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Tag: Barbra Streisand

  • American menswear designer Jeffrey Banks is finally sharing his story and starting a new chapter

    NEW YORK (AP) — Designer Jeffrey Banks spent years co-authoring seven books on fashion before finally deciding it was time to share his own story.

    The menswear designer recounts more than 50 years in fashion, from working for Ralph Lauren to launching his own label, in his new memoir “Storyteller: Tales from a Fashion Insider.”

    At 72, Banks is having a breakout year. One of his designs was selected by the Metropolitan Museum of Art for its “Superfine: Tailoring Black Style” exhibit, and he’s relaunching his eponymous menswear label.

    Banks debuted his label of polished tailoring and American sportswear back in 1976 at 21. His menswear played with color and texture: think tartan plaid jackets, pinstriped suits and furs. And at a time when there were few Black designers, his clothes were being sold in major department stores from Macy’s to Bergdorf Goodman and he was landing multimillion-dollar deals.

    For his Jeffrey Banks menswear relaunch in January, he’s moving away from suiting and embracing sustainable sportswear, from knits to underwear.

    “As much as I love suits and tailored clothing,” he told The Associated Press, “I don’t think that’s the business for now, and the business of young people.”

    His industry friends have rallied around him on his book tour. The Council of Fashion Designers of America hosted a conversation between Banks and Isaac Mizrahi last week to celebrate the publication of Banks’ book.

    Mizrahi, who worked for Banks on his womenswear line, called him a trendsetter in the commercial space.

    “I was so inspired when I was working with him, and he was one of the first people to do a lot of things at once,” Mizrahi said. “I looked at that, and I thought that was real success.”

    Banks is a natural storyteller

    Banks’ memoir doubles as a love letter to the family, loved ones and fashionable friends who supported him over the years. One motivation for doing the book, he said, was to ensure his mother, who turns 105 in January, could read it.

    “She instilled in me and in my sister, as did my father, the idea that if we wanted something bad enough and we were willing to work hard enough for it, we could achieve and get anything that we wanted,” Banks said. “And the fact that we were Black, that shouldn’t make a difference.”

    Banks and his mother shared a love of clothing. At 10, he designed a yellow asymmetrical wool coat and matching sheath dress for her to wear on Easter Sunday.

    Former CFDA President Stan Herman, 97, said that Banks is a natural storyteller with an impeccable memory, who he joked, “was born with a Vogue in his crib.”

    In his book, he highlights his “Mentors” and “Best Friends Forever” through entertaining anecdotes and photos of fashion industry stalwarts like late designer Perry Ellis and celebrities like Bobby Short, Barbra Streisand and Audrey Hepburn. Ever the gentleman, Banks’ book does not divulge all his insider secrets despite working so closely with some of the biggest names in fashion.

    Banks’ fashion ascent

    Banks credits fashion industry giants Lauren and Calvin Klein as his mentors.

    He first met Lauren as a teenager while working at Britches of Georgetowne, a menswear store in Washington, D.C. In his book, Banks shares how Lauren gave him one of his personal suits to wear for prom before he later worked for the designer while attending Pratt Institute. Banks said the two first bonded over their admiration of Hollywood movie stars like Cary Grant and Fred Astaire.

    “Ralph always treated me like an equal, I mean, from Day One,” Banks said. “He always said … I’m his other son.”

    While attending the Parsons School of Design, Banks was personally recruited by Klein. At his first fashion show, Banks said he sat Klein and Lauren next to one another.

    It was while building Klein’s menswear line that Banks was offered the chance to start his own label. He then ventured into men’s outerwear with Lakeland, furs with Alixandre, a Jeffrey Banks Boys’ line and even womenswear.

    In 1980, he was tapped to overhaul Merona Sport, a family sportswear brand, he turned into a money-making juggernaut that catapulted his career. He writes that the brand jumped from generating $7 million to $70 million within six months. At the time, Mizrahi said, it was like Banks had “struck gold.”

    As Banks goes back to his roots with the relaunch of this menswear label, his fashion community is ready to embrace him again.

    “He’s still as relevant as ever,” Fern Mallis, former head of The Council of Fashion Designers of America, said. “And I think there’s definitely a place for him in the market, he’s got a wonderful following of fashionista friends. … We’ll be wearing it, posting it and writing about it.”

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  • Sally Kirkland, stage and screen star who earned an Oscar nomination in ‘Anna,’ dies at age 84

    NEW YORK (AP) — Sally Kirkland, a one-time model who became a regular on stage, film and TV, best known for sharing the screen with Paul Newman and Robert Redford in “The Sting” and her Oscar-nominated title role in the 1987 movie “Anna,” has died. She was 84.

    Her representative, Michael Greene, said Kirkland died Tuesday morning at a hospice in Palm Springs, California.

    Friends established a GoFundMe account this fall for her medical care. They said she had fractured four bones in her neck, right wrist and left hip. While recovering, she also developed infections, requiring hospitalization and rehab.

    “She was funny, feisty, vulnerable and self deprecating,” actor Jennifer Tilly, who co-starred with Kirkland in “Sallywood,” wrote on X. “She never wanted anyone to say she was gone. ‘Don’t say Sally died, say Sally passed on into the spirits.’ Safe passage beautiful lady.”

    Kirkland acted in such films as “The Way We Were” with Barbra Streisand, “Revenge” with Kevin Costner, “Cold Feet” with Keith Carradine and Tom Waits, Ron Howard’s “EDtv,” Oliver Stone’s “JFK,” “Heatwave” with Cicely Tyson, “High Stakes” with Kathy Bates, “Bruce Almighty” with Jim Carrey and the 1991 TV movie “The Haunted,” about a family dealing with paranormal activity. She had a cameo in Mel Brooks’ “Blazing Saddles.”

    Her biggest role was in 1987’s “Anna” as a fading Czech movie star remaking her life in the United States and mentoring to a younger actor, Paulina Porizkova. Kirkland won a Golden Globe and earned an Oscar nomination along with Cher in “Moonstruck,” Glenn Close in “Fatal Attraction, Holly Hunter in “Broadcast News” and Meryl Streep in “Ironweed.”

    “Kirkland is one of those performers whose talent has been an open secret to her fellow actors but something of a mystery to the general public,” The Los Angeles Times critic wrote in her review. “There should be no confusion about her identity after this blazing comet of a performance.”

    Kirkland’s small-screen acting credits include stints on “Criminal Minds,” “Roseanne,” “Head Case” and she was a series regular on the TV shows “Valley of the Dolls” and “Charlie’s Angels.”

    Born in New York City, Kirkland’s mother was a fashion editor at Vogue and Life magazine who encouraged her daughter to start modeling at age 5. Kirkland graduated from the American Academy of Dramatic Arts and studied with Philip Burton, Richard Burton’s mentor, and Lee Strasberg, the master of the Method school of acting. An early breakout was appearing in Andy Warhol’s “13 Most Beautiful Women” in 1964. She appeared naked as a kidnapped rape victim in Terrence McNally’s off-Broadway “Sweet Eros.”

    Some of her early roles were Shakespeare, including the lovesick Helena in “A Midsummer Night’s Dream” for New York Shakespeare Festival producer Joseph Papp and Miranda in an off-Broadway production of “The Tempest.”

    “I don’t think any actor can really call him or herself an actor unless he or she puts in time with Shakespeare,” she told the Los Angeles Times in 1991. “It shows up, it always shows up in the work, at some point, whether it’s just not being able to have breath control, or not being able to appreciate language as poetry and music, or not having the power that Shakespeare automatically instills you with when you take on one of his characters.”

    Kirkland was a member of several New Age groups, taught Insight Transformational Seminars and was a longtime member of the affiliated Church of the Movement of Spiritual Inner Awareness, whose followers believe in soul transcendence.

    She reached a career nadir while riding nude on a pig in the 1969 film “Futz,” which a Guardian reviewer dubbed the worst film he had ever seen. “It was about a man who fell in love with a pig, and even by the dismal standards of the era, it was dismal,” he wrote.

    Kirkland was also known for disrobing for so many other roles and social causes that Time magazine dubbed her “the latter-day Isadora Duncan of nudothespianism.”

    Kirkland volunteered for people with AIDS, cancer and heart disease, fed homeless people via the American Red Cross, participated in telethons for hospices and was an advocate for prisoners, especially young people.

    The actors union SAG-AFTRA called her “a fearless performer whose artistry and advocacy spanned more than six decades,” adding that as “a true mentor and champion for actors, her generosity and spirit will continue to inspire.”

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  • Ariana Grande and Cynthia Erivo Do Barbra Streisand and Judy Garland Proud With ‘Happy’ Duet on ‘Wicked’ TV Special: The History Behind the Mellifluous Mashup

    For nearly the entirety of the “Wicked: One Wonderful Night” TV special, which aired on NBC Wednesday night, the performances were focused on Stephen Schwartz’s songs from the two “Wicked” movies. But for the two-hour show’s climax, stars Ariana Grande and Cynthia Erivo veered deliciously off-topic to cover a medley of songs first made famous 62 years ago by Barbra Streisand and Judy Garland.

    Some younger viewers may have been initially puzzled by the mashup, but fans of a certain age, or of a certain show-tune leaning, got it from the very first bar, or might have even dared to anticipate it when Erivo and Grande sat down on stools, side by side. It was the pairing of two distinct standards that both date back nearly a hundred years, “Get Happy” and “Happy Days Are Here Again.” The two classics have come to be conjoined in some people’s minds, but that is only because they were first sung that way by Garland and Streisand on a legendary episode of “The Judy Garland Show” in 1963.

    The Judy/Barbra performance became the stuff of legend partly because it captured two legends at opposite ends of their careers. Streisand, then 21, was not only far from a superstar but hadn’t even done “Funny Girl” on Broadway yet — although she had earlier that year released her debut LP, “The Streisand Album,” which had as its Side 2 leadoff number “Happy Days Are Here Again.” That 1929 tune (written by Milton Ager and Jack Yellen) has remained a staple of her concerts (minus duets or interpolations) right up through her last tour in 2019.

    Garland was also singing a signature song for her half of the entwined duet — which was reportedly her idea, to jazz up the special. “Get Happy,” originally penned in 1930 (by Harold Arlen and Ted Koehler), was a pseudo-gospel number she popularized in the 1950 MGM musical “Summer Stock” and continued to sing through the end of her life. Then 41, Garland was considered on the professional decline and was six years away from the end of her life when she personally brought in the nascent upstart for several numbers on the Oct. 6, 1963 episode of her weekly variety show.

    This particular mashup hardly counts as culturally ubiquitous in 2025. But Grande and Erivo are far from the first to revive it in the modern era, as the medley continues to have cachet among musical theater actors looking for an impressive way to pair up.

    Erivo herself has had some practice at it: She previously did it in tandem with Ben Platt one night during his London concert run in 2024. Scroll down to see video of the Erivo/Platt duet, along with other covers. (There’s no apparent record of Grande having sung it with anyone before; she has sung with Streisand both live and on record, but they missed an opportunity in not attempting the tune together.)

    If the doubled-up cover feels somewhat familiar to a somewhat younger generation, it may be because it did get significant exposure through an episode of “Glee” from that show’s second season in 2011, as Lea Michele and Chris Coffer teamed up side by side — with Michele’s costuming obviously designed to resemble Streisand’s from 1963.

    Other duets that can be seen or heard in clips below include Rufus Wainwright with Kristin Chenoweth; Billy Porter with Cyndi Lauper; Audra McDonald with Patti LuPone — on repeated occasions over the years! (we know, we know); and, going back to 1964, Garland with her daughter, Liza Minnelli.

    In the fall of 1963, Garland was determined to have Streisand on her show after catching her at the the Cocoanut Grove in the summer. Norman Jewison, later to be a famous feature helmer, was the director of the Streisand episode (which also featured Ethel Merman and the Smothers Brothers). Mel Tormé was employed to work on special musical material for the series, and he offered backstory for the duet in his book “The Other Side of the Rainbow; With Judy Garland on the Dawn Patrol.” There, he wrote that Garland summoned him to her dressing room and suggested an inspired idea for the show, playing Streisand’s LP version of “Happy Days Are Here Again” while singing a counter-melody of “Get Happy.”

    Wrote Tormé: “The result was electrifying, one of those chance discoveries in which two great songs jell into one extraspecial opus.”

    That and the other performances by Streisand mightily impressed CBS executives, regardless of whether the guest was yet a major star at the time. They bumped the episode up ahead of some others that had already been filmed, and it aired just two days after it was recorded, on Oct. 6, 1963.

    A half-century or more later, it continued to impress. Profiling Streisand for the New York Times in 2016, the paper’s theater critic, Ben Brantley, wrote: “Each interpreted an upbeat song with a big, trumpeting voice that nonetheless hinted at a small, solitary figure within. Happiness, as hymned in these renditions, would never be won easily. You can find that video on YouTube, and it is impossible to watch it without shivering.”

    Talking with Brantley, Streisand said of Garland, “Afterward, she used to visit me and give me advice. She came to my apartment in New York, and she said to me, ‘Don’t let them do to you what they did to me.’ I didn’t know what she meant then. I was just getting started.”

    In a 2005 interview with Diane Sawyer, Streisand said that Garland “was great. She was wonderful. Loved her … I was very secure then. I was only 21, I think. I wasn’t afraid of failure or anything. But it was interesting to see someone who was so great and so famous and so gifted … She was drinking Liebfraumilch — you know, a white wine — and her hands were shaking and she was holding onto me. I thought, what was this about? As one grows older, what is this fear? And I understand it now.”

    Streisand received her first Emmy nomination for the episode, in the category of Outstanding Performance in a Variety or Musical Program.

    Few contemporary singers would have the nerve to recreate a moment so very tagged to two of the greatest of the 20th century (or in Streisand’s case, 20th going on 21st), but few enjoy the good will, on top of the chops, that Erivo and Grande have going into the second and final part of the filmic “Wicked” franchise. If it turns out to be happy days for them at the Oscars, their ability to nail a tricky duet classic might have contributed just a little, if clips of the performance become as widely circulated as expected.

    Meanwhile, let’s hear it for the audience that saw the taping at the Dolby Theatre Sept. 24 and somehow managed to keep the climax under wraps even on social media until now. EIther that, or they were too young to recognize its significance… Nah, let’s go with discretion.

    Here are a few of the other versions rendered from over the years, including another of the many, many times LuPone and McDonald did it over a period of at least a decade and a half, long before the former called the latter “not a friend” earlier this year. Perhaps this revival of the medley will inspire them to hold space for one another yet again.

    Chris Willman

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  • Before Justin Trudeau and Katy Perry, There Was Pierre Trudeau and Barbra Streisand

    Justin Trudeau may have more in common with his father, fellow former prime minister Pierre Trudeau, than Canadian politics. In recent months, Justin has reportedly been romancing pop star Katy Perry; the Daily Mail has published photos of the two canoodling off the coast of Santa Barbara, California. Both public figures are recently single as well: Perry ended her engagement to actor Orlando Bloom with whom she shares one daughter, Daisy, earlier this year, while Trudeau separated from his wife Sophie Gregóire-Trudeau, with whom he shares three children—Xavier, Hadrien, and Ella-Grace—in 2023.

    Perry seemingly addressed her romance with Justin during the London stop on her Lifetimes world tour on October 13, one day after the Daily Mail published the photos of her and Trudeau. Perry replied to a surprise marriage proposal from a fan during the concert by saying, “I wish you’d asked me 48 hours ago.” At another point in the concert, Perry referenced her previous penchant for falling for Brits like Bloom and her ex-husband Russell Brand. “London, England, you’re like this on a Monday night after a whole day at work and a whole day at school? No wonder I fall for Englishmen all the time.” She then cheekily added. “But not anymore.”

    Justin Trudeau may be following in his father’s footsteps by dating a world-famous musician. In the late 1960s and early 1970s, early in his first term, his father Pierre romanced none other than Barbra Streisand. Trudeau, who served as prime minister of Canada from 1968 to 1979 and again from 1980 to 1984, was 50 years old when he began dating Streisand, who was 27 at the time. The EGOT winner detailed their May-December romance in her biography, My Name Is Barbra.

    Streisand met Trudeau in 1968 at the premiere of Funny Girl. At that time, Streisand’s personal life was complicated to say the least: she was in the midst of a separation from actor Elliot Gould (whom she would divorce in 1971). Streisand wrote that she was “dazzled” by “the mix of Albert Einstein and Napoleon” that was Pierre. Trudeau’s personal life was no less complicated at the time; he was in the process of wooing Margaret Sinclair, 29 years his junior. Pierre would go on to wed Margaret in 1971, and have three children with her including Justin, after his romance with the Funny Girl star came to an end.

    Although they weren’t meant to be, Streisand had nothing but positive things to say about Pierre Trudeau, who died in 2000 at the age of 80 years old.  “He was so elegant, yet totally unpretentious and perpetually curious … an adventurer who had backpacked through the Middle East and Asia as a young man,” Streisand writes in her memoir. “And he had real charisma, generating so much excitement before and after his election that the Canadian press gave it a name … Trudeaumania.”

    Original story appeared in VF España.

    JAVI SÁNCHEZ

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  • Barbra Streisand Documentary in the Works From Frank Marshall

    Barbra Streisand Documentary in the Works From Frank Marshall

    Barbra Streisand is getting into the music documentary game.

    The singer, actress, director, producer and EGOT winner has started production on a multi-part documentary about her life and career directed by Frank Marshall and produced by Alex Gibney, the project’s creative team announced on Thursday. The project aims to be an “intimate and comprehensive exploration of every facet of the iconic multi-hyphenate” with access to the Streisand’s own archival materials as well as footage of her work on current projects, the announcement stated.

    The film will follow Streisand from her Brooklyn upbringing through her early career in New York nightclubs and acclaimed performance in the original Broadway musical Funny Girl, which later was adapted into the 1968 William Wyler film starring Streisand. Following her Oscar-winning turn as Fanny Brice in that film, Streisand starred in Hello, Dolly!, The Owl and the Pussycat, What’s Up, Doc? and A Star Is Born before making her feature directorial debut with Yentl. Yentl marked the first time that a woman had written, directed, produced and starred in a major feature film. On the music front, Billboard reported in 2021 that Streisand was the only female recording artist to have gotten her albums on the publication’s Top 20 list in every decade starting in the 1960s.

    In a statement, Streisand said, “For years I’ve been thinking about the best way to share the vast amount of content I’ve been safely storing in my vault. These films, photos and music masters — many never seen or heard by the public — hold some of my most cherished memories. I’m so pleased that producer Alex Gibney and director Frank Marshall have agreed to take this journey with me.”

    Across the course of her decades-long career, Streisand has been awarded two Oscars, eight Grammys, four Emmys, eight Golden Globes and a Tony Award (not including lifetime achievement awards).

    “People have been talking about the need for the definitive documentary on Barbra Streisand for years,” said Gibney in a statement. “After a series of wonderful conversations and rigorous research, we are moving forward with Frank Marshall at the helm. I am delighted to produce this film on Barbra, a legendary singer, extraordinary actor, director, and political activist who inspires us all. Did I forget to mention that she’s a great storyteller who is funny as hell?”

    The documentary will be co-produced by the Kennedy/Marshall Company and Gibney’s Jigsaw Productions. Producers include Gibney, Marshall, the Kennedy/Marshall company’s Aly Parker, veteran music documentary filmmaker Michele Farinola, Sony Music Entertainment president of premium content Tom Mackay and record producer and songwriter Jay Landers, who has worked multiple times with Streisand.

    The film will be distributed by Sony Music Vision in partnership with Columbia Records, with Sony Music Vision handling global sales. Sony Music Vision is a production arm of Sony Music, of which Streisand’s longtime label Columbia Records is one subdivision.

    With the project, Streisand will join the likes of Elton John, Bruce Springsteen, Paul Simon and Billie Eilish, who have all participated in documentaries in recent years. The boom in music documentaries began as streamers sought to fill their content slates a few years ago, a trend that has led to some titles that are editorially independent and others that are in part produced by the star in question and/or members of their team.

    Katie Kilkenny

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  • ‘Funny Girl’ won’t rain on your parade at Kennedy Center – WTOP News

    ‘Funny Girl’ won’t rain on your parade at Kennedy Center – WTOP News

    The national tour of the iconic musical “Funny Girl” sings into the Kennedy Center now through July 14.

    WTOP’s Jason Fraley previews ‘Funny Girl’ at the Kennedy Center (Part 1)

    Theater people who need other theater people are the luckiest people in the world.

    Katerina McCrimmon stars as Fanny Brice in the national tour of “Funny Girl.” (Evan Zimmerman)

    That’s because they don’t rain on your parade when all you want to do is belt a showtune.

    The national tour of the iconic musical “Funny Girl” sings into the Kennedy Center now through July 14.

    “It was on Broadway in the ’60s, the movie came out in ’68, and there really hasn’t been a first-class production since then — our revival on Broadway in 2022 was the first revival,” Actor Stephen Mark Lukas told WTOP. “Folks may know the music, they may know the songs, they may have seen the movie, but our production touring is the first chance that a lot of folks have had to see the musical, so it’s more than just a show, it’s a theatrical event.”

    Written for the stage in 1964 by Isobel Lennart (book), Jule Styne (music) and Bob Merrill (lyrics), the show follows the life of Broadway legend Fanny Brice, who rises the ranks of showbiz despite a tumultuous relationship with gambler Nicky Arnstein. The semi-autobiographical show was produced by Brice’s son-in-law Ray Stark.

    “Fanny Brice was a huge star in the early 20th century,” Lukas said. “She was an enormous star of ‘The Ziegfeld Follies’ on Broadway, she was a radio star, she toured with vaudeville, so she was a huge trailblazer for women in comedy. She was one of the first, if not the first, female comedy stars as a comedian, so the show tracks her rise to stardom from her humble beginnings in Brooklyn to becoming a star on Broadway and then even beyond.”

    Rising star Katerina McCrimmon stars as Brice, a role that earned Barbra Streisand a Tony nomination on stage in 1964 and catapulted her recording career with chart-topping tunes before winning her an Oscar in the 1968 movie (a rare Best Actress tie with Katharine Hepburn for “The Lion in Winter”). Imagine if Lady Gaga had won for “A Star is Born” (2018) — that’s how stunning it was for Streisand to win the Oscar for her debut film role!

    “Our Fanny Brice is the brilliant Katerina McCrimmon, who I believe is in her 20s, she’s very young and she is phenomenal,” Lukas said. “Her voice is spectacular, she is incredibly funny and audiences are in for a treat to get to see her version of Fanny Brice in particular. … Doing it with Katerina is such a joy, she’s such a wonderful scene partner to be able to tell this story of this relationship that was such a big part of her life.”

    Lukas plays the suave entrepreneur turned gambling addict and con man Nicky Arnstein, a role originated by Charlie Chaplin’s son Sydney on stage and then made famous on screen by the great Omar Sharif, who was at the height of his handsome popularity after David Lean’s “Lawrence of Arabia” (1962) and “Doctor Zhivago” (1965).

    “My very first voice teacher in college told me in one of my first lessons, ‘You’re gonna play Nick Arnstein one day,’ and I had no idea what that meant,” Lukas said. “Understudying Nick (on Broadway) was really my first experience of getting to know ‘Funny Girl.’ … He’s a fascinating character. He’s this well-put-together man about town in the first act, then in the second act he really struggles and unravels, so it’s a fascinating journey to take every night.”

    While William Wyler’s film version lost the Best Picture Oscar to another musical in Carol Reed’s “Oliver!” (1968), the soundtrack was voted one of the American Film Institute’s Top 25 Movie Musicals of All Time. Meanwhile, the Original Broadway Cast recording was inducted into the Grammy Hall of Fame in 2004, while a new generation discovered the songs thanks to the Broadway revival starring Beanie Feldstein, followed by Lea Michele (“Glee”).

    “Folks will know ‘Don’t Rain on My Parade,’ which is the big Act 1 closer when Fanny decides that she’s going to go after Nick Arnstein,” Lukas said. “‘People’ is another song in the first act. … ‘I’m the Greatest Star’ is another one folks may know; ‘You Are Woman, I Am Man;’ in the second act you have ‘The Music Makes Me Dance’ … a lot of songs that people will know and hopefully come home humming as they leave the theater.”

    If you fancy yourself a fan of Broadway musicals, this is one production you don’t want to miss.

    “It is a great, big, old-fashioned Broadway show with terrific tap-dancing and a beautiful score, so it really is a love letter to the theater,” Lukas said. “Audiences will be in for a treat in both the eyes and the ears.”

    Find more information here.

    WTOP’s Jason Fraley previews ‘Funny Girl’ at the Kennedy Center (Part 2)

    Listen to our full conversation here.

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    Jason Fraley

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  • Barbra Streisand Says She Likely Won’t Make Another Movie: “It’s Complicated”

    Barbra Streisand Says She Likely Won’t Make Another Movie: “It’s Complicated”

    Barbra Streisand has revealed that she has no plans to return to the big screen anytime soon.

    The EGOT winner, who hasn’t starred in a movie in more than a decade, recently told People Magazine that the movie-making process can be tiring.

    “I mean, it was 2009 that I was fighting for the rights to play Gypsy,” she said. “In other words, it gets exhausting, trying to come up with the structure of the movie and then have it not happen.”

    But Streisand admitted that if she could have made her movies, she “never would’ve written a book. I had such good movies to make, meaning they were about things I cared about, very interesting subjects.”

    The actress-singer has tried to get several projects made over the years, including The Normal Heart, Gypsy and a sequel to The Way We Were. She recently said on The Howard Stern Show that her movie musical adaptation about burlesque entertainer Gypsy Rose Lee, based on the Stephen Sondheim musical, hasn’t panned out yet because Sondheim wouldn’t let her star in and direct the film, telling her the role was “too difficult” to do both.

    Streisand landed her first role in 1968’s Funny Girl, for which she won an Oscar for best actress in a leading role. She has also starred in Hello, Dolly!, The Way We Were, The Mirror Has Two Faces, A Star Is BornYentl and The Guilt Trip.

    Following a successful entertainment career, the multihyphenate, who recently released her memoir My Name Is Barbra, said she also just gets “lazy.”

    “Why did I only make 19 movies in my lifetime? I had many movies that I wanted to make, and then I get lazy,” Streisand explained. “I go, ‘Oh yeah, to do this one, I have to have all these fittings for period clothes. This one, I’d have to live in Arkansas to do this one.’ I don’t know. It’s complicated, but I am complicated, I guess… I get lazy.”

    She added, “Bette Davis made 80 movies. I made 19. She’s a wonderful actress and she liked working. I like time off.”

    Carly Thomas

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  • Barbra Streisand reveals why she never got a nose job, despite pressure – National | Globalnews.ca

    Barbra Streisand reveals why she never got a nose job, despite pressure – National | Globalnews.ca

    For years, people suggested to Barbra Streisand that she get a nose job.

    But she never caved to the pressure, despite many arguing it would have helped her career, and now the superstar is explaining why.

    In her new memoir, My Name is Barbra, the 81-year-old writes about the criticism she faced over her facial features — especially the “bump” on her nose.

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    “I had already been told by several people that I should get a nose job and cap my teeth. I thought, Isn’t my talent enough? A nose job would hurt and be expensive,” she wrote, according to an excerpt provided to People magazine.

    “Besides, how could I trust anyone to do exactly what I wanted and no more? I liked the bump on my nose, but should I consider a minor adjustment … just straighten it slightly at the bottom and take a tiny bit off the tip?”

    She also writes that rhinoplasty “was too much of a risk” to her talent.

    “Once a doctor told me I had a deviated septum … maybe that’s why I sound the way I do.”


    Click to play video: 'Barbra Streisand slams Trump in new music video'


    Barbra Streisand slams Trump in new music video


    The EGOT (Emmy, Grammy, Oscar and Tony) winner also makes clear that comments about her face were mean and unnecessary, specifically calling out a 1964 Time magazine cover story where the writer called her nose a “shrine” that left her face with “the essence of a hound.”

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    “I guess when you become famous, you become public property. You’re an object to be examined, photographed, analyzed, dissected,” she wrote. “And half the time I don’t recognize the person they portray. I’ve never gotten used to it, and I try to avoid reading anything about myself.”


    FILE – Barbra Streisand attends The 40th Anniversary Chaplin Award Gala at Avery Fisher Hall at Lincoln Center for the Performing Arts in New York City.


    Lars Niki / Corbus via Getty Images

    According to Today, she also reflects on a time when someone attempted to photoshop her nose without her consent.

    When asked to review the cover art for her 1974 album The Way We Were she noticed that Columbia Records had done something “strange” with her face.

    “I gave the shot to the art department at Columbia, and when they sent the finished cover back to me, I took one look and asked, ‘What happened here? Something’s strange.’

    “Well, it turned out that someone had taken off the bump on my nose! I guess they thought I’d be pleased, but I actually like that bump,” she wrote. “That bump and I have been through a lot together.”

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    In fact, Streisand says she likes long noses: “Italian actress Silvana Mangano had one and everyone seemed to think she was beautiful.”

    She also writes that it wasn’t just pressure to change her face — when she was starting out in showbiz she was told she should also change her name.

    “They wanted something simpler … Barbara Strand or Sands … but that felt phony,” she recalled. “Plus, how would my old friends know it was me, once I became famous?”

    Instead, she chose to only change the spelling of her first name from “Barbara” to “Barbra” so she could be “different and unique.”

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    &copy 2023 Global News, a division of Corus Entertainment Inc.

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  • Barbra Streisand Fast Facts | CNN

    Barbra Streisand Fast Facts | CNN



    CNN
     — 

    Here is a look at the life of singer and actress Barbra Streisand.

    Birth date: April 24, 1942

    Birth place: Brooklyn, New York

    Birth name: Barbara Joan Streisand

    Father: Emanuel Streisand, a teacher

    Mother: Diana (Rosen) Streisand Kind

    Marriages: James Brolin (July 1, 1998-present); Elliott Gould (March 21, 1963-1971, divorced)

    Children: with Elliott Gould: Jason Emanuel Gould

    Changed her name from Barbara to Barbra.

    Her father died when she was 15 months old.

    Has suffered from severe stage fright.

    Nominated for 46 Grammy Awards and has won eight.

    Nominated for nine Primetime Emmy Awards and has won four.

    Nominated for five Academy Awards and has won two.

    Nominated for two Tony Awards, and has received a special Tony Award.

    1962 – Makes her Broadway debut in “I Can Get It For You Wholesale.”

    1962 Signs a contract with Columbia Records.

    1963 – Her debut album, “The Barbra Streisand Album,” is released and wins her two Grammy Awards.

    1964 The Broadway musical “Funny Girl,” in which Streisand plays Fanny Brice, debuts.

    1965 Her television special, “My Name Is Barbra,” airs. It earns Streisand an Emmy Award and a Grammy Award for the accompanying album.

    April 14, 1969 – Wins the Academy Award for Best Actress for her role in the film “Funny Girl.”

    1970Receives a special Tony Award.

    1973 – The film “The Way We Were” opens.

    March 28, 1977 – Receives the Academy Award for Best Original Song, for the song “Evergreen (Love Theme From A Star Is Born)” from the movie “A Star Is Born.”

    1983 Streisand’s directorial debut, “Yentl,” opens.

    1986 – The Streisand Foundation is established.

    1991 – “The Prince of Tides” opens, a film in which Streisand produces, directs and acts.

    1995 – Receives a Grammy Lifetime Achievement Award.

    2008 Receives the Kennedy Center Honors.

    September 2014 – Streisand’s new album, “Partners,” is released and goes to the top of the Billboard 200 album chart. This makes her the first artist to have a No. 1 album in each of the past six decades.

    November 24, 2015 – Is awarded the Presidential Medal of Freedom by President Barack Obama.

    February 2018 – Variety magazine releases an interview in which Streisand reveals that two of her dogs are clones of her deceased dog Samantha, who passed away in 2017.

    November 2, 2018 – Streisand’s album, “Walls,” is released. Streisand says the album embodies her feelings about Donald Trump and his presidency.

    July 7, 2019 – Streisand reunites with her “A Star Is Born” co-star Kris Kristofferson on stage at London’s Hyde Park for a sold-out crowd of 65,000 – the biggest audience she’s performed for since a Central Park performance for 150,000 in 1968, according to Variety.

    October 18, 2021 – Streisand funds The Barbra Streisand Institute at UCLA. The institute’s goal involves “solving societal challenges” and will focus on four areas the artist and activist is most passionate about.

    November 4, 2022 – “Live at the Bon Soir,” a live album originally intended to be Streisand’s 1962 debut, is released for the first time.

    November 7, 2023 – Streisand’s memoir, “My Name is Barbra,” is published.

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  • Barbra Streisand details how her battle with stage fright dates back to

    Barbra Streisand details how her battle with stage fright dates back to

    Barbra Streisand details how her battle with stage fright dates back to “Funny Girl” – CBS News


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    “CBS Mornings” co-host Gayle King sits down with living legend Barbra Streisand at her Malibu home. Streisand shares the thoughtful gift her husband, actor James Brolin, gave her for their 25th wedding anniversary.

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  • Barbra Streisand details how her battle with stage fright dates back to experience in

    Barbra Streisand details how her battle with stage fright dates back to experience in

    Despite her celebrated career, Barbra Streisand said that her performances have been shadowed by a fear of forgetting her lines — a fear that took root during her early days in Broadway’s “Funny Girl.”

    She said the off-script, on-stage behavior of her “Funny Girl” co-star Sydney Chaplin, Charlie Chaplin’s son, drove her into therapy and instilled a deep-seated anxiety about live performances.

    “He kept talking to me on stage under his breath. Not looking at me in the eyes. You know, looking, like, at my forehead or my hair or something. And talking. Like a crazy person,” she told “CBS Mornings” co-host Gayle King.

    “And it was driving me insane,” she said. “That threw me so off that I thought, ‘What, what am I, what is my next line?’”

    “I never lost that, that fear of performing, fear of forgetting my lines,” Streisand said. 

    The Oscar-winning actress and singer details her anxiety in her new memoir “My Name Is Barbra,” which is being released on Tuesday. Her struggle with stage fright was so intense that after forgetting lyrics during a 1967 concert in Central Park, Streisand avoided public performances for nearly three decades.

    Her new book also details her childhood. With the loss of her father when she was just 15 months old and facing discouragement from her mother, she credits her pursuit of acting as a way to find a sense of belonging and love.

    “Even though my mother said, ‘You’ll never make it as an actress. You know, you’re not pretty enough,’ or whatever, I thought, because I used to read movie magazines, right, and kind of dream, ‘Is it, wouldn’t it be wonderful?’” she said.

    Barbra Streisand
    Barbra Streisand

    CBS News


    Her dreams and dedication have indeed paid off. Streisand’s Malibu home has been personally curated, from her legendary garden to what she calls “the mall,” featuring unique shops and an antique clothes room.

    “I’m so finicky, and when I love something, I don’t care how much it costs,” she said.

    Streisand recently celebrated her 25-year marriage to actor James Brolin, who said he asked Streisand to marry him three times before she agreed. 

    And Brolin shared a personal detail about their early relationship: “I had been literally — it’s a wild word, but I had been celibate for three years saying, ‘Who needs this?’” After two previous marriages, he said he wanted to avoid “getting involved in a lousy situation.” 

    During an anniversary celebration, Brolin read her a letter, saying, “You know someone is right for you if you love to be with them all the time. And when I go, when I finally go, I will love you then.” 

    “Home is not a place. Home is a person,” he added.

    As for who could play Streisand in a potential future film, she suggested she doesn’t want to think about it yet. 

    “I don’t know of anyone who can,” she said.

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  • Barbra Streisand on her long-awaited memoir

    Barbra Streisand on her long-awaited memoir

    Descend to the basement of Barbra Streisand’s Malibu home, and you’ll be transported to her own private mall – yes, a mall. One of the “stores” is Bee’s Doll Shop. It’s a poor girl’s fantasy brought to life, Streisand-style.

    “I love to collect,” Streisand said. “I love antiques. [As a child] I didn’t have a doll, so I put hot water into a hot water bottle, which felt like a real person.”

    “Wow, Barbra,” said King. “I think that you’ve made up for not having a doll when you were a child.”

    barbra-streisand-antique-doll-collection.jpg
    Barbra Streisand introduces CBS News’ Gayle King to her antique doll collection. 

    CBS News


    Further down the mall: the wardrobe of her extraordinary life, with gowns she wore to meet President Kennedy and the Queen of England, along with clothes fit for a Second Hand Rose. “These are things I bought in the thrift shop,” Streisand said. “Feel the velvet. This was ten bucks! I feel right in something that had a life in it. In other words, something from the past that I felt like I was once there.”

    In her new memoir, “My Name Is Barbra” (published November 7 by Viking), Streisand takes us there, giving us a front row seat to her singular six-decade career as a singer, actor and director, along the way dishing about past loves and regrets, and setting the record straight.

    When asked what she wanted readers to get out of the book, Streisand replied, “I want them to know the truth. I love truth. One of the reasons I wrote the book is to talk about the myths about me.”

    Viking


    The singer praised for her peerless voice is also known as an exacting perfectionist, and she makes no apologies. In her memoir she writes, “A man is forceful – a woman is pushy. … He shows leadership – she’s controlling. …. If he acts, produces, and directs, he’s called a multitalented hyphenate. She’s called vain and egotistical.”

    “I don’t think of myself as a famous person, I just don’t,” Streisand said. “I’m the same Barbara Joan Streisand as I was in high school.”

    Growing up in Brooklyn, Streisand was a confident kid and a good student: “But I had a D in conduct, because if they didn’t call on me and I had the answer, I would just blurt it out!”

    She says the death of her dad, Emanuel, when she was just 15 months old left a hole in her life: “I was angry that I didn’t have a father. I remember saying to my mother, ‘Why didn’t you ever tell me about my father?’ And she said, ‘I didn’t want you to miss him.’”

    Streisand’s mom, Diana, widowed at 34 with two young children, is described in the book as cold and unsupportive.

    “She didn’t seem very affectionate to you,” said King.

    “Well, she didn’t believe in it,” Streisand replied. “I said, ‘Mom, how come you don’t ever, like, hug me? Or say the words, I love you?’ And she said, ‘You know, my mother and father, they never hugged me, but I knew they loved me.’ Now, I said, ‘Well, I didn’t know you loved me.’”

    Her talent would rescue her. “I knew I had a good voice at five years old,” she said. “We kids used to gather on the stoop and we would harmonize, and I was the girl with no father and a good voice.”

    At 13, Streisand’s mother paid to make her first record. Before long, she met her longtime manager Marty Ehrlichman while singing at a Greenwich Village night club.  “Marty found me at 19 at the Bon Soir,” Streisand said, “and he wanted to get me a record contract. Columbia Records will sign me, but I said, ‘I don’t care what they pay me, I just need creative control.’ Now, he said to me, ‘Creative control? You’re 19, you’re nobody. You know, I don’t know if I can get that for you.’”

    King said, “Not too many 19-year-olds, by the way, are asking for creative control.”

    “Probably not! But to me, they saw me at the Bon Soir. They said, ‘She’s singing these cockamamie songs like Who’s Afraid of the Big Bad Wolf one minute, the next one is Sleeping Bee. I was being in the moment. I wanted to be an actress. I did not want to be a singer. I had to pay the rent, so I entered a talent contest and won, right? But I was able to use the techniques I learned in acting classes to make it interesting for me to sing a song.” 

    Take the snappy standard “Happy Days Are Here Again.” Streisand slowed it down and made it her own:


    Happy Days Are Here Again (Live at the Bon Soir, Greenwich Village, NYC – Nov. 5, 1962) by
    Barbra Streisand – Topic on
    YouTube

    As she writes in her book, that would lead to a memorable duet with Judy Garland, on “The Judy Garland Show” in 1963.

    Streisand said, “I fell in love with her. And her voice is spectacular. But when I sang with her, I was noticing her fragility. And she held my hand through our duet. I wondered why she was nervous.”


    JUDY GARLAND AND BARBRA STREISAND – Happy Days Are Here Again by
    George John on
    YouTube

    “Later we became friends. I remember her coming to my apartment. And I thought, ‘Now I know what she’s frightened about.’ That’s what happens when you have a long career. It doesn’t get easier; it gets harder. And you have no fear when, you know, ‘You’re gonna be famous, you’re not gonna be famous.’”

    King asked, “You don’t have fear today?”

    “I don’t have fear today? Of course! I don’t want to sing any more in public.”

    The perilous fame Streisand dreamed of came with a starring role on Broadway, playing the part of Fanny Brice. “Funny Girl,” she said, “meant the world to me. It was everything I imagined wanting a play to be for me. To have serious relationships. To have comedy. To sing great songs.”

    But as she writes, “Funny Girl”‘s success came at a steep price – she had a contract to fulfill: “Now I would have to be onstage doing the same thing every night for eighteen months. It was like a prison sentence to me.”

    King asked, “But it’s hard to do the same thing over and over? Singing the same songs over and over?”

    “God, yeah,” Streisand said. “You just f***ing bore yourself. It’s very boring.”

    “For the audience that’s sitting there, for some of them, it’s the first time they’ve seen it. So, they’re not bored.”

    “I’m not them!”

    barbra-streisand-1280.jpg
    Actress-singer-director Barbra Streisand.

    CBS News


    And that was part of Streisand’s appeal: there had never been anyone quite like her, right down to her distinctive nose. She writes that, for many years, people had said she should “do something” about her nose, or her teeth. “And I thought, ‘Why would I take off my bump? It makes me look more unique.’”

    Her performance in the film version of “Funny Girl” won her an Oscar, and launched her movie career, playing comedy in “What’s Up, Doc,” and capturing the magic of an opposites-attract romance in “The Way We Were.” That film, along with a remake of “A Star Is Born,” cemented her status has a major box office draw.

    With “Yentl,” Streisand took on the first of three films that she would direct. “I love directing,” Streisand said, “because it’s a complete vision. … It calls on every aspect of yourself: Decorating, visualizing, helping actors achieve a performance that I have in my mind for them.”

    After an early marriage to actor Elliott Gould, with whom she had a son, Jason, the cast of Streisand’s real-life romances included a politician (Prime Minister Pierre Trudeau), actors (Don Johnson, Ryan O’Neal), and even a tennis star (Andre Agassi).

    “Listen, I didn’t want to write about any of them,” Streisand said. But, “My editor said, ‘You have to leave some blood on the page!’”

    King said, “I like knowing that Barbra had a very nice dating roster. I like that, myself. Did you have a good time?”

    “With the men in my life, yes.”

    Streisand was in her 50s when she was set up with actor James Brolin at a dinner party. She had quite an opening line: “I walked by him, touched his hair, and said, ‘Who f***ed up your hair?’ Because that was the truth. … What else was I gonna say? Hello, my name is Barbra. I mean, what?”

    King asked Brolin, “Some people could’ve been turned off by that kind of directness. You were not. That was attractive to you, right?”

    “Very,” he replied. “It was instant. It was like a wand went, Bing. Uh, oh, you’re screwed.”

    They’ve been married for 25 years. 

    james-brolin-and-barbra-streisand.jpg
    James Brolin and Barbra Streisand.

    CBS News


    When asked what he thinks is the biggest misconception people have about Streisand, Brolin replied, “Well, there’s a lotta little girl in there. A lot. And therefore, it was covered up with a lot of firmness about how she’d like life to be and how she’d like to have things done.”

    At 81, Barbra Streisand can look back on quite a life and legacy.  When asked what makes her happy, she replied, “I love when people write me and they say, ‘I played you at my wedding.’ ‘That song helped me get through cancer.’ When I help people through my music or film, that’s what makes me feel good, that I’ve earned my right to be born, you know, that I earned my right to be here, and to reap the success that has been lathered on me.”

    To listen to the Barbra Streisand album “Evergreens – Celebrating Six Decades on Columbia Records” click on the embed below (Free Spotify registration required to hear the tracks in full):

    For more info:

          
    Story produced by Reid Orvedahl. Editor: Lauren Barnello.


    For more of Gayle King’s interview with Barbra Streisand tune in to “CBS Mornings” Monday, November 6.


    Click here for Mo Rocca’s report on how Barbra Streisand “became” Barbra


    See also:


    Barbra Streisand, with a little help from her friends by
    CBS Sunday Morning on
    YouTube

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  • Barbra Streisand on her long-awaited memoir

    Barbra Streisand on her long-awaited memoir

    Barbra Streisand on her long-awaited memoir – CBS News


    Watch CBS News



    In her first autobiography, “My Name Is Barbra,” the celebrated actress-singer-director writes of a life of heartbreaking deprivation and spectacular success, and of an artistic career lauded by critics and fans as peerless. She talks with “CBS Mornings” host Gayle King about her early years as a singer, Broadway performer, film star and director; her romances and marriages; and the double-standards applied to women who are perfectionists in their craft.

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  • Becoming Barbra: Where Streisand’s star was born

    Becoming Barbra: Where Streisand’s star was born

    Everybody’s gotta start somewhere. For nineteen-year-old Barbra Streisand, that somewhere was New York’s Bon Soir nightclub. In her memoir, “My Name Is Barbra,” Streisand writes: “The Bon Soir was a typical Greenwich Village nightclub … small, dark, and you had to walk down a flight of stairs to get in. In fact, it was so dark that the waiters carried little flashlights.”

    It was, said James Gavin, who wrote the book about New York’s cabaret scene in the 1960s, “this exclusive setting that you had to kind of be in the know in order to find your way to. Everybody there was joining in a shared experience of discovery – that was part of the thrill of seeing the likes of Barbra Streisand in one of these clubs, because you knew that you were in on something fabulous that was unfolding before your eyes.”

    01-00-58-26.jpg
    Barbra Streisand performing at the Bon Soir nightclub in New York City. 

    Columbia Records


    The clubs were like little laboratories where some of the most influential figures in American popular culture first found their voices. These places, said Gavin, were havens for misfits. “People who did not fit in anywhere else: Eartha Kitt, Phyllis Diller, Johnny Mathis, Woody Allen. Carol Burnett is another example of somebody who found an adoring audience, and then very quickly went on to huge things. But the ultimate example of that kind of performer is Barbra Streisand.”

    Here was a volcano of talent: beguiling … off-beat … and explosive.

    To listen to the album “Barbra Streisand: Live at the Bon Soir” click on the embed below (Free Spotify registration required to hear the tracks in full):

    Wesley Morris, New York Times critic at large, wrote about the 1962 live album Streisand recorded at the Bon Soir, and released only last year. “It’s Technicolor, it’s kaleidoscopes, it’s the 4th of July – the clarity of the voice, the kind of Borscht Belt comic timing. There’s just so much happening in that singing.  This sounds like somebody who’s been around for years and years,” he said. “I think there’s something about being in a small space, and you are basically watching this one person magnetize a tiny room. So, the energy that we’re talking about concentrated in that space is wild. And to then just end the show and shoot everybody back into the world?”

    But for millions of Americans, the first exposure to the full Streisand experience came with her five CBS television specials – the first, “My Name Is Barbra,” was broadcast on April 28, 1965.

    On these specials she did things her way. “They’re kind of like music videos,” said Morris. “They’re part concert, they’re part video.”

    In the first special she traipses through the Bergdorf Goodman department store. “That whole passage in the first special where she’s running through Bergdorf’s, I mean, that’s something Cyndi Lauper would have done, right? Gaga would have done a whole bit in a Bergdorf’s – trying on hats, the fur coat bit.”

    Barbra Streisand sings “Second Hand Rose” in her 1965 TV special “My Name Is Barbra”: 


    Barbra Streisand 1965 My Name is Barbra Act II Medley by
    Some Days You’re Barbra on
    YouTube

    These specials bucked convention, and not just because in one of them Streisand soft-shoes with penguins. Rocca said, “To be 23 years old and have an hour-long special on network television in those days, and to not have any guests, no one to kind of buffer you – she could have called in, I don’t know, Bob Hope or somebody to come in there, someone she could lean on. But she didn’t do that.”

    “No, she didn’t. She just knew how powerful she was,” said Stephen Holden, a retired New York Times music and film critic who wrote about Streisand for decades. “There was no one else like her, and there isn’t anyone else like her now.”

    “In those early performances, it doesn’t seem like she’s asking for the audience’s approval,” said Rocca.

    “No,” Holden laughed. “She’s demanding it!”

    The specials were ratings hits. Her first won five Emmys. Accepting the award, she said, “I couldn’t believe the amount of people that watch you in one given amount of time – let’s say an hour, which was my special – and I figured it out, I’d have to work in the theater in ‘Funny Girl’ 58 years to reach the same amount of people!”

    Streisand’s stardom was all the more surprising considering when it happened. In 1965, after The Beatles’ invasion, Streisand was singing songs primarily from the 1920s, ’30s, and ’40s. “This is an important point,” said Morris. “The Beatles are happening. And one of the most popular acts in America is this chick from Brooklyn singing Tin Pan Alley and Great American Songbook tunes.”

    Of course, it was what she was doing with these songs that made them seem brand new. “She is so good at that, taking you on a journey that is obviously emotional and obviously musical,” said Morris.

    Behold her rendition of “Cry Me a River” during her Central Park concert TV special in 1968, in which she channels the jilted lover whose ex has come crawling back:


    Barbra Streisand – A Happening In Central Park – Cry Me A River -1967 by
    Some Days You’re Barbra on
    YouTube

    Morris said, “It’s the peaks and valleys of the great singers who are able to go up and go down, the EKG of it. It’s your spirit responding to somebody else’s spirit. … That was the experience of watching her.”

    The word icon is thrown around a lot these days. But Barbra Streisand is an icon.

    Watch Barbra Streisand perform “Starting Here, Starting Now,” on her 1966 special, “Color Me Barbra”:


    Barbra Streisand – Color Me Barbra – 1966 – Starting Here Staring Now by
    Some Days You’re Barbra on
    YouTube

         
    For more info:

         
    Story produced by Kay Lim. Editor: Mike Levine. 

        
    See also: 


    Barbra Streisand on her long-awaited memoir

    13:36

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  • Barbra Streisand talks with

    Barbra Streisand talks with

    Award-winning singer, actor and director Barbra Streisand says the loss of her father when she was just 15 months old left a big hole in her life, in a revealing interview for “CBS News Sunday Morning,” to be broadcast Sunday, November 5 on CBS and streamed on Paramount+.

    Streisand opens up to “CBS Mornings” co-host Gayle King about life, love, and her long-awaited memoir, “My Name Is Barbra” (to be published Tuesday).

    Below are some excerpts.

    On her deceased father, and the mother she describes as cold and unsupportive:

    BARBRA STREISAND: “I was angry that I didn’t have a father. I remember … saying to my mother, ‘Why didn’t you ever tell me about my father?’ And she said, ‘I didn’t want you to miss him.’”

    GAYLE KING: “She didn’t seem very affectionate … to you.”

    STREISAND: “Well, she didn’t believe in it … I said, ‘Mom, how come you don’t ever, like, hug me, or say the words, I love you?’ And she said, ‘You know, my mother and father, they never hugged me. … But I knew they loved me.’ Now, I said, ‘Well, I didn’t know you loved me.”

    Her first words to her future husband, James Brolin (and his reaction):

    STREISAND: “I walked by him, touched his hair, and said, ‘Who f***ed up your hair?’ Because that was the truth. And I didn’t, what else was I gonna say? ‘Hello, my name is Barbra’? I mean, what?”

    KING: “Jim, some people could’ve been turned off by that kind of directness. You were not. That was attractive to you, right?”

    JAMES BROLIN: “Very.”

    KING: “Why?”

    BROLIN: “No. It was instant. It was like a wand went, Bing! Uh, oh, you’re screwed.”

        

    On her new book:

    KING: “What do you want people to get out of this book? What do you want them to know about you?”

    STREISAND: “I want them to know the truth. …You know, one of the reasons I wrote the book is to … talk about the myths about me.”

            
    More of King’s interview with Streisand will be presented on “CBS Mornings” Monday, November 6 on CBS and Paramount+.

    The Emmy Award-winning “Sunday Morning” is broadcast Sundays on CBS beginning at 9 a.m. ET. “Sunday Morning” also streams on the CBS News app [beginning at 12 p.m. ET] and on Paramount+, and is available on cbs.com and cbsnews.com.

    Be sure to follow us at cbssundaymorning.com, and on TwitterFacebookInstagramYouTube and TikTok.

          
    For more info:

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  • Barbra Streisand on ‘The Way We Were’ and Her Fight to Get It Right

    Barbra Streisand on ‘The Way We Were’ and Her Fight to Get It Right

    Without those two crucial scenes, there’s nothing about her feeling that she has lost her sense of self in Hollywood…nothing about being informed on…nothing about what actually forced her decision. All of that is gone. So now you think they split up simply because he schtupped this other girl one time.

    You can hear Sydney on the documentary, describing how they previewed the picture on a Friday night in San Francisco and it was a flop. Then he says that he took out “about five scenes, and they were all politics,” and on Saturday night the picture was a hit. (By the way, my manager, Marty Erlichman, was there and he says the picture played great on both nights.)

    I agreed with Sydney on three of those scenes. They involved subsidiary characters having political discussions that went on so long even I lost interest.

    Yes, right, cut those extraneous scenes (about 15 minutes)…no great loss…but don’t cut the two scenes that were pivotal to the plot. Don’t cut the crucial three and a half minutes that the whole film revolves around.

    It was such a betrayal of Arthur’s story. It destroyed the soul of Katie’s character…and destroyed me.

    I was so upset back in 1973 that I asked if I could have the deleted scenes, and I’ve kept those trims in my vault (along with outtakes from my recordings, TV specials, and certain films). Then in 1998, when we were doing the DVD for the 25th anniversary, I asked Sydney if I could show those deleted scenes in the documentary. He could easily have said no, but instead he very generously said, “Okay,” because he understood how passionate I was about this movie. That was Sydney being a real friend.

    In the documentary, both Arthur and I talk about how those cuts eliminated vital information. Sydney admits, “I don’t say to this day that I’m right.” The fact is, Ray Stark and the studio were pushing him to take out the politics because they thought it would bore people. As Sydney explained to one journalist, “We were getting so much pressure. Columbia was going under at the time; they hadn’t had a big hit in years, and the picture was going over budget. Bob didn’t get along with Ray Stark, and neither did I. We didn’t know how to mix the politics and the love story and make it work.”

    Ray was nervous. Arthur writes in his book that Ray told Sydney to make those cuts after the first San Francisco preview. So Sydney and Margaret Booth, Ray’s favorite editor…a tough woman from another era…went up into the projection booth with a razor blade and cut the film hastily, in one chunk. And in my humble opinion, they threw out the baby with the bathwater.

    I took my pleas to Ray, which was useless.

    I felt absolutely powerless. My mind just flashed back to that moment as a young girl, standing in my mother’s bedroom doorway and being ignored. Once again, I felt unseen and unheard. I begged Sydney to put those two scenes back in. But he didn’t.

    This was the moment when I thought, That’s it. I had always had creative control of my albums, my TV specials, and my concerts. Now I realized, I have to be more in control of my films as well. I have to direct.

    Of course, it’s hard to argue with success. The movie became a huge hit…and Columbia’s second-highest-grossing film up till then (they told me the highest was Funny Girl). The Way We Were was nominated for six Academy Awards, but I thought there was something odd when I saw the list. No nomination for best picture. Sydney wasn’t nominated as best director. Arthur wasn’t nominated for his screenplay.

    Maybe the reason the movie missed out on the big awards was because people sensed something was missing and didn’t understand why Katie and Hubbell broke up. Several critics pointed out gaps in the storyline. Roger Ebert said, “Inexplicably, the movie suddenly and implausibly has them fall out of love—and they split up without resolving anything, particularly the plot.”

    I was honored to be nominated for best actress, but I was very disappointed that Bob wasn’t nominated for best actor for our movie, because he was amazing in it. (He did get nominated for The Sting.) At least “The Way We Were” was up for best original song, and the Academy asked me to sing it on the broadcast, but I was reluctant…my stage fright again. When I get nervous, my heart pounds and it affects my voice, which starts to shake and I lose control. It’s a terrible feeling and I didn’t want to go through that. So they asked Peggy Lee to do it, which was fine with me. (Besides, I wanted to be thought of as an actress first, not a singer.) But in retrospect, I wish I had been stronger and sung the song.

    Barbra Streisand

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  • Inside Barbra Streisand’s World

    Inside Barbra Streisand’s World

    “This is the opening of a film about Sarah Bernhardt, if I could get anyone to do it,” she says, drawing her hand through the air. “You start on a mirror, and the hand comes in the frame, and someone is trying to put on the eyeliner and it’s smudging. You have to erase it and start again. You don’t even know who it is.”

    We’ve been talking about makeup. For most of her career—from her nightclub gigs when she was 18 right through to her major films—Barbra Streisand did her own. At first because there was no one else to do it, and then because no one could do it better. In her autobiography, My Name Is Barbra, out November 7, she tells the story of her film test for Funny Girl. The makeup people came to attend to her, and she thought, “Great, they’re the experts. Let’s see what they can do.” But she didn’t love the result. “I said, ‘Thank you very much,’ ” Streisand writes, “but then I asked, ‘Would it be all right if we also did a test with just me making myself up?’ The studio said, ‘Fine.’ ”

    A previously unpublished photograph of Barbra Streisand, by Richard Avedon, photographed on April 1, 1970. Hair by Anna Gallant; styled by Polly Mellen. With special thanks to the Richard Avedon Foundation.© COPYRIGHT RICHARD AVEDON FOUNDATION.

    The cinematographer picked Streisand’s.

    Streisand is 81 now, and though her hands remain steady, she finds it harder to achieve that straight line across the eyelid. That’s the genesis of the Sarah Bernhardt idea—Bernhardt at an older age, still potent, still inimitable. “You know, she played Juliet when she was 74,” she says.

    I am at Streisand’s house in Malibu in July, two days before the Screen Actors Guild declares a strike, to talk to her about her book. I’m one of only a handful of people who’ve read it at this point.

    My Name Is Barbra is 992 pages of startling honesty and self-reflection, deadpan parenthetical asides (including a running bit about how much she loves going to the dentist), encyclopedic recall of onstage outfits, and rigorous analyses of her films, many of which she rewatched for the first time in decades. There’s the chilling story, which she’s never told before, of the origins of her legendary stage fright. There’s her hilarious opening line to James Brolin, who she’s been with for 27 years. There’s a page and a half correcting the record on the Streisand Effect, a term that refers to the way efforts to minimize a story can backfire, generating exponentially more press; it derives from legal action she took against a person who publicized the location of her home. (More on all this later.) There’s no index, so would-be browsers can’t cheat. A genius move—was it her choice? She laughs. Absolutely. If she could plug away for 10 years writing this exhaustive, exhilarating account of her life—leaving blood on the page, per her editor’s request—then we can do her the courtesy of reading it from start to finish.

    In 1984, Jackie Onassis, then an editor at Doubleday, invited Streisand to write a memoir. She turned the offer down: “Frankly, I thought at 42 I was too young, with much more work still to come.” (She wasn’t wrong, but for those keeping score, she had already won an honorary Tony, two Oscars, one Emmy, and seven Grammys.) Still, she started making notes, and in 1999 began keeping a journal, longhand. “I never learned to type,” she says, an act of defiance against her mother, who wanted her to pursue a career in school administration so that she’d have summers off. Instead, Streisand grew out her nails, precluding secretarial work, and—just to put a point on it—became a supernova.

    Radhika Jones

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  • Radhika Jones Talks to the Original Funny Girl

    Radhika Jones Talks to the Original Funny Girl

    The VF editor in chief met with November cover star Barbra Streisand at her Malibu home to discuss her upcoming memoir, My Name Is Barbra.

    Radhika Jones

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  • Lea Michele Has Perfect Response To Social Media Users Who Claim She Can’t Read

    Lea Michele Has Perfect Response To Social Media Users Who Claim She Can’t Read

    Glee” star Lea Michele poked fun at social media users’ claims that she can’t read in an epic TikTok response on Wednesday.

    Michele, in a TikTok, responded to a report that original “Funny Girl” star Barbra Streisand is set to release a memoir later this year and she couldn’t help but reference the theories about her reading abilities.

    “265 days to learn to READ!!!,” wrote Michele, who looked up and smiled in the video.

    This isn’t the first time Michele has used TikTok to make fun of conspiracy theorists.

    “I went to ‘Glee’ every single day; I knew my lines every single day,” Michele said.

    “And then there’s a rumor online that I can’t read or write? It’s sad. It really is. I think often if I were a man, a lot of this wouldn’t be the case.”

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  • Perfect 10: Taylor Swift sets Billboard Hot 100 first

    Perfect 10: Taylor Swift sets Billboard Hot 100 first

    NASHVILLE, Tenn. — Taylor Swift scored a 10 out of 10 as she became the first artist in history to claim the top 10 slots of the Billboard Hot 100 chart with tracks from her new record “Midnights.”

    Billboard reported Monday that Swift surpassed Drake, who had held the previous record with nine of the top 10 songs for a week in September 2021.

    “10 out of 10 of the Hot 100??? On my 10th album??? I AM IN SHAMBLES,” the pop star tweeted Monday.

    The new album came out Oct. 21 with both a 13-track standard release and a deluxe version with another seven bonus tracks. It has had one of the biggest album launches in nearly seven years. Billboard also reported that Swift now ties with Barbra Streisand for the female artist with the most No. 1 albums.

    The No. 1 spot belongs to “Anti-Hero,” whose lyrics “It’s me/hi/I’m the problem/It’s me” have quickly become a TikTok trend. The other top 10 songs include “Lavender Haze,” “Maroon,” “Snow on the Beach,” “Midnight Rain,” “Bejeweled” and ”Question…?”

    The numbers are for the week Oct. 21-Oct. 27.

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