and the results are sadistically satisfying.

    Dept. H

    Cover art for "Dept H."
    (Dark Horse Originals)

    Thought that Bioshock was the only deep sea neo-noir on the market? You thought wrong. Matt Kindt’s Dept. H is the story of an underwater world rocked by conspiracy. A hardboiled investigator named Mia is piecing together the details of an apparent sabotage at a deep-sea research station. What starts as a simple information gathering mission soon bings Mia face to face with creepy undersea critters that make up part of a complicated conspiracy. Mia might be out of her Dept. H here. Her “depth.” Clever, right? It took me an embarrassingly long time to figure out that’s what the title meant – I could never hold a candle to Mia’s talent for putting two and two together.. Considering that this story is overshadowed by the ever-present threat of a catastrophic flood, that candle probably wouldn’t stay burning for very long anyway.

    The Last Broadcast

    Cover art for "The Last Broadcast"
    (Archaia)

    The Last Broadcast by Andre Sirangelo is The Prestige meets an urban explorer documentary – the real mystery is how no one ever thought of that genre mashup before. Backbone are group of daredevils that plumb the depths of burned out industrial buildings, and they’ve recently stumbled across the mother of all urbEx finds: an abandoned bunker that once belonged to 1930’s illusionist magician Blackhall the Incredible – who mysteriously vanished without a trace. While that’s normal for most magicians, Blackhall broke with stage magic tradition by never coming back. At the same time Backbone made the discovery, an out of work magician named Ivan received a mysterious package hinting that Blackhall may have died in 1934 – and that foul play could have been involved. As these seemingly unrelated parties zero in on the answers, they’ll come together to uncover a conspiracy that goes far deeper than the sewer depths Backbone makes a habit of exploring.

    Nailbiter

    Cover art for "Nailbiter"
    (Image Comics)

    Nailbiter is the story of Buckaroo, Oregon – a quiet town that’s inexplicably responsible for producing sixteen of the world’s sickest serial killers. Is it something in the water? The food? The local culture? That’s exactly what NSA Agent Nicholas Finch is attempting to figure out. He’s got skin in the game – his FBI agent buddy Charles Carroll has recently disappeared, and the last man that Carroll arrested may hold the key to finding him. Edward “Nailbiter” Warren is Buckaroo’s most recent killer creation, earning his moniker for his penchant for eating the fingernails of his victims. Now in police custody, Warren serves as a Hannibal Lecter style guide for Nicholas, helping him uncovering the mystery behind Buckaroo’s murderous reputation. Part Neo-Western noir, part hardboiled horror, Nailbiter will have you chewing yours with dread.

    The Black Monday Murders

    Cover art for "The Black Monday Murders"
    (Image Comics)

    The Black Monday Murders by Jonathan Hickman takes place in one of noir fiction’s most famously hardboiled locales: New York City. The story kicks off with Black Monday, the infamous stock market crash of 1987. As it turns out, the economic fluctuations aren’t caused by trade policy or supply and demand, but by shadowy cabals that serve the whims of dark gods. A group of financiers have made a deal with a primordial being in exchange for wealth and power, and are prepared to use any unscrupulous means necessary to hold onto their assets – which include their immortal souls. While investigating a string of bizarre killings, NYPD detective Theodore Dumas is drawn into the occult underbelly of the global market – one ruled by vampiric Russian oligarchs, evil popes, and devil worshipping elites. The conspiracy theorists are gonna love this one, “I told you so’s” all around.

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    Image of Sarah Fimm

    Sarah Fimm

    Sarah Fimm (they/them) is actually nine choirs of biblically accurate angels crammed into one pair of $10 overalls. They have been writing articles for nerds on the internet for less than a year now. They really like anime. Like… REALLY like it. Like you know those annoying little kids that will only eat hotdogs and chicken fingers? They’re like that… but with anime. It’s starting to get sad.

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    Sarah Fimm

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  • The 10 Most Beautifully Illustrated Graphic Novels

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    Looking at pretty pictures may perhaps be the oldest human pastime – we’ve been doing it since prehistory! Ever since primitive humans stepped out of their caves and sighed at the beauty of the natural world, they attempted to replicate it on cave walls, preserving their fire-discovering, wheel-inventing stories for future generations. Thousands of years later, the graphic novelists took up the torch to do the exact same thing – like Michelangelo! The Sistine Chapel really is just a graphic novel adaptation of the Bible, after all. While watching humanity’s drama with God play out on the ceiling is certainly worth the trip, this list is for those who want to drink in stunning artwork without traveling to the Vatican. For all the homebodies, are the 10 most beautifully illustrated graphic novels of all time.

    Blacksad

    Cover art for "Blacksad"
    (Dark Horse Originals)

    When Juan Díaz Canales and Juanjo Guarnido created Blacksad, they reminded us of something that humanity has known for thousands of years: cats are beautiful. Aesthetically appreciated as far back as ancient Egypt, cats are given a modern makeover in this Neo-noire masterpiece. This is the story of John Blacksad – a hardboiled private investigator who also happens to be a kitty. A feline lone wolf, Blacksad operates independently from the foxes and bloodhounds of the local police department, preferring to stalk his way into the city’s reptilian criminal underbelly on his own. A gritty pastiche of mid-century America, Blacksad’s art style feels like if you took Edward Hopper’s famous Nighthawks painting and turned everyone in it into an animal. Moody, dramatic, lonely, and furry.

    Blue Is The Warmest Color

    Cover art for "Blue Is The Warmest Color"
    (Arsenal Pulp Press)

    Reading Jul Maroh’s Blue Is The Warmest Color feels like getting slapped in the face by an angel – divinely beautiful and searingly painful. It’s the story of a tragic love affair between two young French women, beginning with incendiary passion and ending in brutal heartbreak. The watercolor art style feels like if you mixed regular paint with human tears – the tears that you’re certain to cry as you turn through its pages. The novel’s use of light is especially poignant, everything has a soft and blurry glow to it, making you feel like you’re looking at a world seen by someone ever on the verge of weeping. With the way things go in this novel, that pretty much describes the emotional state of these characters at every second of every day. Looking at the one we love has a way of making us all misty eyed – if that person goes away, bring on the waterworks.

    Daytripper

    Cover art for "Daytripper"
    (Vertigo)

    Daytripper by Fábio Moon and Gabriel Bá is ten days in the life of obituary writer Brás de Oliva Domingos, each of which results in his death. Separated into ten vignettes, the story follows Brás at pivotal moments of his life – first love, new parenthood, old age – before exploring how any of those moments could have been his last. After kicking the bucket at the end of each of these days, and the story continues on as if he hadn’t – a literary device intended to remind the audience of the fragility of our lives. The art style of the comic is equally delicate, soft colors and softer lines mix together to create a fuzzy and kaleidoscopic portrait of life – a life that could be snuffed out at any moment. Like Blue Is The Warmest Color, the blurry pages of this graphic novel are sure to be further smudged with your tears.

    The Incal

    Cover art for "The Incal"
    (Humanoids)

    A seminal work of sci-fi, The Incal by avant-garde film director Alejandro Jodorowsky is essentially Star Wars on acid. It’s the story of John Difool, a detective who comes into possession of a mysterious extraterrestrial artifact called the Luminous Incal – a crystal coveted by just about every faction in the galaxy. John navigates a labyrinthian world drawn by Jean Giraud, a groundbreaking illustrator more famously known by his pseudonym Mœbius. Depicting soft sci-fi worlds with Salvador Dali-esque surrealism, Giraud creates a dreamlike landscapes where technology and fantasy meet. This graphic novel sits somewhere between space opera and acid western, with a little bit of Dune thrown into the recipe for added spice – see what I did there?

    Berserk

    Cover art for "Berserk"
    (Dark Horse Manga)

    While “beautiful” isn’t the first word that many would use to describe the dark fantasy nightmare-verse that is Kentaro Miura’s Berserk, the late, great mangaka’s art style is nothing short of arresting. No doubt drawing inspiration from the biological horror of H.R. Giger, Miura paints the picture of a demon-haunted world that would terrify the devil himself. With his images of beautifully composed brutality, Miura was able create what is arguably the finest work of dark fantasy ever penned. It’s the story of Guts, a linebacker sized mercenary with a sedan-sized sword, cutting his way through demonic hordes in order to take revenge against a former comrade turned dark divinity. It’s somber, thrilling and tragic – blood drenched, rainswept portrait of a lone warrior who refuses to give in, despite overwhelmingly grim odds.

    Monstress

    (Image Comics)

    Monstress by Marjorie Liu and Sana Takeda is a master class in art deco – a steampunk East Asian world rendered with turn of the century opulence. It’s the story of Maika Halfwolf, a teenage girl attempting to hide her identity as an Arcanic – arcane beings that are captured and consumed by the ruling sorcerer class for their magic. On her quest to avenge her dead mother, Maika is aided by a monster – a demonic being that resides in the stump where her left arm used to be. At its core, the art style of Monstress is a 1920’s interpretation of the biblically accurate angel – lots of wings and eyes, all laced in gold.

    Square Eyes

    Cover art for "Square Eyes"
    (Jonathan Cape)

    Square Eyes by Anna Mill and Luke Jones is a soft sci-fi that follows Fin, an engineer who recently revolutionized the society of the near future with a powerful program. Once seated at the top of the digital world, Fin suddenly finds herself completely disconnected from the virtual reality that binds humanity together. Unable to access the artificial network that augments her city, the amnesiac Fin attempts to solve why she’s been booted out. The art style of the novel is just as eerie and dreamy as its plot, drawn with soft pastel pinks and purples that wash the world in a sense of unreality. It’s a place where everyone is wearing rose-colored VR glasses, but no one can take them off. Beautiful and disorienting, like a meet cute with a hot hologram.

    Through The Woods

    Cover art for "Through The Woods"
    (Margaret K. McElderry Books)

    Through The Woods by Emily Carroll is a modern day collection of Grimm’s fairy tales, creepy enough to impress the screwed up Brothers Grimm themselves. Each of these five stories are rendered in shadowy black, bone white, and blood red, casting a lurid gleam over the already macabre tales. It feels like a folk horror picture book, something that the sorceresses of Robert Eggers’ The Witch would read aloud to the children they kidnap. The book features one of the author’s most famous works His Face All Red, which catapulted her to the heights of internet webcomic glory. It’s the story of a man who killed his brother, only for his deceased sibling to wander out of the woods a few days later totally unharmed. Did his brother pull a Lazarus? Or is it a doppelgänger that didn’t quite get all the details of the disguise right? You’ll have to read to find out.

    Sin City

    Cover art for "Sin City"
    (Dark Horse Books)

    Sin City by Frank Miller is the ultimate hardboiled detective comic, and so quintessentially representative of the author’s style that it borders on self parody. Frank Miller made a name for himself in the late 80’s with his grimdark reinterpretations of Batman, somber portrayals that created the dour image of the caped crusader we know today. Sin City is Batman level grit taken to the extreme, taking place in a black and white metropolis peppered with streaks of bloody red. It’s classic noire stuff, femme fatales, burned-out private eyes, ruthless mob bosses, all rendered with such extreme chiaroscuro that it puts the Renaissance masters to shame. It’s a monochromatically mad world.

    Persepolis

    Cover art for "Persepolis"
    (Pantheon)

    Persepolis is the graphic memoir of Marjane Satrapi, who came of age during one of the most tumultuous periods in Iran’s history. An adolescent during the Islamic Revolution, Marjane saw her formerly progressive society take a hard right turn towards theological conservatism. For Marjane and young women like her, this meant that the plethora of choices that they once had for their lives were suddenly limited – from what clothes they were allowed to wear to their career prospects. The novel is rendered in a somber monochrome that juxtaposes itself with Marjane’s colorful and outspoken personality. She’s a young woman who refuses to conform to an increasingly reactionary society, a world that views morality to be as black and white as the colors with which it’s illustrated. Hailed as one of the finest graphic novels ever written, Persepolis is a must read for anyone grappling with authority figures, which, now that I think about it, is perhaps every adolescent on the planet.

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    Image of Sarah Fimm

    Sarah Fimm

    Sarah Fimm (they/them) is actually nine choirs of biblically accurate angels crammed into one pair of $10 overalls. They have been writing articles for nerds on the internet for less than a year now. They really like anime. Like… REALLY like it. Like you know those annoying little kids that will only eat hotdogs and chicken fingers? They’re like that… but with anime. It’s starting to get sad.

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    Sarah Fimm

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