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Tag: Awards Season

  • Rose Byrne and Kristen Wiig Toast to ‘Bridesmaids’, Friendship, and Launching Themselves Into Space

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    For If I Had Legs I’d Kick You and Palm Royale, you both have created such singular characters. How different are they each from you in real life?

    Wiig: She’s a little more delusional than I am. She’s much more ambitious than I am, also. I feel like we’re pretty different. I will say a similarity: I do have a belief that everything works out, and it is supposed to work out the way it’s supposed to work out. She doesn’t take no for an answer—and I do! Obviously, she’s just a little more scheming in a way, but she’s well intentioned, which I guess I am.

    Byrne: I am pretty different. She’s very, very different from me. The character is incredibly hostile, Linda, and she comes from a place of hostility throughout the film, because she’s under such stress and trauma. Whereas my default is not hostility if I’m under stress or trauma. It is a different thing. I go overboard in another way, but not like that. So that was hard, because it’s not my natural default. It was challenging to constantly capture that hostility that she has, fighting everybody and cutting everybody off. But fun too.

    Wiig: Knowing you and seeing her, I was like, “Who is this person?” Because it’s so heartbreaking. And you’re waiting the whole movie for her to just, like, run over somebody in a car. It was truly one of the most amazing performances that I’ve seen.

    Byrne: I feel like it is just an opportunity. It’s a gift to see a woman act like that and lose it like that.

    Wiig: Did you have moments—because this has happened to me—before you shot this where you were like, I don’t know if I can do this?

    Byrne: Every day! I didn’t want to mess it up. I would be calling [writer-director] Mary Bronstein, “Did we get this?” The character’s very paranoid, and I’m not a Method person. But you do become a little bit consumed with your subject, whether you like it or not. You try to have faith, but I’m constantly wondering if this is going to come together. And particularly before you start. Once you’re in, it’s better because you’re just in it. But the anticipation before—I have that every time. It’s kind of boring. Bobby [Cannavale, Byrne’s partner] is like, “Can we be done?”

    Wiig: But I think it’s good too, because then when you’re done, you’re like, Oh my gosh, I did it.

    Byrne: I think if you’re not a little bit scared, then maybe reexamine what you’re doing.

    Kristen, you’re always a great presenter at awards shows, like at the Globes with Will Ferrell and another year with Steve Carell. What’s your approach to doing that?

    Wiig: With both of those in particular, we just met before and we’re like, “What do we want to do?” And both times it was a little like, “Well, they may either not like this or think it’s too long, but let’s just push for it.” And then they just kind of let us do it. But you never know. I remember specifically with the last one that I did with Will, it was later in the show. We were at the same table, and we would just look at each other like, “What are we doing?” I think we did a rehearsal and people were just like, “What is this?” So I think the long answer is, doing something that you think is funny while still acknowledging how great it is for the nominees and everything—not taking anything away from them, and talking about the category, and just having fun with it.

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    Rebecca Ford

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  • In Oscar-Nominated Documentary ‘The Perfect Neighbor,’ Police Catch—But Never Stop—a Killer

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    When Ajike Owens was alive, she dreamed of becoming a famous entrepreneur. “You laugh at me,” she’d tell her mother, Pam Dias, “but one day the whole world’s going to know my name.” Years later, filmmaker Geeta Gandbhir thought about Owens’s avowal while sifting through the 30-plus hours of police body-camera footage and audio recordings that make up The Perfect Neighbor, her Oscar-nominated Netflix documentary about the two years leading up to Owens’s killing.

    The documentary tells the story of Susan Lorincz, who regularly called police to the otherwise tight-knit Florida community where Owens was raising her four children to complain about neighborhood kids playing near her rented property. On June 2, 2023, Lorincz rang authorities over a dispute involving Owens’s children, roller skates, and a missing iPad. Minutes later, the white 58-year-old Lorincz fatally shot her Black neighbor, 35-year-old Owens, through her closed front door.

    Susan Lorincz tells her side of a neighborhood dispute, as captured in police body-cam footage that fuels much of The Perfect Neighbor.Courtesy of Netflix

    As the case against Lorincz was coming together, attorneys for Owens’s family gained access to hours of police body-camera footage through the Freedom of Information Act. Reviewing it alongside her producing partner and husband, Nikon Kwantu (whose cousin was Owens’s best friend, Kimberly Robinson-Jones), Gandbhir said it “reminded us of films like The Blair Witch Project or Paranormal Activity. The community had lived a real-life horror film. So we wanted to create something that placed you in the community.” To raise both media awareness around Owens’s killing and money for the family, Gandbhir and her editor, Viridiana Lieberman, made a film in which cops inadvertently serve as cinematographers.

    Image may contain Adult Person Face Head Photography Portrait Senior Citizen and Hair

    Geeta Gandbhir is a double Oscar nominee for The Perfect Neighbor (best documentary feature) and The Devil Is Busy (best documentary short).Bryan Derballa/Getty Images

    Some have argued that watching a film told largely through the very same system that failed Owens could make viewers identify too closely with law enforcement. “We were really not that concerned with the perspective of the police. They were just the vehicle to showcase this community as they were. When the police come into communities of color, surveillance can be used to criminalize,” Gandbhir tells Vanity Fair in response. “We wanted it to humanize.”

    She doubles down on the belief that “our society essentially failed this community. [The police] didn’t see them as worth protecting. Susan was able to weaponize her race and privilege. And by not realizing she was a danger to the community and probably herself, her life is ruined too,” Gandbhir continues. “She’s ostensibly spending the rest of her life in jail. And as an abolitionist at heart, I really wish that on no one.”

    Lorincz attempted to utilize Florida’s “Stand Your Ground” law as a defense, arguing that she was legally allowed to use deadly force because she feared for her life when Owens banged on her door demanding to speak after her son said Lorincz threw a pair of skates at him. This was also the successful legal tactic of Trayvon Martin’s killer, George Zimmerman, who was acquitted in 2013. In 2024, Lorincz was convicted of manslaughter and sentenced to 25 years in prison. She has appealed her conviction.

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    Savannah Walsh

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  • Vanity Fair and Four Seasons Celebrate the BAFTA Awards 2026

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    On Thursday night, Vanity Fair and Four Seasons kicked off BAFTA 2026 weekend in style, reminding everyone just how much fun the Brits have during awards season. The weekend is jam-packed with swanky parties, private dinners, and a Sunday night awards show hosted by Alan Cumming that leads into an all-night parade of after-parties for guests to dance the night away. To begin the festivities, Little Gold Men hosted a live podcast with a special guest, BAFTA- and Oscar-nominated actor Stellan Skarsgård. He discussed his work in Joachim Trier’s Sentimental Value, for which he is nominated, and his career that spans over 120 films and television shows.

    Skarsgård spoke about the differences between working on foreign films and on American blockbusters. “In Europe the motive is mainly to make something interesting, as in art,” he said. “In America, it’s mainly to make something that makes a lot of money.” Skarsgård went on to praise the directors he has worked with on some of his bigger American films though. “Denis Villeneuve, that’s an independent filmmaker. David Fincher, that’s an independent filmmaker. Gore Verbinski, who did the Pirates of the Caribbean series, is very independent and absurd.”

    Stellan Skarsgård

    Photographer Moeez Ali.

    When asked who’s the best at karaoke—himself, fellow Mamma Mia! costar Pierce Brosnan, or Meryl Streep—Skarsgård joked, “Probably Meryl Streep. She’s the best at everything.” The full conversation will be featured on the February 24 episode of Little Gold Men. After the recording, Skarsgård stayed and spoke with audience members as they headed downstairs to Pavyllon at the Four Seasons, the hotel’s Michelin-starred restaurant, for a cocktail party. Attendees included BAFTA rising-star nominees Robert Aramayo, star of 2025’s I Swear; Archie Madekwe, star of Lurker; and Posy Sterling, star of Lollipop. Madekwe is no stranger to the BAFTAs and provided pointers on how to plan your after-party strategy. “Start with British Vogue and GQ and make sure to end with Netflix,” he said. “That party goes all night.”

    Noah Jupe strolled into the party in his usual unassuming manner and began chatting with fellow guests KJ Apa and Emilia Jones. He was excited for Sunday’s show and, of course, Hamnet’s prospects. He’s not done with Shakespeare quite yet, as he is about to star in Romeo & Juliet on the West End with Sadie Sink.

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    John Ross

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  • All the Looks From the 2026 Film Independent Spirit Awards Red Carpet

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    On Sunday, the Film Independent Spirit Awards 2026 kick off from the Hollywood Palladium in Los Angeles honoring some of the more under-the-radar films of the year. The ceremony will be hosted by SNL alumna Ego Nwodim and Honorary Chair filmmaker Lulu Wang.

    The Spirit Awards come a few weeks ahead of the Actor Awards (formerly known as the SAG Awards) amid the awards season run-up to the Oscars, which are now exactly one month away.

    In the film categories, Peter Hujar’s Day starring Ben Whishaw and Rebecca Hall received five nominations, the most for any film this year. Blue Sun Palace; Lurker; One of Them Days; Sorry, Baby and Train Dreams are all up for four awards.

    The awards can help build momentum—or the perception of it— for films in the awards race. Train Dreams, starring Joel Edgerton, may be a strong contender, as it is nominated for four Academy Awards, including Best Picture. Eva Victor, who starred in, wrote and directed Sorry, Baby, earned a Golden Globe nomination for her acting, but the film was snubbed by the Oscars.

    The Spirit Awards ceremony also honors accomplishments in television. Netflix’s Adolescence and Forever, and the British drama Mr Loverman are tied for the most nominations for TV with four apiece. Adolescence has had a strong showing during awards season so far, as the mini-series swept all four categories it was nominated for at the Golden Globes in January, including best limited or anthology series.

    Winners of the Spirit Awards are chosen by members of Film Independent, a non-profit arts organization focused on visual storytelling. Nominees were selected from 18 countries and had budgets ranging from $35,000 to $20 million. The show will be live-streamed on Film Independent and IMDb’s YouTube channels and on other social platforms beginning at 5:00 p.m. ET.

    The Spirit Awards blue carpet (not red carpet, blue carpet!) brings a more funky energy to awards season fashions. See all of the stars as they arrive here.

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    Lindsey Underwood

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  • Updating Live: All the Winners From the Independent Spirit Awards 2026

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    If awards ceremonies were a family dinner table, the Independent Spirit Awards 2026 would be the cool, artsy cousin. Since 1984, nonprofit arts org Film Independent has been honoring American TV and filmmakers who operate outside the studio system, with an annual awards ceremony that falls between the Golden Globes and the Academy Awards. The 2026 ceremony—the organization’s 41st—will be held on Sunday, February 15 at 5 p.m. ET (the time will be 2 p.m. in Hollywood).

    A huge change this year is the ceremony’s location. For years, it’s been held at the Santa Monica pier, but construction for the 2028 Los Angeles Olympics bumped it from that spot. Instead, it will be held at the Hollywood Palladium, in the heart of Sunset Boulevard. But other things that set the awards apart remain, such as its gender neutral acting awards and its focus on movies and TV that don’t always get mainstream love. This year’s host, Ego Nwodim, has also promised an edgy show, telling The Hollywood Reporter, “This is my whole thing: Don’t ask permission, ask forgiveness. I didn’t ask permission.”

    You can watch the Independent Spirit Awards live on YouTube, on the channels for Film Independent or for IMDB. You can also check out all the looks from the red carpet now, and don’t miss Vanity Fair’s complete coverage of the 2026 awards season.

    Read on for all the winners at the 2026 Independent Spirit Awards:

    Film categories

    Best feature

    Peter Hujar’s Day
    The Plague
    Sorry, Baby
    Train Dreams
    Twinless

    Best first feature

    Blue Sun Palace
    Dust Bunny
    East of Wall
    Lurker
    One of Them Days

    John Cassavetes Award (best feature made for under $1M)

    The Baltimorons
    Boys Go to Jupiter
    Eephus
    Esta Isla (This Island)
    Familiar Touch

    Best director

    Clint Bentley, Train Dreams
    Mary Bronstein, If I Had Legs I’d Kick You
    Lloyd Lee Choi, Lucky Lu
    Ira Sachs, Peter Hujar’s Day
    Eva Victor, Sorry, Baby

    Best screenplay

    WINNER: Eva Victor, Sorry, Baby

    Michael Angelo Covino, Kyle Marvin, Splitsville
    Angus MacLachlan, A Little Prayer
    James Sweeney, Twinless
    Christian Swegal, Sovereign

    Best first screenplay

    Andrew DeYoung, Friendship
    Elena Oxman, Outerlands
    Alex Russell, Lurker
    Syreeta Singleton, One of Them Days
    Constance Tsang, Blue Sun Palace

    Best lead performance

    Everett Blunck, The Plague
    Rose Byrne, If I Had Legs I’d Kick You
    Kathleen Chalfant, Familiar Touch
    Chang Chen, Lucky Lu
    Joel Edgerton, Train Dreams
    Dylan O’Brien, Twinless
    Keke Palmer, One of Them Days
    Théodore Pellerin, Lurker
    Tessa Thompson, Hedda
    Ben Whishaw, Peter Hujar’s Day

    Best supporting performance

    Naomi Ackie, Sorry, Baby
    Zoey Deutch, Nouvelle Vague
    Kirsten Dunst, Roofman
    Rebecca Hall, Peter Hujar’s Day
    Nina Hoss, Hedda
    Jane Levy, A Little Prayer
    Archie Madekwe, Lurker
    Kali Reis, Rebuilding
    Jacob Tremblay, Sovereign
    Haipeng Xu, Blue Sun Palace

    Best breakthrough performance

    Liz Larsen, The Baltimorons
    Misha Osherovich, She’s the He
    Kayo Martin, The Plague
    SZA, One of Them Days
    Tabatha Zimiga, East of Wall

    Best cinematography

    Alex Ashe, Peter Hujar’s Day
    Norm Li, Blue Sun Palace
    David J. Thompson, Warfare
    Adolpho Veloso, Train Dreams
    Nicole Hirsch Whitaker, Dust Bunny

    Best editing

    Ben Leonberg, Good Boy
    Carson Lund, Eephus
    Fin Oates, Warfare
    Sara Shaw, Splitsville
    Sofía Subercaseaux, The Testament of Ann Lee

    Robert Altman Award

    The Long Walk

    Best documentary

    WINNER: The Perfect Neighbor

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    Eve Batey

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  • DGA Awards 2026: See The Full Winners List

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    Read on for the full list of DGA Awards 2026 winners below:

    Theatrical Feature Film

    WINNER: Paul Thomas Anderson – One Battle After Another

    Ryan Coogler – Sinners
    Guillermo Del Toro – Frankenstein
    Josh Safdie – Marty Supreme
    Chloé Zhao – Hamnet

    Michael Apted First Time Directorial Feature

    WINNER: Charlie Polinger – The Plague

    Hasan Hadi – The President’s Cake
    Harry Lighton – Pillion
    Alex Russell – Lurker
    Eva Victor – Sorry, Baby

    Documentary Film

    WINNER: Mstyslav Chernov – 2000 Meters to Andriivka

    Geeta Gandbhir – The Perfect Neighbor
    Sara Khaki and Mohammadreza Eyni – Cutting Through Rocks
    Elizabeth Lo – Mistress Dispeller
    Laura Poitras and Mark Obenhaus – Cover-Up

    Dramatic Series

    WINNER: Amanda Marsallis – The Pitt, “6:00 PM”

    Liza Johnson – The Diplomat, “Amagansett”
    Janus Metz – Andor, “Who Are You?”
    Ben Stiller – Severance, “Cold Harbor”
    John Wells – The Pitt, “7:00 A.M.”

    Comedy Series

    WINNER: Seth Rogen and Evan Goldberg – The Studio, “The Oner”

    Lucia Aniello – Hacks, “A Slippery Slope”
    Janicza Bravo – The Bear, “Worms”
    Christopher Storer – The Bear, “Bears”
    Mike White – The White Lotus, “Denials”

    Limited & Anthology Series

    WINNER: Shannon Murphy- Dying for Sex, “It’s Not That Serious”

    Jason Bateman – Black Rabbit, “The Black Rabbits”
    Antonio Campos – The Beast in Me, “Sick Puppy”
    Lesli Linka Glatter – Zero Day, “Episode 6”
    Ally Pankiw – Black Mirror, “Common People”

    Movies for Television

    WINNER: Stephen Chbosky – Nonnas

    Jesse Armstrong – Mountainhead
    Scott Derrickson – The Gorge
    Michael Morris – Bridget Jones: Mad About the Boy
    Kyle Newacheck – Happy Gilmore 2

    Variety

    WINNER: Liz Patrick – SNL50: The Anniversary Special

    Yvonne De Mare – The Late Show with Stephen Colbert, “Julia Roberts; Sam Smith”
    Andy Fisher – Jimmy Kimmel Live!, “Stephen Colbert; Kumail Nanjiani; Reneé Rapp”
    Beth McCarthy-Miller – SNL50: The Homecoming Concert
    Paul Pennolino- Last Week Tonight with John Oliver, “Public Media”

    Sports

    WINNER: Matthew Gangl – 2025 World Series – Game 7

    Steve Milton – 2025 Masters Tournament
    Rich Russo – Super Bowl LIX

    Reality/Quiz and Game

    WINNER: Mike Sweeney – Conan O’Brien Must Go, “Austria”

    Lucinda M. Margolis – Jeopardy!, “Ep. 9341”
    Adam Sandler – The Price is Right, “10,000th Episode”

    Documentary Series/News

    WINNER: Rebecca Miller – Mr. Scorsese, “All This Filming Isn’t Healthy”

    Marshall Curry – SNL50: Beyond Saturday Night, “Written By: A Week Inside the SNL Writers Room”
    Susan Lacy and Jessica Levin – Billy Joel: And So It Goes, “Part Two”
    Alexandra Stapleton – Sean Combs: The Reckoning, “Official Girl”
    Matt Wolf – Pee-Wee as Himself, “Part 1”

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    John Ross

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  • ‘Utter Genius’ Catherine O’Hara Won The Studio Its DGA Award

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    Photo: Kevin Winter/Getty Images for DGA

    The Studio’s Seth Rogan and Evan Goldberg thanked the late Catherine O’Hara while accepting their Best Comedy Series Director award at the 2026 Directors Guild Awards. “Honestly, there’s no one we wish we could thank in person at this moment more than we would love to thank Catherine O’Hara,” Rogen said. “And the best part of her is she showed that you can be an utter genius and also the nicest person in the entire world. It was an honor to get to direct her every day and we worked very hard to make the show good enough to warrant her time and her presence So, ultimately, we would like to thank the DGA for this, but we would mostly like to thank Catherine O’Hara for being such a wonderful person and for blessing us with your presence.” Goldberg added that O’Hara was “quite literally our idol since we were children,” since the two Canadian boys grew up watching her on SCTV

    Not every award winner tributed Catherine O’Hara at the 2026 DGAs, but there was a lot of love in the room for friends who have left. In his acceptance speech for One Battle After Another, Paul Thomas Anderson thanked his first AD Adam Somner. Somner died of thyroid cancer in 2024. “A lot of people in this room know our hero, our man, Adam Somner. Steven [Spielberg] knows him. His wife Carmen [Ruiz de Huidobro] is here,” he said (per Deadline). “He took this work so seriously, and did not take himself seriously at all. And that was a great gift… He made us feel safe. Think about this work that we do, how dangerous it can be, really dangerous. And to be to get through a film and no one get hurt, be safe, have an amazing experience is because of a great AD, and he was the best.” A complete list of nominees, with the winners bolded, is below.

    Theatrical Feature Film
    Paul Thomas Anderson, One Battle After Another
    Ryan Coogler, Sinners
    Guillermo del Toro, Frankenstein
    Josh Safdie, Marty Supreme
    Chloé Zhao, Hamnet

    Michael Apted First-Time Theatrical Feature Film
    Hasan Hadi, The President’s Cake
    Harry Lighton, Pillion
    Charlie Polinger, The Plague
    Alex Russell, Lurker
    Eva Victor, Sorry, Baby

    Documentary Film
    Mstyslav Chernov, 2000 Meters to Andriivka
    Geeta Gandbhir, The Perfect Neighbor
    Sara Khaki and Mohammadreza Eyni, Cutting Through Rocks
    Elizabeth Lo, Mistress Dispeller
    Laura Poitras and Mark Obenhaus, Cover-Up

    Dramatic Series
    Liza Johnson, The Diplomat, “Amagansett”
    Amanda Marsalis, The Pitt, “6:00 P.M.”
    Janus Metz, Andor, “Who Are You?”
    Ben Stiller, Severance, “Cold Harbor”
    John Wells, The Pitt, “7:00 A.M.”

    Comedy Series
    Lucia Aniello, Hacks, “A Slippery Slope”
    Janicza Bravo, The Bear, “Worms”
    Seth Rogen and Evan Goldberg, The Studio, “The Oner”
    Christopher Storer, The Bear, “Bears”
    Mike White, The White Lotus, “Denials”

    Limited & Anthology Series
    Jason Bateman, Black Rabbit, “The Black Rabbits”
    Antonio Campos, The Beast in Me, “Sick Puppy”
    Lesli Linka Glatter, Zero Day, “Episode 6”
    Shannon Murphy, Dying for Sex, “It’s Not That Serious”
    Ally Pankiw, Black Mirror, “Common People”

    Movies for Television
    Jesse Armstrong, Mountainhead
    Stephen Chbosky, Nonnas
    Scott Derrickson, The Gorge
    Michael Morris, Bridget Jones: Mad About the Boy
    Kyle Newacheck, Happy Gilmore 2

    Variety
    Yvonne De Mare, The Late Show With Stephen Colbert, “Julia Roberts, Sam Smith”
    Andy Fisher, Jimmy Kimmel Live!, “Stephen Colbert, Kumail Nanjiani, Reneé Rapp”
    Beth McCarthy-Miller, “SNL50: The Homecoming Concert”
    Liz Patrick, “SNL50: The Anniversary Special”
    Paul Pennolino, Last Week Tonight With John Oliver, “Public Media”

    Sports
    Matthew Gangl, 2025 World Series, Game 7 – Los Angeles Dodgers vs. Toronto Blue Jays
    Steve Milton, 2025 Masters Tournament, Augusta National Golf Club
    Rich Russo, Super Bowl LIX, Philadelphia Eagles vs. Kansas City Chiefs

    Reality / Quiz and Game
    Lucinda M. Margolis, Jeopardy!, “Ep. 9341”
    Adam Sandler, The Price Is Right, “10,000th Episode”
    Mike Sweeney, Conan O’Brien Must Go, “Austria”

    Documentary Series/News
    Marshall Curry, SNL50: Beyond Saturday Night, “Written By: A Week Inside the SNL Writers Room”
    Susan Lacy and Jessica Levin, Billy Joel: And So It Goes, “Part 2”
    Rebecca Miller, Mr. Scorsese, “All This Filming Isn’t Healthy”
    Alexandra Stapleton, Sean Combs: The Reckoning, “Official Girl”
    Matt Wolf, Pee-wee As Himself, “Part 1”

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    Bethy Squires

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  • How the Woman Who Shot ‘Sinners’ Could Make History at the Oscars

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    Arkapaw and I soon discover that we grew up in neighboring towns in the San Francisco Bay Area. She was born in Oxnard, but moved north with her mother (who is of Filipina descent) when she was two years old. While studying art history at Loyola Marymount University, she took an elective course in film, and felt drawn to it. But she couldn’t find any evidence of a successful female cinematographer—until she stumbled upon Ellen Kuras, the DP of Blow. “There was one,” Arkapaw says. “So I thought, Oh, if there’s one, there can be more.”

    After studying at the American Film Institute, she worked on music videos for artists like Haim, Solange Knowles, and Janelle Monáe, and made her first major feature, Palo Alto, with Coppola. She almost met with Coogler when he was assembling his 2015 sports drama Creed, but at the time, “the studio didn’t think I had enough credits. I wasn’t as advanced as they would’ve liked,” she says.

    That had changed by the time Coogler needed a cinematographer for the Black Panther sequel—and Arkapaw already had a relationship with Marvel after working on its series Loki. She and Coogler, another Northern California native, “hit it off. I think this Bay Area thing was special; it’s like I knew him already,” she says.

    Black Panther: Wakanda Forever was an ambitious blockbuster, and the biggest film Arkapaw had ever worked on. Sinners would come with a new set of challenges. Arkapaw had to navigate the technical aspects of having one actor (Michael B. Jordan) play two characters who often interacted with each other. The opening scene of Sinners shows how she managed it without making the casting a distracting gimmick: The brothers are leaning against a car and pass a cigarette between them. It’s a simple but effective moment that allows the viewer to forget one man is playing both characters. Arkapaw says Coogler had initially envisioned the scene as showing both brothers at once. But later, “I presented an idea of moving that camera around. It made everything harder,” she says.

    Arkapaw’s greatest test came when Coogler decided he wanted Sinners to be the first movie to shoot entirely on two different large formats: Ultra Panavision 70 and IMAX. She and her team had to familiarize themselves with equipment and cameras they’d never used before. “There’s a lot of technical and logistical stuff, and you want to do a good job,” she says. “But I thrive in that kind of pressurized situation.”

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    Rebecca Ford

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  • Donald Trump Threatens to Sue Trevor Noah Over Epstein Grammys Joke

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    The president has had his feelings hurt, and he intends to do something about it. After the 68th Grammy Awards, Donald Trump lashed out at host Trevor Noah via Truth Social over a joke the comedian made at Trump’s expense, involving both Jeffrey Epstein and the president’s recent obsession with Greenland.

    In his Truth Social post, Trump called the Grammy ceremony “virtually unwatchable” and threatened legal action against Noah: “I’ll be sending my lawyers to sue this poor, pathetic, talentless, dope of an M.C.”

    Noah returned to host the Grammys for a sixth consecutive time on CBS. During the ceremony, Noah revealed that it would be the Grammys’ last one on CBS—the event is moving to Disney+ and Hulu—and his last ceremony hosting as well, at least for the foreseeable future. After this disclosure, Noah exhibited a bit more of a devil-may-care attitude with his jokes, aiming one about the coveted song of the year category at Trump and his well-documented relationship with deceased convicted sex offender Jeffrey Epstein.

    This category, said Noah, “is a Grammy that every artist wants. Almost as much as Trump wants Greenland. Which makes sense, because Epstein’s island is gone. He needs a new one to hang out with Bill Clinton.” After the joke got a sustained laugh, Noah noted again that this was his last ceremony as host; as such, he had nothing to lose. (Both Trump and Clinton have denied having any connection to Epstein’s crimes.)

    Needless to say, Trump was not a fan of the joke—or of Noah’s hosting ability writ large. “The Grammy Awards are the WORST, virtually unwatchable!” he posted on Truth Social at 1:01 AM. He then shouted out CBS—now run by David Ellison, the son of Trump’s longtime supporter, billionaire Larry Ellison—for ditching the Grammys, writing that the network was “lucky not to have this garbage litter their airwaves any longer.”

    Trump turned his attention to Noah while also getting a dig in at another comedian enemy of his: Jimmy Kimmel. “The host, Trevor Noah, whoever he may be, is almost as bad as Jimmy Kimmel at the Low Ratings Academy Awards,” said Trump, claiming to be unfamiliar with Noah’s work. For what it’s worth, Trump recently pulled the same move with album of the year winner and Super Bowl half time headliner Bad Bunny, claiming that he had “never heard of” the global Latin music superstar before ripping his work apart.

    Trump then turned his attention to Noah’s insinuation that he had spent any time on Epstein’s island. “Noah said, INCORRECTLY about me, that Donald Trump and Bill Clinton spent time on Epstein Island. WRONG!!!” wrote Trump. “I can’t speak for Bill, but I have never been to Epstein Island, nor anywhere close, and until tonight’s false and defamatory statement, have never been accused of being there, not even by the Fake News Media.”

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    Chris Murphy

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  • Oscar Snubees Cynthia Erivo and Ariana Grande Won a Grammy for Wicked

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    Photo: Giles Keyte/Universal Pictures

    Of all the consolation prizes, a Grammy is a pretty good one. Less than two weeks after Wicked: For Good got entirely shut out from the Oscars, Cynthia Erivo and Ariana Grande won a Grammy … for a song from the first Wicked movie. During the Grammy Awards Premiere Ceremony prior to the televised awards show, Erivo and Grande won a Grammy for Best Pop Duo/Group Performance for “Defying Gravity,” which is from the first Wicked film. Elphie and Glinda beat out Katseye, SZA and Kendrick Lamar, Rosé and Bruno Mars, and KPop Demon Hunters. It’s Erivo’s second Grammy Award and Ariana Grande’s third. Good news!

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    Rebecca Alter

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  • Bad Bunny Makes History at the Grammys 2026 With Album of the Year Win

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    Bad Bunny appeared to be stunned Sunday evening when Harry Styles announced his album, Debí Tirar Más Fotos, as the album of the year at the Grammys 2026. He remained seated for several long seconds, hand over his eyes, apparently overcome with emotion, before springing to his feet and heading to the stage. He turned around and saw his own face projected on the screen behind him, massive, then spun back to the crowd and flashed a thumbs-up before beginning his speech in Spanish.

    Bad Bunny accepts the album of the year award from Harry Styles.

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    “Believe me when I say that we are much bigger than 100 by 35 [note: Puerto Rico is approximately 100 miles long by 35 miles wide], and there is nothing that we can’t accomplish,” the artist, born Benito Antonio Martínez Ocasio, said. “Thank you God, thank you to the Academy, thank you to everyone that believed in me throughout my career. [Thank you] to everyone who worked on this album, and thank you, Mom, for giving birth to me in Puerto Rico. I love you.”

    This is the first time in Grammys history that a Spanish-language album has won album of the year.

    Earlier in the evening, upon winning best música urbana album, Bad Bunny used his acceptance speech to condemn ICE’s anti-immigrant activities. The musician, who gamely participated in bits throughout the night with host Trevor Noah and eventually sang a snippet of his own song at Noah’s urging, was nominated for six total awards this year, and won three. (The first win, for best global music performance, was not televised.) He now has six Grammys total to his name.

    Of course, Bad Bunny won’t be absent from our television screens for long: Though it’s unlikely that he’ll use the occasion to rewear the corseted Schiaparelli tuxedo that earned him a place on Vanity Fair’s 2026 Grammys best-dressed list, he’s headlining the Super Bowl 2026 halftime show on Sunday, February 8. The gig has riled Donald Trump and the MAGA right for months since the NFL announced him as the sporting event’s marquee performer, with Trump vowing not to attend, and Turning Point USA announcing that they’d put on their own “All-American Halftime Show,” though with days to go, no details have been announced.

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    Kase Wickman

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  • What Is Going on With Chappell Roan’s Grammys 2026 Dress?

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    Yes, the chiffon frock was suspended from two nipple piercings. Except that, upon closer inspection, these appeared to be prosthetics applied onto Roan’s chest, and understandably so. The dress is a contemporary recreation by Castro Freitas of a haute couture set that the late Manfred Thierry Mugler showed on the runway for his eponymous label back in 1998. On that runway, the silk slip was suspended from the models’ very real nipple rings. It is a classic Mugler piece that made a splash back then, which it did once more tonight.

    Interestingly enough, last year, when Castro Freitas showed another iteration of the gown on his debut runway show for the label, the dress caused much backlash online and from critics.

    The New York Times referred to it as “out of touch,” and much of the internet labeled the design as misogynistic, without knowing, perhaps, that it was a recreation from a Mugler original. The reissue detail was mostly inconsequential. The dress did look out of place in today’s sartorial context as a remnant of a va-va-voom era of fashion that has, for better or for worse, expired. Today, in the era post #MeToo and at a time when fashion on the runway has become less about gimmick, statement, or scandal and increasingly more about wearability and commerciality, a style like that, presented by a male designer, came across as dated at best and mostly male gaze-y. It was, above all, a great example of what fashion’s obsession with nostalgia has done to it as a cultural instrument—our collective obsession as an industry for romancing and recreating the past has meant that designers don’t always speak to the future.

    Mugler, haute couture Spring/Summer 1998.

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    Image may contain Maria Nafpliotou Clothing Dress Fashion Formal Wear Evening Dress Adult Person Gown and Footwear

    Mugler, haute couture Spring/Summer 1998.

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    Image may contain Fashion Adult Person and Standing

    Mugler, Spring/Summer 2026.

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    José Criales-Unzueta

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  • Every Single Thing Happening at the 2026 Grammys

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    It’s once again Music’s Biggest Night, where heavy hitters vie for the most esteemed qualifiers to stick onto album packaging. There’s a lot for five-time host Trevor Noah to get into after this weekend in Los Angeles saw huge ICE Out demonstrations and <a href="https://www.vulture.com/article/do… More »

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    Vulture Editors

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  • Grammy Winners 2026: See the Full List Here (Updating Live)

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    Oddsmakers and analysts say the winners of the Grammys 2026 are too close to call. Will Bad Bunny, Lady Gaga, or Kendrick Lamar take home Album of the Year? Will ubiquitous Kpop Demon Hunters anthem “Golden” take home yet another trophy for Song of the Year? Is Olivia Dean‘s presumed lock on Best New Artist guaranteed?

    We won’t know until Sunday, February 1, when—starting at 8 p.m.—this year’s awards will be distributed. The ceremony, will be hosted by former Daily Show host Trevor Noah, will be broadcast live on CBS and Paramount+. Vanity Fair is also liveblogging every moment, and will update this page every time a winner is announced.

    So read on for the full list of Grammys 2026 winners below, and don’t miss Vanity Fair’s coverage of the night’s best-dressed stars, every red carpet look, and much more.

    Best R&B Performance

    WINNER: “Folded,” Kehlani

    • “Yukon,” Justin Bieber
    • “It Depends,” Chris Brown featuring Bryson Tiller
    • “Mutt (Live From NPR’s Tiny Desk),” Leon Thomas
    • “Heart of a Woman,” Summer Walker

    Best R&B Album

    WINNER: Mutt, Leon Thomas

    • Beloved, Giveon
    • Why Not More?, Coco Jones
    • The Crown, Ledisi
    • Escape Room, Teyana Taylor

    Best Rock Album

    WINNER: Never Enough, Turnstile

    • Private Music, Deftones
    • I Quit, Haim
    • From Zero, Linkin Park
    • Idols, Yungblud

    Best Rock Performance

    WINNER: “Changes (Live From Villa Park) Back to the Beginning,” Yungblud featuring Nuno Bettencourt, Frank Bello, and Adam Wakeman, and II

    • “U Should Not Be Doing That,” Amyl and the Sniffers
    • “The Emptiness Machine,” Linkin Park
    • “Never Enough,” Turnstile
    • “Mirtazapine,” Hayley Williams

    Best Rock Song

    WINNER: “As Alive as You Need Me to Be,” Nine Inch Nails

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    Eve Batey

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  • How to Watch the Grammys 2026 Live

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    For the second year in a row, Kendrick Lamar, with nine nominations, is poised to dominate at Grammys 2026, after winning record and song of the year in 2025 for “Not Like Us.” His sixth studio album, GNX, is in competition for best album of the year with fellow past and soon-to-be future Super Bowl headliners Lady Gaga and Bad Bunny, whose albums Mayhem and Debí Tirar Más Fotos (“I Should Have Taken More Photos”) are up for seven and six nominations, respectively.

    The heated rivalry in that category isn’t the only reason for watching the Grammys live. Among the snubs and surprises of the 2026 Grammy nominations was the inclusion of Justin Bieber’s four-time-nominated surprise summer album, Swag, songs from which he’ll perform at his first Grammys in four years. Joining Bieber on the Grammys stage, although presumably not at the same time, will be all eight of the best new artist nominees: Olivia Dean, Katseye, the Marías, Addison Rae, Sombr, Leon Thomas, Alex Warren, and Lola Young.

    Speaking of fresh blood, a pair of new categories are coming to the Grammys: best traditional country album—where nominees range from Willie Nelson to Margo Price—and best album cover, which could go to Bad Bunny, Tyler the Creator, Perfume Genius, Djo, or the British indie pop group Wet Leg.

    But some traditions remain: the Grammys 2026 will be hosted by former Daily Show host Trevor Noah, who returns for his sixth and—as the Recording Academy confirmed—final stint as emcee. During last year’s well-received telecast, the Grammys raised funds for the California wildfires, but has yet to announce a philanthropic cause for this year’s show.

    With that, it’s time to make like Addison Rae and put your headphones on in preparation for music’s biggest night. Ahead, a breakdown of where to watch the Grammys 2026 and which A-list musicians are expected to make a splash on stage.

    How to Watch the Grammys

    The 2026 Grammys air live on Sunday, February 1, on CBS and Paramount+. This year’s broadcast will also be available to stream online at cbs.com, through the CBS app, or via the Recording Academy’s social channels. Streaming options for those without a cable login include Hulu + Live TV, YouTube TV, DirectTV Stream, Sling TV, and FuboTV, many of which come with free-trial periods.

    If you’re interested in watching the Grammys live, you may also want to tune in to the annual Grammy Awards Premiere Ceremony, where the first and majority of awards are handed out. This event will stream live from Peacock Theater in Los Angeles hours before the proper show at 3:30 p.m. ET/12:30 p.m. PT on the Recording Academy’s YouTube channel and on live.grammy.com. Glee alum Darren Criss will host the ceremony and perform with his costar in Broadway’s Maybe Happy Ending, Helen J. Shen, with more performances from artists such as Zara Larsson and nominated musician Grace Potter.

    Who Is Performing at the Grammys?

    Sabrina Carpenter enters the 2026 Grammys with a half-dozen nods, including for album, record, and song of the year—all three of the night’s biggest awards—and was the first artist to join the awards show’s stacked performer lineup. She’ll be joined by Bieber, Gaga, the best new artist slate, and Let God Sort ‘Em Out collaborators Clipse and Pharrell Williams.

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    Savannah Walsh

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  • Quirky Comedy ‘The Gallerist’ Asks a Bold Question: Can a Dead Body Be Art?

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    If you were at Art Basel Miami Beach in December 2024, you might have noticed a surprising face amidst the art lovers and buyers. It was Natalie Portman, attending the festival to research for her role in The Gallerist—a dark comedy in which she plays a desperate gallerist who attempts to sell a dead body as a piece of art.

    Though already an art lover, Portman didn’t know much about the nuances of the contemporary art world—and its colorful characters—before joining The Gallerist. “It’s almost like ideas are art, which is kind of incredible. It’s almost like a marketplace for philosophy, in some way, which can obviously lead to sometimes bullshit and sometimes really incredible, revelatory stuff,” the actor says. “It has depth and can be ridiculous, which is kind of the best combination for when you want to tell a story.”

    Portman stars in the film as eccentric gallerist Polina Polinski, who is trying to make a name for herself and her new Miami Beach gallery. She begrudgingly invites an art influencer (Zach Galifianakis) to see the work of an emerging artist named Stella (Da’Vine Joy Randolph)—but soon finds herself scrambling alongside her assistant (Jenna Ortega) to sell a piece of art that features a corpse.

    Yan, seen here on the set of The Gallerist, first went to Sundance with her 2018 film Dead Pigs.

    Roger Do Minh.

    It’s fitting for The Gallerist to have its world premiere on January 24 at the Sundance Film Festival, where real-life buyers (and influencers) are prepared to potentially throw millions of dollars at the films they deem worthy. Cathy Yan’s biting, funny, and surprising satire revels in the clash between art and commerce. “There were a lot of really interesting ideas and themes that I personally related to as an artist, as a creative, as someone that just really wanted to explore the creative process and collaboration and the inherent tension of creating art—not just for yourself, but for the world,” the director tells Vanity Fair.

    Yan is deeply familiar with this subject matter. She made her feature directorial debut in 2018 with the breakout Sundance film Dead Pigs, then jumped into the world of superheroes and DC Comics to direct 2020’s Birds of Prey. The Gallerist marks Yan’s return to non-IP-based filmmaking. “It’s hard to define what inherent value is in the art world, and so much of it becomes in the eye of the beholder—and also in the stories that are told about it, in the context and the marketing,” she says. “I always found the collision of the business and the art itself to be absolutely fascinating.”

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    Rebecca Ford

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  • The 11 Biggest Snubs and Surprises From the Oscar Nominations 2026

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    Because this Oscar season has been competitive from the get-go, we were expecting some surprises when nominations were announced—and boy, did we get them. The Oscar nominations 2026 included a slew of pleasantly unpredictable names in the acting categories (Delroy Lindo! Elle Fanning!) as well as several shake-ups in other tight races, like best director and even best picture.

    Sure, One Battle After Another and Sinners were expected to lead the pack when the final list was announced Thursday, just as they have all season. But Sinners made history by getting the most nominations for a movie in a single year, outstripping its top competitor (which only—“only”—got 12 total nods).

    There were some painful snubs as well. Though the first Wicked film got lavished with Oscars attention last year, earning 10 nominations including best picture (and winning two, for its production and costume design), Wicked: For Good was completely shut out at this year’s ceremony. Palme d’Or winner It Was Just an Accident also seemed like a strong Oscar contender, but lost steam in the end; it was nominated in best international feature and best original screenplay, but missed out on both the main best picture category and best director.

    Below, we break down the biggest snubs and surprises of the 2026 Oscar nominations—from F1 zooming into contention to Academy favorite Guillermo del Toro dropping off the best director list.

    SURPRISE: Sinners Breaks the Oscar Record

    Shortly before the nominations were announced, Hollywood began whispering about the possibility of Sinners breaking the record for most Oscar nominations for a single film. It would be a tall feat: Three films—All About Eve, Titanic, and La La Land—held that record, with 14 nominations apiece. But sure enough, Sinners out-Oscared them, landing 16 total nominations. The film picked up more acting nods than expected when Wunmi Mosaku and Delroy Lindo landed supporting nominations, along with Michael B. Jordan in lead actor. Beyond those and best picture, Sinners also earned nods for directing, original screenplay, casting, cinematography, costume design, production design, sound, makeup and hairstyling, song, score, and editing. As for what this means on Oscar night, let’s take a look at history: All About Eve and La La Land each ultimately won six awards. All About Eve got best picture; as many will remember, thanks to #Envelopegate, La La Land did not.Titanic won 11 Oscars, including best picture as well. —Rebecca Ford

    SNUB: Wicked For Bad

    Yikes! Wicked: For Good didn’t receive a single Oscar nomination. Not for original song; not for production design or costume design, both of which it won last year. Overall, the Academy made it clear they were not fans of splitting this beloved musical into two movies. Wicked: For Good is one of the highest-grossing films of the year, so there was a feeling that the Academy would find ways to support it even if it wasn’t going to get a best picture nomination this time around. But Universal will have to take the film’s box office achievement as the ultimate win for this franchise, as the Academy was fine with mourning the Wicked this morning. —John Ross

    SURPRISE: F1 Races to a Best Picture Nomination

    It isn’t a huge surprise that F1 landed nominations for its crafts, getting recognized in best sound and best visual effects. Even its editing nom wasn’t a huge surprise; the film’s racing scenes are very well done. But the Brad Pitt-starring sports drama was not expected to play much outside of those sandboxes—so its nomination for best picture was one of the biggest surprises of the day. That 10th slot for best picture was very much in flux; F1 had just enough juice to make it in over other hopefuls like It was Just an Accident, Sirat, and Wicked: For Good. —R.F.

    SNUB: Oscars Say Thank You, Next to Ariana Grande

    Grande was arguably the co-lead in the second half of Wicked, and many critics considered her the highlight of the film. As her co-star Cynthia Erivo’s Oscars chances faded, Grande was still considered likely to get a nomination from the Academy. She did receive nominations from the Actors Awards and the Golden Globes, after all. But today, the pop star was edged out by the swell of Sinners and Sentimental Value—both films that overperformed this morning across the board. —J.R.

    SURPRISE: Blue Moon Picks Up an Original Screenplay Nomination

    This chamber piece about a lonely genius has turned out to be the tiny movie that could. With a knock-out performance by Ethan Hawke as famed lyricist Lorenz Hart (Hawke also earned an acting nomination), Blue Moon charmed audiences with its quick-witted dialogue and impressive, fluid directing by Richard Linklater. The screenwriter, Robert Kaplow, constructed his script based on letters between Hart and a Yale student named Elizabeth—and earned his first Oscar nomination today for his effort. —R.F.

    SNUB: Jafar Panahi and Guillermo Del Toro Miss Out In Best Director

    The best director race is always one of the hardest Oscar categories to predict. Panahi didn’t get a DGA nomination for It Was Just An Accident, but conventional wisdom was that he would still get in at the Oscars because of the film’s overall popularity with international voters, as well as his personal story. And Panahi did get a nomination for Original Screenplay—but the directors’ branch instead nominated another non-American filmmaker, Joachim Trier, for Sentimental Value. Past Oscar winner Del Toro, meanwhile, is beloved by his peers, and received a DGA nomination for Frankenstein. But ultimately, he didn’t have enough support to secure one of the five spots this morning. His film still received many below-the-line nominations, from cinematography to costume design—so come Oscar night, Del Toro will probably still get some shout-outs from the big stage. —J.R.

    SURPRISE: Delroy Lindo Is In for Sinners

    A rising tide lifts all boats, and while many Oscar watchers felt Lindo was deserving of today’s nomination, they didn’t think he would be able to break through in such a competitive field. Yet Sinners performed so well this morning that it helped carry Lindo into a nomination for his role in the film as Delta Slim. Though Lindo has an impressive body of work, this marks his very first Oscar nomination. Lindo’s surprise nod meant that Paul Mescal, who was believed to be a sure thing in this category for his role in Hamnet, was pushed out. It’s also worth noting that Jacob Elordi secured his nomination for Frankenstein after months of dogged campaigning. —J.R.

    SNUB: Adam Sandler Still Doesn’t Have an Oscar Nomination

    At the start of this season, it felt like this was Sandler’s year to finally get a nomination for an Academy Award. His role in Noah Baumbach’s Jay Kelly was measured, less bombastic than Uncut Gems, and the response was positive at every stop on the campaign trail. (Including when Sandler sat for a conversation with Timothee Chalamet, moderated by Vanity Fair.) But as the season progressed, Jay Kelly started to get a softer response among voters—and Jacob Elordi began to get more attention for his role in Frankenstein. This morning, Sandler fell victim to the surprise of Delroy Lindo’s nomination and Elordi’s ascent. —J.R.

    SURPRISE: Kate Hudson Gets Her Second Oscar Nod, 25 Years Later

    Hudson campaigned hard this season, and it paid off. Her role as Claire “Thunder” Sardinia in Song Sung Blue plays to all her strengths: she sings, she blends comedy and drama, and her chemistry with Hugh Jackman is superb. After her Actors Award nomination, industry insiders started to take her campaign more seriously. Still, there was a feeling that the film itself wasn’t strong enough to land her in one of the five spots. Today, though, she proved the naysayers wrong. But as a result, Chase Infiniti unfortunately didn’t make the best actress cut for her film debut in One Battle After Another. —J.R.

    SURPRISE: Sentimental Value Overperforms

    Sentimental Value seemed to stumble earlier this season, when it was completely snubbed for Actor Awards nominations. But the film came back with gusto on Oscar nomination day, earning nine nods. While it was expected to land noms for picture, screenplay, and a few other places, the film also landed a surprise supporting actress nomination for Elle Fanning, who joined her co-star Inga Ibsdotter Lilleaas. Joachim Trier also landed a coveted best director nom in a very competitive field, and the film also earned a surprise editing nomination. It’s clear there’s love for this Norwegian family drama across the board. —R.F.

    SURPRISE: The Voice of Hind Rajab Lands in International Feature

    Only one film in the international feature category was not released by Neon, which has become the go-to distributor for foreign language Oscar fodder. The Voice of Hind Rajab is an emotional story about volunteers at the Palestine Red Crescent Society responding to the killing of a five-year-old Palestinian girl. Germany’s Sound of Falling and South Korea’s No Other Choice were both vying for this final slot in this category, but The Voice of Hind Rajab, with its restrained yet emotionally devastating filmmaking, is undeniably timely as the war in Gaza rages on. The film’s nomination also marks only the second time that Tunisia has earned a nomination in this category. —R.F.

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    Rebecca Ford, John Ross

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  • The 16 Films and TV Shows We’re Most Excited to See at Sundance 2026

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    Courtesy of A24.

    The Moment

    A.k.a. Charli xcx’s hyperpop mockumentary, helmed by the most in-demand creative director in music right now: Aidan Zamiri, channeling Charli’s humor for a satirical take on the music industry. Set to be released by A24 at the end of the month, the film includes appearances by everyone from Rachel Sennott to Kylie Jenner to Alexander Skarsgård. The trailer is funny, there’s no bigger star than Charli in pop music right now, and she’s also a noted film buff—so expectations are high for this film. Let’s hope it delivers during its premiere Friday night.

    The Musical

    A recently dumped middle school theater teacher puts together an avant-garde original musical in secret as a way to exact revenge on the school’s principal, who is dating his ex-girlfriend. This dark comedy from first-time feature director Giselle Bonilla, with a script by Alexander Heller—in the vein of Summer Heights High, but not filmed as a mockumentary—has a wild reveal at the end, when the audience gets to see the musical performed onstage, embracing the role of spite in the creation of art.

    See You When I See You

    One of the kings of Sundance, Jay Duplass, returns to Park City with a new film that follows a writer coping with PTSD after the death of his sister. Based on Adam Cayton-Holland’s memoir, Tragedy Plus Time: A Tragi-comic Memoir, the film also stars two more Sundance darlings, Cooper Raiff and Kaitlyn Dever. Duplass has done a lot of acting work in recent years, and he’s always showing up as a producer on independent films—but this movie marks his return to the festival as a director.

    The Shitheads

    Dave Franco and O’Shea Jackson Jr. star in Macon Blair’s Sundance follow-up to I Don’t Feel at Home in This World Anymore. Blair won the festival’s US Dramatic grand jury prize for that film in 2017. Here, Franco and Jackson Jr. play drivers trying to transport a rich teenager, played by Mason Thames, to rehab. This job proves harder than expected, and things get out of hand quickly as the trio goes on an adventure that includes run-ins with supporting cast members Kiernan Shipka and Nicholas Braun.

    Undertone

    Is it even Sundance without an A24 horror film premiere? In writer-director Ian Tuason’s debut feature, the host of a podcast focused on paranormal activity begins to receive recordings of a haunted nature. This one has all the signature A24 horror tropes—an unsettling tone, a female protagonist struggling with depression and loneliness, and a Sundance midnight premiere.

    Worried

    This television series, with a pilot directed by Nicole Holofcener and written by Lesley Arfin and Alexandra Tanner, is entering the festival without a network or streamer to call home. Centered around two young women, played by Gideon Adlon (yes, she’s Odessa A’zion’s sister) and Rachel Kaly, the show is giving Girls vibes. Holofcener rarely misses; it’s also interesting to see a television series take an independent-film model and look for distribution at a film festival.

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  • European Film Awards Swept By Sentimental Value

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    “Somebody in power in the United States may be disappointed,” Ullman continued. “He will lose it.”

    Read on for the full list of 2026 European Film Awards winners below, and don’t miss Vanity Fair’s complete coverage of the 2026 awards season.

    Best Film

    WINNER: Sentimental Value

    Afternoons of Solitude
    Arco
    Dog of God
    Fiume o Morte!
    It Was Just an Accident
    Little Amelie
    Olivia and the Invisible Earthquake
    Riefenstahl
    Sirāt
    Songs of Slow Burning Earth
    Sound of Falling
    Tales From the Magic Garden
    The Voice of Hind Rajab
    With Hasan in Gaza

    Director

    WINNER: Joachim Trier—Sentimental Value

    Yorgos Lanthimos—Bugonia
    Oliver Laxe—Sirāt
    Jafar Panahi—It Was Just an Accident
    Mascha Schilinski—Sound of Falling

    Actress

    WINNER: Renate Reinsve—Sentimental Value

    Leonie Benesch—Late Shift
    Valeria Bruni Tedeschi—Duse
    Léa Drucker—Case 137
    Vicky Krieps—Love Me Tender

    Actor

    Stellan Skarsgård—Sentimental Value

    Sergi López—Sirāt
    Mads Mikkelsen—The Last Viking
    Toni Servillo—La Grazia
    Idan Weiss—Franz

    Screenwriter

    WINNER: Eskil Vogt and Joachim Trier—Sentimental Value

    Santiago Fillol and Oliver Laxe—Sirāt
    Jafar Panahi—It Was Just an Accident
    Mascha Schilinski and Louise Peter—Sound of Falling
    Paolo Sorrentino—La Grazia

    Documentary

    WINNER: Fiume o Morte!

    Afternoons of Solitude
    Riefenstahl
    Songs of Slow Burning Earth
    With Hasan in Gaza

    Animated Feature

    WINNER: Arco

    Dog of God
    Little Amelie
    Olivia and the Invisible Earthquake
    Tales From the Magic Garden

    Best Score

    WINNER: Hania Rani—Sentimental Value

    Jerskin Fendrix—Bugonia
    Michael Fiedler, Eike Hosenfeld—Sound of Falling

    Cinematographer

    WINNER: Mauro Herce for Sirāt

    Fabian Gamper for Sound of Falling
    Manu Dacosse for The Stranger

    Editor

    WINNER: Cristóbal Fernández—Sirāt

    Yorgos Mavropsaridis—Bugonia
    Toni Froschhammer—Die My Love

    Production Designer

    WINNER: Laia Ateca—Sirāt

    James Price—Bugonia
    Jørgen Stangebye Larsen—Sentimental Value

    Costume Designer

    WINNER: Sabrina Krämer—Sound of Falling

    Ursula Patzak—Duse
    Michaela Horáčková Hořejší—Franz

    Casting Director

    WINNER: Nadia Acimi, Luís Bértolo and María Rodrigo—Sirāt

    Yngvill Kolset Haga and Avy Kaufman—Sentimental Value
    Karimah El-Giamal and Jacqueline Rietz—Sound of Falling

    Make-up and hair

    WINNER: Torsten Witte—Bugonia
    Gabriela Poláková—Franz
    Irina Schwarz and Anne-Marie Walther—Sound of Falling

    Sound Designer

    WINNER: Laia Casanovas, Amanda Villavieja and Yasmina Praderas—Sirāt

    Johnnie Burn—Bugonia
    Gwennolé Le Borgne, Marion Papinot, Lars Ginzel, Elias Boughedir and Amal Attia —The Voice of Hind Rajab

    European Discovery – Prix Fipresci

    WINNER: On Falling

    Little Trouble Girls
    My Father’s Shadow
    One of Those Days When Hemme Dies
    Sauna
    Under the Grey Sky

    Young Audience Award

    WINNER: Siblings

    Arco
    I Accidentally Wrote a Book

    Short Film: Prix Vimeo

    WINNER: City of Poets

    Being John Smith
    L’Avance
    Man Number 4
    The Flowers Stand Silently, Witnessing

    Lux Audience Award

    Will be awarded in April, 2026

    Christy
    Deaf
    It Was Just an Accident
    Love Me Tender
    Sentimental Value

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    Eve Batey

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  • See Who is Winning the Red Carpet Race for the 2026 Awards Season

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    The 2026 Golden Globe Awards kicked off awards season last night and as with all awards ceremonies there were some winners and some —how do we say this politely—people who did not win. Of course it’s easy to track who has piled up the most nominations or taken home the most awards in any given season, but the competition on the red carpet is a little less clear. That’s where you, VF reader, come in.

    We asked you to vote for your favorites from our best dressed list, and here’s why: Starting today through the rest of awards season, we will be tracking who you think are the best dressed celebrities overall. We will be updating this leaderboard with your votes after each major awards ceremony to see who is winning the red carpet competition. (We are big about democracy here at VF.)

    The Y axis shows the top 10 celebrities who are currently in the lead, the X axis represents the amount of votes. And yes, you can still vote and this chart will be updated periodically. Click here to vote on our Golden Globes best dressed list.

    After the Golden Globes last night, the people have spoken and we have our first winner: Timothée Chalamet! The Marty Supreme star wore an all-black Chrome Hearts look, which he paired with Timberland boots like the born and raised New Yorker that he is. I can tell you that the outfit was somewhat divisive amongst our fashion team—for starters, the head-to-toe black was startling to some after a run of great and colorful, even if also monochromatic, looks. There’s also the fact that this was a slightly less dressy version of Chalamet than the one who won last week at the Critics Choice Awards in a pinstripe double breasted suit by Givenchy. It was, plainly, his more straightforward look of the season. This is why I liked it, and why he made the list—Chalamet is a clothes chameleon, and this showed his range while showing that menswear on the red carpet doesn’t always need to be a black tux. It doesn’t even need to involve a tie!

    Amanda Seyfried’s ethereal Atelier Versace look took the second spot, with Miley Cyrus trailing right behind. As awards season progresses, expect some of these names to fall off to make way to new ones—that’s just the name of the game! Chalamet’s early lead should come as no surprise here. He’s an awards show and red carpet darling, often making best dressed lists or at least sparking conversation with his outfits. (And hey, at least he wasn’t wearing orange last night!) There’s also the fact that Chalamet took home the award for Best Actor in a Musical or Comedy—we can’t blame you, our dear audience, for wanting to give him a bonus!

    Will Chalamet maintain his lead? Can someone else enter the top 10 after the next big show? We’ll have to wait and see.

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    José Criales-Unzueta

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