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Tag: awards

  • Colin Farrell Reveals He’s Bringing 13-Year-Old Son To The 2023 Oscars

    Colin Farrell Reveals He’s Bringing 13-Year-Old Son To The 2023 Oscars

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    By Sarah Curran.
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    Last updated:

    Colin Farrell is revealing his date for the 2023 Oscars. 

    In a new interview with Vanity Fair, the Irish actor shared that he’d be bringing his 13-year-old son Henry along to Hollywood’s biggest night. 


    READ MORE:
    Colin Farrell And Brendan Gleeson Will Miss Critics Choice Awards After Testing Positive For COVID

    “We’re both wearing velvet tuxes,” said the proud dad, who is also a father to 19-year-old son James.

    Farrell is up for Best Actor for his role as Pádraic Súilleabháin in “The Banshees of Inisherin”, which has a total of nine Oscar nominations.

    Farrell previously picked up the award for Best Actor in a Comedy or Musical at this year’s Golden Globes.


    READ MORE:
    Colin Farrell Gushes Over Ana de Armas In Golden Globes Speech: ‘I Cried Myself To Sleep The Night I Saw Your Film’

    The 95th Academy Awards will be held on Sunday, March 12 at the Dolby Theatre in Los Angeles.

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    Sarah Curran

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  • Independent Spirit Award Winners 2023: See the Full List Here

    Independent Spirit Award Winners 2023: See the Full List Here

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    Held on the beach in Santa Monica and honoring the kinds of small-scale films that often launch careers, the Independent Spirit Awards are often a welcome alternative to the pomp and circumstance of Oscar season. But this year there will likely be several films taking home honors at both. At this year’s awards, hosted by Hasan Minhaj*,* best-picture Oscar nominees Everything Everywhere All at Once, Tár, and Women Talking will face off against two films with no Oscar nominations, Bones and All and Our Father, the Devil. 

    And in the acting categories—divided not by gender but by lead and supporting roles—there will be fascinating face-offs. Oscar best-actress front-runners Michelle Yeoh and Cate Blanchett are competing not just with each other but with best-actor Oscar nominee Paul Mescal and horror breakout Mia Goth. In supporting, Everything Everywhere costars Jamie Lee Curtis and Ke Huy Quan are competing against each other, as well as recent supporting-actor Oscar winner Mark Rylance for his role in Bones and All. There are television awards too, but only for new series, which puts people like Severance star Adam Scott and Abbott Elementary creator and star Quinta Brunson in the same category. 

    We’ll be keeping an eye on the winners, and Rebecca Ford will be reporting from on the scene. Below, find a complete list of nominees, with the winners indicated in bold. 

    MOVIES

    Best Feature
    Bones and All
    Everything Everywhere All at Once
    Our Father, the Devil
    Tár
    Women Talking

    Best Director
    Todd Field, Tár
    Kogonada, After Yang
    Daniel Kwan and Daniel Scheinert, Everything Everywhere All at Once
    Sarah Polley, Women Talking
    Halina Reijn, Bodies Bodies Bodies

    Best First Feature
    Aftersun
    Emily the Criminal
    The Inspection
    Murina
    Palm Trees and Power Lines

    Best Lead Performance
    Cate Blanchett, Tár
    Dale Dickey, A Love Song
    Mia Goth, Pearl
    Regina Hall, Honk for Jesus. Save Your Soul.
    Paul Mescal, Aftersun
    Aubrey Plaza, Emily the Criminal
    Jeremy Pope, The Inspection
    Taylor Russell, Bones and All
    Andrea Riseborough, To Leslie
    Michelle Yeoh, Everything Everywhere All at Once

    Best Supporting Performance
    WINNER: Ke Huy Quan, Everything Everywhere All at Once
    Jamie Lee Curtis, Everything Everywhere All at Once
    Brian Tyree Henry, Causeway
    Nina Hoss, Tár
    Brian d’Arcy James, The Cathedral
    Trevante Rhodes, Bruiser
    Theo Rossi, Emily the Criminal
    Mark Rylance, Bones and All
    Jonathan Tucker, Palm Trees and Power Lines
    Gabrielle Union, The Inspection

    Best Breakthrough Performance
    WINNER: Stephanie Hsu, Everything Everywhere All at Once

    Frankie Corio, Aftersun
    Gracija Filipović, Murina
    Lily McInerny, Palm Trees and Power Lines
    Daniel Zolghadri, Funny Pages

    Best Screenplay
    WINNER: Daniel Kwan and Daniel Scheinert, Everything Everywhere All at Once

    Kogonada, After Yang
    Lena Dunham, Catherine Called Birdy
    Todd Field, Tár
    Sarah Polley, Women Talking

    Best First Screenplay
    WINNER: John Patton Ford, Emily the Criminal 

    Sarah Delappe and Kristen Roupenian, Bodies Bodies Bodies
    K.D. Dávila, Emergency
    Joel Kim Booster, Fire Island
    Jamie Dack and Audrey Findlay, Palm Trees and Power Lines

    Best Cinematography
    WINNER: Florian Hoffmeister, Tár

    Gregory Oke, Aftersun
    Hélène Louvart, Murina
    Anisia Uzeyman, Neptune Frost
    Eliot Rockett, Pearl

    Best Editing
    WINNER: Paul Rogers, Everything Everywhere All at Once

    Blair McClendon, Aftersun
    Ricky D’Ambrose, The Cathedral
    Dean Fleischer Camp and Nick Paley, Marcel the Shell With Shoes On
    Monika Willi, Tár

    Robert Altman Award
    WINNER: *Women Talking—*director Sarah Polley; casting directors John Buchan and Jason Knight; ensemble cast

    Best Documentary
    WINNER***: All the Beauty and the Bloodshed***

    A House Made of Splinters
    All That Breathes
    Midwives
    Riotsville, U.S.A

    Best International Film
    WINNER: Joyland (Pakistan, USA)

    Corsage (Austria, Luxembourg, France, Belgium, Italy, England)
    Leonor Will Never Die (Philippines)
    Return to Seoul (Cambodia)
    Saint Omer (France)

    Someone to Watch Award
    WINNER: Nikyatu Jusu, Nanny

    Adamma Ebo, Honk for Jesus. Save Your Soul.
    Araceli Lemos, Holy Emy

    Truer Than Fiction Award
    WINNER: Reid Davenport, I Didn’t See You There

    Isabel Castro, Mija
    Rebeca Huntt, Beba

    John Cassavetes Award
    The African Desperate
    A Love Song
    The Cathedral
    Holy Emy
    Something in the Dirt

    Producers Award
    Liz Cardenas
    Tory Lenosky
    David Grove Churchill Viste

    TV

    Best New Scripted Series
    WINNER:** The Bear**
    Pachinko
    The Porter
    Severance
    Station Eleven

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    Rebecca Ford, Katey Rich

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  • OSCARS 2023 | HollywoodNews.com

    OSCARS 2023 | HollywoodNews.com

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    Oscars Nominations 2023
    Academy Award winner Riz Ahmed and Allison Williams, star of the recent hit film ‘M3gan,’ announce the Oscars 2023 nominations live. Categories include Actress and Actor in a Supporting Role, Sound and Music (Original Score). The 95th Oscars hosted by Jimmy Kimmel will air LIVE MAR 12 on ABC.

    ACTOR IN A LEADING ROLE
    NOMINEES
    AUSTIN BUTLER
    Elvis
    COLIN FARRELL
    The Banshees of Inisherin
    BRENDAN FRASER
    The Whale
    PAUL MESCAL
    Aftersun
    BILL NIGHY
    Living

    For more Oscar news go to OSCARS 2023

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    HollywoodNews.com

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  • Oscars 2023: Yes, Some Awards Movies Flopped, but Art Matters

    Oscars 2023: Yes, Some Awards Movies Flopped, but Art Matters

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    First there was Tár, then The Fabelmans, then She Said. Empire of Light followed soon after. They were all big fall festival movies, aimed squarely at awards attention—and they all failed to ignite at the box office. Some did well in large cities for a couple of weeks, then faltered in wider release. Others never got off the ground at all, hobbled by weak marketing campaigns and a hard-to-diagnose lack of interest. For years, it has been a locus of worry within the industry: this growing chasm between box office triumphs and the movies deemed, by some anyway, to be the best of the year.

    This year will see hits like Everything Everywhere All at Once, Top Gun: Maverick, and Avatar: The Way of Water jockeying for awards. But long gone are the days when nearly every film nominated for best picture at the Oscars had a solid financial résumé. In 2022, the situation began to look truly existentially dire. Entertainment outside the home has, apparently, become an unjustified hassle for all but the loudest, biggest spectaculars, like Marvel movies and nefariously ticketed Taylor Swift concerts.

    The box office failure of so many niche films suggests a disheartening sea change in culture, one greeted breathlessly—perhaps even gleefully—by some in the industry’s commentariat class. Maybe, as those pundits suggest, we should stop wringing our hands about this shift and face the couch-bound future with a kind of tech optimism. The thinking seems to be that these artier movies will still be made, they’ll just be relegated to streaming, where potential audiences won’t have to risk quite so much money—or be forced to suffer any time outside of the house. I’m not sure that prognosis is the most clear-sighted, though. It seems more likely that studios, looking at their earnings reports, will gradually stop making these films at all.

    Which would be a loss for everyone. The studios would forsake whatever value acclaim (and, yes, awards) confers on their company. Artists would lose the opportunity to, well, be artists on the scale that best fits their vision. Audiences would be denied intellectually, emotionally, even politically challenging work. Even those who would skip these movies no matter where they’re playing will eventually suffer; styles, modes, and techniques that first develop in smaller films do trickle their way up to the blockbusters.

    The most immediate challenge in preserving the fall movie tradition is convincing the megacorporations who own a large swath of the industry that there is something to gain with loss-leader filmmaking, as was the calculation of the studios of old. I’m sure some filmmakers and film lovers of tomorrow have been inspired by Marvel movies, but how many more might be hooked by films they feel they’ve discovered, that open their minds to nascent passions of which they were previously unaware? The bracing social commentary of Tár, the poignant artistic memoir of The Fabelmans, the righteous empathy of Women Talking, the graceful humanity of Empire of Light—and the even more underwatched but still worthy projects from directors not named Spielberg or Mendes.

    Maybe the most effective appeal would be to simple self-regard: Hollywood loves celebrating itself, reveling in its own mythos. What will that identity be in the future, though, if studios have reduced their output to boilerplate franchise movies whose identities have blurred into one indistinct mass? Perhaps studio executives could persuade Wall Street and shareholders that an aura of magic and majesty, maintained year after year by the stuff that supposedly nobody cares about, is necessary for survival of the business. Box office returns are nice—as are perks and bonuses and dividends—but can you really put a price on legacy?

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    Richard Lawson

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  • SAG Awards: Netflix’s Ceremony Broadcast Generates Over 1.5 Million Views Across YouTube, Facebook And Twitter 

    SAG Awards: Netflix’s Ceremony Broadcast Generates Over 1.5 Million Views Across YouTube, Facebook And Twitter 

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    By Melissa Romualdi.
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    This year, the SAG Awards took its annual broadcast ceremony in a new direction, streaming it for the first time on Netflix’s YouTube channel.

    The presentation of the 29th Screen Actors Guild Awards show accumulated over 1.1 million views on Sunday night during the YouTube livestream. Additionally, in the first 12 hours, the show garnered 1.5 million overall views across YouTube, Facebook and Twitter, according to a SAG Awards rep.


    READ MORE:
    Aubrey Plaza Is All Laughs After Appearing Annoyed Onstage During ‘The White Lotus’ SAG Award Win

    The total amount of YouTube views is calculated by adding the view count for the 2023 SAG Awards’ main feed and the audio descriptive feed, as per Variety. The total does not include views amassed by breakout clips posted to Netflix’s YouTube and social media as the awards show took place, such as clips of celebrities’ acceptance speeches.

    YouTube’s way of counting overall views differs from the way Nielsen calculates TV viewing metrics. Therefore, this year’s ceremony viewership cannot be directly compared to those of previous years.


    READ MORE:
    2023 SAG Awards: The Complete Winners List

    Sunday night’s SAG Awards livestream saw an average of roughly 230,000-250,000 concurrent viewers across both YouTube feeds. Last year, the show averaged 1.8 million total viewers for the simulcast on TBS and TNT and the year before that, in 2021, both networks averaged 957,000 total viewers.

    Elsewhere across social media, clips of the 2023 SAG Awards gained an additional 19.4 million views and, on Twitter, the ceremony was the number one trending topic on Sunday night.


    READ MORE:
    Brendan Fraser Tearfully Accepts SAG Award for Lead Film Actor for ‘The Whale’

    “As this was a transitional year for the SAG Awards, it was broadcast on social media with Netflix and other media partners in lieu of a broadcast partner,” said the rep for the awards ceremony.

    Netflix announced its multiyear deal to stream the SAG Awards in January. While this year’s show was streamed on their YouTube channel, Netflix plans to stream the event live globally directly on the streamer beginning in 2024.

    The 2023 SAG Awards, which has a runtime of 2 hours and 14 minutes, without any ads, is available to rewatch on Netflix’s YouTube channel.

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    Melissa Romualdi

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  • Watch Jennifer Coolidge’s Emotional, Raunchy And Hilarious 2023 SAG Awards Speech

    Watch Jennifer Coolidge’s Emotional, Raunchy And Hilarious 2023 SAG Awards Speech

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    By Stacy Lambe‍ and Mona Khalifeh‍ , ETOnline.com.
    Published:

    It’s official: Jennifer Coolidge is now a Screen Actors Guild Award winner. On Sunday, “The White Lotus” star took home the prize for Outstanding Performance by a Female Actor in a Drama Series for her performance in the second season of the hit HBO series.

    “It’s been a very special year and you know, overwhelming,” Coolidge said while delivering another memorable speech following wins at the 2022 Emmys and 2023 Golden Globes. “And ‘White Lotus’ and Mike White writing me this great part that went on for two seasons, and just HBO giving me the thumbs up to let me to it.”

    “I just want to say,” she continued before getting emotional. “I want you all to know that I’m just so grateful. So grateful, because this could be it.”

    Next up, Coolidge thanked the show’s creator, Mike White, for changing her perspective, telling the crowd and White directly, “Mike White — you can give money to friends and do nice things for them, and people love money, and I do — whenever I can. When your friends are broke, you can give money and stuff, but the best gift you can give someone is to change someone’s perspective for the better, and view life in a different way, and that’s what Mike White did for me.”

    In addition to thanking White, Coolidge also went on to thank her parents for exposing her to the art of acting from a young age.

    “What I really want to say is, I have these amazing parents. And they had this incredible gift, it was impossible for them to lie. They just couldn’t do it — never. Never. They just never lied,” she said before revealing the one exception. “My father, one day, the school principal came to my first grade class and said that I needed to be called to the office. And I went to the office, and she said, ‘Your father’s here.’ And my father was standing there, and he goes, ‘Yeah Jenny, we have to go,’ and the principal said, ‘Get well,’ and I didn’t know what that meant.”

    She continued, ‘And I got in the car with my dad, and he was driving, and he said, ‘I’m never gonna tell a lie again, but we’re going somewhere really cool. And he drove me to this place, and it was this flooky thing in Massachusetts. It was the Charlie Chaplin film festival. He got me out of first grade class to do it, and I swear to God, seeing Charlie Chaplin for the first time and having that experience, my love of film, my love of actors — all of that came from my first grade.”

    Coolidge also thanked her date, her friend of 20 plus years, and fellow actor, Tim Bagley.

    “My wonderful date, Tim Bagley is my date tonight. He’s my best bud for like, 20 years. Thank you, you’re a wonderful date tonight. I can’t wait till we get home,” Coolidge quipped.

    Her SAG Award win extends her career comeback another year after collecting a number of accolades in 2022, including a Primetime Emmy for Outstanding Supporting Actress in a Limited or Anthology Series or Movie for season 1 of The White Lotus.

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    Sarah Curran

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  • Everything Everywhere All at Once Wins SAG Award for Best Ensemble

    Everything Everywhere All at Once Wins SAG Award for Best Ensemble

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    The march toward Oscar gold continues for Everything Everywhere All at Once. The beloved A24 film won the top ensemble award from the Screen Actors Guild, an increasingly crucial bellwether in the race for best picture. Acting as a true ensemble, the cast took turns speaking into the microphone, reserving a special tribute to 94-year-old star James Hong, who as Michelle Yeoh put it, “has been supporting ensembles longer than the rest of us have been alive.” He earned his SAG card 70 years ago, as he said, for a movie with Clark Gable. How can you get a better awards show story than that? 

    The result isn’t too surprising given that Everything Everywhere led the field with five SAG nominations, tying with Martin McDonagh’s Irish black comedy The Banshees of Inisherin, its chief competition on Sunday night. But Daniel Kwan and Daniel Scheinert’s genre-bending indie hit came into the night a front-runner in several categories and cleaned up in three even before ensemble: best supporting actor winner Ke Huy Quan, best actress winner Michelle Yeoh, and best supporting actress winner Jamie Lee Curtis, who was nominated alongside co-star Stephanie Hsu. All three of their ebullient speeches were vivid proof of how united this cast has been all awards season. 

    Along with Banshees, Everything Everywhere competed for SAG’s ensemble prize opposite fellow best-picture nominees The Fabelmans and Women Talking, both of which went home empty-handed with the guild, as well as the star-studded Babylon, which the Academy only nominated below the line in categories like production design and original score. With several major guild wins as well as a dominant showing at the Critics Choice Awards last month, Everything Everywhere remains in pole position for the top Oscar. With the field still tightly contested, all eyes will be on this incoming final week of campaigning. Voting on the Oscar winners begins Thursday and runs through the following Tuesday. 

    Last year, SAG provided our first indication at a shifting Oscar race by handing its big award to CODA, tilting the momentum away from then front-runner The Power of the Dog. CODA went on to win with the Producers Guild, as Everything Everywhere did last night, and then the top Oscar. Other instances of SAG leading the way in Academy forecasting include when underdogs like Spotlight and Parasite went all the way with the actors guild, despite other precursors like BAFTA passing them over. (This year, BAFTA chose All Quiet on the Western Front for best film; the Netflix war drama was not nominated by either SAG or PGA, and thus remains a big question mark headed into next month’s Oscars.) 

    Notably, while A24 previously won a best-picture Oscar with Moonlight, this is the studio’s first SAG ensemble victory. Everything Everywhere’s triumph also marks the first time a non-streaming film won this top award since Parasite’s upset in 2020; the previous two winners were Apple’s CODA and Netflix’s The Trial of the Chicago 7.

    Listen to Vanity Fair’s Little Gold Men podcast now.

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    David Canfield

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  • Brendan Fraser Wins Best Actor at the 2023 SAG Awards

    Brendan Fraser Wins Best Actor at the 2023 SAG Awards

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    In an emotional moment that may be the capstone to his celebrated awards season comeback, Brendan Fraser won the SAG Award for outstanding lead actor for his performance in The Whale. The transformative, deeply felt performance has earned Fraser the most effusive accolades of his career, and particularly after a few years away from the business, Fraser seemed to welcome the warm return. “I’m smiling and breathing, that’s half the job,” he said, composing himself as he took the stage before quoting a decorated former co-star: “Ian McKellen told me to be good, be brief, and be seated. So here goes.”

    Like supporting actor winner Ke Huy Quan before him, Fraser mentioned his moments of struggle in the industry, and spoke to actors who might be in the same situation he was once in. Describing a wave of hope that’s carried him through points in his life, he went on: “And I’ve also had that wave smash me right down to the ocean floor and drag my face along there and wind up on some strange beach in a different world. All the actors out there who have gone through that, I know how you feel. Believe me, if you just stay in there and you put one foot in front of the other, you’ll get to where you need to go.”

    Even before The Whale premiered at the Venice Film Festival last August, Fraser’s performance was anticipated as a major event. In a first-look piece for Vanity Fair, Fraser said of director Darren Aronofsky, “He said he wanted an actor to reintroduce. And I wanted to be reintroduced.” He embraced the challenge of playing Charlie, a 600-pound English teacher who has retreated inside his apartment while facing myriad life-threatening health problems. “If there’s no risk, then why bother?” Fraser said “I want to learn from the people I’m working with at this point in my career. I’ve had such variety, a lot of high highs and low lows, so what I’m keen for, in the second half of my time doing this, is to feel like I’m contributing to the craft and I’m learning from it. This is a prime opportunity. I wanted to disappear into it. My hope was that I would become unrecognizable.”

    At the Oscars in two weeks, Fraser will once again be nominated against The Banshees of Inisherin star Colin Farrell and Elvis star Austin Butler, both of whom have been perceived as frontrunners at various points in the season. The SAG victory is a major milestone for Fraser, who won the Critics Choice Award in January but had not yet received a major industry recognition. Precedent suggests that the SAG winner is very, very likely to repeat at the Oscars — but in a race this close, it may be too early to make that call.

    Listen to Vanity Fair’s Little Gold Men podcast now.

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    Katey Rich

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  • ‘Everything Everywhere All at Once’ Wins PGA Award for Best Picture

    ‘Everything Everywhere All at Once’ Wins PGA Award for Best Picture

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    Momentum is back on Everything Everywhere All at Once’s side. The highest-grossing film in distributor A24’s history was honored with the Producers’ Guild of America’s award for best theatrical motion picture, a major indication of strength. The movie will head into the final week of Oscar campaigning as the clear front-runner. The PGA prize was shared by writer-director-producers Dan Kwan and Daniel Scheinert, as well as their longtime collaborator Jonathan Wang.

    The result is not much of a surprise after Everything Everywhere took home the top award with the directors’ guild last week, and offers evidence that this race has narrowed considerably, despite All Quiet on the Western Front—which was not even nominated by PGA—winning BAFTA’s best film award on Sunday. The producers’ guild tends to disproportionately favor bigger-budget hits—see them choosing 1917 over Parasite, La La Land over Moonlight, and so on—so Everything Everywhere winning over the likes of Top Gun: Maverick and Elvis is notable. Just last year, the micro-budgeted CODA pulled off a huge upset with PGA, a result that led to its Oscar triumph. Most years, this represents the make-or-break moment for blockbuster contenders.

    The PGA uses a preferential balloting system to determine its winner, which is the most similar to the Academy’s method of tabulating votes for best picture. It’s why the likable CODA winning here over the more polarizing Power of the Dog was telling—or to go back a few years earlier, why Green Book’s PGA victory offered sufficient evidence that the industry liked it enough to take it all the way. Everything Everywhere has its detractors, but with a leading 11 Oscar nominations under its belt, should meet an even friendlier audience with the Academy, and it’s now proven it can win under a ranked system. If the cast takes the SAG ensemble prize tomorrow as expected, the film will be in a very strong position to win the top Oscar.

    Underwhelming BAFTA showing aside—it lost every award but editing—Everything Everywhere has enjoyed a serendipitous awards journey since its SXSW premiere about a year ago. A hit with both critics and audiences, the movie has won best-picture honors from top indie-film groups (Gotham Awards), critics organizations (Los Angeles Film Critics Association), and now, several of the most influential industry guilds. Ke Huy Quan is the clear favorite to win best supporting actor, while Kwan and Scheinert are competitive in the directing and original screenplay categories, as is Michelle Yeoh in best actress.

    If any other movie got a PGA boost, even without a win, it’d probably be Top Gun: Maverick. Tom Cruise was recognized with the guild’s David O. Selznick Achievement Award, its highest honor in film, and as at the Oscar nominees’ luncheon earlier this month, he completely stole the show.

    Other film winners included Guillermo del Toro’s Pinocchio for animated film, the probable Oscar champ there, and BAFTA selection Navalny for documentary. On the TV side, The Bear scored its first major win with the comedy-series trophy, The White Lotus took home drama, and in a nice wrap to its awards run, Hulu’s The Dropout was named best limited series. Check out the full list of winners below.

    Theatrical Motion Picture: Everything Everywhere All at Once

    Episodic Television – Comedy: The Bear

    Episodic Television – Drama: The White Lotus

    Limited or Anthology Series Television: The Dropout

    Televised or Streamed Motion Pictures: Weird: The Al Yankovic Story

    Game & Competition Television: Lizzo’s Watch Out for the Big Grrrls

    Live Entertainment, Variety, Sketch, Standup & Talk Television: Last Week Tonight With John Oliver

    Non-Fiction Television: Stanley Tucci: Searching For Italy

    Documentary Motion Picture: Navalny

    Animated Motion Picture: Guillermo del Toro’s Pinocchio 

    Innovation Award: Stay Alive, My Son

    Short Form Program: Only Murders in the Building: One Killer Question (Season 2)

    Children’s Program: Sesame Street

    Sports Program: Tony Hawk: Until the Wheels Fall Off 

    Listen to Vanity Fair’s Little Gold Men podcast now.

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    David Canfield

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  • 2023 NAACP Image Awards: Complete Winners List

    2023 NAACP Image Awards: Complete Winners List

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    By Mekishana Pierre‍, ETOnline.com.
    Published:

    The 54th NAACP Image Awards did the thing! After its regular week-long, non-televised celebrations, the annual awards ceremony concluded with its main ceremony on Saturday night.

    Hosted by Grammy, Emmy and Golden Globe-winning actress and producer Queen Latifah, Saturday’s ceremony included Janelle Monae, Taye Diggs, Kerry Washington, Jonathan Majors, Zendaya and more presenting awards to their peers, while also highlighting the accomplishments of political leaders and activists.

    Jennifer Hudson, Quinta Brunson, Keke Palmer and more scored wins during the pre-awards festivities, while Saturday’s ceremony saw Angela Bassett, Viola Davis, Will Smith and more honoured for their artistic contributions.


    READ MORE:
    2023 NAACP Image Awards Nominations: See the Full List

    This year’s Activist of the Year Award was presented to Dr. Derrick Lee Foward, president of the Dayton Unit of the NAACP and a vice president of the Ohio NAACP, and the Youth Activist of the Year Award honoured to Bradley Ross Jackson, the president of the youth council of the Bloomington-Normal NAACP in Bloomington, Indiana. Jackson was recognized for organizing a peaceful protest of over 1,000 people in response to the murder of George Floyd.

    Democratic Congressman Bennie G. Thompson from Mississippi, civil rights attorney Ben Crump, and Dwyane Wade and actress Gabrielle Union also received honours during the main ceremony.

    See the complete list of winners for the 54th NAACP Image Awards below, in bold:

    ACTIVIST OF THE YEAR AWARD

    Dr. Derrick Lee Foward

    CHAIRMAN’S AWARD

    Congressman Bennie G. Thompson

    JACKIE ROBINSON SPORTS AWARD

    Serena Williams

    PRESIDENTS AWARD

    Dwyane Wade and Gabrielle Union-Wade

    SOCIAL JUSTICE IMPACT AWARD

    Attorney Ben Crump

    VANGUARD AWARD

    Bethann Hardison

    YOUTH ACTIVIST OF THE YEAR AWARD

    Bradley Ross Jackson

    ENTERTAINER OF THE YEAR NOMINEES

    Angela Bassett
    Mary J. Blige
    Quinta Brunson
    Viola Davis
    Zendaya

    MOTION PICTURE CATEGORIES

    Outstanding Motion Picture

    A Jazzman’s Blues (Netflix)
    Black Panther: Wakanda Forever (Marvel Studios)
    Emancipation (Apple TV)
    The Woman King (Sony Pictures Releasing)
    TILL (United Artists Releasing/Orion Pictures)

    Outstanding Actor in a Motion Picture

    Daniel Kaluuya – Nope (Universal Pictures)
    Jonathan Majors – Devotion (Sony Pictures Entertainment)
    Joshua Boone – A Jazzman’s Blues (Netflix)
    Sterling K. Brown – Honk for Jesus. Save Your Soul (Focus Features)
    Will Smith – Emancipation (Apple)

    Outstanding Actress in a Motion Picture

    Danielle Deadwyler – TILL (United Artists Releasing/Orion Pictures)
    Keke Palmer – Alice (Vertical Entertainment)
    Letitia Wright – Black Panther: Wakanda Forever (Marvel Studios)
    Regina Hall – Honk for Jesus. Save Your Soul (Focus Features)
    Viola Davis – The Woman King (Sony Pictures Releasing)

    Outstanding Supporting Actor in a Motion Picture

    Aldis Hodge – Black Adam (Warner Bros. Pictures / New Line Cinema)
    Cliff “Method Man” Smith – On The Come Up (Paramount Pictures)
    Jalyn Hall – TILL (United Artists Releasing/Orion Pictures)
    John Boyega – The Woman King (Sony Pictures Releasing)
    Tenoch Huerta – Black Panther: Wakanda Forever (Marvel Studios)


    READ MORE:
    53rd NAACP Image Awards: The Complete Winners List

    Outstanding Supporting Actress in a Motion Picture

    Angela Bassett – Black Panther: Wakanda Forever (Marvel Studios)
    Danai Gurira – Black Panther: Wakanda Forever (Marvel Studios)
    Janelle Monáe – Glass Onion: A Knives OutMystery (Netflix)
    Lashana Lynch – The Woman King (Sony Pictures Releasing)
    Lupita Nyong’o – Black Panther: Wakanda Forever (Marvel Studios)

    Outstanding Independent Motion Picture

    Breaking (Bleecker Street)
    Causeway (Apple TV)
    Mr. Malcolm’s List (Bleecker Street)
    Remember Me: The Mahalia Jackson Story (Hulu)
    The Inspection (A24)

    Outstanding International Motion Picture

    Athena (Netflix)
    Bantú Mama (ARRAY)
    Broker (NEON)
    Learn to Swim (ARRAY)
    The Silent Twins (Focus Features)

    Outstanding Breakthrough Performance in a Motion Picture

    Jalyn Hall – TILL (United Artists Releasing/Orion Pictures)
    Joshua Boone – A Jazzman’s Blues (Netflix)
    Ledisi – Remember Me: The Mahalia Jackson Story (Hulu)
    Y’lan Noel – A Lot of Nothing (RLJE)
    Yola – Elvis (Warner Bros. Pictures)

    Outstanding Ensemble Cast in a Motion Picture 

    A Jazzman’s Blues (Netflix)
    Black Panther: Wakanda Forever (Marvel Studios)
    Emancipation (Apple TV)
    The Woman King (Sony Pictures Entertainment)
    TILL (United Artists Releasing/Orion Pictures)

    Outstanding Animated Motion Picture

    DC League of Super-Pets (Warner Bros. Pictures / WAG / DC)
    Guillermo del Toro’s Pinocchio (Netflix)
    Puss in Boots: The Last Wish (Universal Pictures)
    Turning Red (Pixar Animation Studios)
    Wendell & Wild (Netflix)

    Outstanding Character Voice-Over Performance – Motion Picture

    Angela Bassett – Wendell & Wild (Netflix)
    Keke Palmer – Lightyear (Walt Disney Studios)
    Kevin Hart – DC League of Super-Pets (Warner Bros. Pictures / WAG / DC)
    Lyric Ross – Wendell & Wild (Netflix)
    Taraji P. Henson – Minions: The Rise of Gru (Universal Pictures)

    Outstanding Short-Form (Live Action)

    Dear Mama… (Film Independent)
    Fannie (Chromatic Black)
    Fathead (University of Southern California)
    Incomplete (20th Century Digital, Hulu)
    Pens & Pencils (Wavelength Productions/Black TV & Film Collective)

    Outstanding Short-Form (Animated)

    I Knew Superman (Houghtonville Animation)
    More Than I Want To Remember (MTV Entertainment Studios)
    Supercilious (York Cinemas)
    The Boy, the Mole, the Fox and the Horse (Apple Studios)
    We Are Here (271 Films)

    Outstanding Breakthrough Creative (Motion Picture)

    Elvis Mitchell – Is That Black Enough For You?!? (Netflix)
    Ericka Nicole Malone – Remember Me: The Mahalia Jackson Story (Hulu)
    Krystin Ver Linden – Alice (Vertical Entertainment)
    Mo McRae – A Lot of Nothing (RLJE)
    Stephen Adetumbi, Jarrett Roseborough – This Is My Black (Campus of Pine Forge Academy)


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    TELEVISION + STREAMING CATEGORIES

    Outstanding Comedy Series

    Abbott Elementary (ABC)
    Atlanta     (FX)
    black-ish (ABC)
    Rap Sh!t (HBO Max)
    The Wonder Years (ABC)

    Outstanding Actor in a Comedy Series

    Anthony Anderson – black-ish (ABC)
    Cedric The Entertainer – The Neighborhood (CBS)
    Donald Glover – Atlanta (FX)
    Dulé Hill – The Wonder Years (ABC)
    Mike Epps – The Upshaws (Netflix)

    Outstanding Actress in a Comedy Series

    Loretta Devine – Family Reunion (Netflix)
    Maya Rudolph – Loot (Apple TV+)
    Quinta Brunson – Abbott Elementary (ABC)
    Tichina Arnold – The Neighborhood (CBS)
    Tracee Ellis Ross – black-ish (ABC)

    Outstanding Supporting Actor in a Comedy Series

    Brian Tyree Henry – Atlanta (FX)
    Deon Cole – black-ish (ABC)
    Kenan Thompson – Saturday Night Live (NBC)
    Tyler James Williams – Abbott Elementary (ABC)
    William Stanford Davis – Abbott Elementary (ABC)

    Outstanding Supporting Actress in a Comedy Series

    Janelle James – Abbott Elementary (ABC)
    Jenifer Lewis – black-ish (ABC)
    Marsai Martin – black-ish (ABC)
    Sheryl Lee Ralph – Abbott Elementary (ABC)
    Wanda Sykes – The Upshaws (Netflix)

    Outstanding Drama Series

    Bel-Air (Peacock)
    Bridgerton (Netflix)
    Euphoria (HBO Max)
    P-Valley (Starz)
    Queen Sugar (OWN: Oprah Winfrey Network)

    Outstanding Actor in a Drama Series

    Damson Idris – Snowfall (FX)
    Jabari Banks – Bel-Air (Peacock)
    Kofi Siriboe – Queen Sugar (OWN: Oprah Winfrey Network)
    Nicco Annan – P-Valley (Starz)
    Sterling K. Brown – This Is Us (NBC)

    Outstanding Actress in a Drama Series

    Angela Bassett – 9-1-1 (FOX)
    Brandee Evans – P-Valley (Starz)
    Queen Latifah – The Equalizer (CBS)
    Rutina Wesley – Queen Sugar (OWN: Oprah Winfrey Network)
    Zendaya – Euphoria (HBO Max)

    Outstanding Supporting Actor in a Drama Series

    Adrian Holmes – Bel-Air (Peacock)
    Amin Joseph – Snowfall (FX)
    Caleb McLaughlin – Stranger Things (Netflix)
    Cliff “Method Man” Smith – Power Book II: Ghost (Starz)
    J. Alphonse Nicholson – P-Valley (Starz)

    Outstanding Supporting Actress in a Drama Series

    Adjoa Andoh – Bridgerton (Netflix)
    Bianca Lawson – Queen Sugar (OWN: Oprah Winfrey Network)
    Loretta Devine – P-Valley (Starz)
    Susan Kelechi Watson – This Is Us (NBC)
    Tina Lifford – Queen Sugar (OWN: Oprah Winfrey Network)

    Outstanding Television Movie, Limited-Series or Dramatic Special

    Carl Weber’s The Black Hamptons (BET Networks)
    From Scratch (Netflix)
    The Best Man: The Final Chapters (Peacock)
    The Last Days of Ptolemy Grey (Apple TV+)
    Women of the Movement (ABC)

    Outstanding Actor in a Television Movie, Limited-Series or Dramatic Special

    Morris Chestnut – The Best Man: The Final Chapters (Peacock)
    Samuel L. Jackson  – The Last Days of Ptolemy Grey (Apple TV+)
    Terrence Howard – The Best Man: The Final Chapters (Peacock)
    Trevante Rhodes – Mike (Hulu)
    Wendell Pierce – Don’t Hang Up (Bounce TV)

    Outstanding Actress in a Television Movie, Limited-Series or Dramatic Special

    Niecy Nash-Betts – Dahmer – Monster: The Jeffrey Dahmer Story (Netflix)
    Regina Hall – The Best Man: The Final Chapters (Peacock)
    Sanaa Lathan – The Best Man: The Final Chapters (Peacock)
    Viola Davis – The First Lady (Showtime)
    Zoe Saldaña – From Scratch (Netflix)

    Outstanding Supporting Actor in a Television Movie, Limited-Series or Dramatic Special

    Glynn Turman – Women of the Movement (ABC)
    Keith David – From Scratch (Netflix)
    Omar Benson Miller – The Last Days of Ptolemy Grey (Apple TV+)
    Russell Hornsby – Mike (Hulu)
    Terrence “TC” Carson – A Wesley Christmas (AMC)

    Outstanding Supporting Actress in a Television Movie, Limited-Series or Dramatic Special

    Alexis Floyd –  Inventing Anna (Netflix)
    Danielle Deadwyler – From Scratch (Netflix)
    Melissa De Sousa – The Best Man: The Final Chapters (Peacock)
    Nia Long – The Best Man: The Final Chapters (Peacock)
    Phylicia Rashad – Little America (Apple TV+)

    Outstanding News/Information (Series or Special)

    #RolandMartinUnfiltered: Black Votes Matter Election Night 2022 Coverage (Black Star Network/YouTube)
    ABC News 20/20 Michelle Obama: The Light We Carry, A Conversation with Robin Roberts (ABC)
    Finding Your Roots with Henry Louis Gates, Jr. (PBS)
    OWN Spotlight: Viola Davis – The Woman King (OWN: Oprah Winfrey Network)
    The Hair Tales (Hulu)

    Outstanding Talk Series

    Hart to Heart (Peacock)
    Red Table Talk (Facebook Watch)
    Sherri (Syndicated)
    Tamron Hall (ABC)
    Uninterrupted: The Shop (YouTube)

    Outstanding Reality Program, Reality Competition or Game Show (Series)

    Legendary (HBO Max)
    Lizzo’s Watch Out for the Big Grrrls (Amazon Studios)
    Shark Tank (ABC)
    Sweet Life: Los Angeles (HBO Max)
    The Real Housewives of Atlanta (Bravo)

    Outstanding Variety Show (Series or Special) 

    A Black Lady Sketch Show (HBO Max)
    BET Awards 2022 (BET Networks)
    Deon Cole: Charleen’s Boy (Netflix)
    Martin: The Reunion (BET Networks)
    The Daily Show with Trevor Noah (Comedy Central)

    Outstanding Children’s Program

    Family Reunion (Netflix)
    Raising Dion (Netflix)
    Raven’s Home (Disney+)
    Tab Time (YouTube Originals)
    Waffles + Mochi’s Restaurant (Netflix)

    Outstanding Performance by a Youth (Series, Special, Television Movie or Limited-Series)

    Alaya “That Girl Lay Lay” High – That Girl Lay Lay (Nickelodeon)
    Cameron J. Wright – Family Reunion (Netflix)
    Elisha Williams – The Wonder Years (ABC)
    Khali Spraggins – The Upshaws (Netflix)
    Ja’Siah Young – Raising Dion (Netflix)

    Outstanding Host in a Talk or News/Information (Series or Special) – Individual or Ensemble

    Jada Pinkett-Smith, Adrienne Banfield-Norris, Willow Smith – Red Table Talk (Facebook Watch)
    Jennifer Hudson – The Jennifer Hudson Show (Syndicated)
    Kevin Hart – Hart to Heart (Peacock)
    Lester Holt – NBC Nightly News (NBC)
    Tracee Ellis Ross – The Hair Tales (Hulu)

    Outstanding Host in a Reality/Reality Competition, Game Show or Variety (Series or Special) – Individual or Ensemble

    Keke Palmer – Password (NBC)
    Lizzo – Lizzo’s Watch Out for the Big Grrrls (Amazon Studios)
    Tabitha Brown – Tab Time (YouTube Originals)
    Taraji P. Henson – BET Awards 2022 (BET Networks)
    Trevor Noah – The Daily Show with Trevor Noah (Comedy Central)

    Outstanding Guest Performance

    Amanda Gorman – Sesame Street (HBO Max)
    Chance the Rapper – South Side (HBO Max)
    Colman Domingo – Euphoria (HBO Max)
    Glynn Turman – Queen Sugar (OWN: Oprah Winfrey Network)
    Gabourey Sidibe – American Horror Stories (FX)

    Outstanding Animated Series

    Central Park (Apple TV+)
    Eureka! (Disney Junior)
    Gracie’s Corner TV (YouTube)
    The Proud Family: Louder and Prouder (Disney+)
    Zootopia+ (Disney+)

    Outstanding Character Voice-Over Performance (Television)

    Billy Porter – The Proud Family: Louder and Prouder (Disney+)
    Cedric the Entertainer – The Proud Family: Louder and Prouder (Disney+)
    Chris Bridges – Karma’s World (Netflix)
    Cree Summer – Rugrats (Nickelodeon)
    Kyla Pratt – The Proud Family: Louder and Prouder (Disney+)

    Outstanding Short Form Series – Comedy or Drama 

    Between The Scenes – The Daily Show (Comedy Central)
    Oh Hell No! With Marlon Wayans (Facebook Watch)
    Rise Up, Sing Out (Disney+)
    Sunday Dinner (Youtube)
    Zootopia+ (Disney+)

    Outstanding Short Form Series or Special – Reality/Nonfiction

    Black Independent Films: A Brief History (Turner Classic Movies)
    Daring Simone Biles (Snap)
    Historian’s Take (PBS)
    NFL 360 (NFL Network)
    Omitted: The Black Cowboy (ESPN)

    Outstanding Breakthrough Creative (Television)

    Amy Wang – From Scratch (Netflix)
    Branden Jacobs-Jenkins – Kindred (FX)
    Hannah Cope – Karma’s World (Netflix)
    Quinta Brunson – Abbott Elementary (ABC)
    Syreeta Singleton – Rap Sh!t (HBO Max)


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    RECORDING CATEGORIES

    Outstanding New Artist

    Adam Blackstone – “Legacy” (BASSic Black Entertainment Records/Anderson Music Group/Empire)
    Armani White – “Billie Eilish” (Def Jam Recordings)
    Coco Jones – “ICU” (Def Jam Recordings)
    Fivio Foreign – “B.I.B.L.E” (Columbia Records)
    Steve Lacy – “Gemini Rights” (RCA Records)

    Outstanding Male Artist

    Brent Faiyaz – Wasteland (Lost Kids)
    Burna Boy – Love, Damini (Atlantic Records)
    Chris Brown – Breezy (Deluxe) (RCA Records/Chris Brown Entertainment)
    Drake – Honestly, Nevermind (OVO/Republic Records)
    Kendrick Lamar – Mr. Morale & the Big Steppers (pgLang/Top Dawg Entertainment/Aftermath/Interscope Records)

    Outstanding Female Artist

    Ari Lennox – age/sex/location (Dreamville/Interscope Records)
    Beyoncé – Renaissance (Columbia Records/Parkwood Entertainment)
    Chlöe – “Surprise” (Columbia Records/Parkwood Entertainment)
    Jazmine Sullivan – “Hurt Me So Good” (RCA Records)
    SZA – S.O.S. (RCA Records/Top Dawg Entertainment)

    Outstanding Gospel/Christian Album 

    All Things New – Tye Tribbett (Motown Gospel)
    Hymns – Tasha Cobbs Leonard (Motown Gospel)
    Kingdom Book One – Maverick City Music & Kirk Franklin (Tribl Records, Fo Yo Soul Recordings and RCA Inspiration)
    My Life – James Fortune (FIYA World/MNRK Music Group)
    The Urban Hymnal – Tennessee State University (TSU/Tymple)

    Outstanding International Song

    “Bad To Me” – Wizkid (RCA Records/Starboy/Sony Music International)
    “Diana” feat. Shenseea – Fireboy DML, Chris Brown, Shenseea (YBNL Nation / EMPIRE)
    “Last Last” – Burna Boy (Atlantic Records)
    “No Woman No Cry” – Tems (Def Jam Recordings)
    “Stand Strong” – Davido feat. Sunday Service Choir (RCA Records/Sony Music UK)

    Outstanding Music Video/Visual Album

    “About Damn Time”– Lizzo (Atlantic Records)
    “Be Alive” – Beyoncé (Columbia Records/ Parkwood Entertainment)
    “Lift Me Up” – Rihanna (Def Jam Recordings)
    “LORD FORGIVE ME” feat. FAT, Pharrell and OLU of EARTHGANG – TOBE NWIGWE (THE GOOD STEWARDS COLLECTIVE)
    “The Heart Part 5” – Kendrick Lamar (pgLang/Top Dawg Entertainment/Aftermath/Interscope Records)

    Outstanding Album

    age/sex/location – Ari Lennox (Dreamville/Interscope Records)
    Breezy (Deluxe) – Chris Brown (RCA Records/Chris Brown Entertainment)
    Mr. Morale & the Big Steppers – Kendrick Lamar (pgLang/Top Dawg Entertainment/Aftermath/Interscope Records)
    Renaissance – Beyoncé (Parkwood/Columbia Records)
    Watch the Sun – PJ Morton (Morton Records)

    Outstanding Soundtrack/Compilation Album

    Black Panther: Wakanda Forever – Music From and Inspired By – Ryan Coogler, Ludwig Göransson, Archie Davis and Dave Jordan (Hollywood Records)
    Bridgerton Season Two (Soundtrack from the Netflix Series) – Kris Bowers (Capitol Records)
    Entergalactic – Kid Cudi (Republic Records)
    P-Valley: Season 2 (Music From the Original TV Series) – Various Artists (Lions Gate Records)
    The Woman King – Terence Blanchard (Milan Records)

    Outstanding Gospel/Christian Song 

    “All in Your Hands” – Marvin Sapp (Elev8 Media & Entertainment LLC)
    “Fly (Y.M.M.F.)” – Tennessee State University (TSU/Tymple)
    “Positive” – Erica Campbell (My Block Inc.)
    “Whole World In His Hands” – MAJOR. (MNRK Music Group)
    “Your World” – Jonathan McReynolds (MNRK Music Group)

    Outstanding Jazz Album – Instrumental

    Detour – Boney James (Concord Records)
    JID014 (Jazz is Dead) – Henry Franklin, Ali Shaheed Muhammad, Adrian Younge
    The Funk Will Prevail – Kaelin Ellis (NCH Music)
    The Gospel According to Nikki Giovanni – Javon Jackson (Solid Jackson Records)
    Thrill Ride – Ragan Whiteside (Randis Music)

    Outstanding Jazz Album – Vocal

    Legacy – Adam Blackstone (BASSic Black Entertainment Records / Anderson Music Group / Empire)
    Linger Awhile – Samara Joy (Verve Records)
    Love and the Catalyst – Aimée Allen (Azuline)
    New Standards Vol. 1 – Terri Lyne Carrington (Candid Records)
    The Evening : Live at Apparatus – The Baylor Project (Be A Light)

    Outstanding Soul/R&B Song

    “About Damn Time” – Lizzo (Atlantic Records)
    “Cuff It” – Beyoncé (Columbia Record/Parkwood Entertainment)
    “Good Morning Gorgeous Remix” feat. H.E.R. – Mary J. Blige (300)
    “Hurt Me So Good” – Jazmine Sullivan (RCA Records)
    “Lift Me Up” – Rihanna (Def Jam Recordings)

    Outstanding Hip Hop/Rap Song 

    “Billie Eilish” – Armani White (Def Jam Recordings)
    “City of Gods” – Fivio Foreign (Columbia Records)
    “Hotel Lobby” – Quavo, Takeoff (Motown Records/Quality Control Music)
    “The Heart Part 5” – Kendrick Lamar (pgLang/Top Dawg Entertainment/Aftermath/Interscope Records)
    “Wait for U” – Future feat. Drake and Tems (Epic Records)

    Outstanding Duo, Group or Collaboration (Traditional) 

    Kendrick Lamar feat. Blxst & Amanda Reifer – “Die Hard” (pgLang/Top Dawg Entertainment/Aftermath/Interscope Records)
    Mary J. Blige feat. H.E.R. – “Good Morning Gorgeous” Remix (300)
    PJ Morton feat. Alex Isley and Jill Scott – “Still Believe” (Morton Records)
    Silk Sonic – “Love’s Train” (Atlantic Records)
    Summer Walker, Cardi B, and SZA – “No Love” (LVRN/Interscope Records)

    Outstanding Duo, Group or Collaboration (Contemporary) 

    Beyoncé feat. Grace Jones and Tems – “MOVE” (Columbia Records/Parkwood Entertainment)
    Chris Brown feat. Wizkid – “Call Me Every Day” (RCA Records/Chris Brown Entertainment)
    City Girls feat. Usher – “Good Love” (Motown Records/Quality Control Music)
    Future feat. Drake and Tems – “Wait For U” (Epic Records)
    Latto feat. Mariah Carey and DJ Khaled – “Big Energy (Remix)” (RCA Records)

    DOCUMENTARY CATEGORIES

    Outstanding Documentary (Film)

    Civil (Netflix)
    Descendant (Netflix)
    Is That Black Enough For You?!? (Netflix)
    Louis Armstrong’s Black & Blues (Apple TV+)
    Sidney (Apple TV+)

    Outstanding Documentary (Television)

    Black Love (OWN: Oprah Winfrey Network)
    Everything’s Gonna be All White (Showtime)
    Frontline (PBS)
    Race: Bubba Wallace (Netflix)
    Shaq (HBO Max)

    WRITING CATEGORIES

    Outstanding Writing in a Comedy Series

    Aisha Muharrar – Hacks – “Episode 206” (HBO Max)
    Ayo Edebiri, Shana Gohd – What We do in the Shadows – “Episode 405” (FX)
    Brittani Nichols – Abbott Elementary – “Student Transfer” (ABC)
    Karen Joseph Adcock – The Bear – “Episode 105” (FX)
    Quinta Brunson – Abbott Elementary – “Development Day” (ABC)

    Outstanding Writing in a Drama Series

    Aurin Squire – The Good Fight – “Episode 603” (Paramount+)
    Branden Jacobs-Jenkins – Kindred – “Episode 101” (FX)
    Davita Scarlett – The Good Fight – “Episode 604” (Paramount+)
    Joshua Allen – From Scratch – “Episode 105” (Netflix)
    Marissa Jo Cerar – Women of the Movement – “Episode 101” (ABC)

    Outstanding Writing in a Television Movie or Special

    Bree West – A Wesley Christmas (BET Networks)
    Scott Mescudi (Story By), Ian Edelman, Maurice Williams – Entergalactic (Netflix)
    Jerrod Carmichael – Jerrod Carmichael: Rothaniel (HBO Max)
    Lil Rel Howery – Lil Rel Howery: I said it. Y’all Thinking it (HBO Max)
    Matt Lopez – Father of the Bride (HBO Max)

    Outstanding Writing in a Motion Picture 

    Charles Murray – The Devil You Know (Lionsgate)
    Dana Stevens, Maria Bello – The Woman King (Sony Pictures Releasing)
    Jordan Peele – Nope (Universal Pictures)
    Krystin Ver Linden – Alice (Vertical Entertainment)
    Ryan Coogler – Black Panther: Wakanda Forever (Marvel Studios)

    DIRECTING CATEGORIES

    Outstanding Directing in a Comedy Series

    Angela Barnes – Atlanta – “The Homeliest Little Horse” (FX)
    Bridget Stokes – A Black Lady Sketch Show – “Save My Edges, I’m a Donor!” (HBO Max)
    Dee Rees – Upload – “Hamoodi” (Amazon Studios)
    Iona Morris Jackson – black-ish – “If A Black Man Cries in the Woods” (ABC)
    Pete Chatmon – The Flight Attendant – “Drowning Women” (HBO Max)

    Outstanding Directing in a Drama Series

    Debbie Allen – The Last Days of Ptolemy Grey – “Robyn” (Apple TV+)
    Giancarlo Esposito – Better Call Saul – “Axe and Grind” (AMC)
    Gina Prince-Bythewood – Women of the Movement – “Mother and Son” (ABC)
    Hanelle Culpepper – The Last Days of Ptolemy Grey – “Sensia” (Apple TV+)
    Kasi Lemmons – Women of the Movement – “Episode 106” (ABC)

    Outstanding Directing in a Television Movie or Special

    Anton Cropper – Fantasy Football (Paramount+)
    Marta Cunningham – 61st Street (AMC)
    Sujata Day – Definition Please (Netflix)
    Tailiah Breon – Kirk Franklin’s The Night Before Christmas (Lifetime)
    Tine Fields – Soul of a Nation: Screen Queens Rising (ABC)

    Outstanding Directing in a Motion Picture

    Antoine Fuqua – Emancipation (Apple)
    Chinonye Chukwu – TILL (United Artists Releasing/Orion Pictures)
    Gina Prince-Bythewood – The Woman King (Sony Pictures Releasing)
    Kasi Lemmons – I  Wanna Dance With Somebody (Sony Pictures Releasing)
    Ryan Coogler – Black Panther: Wakanda Forever (Marvel Studios)

    Outstanding Directing in a Documentary (Television or Motion Picture)

    Nadia Hallgren – Civil (Netflix)
    Reginald Hudlin – Sidney (Apple TV+)
    Sacha Jenkins – Everything’s Gonna Be All White (Showtime)
    Sacha Jenkins – Louis Armstrong’s Black & Blues (Apple TV+)
    W. Kamau Bell – We Need to Talk About Cosby (Showtime)

    LITERARY CATEGORIES

    Outstanding Literary Work – Fiction

    Africa Risen: A New Era of Speculative Fiction – Sheree Renée Thomas (Macmillan)
    Light Skin Gone to Waste – Toni Ann Johnson (University of Georgia Press)
    Take My Hand – Dolen Perkins-Valdez (Penguin Random House)
    The Keeper – Tananarive Due, Steven Barnes (Abrams Books)
    You Made a Fool of Death with Your Beauty – Akwaeke Emezi (Simon & Schuster)

    Outstanding Literary Work – Nonfiction

    Finding Me – Viola Davis (HarperCollins Publishers)
    Grace: President Obama and Ten Days in the Battle for America – Cody Keenan (HarperCollins Publishers)
    Requiem for the Massacre – RJ Young (Counterpoint)
    Under the Skin – Linda Villarosa (Knopf Doubleday Publishing Group)
    Who’s Black and Why? A Hidden Chapter from the Eighteenth-Century Invention of Race – Henry Louis Gates, Andrew S. Curran (The Belknap Press of Harvard University Press)

    Outstanding Literary Work – Debut Author

    America Made Me a Black Man – Boyah Farah (HarperCollins Publishers)
    Illustrated Black History: Honoring the Iconic and the Unseen – George McCalman (HarperCollins)
    Marriage Be Hard – Kevin Fredericks, Melissa Fredericks (Penguin Random House)
    Truth’s Table: Black Women’s Musings on Life, Love, and Liberation – Ekemini Uwan, Christina Edmondson, Michelle Higgins (Penguin Randomhouse Convergent Imprint)
    What the Fireflies Knew – Kai Harris (Penguin Random House)

    Outstanding Literary Work – Biography/Autobiography

    A Way Out of No Way: A Memoir of Truth, Transformation, and the New American Story – Raphael G. Warnock (Penguin Random House)
    Scenes from My Life – Raphael G. Warnock (Penguin Random House)
    The Light We Carry – Michelle Obama (Penguin Random House)
    Walking In My Joy: In These Streets – Jenifer Lewis (HarperCollins Publishers)
    You’ve Been Chosen – Cynt Marshall (Ballantine Books)

    Outstanding Literary Work – Instructional

    Black Joy: Stories of Resistance, Resilience, and Restoration – Tracey Lewis-Giggetts (Gallery/Simon and Schuster)
    Cooking from the Spirit – Tabitha Brown (William Morrow, an imprint of HarperCollins Publishers)
    Eat Plants, B*tch: 91 Vegan Recipes That Will Blow Your Meat-Loving Mind – Pinky Cole (Simon & Schuster)
    Homecoming: Overcome Fear and Trauma to Reclaim Your Whole Authentic Self – Thema Bryant (Penguin Random House/TarcherPerigee)
    The Five Principles: A Revolutionary Path to Health, Inner Wealth, and Knowledge of Self –  Khnum Ibomu (Hachette Book Group)

    Outstanding Literary Work – Poetry

    Best Barbarian – Roger Reeves (Norton)
    Bluest Nude – Ama Codjoe (Milkweed Editions)
    Concentrate – Courtney Faye Taylor (Graywolf Press)
    Muse Found in a Colonized Body – Yesenia Montilla (Four Way Books)
    To the Realization of Perfect Helplessness – Robin Coste Lewis (Alfred A. Knopf)

    Outstanding Literary Work – Children

    Ablaze with Color: A Story of Painter Alma Thomas – Jeanne Walker Harvey, Loveis Wise (HarperCollins)
    Black Gold – Laura Obuobi, London Ladd (HarperCollins)
    Blue: A History of the Color as Deep as the Sea and as Wide as the Sky – Nana Brew-Hammond, Daniel Minter (Alfred A. Knopf Books for Young Readers)
    Stacey’s Remarkable Books – Stacey Abrams, Kitt Thomas (HarperCollins – Balzer + Bray)
    The Year We Learned to Fly – Jacqueline Woodson, Rafael Lopez (Penguin Random House)

    Outstanding Literary Work – Youth/Teens

    Cookies & Milk – Shawn Amos (Little, Brown Books for Young Readers)
    Inheritance: A Visual Poem – Elizabeth Acevedo (HarperCollins – Quill Tree Books)
    Maybe An Artist, A Graphic Memoir – Liz Montague (Random House Studio)
    Me and White Supremacy: Young Readers’ Edition – Layla F. Saad (Sourcebooks)
    Opening My Eyes Underwater: Essays on Hope, Humanity, and Our Hero Michelle Obama – Ashley Woodfolk (Feiwel & Friends, Macmillan)

    PODCAST CATEGORIES

    Outstanding News and Information Podcast

    #SundayCivics (LJW Community Strategies)
    Beyond the Scenes – The Daily Show (Central Productions, LLC)
    Black Tech Green Money (The Black Effect Podcast Network)
    Holding Court with Eboni K. Williams (Interval Presents & Uppity Productions)
    Into America with Trymaine Lee (MSNBC)

    Outstanding Lifestyle/Self-Help Podcast

    Chile, Please (Honey Chile)
    GoOD Mornings with CurlyNikki (Walton Media, LLC)
    Man to Man: A Black Love Wellness Series (Black Love Inc.)
    Maejor Frequency (Audible)
    Therapy for Black Girls (Therapy for Black Girls)

    Outstanding Society and Culture Podcast

    Comeback with Erica Cobb (Erica Cobb LLC/One Street Studios)
    Higher Learning with Van Lathan and Rachel Lindsay (Spotify & The Ringer)
    Into America with Trymaine Lee (MSNBC)
    LeVar Burton Reads (SiriusXM’s Stitcher Studios)
    The Sum of Us (Higher Ground)

    Outstanding Arts and Entertainment Podcast

    Angie Martinez IRL (Media Noche Productions)
    Black Girl Songbook (Spotify & The Ringer)
    Jemele Hill is Unbothered (Unbothered Inc, Spotify, Lodge Freeway Media, Exit 39)
    The Read (Loud Speakers Network)
    Two Funny Mamas (Mocha Podcasts Network)

    COSTUME DESIGN, MAKE-UP & HAIRSTYLING CATEGORIES

    Outstanding Costume Design (Television or Film)

    Francine Jamison-Tanchuck – Emancipation (Apple Studios)
    Gersha Phillips, Carly Nicodemo, Heather Constable, Christina Cattle, Sheryl Willock, Becky MacKinnon – Star Trek: Discovery (Paramount+)
    Gersha Phillips, Carly Nicodemo, Lieze Van Tonder, Lynn Paulsen, Tova Harrison – The Woman King (Tristar Pictures)
    Ruth Carter – Black Panther: Wakanda Forever (Marvel Studios)
    Trayce Gigi Field – A League of Their Own (Prime Video)

    Outstanding Make-up (Television or Film)

    Angie Wells – Cheaper by the Dozen (Disney+)
    Debi Young, Sandra Linn, Ngozi Olandu Young, Gina Bateman – We Own This City (HBO Max)
    Michele Lewis – The Last Days of Ptolemy Grey (Apple Studios)
    Ren Rohling, Teresa Vest, Megan Areford – Emergency (Amazon Studios)
    Zabrina Matiru – Surface (Apple Studios)

    Outstanding Hairstyling (Television or Film)

    Camille Friend – Black Panther: Wakanda Forever (Marvel Studios)
    Curtis Foreman, Ryan Randall – RuPaul’s Drag Race All Stars (Paramount+)
    Louisa V. Anthony, Deaundra Metzger, Maurice Beaman – TILL (United Artists Releasing/Orion Pictures)
    Mary Daniels, Kalin Spooner, Darrin Lyons, Eric Gonzalez – All American (The CW)
    Tracey Moss, Jerome Allen, Tamika Dixon, Lawrence “Jigga” Simmons, Jason Simmons – Fantasy Football (Paramount+)

    OUTSTANDING SOCIAL MEDIA PERSONALITY OF THE YEAR NOMINEES

    @Theconsciousless- George Lee
    @thechristishow – Christianee Porter
    @earnyourleisure – Troy Millings & Rashad Bilal
    @KevOnStage – Kevin Fredericks
    @lynaevanee – Lynae Vanee (Lynae Bogues)

    More From ET: 

    Ariana DeBose Speaks out for the First Time Since Viral BAFTAs Rap Performance

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    How to Watch ‘Party Down’ Season 3 Online — Revival Series Now Streaming

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    Melissa Romualdi

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  • Tony Kushner on Nearly 2 Decades of Collaboration With Steven Spielberg

    Tony Kushner on Nearly 2 Decades of Collaboration With Steven Spielberg

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    So Kushner, who spent years meeting with Lincoln experts and academics, decided that the only way to tell this larger-than-life tale was to focus the script on just the last few years of Lincoln’s life. He spent two and a half years attempting to write that version of the story, but still could not find a way to condense it down into a script. “Every time I did it, I would get through two or three months [of his life] and I’d have 100 pages,” he says. “And I would stop and pull my hair and scream and go back to the drawing board.”

    Then the 2007 writers strike forced Kushner to put the script on the back burner, and the solution finally came into view. “I was walking around in a picket line somewhere, and I started going through the things that happened to him in the last four months of his administration,” says Kushner. “I realized that I could cover all the major themes of Lincoln’s administration in those last four months, starting with the fight for the 13th Amendment.”

    As soon as the strike was over, he put pen to paper and wrote a 500-page script. He immediately sent it to Spielberg. “I said, ‘I think, obviously, we need some cutting,’” says Kushner. “But I was excited about what I had done. And he read it and he was thrilled.”

    They continued to cut down the script, eventually getting it down to 200-ish pages, though it was still too long. Then, as Kushner was driving to one of his first meetings with the film’s star, Daniel Day-Lewis, Spielberg called him to say he thought they should focus purely on the fight for the amendment. “I was so shocked I had to pull the car off the road and sit for a minute, and I said, ‘Can we really do that?’” he says.

    The film was nominated for 12 Oscars, winning for production design and best actor for Day-Lewis. Kushner says now that the story’s tight focus allowed it to be about much more than just the iconic president. “Steven didn’t do this consciously, but unconsciously he figured it out: There were two heroes in the movie. One is Abraham Lincoln, and the other, weirdly, is the House of Representatives, which no one would ever describe ordinarily as heroic, certainly not these days,” says Kushner.

    By Niko Tavernise/20th Century Studios.

    West Side Story, 2021

    (Best-picture nomination)

    “When he first told me he wanted to do West Side Story, I came home and told my husband, ‘I think he’s lost his mind,’” Kushner remembers about his first conversation with Spielberg regarding this particular adaptation.

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    Rebecca Ford

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  • The Surreal Oscar Campaign for ‘The Hours,’ 20 Years Later

    The Surreal Oscar Campaign for ‘The Hours,’ 20 Years Later

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    Julianne Moore as Laura Brown.PARAMOUNT/EVERETT COLLECTION.

    Weinstein and Rudin had feuded across several previous projects, so some headbutting was to be expected on The Hours. Rudin developed the script with Hare for about a year, though, and had final cut. He toyed with the mercurial Weinstein by showing off the film’s bold creative decisions—prosthetic included. “Scott won most of the fights,” Cunningham says. However, according to New York magazine at the time, Weinstein nixed a premiere for The Hours at the Venice International Film Festival, which Rudin interpreted as retaliation. He sent Weinstein—a notorious chain-smoker—a crate of cigarettes, which quickly became legend. The enclosed note read “Thanks as always for your help.”

    Weinstein was coming off of getting “caught” waging a smear campaign against the real-life subject of the previous year’s best picture winner, A Beautiful Mind, says Press: “That’s the year that Harvey started to pay a price in the press—he got caught really being abusive and spreading that stuff about John Nash. The next year you would’ve seen a subtle shift because the press was focusing more on the dirty tricks.”

    Even so, the fact that Weinstein and Rudin were firmly established as bullies made for good copy—which they didn’t seem to mind. “One of the reasons filmmakers seek to work with Harvey and me is they want that combative ability,” Rudin told the Los Angeles Times weeks before the Oscars. “They don’t want you to be nice and sweet. They want you to go and kill for them. And that is the job. You are supposed to go out there and mow down the opposition.” 

    Nicole Kidman as Virginia Woolf.PARAMOUNT/PHOTOFEST.

    The true extent of the two men’s alleged misconduct hadn’t yet been reported, of course. Weinstein has since faced dozens of allegations of sexual misconduct, and he’s currently serving a 23-year prison sentence after being found guilty of a criminal sexual act and rape in New York. Allegations of abusive behavior against Rudin, first printed by The Hollywood Reporter in 2021, detailed instances of physical violence and bullying against employees. His career has since stalled.

    Back in their glory days, however, they served as their own hype machines. “You had them spending millions and millions of dollars,” Press says. Sometimes, as with Kidman, it worked; other times, not so much. “Absolutely everybody told me I was going to win,” Hare says of the best adapted screenplay category, which he lost to The Pianist’s Ronald Harwood. He spent months on the trail with victory in mind. “When I didn’t win, I was pretty pissed off for about two and a half hours.” The next day, he says, “I didn’t care anymore.” 

    Outside of Kidman’s win, The Hours slightly underperformed at the Oscars, at which Catherine Zeta-Jones won best supporting actress; both Streep and Moore went home empty-handed. A few months before, however, it won best drama picture and actress (Kidman) at the Golden Globes, which wound up being the peak of its awards run. All three Hours actors were nominated and in attendance; Streep even won the supporting actress award for Adaptation, her first win since 1982’s Sophie’s Choice, which prompted the star to begin her speech by saying, “I’ve just been nominated 789 times, and I was getting so settled over there for a long winter’s nap!”

    Cunningham attended the Globes as well. He remembers the “great party,” sitting in the same room as Kidman, Streep, Moore, and Rudin, as a validation of The Hours’ most hotly debated (facial) feature. “In some parallel dimension, the movie went down over Nicole Kidman’s plastic nose,” he says. “It didn’t happen in this dimension.” 

    Listen to Vanity Fair’s Little Gold Men podcast now.

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    David Canfield

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  • Everything Everywhere All at Once Gets Its “Holy Shit” Awards Moment

    Everything Everywhere All at Once Gets Its “Holy Shit” Awards Moment

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    This awards season has been very long, and fairly consistent, but Saturday night still delivered a major turning point: The industry actually gave out a major award. We’d heard from the journalists who vote on the Critics Choice Awards and Golden Globes, but so far the major industry awards—BAFTA, SAG, the Oscars— had only announce their nominees. But on Saturday the Directors Guild of America gave us our first palpable sense of who Hollywood is getting behind for best picture of the year. The answer, after a long and winding three-hour-plus ceremony: Everything Everywhere All at Once.

    It’s not a huge shock, following the A24 miracle movie’s utter dominance at the Critics Choice Awards and its huge Oscar nomination tally of 11. But for a genre-mashing, boundary-defying, hot-dog-finger-wielding movie such as this, going all the way over the likes of Steven Spielberg and Top Gun: Maverick with a bunch of directors still speaks volumes. Early in the ceremony, host Judd Apatow perhaps set the tone by remarking that James Cameron wasn’t nominated by his peers for his technically masterful Avatar sequel, while the two men behind the film with “the dildo fight” were. Welcome to 2023.

    Dan Kwan and Daniel Scheinert were in attendance, as were their fellow nominees Spielberg, Maverick’s Joseph Kosinski, and Tár’s Todd Field. (Martin McDonagh, the fifth nominee, was absent.) Bleeding into Sunday’s BAFTA Awards, the event ended just in time for Kwan, Scheinert, and Field to hop on a plane to London, where they’re also competing, while Spielberg is flying out to Berlin where he’s being lauded with an Honorary Golden Bear. Yes, it is that time of year. But each got their moment first, as the DGA ceremony gives every nominee his own presentation. Highlights included Paul Thomas Anderson describing “drooling” over Tár and Jerry Bruckheimer very earnestly commending Kosinski, the director who too rarely gets credit for Maverick’s artistic achievements.  

    And then there’s Spielberg, who loomed over the night. This may be the end of the road for his Oscar campaign, despite The Fabelmans’ auspicious start in Toronto last fall. The film simply hasn’t connected on an industry level in the way his competition seems to have; remember, he’s not even a BAFTA nominee. It’s a strange dynamic when virtually everyone inside the DGA Ceremony at the Beverly Hilton, from the Daniels and Field to presenters like Anderson and Denis Villeneuve, all but worship at the legendary Spielberg’s feet from the stage, even as the voters prepare to reward someone different. The dynamic was eerily similar to last year, when Spielberg was nominated for West Side Story and lost to Jane Campion. 

    The DGA is typically a safer voting body than the Academy—going with 1917 over Parasite, say—which makes Everything Everywhere’s triumph here all the more notable. You might be tempted to point to Power of the Dog’s similar combo at this point in the game—DGA and Critics’ Choice wins, Oscar noms leader—and plead caution for calling this thing over. Of course, nothing is sure yet. But unlike the case of Power, Everything Everywhere is a SAG ensemble front-runner too; that mix of acting- and directing-branch support is rare and potent. And anyway, in the last 21 years, 20 DGA winners for best film have gone on to win the Oscar for best picture and/or director. Something big is almost certainly happening for this movie. 

    So when Kwan and Scheinert hit the stage, you can understand why the latter wrapped up his speech by saying, “​​Holy shit. This is crazy.” This was the moment the industry affirmed this little-film-that-could was the one to beat. The BAFTAs have a chance to lift the likes of Banshees and Tár, to puncture that scrappy A24 momentum; the producers’ guild weighs in next week, where Maverick faces its own last stand. But right now, it’s everything everywhere for Everything Everywhere. No sign, still, of that changing.

    Listen to Vanity Fair’s Little Gold Men podcast now.

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    David Canfield

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  • Sting To Become A Fellow Of The Ivors Academy, Releases Unheard Demo Of ‘If It’s Love’

    Sting To Become A Fellow Of The Ivors Academy, Releases Unheard Demo Of ‘If It’s Love’

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    By Aashna Shah.
    Published:

    During the 2023 Ivors, which will be held at Grosvenor House in London on May 18, Sting will receive the highest distinction bestowed by The Ivors Academy: the designation of Academy Fellow.


    READ MORE:
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    Sting, who has already received seven Ivor awards, including the lifetime achievement honour in 2002, will become a fellow of the academy, joining artists including Sir Paul McCartney, Kate Bush, Joan Armatrading, Peter Gabriel, and Sir Elton John.

    Sting’s 2021 single “If It’s Love,” which is taken from his most recent album “The Bridge,” will be made available as a never-before-heard demo as part of The Ivors’ recently announced sponsor Amazon Music’s celebration of his new fellowship.

    “Of all the awards in the world of music, The Ivors are for me, the most prestigious,” Sting said in a statement. “Songwriting is a skilled craft and The Ivors Academy are its guild. So, I am delighted and honoured to be offered this Fellowship of the Academy, joining and acknowledging this extraordinary group of fellow songwriters, and all of those who went before us.”

     

    Sting has received numerous awards over his career, including 17 Grammys, three Brit Awards, and song of the year in 1984 for “Every Breath You Take.”

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    Aashna Shah

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  • Inside the Oscar Nominees Luncheon

    Inside the Oscar Nominees Luncheon

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    “What happens, do we have lunch?” Paul Mescal asked me before Monday’s contender-studded Oscar Nominees Luncheon got going at the Beverly Hilton in Los Angeles. As he’d soon learn, yes, you do—along with some other stuff along the way.

    The annual tradition has become the unofficial kickoff to the second phase of Oscar campaigning, with the field narrowed down ad the lucky nominees gearing up for a final sprint to the big night. Inside the packed ballroom, each of the daytime-formal-clad Oscar nominees—all are invited—mingle with their guests, Academy governors and mainstays, and representatives of those studios and companies that have been adequately recognized. It didn’t take long to spot Netflix’s Ted Sarandos, whose German-language All Quiet on the Western Front is among the most nominated movies of the year. (Guillermo del Toro also made the rounds for his animation nominee, Pinocchio.) As David Greenbaum, whose Searchlight Pictures fielded the leading contender The Banshees of Inisherin, put it to me, “If we weren’t here [today], we didn’t do our job.” 

    After a slightly COVID-constricted event last year, 2023’s bash signaled a firm return to business as usual. This meant a few hours of stargazing before attendees took their seats. Tom Cruise, making his first big appearance of the season for Top Gun: Maverick (for which he’s nominated as a producer), utterly held the center with photographers, reporters, and fellow nominees swarming him in seemingly equal awe. Austin Butler may have snagged the most time with him; their conversation kept going even as Cruise stopped for pics with the likes of Ke Huy Quan and Angela Bassett, each eager to say their hellos.

    Steven Spielberg and Ke Huy Quan.Frazer Harrison/Getty Images

    But the luncheon especially spotlights the names less common on a marquee—after all, of the Academy’s 23 categories, the vast majority are made up of craftspeople who do their work with a lot less public glory, and in many cases, who’ve been waiting a long time to get into this room. By the bar, I spoke with a beaming Lesley Paterson, nominated cowriter of All Quiet on the Western Front, whose adaptation didn’t come easy. In fact, she was holding onto rights to the seminal novel for 16 years before they were about to lapse. A triathlete, she signed up for a race she needed to win to be able to financially retain the rights. The day before the race, she broke her shoulder; basically down an arm, she swam her way to a win anyway. “And now I’m here,” she concluded for me, in triumph. She later revealed that she’d previously attended the Oscars 14 years ago—as a server, at the Governors’ Ball. This time, she gets to go as a nominee.

    The Academy’s new president, Janet Yang, delivered a few important messages in her opening remarks, quickly alluding to last year’s Slap and calling the organization’s response to what happened “inadequate,” adding, “Particularly in times of crisis you must act swiftly, compassionately and decisively for ourselves and for our industry. You should and can expect no less from us going forward.” She later reminded the nominees, in great detail, that should they win their Oscar next month, they’ll be strictly limited to 45-second speeches. Why the extra emphasis? She reiterated the broadcast’s commitment to air all 23 category presentations live after last year’s fiasco. “We’ve worked very hard,” she said. 

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    David Canfield

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  • Will Smith Had To Drop Out Of Grammys Hip Hop Tribute Due To ‘Bad Boys 4’ Scheduling Conflict 

    Will Smith Had To Drop Out Of Grammys Hip Hop Tribute Due To ‘Bad Boys 4’ Scheduling Conflict 

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    By Melissa Romualdi.
    Published:
    Last updated:

    Will Smith was supposed to appear in the star-studded Grammys performance that celebrated the 50th anniversary of hip hop.

    The actor, who was one of the biggest rappers in the ’90s a.k.a the Fresh Prince, was forced to step away from the gig last minute due to a scheduling conflict.

    “I’ll give the spoiler alert away. Will Smith was apart of the festivities tonight, but they started shooting ‘Bad Boys 4’ this week,” Questlove, who coordinated the tribute, told Variety on Sunday night during a red carpet interview. “There were a lot of preliminary shots that he had to do, so we had to lose Will.”


    READ MORE:
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    The award-winning musician and record producer added that attempting to get Smith for the 14-minute-long performance was “a shot in the dark” because he is “always shooting movies.” The actor and his co-star Martin Lawrence just announced the sequel last week.

    However, Smith wasn’t the only hip hop artist who was pulled from the choreographed number. In a separate interview, Questlove told the New York Times that Lil Wayne and Future were also set to perform in the tribute but both backed out last minute.

    Nonetheless, Questlove still managed to put together an iconic show featuring several A-list artists, including those who paved the way like LL Cool J, Queen Latifah, Big Boi, De La Soul, Salt-N-Pepa, Grandmaster Flash, Grandmaster Melle Mel, DJ Jazzy Jeff, Ice-T, Busta Rhymes, Method Man, Run-DMC, Public Enemy, Rakim, Scarface and Too Short.


    READ MORE:
    Questlove Recalls Missing The Will Smith-Chris Rock Oscars Drama Moments Before Accepting His Award

    “I explained to them all that I understand the historical significance of it,” Questlove shared with the newspaper. “But you’ve got to understand that there is a new generation that has a seat at the table. Our job is to make it right.”

    “I know this reeks of a lot of overcompensatory acts, but just trust me, the old guard is gone and the new guard is the establishing guard,” he continued. “What should’ve been due to you 35 or 40 years ago is coming to light now.”

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    Melissa Romualdi

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  • Ben Affleck Goes Viral With His Serious Facial Expressions At 2023 Grammys

    Ben Affleck Goes Viral With His Serious Facial Expressions At 2023 Grammys

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    By Zoe Phillips‍, ETOnline.com.
    Published:
    Last updated:

    Ben Affleck made waves on the internet for his serious facial expressions while seated in the front row at the 2023 Grammys.

    Affleck joined wife Jennifer Lopez in the center of the front row at the Grammys on Sunday, where cameras often panned to the couple during musical numbers. More than once, Affleck was caught standing still while Lopez danced excitedly next to him.


    READ MORE:
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    “Ben Affleck is how every man dragged to a couples baby shower looks,” one Twitter user joked.

    “Ben Affleck looks like he was dragged along to girls night and told to stay off his phone,” another one added.


    READ MORE:
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    “Ben Affleck, blink if you’re okay #Grammys,” someone wrote, while another jokester online referenced Affleck’s recent Dunkin’ campaign.

    “Ben Affleck looks like he’d rather be at Dunkin’,” the user wrote above a screenshot of his blank expression.

    Check out more fan reactions to the growing meme below.

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    Emerson Pearson

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  • 12 Great Actors Who’ve Never Won An Oscar

    12 Great Actors Who’ve Never Won An Oscar

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    Every year, the Academy Awards come along to grace a handful of nominated actors with a golden statue. But let’s face it. Hollywood is teeming with talent, and just because you’ve risen to A-lister status doesn’t mean you’re automatically guaranteed an Oscar. In fact, over the years, there have been plenty of seasoned actors who have experienced tremendous success in the movie and television industry — but they’ve never won an Academy Award. While it may be hard to believe based on their impressive careers, these celebrities have never gone home with that coveted award.

    Why is that, exactly? Well, it’s pretty obvious that there are several different factors that go into selecting a winner for Best Actor or Best Actress. Like pretty much every other art form, reception to a performance is subjective. What might be one person’s idea of “best” is another person’s “very good.” And, even if everyone’s performances were all considered equal in terms of quality, there still has to be one winner.

    Some actors — such as Leonardo DiCaprio, for instance — spend years delivering memorable performance after memorable performance, only to be passed over continuously by the Academy. DiCaprio finally broke this cycle with his ambitious performance as frontiersman Hugh Glass in the 2015 film The Revenant, which won him the Oscar for Best Actor. While some famous actors go their whole careers without ever achieving that milestone, it doesn’t mean they aren’t deserving. Sometimes, the timing just isn’t right. Here are 12 actors who have surprisingly never won an Oscar.

    12 Actors Who Have Surprisingly Never Won An Oscar

    These great actors have given unforgettable performances in classic films. None of them have won an Academy Award.

    Actors Who Won Oscars For Their First Movie Roles

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    Claire Epting

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  • A Brief History of Oscar Voting Scandals, From Mary Pickford to Andrea Riseborough

    A Brief History of Oscar Voting Scandals, From Mary Pickford to Andrea Riseborough

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    The Academy has finished its investigation into Andrea Riseborough‘s surprise nomination for To Leslie, finding “social media and outreach campaigning tactics that caused concern” but no cause to rescind her nomination. Still, the oddity of a bunch of actors copying and pasting support on Twitter is now officially a story for the history books—but it will be in good company since a campaign fracas is nothing new for the 95-year-old Academy. 

    Ever since the Academy Awards were established, stars and their influential friends have been wielding whatever power they can to try to sway the results of the awards. Sometimes those actions have been deemed illegal. Generally they were not. And for the most part, it’s hard to tell how many of them were even nefarious. (Harvey Weinstein’s many stunts excluded.) 

    While this is in no way comprehensive, here is a brief cheat sheet for the most notorious Oscar campaign scandals of yore. 

    1930 – Mary Pickford’s tea party

    Want to know how deeply campaign controversies are embedded into the Oscars? Look no further than the second-ever ceremony. Mary Pickford’s first speaking role in Coquette was not well received, but she went on to win best actress on the sheer force of her connections. Pickford was a founding member of the Academy, and when it came time for voting she’s said to have invited the central board of judges over for tea at Pickfair, the estate she shared with her equally influential husband Douglas Fairbanks. At this point, one only needed to sway that five-member committee for a victory, and Pickford’s alleged ploy worked. (As with many things from the early days of Hollywood, it’s hard to separate rumor from reality.) Regardless of how it really happened, the next year the Academy opened up voting to all members. 

    By Hulton Archive/Getty Images.

    1935 – Bette Davis’s write-in campaign 

    Once upon a time, Academy members could write in a winner if their favorite artist didn’t get nominated. The reason for that? Bette Davis, who was snubbed for 1934’s Of Human Bondage. There was such an uproar over Davis’s lack of a nomination that the Academy allowed write-ins. She still lost to Claudette Colbert in the awards juggernaut It Happened One Night, but Davis did come in third in the vote counting, so she made a pretty good show of it. The following year, Warner Brothers used the new rule to their advantage to get the not-actually-nominated Hal Mohr a cinematography win for A Midsummer Night’s Dream. And that was the end of write-in voting.  

    1961 – Chill Wills remembers The Alamo

    Here’s a good rule of thumb: If you’re going to campaign for your work in a John Wayne movie, don’t piss off John Wayne. Thus is the case of Chill Wills and The Alamo, directed by Wayne. Wills, who got his start by founding the singing group the Avalon Boys before appearing in the likes of Giant, hired a publicist known as W.S. “Bow-Wow” Wojciechowicz after getting nominated for best supporting actor. Bow-Wow went wild and ran a series of ridiculous ads. One named all the Academy members and read: “Win, lose or draw, you’re all my cousins and I love you all.” Another in The Hollywood Reporter, even more crassly, had a picture of the entire cast of the movie with text reading, “We of the ‘Alamo’ cast are praying harder—than the real Texans prayed for their lives in the Alamo—for Chill Wills to win the Oscar as best supporting actor. Cousin Chill’s acting was great. Your Alamo cousins.” The ads didn’t break any particular rules, but they did alienate the one person Wills really needed on his side. John Wayne was not happy and ran a letter in Variety saying as much. “I refrain from using stronger language because I am sure his intentions are not as bad as his taste,” he wrote. Wills lost to Peter Ustinov in Spartacus. 

    From Everett Collection.

    1973 – Berry Gordy’s ads for Diana Ross

    Would Diana Ross in Lady Sings the Blues have beaten Liza Minnelli in Cabaret had Berry Gordy not taken out a barrage of ads in Ross’s favor? It’s hard to say, but the prevailing wisdom is that the intensity of the campaign ultimately hurt her. The Los Angeles Times once explained that the new-to-Hollywood Motown Productions ran nine full-page ads over two and a half weeks all culminating in a final two-page spread that declared, “Diana Ross, an extraordinary actress.” At the time this seemed like overkill—even though now it’s just par for the course—and the question lingered as to whether it doomed Ross. 

    1975 – The grassroots support for Liv Ullmann

    A bunch of actors advocating for a performance by one of their peers they think is too good to overlook? Sound familiar? No, this isn’t the To Leslie situation. Instead, it’s the time in 1975 that the likes of Gena Rowlands, Joanne Woodward, Liza Minnelli, Elizabeth Taylor, Diahann Caroll, Jane Fonda, and Glenda Jackson all wrote a letter to the Academy asking the organization to change the rules so Liv Ullmann could be eligible for Scenes from a Marriage. Ingmar Bergman’s masterpiece had aired in Sweden as a TV series before it was released in America, which meant that the Oscars didn’t count it. The plea from this illustrious group of ladies didn’t work. Ullmann was nominated for 1976’s Face to Face, however, which was her second nomination after The Emigrants.

    From Everett Collection.

    1988 – Sally Kirkland’s guerilla campaign 

    Sally Kirkland: queen of the guerilla Oscar campaign. The actor pounded the pavement for her own work in Anna as an aging Czech movie star living in New York. She did the talk show circuit, and reportedly sent letters to every member of the Academy. (The To Leslie push did have some of that direct appeal: actor Mary McCormack, wife of the movie’s director Michael Morris, sent a series of emails to voters on behalf of the film.) In a later interview, Kirkland had no regrets: “Gena Rowlands said, ‘I voted for you, Sally, but I have to confess something, I never saw the film, but I wanted you to win so much because of that campaign.’” Did she win? No. She lost to Cher, but she was clearly happy to be there. 

    2003 – Robert Wise’s column for Gangs of New York

    In truth we could have just filled the story with Harvey Weinstein campaign shenanigans, but who wants to give him that much credit? Instead, we’ll mention one of the more egregious schemes from the Miramax era: the time West Side Story and The Sound of Music director Robert Wise wrote an opinion piece arguing that Martin Scorsese should win best director for Gangs of New York. Wise’s words were then used in a series of FYC ads by Miramax, aimed at combating an earlier editorial by William Goldman calling Gangs of New York a “mess” and saying Scorsese didn’t deserve to win. Except Wise didn’t actually write it. It was written by publicist Murray Weissman, so he claimed, who was also on the Academy’s public relations branch executive committee. 

    Other Harvey controversies include: The A Beautiful Mind anti-Semitism charges, and when voters were commanded to award The Imitation Game with “Honor the man. Honor the film.”  

    From Mirimax/Everett Collection.

    2004 – The Shohreh Aghdashloo “should win” ads

    One scandal of yore that has already resurfaced in the Riseborough affair is the brief kerfuffle over an ad placed by DreamWorks supporting Shohreh Aghdashloo’s bid for supporting actress for House of Sand and Fog. The issue was that the ads specifically highlighted articles that said Aghdashloo “should win” over front-runner Renée Zellweger in Cold Mountain. DreamWorks cofounder Jeffrey Katzenberg apologized saying “we made a very bad and ill-advised mistake.” Zellweger still won. 

    2010 – The Hurt Locker producer gets banned from the ceremony

    These days The Hurt Locker’s Oscar run is mostly remembered for triumph. It was the little film that bested the Avatar juggernaut. But there was a hiccup on the road to that success. One of the film’s producers, Voltage Pictures’ Nicolas Chartier, was banned from attending the ceremony after he emailed Academy members asking them to vote for The Hurt Locker over an unnamed film that was definitely, 100% Avatar. Chartier was determined to have violated the Academy’s policies of directly contacting members and negative campaigns against competing films. So The Hurt Locker may have won, but Chartier was not in the room. (Don’t cry for him: He had a private party.) 

    2011 – Melissa Leo’s “Consider” ads 

    Were we ever so young as when we saw Melissa Leo, clad in fur, asking us to “consider” her in The Fighter? By the time she put out her ads—which she funded herself and featured no mention of the movie she was in—she was already the presumed best-supporting-actress winner for her unglamorous turn as the relentless Bostonian mother of two boxers in David O. Russell’s film. The ads produced giggles and hand-wringing that she had somehow sabotaged herself. She hadn’t, of course. She was just having fun playing the game, as she told The New York Times: “This entire awards process to some degree is about pimping yourself out,” she explained at the nominees’ lunch. “I’m confident my fans will understand the ads were about showing a different side of myself.”

    From Paramount/ Everett Collection.

    2014 – The disqualification of “Alone Yet Not Alone”

    All of the original song nominees in 2014 were destined to lose to Frozen’s “Let It Go,” but the most obvious underdog was something called “Alone Yet Not Alone” from Alone Yet Not Alone, a faith-based film about the French and Indian War supported by Rick Santorum. The only thing that made it all make sense? The composer of said song, Bruce Broughton, was an executive committee member of the Academy’s music branch. The Academy rescinded the nomination because Broughton had emailed his colleagues in the branch about his work; while they acknowledged he had not broken any specific rules, they said “Broughton’s actions were inconsistent with the Academy’s promotional regulations.” Speaking to Vanity Fair about the rescinded nomination, Broughton says he never got to plead his case to the board: “Eighteen years of service to the Academy, and it was all taken away, bam, through innuendo—not because I broke any rules…. I didn’t ask anybody to vote for it. I just asked them to see it, because I didn’t want to get lost.”

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    Esther Zuckerman

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  • The Academy Won’t Rescind Andrea Riseborough’s Oscar Nomination

    The Academy Won’t Rescind Andrea Riseborough’s Oscar Nomination

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    The Academy has revealed the findings of its To Leslie review and, in good news for Andrea Riseborough, her best-actress Oscar nomination will remain intact. However, the statement released Tuesday afternoon suggests that there were some tactics that will lead to rule changes in the near future.

    “The Academy has determined the activity in question does not rise to the level that the film’s nomination should be rescinded,” read a statement from Academy CEO Bill Kramer. 

    “However, we did discover social media and outreach campaigning tactics that caused concern. These tactics are being addressed with the responsible parties directly.”

    Kramer went on to state that “the purpose of the Academy’s campaign regulations is to ensure a fair and ethical awards process.” 

    “Given this review, it is apparent that components of the regulations must be clarified to help create a better framework for respectful, inclusive, and unbiased campaigning,” he stated. “These changes will be made after this awards cycle and will be shared with our membership. The Academy strives to create an environment where votes are based solely on the artistic and technical merits of the eligible films and achievements.”

    Since Riseborough’s surprise Oscar nomination for lead actress, complaints have been bubbling up about the way the campaign was run. To Leslie was a small independent movie that debuted at the South by Southwest film festival in March and was released by Momentum Pictures in October, earning just over $27,000 at the box office. That could have been the end of its story if it weren’t for a celebrity-driven social media campaign that exploded about a week before Oscar nominations voting. 

    Well-known actors like Jennifer Aniston, Melanie Lynskey, Edward Norton, Bradley Whitford, and Helen Hunt tweeted out their adoration for Riseborough’s performance as a small-town woman who had fallen down on her luck, grappling with substance abuse issues after winning a local lottery years before. Suddenly, a little film that wasn’t on anyone’s radar was the talk of the town, just as Oscar voting kicked off. 

    It was an unusual strategy—most awards campaigns begin at the fall festivals and include months of screenings, press, and precursor awards shows—but at the time it wasn’t clear if it was in any way breaking the Academy’s campaign rules. The Academy maintains the rules in an effort to create a more even playing field for films, in part so that those without as much money or with fewer connections can also have a chance. 

    Those supporting the film—including Riseborough’s well-connected manager, Jason Weinberg, and To Leslie director Michael Morris’s wife, Mary McCormack—described the campaign as a grassroots effort that had very little money and couldn’t afford to host thousands of screenings or take out advertisements in local trade magazines. But they did reach out aggressively to voting members of the acting branch, using their connections to get actors to watch the film. 

    The “social media tactics” could also refer to the actions of actor (and Academy member) Frances Fisher. The actress was effusive of her praise for the film on social media, but at one point, she argued that actors like Till’s Danielle Deadwyler and The Woman King’s Viola Davis were a lock for the category, so voters should focus their efforts on Riseborough. This would appear to go against the rules about referencing other contenders, which states: “In particular, any tactic that singles out ‘the competition’ by name or title is expressly forbidden.” 

    The Academy’s statement—and decision to deal with the questionable tactics privately with the parties involved—indicates that this chapter is closed for To Leslie. But we bet that we’ll be seeing some changes to the social media and outreach guidelines for Oscar campaigns going forward.

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    Rebecca Ford

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