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Tag: awards

  • The Razzies Announce the Worst Movies of the Year

    The Razzies Announce the Worst Movies of the Year

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    The Razzies’ latest round of winners is here.

    (Winners might be a bad choice of words in this case.)

    Since 1981, the Golden Raspberry Awards — better known to bad movie lovers (and bad movie makers) as “The Razzie Awards” — have given out prizes to the worst films, directors, writers, and actors of the year. Their picks aren’t always the best, but they are definitely the #1 name in the bad movie award space.

    And this year their #1 bad movie was Winnie-the-Pooh: Blood & Honey, the horror movie version of the beloved children’s classic, which was enabled by the original Winnie book going into the public domain a few years ago. The quite terrible film took home the Razzies for Worst Picture, Worst Director, Worst Screenplay, Worst Screen Couple, and Worst Remake, Sequel, or Ripoff. It cleaned up (quite deservingly so) in just about every category where it was eligible.

    In the acting categories, Jon Voight was chosen as Worst Actor for Mercy, while Megan Fox won Worst Actress and Supporting Actress, for Johnny & Clyde and Expend4bles, respectively. Her Expend4bles co-star Sylvester Stallone, who is a longtime Razzies “favorite,” won Worst Supporting Actor for his work in the film as well.

    Here’s the full list of winners of this year’s Razzies. Congrats to all who were nominated. I’m sure you will do better next time.

    Worst Picture
    The Exorcist: Believer
    Expend4bles
    Meg 2: The Trench
    Shazam! Fury of the Gods
    Winnie the Pooh: Blood and Honey – WINNER

    Worst Actor
    Russell Crowe, The Pope’s Exorcist
    Vin Diesel, Fast X
    Chris Evans, Ghosted
    Jason Statham, Meg 2: The Trench
    Jon Voight, Mercy – WINNER

    READ MORE: The Worst Razzie Nominees in History

    Worst Actress
    Ana de Armas, Ghosted
    Megan Fox, Johnny & Clyde – WINNER
    Salma Hayek, Magic Mike’s Last Dance
    Jennifer Lopez, The Mother
    Helen Mirren,  Shazam! Fury of the Gods

    Worst Supporting Actress
    Kim Cattrall, About My Father
    Megan Fox, Expend4bles – WINNER
    Bai Ling, Johnny & Clyde
    Lucy Liu, Shazam! Fury of the Gods
    Mary Stuart Masterson, Five Nights at Freddy’s

    Worst Supporting Actor
    Michael Douglas, Ant Man & The Wasp: Quantumania
    Mel Gibson, Confidential Informant
    Bill Murray, Ant Man & The Wasp: Quantumania
    Franco Nero, The Pope’s Exorcist
    Sylvester Stallone, Expend4ables – WINNER

    Worst Screen Couple
    Any 2 “Merciless Mercenaries,” Expend4bles
    Any 2 Money-Grubbing Investors Who Donated to the $400 Million
    for Remake Rights to The Exorcist
    Ana de Armas & Chris Evans (who flunked Screen Chemistry), Ghosted
    Salma Hayek & Channing Tatum, Magic Mike’s Last Dance
    Pooh & Piglet in Winnie the Pooh: Blood and Honey – WINNER

    Jagged Edge Productions
    Jagged Edge Productions

    Worst Prequel, Remake, Rip-off or Sequel
    Ant Man & The Wasp: Quantumania
    The Exorcist: Believer
    Expend4bles
    Indiana Jones and The Dial of…Still Beating a Dead Horse
    Winnie the Pooh: Blood and Honey – WINNER

    Worst Director
    Rhys Frake-Waterfield, Winnie the Pooh: Blood and Honey – WINNER
    David Gordon Green, The Exorcist: Believer
    Peyton Reed, Ant Man & the Wasp: Quantumania
    Scott Waugh, Expend4bles
    Ben Wheatley, Meg 2: The Trench

    Worst Screenplay
    The Exorcist: Believer
    Expend4bles
    Indiana Jones and the Dial of…Can I go home now?
    Shazam! Fury of the Gods
    Winnie the Pooh: Blood & Honey

    Good Movies That Won Razzie Awards

    The Razzies are supposed to be awards for the worst in cinema. So why did they give awards to these titles?!?

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    Matt Singer

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  • Messi the Dog Will Reportedly Skip the Oscars (and That’s OK)

    Messi the Dog Will Reportedly Skip the Oscars (and That’s OK)

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    Are Academy voters such rabid cynophiles that the presence of a nominated film’s featured hound could give it an “unfair advantage”? That’s the claim floated for why Messi, who played Snoop in this year’s quintuple-nominee, Anatomy of a Fall, will likely be skipping Sunday’s Academy Awards. But before you boo those alleged dog-hating cranks, ask yourself this: are you disappointed for Messi, or for yourself?

    Thanks to extremely important website Does the Dog Die, even those who have yet to watch the French film can confirm that Messi, a seven-year-old border collie, did not have to play completely dead in the nonetheless upsetting movie. His performance in a scene where he almost gives up the ghost has drawn raves, with the BBC describing his work in the movie as “one for the canine canon.” 

    Messi and trainer Laura Martin Contini prepared for that scene every day for two months, she told IndieWire. “It’s a true profession,” Martin Contini said of non-human performances. “Any time you see a dog or an animal on screen, it’s the result of a long process of preparation, even if the dog is just laying down.” 

    Bob Odenkirk, Riley Keough and Messi the dog attend the Film Independent Live Read of Justine Triet’s “Anatomy Of A Fall” at the Wallis Annenberg Center for the Performing Arts on February 14, 2024 in Beverly Hills, California.

    Amanda Edwards/Getty Images

    As awards season has continued, we’ve had the chance to see Messi in circumstances that are far less controlled—and during which he’s acquitted himself admirably. Most notably, perhaps, there’s the now-viral footage of fellow actor Ryan Gosling meeting Messi at the Academy nominees luncheon. He also met Billie Eilish, America Ferrera, and Bradley Cooper at the event, which apparently disconcerted some of Anatomy of a Fall‘s competitors, The Hollywood Reporter noted.

    “Multiple companies with nominated films complained to the Academy that allowing him to attend the event gave Anatomy of a Fall an advantage during the voting window,” the publication claimed, citing “a source with knowledge of the complaints.” That’s prompted some to link those alleged complaints to a decision (which Vanity Fair has not been able to independently confirm) to keep Messi away from the Oscars.

    Dogs have certainly attended the Academy Awards in the past, most notably Uggie, the star of 2012 winner The Artist. Arguably the last dog to receive Messi-level accolades, the Jack Russell died in 2015 (and was controversially excluded from the Oscars’ In Memoriam tribute the following year). 

    Image may contain Thomas Langmann Jean Dujardin Missi Pyle James Cromwell Michel Hazanavicius and Penelope Ann Miller

    Actor Jean Dujardin, director Michel Hazanavicius, actors James Cromwell, Uggie the dog, Berenice Bejo, Penelope Ann Miller, and Missi Pyle, and producer Thomas Langmann pose in the press room at the 84th Annual Academy Awards held at the Hollywood & Highland Center on February 26, 2012 in Hollywood, California.

    Steve Granitz

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    Eve Batey

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  • “I Am Very Proud of Myself”: Oscar Nominee Danielle Brooks Revisits Her Hollywood Journey

    “I Am Very Proud of Myself”: Oscar Nominee Danielle Brooks Revisits Her Hollywood Journey

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    The Oscars 2024 might not be until Sunday, but it’s clear Danielle Brooks is already a winner.

    At Thursday afternoon’s Essence Black Women in Hollywood Awards, all eyes were on Brooks as she accepted her award honoring her body of work as well as her Oscar nomination for her role in the musical adaptation of The Color Purple. Dressed like a golden statuette, wearing a shimmering Herve Leger gown and goddess halo crown, Brooks expressed nothing but gratitude.

    “It’s so amazing,” Brooks told Vanity Fair on the red carpet ahead of the event. “There’s so many beautiful men and women inside this space, and especially today — I’m not going to cry — but my mom is here. So it’s really special.”

    It was a special event for the audience, too, when Brooks broke out in song while accepting her award. “I feel the stirring in my spirit, I feel excitement, I feel rejuvenated, I feel inspired, and I know it’s because…the essence of Black women in this space that makes me feel that way…and the same feeling that I got, at a good church service,” the Orange is the New Black alum told the audience before singing the gospel tune “I Won’t Complain.” Brooks brought the room to its feet with a thunderous standing ovation complete with swoons and cheers — a truly spiritual moment.

    Held a few days before the Oscars, the annual awards luncheon celebrates the top talents of color within the industry and honors some of the year’s most influential figures. Along with Brooks, this year’s Essence event, hosted by Method Man, honored All American screenwriter and showrunner Nkechi Okoro Carroll, Starz executive Kathryn Busby, and another Color Purple star and one half of the singing duo Chloe + Halle, Halle Bailey.

    From compliments on work and fashion, to red carpet dance videos and conversations about hair textures and products, the camaraderie was unlike any other award show. Zendaya, with her hair in a sleek bob, was accompanied by her stylist and close friend Law Roach. She sweetly returned compliments by yelling “you look amazing” to peers on the carpet, while Yvonne Orji joked around with Aldis Hodge and Bailey walked hand-in-hand with her sister, stopping to give hugs and take photos along the way. 

    “I used to interview a lot of people here, so I think that’s what’s really cool about being a talk show host for seven years,” said Tamera Mowry-Housley, pointing to Brooks, who was standing next to her. “It’s always nice to see talent that you love,” said while pointing to Brooks, who stood next to her on the carpet. “I’ve known her for some time and I’m very, very happy for her.”

    Inside the awards, which also brought out big names like Normani, Anthony Anderson, and Tina Knowles, selfies with the Bailey sisters continued while Wendell Pierce, Boris Kodjoe and Hill Harper gathered for a boys photo. At a table near the stage, MJ Rodgriuez was spotted giggling with Amber Wiley and in another part of the room, Letita Wright and BMF star Da’Vinci, both in green ensembles, hugged after passing each other in the crowd.

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    Morgan Evans

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  • The Best and Worst Oscar Best Picture Winners Ever

    The Best and Worst Oscar Best Picture Winners Ever

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    The Oscars are the unofficial conclusion to a year of movies. Yes, a calendar year technically ends on December 31. But for cinephiles, the year is not done until the thousands of members of the Academy of Motion Picture Arts and Sciences have their say, and name the winners of their annual awards. Only then can we all collectively move on to the new year’s crop of movies.

    But history gets the true final word on any and every film, not the Academy. Just because a title wins Oscars — even if a title wins the prize for Best Picture of the year — doesn’t mean it will graduate to canonical masterpiece status. In some cases the film everyone remembers from a certain year turns out to be its Best Picture winner. In a lot of cases, it doesn’t. And sometimes a film becomes infamous for winning Best Picture over a more deserving alternative that winds up becoming a consensus classic in spite of getting snubbed by the Academy.

    Today we’re looking at both examples: The best movies to win the Oscar for Best Picture and the worst movies that somehow campaigned and cajoled their way to a dubious sort of immortality. Keep them in mind before you get too excited or too upset about any of this year’s Oscar winners or losers. The Academy comes to one conclusion, but time can still come to a different one.

    The Best Oscar Best Picture Winners Ever

    More than 90 films have earned the title of Best Picture from the Academy Awards. These are the best of the best.

    READ MORE: Actors Who Won Oscars For Their Very First Movie

    The Worst Oscar Best Picture Winners

    These movies won the Academy Awards for Best Picture over better, more deserving films.

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    Matt Singer

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  • CAS Awards: ‘Oppenheimer,’ ‘The Last of Us,’ ‘The Bear’ Among Winners

    CAS Awards: ‘Oppenheimer,’ ‘The Last of Us,’ ‘The Bear’ Among Winners

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    The Cinema Audio Society Awards took place on Saturday, honoring Oppenheimer, The Last of Us and The Bear with winning trophies this year.

    The sound mixing team behind Oppenheimer took home the award in the live-action competition, beating the teams behind BarbieFerrariKillers of the Flower Moon and Maestro.

    Cinema Audio Society, which honors outstanding sound mixing in film and television, also handed out awards in the television categories to The Last of Us for best one-hour series and The Bear for best half-hour series.

    In its animated feature competition, CAS awarded the trophy to Spider-Man: Across the Spider-Verse. Other nominees included the teams behind Elemental, Teenage Mutant Ninja Turtles: Mutant Mayhem, The Boy and the Heron and The Super Mario Bros. Movie. As for feature documentaries, 32 Sounds took home the award, beating out American Symphony, Little Richard: I Am Everything, Still: A Michael J. Fox Movie and Taylor Swift: The Eras Tour.

    Several mixers earned multiple nominations, including Kevin O’Connell (Barbie, Oppenheimer), Doc Kane (Mutant Mayhem, Super Mario Bros.) Mark Mangini (Mutant Mayhem, 32 Sounds) and Michael Semanick (Across the Spider-Verse, Mutant Mayhem).

    Television category contenders included The Crown, The Last of Us, Succession, Ted Lasso and The Marvelous Mrs. Maisel.

    “On behalf of the Cinema Audio Society, I extend heartfelt congratulations to all the winners of the
    60th Annual CAS Awards,” CAS president Peter Kurland said. “As we mark this significant
    milestone, reflecting on 60 years of the CAS, it’s truly remarkable to witness the evolution of sound in
    cinema. While much has changed over time, one constant remains—the remarkable talent of these
    artists, whose dedication continues to enrich the cinematic experience for audiences worldwide. We
    applaud your exceptional achievements and invaluable contributions to the art of sound.”

    See the full winners list below.

    MOTION PICTURES – LIVE ACTION

    Barbie  

    Production Mixer – Nina Rice  
    Re-Recording Mixer – Kevin O’Connell CAS
    Re-Recording Mixer – Ai-Ling Lee CAS
    Scoring Mixer – Peter Cobbin  
    Scoring Mixer – Kirsty Whalley
    ADR Mixer – Bobby Johanson CAS
    Foley Mixer – Kevin Schultz

    Ferrari

    Production Mixer – Lee Orloff CAS
    Re-Recording Mixer – Andy Nelson CAS
    Re-Recording Mixer – Tony Lamberti
    Re-Recording Mixer – Luke Schwarzweller CAS
    Scoring Mixer – Andrew Dudman
    ADR Mixer – Matthew Wood
    Foley Mixer – Giorgi Lekishvili

    Killers of the Flower Moon

    Production Mixer – Mark Ulano CAS
    Re-Recording Mixer – Tom Fleischman CAS
    Re-Recording Mixer – Eugene Gearty
    Foley Mixer – George A. Lara CAS

    Maestro

    Production Mixer – Steven A. Morrow CAS
    Re-Recording Mixer – Tom Ozanich
    Re-Recording Mixer – Dean A. Zupancic 
    Scoring Mixer – Nick Baxter
    ADR Mixer – Bobby Johanson CAS
    Foley Mixer – Walter Spencer

    Oppenheimer (WINNER)

    Production Mixer – Willie D. Burton CAS
    Re-Recording Mixer – Gary A. Rizzo CAS
    Re-Recording Mixer – Kevin O’Connell CAS
    Scoring Mixer – Chris Fogel CAS
    Foley Mixer – Tavish Grade
    Foley Mixer – Jack Cucci
    Foley Mixer – Mikel Parraga-Wills 

    MOTION PICTURES – ANIMATED

    Elemental

    Original Dialogue Mixer – Vince Caro CAS
    Original Dialogue Mixer – Paul McGrath CAS
    Re-Recording Mixer – Stephen Urata
    Re-Recording Mixer – Ren Klyce
    Scoring Mixer – Thomas Vicari CAS
    Foley Mixer – Scott Curtis

    Spider-Man: Across the Spider-Verse (WINNER)

    Original Dialogue Mixer – Brian Smith
    Original Dialogue Mixer – Aaron Hasson
    Original Dialogue Mixer – Howard London CAS
    Re-Recording Mixer – Michael Semanick
    Re-Recording Mixer – Juan Peralta
    Scoring Mixer – Sam Okell
    Foley Mixer – Randy K. Singer CAS

    Teenage Mutant Ninja Turtles: Mutant Mayhem

    Original Dialogue Mixer – Doc Kane CAS
    Re-Recording Mixer – Michael Semanick
    Re-Recording Mixer – Mark Mangini
    Scoring Mixer – Trent Reznor  
    Scoring Mixer – Atticus Ross  
    ADR Mixer – Chris Cirino
    Foley Mixer – Chelsea Body

    The Boy and the Heron

    Original Dialogue & Re-Recording Mixer – Kôji Kasamatsu

    The Super Mario Bros. Movie

    Original Dialogue Mixer – Carlos Sotolongo CAS
    Re-Recording Mixer – Pete Horner
    Re-Recording Mixer – Juan Peralta
    Scoring Mixer – Casey Stone CAS
    ADR Mixer – Doc Kane CAS
    Foley Mixer – Richard Durante

    MOTION PICTURES – DOCUMENTARY

    32 Sounds (WINNER)

    Production Mixer – Laura Cunningham
    Re-Recording Mixer – Mark Mangini
    Scoring Mixer – Ben Greenberg
    ADR Mixer – Bobby Johanson CAS
    Foley Mixer – Blake Collins CAS

    American Symphony

    Re-Recording Mixer – Tom Paul
    Re-Recording Mixer – Tristan Baylis 
    Foley Mixer – Ryan Collison

    Little Richard: I Am Everything

    Re-Recording Mixer – Tom Paul

    Still: A Michael J. Fox Movie

    Re-Recording Mixer – Skip Lievsay CAS
    Re-Recording Mixer – Paul Urmson 
    Re-Recording Mixer – Joel Dougherty 
    Scoring Mixer – John Michael Caldwell 
    Foley Mixer – Micah Blaichman

    Taylor Swift: The Eras Tour

    Production Mixer – Jacob Farron Smith CAS
    Re-Recording Mixer – John Ross CAS
    Re-Recording Mixer – David Payne
    Re-Recording Mixer – Christopher Rowe

    NON-THEATRICAL MOTION PICTURES OR LIMITED SERIES

    All the Light We Cannot See: Episode 4 

    Production Mixer – Balazs Varga
    Re-Recording Mixer – Mark Paterson
    Re-Recording Mixer – Craig Henighan CAS
    Scoring Mixer – Nick Wollage
    ADR Mixer – Bobby Johanson CAS
    Foley Mixer – Peter Persaud CAS

    Beef: Episode 9 “The Great Fabricator

    Production Mixer – Sean O’Malley CAS
    Re-Recording Mixer – Penny Harold CAS
    Re-Recording Mixer – Andrew Garrett Lange CAS
    Foley Mixer – Andrey Starikovskiy 

    Black Mirror: Season 6, Episode 3 “Beyond The Sea

    Production Mixer – Richard Miller
    Re-Recording Mixer – James Ridgway
    Scoring Mixer – Daniel Kresco
    ADR Mixer – James Hyde
    Foley Mixer – Adam Mendez CAS

    Daisy Jones & The Six: Episode 10 “Track 10: Rock n’ Roll Suicide

    Production Mixer – Chris Welcker
    Re-Recording Mixer – Lindsey Alvarez CAS
    Re-Recording Mixer – Mathew Waters CAS
    Scoring Mixer – Mike Poole
    ADR Mixer – Chris Navarro CAS
    Foley Mixer – James B. Howe 

    Weird: The Al Yankovic Story (WINNER)

    Production Mixer – Richard Bullock CAS
    Re-Recording Mixer – Tony Solis
    Scoring Mixer – Phil McGowan CAS
    ADR Mixer – Brian Magrum CAS
    Foley Mixer – Erika Koski CAS

    TELEVISION SERIES – ONE HOUR

    Succession: Season 4, Episode 3 “Connor’s Wedding

    Production Mixer – Ken Ishii CAS
    Re-Recording Mixer – Andy Kris
    Re-Recording Mixer – Nicholas Renbeck
    Scoring Mixer – Thomas Vicari CAS
    ADR Mixer – Mark DeSimone CAS
    Foley Mixer – Micah Blaichman

    Ted Lasso: Season 3, Episode 12 “So Long, Farewell

    Production Mixer – David Lascelles CAS
    Re-Recording Mixer – Ryan Kennedy
    Re-Recording Mixer – Sean Byrne CAS
    Foley Mixer – Jordan McClain

    The Crown: Season 5, Episode 8 “Gunpowder

    Production Mixer – Chris Ashworth
    Re-Recording Mixer – Stuart Hilliker CAS
    Re-Recording Mixer – Lee Walpole
    Re-Recording Mixer – Martin Jensen
    ADR Mixer – Ben Tisdall
    Foley Mixer – Anna Wright

    The Last Of Us: Season 1, Episode 1 “When You’re Lost In The Darkness(WINNER)

    Production Mixer – Michael Playfair CAS
    Re-Recording Mixer – Marc Fishman CAS
    Re-Recording Mixer – Kevin Roache CAS
    Foley Mixer – Randy Wilson 

    The Marvelous Mrs. Maisel: Season 5, Episode 6 “The Testi-Roastial

    Production Mixer – Mathew Price CAS
    Re-Recording Mixer – Ron Bochar CAS
    Scoring Mixer – Stewart Lerman
    Foley Mixer – George A. Lara CAS

    TELEVISION SERIES – HALF HOUR 

    Barry: Season 4, Episode 8 “Wow”

    Production Mixer – Scott Harber CAS
    Re-Recording Mixer – Elmo Ponsdomenech CAS
    Re-Recording Mixer – Teddy Salas 
    Scoring Mixer – David Wingo  
    ADR Mixer – Aaron Hasson
    Foley Mixer – Darrin Mann

    Only Murders in the Building: Season 3, Episode 8 “Sitzprobe

    Production Mixer – Joseph White Jr. CAS
    Re-Recording Mixer – Mathew Waters CAS
    Re-Recording Mixer – Lindsey Alvarez CAS
    Song Mixer – Derik Lee
    Scoring Mixer – Alan DeMoss
    ProTools Playback Mixer – Derek Pacuk
    Foley Mixer – Erika Koski CAS

    The Bear: Season 2, Episode 7 “Forks(WINNER)

    Production Mixer – Scott D. Smith CAS
    Re-Recording Mixer – Steve “Major” Giammaria  CAS
    ADR Mixer – Patrick Christensen
    Foley Mixer – Ryan Collison

    The Mandalorian: Season 3, Episode 8 “The Return

    Production Mixer – Shawn Holden
    Re-Recording Mixer – Scott R. Lewis CAS
    Re-Recording Mixer – Tony Villaflor
    Scoring Mixer – Chris Fogel CAS
    ADR Mixer – Aaron Hasson
    Foley Mixer – Scott Curtis

    What We Do in the Shadows: Season 5, Episode 5 “Local News

    Production Mixer – Rob Beal CAS
    Re-Recording Mixer – Samuel Ejnes CAS
    Re-Recording Mixer – Diego Gat CAS
    Foley Mixer – Stacey Michaels CAS

    TELEVISION NON-FICTION, VARIETY or MUSIC – SERIES or SPECIALS

    100 Foot Wave: Season 2, Episode 5 “Lost at Sea(WINNER)

    Re-Recording Mixer – Keith Hodne

    Bono & The Edge: “A Sort of Homecoming With Dave Letterman

    Production Mixer – Karl Merren
    Re-Recording Mixer – Brian Riordan CAS
    Re-Recording Mixer – Phil DeTolve CAS
    Scoring Mixer – Jacknife Lee

    Formula 1: Drive to Survive: Season 5, Episode 9 “Over The Limit

    Production Mixer – Doug Dredger
    Re-Recording Mixer – Steve Speed CAS
    Re-Recording Mixer – Nick Fry CAS

    The Late Show with Stephen Colbert: Season 8, Episode 31 “John Oliver; Broadway Cast of ‘The Lion King‘”

    Production Mixer – Pierre de Laforcade  
    FoH Mixer -Tom Herrmann
    Monitor Mixer – Al Bonomo
    Music Mixer – Harvey Goldberg  

    Welcome to Wrexham: Season 2, Episode 6 “Ballers

    Re-Recording Mixer – Mark Jensen CAS

    STUDENT RECOGNITION AWARD FINALISTS

    Allison Blum, Savannah College of Art and Design

    Shubhi Sahni, University of Southern California

    Doris (Yushu) Shen, University of Southern California (WINNER)

    Eunseo (Bella) So, Savannah College of Art and Design

    William Tate, Georgia State University

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    Beatrice Verhoeven

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  • The Awards Season Awards: Which Oscars Campaigns Worked (and Didn’t)

    The Awards Season Awards: Which Oscars Campaigns Worked (and Didn’t)

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    Matt is joined by The New Yorker’s Michael Schulman to parse through the endless campaigns from the 2024 Oscar season and give out their own awards for the best, worst, and everything in between. Some of the awards include Best Campaign Narrative, Biggest Campaign Misfire, Best Stunt, Best Overall Campaign, and Who Won Awards Season.

    For a 20 percent discount on Matt’s Hollywood insider newsletter, What I’m Hearing …, click here.‌

    Email us your thoughts! thetown@spotify.com

    Host: Matt Belloni
    Guest: Michael Schulman
    ‌Producers: Craig Horlbeck and Jessie Lopez
    ‌Theme Song: Devon Renaldo

    Subscribe: Spotify

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    Matthew Belloni

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  • Actors Who Won Undeserved Oscars Because They’d Been Snubbed in the Past

    Actors Who Won Undeserved Oscars Because They’d Been Snubbed in the Past

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    There’s a phenomenon that people who pay attention to these kinds of things start whispering about whenever awards season draws near. The Academy Awards are the most prestigious entertainment awards in the country, and as such are highly coveted by everyone and anyone who works in the industry. Finally nabbing an Oscar is a career achievement that confirms in no uncertain terms an industry professional’s quality, whether they’re an actor or a director or a composer or anything else.

    The way the Oscars work — or the way they’re supposed to work — every nominee is nominated based on the work they did in the specific thing they’re nominated for, nothing more. You could be nominated 50 times and still not win if the Academy ultimately favored someone else over you. What starts to happen, especially for the people who are nominated again and again with nothing to show for it, is that Academy voters and movie lovers start saying things like “it’s time” for so-and-so to win, regardless of what they’re nominated for.

    Which brings us to the phenomenon of the “Consolation Oscar” — the Oscar “finally” awarded to a star we all know and love, in a move that can’t help but feel like a lifetime achievement prize, instead of recognition of a specific role. Usually the movie is only just okay, or their performance in it is only just okay, or not any better than the work they’ve done in previous films. Here we’ve gathered 12 somewhat controversial Oscar wins, not because their honorees are bad, but because they should have been awarded for better stuff, or because their prizes came at the expense of more deserving nominees.

    People Who Won Oscars To Make Up For Awards They Should Have Won in the Past

    Sometimes, we can speculate that the Academy awards certain performances not because they’re the best, but because they should have won long before.

    READ MORE: The Best Oscar Best Picture Winners Ever

    The Biggest Oscars Scandals Ever

    The Academy Awards hold the kind of dramatic potential we can only hope our favorite movies measure up to, the rare public event where things are more interesting if something goes wrong.

    Gallery Credit: Emma Stefansky

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    Emma Stefansky

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  • What Real Conductors Think of Bradley Cooper in ‘Maestro’ and Cate Blanchett in ‘Tár’

    What Real Conductors Think of Bradley Cooper in ‘Maestro’ and Cate Blanchett in ‘Tár’

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    If you’re a professional conductor, the past two years have been particularly thrilling. “It’s rare that that part of my world is shown to a wider audience,” says Andrew Resnick, who has conducted the likes of The Cher Show and Parade on Broadway. But thanks to the releases of Tár last year and Maestro this year, the act of conducting has been thrust into the spotlight.

    It has also, inevitably, brought those films’ two lead performances into conversation with one another. Both Cate Blanchett as the eponymous (but sadly not real) Lydia Tár and Bradley Cooper as the maestro himself, Leonard Bernstein, paint nuanced portraits of conductors with thorny personal lives. Both actors also take center stage in a more literal sense, standing before podiums and waving their arms in front of musicians playing live. Do real conductors think they pull it off?

    For the most part, yes. “I would give them both a lot of credit for stepping into that vulnerable position and really embodying it,” Resnick says.

    Quite obviously, the key difference here is that Blanchett was inventing a character from scratch—a cocky, powerful lesbian headed for her downfall—while Cooper is specifically trying to mimic Leonard Bernstein, a man whose actual conducting was captured countless times. Both actors trained with professionals: Natalie Murray Beale coached Blanchett, while Metropolitan Opera music director Yannick Nézet-Séguin was the consultant for Cooper and Maestro. Cooper has discussed how he spent six years prepping for one sequence in which Bernstein conducts Mahler’s Symphony No.2 at the Ely Cathedral in the UK.

    David Bloom, who teaches conducting at NYU and has conducted at Carnegie Hall and the Walt Disney Concert Hall, was impressed by Blanchett. “I was just surprised at how good Cate Blanchett is at conducting,” he says, “I think her technique is really efficient and sharp-edged.”

    Bloom could see how the star brought her bombastic, braggadocious Lydia into the way her character approached the orchestra. “I think her conducting is often more than a little overbearing, which I think is shaped by the way Blanchett sees and plays this character,” he says.

    A scene from Tar.© Focus Features/Everett Collection.

    Resnick was a little less enthused by Blanchett’s technique. If Lydia Tár is truly as great as everyone says she is, he thinks, her conducting would have been a bit better. “The technique to me looked like someone who had been conducting for maybe a few years, or they had a really formative summer at conducting camp or a really good first few years at undergraduate conducting,” he says. “It didn’t speak of someone [who had] the stature that she was being portrayed as embodying. But for someone who had weeks or months of training, I thought she did a very nice job.”

    Both conductors think that Cooper, on the other hand, matched Bernstein’s passion and energy. The video of Bernstein doing Mahler is a favorite at conducting camp. “I don’t know how many times I’ve watched that video—dozens,” says Resnick. And Cooper largely gets it right. “It was clear that he put in so much effort and love into it. The big peaks of that video, he actually captured in a way that looked pretty authentic.” Resnick has only small nitpicks. “There are a few moments where he added a beat but in terms of the general [gestalt] of the thing, he captured it—and that’s also a hard thing to imitate and make seem real and authentic.”

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    Esther Zuckerman

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  • PGA Awards: ‘Oppenheimer’ Takes Top Film Prize

    PGA Awards: ‘Oppenheimer’ Takes Top Film Prize

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    Oppenheimer took the top prize at the 2024 Producers Guild of America Awards on Sunday night.

    The film won the Darryl F. Zanuck Award for outstanding producer of theatrical motion pictures, a day after taking top prize at the Screen Actors Guild Awards.

    Other big winners were Beef, which also won at the SAG Awards and Sunday’s Film Independent Spirit Awards, along with Succession and The Bear, both of which also won SAG Awards on Saturday.

    Oppenheimer producer Emma Thomas accepted the theatrical motion picture award, noting that in a room full of producers, “This means so much coming from you, this room is full of people whose work we admire,” adding, “You know how hard the job can be, you also know how great the job can be; it’s the best job on set.” She also called director Christopher Nolan (who is also her husband) “the best producer you can possibly hope for.” Nolan briefly took the mic and noted they had previously been nominated at the PGA Awards but never won, and “every time we found ourselves invited in this room, we’ve felt such support,” and thanked the film’s cast for their work.

    Sarah Silverman kicked off the ceremony, presenting the night’s first category, producer of episodic television — comedy, to The Bear. Danielle Brooks later presented producer of documentary motion pictures to American Symphony; Drew Tarver presented producer of live entertainment, variety, sketch, stand-up and talk television to Last Week Tonight With John Oliver; and Tony Hale presented producer of game and competition television to RuPaul’s Drag Race.

    X Mayo presented producer of animated theatrical motion pictures to Spider-Man: Across the Spider-Verse, while Maitreyi Ramakrishnan presented producer of nonfiction television to Welcome to Wrexham.

    Brie Larson presented producer of televised or streamed motion pictures to Black Mirror: Beyond the Sea; Roy Wood Jr. presented producer of limited or anthology series television to Beef; and Michael Cimino toasted the four previously announced winners. To close out the night, Alex Borstein presented producer of episodic television – drama to Succession, and Colman Domingo handed out the night’s biggest honor to Oppenheimer.

    Spouses Melissa McCarthy and Ben Falcone also took the stage to jokingly present “best not-produced” projects, running through a spoof list of canned films, and Kenneth Branagh led an in memoriam segment.

    Each of the outstanding producer of theatrical motion pictures nominees had a special presentation, as Natasha Lyonne introduced The Zone of Interest; Jeremy Kleiner introduced Anatomy of a Fall; Margot Robbie and America Ferrera introduced Barbie; Paul Giamatti, Da’Vine Joy Randolph and Dominic Sessa introduced The Holdovers; Lily Gladstone introduced Killers of the Flower Moon; Carey Mulligan and Silverman introduced Maestro; Erika Alexander, Sterling K. Brown, Tracee Ellis Ross and Jeffrey Wright introduced American Fiction; John Magaro introduced Past Lives; Robert Downey Jr., Cillian Murphy and Emily Blunt introduced Oppenheimer; and Emma Stone and Willem Dafoe introduced Poor Things.

    Also during the ceremony, Sarah Michelle Gellar presented the Norman Lear Achievement Award to Gail Berman, as the producer was behind her iconic show Buffy the Vampire Slayer. In her acceptance speech, Berman recalled working on the series, saying, “Not a single person on this earth was interested in buying that television show, but I just couldn’t ignore my gut that there was something unique there.” She added that rejection has not been uncommon despite her success in the business, and after watching a reel of the projects she’s been involved in, she was “struck by just how many hurdles had to be jumped. I mean Elvis, 10 years?”

    Ryan Coogler presented Charles D. King with the Milestone Award, becoming the first Black person to receive the honor. “I stand on the shoulders of all the incredible producers, executives, my parents, our ancestors who kicked down the doors, made sacrifices and blazed the trail for me to be able to do what I’m blessed to do,” he said.

    Guillermo del Toro was on hand to present Martin Scorsese with the David O. Selznick Achievement Award, as del Toro recalled a meeting with the director in 1995 that changed his life and noted in an industry fascinated by young talents, how important it is to honor masters like Scorsese. The Killers of the Flower Moon filmmaker paid tribute to his collaborators, including the Osage Nation, in his speech, and recalled his early days in the industry and feeling “full circle” after he was honored at a Producers Guild event in 1965 when he was 22.

    Winners of some categories were announced last week.

    In addition, the guild announced on Sunday night an initiative aimed at ensuring health insurance benefits for every qualified producer working full-time in the film and TV industry.

    The 35th annual Producers Guild Awards ceremony was held at the Ray Dolby Ballroom, Ovation Hollywood at Hollywood and Highland.

    A full list of winners follows.

    Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures

    American Fiction
    Anatomy of a Fall
    Barbie
    The Holdovers
    Killers of the Flower Moon
    Maestro
    Oppenheimer (WINNER)
    Past Lives
    Poor Things
    The Zone of Interest

    Award for Outstanding Producer of Animated Theatrical Motion Pictures

    The Boy and the Heron
    Elemental
    Spider-Man: Across the Spider-Verse (WINNER)
    The Super Mario Bros. Movie
    Teenage Mutant Ninja Turtles: Mutant Mayhem

    Award for Outstanding Producer of Documentary Motion Pictures

    20 Days in Mariupol 
    American Symphony (WINNER)
    Beyond Utopia 
    The Disappearance of Shere Hite 
    The Mother of All Lies 
    Smoke Sauna Sisterhood 
    Squaring the Circle (The Story of Hipgnosis)

    Norman Felton Award for Outstanding Producer of Episodic Television – Drama

    The Crown 
    The Diplomat 
    The Last of Us 
    The Morning Show 
    Succession (WINNER)

    Danny Thomas Award for Outstanding Producer of Episodic Television – Comedy

    Barry 
    The Bear (WINNER)
    Jury Duty 
    Only Murders in the Building 
    Ted Lasso 

    David L. Wolper Award for Outstanding Producer of Limited or Anthology Series Television

    All the Light We Cannot See 
    Beef (WINNER)
    Daisy Jones and the Six 
    Fargo 
    Lessons in Chemistry 

    Award for Outstanding Producer of Televised or Streamed Motion Pictures

    Black Mirror: Beyond the Sea (WINNER)
    Mr. Monk’s Last Case: A Monk Movie
    Quiz Lady
    Reality
    Red, White & Royal Blue

    Award for Outstanding Producer of Non-Fiction Television

    60 Minutes 
    The 1619 Project 
    Albert Brooks: Defending My Life
    Being Mary Tyler Moore
    Welcome to Wrexham (WINNER)

    Award for Outstanding Producer of Live Entertainment, Variety, Sketch, Standup & Talk Television

    Carol Burnett: 90 Years Of Laughter + Love 
    Chris Rock: Selective Outrage 
    Dave Chappelle: The Dreamer 
    Last Week Tonight With John Oliver (WINNER)
    Saturday Night Live 

    Award for Outstanding Producer of Game & Competition Television

    The Amazing Race 
    RuPaul’s Drag Race (WINNER)
    Squid Game: The Challenge 
    Top Chef 
    The Voice 

    Award for Outstanding Sports Program

    100 Foot Wave (S2)
    Beckham (S1) (WINNER)
    Formula 1: Drive to Survive (S5)
    Hard Knocks: Training Camp with the New York Jets (S18)
    Shaun White: The Last Run (S1)

    Award for Outstanding Children’s Program

    Goosebumps (S1)
    Gremlins: Secrets of the Mogwai (S1)
    Sesame Street (S53) (WINNER)
    Star Wars: The Bad Batch (S2)
    The Velveteen Rabbit

    Award for Outstanding Short-Form Program

    Carpool Karaoke (S5C)
    I Think You Should Leave with Tim Robinson (S3)
    The Last of Us: Inside the Episode (S1)
    Only Murders in the Building: One Killer Question (S3)
    Succession: Controlling the Narrative (S4) (WINNER)

    PGA Innovation Award 

    Body of Mine (WINNER)
    The Eye and I
    JFK Memento
    Letters From Drancy
    MLK: Now Is the Time
    Ocean of Light: Dolphins VR
    Our Ocean Our Future
    Out of Scale, A Kurzgesagt Adventure
    Reimagined
    Space Explorers: Blue Marble Trilogy
    Wallace & Gromit in The Grand Getaway
    The World’s Largest Tailgate

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    Kimberly Nordyke

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  • How to Watch the Independent Spirit Awards 2024

    How to Watch the Independent Spirit Awards 2024

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    Since 1984, nonprofit arts org Film Independent has been honoring American independent TV and filmmakers for their accomplishments at its Independent Spirit Awards. The 2024 ceremony—the organization’s 39th—will be held on Sunday, February 25 at 5 p.m. ET (the time will be 2 p.m. at the Awards’ Santa Monica Pier home). 

    This year’s host will be Aidy Bryant, whom Film Independent President Josh Welsh described as “incandescently talented” when her role was announced. “We can’t wait to see what she has in store for us,” he said. Nominees (which were announced in December) include now-familiar awards show fixtures such as American Fiction, Da’Vine Joy Randolph, and Ali Wong. But you’ll also find some less expected contenders: for example, Marshawn “Beast Mode” Lynch (nominated for his role in Bottoms), best feature nominee We Grown Now, and documentary series nominee Wrestlers. 

    The awards can be a breath of fresh air, and not just because of its focus on non-blockbuster titles. Since 2022, the ceremony has also joined the move to make its awards gender neutral. That means the best lead performance and best supporting performance categories will each have 10 nominees, inclusive of people who identify as male, female, and non-binary.

    You can watch the Independent Spirit Awards as they happen a few ways: IMDb will stream it live via X (formerly Twitter) and its YouTube channel. Film Independent will have its own livestreams at X and YouTube, as well. In the meantime, here’s the full list of nominees, so you can follow along at home:

    BEST FEATURE 

    All of Us Strangers

    American Fiction

    May December

    Passages

    Past Lives

    We Grown Now

    BEST FIRST FEATURE

    All Dirt Roads Taste of Salt

    Chronicles of a Wandering Saint

    Earth Mama

    A Thousand and One

    Upon Entry

    JOHN CASSAVETES AWARD 

    The Artifice Girl

    Cadejo Blanco

    Fremont

    Rotting in the Sun

    The Unknown Country

    BEST DIRECTOR

    Andrew Haigh, All of Us Strangers

    Todd Haynes, May December

    William Oldroyd, Eileen

    Celine Song, Past Lives

    Ira Sachs, Passages

    BEST SCREENPLAY

    American Fiction

    Birth/Rebirth

    Bottoms

    Past Lives

    The Holdovers

    BEST FIRST SCREENPLAY

    Chronicles of a Wandering Saint

    May December

    The Starling Girl

    Theater Camp

    Upon Entry

    BEST CINEMATOGRAPHY

    All Dirt Roads Taste of Salt

    Chronicles of a Wandering Saint

    The Holdovers

    Monica

    We Grown Now

    BEST EDITING

    How to Blow Up a Pipeline

    Rotting in the Sun

    Theater Camp

    Upon Entry

    We Grown Now

    BEST LEAD PERFORMANCE

    Jessica Chastain, Memory

    Greta Lee, Past Lives

    Trace Lysette, Monica

    Natalie Portman, May December

    Judy Reyes, Birth/Rebirth

    Franz Rogowski, Passages

    Andrew Scott, All of Us Strangers

    Teyana Taylor, A Thousand and One

    Jeffrey Wright, American Fiction

    Teo Yoo, Past Lives

    BEST SUPPORTING PERFORMANCE

    Erika Alexander, American Fiction

    Sterling K. Brown, American Fiction

    Noah Galvin, Theater Camp

    Anne Hathaway, Eileen

    Glenn Howerton, BlackBerry

    Marin Ireland, Eileen

    Charles Melton, May December

    Da’Vine Joy Randolph, The Holdovers

    Catalina Saavedra, Rotting in the Sun

    Ben Whishaw, Passages

    BEST BREAKTHROUGH PERFORMANCE

    Marshawn Lynch, Bottoms

    Atibon Nazaire, Mountains

    Tia Nomore, Earth Mama

    Dominic Sessa, The Holdovers

    Anaita Wali Zada, Fremont

    ROBERT ALTMAN AWARD 

    Showing Up

    BEST DOCUMENTARY 

    Bye Bye Tiberias

    Four Daughters

    Going to Mars: The Nikki Giovanni Project

    Kokomo City

    The Mother of All Lies

    BEST INTERNATIONAL FILM 

    Anatomy of a Fall

    Godland

    Mami Wata

    Tótem

    The Zone of Interest

    BEST NEW NON-SCRIPTED OR DOCUMENTARY SERIES 

    Deadlocked: How America Shaped the Supreme Court

    Dear Mama

    Murder in Big Horn

    Stolen Youth: Inside the Cult at Sarah Lawrence

    Wrestlers

    BEST NEW SCRIPTED SERIES 

     Beef

    Dreaming Whilst Black

    I’m a Virgo

    Jury Duty

    Slip

    BEST LEAD PERFORMANCE IN A NEW SCRIPTED SERIES

    Emma Corrin, A Murder at the End of the World

    Dominique Fishback, Swarm

    Betty Gilpin, Mrs. Davis

    Jharrel Jerome, I’m a Virgo

    Zoe Lister-Jones, Slip

    Bel Powley, A Small Light

    Bella Ramsey, The Last of Us

    Ramón Rodriguez, Will Trent

    Ali Wong, Beef

    Steven Yeun, Beef

    BEST SUPPORTING PERFORMANCE IN A NEW SCRIPTED SERIES

    Murray Bartlett, The Last of Us

    Billie Eilish, Swarm

    Jack Farthing, Rain Dogs

    Nick Offerman, The Last of Us

    Adina Porter, The Changeling

    Lewis Pullman, Lessons in Chemistry

    Benny Safdie, The Curse

    Luke Tennie, Shrinking

    Olivia Washington, I’m a Virgo

    Jessica Williams, Shrinking

    BEST ENSEMBLE CAST IN A NEW SCRIPTED SERIES

    Jury Duty

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    Eve Batey

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  • SAG Awards: ‘Oppenheimer’ and ‘The Bear’ Score Three Wins Apiece

    SAG Awards: ‘Oppenheimer’ and ‘The Bear’ Score Three Wins Apiece

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    Universal’s Oppenheimer took took the top prize at the 2024 Screen Actors Guild Awards, winning best cast in a film — while also taking the prizes for lead and supporting actor. 

    Cillian Murphy won best actor for his role as in the eponymous scientist who led the Manhattan Project’s creation of the atomic bomb. He thanked his costars — his “Oppenhomies,” quoting costar Olivia Thirlby — and the larger acting community. “Twenty years ago, when I was trying to become an actor, I was a failed musician and I felt extremely like an interloper,” Murphy recalled. “But now, looking out at all of you guys here today, I know that I’m part of something truly wonderful.”

    Lily Gladstone won best actress for Apple’s Killers of the Flower Moon, and opened her acceptance speech by thanking her fellow SAG members for their solidarity during last year’s strike. “This has been a hard year for all of us — those in this room, those not in this room. I’m so proud that we’ve gotten here in solidarity with all of our other unions,” Gladstone said. She added that acting is, ultimately, storytelling: “We bring empathy into a world that so much needs it. It’s so easy to distance ourselves. It’s so easy to close off, to stop feeling and we all bravely keep feeling. That humanizes people, that brings people out of the shadows — it brings visibility.”

    Murphy’s Oppenheimer co-star Robert Downey Jr. won best supporting actor, his second career win at the SAG Awards after winning best actor in a comedy series for Ally McBeal in 2001. “Why me? Why now? Why do things seem to be going my way?” said Downey, who has also won a Golden Globe, a Critics Choice Award and a BAFTA for his role in the Universal historical epic directed by Christopher Nolan. “Unlike my fellow nominees, I will never grow tired from the sound of my own voice.”

    Holdovers star Da’Vine Joy Randolph won best supporting actress for the Focus Features film. “How lucky are we that we get to do what we do? Truly, in what other profession are people able to live so many lives and touch so many hearts?” she said. “I wake up every day overwhelmed with gratitude to be a working actor. To be awarded this by my fellow artists is the greatest honor of my career. I also want to take a moment to say that every role that I have ever played has been crafted thanks to those who are nearest and dearest to me — some of the most brilliant actors I know whose talents have yet to be properly acknowledged by the world. For every actor out there still waiting in the wings for their chance, let me tell you: Your life can change in a day, and it is not a question of if but when. Keep going.”

    HBO’s Succession won best ensemble in a drama series for its final season — its second win in the category after picking up the prize in 2022. “One last hurrah,” said Alan Ruck. “Right now, you’re looking at some of the luckiest people on the planet and some of the most grateful, because not only did we get to work on one of the best television shows maybe ever — we made friends for life.”

    But in the acting categories, Pedro Pascal beat Succession’s awards streak, taking the prize for best actor for HBO’s The Last of Us. Even the star appeared surprised by the win. “This is wrong for a number of reasons — I’m a little drunk,” said Pascal. “I thought I could get drunk!”

    Elizabeth Debicki won best actress in a drama series for The Crown’s sixth and final season, her second bout playing Princess Diana. Like Pascal, she also expressed her surprise at winning the award. “The women in my category, I watch with total awe,” she said, “I learn how to do my craft watching you.”

    FX’s The Bear took home the top prize in the TV comedy categories, winning best ensemble. The show also won individual awards for actor and actress in a comedy: Jeremy Allen White and Ayo Edebiri, respectively, with White picking up his second consecutive SAG Award for the series. “I’m so honored to be in this community,” he said. “I’ve wanted to be a part of this community for my whole life. I had no backup plan. I started very young, and I’m just so incredibly touched to be standing in front of you all today.”

    “I’m looking out at this room of people whose work moves me and motivates me and makes me feel and laugh,” said Edebiri before announcing she’d butcher a James Baldwin quote she had recently read. “The act of love is just really an act of mirroring, and I think anything that anybody sees in me that’s worth anything is because of the people who love me and support me and it made me who I am.”

    Beef stars Steven Yeun and Ali Wong won best actor and actress in a limited series. Wong thanked Netflix, noting that the company has supported her since the debut of her 2016 special Baby Cobra, while Yeun recalled in his speech that he earned his SAG card for wiggling in a vat of fake caramel while wearing a speedo for a Milky Way commercial. “Honestly, I felt just as hyped to get that card then as I am to receive this here now,” said Yeun. 

    In the pre-show, HBO’s The Last of Us won the TV stunt performance category, while Mission: Impossible – Dead Reckoning Part One win the respective film category.

    The Morning Show’s Jennifer Aniston presented the lifetime achievement award to Barbra Streisand, noting that the location of the ceremony — Los Angeles’ Shrine Auditorium — was the site of Streisand’s first major concert in 1963. Noting that the two-time Oscar winner is a trailblazer for women in the entertainment industry, Aniston said that Streisand “did not just pave the way for us women — she bulldozed the clearing for us.” Joining Aniston on stage, Bradley Cooper also celebrated Streisand, saying, “One might think that an actor who becomes a director has to learn to look at everything in a whole new way to see how everything fits together, to have that 10,000-foot view. But that perspective wasn’t new for Barbara — for her it was second nature.”

    “This is such a wonderful award to get because you know in advance … you don’t have to sit there and squirm, wondering if you’re gonna get it,” said Streisand, who noted she’s a six-decade member of SAG. She also recalled going to see Guys and Dolls as a teenager and falling head over heels for star Marlon Brando, knowing then that being in movies was her life’s goal. “That make-believe world was much more pleasant than anything I was experiencing,” Streisand added. “I didn’t like reality. I wanted to be in the movies. Even though I knew I didn’t look like the other women on the screen — my mother said, ‘You better learn to type,’ but I didn’t listen. And somehow, some way, it all came true.”

    Michael Cera, Colman Domingo, Hannah Waddingham and Idris Elba kicked off the show with the annual “I am an actor” presentation, sharing personal anecdotes of their career highlights. Elba also introduced the awards show from the stage, noting that for the first time the ceremony is streaming live on Netflix and cursing is allowed — within reason. “Here’s a good rule of thumb: Maybe don’t say anything you wouldn’t say in front of Oprah,” said Elba. 

    The Hijack star also took the opportunity to address the biggest elephant in the room: last year’s SAG-AFTRA strike. “It is especially meaningful to be here all together for this occasion after going through a very difficult time with the strike,” said Elba. “I want to take this moment to honor and appreciate all of you both here and watching at home who stood up for SAG-AFTRA in solidarity and support.”

    Addressing the A-list members in the audience, SAG-AFTRA president Fran Drescher also reflected on the lessons learned from the 2023 strike. “You survived the longest strike in our union’s history with courage and conviction. The journey was arduous. It came with great sacrifice and unrelenting stress. Your collective dignity and perseverance to stand up and say we deserve better because we are better resulted in an historic billion dollar deal.” 

    Drescher added that their labor fight has inspired other workforces across the globe. “Your solidarity ignited workers around the world, triggering what forever will be remembered as the Hot Labor Summer,” she said. “You took the heroes journey and stood at the front lines. Strike captains led the march on the picket lines. And we all showed up to the rallies because you understood what our massive contribution means to this marvelous industry.”

    This story was originally published on Feb. 24 at 5:44 p.m.

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    Tyler Coates

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  • The Devil Wears Prada SAG Awards Reunion: Everything That Happened

    The Devil Wears Prada SAG Awards Reunion: Everything That Happened

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    None of them won the SAG Awards they richly deserved for their performances, but the three lead actresses of The Devil Wears Prada finally got their moment onstage. Reuniting 18 years after the release of their now iconic comedy, Meryl Streep, Anne Hathaway, and Emily Blunt—also nominated tonight for her turn in Oppenheimer—once again made for a trio nearly as groundbreaking as florals for spring. 

    Streep took the stage first, stumbling over the microphone as Idris Elba introduced her, and claiming she had forgotten the envelope and her glasses before Hathaway and Blunt took the stage to rescue her. Streep was in the center, but it was Hathaway and Blunt who got to pull out some of Miranda Priestly’s best lines — “No no, that wasn‘t a question” for Hathaway, and “By all means, move at a glacial pace, you know how that thrills me” for Blunt. All three seemed barely able to contain their giggles as they presented the best actor in a comedy series Emmy to Jeremy Allen White for The Bear

    Hathaway took the stage in an archival Atelier Versace gown that could only be described, as Laverne Cox did on the E! red carpet show, as “cerulean” — truly what other color could she have worn? And Streep was similarly on theme, wearing — of course — Prada. Blunt wore a red custom Louis Vuitton gown, what’s become a signature color for her this season. 

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    The Devil Wears Prada, an adaptation of Lauren Weisberger’s 2003 novel, was not expected to be anything but a frothy summer comedy when it opened on June 30, 2006. It’s hard to remember now, but Streep was not considered a box office draw or even particularly funny; her most successful films over the past decade had been emotional dramas like The Hours and Music of the Heart, and aside from her supporting turn in Adaptation, attempts at having fun, like Prime and the pulpy Manchurian Candidate, weren’t especially well received. 

    Hathaway, on the other hand, was very much a rising star, with a buzzy turn in Brokeback Mountain a year earlier that helped her move on from her fluffy Princess Diaries era and closer to an A-list tier. And if you knew who Emily Blunt was in 2006, you were either a fan of the 2004 British indie My Summer of Love or caught her 2006 TV movie Gideon’s Daughter, which earned her a Golden Globe the following year. 

    All this is to say that nobody would have called these three an iconic trio when the film opened, but it didn’t take long for the accolades to start rolling in. The Devil Wears Prada was a smash summer hit and later would bust the Academy’s long-standing bias against comedic performances by earning Streep her 14th Oscar nomination. As so many comedies do, it’s only become more beloved since and now has a legion of fans who weren’t remotely old enough to see it in theaters the first time around, at least if TikTok is anything to go on. 

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    That means that the SAG Awards onstage reunion was a gird-your-loins worthy event. Hathaway may be firm that there will never be a sequel—and if you are true with yourself, you probably don’t actually want one—but there’s no reason for this reunion not to become an annual awards season event. 


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    Katey Rich

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  • PGA Awards: ‘Beckham’ & ‘Sesame Street’ Are Producers Guild’s First 2024 Winners

    PGA Awards: ‘Beckham’ & ‘Sesame Street’ Are Producers Guild’s First 2024 Winners

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    The Producers Guild got a jump on its 2024 PGA Awards tonight in Manhattan, revealing winners in its Sports and Children’s categories.

    Season 1 of Netflix’s docuseries Beckham took the Outstanding Sports Program prize, and Season 53 of Max’s Sesame Street won for Outstanding Children’s Program.

    The PGA will announce the winners for Outstanding Short Form Program and PGA Innovation Award on Thursday during its nominees celebration in Los Angeles, and the Producers Guild Awards is set for Sunday at Ovation Hollywood’s Ray Dolby Ballroom.

    The 2023 juggernaut duo of Barbie and Oppenheimer will face off against American Fiction, Anatomy of a Fall, The Holdovers, Killers of the Flower Moon, Maestro, Past Lives, Poor Things and The Zone of Interest for the Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures.

    The Zanuck Award long has been considered a strong prognosticator for the Best Picture Oscar, with 15 of the past 20 going on to triumph at the Academy Awards. Last year followed the trend as the PGA honored Everything Everywhere All at Once, which took the Oscar two weeks later.

    Gail Berman will receive the PGA’s 2024 Norman Lear Achievement Award, and Charles D. King will be feted with its Milestone Award.

    Here are the winners revealed to far for the 35th annual PGA Awards, followed by the remaining nomonees:

    WINNERS

    The Award for Outstanding Sports Program
    Beckham (Season 1)

    The Award for Outstanding Children’s Program
    Sesame Street (Season 53)

    NOMINEES

    Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures
    American Fiction
    Anatomy of a Fall
    Barbie
    The Holdovers
    Killers of the Flower Moon
    Maestro
    Oppenheimer
    Past Lives
    Poor Things
    The Zone of Interest

    Award for Outstanding Producer of Animated Theatrical Motion Pictures
    The Boy and the Heron
    Elemental
    Spider-Man: Across the Spider-Verse
    The Super Mario Bros. Movie
    Teenage Mutant Ninja Turtles: Mutant Mayhem

    Norman Felton Award for Outstanding Producer of Episodic Television – Drama
    The Crown 
    The Diplomat 
    The Last of Us 
    The Morning Show 
    Succession 

    Danny Thomas Award for Outstanding Producer of Episodic Television – Comedy
    Barry 
    The Bear 
    Jury Duty 
    Only Murders in the Building 
    Ted Lasso 

    David L. Wolper Award for Outstanding Producer of Limited or Anthology Series Television
    All the Light We Cannot See
    Beef
    Daisy Jones and the Six 
    Fargo 
    Lessons in Chemistry 

    The Award for Outstanding Short-Form Program
    Carpool Karaoke (Season 5C)
    I Think You Should Leave with Tim Robinson (Season 3)
    The Last of Us: Inside the Episode (Season 1)
    Only Murders in the Building: One Killer Question (Season 3)
    Succession: Controlling the Narrative (Season 4)

    Award for Outstanding Producer of Televised or Streamed Motion Pictures
    Black Mirror: Beyond the Sea
    Mr. Monk’s Last Case: A Monk Movie
    Quiz Lady
    Reality
    Red, White & Royal Blue

    Award for Outstanding Producer of Non-Fiction Television
    60 Minutes 
    The 1619 Project 
    Albert Brooks: Defending My Life
    Being Mary Tyler Moore
    Welcome to Wrexham 

    Award for Outstanding Producer of Live Entertainment, Variety, Sketch, Standup & Talk Television
    Carol Burnett: 90 Years Of Laughter + Love 
    Chris Rock: Selective Outrage 
    Dave Chappelle: The Dreamer 
    Last Week Tonight with John Oliver 
    Saturday Night Live 

    Award for Outstanding Producer of Game & Competition Television
    The Amazing Race 
    RuPaul’s Drag Race 
    Squid Game: The Challenge 
    Top Chef 
    The Voice 

    Innovation Award
    The World’s Largest Tailgate (Kansas City Chiefs)
    Reimagined (Very Cavaliere Productions) 
    Out of Scale, A Kurzgesagt Adventure (Meta) 
    Wallace & Gromit in The Grand Getaway (Aardman) 
    Body of Mine (Kost) 
    Our Ocean Our Future (Hidden Worlds Entertainment) 
    JFK Memento (TARGO) 
    Letters from Drancy (East City Films) 
    The Eye and I (EDDA) 
    Ocean of Light- Dolphins VR (Meta Quest) 
    Space Explorers: Blue Marble Trilogy (Felix & Paul Studios) 
    MLK: Now is the Time (TIME Studios) 

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    Erik Pedersen

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  • Loudoun Co. teachers honored for bringing history to life in their classrooms – WTOP News

    Loudoun Co. teachers honored for bringing history to life in their classrooms – WTOP News

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    Loudoun County, Virginia, teachers Erik Sassak and Laura Brown are being honored this year with awards from the Virginia Council for the Social Studies.

    Dr. Laura Brown and James Erik Sassak are being recognized as Loudoun County Public School (LCPS) history teachers who distinguish themselves in teaching history.(Credit LCPS)

    Before leaving Blue Ridge Middle School on Tuesday, eighth grade civics and economics teacher Erik Sassak created a Mario Party-themed review game.

    The goal, he said, is to help his students prepare for an upcoming unit. It’s part of an effort to reach the students who are currently interested in Mario, “since the Mario Brothers (are) back.”

    He also loves bringing primary sources into the classroom and is a member of the Ellis Island Statue of Liberty Foundation. Sassak put his family’s name on its Immigrant Wall of Honor and pulls it up in class during the citizenship unit.

    Sassak, who said he’s from a family of teachers, is one of two Loudoun County Public School educators getting recognition from the Virginia Council for the Social Studies. He received the 2024 Civil Rights and Civil Liberties Excellence in Teaching Award for crafting lessons that keep students interested and inspiring them to take action in response to injustices.

    Meanwhile, Laura Brown, who teaches history from 1865 to the present at Belmont Ridge Middle School, is receiving the 2024 Betsy Barton Teacher of the Year Award. She’s getting praised for similarly putting together engaging lessons and creating an inclusive learning environment.

    Both will be recognized during a March 1 ceremony at the VCSS Conference in Farmville, Virginia.

    “It is a lot of work to make classes engaging,” Brown said. “And to meet and see all the students where they are. … What might work with one class might not work with another, so you’re changing on the fly.”

    Because Brown talks about things that happened before the students were born, she strives to find ways for them to connect to the material. Part of that is creating an environment in which they’re comfortable sharing their thoughts and ideas out loud, even if the answer isn’t correct.

    Brown uses political cartoons to help students analyze and understand historical concepts and tries to help students draw connections between historical cultures and their families.

    She also works to incorporate positive stories into her lessons.

    “Not just always, ‘Oh, this was bad, and this was bad,’ but trying to highlight successes and celebrations that we can do within the different topics we study that relate to the student,” Brown said.

    Sassak takes a similar approach, using artifacts and other items to explain to students how primary objects can help tell their family’s story.

    He also asks students to analyze current events, “so they can start to see that news is happening all around them, and not just here in Virginia, Loudoun County, Washington D.C., it’s happening in Russia, it’s happening in Japan and Singapore,” Sassak said.

    Both Brown and Sassak are motivated by the “light bulb moment” students experience when they understand something clearly.

    “I always tell them, ‘History may not be your favorite subject, but let’s try to find one thing or one skill that you really like, and you can see how it will help you later on in life,” Brown said.

    Sassak sets similar goals.

    “As long as, at the end of the year, my students take away something from the class, whether it is curriculum-related or a memorable experience that happened in the classroom, that they are helping to enrich themselves by just having that one moment is very beneficial to me,” Sassak said.

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    © 2024 WTOP. All Rights Reserved. This website is not intended for users located within the European Economic Area.

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    Scott Gelman

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  • 10 Surprising Facts About BAFTAs 2024 Host David Tennant

    10 Surprising Facts About BAFTAs 2024 Host David Tennant

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    Movie stars will take to the red carpet and viewers to their screens Sunday for the British Academy Film Awards—commonly known as the BAFTAs—in London. Taking place at the Royal Festival Hall, this year’s ceremony will be hosted by actor David Tennant.

    First-time BAFTAs host Tennant, 52, is a celebrated Scottish actor famous for the Harry Potter films, TV shows including Doctor Who, Broadchurch and Good Omens, and much more.

    Apparently he’s not nervous for his inaugural gig, telling the Associated Press that he feels less pressure as an actor in the role than a comedian.

    Here’s 10 facts you may not know about the award-winning actor in honor of his BAFTAs hosting debut.

    David Tennant was initially a stage name

    The actor was born David John McDonald. He said during an interview on The Late Late Show with James Corden in 2018 that he had to pick another last name when he was 16 and registered with the actors’ union, which already included someone with his name.

    Tennant told Corden he gained inspiration for his stage moniker by flipping through a music magazine and is “sort-of named” after Neil Tennant of the British music group Pet Shop Boys. David later officially changed his last name.

    He’s the son of a Presbyterian minister 

    Tennant was raised in Bathgate, a town in Scotland made famous in the song “Letter from America” by Scottish band The Proclaimers, which Tennant’s website says is his favorite music group, along with the Beatles. Tennant cites Paisley, a town near Glasgow, as his hometown.

    His father was a local Church of Scotland minister.

    David Tennant attends a gala at The National Theatre in 2019 in London, England. Karwai Tang—Getty Images

    David Tennant dreamed of becoming an actor as a toddler 

    According to his website, he wanted to be an actor since he was three or four years old. 

    Tennant told the Guardian in 2011, “I know it’s absurd and precocious,” but said that he had a conversation with his parents about who the people on TV were, and when he learned they were actors, decided that’s what he wanted to do. He began appearing on screen before he was out of school.

    Tennant is a seasoned Shakespeare performer

    In 1996, at 25, Tennant joined the Royal Shakespeare Company. He’s continued to act in Shakespeare plays throughout his work in TV and film. In 2008, he played the titular character in a Hamlet run in London, tickets for which sold out in hours. A Guardian review of the show said Tennant was the “greatest Hamlet of his generation.”

    Tennant returned to his theater roots in Dec. 2023, starring in a critically-acclaimed Macbeth production in London.

    He was a Doctor Who fan before becoming the Time Lord himself

    Tennant portrayed the 10th doctor in the popular, long-running sci-fi TV series Doctor Who from 2005 to 2010, returning for a reunion episode in 2013, and series of special anniversary episodes in 2023. He was voted “The U.K.’s Favorite Doctor” by Radio Times magazine.

    Tennant told the Guardian that years earlier while in school, he wrote an essay on Doctor Who. “Am I as geeky as the Doctor Who fans? Yes,” he said.

    Dr Who Series Four - Press Launch
    David Tennant celebrated the Season 4 premiere of Doctor Who, standing in front of a Tardis, in 2008 in London, England. Dave Hogan–Getty Images

    Tennant was star-struck on the Harry Potter set

    Tennant was introduced to a worldwide audience as the character of Barty Crouch Jr., a villainous wizard, in the Harry Potter movie adaptations. 

    When asked in a 2018 Q&A whether he was star-struck by any other actors, Tennant reportedly said he was originally nervous to meet his Harry Potter co-star Maggie Smith, who portrayed Professor McGonagall, since “she’s quite an intimidating presence… she goes way back. She’s proper.”

    “And I remember being a little bit nervous of her and then just completely falling in love with her. She’s great. And there’s nothing more delicious than Maggie Smith in a witch’s hat. Nothing better.”

    Tennant has a big—and recognizable—family

    Tennant married actor and producer Georgia Tennant, who was also his co-star in Doctor Who, in 2011. Georgia’s father is actor Peter Davison, who starred as the 5th doctor in the hit BBC series.

    David and Georgia Tennant have five children—Ty, Georgia’s son whom Tennant adopted, along with Olive, Wilfred, Doris, and Birdie. Ty, 21, has followed in David’s footsteps, starring in Tolkien, War of the Worlds, House of the Dragon, and most recently with their father—and grandfather Davison—in a Season 2 episode of Good Omens.

    Rolling Stone UK Awards 2023 – Backstage Winners
    David Tennant, recognized for his role in Doctor Who, posed during the Rolling Stone U.K. Awards in 2023 in London, England. Dave Benett–Getty Images

    David Tennant is also known for his work away from the screen

    The actor has long supported the LGBTQ+ community, lending his voice to an anti-gay bullying campaign back in 2012. Last year, on a podcast during Pride Month, he said, “You want your children to be accepted for whoever they are, whatever they want to be,” adding that“we’ve all got to be fighting that fight.”

    More recently, Tennant was spotted wearing a pin in the colors of the transgender flag that raises money for an LGBTQ+ youth charity with its sales. He reportedly told Attitude magazine while wearing the pin at the Rolling Stone U.K. Awards show in November that “we just need to banish the noise and banish the hate,” adding that Doctor Who “has always supported the other, the unusual, the disenfranchised. That’s what that show’s about.”

    According to a post on his wife’s Instagram account, one of the couple’s children uses they/them pronouns.

    He is no stranger to the BAFTA stage

    Among his many accolades, Tennant won the Best Actor award in 2007 for Doctor Who at BAFTA Cymru (Wales) and in 2014, bagged a win for Best Male TV Performance at BAFTA Scotland for The Escape Artist. He hasn’t been nominated for any awards at the main BAFTAs, although projects in which he’s starred have won top prizes. At the BAFTA TV Awards in 2023, Tennant presented the trophy celebrating the Best Feature.

    Tennant has a rule for his BAFTA Film Awards hosting debut

    Tennant told Variety he took notes for his BAFTAs hosting debut after Jo Koy’s gaffe at the Golden Globes. “Don’t diss Tay Tay, I think is the lesson to be learned. I live in a house of Taylor Swift fans, so I know better,” he said.

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    Mallory Moench

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  • At the Oscar Nominees Luncheon, Barbie and the Anatomy of a Fall Dog Steal the Show

    At the Oscar Nominees Luncheon, Barbie and the Anatomy of a Fall Dog Steal the Show

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    As the 2024 Oscar nominees gathered, one by one, on the stage of the Beverly Hilton ballroom on a sunny Monday afternoon, it took a while to get everyone assembled and in position for the annual class photo. Those included in the ritual found ways, of course, to pass the time. Seated up front, Christopher Nolan extended his arm one chair over to give fellow directing nominee Martin Scorsese a handshake, with Lily Gladstone politely beaming as she sat between them. Mark Ruffalo pulled Barbie songwriter Finneas O’Connell and Maestro producer Kristie Macosko Krieger in for a selfie. Ryan Gosling caught up with his former co-star Emma Stone and his Barbie D.P. Rodrigo Prieto. Diane Warren and Sterling K. Brown got chummy way up in the back corner.

    By Richard Harbaugh/Academy of Motion Picture Arts & Sciences.

    This is the only time of year when all of the year’s Oscar nominees—at least those who can attend; Danielle Brooks, for instance, couldn’t get cleared to leave Minecraft production in New Zealand—mingle in the same room before the big show. It’s hard not to get swept up in the camaraderie. There’s joy even in Academy President Janet Yang’s annual remarks, which begin as a series of effusive congratulations before she offers some relatively firm tips about how to give a great winner’s speech—in 45 seconds or less. (This year, she even showed Javier Bardem’s full, spirited 2008 remarks after winning for No Country for Old Men, and then exclaimed, “Only 37 seconds!”) The vibe is warm, communal, dare I say relaxed—odd, since it marks the peak of phase-two campaigning.

    Yorgos Lanthimos and Emma Stone

    Yorgos Lanthimos and Emma Stone

    Emma McIntyre/Getty Images.

    Diane Warren and Keven OConnell

    Diane Warren and Keven O’Connell

    By Al Seib/Academy of Motion Picture Arts & Sciences.

    For the lucky few, this means celebrating with a whole bunch of cast and crew. Showcasing the Academy’s major international expansion, this particular event felt thrillingly global. The Zone of Interest’s Polish producer Ewa Puszczyńska told me that she’d never attended this event before, unable to when she was part of the team behind international contender Cold War, and was thrilled to experience it with her best-picture nominee. Artisans from Japan’s Godzilla v Kong, Spain’s Society of the Snow, and France’s Anatomy of a Fall were well-represented too—many of them first-timers. And speaking of Academy shifts, the branch Governors in the room were buzzing about the recent creation of a long overdue casting Oscar. “I couldn’t believe it—I couldn’t fucking believe it,” governor of the Casting branch Richard Hicks told me. “It was like getting past an iceberg, but we did it.”

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    David Canfield

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  • Elisabeth Moss Turns Super Spy in ‘The Veil’—Part Espionage Thriller, Part ‘Thelma & Louise’

    Elisabeth Moss Turns Super Spy in ‘The Veil’—Part Espionage Thriller, Part ‘Thelma & Louise’

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    The Veil almost didn’t come Moss’s way. Knight started writing after power producer Denise Di Novi (Edward Scissorhands, Little Women) floated a kernel of a premise to him: exploring the friction between intelligence agencies of different nations. Some exhaustive research later, and Knight had a vibrant, witty spy thriller centered on two mysterious women. “I gave Steve maybe a four-line idea, and then he came back to me with all of these relationships—it was wild to me,” Di Novi says. She wanted Moss from the get-go, but everyone involved told her, “Do not waste time, we want to get this going right away, she gets offered everything.” Undeterred, Di Novi reached the actor eventually—and Moss, looking for a project to take on during her Handmaid’s Tale hiatus, said yes swiftly after reading the script.

    Moss shakes her head over Zoom as she listens to Di Novi recount the difficulty to simply make an offer. “The idea that it may not have come my way because somebody said that I may not want to do it is so terrifying,” says Moss, also an executive producer on The Veil. “It’s my worst nightmare.”

    The Veil opens with Moss’s Imogen posing as a British NGO worker at a refugee camp on the border of Syria and Turkey. We glean, rather quickly, that this is not exactly who she is. A woman known as Adilah El Idrissi (Yumna Marwan) is being targeted by the community, who identify her as a notorious ISIS commander, and Imogen narrowly focuses on her predicament, promising to get Adilah to safety. Before long, they’ve escaped together, on the road to Istanbul, then Paris, then who knows—with Imogen vying to ascertain Adilah’s true motives and background, under supervision from both French and American intelligence agencies, before it’s too late. The conflicts and allegiances that arise between the two women reveal themselves as far more complex than the surface would indicate, reflective of a global power order in chaos.

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    David Canfield

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  • Inside Ewan McGregor’s Enchanting Take on ‘A Gentleman in Moscow’

    Inside Ewan McGregor’s Enchanting Take on ‘A Gentleman in Moscow’

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    During rehearsal, Miller also brought in a movement coach, a key figure in McGregor’s delicate but rigorous physical performance. “We did these extreme exercises of being very, very old and then very young, and thinking about our characters in different stages of their life,” he says. “I spent a lot of time, in his countly days at the beginning, being very upright in his amazing clothes and the way he moves. As I get older, all of that drops away and it becomes more loose—and so in a way, he de-ages physically.” Being able to shoot roughly chronologically allowed McGregor to sink deeper and deeper into the part. He didn’t initially realize the root of his profound investment in both the role and the story’s unique portrait of fatherhood. “In a loose way, he adopts somebody—and I am close to that,” he says. “I have an adopted daughter, and I almost didn’t notice the similarities until we were shooting it…. I felt very, very connected to the count.”

    Another development deeper into filming: the romantic arc between the count and Anna, played by McGregor and Winstead—who are married in real life. In one early scene, Anna chides the count for tidying her room without permission—and snubs him for literal years. “To be in love and married to somebody, and then to get to play all those cold shoulder scenes, was just hilarious,” McGregor says. Near the shoot’s end, as the relationship took a tragic turn, the pair found the emotional intensity of their scenes following them home. “You just have to see what she’s done with this role—she’s such a brilliant actor, and the way Anna ages is absolutely heartbreaking at the end,” McGregor says. “We have a scene where we have to part, and we just were an absolute mess [after filming].”

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    David Canfield

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  • Da’Vine Joy Randolph’s Dreams, Plans, and “Mission” for Oscar Night

    Da’Vine Joy Randolph’s Dreams, Plans, and “Mission” for Oscar Night

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    Da’Vine Joy Randolph is on the hunt for a few more tickets to the Oscars. “They’re telling me I may only have one extra ticket, so that’s my mission,” the Holdovers star tells me. “Can you imagine the people in your life that are like, ‘I want to come!’ And you’re like, ‘And you should come because you’ve helped me significantly in my life.’” The first-time nominee shares this conundrum on this week’s Little Gold Men (listen below) with both firm conviction and good humor—after all, this is a moment that doesn’t come around even once for most in her profession. “If I can get five—I don’t care if my people are back there [on the balcony], I don’t need five people in my row,” she says. “Get Oscar tickets, or buy Oscar tickets, whatever we’ve got to do—I have some family members that would be very upset, so I’ve got to figure that out.”

    Call it a new kind of problem for Randolph, a Tony nominee turned Hollywood utility player now on the cusp of Oscar gold. (She’s already won the Golden Globe and Critics Choice Award for best supporting actress.) Her turn in The Holdovers as Mary Lamb—cafeteria manager of the boarding school where she, classics teacher Paul Hunham (Paul Giamatti), and misanthropic student Angus Tully (Dominic Sessa) get holed up together during the Christmas break—showcases deft range. Randolph somehow serves as both the film’s comic relief, mediating tense standoffs between the two men, and its tragic heart. As Mary grieves the death of her son over the lonely holiday, Randolph’s work is devastating—bringing an emotional depth that allows The Holdovers’ explorations of connection and kindness to land all the more potently.

    The role was awards-tipped the moment The Holdovers bowed in Telluride over Labor Day, during the SAG-AFTRA strike. The film is distributed by Focus Features, the specialty studio under Universal’s umbrella, which meant the cast did not complete any promotion until the studios and the guild reached an agreement more than two months later. Randolph was thrust into the campaigning machine at that point, racing between interviews and red carpets and tastemaker events, and hasn’t stopped since.

    The closer she gets to the actual Oscars, the more she thinks back to her childhood watching the show every year with her family. “The Oscars were like the Olympics…I remember that as a kid being like, ‘Wow, this is everything to these people’—which is so unique, especially, as you start to experience it,” she says. “All of this is very out of body. None of this stuff has processed.”

    It can be easy to get swept up in the circus. There’s so much noise around you, you’re meeting so many people, your work is being recognized like never before. Randolph’s presence on the trail, though, has stood out for its authenticity. “I’m just trying to be true to myself,” she says. This goes even for the acceptance speeches. Randolph has already delivered a few on national television, writing each out in advance. She’ll start thinking about the speech’s shape while on the plane ride over to the show, the “forced timeout” of being tens of thousands of feet up in the air. Then she writes it out while in hair-and-makeup, just before hitting the red carpet. “It feels raw—doing it any other time just doesn’t hit the same way,” she says.

    Randolph approaches this part of the season as she does everything else: considered, careful, open-hearted. “It’s a wild thing to be sitting there and then people are screaming and yelling and clapping and cheering—it’s one of the most beautiful sounds, but it can be intimidating, it can be overwhelming, and then you have to calm your nervous system and go up there and deliver this beautiful speech,” Randolph says. “It’s an intense feeling. You just try to steady yourself in the midst of it.” So far, she’s done a pretty good job of that.


    Listen to Vanity Fair’s Little Gold Men podcast now.

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    David Canfield

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  • The 66th Annual Grammy Awards and More

    The 66th Annual Grammy Awards and More

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    Juliet and Amanda are here to give you all their thoughts on the fashion, performances, and results of the Grammys!

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    Juliet Litman

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