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Tag: awards

  • Aunjanue Ellis-Taylor Put Everything Into ‘Origin.’ She Hopes It Wasn’t in Vain

    Aunjanue Ellis-Taylor Put Everything Into ‘Origin.’ She Hopes It Wasn’t in Vain

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    Aunjanue Ellis-Taylor still feels caught in the whirlwind of Origin. She went out on a limb to score the lead role in the production that started less than a year ago, and only months later made a splashy bow in Venice. “It feels like something I don’t want to let go,” she tells me. “It feels so fast.”

    There’s a deep connection Ellis-Taylor communicates about the film, and particularly the role of Isabel Wilkerson, an author and scholar whose provocative and profound ideas about class and stratification in global history make up the book Caste. Director Ava DuVernay took her ambitious theories and decided to make a movie out of them, both by dramatizing her central areas of inquiry—taking the production from the contemporary U.S. to Nazi Germany to India—and by turning the focus on Wilkerson herself, paralleling her personal journey with her brilliant investigative work. Ellis-Taylor herself had already been a big fan of the Pulitzer Prize-winner’s work. In Origin, she embodies a woman asking huge questions about humanity while experiencing incredible personal loss—a nuanced character arc that DuVernay weaves into the fabric of her emotional cinematic epic.

    Ellis-Taylor has experienced a swift rise in Hollywood after years of “toiling in oblivion,” as she put it to me years ago. Last year, she earned her first Oscar nomination for stealing scenes in King Richard, and this is now the richest lead role of her screen career, and she makes good on it with a performance of astounding vulnerability and intellectual prowess. Frustratingly, she and the film, which was acquired out of Venice by Neon, have been struggling for a place in this year’s awards conversation, despite strong reviews and audience response out of festivals. Ellis-Taylor has taken it upon herself to get the word out during Oscar nominations voting (which ends Tuesday) and ahead of the movie’s January 19 theatrical release. Her ultimate hope is that Origin is simply seen.

    “My prayer for this film is that it won’t be in vain,” she says of the work to get here. “I know that it will continue to be a grassroots thing, and honestly, I’m not mad about that. I wish we had millions of dollars, so our billboards could be everywhere—it would just make it certainly easier for us—but going to the people, getting the folks involved in it, feels consistent with the spirit of the book.”

    In conversation with Vanity Fair, Ellis-Taylor breaks down one of the most complex and fascinating figures she’s ever portrayed.

    Vanity Fair: Last time you and I spoke, you’d mentioned the lengths you went to, to get this part, in sending Ava pictures of yourself and Isabel Wilkerson side by side. Can you tell me that story and how you so quickly saw yourself in this woman, this character?

    Aunjanue Ellis-Taylor: Yeah, I did it. [Laughs] When I knew that there was a conversation about actually making the film, I said, “I want to be in that conversation, I want to be a part of that.” I started looking at her and I said to myself, “If I did the right things, I could make myself look like her.” She has a sort of iconic look. She has pearls, she wears this burgundy sheath dress. I said to my sister, “We’re going to make me look like that.” So we ordered a dress from Nordstrom’s or Bloomingdale’s, I can’t remember which; I got the right makeup at the beauty supply place in Hattiesburg, Mississippi, and got me a nice wig. My sister ordered me some pearls from Amazon because Ms. Wilkerson wears pearls often. And I had her take a picture of me, and we sent it to Aisha Coley, who was the casting director for the film.

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    David Canfield

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  • African American Film Critics Association to Honor Jamie Foxx, Datari Turner and More With Special Achievement Awards

    African American Film Critics Association to Honor Jamie Foxx, Datari Turner and More With Special Achievement Awards

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    The African American Film Critics Association (AAFCA) has revealed its 2024 Special Achievement honorees, who will be celebrated at the organization’s 7th annual AAFCA Special Achievement Award luncheon on March 3 at the Los Angeles Athletic Club.

    Killers of the Flower Moon will receive the Stanley & Karen Kramer Social Justice Award for “shining a light on the true story of the infamous Osage Nation murders,” according to the organization.

    Jamie Foxx and Datari Turner, the producing team behind Foxxhole Productions, will receive the AAFCA’s Producers Award for their films They Cloned Tyrone, Story Ave and The Burial, as well as Foxxhole’s continued commitment of telling inclusive stories on screen.

    Choreographer Fatima Robinson will be honored with AAFCA’s Salute to Excellence Award, which celebrates her contribution to choreography, including her recent work on The Color Purple.

    The late Michael Latt will receive the inaugural Freedom Award, which was established in his honor, “recognizing his legacy as an exceptional marketing strategist, thought leader, and founder of Lead With Love.”

    Filmmaker Deon Taylor is receiving the Horizon Award which recognizes a “talent on the rise.” Founder of Hidden Empire Film Group, his upcoming projects include Free Agents and biopics on civil rights activist and congressman John Lewis and boxer Floyd Mayweather.

    Delta Airlines is set to be honored with AAFCA’s Film Advocate Award “in recognition of their commitment to diversity in entertainment offered aboard Delta flights and embracing emerging filmmakers with their programming.”

    “Our list this year includes titans and trailblazers whose work has transformed the cinematic arts,” says AAFCA President and Co-Founder Gil Robertson. “Their work leaves us in awe of their incredible achievements and inspires us to move forward in all our endeavors with passion, creativity and determination. AAFCA looks forward to celebrating them.”

    Previous AAFCA Special Achievement Awards honorees include Ruth Carter, Jason Blum, Edward James Olmos, Pearlena Igbokwe, Channing Dungey, Sherry Lansing, Jon M. Chu, and Wesley Morris, among many others.

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    Beatrice Verhoeven

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  • Disney & Pixar Shut Out of Annie Awards’ Top Category For First Time Ever

    Disney & Pixar Shut Out of Annie Awards’ Top Category For First Time Ever

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    The Annie Awards, the animation world’s top prize, introduced its Best Animated Feature award in 1992. And in the 30+ years since, there has always been at least one animated movie from either Disney or Pixar nominated for that Best Animated Feature prize. In many years, there were multiple Disney/Pixar nominees in the category.

    Until 2024. For the first time in the award’s history, neither Disney nor Pixar have a nominee for Best Animated Feature at the Annie Awards. That’s despite the companies releasing several contenders last year, including Disney’s Wish and Pixar’s Elemental. 

    READ MORE: The 20 Best Movies of 2023

    Instead, the Annies nominated the following five films for Best Animated Feature:

    • Nimona
    • Spider-Man: Across the Spider-Verse
    • Suzume
    • Teenage Mutant Ninja Turtles: Mutant Mayhem
    • The Boy and the Heron

    Disney’s Beauty and the Beast was the very first winner of the Annie’s Best Animated Feature award. The fact that at least one Disney or Pixar film was nominated every single year from then until now speaks to the company’s impressive track record and creative consistency.

    Unfortunately, it also speaks to how rough a 2023 Disney had. Elemental did eventually turn into a modest hit for Pixar, but it also got extremely mixed reviews; it was the first Pixar film I’ve ever given a negative review here on ScreenCrush. But at least Elemental didn’t wind up on my list of 2023’s worst films. Wish did, thanks to its forgettable songs and rehashed storyline.

    It’s now been three years since a Pixar film won the Annie for Best Animated Feature; it last happened in 2020 when Pixar’s Soul beat the studio’s Onward, as well as DreamWorks’ The Croods: A New Age and Trolls World Tour and Netflix’s The Willoughbys. The last Disney movie that topped the Annies was 2016’s Zootopia.

    Last year’s Annie Award for Best Animated Feature went to Guillermo del Toro’s Pinocchio, which also won the Oscar for Best Animated Feature. This year’s Annie Award winners will be announced on February 17 at UCLA’s Royce Hall.

    The 10 Most Underrated Films of 2023

    From underseen to unloved, these are the movies from 2023 that deserve another chance.

    Gallery Credit: Emma Stefansky

    [H/T EW.com]

     

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    Matt Singer

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  • Feinberg Forecast: Scott’s First Oscar Projections Post Golden Globes and SAG and DGA Awards Nominations

    Feinberg Forecast: Scott’s First Oscar Projections Post Golden Globes and SAG and DGA Awards Nominations

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    PLEASE NOTE: This forecast, assembled by Scott Feinberg, The Hollywood Reporter’s executive editor of awards coverage, reflects Scott’s best attempt to predict the behavior of the Academy of Motion Picture Arts and Sciences, not his personal preferences. He arrives at these projections by drawing upon conversations with voters and other industry insiders, analysis of marketing and awards campaigns, results of awards ceremonies that precede the Oscars, and the history of the Oscars itself. There will be regular updates to reflect new developments.

    * * *

    Best Picture

    Frontrunners
    1. Oppenheimer (Universal)
    2. Barbie (Warner Bros.)
    3. Poor Things (Searchlight)
    4. Killers of the Flower Moon (Apple)
    5. American Fiction (Amazon/MGM)
    6. The Holdovers (Focus)
    7. Past Lives (A24)
    8. Anatomy of a Fall (Neon)
    9. Maestro (Netflix)
    10. The Zone of Interest (A24)

    Major Threats
    11. Society of the Snow (Netflix)
    12. The Color Purple (Warner Bros.)
    13. May December (Netflix)
    14. Spider-Man: Across the Spider-Verse (Sony)
    15. Rustin (Netflix)

    Possibilities
    16. Saltburn (Amazon/MGM)
    17. Air (Amazon/MGM)
    18. Origin (Neon)
    19. Ferrari (Neon)

    Best Director

    Frontrunners
    1. Christopher Nolan (Oppenheimer)
    2. Greta Gerwig (Barbie) — podcast
    3. Martin Scorsese (Killers of the Flower Moon)
    4. Yorgos Lanthimos (Poor Things)
    5. Jonathan Glazer (The Zone of Interest)

    Major Threats
    6. Alexander Payne (The Holdovers)
    7. Celine Song (Past Lives)
    8. Bradley Cooper (Maestro)
    9. Cord Jefferson (American Fiction)
    10. Justine Triet (Anatomy of a Fall)
    11. Hayao Miyazaki (The Boy and the Heron)

    Possibilities
    12. Todd Haynes (May December) — podcast
    13. Emerald Fennell (Saltburn) — podcast
    14. J.A. Bayona (Society of the Snow)
    15. Blitz Bazawule (The Color Purple)
    16. Ava DuVernay (Origin) — podcast
    17. Michael Mann (Ferrari)

    Best Actor

    Frontrunners
    1. Paul Giamatti (The Holdovers) — podcast
    2. Cillian Murphy (Oppenheimer)
    3. Bradley Cooper (Maestro)
    4. Jeffrey Wright (American Fiction)
    5. Colman Domingo (Rustin)

    Major Threats
    6. Leonardo DiCaprio (Killers of the Flower Moon)
    7. Andrew Scott (All of Us Strangers)
    8. Barry Keoghan (Saltburn)

    Possibilities
    9. Matt Damon (Air)
    10. Nicolas Cage (Dream Scenario) — podcast
    11. Franz Rogowski (Passages)

    Best Actress

    Frontrunners
    1. Lily Gladstone (Killers of the Flower Moon)
    2. Emma Stone (Poor Things) — podcast
    3. Margot Robbie (Barbie) — podcast
    4. Carey Mulligan (Maestro) — podcast
    5. Annette Bening (Nyad)

    Major Threats
    6. Sandra Hüller (Anatomy of a Fall)
    7. Greta Lee (Past Lives)
    8. Natalie Portman (May December) — podcast
    9. Helen Mirren (Golda) — podcast

    Possibilities
    10. Alma Pöysti (Fallen Leaves)
    11. Aunjanue Ellis-Taylor (Origin) — podcast
    12. Fantasia Barrino (The Color Purple)
    13. Cailee Spaeny (Priscilla)

    Best Supporting Actor

    Frontrunners
    1. Robert Downey Jr. (Oppenheimer)
    2. Ryan Gosling (Barbie)
    3. Robert De Niro (Killers of the Flower Moon) — podcast
    4. Willem Dafoe (Poor Things) — podcast
    5. Mark Ruffalo (Poor Things)

    Major Threats
    6. Sterling K. Brown (American Fiction) — podcast
    7. Charles Melton (May December)
    8. Dominic Sessa (The Holdovers)

    Possibilities
    9. Glenn Howerton (BlackBerry)
    10. Jesse Plemons (Killers of the Flower Moon) — podcast
    11. Jamie Bell (All of Us Strangers)

    Best Supporting Actress

    Frontrunners
    1. Da’Vine Joy Randolph (The Holdovers)
    2. Danielle Brooks (The Color Purple) — podcast
    3. Emily Blunt (Oppenheimer) — podcast
    4. Jodie Foster (Nyad) — podcast
    5. Julianne Moore (May December) — podcast

    Major Threats
    6. Penélope Cruz (Ferrari) — podcast
    7. Rosamund Pike (Saltburn) — podcast
    8. America Ferrera (Barbie)
    9. Sandra Hüller (The Zone of Interest)

    Possibilities
    10. Erika Alexander (American Fiction)
    11. Taraji P. Henson (The Color Purple) — podcast
    12. Claire Foy (All of Us Strangers) — podcast
    13. Viola Davis (Air)

    Best Adapted Screenplay

    Frontrunners
    1. Oppenheimer (Christopher Nolan)
    2. Barbie (Noah Baumbach & Greta Gerwig) — podcast (Gerwig)
    3. Poor Things (Tony McNamara)
    4. Killers of the Flower Moon (Eric Roth & Martin Scorsese)
    5. American Fiction (Cord Jefferson)

    Major Threats
    6. The Zone of Interest (Jonathan Glazer)
    7. Spider-Man: Across the Spider-Verse (Dave Callaham, Phil Lord & Chris Miller)
    8. Society of the Snow (J.A. Bayona, Nicolás Casariego, Jaime Marques & Bernat Vilaplana)

    Possibilities
    9. All of Us Strangers (Andrew Haigh)
    10. Are You There God? It’s Me, Margaret (Kelly Fremon Craig)
    11. Origin (Ava DuVernay)

    Best Original Screenplay

    Frontrunners
    1. Past Lives (Celine Song)
    2. The Holdovers (David Hemingson)
    3. Anatomy of a Fall (Arthur Harari & Justine Triet)
    4. Maestro (Bradley Cooper & Josh Singer)
    5. May December (Samy Burch & Alex Mechanik)

    Major Threats
    6. Saltburn (Emerald Fennell)
    7. Air (Alex Convery)

    Possibilities
    8. Rustin (Dustin Lance Black & Julian Breece)
    9. Asteroid City (Wes Anderson & Roman Coppola)

    Best International Feature

    Frontrunners
    1. The Zone of Interest (United Kingdom)
    2. Society of the Snow (Spain)
    3. The Taste of Things (France)
    4. Four Daughters (Tunisia)
    5. The Teacher’s Lounge (Germany)

    Major Threats
    6. Perfect Days (Japan)
    7. 20 Days in Mariupol (Ukraine)

    Can’t Yet Call
    Godland (Iceland)
    Totem (Mexico)
    Io Capitano (Italy)
    Fallen Leaves (Finland)
    The Promised Land (Denmark)
    The Mother of All Lies (Morocco)
    Amerikatsi (Armenia)
    The Monk and the Gun (Bhutan)

    Best Documentary Feature

    Frontrunners
    1. American Symphony (Netflix)
    2. Still: A Michael J. Fox Movie (Apple) — podcast (Davis Guggenheim)
    3. Beyond Utopia (Roadside)
    4. Stamped from the Beginning (Netflix) — podcast (Roger Ross Williams)
    5. 20 Days in Mariupol (PBS)

    Major Threats
    6. The Eternal Memory (MTV)
    7. Bobi Wine: The People’s President (Nat Geo)
    8. Four Daughters (Kino Lorber)
    9. To Kill a Tiger (still seeking U.S. distribution)
    10. Desperate Souls, Dark City and the Legend of Midnight Cowboy (Kino Lorber/Zeitgeist)

    Can’t Yet Call
    32 Sounds (Abramorama)
    Apolonia, Apolonia (still seeking U.S. distribution)
    Going to Mars: The Nikki Giovanni Project     (HBO)
    In the Rearview (Film Movement)
    A Still Small Voice (Abramorama)

    Best Animated Feature

    Frontrunners
    1. Spider-Man: Across the Spider-Verse (Sony)
    2. The Boy and the Heron (GKIDS)
    3. Elemental (Pixar) — podcast (Pete Docter)
    4. Nimona (Netflix)
    5. The Super Mario Bros. Movie (Illumination)

    Major Threats
    6. Teenage Mutant Ninja Turtles: Mutant Mayhem (Paramount)
    7. Chicken Run: Dawn of the Nugget (Netflix)
    8. Leo (Netflix)
    9. Wish (Disney)
    10. They Shot the Piano Player (Sony Classics)

    Can’t Yet Call
    Amazing Maurice (Viva)
    Deep Sea (Viva)
    Ernest & Celestine: A Trip to Gibbertia (GKIDS)
    The First Slam Dunk (GKIDS)
    Migration (Illumination)
    Robot Dreams (Neon)
    Stopmotion (IFC)
    Suzume (Toho)
    Trolls Band Together (DreamWorks)

    Best Cinematography

    Frontrunners
    1. Oppenheimer (Hoyte van Hoytema)
    2. Killers of the Flower Moon (Rodrigo Prieto)
    3. Poor Things (Robbie Ryan)
    4. The Zone of Interest (Lukasz Zal)
    5. Maestro (Matthew Libatique)

    Major Threats
    6. Barbie (Rodrigo Prieto)
    7. Saltburn (Linus Sandgren)
    8. The Color Purple (Dan Laustsen)
    9. Society of the Snow (Pedro Luque)
    10. Ferrari (Erik Messerschmidt)
    11. Napoleon (Dariusz Wolski)

    Possibilities
    12. Past Lives (Shabier Kirchner)
    13. May December (Christopher Blauvelt)
    14. The Taste of Things (Jonathan Ricquebourg)
    15. The Holdovers (Eigil Byrid)
    16. Air (Robert Richardson)
    17. The Killer (Erik Messerschmidt)

    Best Costume Design

    Frontrunners
    1. Barbie (Jacqueline Durran)
    2. Poor Things (Holly Waddington)
    3. Killers of the Flower Moon (Jacqueline West)
    4. The Color Purple (Francine Jamison-Tanchuck)
    5. Wonka (Lindy Hemming)

    Major Threats
    6. Napoleon (David Crossman & Janty Yates)
    7. Maestro (Mark Bridges)
    8. The Little Mermaid (Colleen Atwood)
    9. Oppenheimer (Ellen Mirojnick)
    10. Priscilla (Stacey Battat)

    Possibilities
    11. Are You There God? It’s Me, Margaret (Ann Roth)
    12. Ferrari (Massimo Cantini Parrini)
    13. Asteroid City (Milena Canonero)
    14. Saltburn (Sophie Canale)
    17. The Hunger Games: The Ballad of Songbirds & Snakes (Trish Summerville)

    Best Film Editing

    Frontrunners
    1. Oppenheimer (Jennifer Lame)
    2. Poor Things (Yorgos Mavropsaridis)
    3. Barbie (Nick Houy)
    4. Killers of the Flower Moon (Thelma Schoonmaker)
    5. The Holdovers (Kevin Tent)

    Major Threats
    6. Maestro (Michelle Tesoro)
    7. Ferrari (Pietro Scalia)
    8. The Killer (Kirk Baxter)
    9. Spider-Man: Across the Spider-Verse (Michael Andrews)
    10. Past Lives (Keith Fraase)

    Possibilities
    11. Air (William Goldenberg)
    12. American Fiction (Hilda Rasula)
    13. The Zone of Interest (Paul Watts)
    14. Mission: Impossible: Dead Reckoning Part One (Eddie Hamilton)
    15. The Color Purple (Jon Poll)

    Best Makeup & Hairstyling

    Frontrunners
    1. Maestro (Kay Georgiou, Sian Grigg, Kazu Hiro & Lori McCoy-Bell)
    2. Poor Things (Mark Couler, Nadia Stacey & Josh Weston)
    3. Killers of the Flower Moon (Kay Georgiou & Thomas Nellen)
    4. Golda (Suzi Battersby, Ashra Kelly-Blue & Karen Hartley Thomas)
    5. Society of the Snow (Ana López-Puigcerver, Belén López-Puigcerver, David Martí & Montse Ribé)

    Major Threats
    6. Oppenheimer (Luisa Abel, Jason Hamer, Jaime Leigh McIntosh & Ahou Mofid)
    7. Ferrari (Elisabetta Arlotti, Nicolas Iles, Feredrico Martellacci & Leonardo Signoretti)
    8. Napoleon (Jana Carboni & Francesco Pegoretti)
    9. Beau Is Afraid (Félix Larivière & Colin Penman)
    10. The Last Voyage of the Demeter (TBD)

    Best Original Score

    Frontrunners
    1. Oppenheimer (Ludwig Göransson)
    2. Killers of the Flower Moon (Robbie Robertson)
    3. Poor Things (Jerskin Fendrix)
    4. Barbie (Mark Ronson & Andrew Wyatt)
    5. The Zone of Interest (Mica Levi)

    Major Threats
    6. Spider-Man: Across the Spider-Verse (Daniel Pemberton)
    7. The Holdovers (Mark Orton)
    8. Elemental (Thomas Newman)
    9. American Fiction (Laura Karpman)
    10. Society of the Snow (Michael Giacchino)

    Possibilities
    11. Indiana Jones and the Dial of Destiny (John Williams)
    12. American Symphony (Jon Batiste)
    13. The Boy and the Heron (Joe Hisaishi)
    14. The Color Purple (Kris Bowers)
    15. Saltburn (Anthony Willis)

    Best Original Song

    Frontrunners
    1. “What Was I Made For?” (Barbie), Billie Eilish & Finneas — podcasts (1 and 2)
    2. “I’m Just Ken” (Barbie), Mark Ronson & Andrew Wyatt — podcast (Ronson)
    3. “Road to Freedom” (Rustin), Lenny Kravitz — podcast
    4. “It Never Went Away” (American Symphony), Jon Batiste & Dan Wilson
    5. “The Fire Inside” (Flamin’ Hot), Diane Warren — podcast

    Major Threats
    6. “Dance the Night” (Barbie), Caroline Ailin, Dua Lipa, Mark Ronson & Andrew Wyatt — podcasts (Lipa & Ronson)
    7. “High Life” (Flora and Son), John Carney & Gary Clark
    8. “Meet in the Middle” from Flora and Son, John Carney, Gary Clark & Eve Hewson
    9. “Keep It Movin’” (The Color Purple), Denisia Andrews, Halle Bailey, Brittany Coney & Morten Ristorp
    10. “Can’t Catch Me Now” (The Hunger Games: The Ballad of Songbirds and Snakes), Dan Nigro & Olivia Rodrigo — podcast (Rodrigo)

    Possibilities
    11. “Wahzhazhe (A Song for My People)” from Killers of the Flower Moon, Scott George
    12. “Quiet Eyes” (Past Lives), Zach Dawes & Sharon Von Etten
    13. “Am I Dreaming” (Spider-Man: Across the Spider-Verse), Michael Dean, Peter Lee Johnson, Rakim Mayers, Landon Wayne & Leland Wayne
    14. “Superpower (I)” (The Color Purple), Terius Gesteelde-Diamant
    15. “Dear Alien (Who Art in Heaven)” from Asteroid City, Wes Anderson & Jarvis Cocker

    Best Production Design

    Frontrunners
    1. Barbie (Sarah Greenwood & Katie Spencer)
    2. Oppenheimer (Ruth De Jong & Claire Kaufman)
    3. Killers of the Flower Moon (Jack Fish & Adam Willis)
    4. Poor Things (Shona Heath, James Price & Szusza Mihalek)
    5. Maestro (Rena DeAngelo & Kevin Thompson)

    Major Threats
    6. Saltburn (Suzie Davis & Charlotte Diricks)
    7. Asteroid City (Kris Moran & Adam Stockhausen)
    8. Wonka (Nathan Crowley & Lee Sandales)
    9. The Color Purple (Paul D. Austerberry & Larry Dias)
    10. Napoleon (Elli Griff & Arthur Max)
    11. Society of the Snow (Alain Bainée & Angela Nahum)

    Possibilites
    12. The Zone of Interest (Joanna Kus, Chris Oddy & Katarzyna Sikora)
    13. Ferrari (Maria Djurkovic & Sophie Phillips)
    14. Spider-Man: Across the Spider-Verse (Patrick O’Keefe)
    15. Priscilla (Patricia Cuccia & Tamara Deverell)
    16. Air (François Audouy & Jan Pascale)
    17. May December (Sam Lisenco & Jess Royal)

    Best Sound

    Frontrunners
    1. Oppenheimer (Willie Burton, Richard King, Kevin O’Connell & Gary A. Rizzo)
    2. Maestro (Richard King, Steve Morrow, Tom Ozanich, Jason Ruder & Dean Zupancic)
    3. Ferrari (Tony Lamberti, Lee Orloff, Andy Nelson & Bernard Weiser)
    4. Killers of the Flower Moon (John Pritchett, Philip Stockton & Mark Ulano)
    5. Barbie (Dan Kenyon, Ai-Ling Lee, Kevin O’Connell & Nina Rice)

    Major Threats
    6. The Zone of Interest (Johnnie Burn)
    7. Napoleon (Stephane Bucher, James Harrison, Paul Massey, William Miller & Oliver Tarney)
    8. The Killer (Ren Klyce, Drew Kunin, Jeremy Molod & Stephen Urata)
    9. The Creator (Erik Aadahl, Tom Ozanich, Ethan Van Der Ryn, Ian Voigt & Dean Zupancic)
    10. Mission: Impossible — Dead Reckoning, Part One (Chris Burdon, James H. Mather & Chris Munro)

    Best Visual Effects

    Frontrunners
    1. Poor Things
    2. Society of the Snow
    3. Guardians of the Galaxy Vol. 3
    4. The Creator
    5. Mission: Impossible — Dead Reckoning, Part One

    Major Threats
    6. Napoleon
    7. Godzilla: Minus One
    8. Spider-Man: Across the Spider-Verse
    9. Indiana Jones and the Dial of Destiny
    10. Rebel Moon: Part One — A Child of Fire

    Best Animated Short

    Can’t Yet Call
    27     (ARTE Mediathek)
    Boom
    Eeva (Miyu)
    Humo (Smoke)
    I’m Hip
    A Kind of Testament
    Koerkorter (Dog Apartment)
    Letter to a Pig     (Miyu)
    Ninety-Five Senses
    Once Upon a Studio     (Disney)
    Our Uniform
    Pachyderme
    Pete     (The Criterion Channel)
    War Is Over! Inspired by the Music of John & Yoko
    Wild Summon

    Best Documentary Short

    Frontrunners
    1. The ABCs of Book Banning (MTV) — podcast (Sheila Nevins)
    2. Camp Courage (Netflix)
    3. Deciding Vote (The New Yorker)
    4. The Barber of Little Rock (The New Yorker)
    5. Last Song from Kabul (MTV)

    Major Threats
    The Last Repair Shop     (L.A. Times/Searchlight)
    Nǎi Nai & Wài Pó     (Hulu)

    Can’t Yet Call
    Bear
    Between Earth & Sky     (POV)
    Black Girls Play: The Story of Hand Games
    How We Get Free
    If Dreams Were Lightning: Rural Healthcare Crisis
    Island in Between
    Oasis     (New York Times Op-Docs)
    Wings of Dust     (still seeking U.S. distribution)

    Best Live-Action Short

    Frontrunners
    1. The Wonderful Story of Henry Sugar (Netflix)
    2. Strange Way of Life (Sony Classics) — podcast (Pedro Almodóvar)
    3. The After (Netflix) — podcast (David Oyelowo)

    Can’t Yet Call
    The Anne Frank Gift Shop     (Reboot)
    An Avocado Pit
    Bienvenidos a Los Angeles
    Dead Cat
    Good Boy
    Invincible
    Invisible Border
    Knight of Fortune     (The New Yorker)
    The One Note Man
    Red, White and Blue
    The Shepherd     (Disney)
    Yellow

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    Scott Feinberg

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  • The Best Jokes From John Mulaney Hosting the Academy’s Governors Awards

    The Best Jokes From John Mulaney Hosting the Academy’s Governors Awards

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    Most awards show hosts took the gig for reasons other than the prestige or the (usually nonexistent) pay — but few of them open their performances by talking about them. That’s just one of many things that made John Mulaney’s work hosting the Academy’s Governors Awards such a pleasant surprise, thrilling the starry crowd that had just endured a far less exceptional Golden Globes.

    “This is a strategic obligation,” Mulaney said at the beginning of the ceremony Tuesday night. “It is a pleasure to stand here on this temporary stage. For those of you that don’t recognize me from the Tuesday night AA meeting in the Palisades, my name is John Mulaney.”

    The Governors Awards, usually held in November but delayed due to the actors strike, are an untelevised, chummy affair, drawing in virtually every awards contender but only awarding the Honorary Oscars that are determined months in advance. There are no envelopes to open or moments of suspense, just tributes and, when Mulaney is hosting at least, some of the best jokes we’ve heard about this year’s top Oscar contenders.

    “Mr. Bradley Cooper is here,” Mulaney said early on, turning his attention to the room. “Bradley Cooper, incredible director and star of Maestro, or as it was originally titled, Bye Felicia!” Then he turned his attention to the odds-on best picture favorite: “That Oppenheimer cast is stacked with talent. Every part is played by a huge movie star. They’re like, ‘Hey, we need an extra to polish the atom bomb. Let’s see if Jack Nicholson is available?’ Daniel Day Lewis plays a pair of goggles.”

    The focus of the evening is on the honorary winners, who this year were Mel Brooks, Angela Bassett, editor Carol Littleton, and Sundance Institute founder Michelle Satter. We can only imagine the terror of delivering jokes in front of a comedy legend, but Mulaney met the challenge, introducing him as Mel Brooks, “or as antisemites call him, ‘Exhibit A.’” He then added, “You know the guy that did the prosthetic nose for Maestro? He did Mel’s entire face and body and personality for the last 97 years.”

    For Bassett, nominated last year for Black Panther: Wakanda Forever, Mulaney got even more pointed: “Here’s what a great actor Angela Bassett is. She got an Oscar nomination for a Marvel movie. That’s like getting a Pulitzer Prize for a Reddit comment.”

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    Katey Rich

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  • SAG Awards Nominations 2024: The 11 Biggest Snubs and Surprises

    SAG Awards Nominations 2024: The 11 Biggest Snubs and Surprises

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    The Screen Actors Guild Awards offer an annual opportunity for actors to celebrate each other, and it’s probably a particularly good feeling after all that strike-era solidarity. But with the nominations coming just day before Oscar nomination voting begins, and in the heat of awards season, they also offer a window into the preferences of one of the industry’s biggest, most influential groups of voters.

    The full list of nominees across both film and television includes people who are already awards season favorites — Lily Gladstone and Da’Vine Joy Randolph on the film side, everyone involved in The Bear for TV — but also surprises in terms of who is included and who isn’t. Below, we’ve broken down the 12 biggest snubs and surprises from this morning’s announcement.

    The Supporting Actor Shuffle

    The supporting actor category for film this season has been cut-throat from the start, with lots of strong performances to pick from; still the SAG-AFTRA picks raise a lot of eyebrows. They went for Willem Dafoe over Mark Ruffalo for Poor Things, though Ruffalo arguably has the flashier performance and has been garnering more attention all season (this is Dafoe’s fifth SAG Awards nomination, though he’s never won). But the biggest surprise is the absence of May December’s Charles Melton, who has been racking up critics awards and already won at the Gotham Awards and the NYFCC. But he’s not the only May December actor left out this morning. —Rebecca Ford

    No Room for May December

    The SAG-AFTRA nominating committee tends to lean a little mainstream, but they also love Netflix titles due to their wide availability, thereby putting a bubble contender like May December in a strange position—simply, would the actors go for this complex, arty indie? Especially after largely missing on the BAFTA longlists, which always feature the vast majority of eventual acting Oscar nominees, it seemed imperative for the hopes of the campaign to at least get a mention or two here. Alas, that did not happen, and Todd Haynes’s acting masterclass was somehow blanked here across the board. No doubt Netflix’s priorities on this one will be shifting toward a more targeted push, in the hope of still finding a way for Charles Melton or Julianne Moore, particularly, to figure into the supporting races. But right now they’re on the outside looking in. —David Canfield

    Sterling K. Brown Shines

    Sterling K. Brown delivers a scene-stealing performance in American Fiction as the newly divorced and newly openly gay brother of the main protagonist, but most of the attention for that film has been focused on Jeffery Wright’s strong lead performance. So what a nice surprise to see Brown earn a nomination in the supporting actor category. It shouldn’t be that much of a surprise, though, because Brown is beloved by the SAG community — he has six individual acting nominations for his TV work, and won in 2018 for This Is Us, when made history as the first Black actor to win for best actor in a drama series. —RF

    DiCaprio Sits This One Out

    Leonardo DiCaprio has been nominated for six individual SAG Awards acting nominations over the years (and won for The Revenant), and was most recently nominated for Once Upon a Time in Hollywood. But with the incredibly competitive lead actor race this year, someone had to be left out and SAG-AFTRA went with DiCaprio. Though DiCaprio is still nominated as a part of the cast of Killers of the Flower Moon in the performance by a cast of a motion picture category, it’s very possible this lead actor line-up may repeat when Oscar nominations are unveiled. —RF

    The Color Purple Holds Strong, Poor Things Misses 

    The Color Purple has been a bit of a question mark this season so far. It’s had a strong awards campaign with its dynamic cast (and of course Oprah Winfrey, a producer) rustling up plenty of press and lots of passion at Q&As. But it’s still been unclear if it would land many nominations outside of Danielle Brooks’ supporting performance. But the Warner Bros. musical took one of the five coveted spots for the big ensemble category, reflecting significant support in the acting community. This film’s inclusion likely meant that Poor Things—considered a strong best picture contender since its debut in Venice where it won the Golden Lion—was left off the list. It’s possible the actors didn’t consider Poor Things as reliant on its ensemble as The Color Purple, but this notable snub is worth keeping an eye on as we move forward. —RF

    Penelope Cruz Zooms In From Ferrari

    It was only two years ago that a strong segment of the awards prediction world convinced themselves that Cruz would be a surprise best actress Oscar winner for Parallel Mothers, so perhaps we shouldn’t be surprised that she’s got a lot of supporters for a film that otherwise hasn’t made much of a splash this awards season. With Da’Vine Joy Randolph virtually sweeping the awards in this category thus far, there’s a lot of room for surprise in who else gets nominated. Hopefuls like Barbie’s America Ferrara and May December’s Julianne Moore, who weren’t nominated today, officially have new competition. —KR

    Jury Duty Goes Unserved

    Pour one out for the viral little show that could, which revolved around a cast of talented improv and character actors, James Marsden, and one non-actor who thought he was participating in a documentary about serving jury duty. Freevee’s surprise hit gave us yet another reason to appreciate Marsden’s acting range and comedic chops—he seemed to be having a blast playing an exaggerated, narcissistic version of himself—and the series also made an unsuspecting star of real-life good guy Ronald Gladden. Despite the great buzz and industry love for the quirky, feel-good comedy, the cast and Marsden were snubbed by SAG. – Kara Warner

    The Gilded Age Is Coming to the Opera

    In its first season, Julian Fellowes’s lavishly appointed drama about robber barons and their servants was utterly ignored by major awards-giving bodies, save for one creative arts Emmy for production design. But apparently, SAG-AFTRA started tuning in this year; the show got a surprise nomination for best drama ensemble, no mean feat for a series largely recognized as prestige TV’s best worst show. We’d love to celebrate, as soon as we can return from visiting our new railroad in Pittsburgh. —Hillary Busis

    Alex Borstein’s Final Maisel Bow Nudges Out Natasha Lyonne

    The category for actress in a comedy series was always going to be packed, and Alex Borstein‘s nomination here makes sense, especially following the series’ final season. The Marvelous Mrs. Maisel star is beloved in the role and series, and already has several awards for it, including two SAG Awards. But her inclusion seems to have nudged out a favorite new contender, Natasha Lyonne, for her acclaimed performance in Peacock’s crafty whodunit Poker Face, which is up for an Emmy next week. – KW

    Emmy-Nominated Actresses Left Out in Limited Series

    After a rather paltry summer and fall for buzzy limited series, there was a big open question as to how much voters would look back to the spring to fill out their ballots with these acting categories. Some performers who were Emmy-nominated seemed like especially safe bets, like Daisy Jones & the Six’s Riley Keough and Swarm’s Dominique Fishback, especially given the buzz around their series. But this group surprised with a fresher pick in multi-SAG-Award winner Uzo Aduba, a standout on Netflix’s otherwise forgettable opioid crisis drama Painkiller. It’s the first notable shoutout for that show, and an indication that those Emmy nominees may not be as strong at next week’s show as we may have thought. Also making the cut was Bel Powley, whose excellent A Small Light was overlooked by the Academy. Finally, some deserved industry recognition goes that period piece’s way. —DC

    Jeremy Strong Uninvited From the Roy Family Reunion

    With Kieran Culkin moving up to lead status for Succession’s final season it was always going to be more crowded for the rest of the Roy family — but most people probably expected Culkin, Brian Cox, and Jeremy Strong to all make it in, as they did at the Emmy nominations. Instead Strong, nominated alongside Cox and Culkin in 2021, will be sitting out, though he’s of course included in the show’s best ensemble nomination. —KR

    Listen to Vanity Fair’s Little Gold Men podcast now.

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    Katey Rich, Kara Warner, David Canfield, Rebecca Ford, Hillary Busis

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  • Jennifer Jason Leigh Breaks Down Her Wild ‘Fargo’ Ride

    Jennifer Jason Leigh Breaks Down Her Wild ‘Fargo’ Ride

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    This post contains spoilers about episode nine of Fargo’s fifth season.

    There are two people Jennifer Jason Leigh had in mind when it came to crafting her delectable, scenery-chewing matriarch in the new installment of Noah Hawley’s Fargo: William F. Buckley, the flamboyant conservative commentator, and her own mother, the late Emmy-nominated screenwriter Barbara Turner. “When I veered more toward Buckley, it could get a little more grand,” she tells Vanity Fair of her performance. “When I would veer toward my mother, I could bring it in.”

    One can see a bit more of the latter, perhaps, in Leigh’s tender and commanding work in the series’s penultimate episode, “The Useless Hand,” which premiered Tuesday night. Up until this point, Leigh’s powerful Lorraine Lyon—with her exquisitely expensive wardrobe, haughty mid-Atlantic accent, and Cheshire cat grin—had been skeptically investigating the disappearance of her daughter-in-law, Dot (Juno Temple). But as the reality of Dot’s mysterious past and her abusive former partner, Roy Tillman (Jon Hamm), become clear, Lorraine realizes she needs to take action to hold her family together. And so she does, making a few simple phone calls that set the stage for an epic clash between law enforcement and Tillman’s criminal-militia enterprise. The result feels like classic Fargo, and a culmination of the show’s bold statements on the state of the country.

    Leigh is having the time of her life in this part, owning every room she walks into just as Lorraine does. But what’s most impressive about her turn is the way, in an episode like this, she subtly gives this larger-than-life figure some new dimension. It’s a trademark of the Oscar-nominated actor, who’s been known for taking on big, complicated roles, from the ’90s independent scene to her resurgence in Quentin Tarantino’s The Hateful Eight, and imbuing them with a tough, hard-earned humanity. In an exclusive breakdown with Vanity Fair, Leigh reveals what led her to this moment—both in Fargo, and her career.

    Vanity Fair: Let’s jump right into episode nine, and how it advances Lorraine’s arc. There’s a real shift in terms of her relationship to Dot and her place in the story. You don’t know at the beginning of the show whether you’re meeting a villain.

    Jennifer Jason Leigh: Nor did I know when I first read it, because I only read the first three episodes.

    Did you talk it through after that, though?

    In talking to [Hawley] at the beginning, he did tell me that she would have this tremendous arc, but when I first read, we were just given three episodes—you don’t know what her place is or where. The thing about Fargo is you can never trust your take on a character. They’re always going to end up surprising you in some profound way.

    Leigh behind the scenes on Fargo.

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    David Canfield

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  • Harrison Ford to Receive Career Achievement Honor at Critics Choice Awards

    Harrison Ford to Receive Career Achievement Honor at Critics Choice Awards

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    Harrison Ford is nominated for best supporting actor in a comedy for his turn on the Apple TV+ series Shrinking at Sunday’s Critics Choice Awards. But even if he doesn’t win, the 81-year-old actor won’t go home empty-handed.

    The organization announced Tuesday that Ford will be feted with the Career Achievement Award at the 29th annual event, which will be hosted by Chelsea Handler and broadcast on The CW. The news comes during a busy spell for Ford who also stars opposite Helen Mirren in the Yellowstone spinoff series 1923. He will next be seen in the Marvel Cinematic Universe as Thaddeus “Thunderbolt” Ross in Marvel Studios’ Captain America: Brave New World opposite Anthony Mackie and Liv Tyler. Last year, he reprised his role as Indiana Jones in James Mangold’s Indiana Jones and the Dial of Destiny.

    That film had a glitzy premiere at the Cannes Film Festival in May, and in conjunction with the premiere, a teary Ford accepted a surprise honorary Palme d’Or for lifetime achievement. He’s been similarly honored with career prizes from with the British Academy of Film and Television Arts’ Albert R. Broccoli Britannia Award, the American Film Institute’s Lifetime Achievement Award, an Honorary César Award and the National Association of Theater Owners’ Box Office Star of the Century award in 1994.

    His acting career dates back to the late 1960s. Major credits over the decades include a breakthrough role in 1973 in George Lucas’s American Graffiti followed by, of course, playing Han Solo in Star Wars: Episode IV – A New Hope, Steven Spielberg’s Raiders of the Lost Ark, Ridley Scott’s Blade Runner, Francis Ford Coppola’s The Conversation and Apocalypse Now, Mike Nichols’ Working Girl, Philip Noyce’s Tom Clancy adaptations Patriot Games and Clear and Present Danger, Andrew Davis’ The Fugitive, Wolfgang Petersen’s Air Force One, Robert Zemeckis’ What Lies Beneath, Kathryn Bigelow’s K-19: The Widowmaker, Brian Helgeland’s 42 and Gavin Hood’s Ender’s Game.

    The Critics Choice Awards show will be executive produced by Bob Bain Prods. and Berlin Entertainment. As announced, the ceremony will also see America Ferrera honored with an eighth annual SeeHer Award. Sponsors of the awards include Verizon, Delta Air Lines, Fiji Water, Cold Stone Creamery, Milagro Tequila, Champagne Collet, d’Arenberg and Maison L’Envoyé wines.

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    Chris Gardner

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  • Greta Gerwig and Natalie Portman on the “Cosmic” Connection That Still Links Them

    Greta Gerwig and Natalie Portman on the “Cosmic” Connection That Still Links Them

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    Portman: I feel like it’s what I’m drawn to—heightened expression, yeah. But I feel like getting to spend time with you on both those sets, I’ve never met anyone—it’s hard to say with you here— who’s so smart, and interesting, and cool, and not intimidating at all. Just having the openness and loving and putting-you-at-ease sense at the same time as having the most interesting story, and listening to the coolest music, and knowing all the interesting stuff, but not in an intimidating way at all. And it was so clear that you were going to create magic. Because I feel like you directed Lady Bird soon after that.

    Gerwig: I think I had the script, actually.

    Portman: I remember you talking about that you were going to direct your first film, and that you had just worked with Rebecca Miller and you had just worked with Mia Hansen-Løve, and that you were geared up for it. And I was like, Oh, this is going to be great. And then I remember seeing it at Telluride and I was like, Oh, my God, this is just the greatest. It had your spirit and generosity. That’s the thing, your films are so good and they’re so generous of spirit. It’s a joyful experience.

    Gerwig: It’s like that funny moment when you have a script—it’s like your secret. I remember reading about Martin McDonagh—when he wrote Beauty Queen of Leenane, he wrote it when he was on the dole in Ireland. He said he went to the pub and he’d written it and he thought it was good. And he looked around and he saw all these people with their girlfriends, and he’s like, They have girlfriends, but I have The Beauty Queen. It was this feeling inside, and it is that sort of—you’re like, I have a secret world now. And it’s the best feeling.

    Greta, you were just at the Palm Springs gala and you said, “It took me a long time to say out loud that I wanted to be a director.” When was that moment that you realized you did want to say that out loud?

    Gerwig: For a while it didn’t occur to me, in a way. For a while it didn’t occur to me to write, because when I went to college, I loved playwrights, but I didn’t know very many lady playwrights. I just knew Wendy Wasserstein, but all of the other playwrights I worshipped were men. And I remember actively thinking, like, Oh, it’s too bad I’m not a man. I can’t really do it. But it wasn’t sad, it was just like, That’s just not open to me. And then I had a great playwriting teacher, Ellen McLaughlin, who’s an actor and a writer, and she gave me a stack of plays written by women. And it was like, You’re wrong. Look at all this. Look at Caryl Churchill. What are you talking about?

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  • Most Memorable Golden Globe Moments, From Lily Gladstone and Ali Wong Making History to Kristen Wiig and Will Ferrell Dancing

    Most Memorable Golden Globe Moments, From Lily Gladstone and Ali Wong Making History to Kristen Wiig and Will Ferrell Dancing

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    The 2024 Golden Globe Awards were filled with smiles, laughter, tears and record-breaking moments as well as some awkward ones from the presenters, winners, host and Hollywood audience. From Lily Gladstone and Ali Wong making history with their wins to host Jo Koy struggling to get laughs during his monologue and Kristen Wiig and Will Ferrell showing off their dance moves onstage, here are some of the night’s most memorable moments.

    ‘Succession’ Ties Golden Globes Record

    Succession took home the Golden Globe Award for best TV drama series Sunday — tying a record for the awards in the process. The HBO series won its third Globe in the category, following its victories at the 2020 and 2022 ceremonies. Sunday’s victory ties it with The X-Files (1994, 1996 and 1997) and Mad Men (2007-09) for the most wins for best drama at the Golden Globes. Both Succession and The Crown came into the night with a chance to tie the record. Read more here. — Rick Porter

    Lily Gladstone Makes Golden Globes History

    It’s been exceedingly rare for Indigenous actors to play lead roles in Hollywood, even moreso for prestige, awards-contending projects. As such, it should be little surprise that Lily Gladstone’s 2024 Golden Globe win makes her the first Indigenous actor to win an award in the ceremony’s 81-year history. In taking home best actress in a motion picture, drama for their role in Martin Scorsese’s Killers of the Flower Moon, Gladstone (Blackfeet/Nimíipuu) makes history as the only Indigenous person to take home a Golden Globe. Irene Bedard is the only other actor to previously receive a nomination — for best actress in a miniseries or TV movie for 1994’s Lakota Woman: Siege at Wounded Knee — while director Taika Waititi was recognized for Jojo Rabbit’s best musical/comedy film nomination in 2020 and Reservation Dogs was nominated for best musical/comedy series in 2022. Read more here. — Rebecca Sun

    … As Well As Ali Wong With Her Win

    Ali Wong has struck gold in her first outing as a dramatic lead. The top stand-up comedian has won the 2024 Golden Globe for best actress in a limited series for her performance in Netflix’s Beef. Although Wong previously starred in the rom-com Always Be My Maybe and has a string of voice credits in animated comedies, Beef, with its darkly comic turns and existential meditations, was her first foray into substantive dramatic fare. As Amy Lau, a tightly-wound entrepreneur, wife and mother whose simmering self-loathing leads to an escalating battle of mutually assured destruction opposite Steven Yeun’s scammy contractor Danny (who also won a Golden Globe tonight), Wong, who executive produced the series, won widespread critical praise and is an Emmy nominee for the role. Read more here. — Rebecca Sun

    Host Jo Koy Gets Defensive Amid Monologue Struggles

    Well, there’s definitely been worse. First-time — and relatively last-minute — Golden Globes host Jo Koy struggled a bit to generate laughs during his monologue opening the 2024 awards show Sunday night. “I got the gig 10 days ago!” he told the Beverly Hilton’s celebrity-filled audience at one point. “You want a perfect monologue?” “Some I wrote, some other people wrote,” said Koy, who was announced as host on Dec. 21. “I wrote some of these and those are the ones you’re laughing at.” And later, after one joke got a tepid response, “That’s hilarious, I don’t care.” Read more here. — James Hibberd

    ‘Barbie’ Wins Award for New Golden Globes Category

    More than five years after the Academy Awards introduced (and eventually pulled) a new category recognizing blockbuster films in an attempt to combat falling ratings, the Golden Globes have handed out its own award honoring high-grossing movies. Star Wars star Mark Hamill, who was at the center of one of the first blockbusters nearly 50 years ago, presented the award to Barbie, the top-grossing film of 2023. “Thank you so much for the Golden Globes for creating an award that celebrates movie fans,” said star and producer Margot Robbie, standing next to director and co-writer Greta Gerwig. Read more here. — Aaron Couch

    Kristen Wiig and Will Ferrell Showcase Dance Moves on Stage

    Kristen Wiig and Will Ferrell just couldn’t seem to get through their “serious” presentation at the 2024 Golden Globes Sunday and jokingly blamed “whoever is putting on this show.” While presenting the award for best male actor in a motion picture, musical or comedy (Paul Giamatti won for The Holdovers), the duo seemed to keep getting interrupted by a specific musical melody. “I’m not sure what that was,” Ferrell said after getting cut off mid-sentence the first time. As he continued, “Tonight we applaud the outstanding nominees, legends like Nicolas Cage, Matt Damon…” the Barbie actor got interrupted by the same song again. The pair eventually accepted their fate and just went with it, showing off their dance movies to the quite silly melody. Read more here. — Carly Thomas

    Find the complete list of 2024 Golden Globe winners here.

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    Carly Thomas

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  • The 2024 Golden Globes Were a Near-Total Disaster

    The 2024 Golden Globes Were a Near-Total Disaster

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    A shaky one-year test run on a new network (CBS), the lingering radiation of a scandal that almost killed the whole enterprise, and an unknown host. These were just a few of the sinister energies looming over the 2024 Golden Globe Awards. The organization formerly known as the Hollywood Foreign Press Association, which gives out the awards every year (along with a few hundred other voters, mostly from the press world), had yet another rebuilding year to contend with, post-strike and pre-rumored move to streaming. 

    The most pressing trouble facing the show was the matter of who would host. The Globes once enjoyed a near-decade-long run of memorable emceeing; between Ricky Gervais’s smug iconoclasm and Tina Fey and Amy Poehler’s amiable snark, the Globes’ opening remarks became must-see TV. But that era has definitively ended. The renamed HFPA’s toxic reputation seems to have scared A-list funny people away from the show, possibly forever. Last year, cult favorite comedian Jerrod Carmichael hosted the show, which resulted in Carmichael delivering a searing monologue about the very real diversity problem that has long plagued the institution. That meant this year, the Globes had to dig further down into the barrel. 

    They came up with Joe Koy, a successful and long-laboring comedian who, nonetheless, is not exactly a household name for many viewers. He was a late hire, announced only a couple weeks before the ceremony. People following the various undulations of the Globes scratched their heads, but remained cautiously optimistic. Maybe someone unexpected was just what the campaign season doctors ordered. 

    That optimism was near instantly dashed when Koy took the stage to open the show. A horrid, sophomoric mishmash of lazy jokes (Barbie has “big boobies”) was met with limp applause, which led to Koy going meta and commenting on the quality of the material. He threw his writers under the bus pretty much immediately, cracking that the audience was at least laughing at the one-liners he wrote. It was a sour, seemingly deathless few minutes, so bleak and awkward that I was ready to deem the entire evening a disastrous, perhaps fatal dud.

    Things picked up, mildly. Some of the presenter banter was cute—Daniel Kaluuya, Shameik Moore, and Hailee Steinfeld did a very funny bit about bad writing; Kristen Wiig and Will Ferrell were silly and sublime with their musical interruption bit that ended with a “the Golden Globes have NOT changed” punchline—and the winners were largely supportable, if largely predictable. 

    That said, the approach to the many of the presenting segments was bizarre. Tight and oddly dark two-shots made these presenters look like they were beaming in from an undisclosed location, perhaps as hostages. That framing lent the proceedings a frustrating air of cramped smallness. All of the stylistic tinkering that awards show producers have been doing in recent years—train stations, cabaret set designs—have not made the broadcasts cooler or more engaging as intended. They’ve had pretty much the opposite effect, making the shows seem nervous and unconfident. Last year’s Globes and Oscars were a return to normal form, so it was a shame to see the Globes regressing to needless tinkering.

    There were no honorary awards given out this evening, a shame considering that those moments—Jodie Foster’s rambling not-coming-out-coming-out, Oprah Winfrey’s rousing #MeToo speech—were often the highlights of any given ceremony. What filled that gap were new awards for standup comedy and “cinematic and box office achievement,” the latter a laughably poorly defined category that seemed to have an obvious answer: the box office achievement was the movie that made the most money. (This year, Barbie.)

    The standup category was presumably introduced to appeal to Netflix, and a Netflix special—Ricky Gervais’s Armageddon—indeed won. But surely the hope was also that the standup winner would give a funny speech. Whomp whomp, Gervais wasn’t there, perhaps unwilling to attend a Globes that he wasn’t hosting. So, that didn’t work out. The Globes certainly had bad luck with comedians this year.

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    Richard Lawson

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  • Will Succession Repeat Its Golden Globes Victories at the Emmys?

    Will Succession Repeat Its Golden Globes Victories at the Emmys?

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    It’s been more than half a year and two strikes since Succession ended its run on HBO. But the Roy family was back on top at the Golden Globes 2024, with victories for best drama series and for stars Sarah Snook, Matthew Macfadyen, and Kieran Culkin. The show had won best drama series twice before, which made its victories on Sunday no surprise. But because last year’s strikes delayed the Emmys broadcast from its traditional September slot to January 16, the Globes were the first televised awards show that had an opportunity to celebrate the Roy family’s final bow. 

    So now that the Emmys have to follow suit, will they take the exact same path? Emmy voting concluded back in August, believe it or not, with the voting period continuing as normal even after the broadcast was officially postponed in late July. So technically, you can say the Globes are still following the Emmys, even if the results of that long-ago Emmy vote haven’t yet been revealed. Either way, though, the writing was on the wall long before Tom and Shiv took that fateful final car ride. Succession has been the dominant drama series of the past few years, and it would have been crazy for any awards shows not to recognize that.

    That said…. repeat wins for Succession at the Emmys might not be as smooth a path as we might have predicted even a few days ago. At the Creative Arts Emmys on Saturday night, the first of two ceremonies that precede the main broadcast, Succession went home winless, missing out in categories including costumes, casting, and even for Nicholas Brittell’s iconic score. In the guest acting categories it faced particular competition from its HBO sibling The Last of Us, which won both awards on the drama side. 

    Does that necessarily mean that Pedro Pascal could edge out Kieran Culkin or Jeremy Strong in the Emmy category for best actor in a drama series? Maybe not. But The Last of Us may be stronger than many might have expected — one of many reasons the Emmys, despite their delay, remain appointment viewing. 

    Listen to Vanity Fair’s Little Gold Men podcast now.

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    Katey Rich

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  • Lily Gladstone Dedicates Historic Win to Native Community at Golden Globes 2024

    Lily Gladstone Dedicates Historic Win to Native Community at Golden Globes 2024

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    Lily Gladstone’s front-runner status in the best-actress race was solidified at the Golden Globes 2024, where she dedicated her historic win for Killers of the Flower Moon to “every little res kid, every little urban kid, every little native kid out there that has a dream.”

    The actor, who was nominated alongside Anatomy of a Fall’s Sandra Hüller, Nyad’s Annette Bening, Past Lives’ Greta Lee, Maestro’s Carey Mulligan, and Priscilla’s Cailee Spaeny earned Killers’ sole win at the 81st Golden Globes. She began her powerful remarks by speaking in her native Blackfeet language. In English, Gladstone then thanked “the beautiful community nation that raised me, that encouraged me to keep going, keep doing this,” adding, “My mom, who even though she’s not Blackfeet, worked tirelessly to get this language into our classrooms so I had a Blackfeet-language teacher growing up.”

    Gladstone acknowledged Hollywood’s history of erasing Native American actors and narratives onscreen, noting that “in this business, Native actors used to speak their lines in English” before a sound mixer would play the tracks backwards in order to approximate Native languages—a technique that produced gibberish passed off as authentic speech. “This is a historic win,” Gladstone continued. “It doesn’t belong to just me. I’m holding it right now, I’m holding it with all of my beautiful sisters in the film at the table over there, and my mother, standing on all of your shoulders.”

    Accepting the honor for her performance as Mollie Kyle, whose community in the Osage Nation of 1920s Oklahoma was ravaged in a series of serial killings, Gladstone concluded her speech by thanking her cohort, including director Martin Scorsese, and costars Leonardo DiCaprio and Robert De Niro. “You are all changing things,” she said. “Thank you for being such allies.”

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    Savannah Walsh

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  • Golden Globes: 'Oppenheimer' Wins Best Drama Film

    Golden Globes: 'Oppenheimer' Wins Best Drama Film

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    Oppenheimer won the award for best motion picture, drama, at the Golden Globes 2024 on Sunday. The film also took home the awards for director for Christopher Nolan, lead actor in a drama for Cillian Murphy, supporting actor in a drama for Robert Downey Jr., and original score.

    “This was just an incredible experience making this film,” said producer Emma Thomas  in her acceptance speech. “What we do is collaboration, and that’s amazing and exciting and I find that completely magical.”

    Thomas, who has been married to Nolan since 1997, made sure to give her husband a special shout-out. “I’m so pleased that Chris has been acknowledged,” she said. “Chris brings out the best in people by being the best himself.”

    The film was competing against Anatomy of a Fall, Killers of the Flower Moon, Maestro, Past Lives, and The Zone of Interest in the night’s top category.

    Oppenheimer traces J. Robert Oppenheimer’s (Cillian Murphy) work to create the first atomic bomb during World War II. Also starring Robert Downey Jr., Emily Blunt, and Matt Damon, the 180-minute epic was a box office smash when it opened over the summer, earning roughly $955 million worldwide to become the third-highest-grossing film of 2023. It came into the night with eight Globes nominations, the second most of any film (behind Barbie). Critically acclaimed, Oppenheimer was also shortlisted in three Oscar categories (makeup and hairstyling, original score, and sound.

    Two other Nolan films—Inception and Dunkirk—have been nominated in this category before, but Oppenheimer is the first of his to ever win.

    The makeup of the Globes voting body has notably changed over the past two years, but there’s still virtually no overlap with the Academy, and the group’s choice in this category often has not lined up with the eventual best-picture Oscar winner. Recent winners include The Fabelmans, The Power of the Dog, Nomadland, and 1917.

    Listen to Vanity Fair’s Little Gold Men podcast now.

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    Rebecca Ford

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  • Golden Globes: ‘Poor Things’ Wins Best Musical or Comedy Film

    Golden Globes: ‘Poor Things’ Wins Best Musical or Comedy Film

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    Poor Things took the prize for best motion picture, musical or comedy, on Sunday night at the Golden Globes 2024. The film also won the award for lead actress in a comedy for its star, Emma Stone, earlier in the night.

    Director Yorgos Lanthimos began his speech by fanboying over audience member Bruce Springsteen (they have the same birthday) and then quickly thanked his cast and crew. “Thank you, everybody who worked on the film,” he said, giving his lead, Stone, another shout-out as well. “Emma, of course—she won, you know it: She’s the best.”

    The film, a quirky coming-of-age story, was competing against Air, American Fiction, Barbie, The Holdovers, and May December.

    Poor Things, which had its world premiere at the Venice Film Festival, follows a young woman (Emma Stone) whose brain has been replaced by that of a baby’s. As she matures, she ventures out into the world, exploring Lisbon and Paris, along with her own sexuality and maturing desires.

    The film won the Golden Lion at the Venice Film Festival, and was nominated for seven Golden Globes.

    Listen to Vanity Fair’s Little Gold Men podcast now.

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    Rebecca Ford

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  • Golden Globes 2024: Best and Worst Moments

    Golden Globes 2024: Best and Worst Moments

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    The 81st Golden Globes ushered in the 2024 awards season on Sunday, with all eyes locked on the battle between the biggest box office hits of the past year: Barbie and Oppenheimer. The Margot Robbie-led Barbie was the most-nominated film of the night with 10 nominations, making it the second most-nominated film in the award’s history, while Oppenheimer secured eight nods. Both films were credited with helping revive a global box office that was still recovering from a pandemic and tonight, they were awarded for their efforts.

    In TV, critical darling Succession stole many hearts with its final season on HBO, becoming the most-nominated television show of the night, with nine nods. Other top nominated fan favorites with multiple nominations include The Bear, Only Murders in the Building, The Crown, The Last of Us, and many more.

    Comedian Jo Koy hosted the event with just two weeks to prepare—and made note of that in his opening monologue. Last year, Jerrod Carmichael’s monologue was a point of conversation after he called out the Hollywood Foreign Press Association out on their lack of diversity in his opening monologue. Koy’s speech did not go over well on social media, with many critics posting their reactions.

    Before the ceremony began, the Golden Globes red carpet prompted a bit of a mishap online when The Hollywood Reporter mistook Justin Hartley for Glen Powell in a since-deleted tweet. Powell was a good sport about it:

    Read on for our highlights of the night. 

    Surprise (but well-deserved) win: Da’Vine Joy Randolph

    The first award of the night was for Best Supporting Actress in a Motion Picture and the nominations were stacked: Emily Blunt, Danielle Brooks, Julianne Moore, Jodie Foster, and Rosamund Pike. Da’Vine Joy Randolph, who has received high acclaim for her performance in The Holdovers, took home the award. She gave a heartfelt speech and gave love to her character: “Oh Mary you have changed my life. You have made me feel seen in so many ways that I have never imagined. I hope I help you all find your own inner Mary because there’s a little bit of her in all of you.”

    Da’Vine Joy Randolph poses with the award for Best Performance by a Female Actor in a Supporting Role in any Motion Picture for The Holdovers during the 81st annual Golden Globe Awards.Robyn Beck/AFP via Getty Images)

    A win we love to see: A Beef sweep

    Netflix’s limited series Beef was an instant success, finding a large audience. The lead performances from Ali Wong and Steven Yeun were lauded by critics, so it’s no surprise the two leads took home awards for Best Performance by an Actor and Actress in a Limited Series, Anthology Series, or Motion Picture Made For Television, giving us a beef sweep.

    Most charming acceptance speech: Ayo Edebiri

    When Ayo Edebiri took the stage to accept the award for Best Performance by an Actress in a Television Series, Musical, or Comedy, she not only made Ireland proud—she delivered one of the most charming speeches of the night. Edebiri won her first Golden Globe with her first nomination, for her performance in The Bear and was reasonably frazzled when she got on stage. She joked as she usually does, but made sure to thank her managers’ and agents’ assistants. And as she was leaving, she apologized for leaving anyone out: “If I forgot to thank you, I’m sorry…unless you were mean or something. Okay, bye!”

    Most warranted reaction: Taylor Swift

    Taylor Swift made an appearance at the Golden Globes and, of course, became the most talked about person there. Koy made a joke about the NFL constantly cutting to Swift when she shows up to support her boyfriend Travis Kelce, a tight end on the Kansas City Chiefs at his games. “The big difference between the Golden Globes and the NFL? At the Golden Globes, we have fewer camera shots of Taylor Swift.” The camera then panned to Swift, who seemed unamused and took a sip of her drink.

    Surprise win: Anatomy of a Fall Wins for Best Screenplay

    Anyone expecting Barbie or Oppenheimer to take home all the awards they’re nominated for may want to think again. Justine Triet and her partner Arthur Harari won the Golden Globe for Best Screenplay for a Motion Picture for Anatomy of a Fall, beating both films in the category, and Triet accepted the Golden Globe on their behalf.

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    Moises Mendez II

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  • 2024 Golden Globes: The Full Winners List

    2024 Golden Globes: The Full Winners List

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    It’s a new era for the Golden Globes. Long a production of the Hollywood Foreign Press Association (and as such, long a target of accusations of impropriety, amongst other issues), the Globes are now owned outright by Dick Clark Productions (who’ve produced the live TV version for ages) and Eldridge Industries. They’re also airing on CBS for the first time in decades, instead of the show’s longtime home, NBC. The show starts this year at 8PM ET on Sunday, January 7. (The show can also be streamed on Paramount+.)

    So what was be different with new owners and a new voting body and a new host (Jo Koy)? Well … they a new category, for “Best Cinematic and Box Office Achievement” which went to Barbie for … I am not sure, being good and making a lot of money, I guess? I still do not understand that award whatsoever.

    The big winners in the more familiar categories this year included Oppenheimer, which took home prizes for Best Picture (Drama), Best Director (Christopher Nolan), Best Actor (Cillian Murphy), Best Supporting Actor (Robert Downey Jr.) and Best Original Score (Ludwig Göransson). The Best Picture for musicals or comedies (two very different things that the Golden Globes inexplicable judge together) was Poor Things, which also won Best Actress (Emma Stone).

    On the TV side of things Succession cleaned up, winning Best TV Series (Drama), plus a trio of acting awards for Kieran Culkin, Sarah Snook, and Matthew Macfadyen. The Bear was nearly as popular on the TV comedy side, winning Best Series, plus Best Actor (Jeremy Allen White) and Best Actress (Ayo Edebiri).

    Below you’ll find all of this year’s Golden Globes nominees, plus the winners in each category highlighted in bold.

    Best Motion Picture – Drama
    Anatomy of a Fall
    Killers of the Flower Moon
    Maestro
    Oppenheimer – WINNER
    Past Lives
    The Zone of Interest

    Best Motion Picture – Musical or Comedy
    Air 
    American Fiction
    Barbie
    The Holdovers
    May December 
    Poor Things – WINNER

    Best Director
    Bradley Cooper, Maestro
    Greta Gerwig, Barbie
    Yorgos Lanthimos, Poor Things
    Christopher Nolan, Oppenheimer – WINNER
    Martin Scorsese, Killers of the Flower Moon
    Celine Song, Past Lives

    Best Performance by an Actor in a Motion Picture – Musical or Comedy
    Nicolas Cage, Dream Scenario
    Timothée Chalamet, Wonka
    Matt Damon, Air
    Paul Giamatti, The Holdovers – WINNER
    Joaquin Phoenix, Beau Is Afraid
    Jeffrey Wright, American Fiction

    READ MORE: The Best Movie Posters of 2023

    Best Television Series – Comedy Or Musical
    Abbott Elementary
    Barry 
    Jury Duty 
    Only Murders in the Building
    Ted Lasso 
    The Bear – WINNER

    Best Performance in Stand-Up Comedy on Television
    Chris Rock, Selective Outrage
    Sarah Silverman, Sarah Silverman: Someone You Love
    Wanda Sykes, I’m an Entertainer
    Ricky Gervais, Ricky Gervais Armageddon – WINNER
    Trevor Noah, Trevor Noah: Where Was I
    Amy Schumer, Amy Schumer: Emergency Contact

    Best Cinematic and Box Office Achievement
    Barbie – WINNER
    Guardians of the Galaxy Vol. 3
    John Wick: Chapter 4
    Mission: Impossible – Dead Reckoning Part One
    Oppenheimer
    Spider-Man: Across the Spider-Verse
    Taylor Swift: The Eras Tour
    The Super Mario Bros. Movie

    Best Performance by an Actor in a Motion Picture – Drama
    Bradley Cooper, Maestro
    Leonardo DiCaprio, Killers of the Flower Moon
    Colman Domingo, Rustin
    Barry Keoghan, Saltburn
    Cillian Murphy, Oppenheimer – WINNER
    Andrew Scott, All of Us Strangers

    Best Performance by an Actress in a Motion Picture – Drama
    Annette Bening, Nyad
    Lily Gladstone, Killers of the Flower Moon – WINNER
    Sandra Hüller, Anatomy of a Fall
    Carey Mulligan, Maestro
    Greta Lee, Past Lives
    Cailee Spaeny, Priscilla

    Best Performance by an Actor In A Television Series – Drama
    Brian Cox, Succession
    Kieran Culkin, Succession – WINNER
    Gary Oldman, Slow Horses
    Pedro Pascal, The Last of Us
    Jeremy Strong, Succession
    Dominic West, The Crown

    Best Performnance By an Actress in a Television Series -Drama
    Helen Mirren, 1923
    Bella Ramsey, The Last of Us
    Keri Russell, The Diplomat
    Sarah Snook, Succession – WINNER
    Imelda Staunton, The Crown
    Emma Stone, The Curse

    Best Original Score – Motion Picture
    Jerskin Fendrix, Poor Things
    Ludwig Göransson, Oppenheimer – WINNER
    Mica Levi, The Zone of Interest
    Daniel Pemberton, Spider-Man: Across the Spider-Verse
    Robbie Robertson, Killers of the Flower Moon
    Joe Hisaishi, The Boy and the Heron

    Best Limited Series, Anthology Series, or Motion Picture Made for Television
    All the Light We Cannot See
    Beef – WINNER
    Daisy Jones & the Six
    Fargo
    Fellow Travelers
    Lessons in Chemistry

    Best Performance by an Actress in a Motion Picture – Musical or Comedy
    Fantasia Barrino, The Color Purple
    Jennifer Lawrence, No Hard Feelings
    Natalie Portman, May December
    Margot Robbie, Barbie
    Emma Stone, Poor Things – WINNER

    Best Performance by an Actress In A Television Series – Comedy Or Musical
    Rachel Brosnahan, The Marvelous Mrs. Maisel
    Quinta Brunson, Abbott Elementary
    Elle Fanning, The Great
    Selena Gomez, Only Murders in the Building
    Natasha Lyonne, Poker Face
    Ayo Edebiri, The Bear – WINNER

    Best Motion Picture – Non-English Language
    Anatomy of a Fall (France) – WINNER
    Io Capitano (Italy)
    Past Lives (United States)
    Society of the Snow (Spain)
    The Zone of Interest (United Kingdom)

    Best Performance by an Actor in a Supporting Role in a Musical-Comedy or Drama Television Series
    Matthew Macfadyen, Succession – WINNER
    James Marsden, Jury Duty
    Alan Ruck, Succession
    Alexander Skarsgård, Succession
    Billy Crudup, The Morning Show

    Best Original Song – Motion Picture
    “Addicted to Romance,” Bruce Springsteen (She Came to Me)
    “Dance the Night,” Caroline Ailin, Dua Lipa, Mark Ronson & Andrew Wyatt (Barbie)
    “I’m Just Ken,” Mark Ronson & Andrew Wyatt (Barbie)
    “Peaches,” Jack Black, Aaron Horvath, Michael Jelenic, Eric Osmond & John Spiker (The Super Mario Bros. Move)
    “Road to Freedom,” Lenny Kravitz (Rustin)
    “What Was I Made For?” Billie Eilish & Finneas (Barbie) – WINNER

    Best Motion Picture – Animated
    The Boy and the Heron – WINNER
    Elemental
    Spider-Man: Across the Spider-Verse
    Suzume
    The Super Mario Bros. Movie
    Wish

    Best Performance by an Actor in a Supporting Role in Any Motion Picture
    Willem Dafoe, Poor Things
    Robert De Niro, Killers of the Flower Moon
    Robert Downey Jr., Oppenheimer – WINNER
    Ryan Gosling, Barbie
    Charles Melton, May December
    Mark Ruffalo, Poor Things

    Best Screenplay – Motion Picture
    Barbie
    Poor Things
    Oppenheimer
    Killers of the Flower Moon
    Past LIves
    Anatomy of a Fall – WINNER

    Best Performance by an Actor In A Television Series – Comedy Or Musical
    Bill Hader, Barry
    Steve Martin, Only Murders in the Building
    Jason Segel, Shrinking
    Martin Short, Only Murders in the Building
    Jason Sudeikis, Ted Lasso
    Jeremy Allen White, The Bear – WINNER

    Best Television Series – Drama
    Succession – WINNER
    The Crown
    The Diplomat 
    The Last of Us
    1923
    The Morning Show 

    Best Performance by an Actress in a Supporting Role in Any Motion Picture
    Emily Blunt, Oppenheimer
    Danielle Brooks, The Color Purple
    Jodie Foster, Nyad
    Julianne Moore, May December
    Rosamund Pike, Saltburn
    Da’Vine Joy Randolph, The Holdovers – WINNER

    Best Actor in a Limited Series, Anthology Series, or Motion Picture Made for Television
    Matt Bomer, Fellow Travelers
    Sam Claflin, Daisy Jones & the Six
    Jon Hamm, Fargo
    Woody Harrelson, White House Plumbers
    David Oyelowo, Lawmen: Bass Reeves
    Steven Yeun, Beef – WINNER

    Best Actress in a Limited Series, Anthology Series, or Motion Picture Made for Television
    Riley Keough, Daisy Jones & the Six
    Brie Larson, Lessons in Chemistry
    Elizabeth Olsen, Love & Death
    Juno Temple, Fargo
    Rachel Weisz, Dead Ringers
    Ali Wong, Beef – WINNER

    Best Supporting Actress in a Series, Limited Series, Anthology Series, or Motion Picture Made for Television
    Elizabeth Debicki, The Crown – WINNER
    Abby Elliott, The Bear
    Christina Ricci – Yellowjackets
    J. Smith-Cameron – Succession
    Meryl Streep – Only Murders in the Building
    Hannah Waddingham – Ted Lasso

    The Most Absurd Golden Globes Nominations

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    Matt Singer

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  • Everything You Need to Know About Golden Globes 2024

    Everything You Need to Know About Golden Globes 2024

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    The 81st Golden Globe Awards will take to the stage and screens worldwide Sunday to celebrate a year that saw the massive success of Barbie and Oppenheimer at the box office.

    Hollywood’s biggest stars will walk the red carpet at The Beverly Hilton hotel in Beverly Hills, Calif. before the event highlighting the best of movies and TV from 2023. 

    Here’s everything you need to know about this year’s ceremony. 

    What time does it start and how can I watch it?

    The show starts at 5 p.m. Pacific Standard Time. It will be broadcast live on CBS and can be streamed internationally on Paramount+. The show lasts around three hours.

    Who is hosting?

    Stand-up comedian and actor Jo Koy will host the show for the first time. Koy has gained attention as a live comedian, guest on late-night shows, host of his own comedy specials, including Jo Koy: In His Elements on Netflix in 2020, and star of the comedy film Easter Sunday in 2022. 

    Koy was reportedly only asked to host the show two weeks ago, per Variety. In an interview with The Hollywood Reporter, Koy said he’s been binge watching the nominated films and shows to prepare.

    The Filipino-American, born Joseph Glenn Herbert Sr., told the Associated Press he grew up watching the Golden Globes and hopes to inspire those from the Asian community and leave a positive mark through his hosting. 

    Koy will be joined by a star-studded slew of presenters including Barbie‘s America Ferrera and Issa Rae, Oppenheimer actor Florence Pugh and The Color Purple producer Oprah Winfrey.

    Which films, shows and actors have been nominated?

    Director Greta Gerwig’s Barbie leads the pack with nine nominations, including for Best Motion Picture – Musical or Comedy and the new Cinematic and Box Office Achievement award. The film’s lead Margot Robbie nabbed a nomination for Best Performance by a Female Actor in a Motion Picture – Musical or Comedy and her co-star Ryan Gosling received a nod for Best Performance by a Male Actor in a Supporting Role.

    Christopher Nolan’s Oppenheimer, a thriller about the “father of the atomic bomb,” bagged eight nominations, including Best Motion Picture – Drama, best male actor for Cillian Murphy, best supporting male actor for Robert Downey Jr. and best supporting female actor for Emily Blunt. 

    Killers of the Flower Moon, a true story of the 1920s murders of Native Americans for oil, and gothic fairytale Poor Things followed with seven nominations each. Martin Scorsese’s Killers of the Flower Moon garnered attention for Best Motion Picture – Drama and best acting nods for its leads Leonardo DiCaprio and Lily Gladstone. While Poor Things was recognized in the Best Motion Picture – Musical or Comedy category and its lead star Emma Stone is nominated in the Best Performance by a Female Actor group.

    Other films with multiple nominations include Korean romantic drama Past Lives, dark comedy May December, inspired by the story of a woman who was jailed for having sex with her underage student before later marrying him, European drama thriller Anatomy of a Fall, and Leonard Bernstein biopic Maestro. 

    TV shows Succession and The Crown, both previous winners of Golden Globe awards, racked up nominations for Best Television Series – Drama and the performances of their lead actors.

    Meanwhile, Ted Lasso, Only Murders in the Building, Abbott Elementary, The Bear, Jury Duty and Barry are in the running to win Best TV series – Musical or Comedy.

    See a full list of nominees on the Golden Globe Awards website.

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    Mallory Moench

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  • Jeffrey Wright Celebrates “Our Industry in Its Purest Form” at the Spirit Awards Nominee Brunch

    Jeffrey Wright Celebrates “Our Industry in Its Purest Form” at the Spirit Awards Nominee Brunch

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    The 2024 awards season is officially in full swing, with back to back to back star-studded events dominating this first weekend in January. On Saturday the world of independent film gathered at Hotel Casa del Mar for the annual Film Independent Spirit Awards Nominee Brunch.

    Given the organization’s focus on fostering creative independence with not-blockbuster budgets (Spirit Awards honor films with a budget of no more than $30 million) the vibe at the event and among this year’s nominees was warm and welcoming.

    “It’s a celebration of our industry in its purest form,” said American Fiction star and nominee Jeffrey Wright. “Our film we shot in 26 days, we didn’t have a lot of resources. So we feel at home here.” American Fiction is nominated for five Spirit Awards, including best lead performance for Wright, and the ceremony holds a special place in his film industry memories.

    “I’ve had some great experiences here. The first time I came was with Basquiat in 1996 and a film that was also being honored was When We Were Kings – I met Muhammad Ali at the Independent Spirit Awards in 1996, so that was the beginning of a wonderful relationship for me. So yeah, this place is special.”

    Two first-time nominees, Franz Rogowski of Passages, and Zoe Lister-Jones of the series Slip, also enjoyed the positive vibes in the room and meeting fellow indie performers and filmmakers.

    “It’s wonderful to be here and overwhelming,” said rising German star Rogowski. “Somehow I feel like I’m at the center of the film industry and at the same time, it’s so different from what I know from Europe and it’s wonderful to get to see all these different nuances. We have a lot of great movies this year competing and it’s just a joy to be a part of it.”

    Lister-Jones reveled in an opportunity to meet Past Lives director Celine Song, a double nominee for best screenplay and director.

    “Celine Song, we met on the red carpet and I like fanned out,” she admitted. “Past Lives is just, I’m just so floored by her. She’s the best, amazing.” Lister-Jones called the Spirit Awards “Mecca for those of us who are making things outside of the studio system,” she said. “Making any piece of art is a harrowing endeavor, but making things independently, I do think it keeps the lifeblood of our community flowing and Film Independent is so foundational in that.”

    The brunch’s main event was the announcement of the organization’s three Emerging Filmmaker Awards and $25k grants presented to: Mountains director Monica Sorelle, director Set Hernandez for unseen, and to producer Monique Walton. The awards were presented by past nominees Lily Gladstone, who is also Honorary Chair of the 2024 Spirit Awards, and Colman Domingo. Both actors are in the awards race this year for films that were not Spirits eligible — Gladstone for Killers of the Flower Moon and Domingo for Rustin. Domingo was at the Toronto International Film Festival last September with two films, one of which gave him a special connection with Sorelle.

    “We worked on a film called Sing Sing together, it comes out next year, A24 picked it up. But there’s something that she did that I think is special and it talks about the spirit of making an independent film with her and writer Clint Bentley and [director] Greg [Kwedar],” Domingo explained. “They made sure that the way we built the model of the film was to make sure that it was equitable, above and below the line. That means every single person on our film set participates in the success of it,” which received enthusiastic applause from the audience and a “Hell, yes!” from co-presenter Gladstone. “I say that because it’s in this room in particular where we’re able to change the model of the way work gets done, the way that we’re all seen, the way that we all feel valued,” Domingo continued. We do that here.”

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    Kara Warner

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  • Monica Sorelle, Monique Walton, Set Hernandez Win Independent Spirit Emerging Filmmaker Awards

    Monica Sorelle, Monique Walton, Set Hernandez Win Independent Spirit Emerging Filmmaker Awards

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    Monica Sorelle, Monique Walton and Set Hernandez were named the winners of the three emerging filmmaker awards at the annual Spirit Awards Nominee Brunch on Saturday.

    Killers of the Flower Moon star Lily Gladstone and Rustin star Colman Domingo hosted the event for the nonprofit arts organization, Film Independent.

    Stella Artois presented the Someone to Watch Award to Mountains director Sorelle. The award recognizes a “first-time narrative filmmaker of singular vision who has not yet received appropriate recognition,” according to Film Independent. The award included a $25,000 grant.

    Set Hernandez, director of Unseen, was honored with the Truer Than Fiction Award, which is presented to a first-time director of non-fiction features. The award also included a $25,000 grant.

    Lastly, Bulleit Frontier Whiskey presented Monique Walton with the Producers Award, which honors “emerging producers who, despite highly limited resources, demonstrate the creativity, tenacity, and vision required to produce quality, independent films,” according to the organization. The award included a $25,000 grant by Bulleit Frontier Whiskey.

    “Understanding the enormous challenges independent artists are facing, it’s essential that they are provided the resources to move forward with their artistic visions,” Josh Welsh, president of Film Independent, said. “The Emerging Filmmaker Awards provide vital support to these talented artists, enabling them to continue to develop new work and thrive as singular artists.”

    Winners for the remaining awards categories will be revealed at the 2024 Film Independent Spirit Awards, hosted by Saturday Night Live alum Aidy Bryant, on Sunday, Feb. 25, at the beach in Santa Monica, California.

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    Carly Thomas

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