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  • ‘Train Dreams’ Composer Bryce Dessner Talks Working With “Hero” Nick Cave on the Film’s Theme Song

    When director Clint Bentley tasked longtime collaborator Bryce Dessner with writing the score for Train Dreams, the story of an early 20th century logger watching the world change around him, it was only natural that Dessner go to the woods, too.

    “I wanted to get away from my computer,” Dessner says. “A lot of film scoring is done in front of a picture. Often with scores you see for big movies like a Marvel film or something, there’s a lot of advanced technology. This was the opposite.”

    For about a week, Dessner, a fan of the Denis Johnson novel on which the film is based, holed up at Flora Recording & Playback in Portland, Oregon, the same studio his band, The National, has worked out of. There, he recorded with no shortage of vintage gear, from upright pianos and harmoniums to old acoustic guitars and ribbon microphones, within its shiplap wood walls. Those old sounds were mixed with more contemporary synths, which helped capture Dessner’s score that, like the film, is often devastating, at times almost whimsical, but always beautiful. 

    “Clint had the idea that he wanted on some level for the music to reflect the time and place but also not necessarily be a period film,” says Dessner. “He was open to exploring more modern textures, too, which is what I ended up doing. There are a lot of analog sounds in the film to capture that feel, but then there are synthesizers and some processed electronics, too.”

    When asked about the biggest challenge of writing the score, Dessner focuses on “the big sense of loss at the heart of this story.

    “There’s a real beating heart to Robert Grainier’s character [Joel Edgerton], a lot of empathy for his losses. The music had to balance between reaching the depth of that without overwhelming the film,” he explains. “I had to find a tone that was between light and dark. It was a challenge to find those moments of levity and lightness and playfulness while also allowing the bigger things to bloom.”

    (L-R) Felicity Jones as Gladys and Joel Edgerton as Robert Grainier in Train Dreams

    Courtesy of Netflix

    Dessner threaded the needle well, reflecting the deep, wordless contemplation Grainier often displays on his face, as well as his warmth.

    “The story is so deeply human, and it’s what we all experience at some point in our lives — love and loss,” Dessner adds of the Netflix movie. “What is the trajectory of a life as a series of memories, dreams or landscapes? The film is very poetic, and music accesses that in a really poetic way as well.”

    Dessner also worked with Nick Cave to write the film’s eponymous theme song that plays during the end credits just after the film’s soaring, climactic finish. Citing Cave’s “literary” songwriting style, he says the rock musician was “at the top” of his and Bentley’s lists. Cave and Dessner collaborated remotely while Cave was touring, with Dessner sending music he’d written for the score and Cave, who Dessner says is also a fan of the novel, writing lyrics over the tracks.

    “He’s someone who can put all these feelings into words — he does it so beautifully,” Dessner says, specifically lauding Cave’s lyric, “I can’t begin to tell you how this feels,” which he says nails the sentiment of the film. “The restraint of the film ­— there’s not a huge amount of dialogue, there’s a lot of space for him to come in at the end, and he says a lot in those three or four minutes.”

    Dessner describes Cave as a hero to both him and his band, calling the collaboration — the first time they’ve worked together — a career highlight. “He’s a really respectful and humble and elegant collaborator,” Dessner says of Cave. “He was very open. A lot of times good songs can just happen. Sometimes it takes eight months to make a great thing, sometimes it’s overnight. This one happened pretty quickly.” 

    This story first appeared in a November stand-alone issue of The Hollywood Reporter magazine. To receive the magazine, click here to subscribe.

    Lexy Perez

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  • Ethan Hawke to Receive Career Achievement Award at Palm Springs International Film Festival (Exclusive)

    Ethan Hawke will be this year’s recipient of the Career Achievement Award at the Palm Springs International Film Awards, the film festival announced Monday.

    The film awards will take place on Jan. 3 at the Palm Springs Convention Center, with the Palm Springs International Film Festival running from Jan. 2 to Jan. 12.

    Hawke most recently starred in Blue Moon, teaming up with his frequent collaborator Richard Linklater. In the film, Hawke stars as legendary lyricist Lorenz Hart, alongside Margaret Qualley, Bobby Cannavale and Andrew Scott.

    “Ethan Hawke has spent four decades building one of the most adventurous and prolific careers in film, consistently delivering performances defined by depth, intelligence, and fearless originality,” says Festival Chairman Nachhattar Singh Chandi. “In Blue Moon, he brings those same qualities to his show-stopping portrayal of Lorenz Hart, capturing the famed lyricist at a moment when his life is unraveling as his former partner Richard Rodgers debuts Oklahoma!. Hawke’s work here stands among the most powerful performances of his career. It is a privilege to present the Career Achievement Award to Ethan Hawke.”

    In total, Hawke and Linklater have teamed up on nine collaborations, including Boyhood and the Before trilogy. His other credits include Dead Poet’s Society, Training Day (for which he received an Academy Award nomination), Sinister, The Purge, and The Black Phone. He has directed films such as Wildcat and Blaze.

    Hawke joins previously announced honorees Michael B. Jordan (Icon Award), Adam Sandler (Chairman’s Award), Leonardo DiCaprio (Desert Palm Achievement Award, Actor), and Chloe Zhao and Hamnet cast members Jessie Buckley and Paul Mescal (Vanguard Award) and the cast of Sentimental Value (International Star Award).

    Past recipients of the Career Achievement Award include Kevin Costner, Bruce Dern, Clint Eastwood, Morgan Freeman, Anthony Hopkins and Samuel L. Jackson.

    Beatrice Verhoeven

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  • ‘Late Shift’ Wins Camerimage

    ‘Sound of Falling’ and ‘Sentimental Value’ were among the winners at the festival, which celebrates excellence in cinematography.

    Scott Roxborough

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  • Oscars: Academy Reveals Full Lists of Qualifying Documentary, International and Animated Features

    A total of 201 documentary features, 86 international features and 35 animated features are eligible for Oscar recognition this season in the best documentary feature, best international feature and best animated feature categories, respectively, the Academy of Motion Picture Arts and Sciences announced on Friday.

    The only time more documentaries were deemed eligible — 238 — was the year in which the pandemic led to an extension of the period of eligibility from 12 to 14 months (Jan. 1, 2020 to Feb. 28, 2021) and docs that did not play in theaters were considered.

    This year’s list of eligible documentary features includes titles that have dominated at the doc community’s precursor awards, including Netflix’s The Perfect Neighbor and Apocalypse in the Tropics, Apple’s Come See Me in the Good Light and Neon’s Orwell: 2+2=5. It also includes two acclaimed films made by celebrities about their famous parents, HBO’s My Mom Jayne and Apple’s Stiller & Meara: Nothing Is Lost, which were directed by Mariska Hargitay and Ben Stiller, respectively. And there are several titles related to recent turmoil in the Middle East, including Hemdale/Metallux’s Torn: The Israel-Palestine Poster War on New York City Streets and the self-distributed Coexistence, My Ass!, Holding Liat and Put Your Soul on Your Hand and Walk.

    The most glaring omission from the list: The Eyes of Ghana, a documentary directed by the two-time Oscar-winning documentarian Ben Proudfoot, which is still seeking distribution. The Hollywood Reporter has confirmed that a late decision was made to hold the film for next awards season. Other high-profile docs that were expected to be on the list but are not, either because they were not submitted or because they failed to meet the eligibility requirements, include A24’s Marc by Sofia, Oscar winner Sofia Coppola’s portrait of Marc Jacobs, and Oscar winner Questlove’s Hulu film Sly Lives! (aka the Burden of Black Genius).

    The list of eligible international features includes five widely lauded films that are being distributed in the U.S. by Parasite backer Neon and could conceivably all earn nominations: Norway’s Sentimental Value, Brazil’s The Secret Agent, South Korea’s No Other Choice, Spain’s Sirāt and France’s It Was Just an Accident. It Was Just an Accident, which won the Cannes Film Festival’s Palme d’Or, was directed by Jafar Panahi, a filmmaker from Iran but does not reflect well on the country; as a result, Iran submitted the much lower-profile Cause of Death: Unknown, while France submitted It Was Just an Accident, on the basis that much of the film’s financing was French.

    Other countries that made interesting submissions include Japan (GKIDS’ Kokuho, a film about Kabuki performers, which is now the highest-grossing non-animated film in that country’s history); Iraq (Sony Classics’ The President’s Cake won two prizes at Cannes); Belgium (Music Box’s Young Mothers could bring the brothers Jean-Pierre Dardenne and Luc Dardenne the first Oscar noms of their distinguished careers); and Taiwan (Netflix’s Left-Handed Girl, which was co-written by Anora Oscar winner Sean Baker).

    Meanwhile, at least three countries submitted acclaimed documentaries for best international feature consideration: Ukraine (PBS’ 2000 Meters to Andriivka, a doc about a Ukrainian platoon’s fight to retake a city from Russian invaders, which was directed by Mstyslav Chernov, who won the best doc feature Oscar two years ago); North Macdeonia (Nat Geo’s The Tale of Silyan, from Tamara Kotevska, whose 2019 film Honeyland was nominated for best international feature and doc feature Oscars); and Denmark (Mr. Nobody Against, a film about Vladimir Putin’s propaganda efforts, which is still seeking U.S. distribution).

    And the list of animated features includes giant blockbusters like Crunchyroll’s Demon Slayer: Kimetsu no Yaiba Infinity Castle, which is now the highest-grossing Japanese film of all time and the highest-grossing international film in the U.S. of all time, as well as the fifth-highest-grossing film of 2025; streaming hits like Netflix’s KPop Demon Hunters, which is now that streamer’s most watched film ever; acclaimed indies like Neon’s Arco, a French-language critics’ darling that counts Natalie Portman among its producers; and highly-anticipated forthcoming titles like Disney’s Zootopia 2.

    Among the animated films that were expected to contend but are not on the list of eligible titles, either because they were not submitted or because they failed to meet the eligibility requirements, are A24’s Ne Zha 2, Sony’s Paddington in Peru and Paramount’s Smurfs.

    The documentary feature and international feature categories are winnowed down to shortlists before nominations, while the animated feature category goes straight to nominations. Shortlist voting will span Dec. 8-12, 2025, and the announcement of the shortlists will come on Dec. 16. Nominations voting in all categories will span Jan. 12-16, 2026, and the announcement of the nominations will come on Jan. 22, 2026.

    A full list of eligible animated, documentary and international features follows.

    Eligible animated features

    Thirty-five features are eligible for consideration in the Animated Feature Film category for the 98th Academy Awards. Some of the films have not yet had their required qualifying release and must fulfill that requirement and comply with all the category’s other qualifying rules to advance in the voting process.

    To determine the five nominees, members of the Animation Branch are automatically eligible to vote in the category. Academy members outside of the Animation Branch are invited to opt in to participate and must meet a minimum viewing requirement to be eligible to vote in the category. Films submitted in the Animated Feature Film category may also qualify for Academy Awards in other categories, including Best Picture. Animated features that have been submitted in the International Feature Film category as their country’s official selection are also eligible in the category.

    “All Operators Are Currently Unavailable”

    “Arco”

    “The Bad Guys 2”

    “Black Butterflies”

    “Boys Go to Jupiter”

    “Chainsaw Man – The Movie: Reze Arc”

    “ChaO”

    “Colorful Stage! The Movie: A Miku Who Can’t Sing”

    “David”

    “Demon Slayer: Kimetsu no Yaiba Infinity Castle”

    “Dog Man”

    “Dog of God”

    “Dragon Heart – Adventures Beyond This World”

    “Elio”

    “Endless Cookie”

    “Fixed”

    “Gabby’s Dollhouse: The Movie”

    “In Your Dreams”

    “KPop Demon Hunters”

    “The Legend of Hei 2”

    “Light of the World”

    “Little Amélie or the Character of Rain”

    “Lost in Starlight”

    “A Magnificent Life”

    “Mahavatar Narsimha”

    “Night of the Zoopocalypse”

    “Olivia & las Nubes”

    “100 Meters”

    “Out of the Nest”

    “Scarlet””Slide”

    “The SpongeBob Movie: Search for SquarePants”

    “Stitch Head”

    “The Twits”

    “Zootopia 2”

    Eligible documentary features

    Two hundred one features are eligible for consideration in the documentary feature film category for the 98th Academy Awards. Some of the films have not yet had their required qualifying release and must fulfill that requirement and comply with all the category’s other qualifying rules to advance in the voting process.

    Documentary features that have won a qualifying film festival award or have been submitted in the international feature film category as their country’s official selection are also eligible in the category. Films submitted in the documentary feature film category may also qualify for Academy Awards in other categories, including best picture. Members of the documentary branch vote to determine the shortlist and the nominees. The shortlist of 15 films will be announced on Tuesday, Dec. 16, 2025.

    “Abby’s List, A Dogumentary”

    “Ada – My Mother the Architect”

    “Afternoons of Solitude”

    “The Age of Disclosure”

    “Ai Weiwei’s Turandot”

    “The Alabama Solution”

    “All God’s Children”

    “The Altar Boy, the Priest and the Gardener”

    “Always”

    “Amakki”

    “American Sons”

    “Among Neighbors”

    “animal.”

    “Antidote”

    “Apocalypse in the Tropics”

    “Architecton”

    “Are We Good?”

    “Art for Everybody”

    “Art Spiegelman: Disaster Is My Muse”

    “The Art Whisperer”

    “Artfully United”

    “Assembly”

    “BTS ARMY: Forever We Are Young”

    “Becoming Led Zeppelin”

    “Being Eddie”

    “Below the Clouds”

    “Benita”

    “Between the Mountain and the Sky”

    “Beyond the Gaze: Jule Campbell’s Swimsuit Issue”

    “Billy Idol Should Be Dead””BLKNWS: Terms & Conditions”

    “Blum: Masters of Their Own Destiny”

    “Bodyguard of Lies”

    “Brothers after War”

    “Can’t Look Away: The Case against Social Media”

    “Caterpillar”

    “Champions of the Golden Valley”

    “Checkpoint Zoo”

    “Cheech & Chong’s Last Movie”

    “Child of Dust”

    “Chronicles of Disney”

    “Coexistence, My Ass!”

    “Come See Me in the Good Light”

    “Complicated”

    “Cover-Up”

    “Cracking the Code: Phil Sharp and the Biotech Revolution”

    “Cutting through Rocks”

    “Dalit Subbaiah”

    “The Dating Game”

    “Deaf President Now!”

    “Democracy Noir”

    “Diane Warren: Relentless”

    “Dog Warriors”

    “Drop Dead City”

    “The Duel We Missed”

    “El Canto de las Manos”

    “Elie Wiesel: Soul on Fire”

    “The Encampments”

    “Endless Cookie”

    “Europe’s New Faces”

    “Facing War”

    “Fatherless No More”

    “Fiume o Morte!”

    “Folktales”

    “Food Delivery: Fresh from the West Philippine Sea”

    “For the Living”

    “14 Short Films about Opera”

    “From Island to Island”

    “Ghost Boy”

    “Girl Climber”

    “Go to the People”

    “Goodbye Horses: The Many Lives of Q Lazzarus””Grand Theft Hamlet”

    “Heaven. Poste Restente”

    “Heightened Scrutiny”

    “Holding Liat”

    “I Know Catherine, the Log Lady”

    “I, Poppy”

    “I Was Born This Way”

    “If You Tell Anyone”

    “I’m Not Everything I Want to Be”

    “I’m Only Blind”

    “Imago”

    “In Limbo”

    “In Waves and War”

    “In Whose Name?”

    “Israel Palestine on Swedish TV 1958 -1989”

    “It’s Never Over, Jeff Buckley”

    “Janis Ian: Breaking Silence”

    “The King of Color”

    “The Last Class”

    “The Last Holocaust Secret”

    “The Last Philadelphia”

    “The Last Twins”

    “Li Cham (I Died)”

    “The Librarians”

    “Life After”

    “Lilith Fair: Building a Mystery – The Untold Story”

    “Liza: A Truly Terrific Absolutely True Story”

    “Love+War”

    “Mahamantra – The Great Chant”

    “The Man Who Saves the World?”

    “A Man with Sole: The Impact of Kenneth Cole”

    “Marlee Matlin: Not Alone Anymore”

    “Meanwhile”

    “Men of War”

    “Mighty Indeed”

    “Mr. Nobody against Putin”

    “Mistress Dispeller”

    “Monk in Pieces”

    “My Armenian Phantoms”

    “My Mom Jayne: A Film by Mariska Hargitay”

    “My Undesirable Friends: Part I – Last Air in Moscow”

    “Natchez””The New Yorker at 100”

    “Night in West Texas”

    “1985: Heroes among Ruins – The Triumph of the People”

    “Norita”

    “Of Mud and Blood”

    “One to One: John and Yoko”

    “Orwell 2+2=5”

    “Our Time Will Come”

    “Out of Plain Sight”

    “Paint Me a Road Out of Here”

    “Paparazzi”

    “The Parish of Bishop John”

    “Pavements”

    “The Perfect Neighbor”

    “The Pool”

    “Predators”

    “Prime Minister”

    “The Prince of Nanawa”

    “Put Your Soul on Your Hand and Walk”

    “Rebel with a Clause”

    “Remaining Native”

    “Riefenstahl”

    “Rise Up! 14 Short Films about Alliance for Positive Change”

    “River of Grass”

    “The Road between Us: The Ultimate Rescue”

    “The Rose: Come Back to Me”

    “Row of Life”

    “Sanatorium”

    “A Savage Art”

    “Schindler Space Architect”

    “Secret Mall Apartment”

    “Seeds”

    “Selena y Los Dinos”

    “Sensory Overload”

    “76 Days Adrift”

    “Shari & Lamb Chop”

    “The Shepherd and the Bear”

    “Shoot the People”

    “Shuffle”

    “The Six Billion Dollar Man”

    “67 Bombs to Enid”

    “Slumlord Millionaire””Songs from the Hole”

    “Soul of a Nation”

    “Speak.”

    “Stans”

    “Steve Schapiro: Being Everywhere”

    “Stiller & Meara: Nothing Is Lost”

    “Stop the Insanity: Finding Susan Powter”

    “Story of My Village”

    “Strange Journey: The Story of Rocky Horror”

    “The Stringer”

    “Suburban Fury”

    “Sudan, Remember Us”

    “Supercar Saints”

    “Swamp Dogg Gets His Pool Painted”

    “The Tale of Silyan”

    “Thank You Very Much”

    “There Was, There Was Not”

    “Third Act”

    “This Ordinary Thing”

    “Through the Fire (The Eaton Fire: The Aftermath)”

    “Torn: The Israel -Palestine Poster War on New York City Streets”

    “Trade Secret”

    “Trains”

    “Twin Towers: Legacy”

    “2000 Meters to Andriivka”

    “Unbanked”

    “UnBroken”

    “Under the Flags, the Sun”

    “Unseen Innocence”

    “Viktor”

    “Viva Verdi!”

    “WTO/99”

    “Walk with Me”

    “Walls – Akinni Inuk”

    “We Were Here – The Untold History of Black Africans in Renaissance Europe”

    “Welded Together”

    “The White House Effect”

    “Who in the Hell Is Regina Jones?”

    “Wisdom of Happiness”

    “The Wolves Always Come at Night”

    “Worth the Fight”

    “Writing Hawa”

    Eligible international features

    Eighty-six countries or regions have submitted films that are eligible for consideration in the International Feature Film category for the 98th Academy Awards.

    An international feature film is defined as a feature-length motion picture (more than 40 minutes) produced outside the United States with a predominantly (more than 50 percent) non-English dialogue track.

    Academy members from all branches are invited to opt in to participate in the preliminary round of voting and must meet a minimum viewing requirement to be eligible to vote in the category. The shortlist of 15 films will be announced on Tuesday, Dec. 16, 2025.

    Albania, “Luna Park”

    Argentina, “Belén”

    Armenia, “My Armenian Phantoms”

    Australia, “The Wolves Always Come at Night”

    Austria, “Peacock”

    Azerbaijan, “Taghiyev: Oil”

    Bangladesh, “A House Named Shahana”

    Belgium, “Young Mothers”

    Bhutan, “I, the Song”

    Bolivia, “The Southern House”

    Bosnia and Herzegovina, “Blum: Masters of Their Own Destiny”

    Brazil, “The Secret Agent”

    Bulgaria, “Tarika”

    Canada, “The Things You Kill”

    Chile, “The Mysterious Gaze of the Flamingo”

    China, “Dead to Rights”

    Colombia, “A Poet”

    Costa Rica, “The Altar Boy, the Priest and the Gardener”

    Croatia, “Fiume o Morte!”

    Czech Republic, “I’m Not Everything I Want to Be”

    Denmark, “Mr. Nobody against Putin”

    Dominican Republic, “Pepe”

    Ecuador, “Chuzalongo”

    Egypt, “Happy Birthday”

    Estonia, “Rolling Papers”

    Finland, “100 Liters of Gold”

    France, “It Was Just an Accident”Georgia, “Panopticon”

    Germany, “Sound of Falling”

    Greece, “Arcadia”

    Greenland, “Walls – Akinni Inuk”

    Haiti, “Kidnapping Inc.”

    Hong Kong, “The Last Dance”

    Hungary, “Orphan”

    Iceland, “The Love That Remains”

    India, “Homebound”

    Indonesia, “Sore: A Wife from the Future”

    Iran, “Cause of Death: Unknown”

    Iraq, “The President’s Cake”

    Ireland, “Sanatorium”

    Israel, “The Sea”

    Italy, “Familia”

    Japan, “Kokuho”

    Jordan, “All That’s Left of You”

    Kyrgyzstan, “Black Red Yellow”

    Latvia, “Dog of God”

    Lebanon, “A Sad and Beautiful World”

    Lithuania, “The Southern Chronicles”

    Luxembourg, “Breathing Underwater”

    Madagascar, “Disco Afrika: A Malagasy Story”

    Malaysia, “Pavane for an Infant”

    Mexico, “We Shall Not Be Moved”

    Mongolia, “Silent City Driver”

    Montenegro, “The Tower of Strength”

    Morocco, “Calle Malaga”

    Nepal, “Anjila”

    Netherlands, “Reedland”

    North Macedonia, “The Tale of Silyan”

    Norway, “Sentimental Value”

    Palestine, “Palestine 36”

    Panama, “Beloved Tropic”

    Paraguay, “Under the Flags, the Sun”

    Peru, “Kinra”

    Philippines, “Magellan”

    Poland, “Franz”

    Portugal, “Banzo”

    Romania, “Traffic”

    Saudi Arabia, “Hijra”

    Serbia, “Sun Never Again”Singapore, “Stranger Eyes”

    Slovakia, “Father”

    Slovenia, “Little Trouble Girls”

    South Africa, “The Heart Is a Muscle”

    South Korea, “No Other Choice”

    Spain, “Sirât”

    Sweden, “Eagles of the Republic”

    Switzerland, “Late Shift”

    Taiwan, “Left -Handed Girl”

    Tunisia, “The Voice of Hind Rajab”

    Turkey, “One of Those Days When Hemme Dies”

    Uganda, “Kimote”

    Ukraine, “2000 Meters to Andriivka”

    United Kingdom, “My Father’s Shadow”

    Uruguay, “Don’t You Let Me Go”

    Venezuela, “Alí Primera”

    Vietnam, “Red Rain”

    Scott Feinberg

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  • Michael B. Jordan Can Count Tom Cruise as a Fan: “I Admire Your Talent”

    Vanity Fair Hollywood Issue cover star Michael B. Jordan was the man of the hour at Thursday’s 39th annual American Cinematheque Awards. The actor, producer, and director received the night’s main honor, joining a group of past recipients that includes Martin Scorsese, Denzel Washington, and Julia Roberts. The ceremony also recognized Charles Rivkin, chairman and CEO of the Motion Picture Association, with the Power of Cinema Award, presented by NBCUniversal Entertainment chairman Donna Langley.

    The night was organized around different moments in Jordan’s career, each represented by a different celebrity friend. Ben Affleck, Mahershala Ali, Octavia Spencer, Tessa Thompson, Bradley Cooper, Daniel Kaluuya, and Delroy Lindo all made speeches.

    Naturally, Jordan’s longtime collaborator Ryan Coogler presented him with his actual award at the end of the night. But not before a surprise video from Tom Cruise played for the audience. “I’ve been watching your career grow over these many years,” Cruise told Jordan. “I admire your talent, your dedication, your constant willingness to learn and push the boundaries of storytelling. Most recently, with Sinners, you gave another outstanding performance. Well, actually, you gave two outstanding performances.” Coogler joked afterward that he was not prepared to follow Cruise, but would do his best.

    Coogler has worked with Jordan since making his feature directorial debut with 2013’s Fruitvale Station. The filmmaker spoke about their deep connection and collaboration over the years, which began when Coogler cast him in the film. He told a story about meeting Jordan at a Starbucks across the street from Forest Whitaker’s production office and thinking to himself, “I don’t think he knows how big he is…. He’s a movie star in the making.” Later in his conversation with Jordan, Coogler told his future collaborator, “‘I think you’re a star. Let’s do this project together and show the world.’ And this dude looked back at me like it was the first time somebody told him that.” Jordan yelled back from the audience, “It was!” The rest was history, with the duo working together on the Creed series, Black Panther, and then Sinners.

    Jordan got emotional throughout the night, especially during Coogler’s presentation. “Everybody talks about chasing dreams,” Jordan said. “Nobody really talks about how to build. What does it actually mean to build? How do you will the thought into existence? I stand on the shoulders of giants and my ancestors.” Jordan thanked his family, especially his mother, whom he called the artist of his family and who sat next to him at the event. “We said our stories deserve to be told, and people overwhelmingly responded,” Jordan said of his collaborations with Coogler. “Kids saw themselves on screens in ways they hadn’t. And that was the whole point.”

    John Ross

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  • ‘Sinners’ Swings With Three Wins At Hollywood Music In Media Awards; “Golden” Night For ‘KPop Demon Hunters’ – Full List

    Ryan Coogler’s Sinners was the big winner at the 16th annual Hollywood Music in Media Awards on Wednesday night, picking up three statuettes including Best Score and Song for a feature film and Best On-Screen Performance. The latter two wins were for “I Lied to You,” which was written by Raphael Saadiq and Ludwig Göransson and performed by Miles Caton. Göransson also picked up the Score trophy.

    The documentary Diane Warren: Relentless and Fabrizio Mancinelli for indie feature Out of the Nest were the other multiple winners, snagging two statuettes each during the ceremony at the Avalon in Hollywood. There also were double wins from the Wicked world: Director Jon M. Chu took the inaugural HMMA for Music-Themed Film, Biopic or Musical for Wicked: For Good — which will storm theaters around the world on Friday — and the TV special Wicked: One Wonderful Night won for Music Performance / Special Program.

    The juggernaut film KPop Demon Hunters tracked down a Best Song – Animated Film trophy for the No. 1 pop single “Golden,” and the title tune from Spike Lee’s Highest 2 Lowest picked up the Best Song – Independent Film prize. Diane Warren won Best Song – Documentary for “Dear Me.”

    Lady Gaga and Andrew Watt also were among the HMMA winners, taking Best Song – TV Show/Limited Series for the Gaga-sung “The Dead Dance” from Tim Burton’s Wednesday.

    Here are all the winners at the 2025 Hollywood Music in Media Awards:

    SONG – FEATURE FILM
    “I Lied To You” from Sinners. Written by Raphael Saadiq and Ludwig Göransson. Performed by Miles Caton

    SONG – INDEPENDENT FILM
    “Highest 2 Lowest” from Highest 2 Lowest. Written By Aiyana-Lee Anderson and Nicole Daciana Anderson. Performed by Aiyana-Lee

    SONG – DOCUMENTARY FILM
    “Dear Me” from Diane Warren: Relentless. Written by Diane Warren. Performed by Kesha and Diane Warren

    SONG – ANIMATED FILM
    “Golden” from Kpop Demon Hunters. Written by EJAE, Mark Sonnenblick, Joong Gyu Kwak, Yu Han Lee, Hee Dong Nam, Jeong Hoon Seo, Park Hong Jun. Performed by EJAE, Audrey Nuna, and Rei Ami

    SONG – ON-SCREEN PERFORMANCE (FILM)
    Miles Caton – “I Lied to You” from Sinners

    SCORE – ANIMATED FILM
    Tom Howe – Dog Man

    SCORE – FEATURE FILM
    Ludwig Göransson – Sinners

    SCORE – SCI-FI/FANTASY FILM
    Simon Franglen – Avatar: Fire and Ash

    SCORE – TV SHOW/LIMITED SERIES
    Theodore Shapiro – Severance

    SCORE – INDEPENDENT FILM
    Jeff Beal – Rule Breakers

    SCORE – INDEPENDENT FILM (FOREIGN LANGUAGE)
    Fabrizio Mancinelli – Out of the Nest

    SCORE – HORROR/THRILLER FILM
    Benjamin Wallfisch – Wolf Man

    SCORE – DOCUMENTARY
    Anne Nikitin – Pangolin – Kulu’s Journey

    MUSIC-THEMED FILM, BIOPIC OR MUSICAL
    Wicked: For Good – Jon M. Chu (director)

    MUSIC DOCUMENTARY – SPECIAL PROGRAM
    Diane Warren: Relentless – Bess Kargman (director)

    SONG – TV SHOW/LIMITED SERIES
    “The Dance” from Wednesday. Written by Lady Gaga and Andrew Watt. Performed by Lady Gaga

    SONG – ON-SCREEN PERFORMANCE – TV SHOW/LIMITED SERIES
    Kevin Bacon and Jennifer Nettles – “Our Highway” (The Bondsman S1) Written by Kevin Bacon and Jennifer Nettles

    MAIN TITLE – TV SHOW/LIMITED SERIES
    Your Friends & Neighbors – Dominic Lewis and Hamilton Leithauser

    SCORE – SHORT FILM (LIVE ACTION)
    Carl Thiel – El Lazo De Petra

    SCORE – SHORT FILM (ANIMATED)
    Qing Madi – Valorant

    SCORE – SHORT FILM (DOCUMENTARY)
    Benjamin Westphalen – A Dream Called Khushi (Happiness)

    SCORE – INDEPENDENT FILM (FOREIGN LANGUAGE)
    Fabrizio Mancinelli – Out of the Nest

    SCORE – DOCUMENTARY SERIES -TV/DIGITAL
    Duncan Thum and David Bertok – Chef’s Table: Legends

    SCORE – TV SHOW/LIMITED SERIES (FOREIGN LANGUAGE)
    Arturo Cardelús – Terra Alta

    SCORE – VIDEO GAME (CONSOLE & PC)
    League Of Legends: Welcome to Noxus – League of Legends (Bill Hemstapat, Sebastien Najand, Alex Seaver, J.D. Spears, Alexander Temple, Richard Thomson, Seth Tsui, Gong Ao, Merlin Cen)

    SONG – VIDEO GAME (CONSOLE & PC)
    “Against the Tide” from Wuthering Waves. Written by Obadiah Brown-Beach. Performed by Forts and Obadiah Brown-Beach.

    SONG/SCORE – MOBILE VIDEO GAME
    AFK Journey – Alec Justice

    MUSIC SUPERVISION – TV SHOW/LIMITED SERIES
    Sean Fernald – Dexter: Resurrection

    MUSIC SUPERVISION – FILM
    Nick Angel – Bridget Jones: Mad About The Boy

    MUSIC SUPERVISION – VIDEO GAME
    Steve Schnur – Battlefield 6

    SONG/SCORE – COMMERCIAL ADVERTISEMENT
    Apple: 6 Out Of 5 Stars – Silo: Music – Neil Ormandy, Linkoln, and Allen Stone

    SOUNDTRACK ALBUM
    F1 – Atlantic Records

    SONG – SHORT FILM
    “Stars In My Eyes” from Sweetwater. Written by Sean Douglas. Performed by Kyra Sedgwick

    SCORE – TV/STREAMED MOVIE
    Bridget Jones: Mad About The Boy – Dustin O’Halloran

    MUSIC DESIGN – TRAILER
    Necaxa (FX – Hulu) – Juan Carlos Enriquez

    MAIN TITLE – TV SHOW (FOREIGN LANGUAGE)
    On the High Seas – Sandrine Rudaz

    MUSIC VIDEO (INDEPENDENT)
    Evanescence – “Afterlife”

    LIVE CONCERT FOR VISUAL MEDIA
    The Lion King at the Hollywood Bowl – The Lion King Cast

    EXHIBITIONS, THEME PARKS, SPECIAL PROJECTS
    “Opening” Walt Disney World’s Epcot: Test Track – Zain Effendi

    SONG/SCORE – NEW MEDIA
    La Pandora’s Box Written by Victoria Dawson, Nadeem Majdalany, Camille J. Thomas, Carmen A. Thomas, Shannon K., Luke Shrestha, Simon Jay. Performed by memyself&vi

    MUSIC PERFORMANCE / SPECIAL PROGRAM
    Wicked: One Wonderful Night

    SONG – DOCUMENTARY SERIES – TV/LIMITED SERIES
    “Go Steady” from Parenthood. Written by Tom Howe and Sam Ryder

    Erik Pedersen

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  • Three Philly restaurants earn stars in Michelin Guide’s first review of the city’s dining scene

    • Her Place Supper Club (1740 Sansom St., Rittenhouse): Before opening My Loup, Amanda Shulman created Her Place Supper Club in 2021 after working at a few Vetri restaurants and Momofoku Ko. The restaurant began as a pop-up supper club, so the menu changes frequently, although it tends to lean French and Italian. Michelin said Her Place Supper Club was “accomplished and beautifully balanced.”  

    Friday Saturday SundayFriday Saturday SundayJon Tuleya/PhillyVoice

    Friday Saturday Sunday, located at 261 S. 21st St. in Rittenhouse, earned one Michelin star, with the reviewers saying ‘expect an atmosphere as spirited and enjoyable as the food on the menu.’

    • Friday Saturday Sunday (261 S. 21st St., Rittenhouse): The Center City spot serves contemporary American cuisine and won a James Beard award in 2023. It was included on the 50 Best brand’s North America’s 50 Best Restaurants, and the establishment’s head bartender Paul MacDonald was recently named one of Wine Enthusiast’s Future 40 Tastemakers. Michelin said “expect an atmosphere as spirited and enjoyable as the food on the menu.”

    Owners Chad and Hanna Williams said it was an unexpected honor. 

    “We were terrified,” Chad Williams said. “Everybody said, ‘Oh, you’re gonna get it. You’re gonna get it.’ And we were a mess. … We’re just happy to get the recognition, and it kind of puts a little more fire under us.”

    Hanna Williams added: “You work your whole life for it so it’s incredible when it happens.”

    Provenance BazikProvenance BazikMichaela Althouse/PhillyVoice

    Provenance chef Nicholas Bazik, center, stands on stage to accept the honor of his restaurant earning a Michelin star.

    • Provenance (408 S. 2nd St., Society Hill): The 25-seat restaurant inside an old rowhome merges French cuisine with a bit of Korean flavors in a seafood-heavy tasting menu. In September, Bon Appétit included it in its roundup of the 20 best new restaurants in the country. Michelin said its “high-stakes performance is defined by precision, harmony and of course based on Korean and French influences.”

    “We’ve only been open for a year and so this is quite amazing,” Bazik said. “We’ve worked really hard, and we’re just really happy to be part of the conversation and to be extended beyond that is just incredible.”

    Bib Gourmand awards

    The star awards tend to favor fine-dining restaurants, which come at a high cost to consumers. But in 1997, the Bib Gourmand award was introduced for eateries with meals at a relatively reasonable price. Price limits vary by region based on the cost of living. Michelin said that Bib Gourmand awardees often offer simpler dishes that are easy-to-eat and easily recognizable, and that they will “also leave you with a sense of satisfaction, at having eaten so well at such a reasonable price.” 

    Here are the Philly restaurants that were awarded a Bib Gourmand:

    • Angelo’s (736 S. 9th St.)

    • Dalessandro’s (600 Wendover St.)

    • Del Rossi’s (538 N. 4th St.)

    • Dizengoff (1625 Sansom St.)

    • El Chingon (1524 S. 10th St.)

    • Fiorella (817 Christian St.)

    • 4th Street Deli (700 S 4th St.)

    • Pizzeria Beddia (1313 N. Lee St.)

    • Royal Sushi & Izakaya (780 S. 2nd St.)

    • Sally (2229 Spruce St.)

    The Green Star

    Pietramala, a vegan spot at 614 N. 2nd St. in Northern Liberties, was awarded a Green Star, which recognizes restaurants with sustainable practices that source ingredients from eco-friendly suppliers and reduce wasteful materials in their kitchens.  

    Ian Graye of Pietramala,Ian Graye of Pietramala,Michaela Althouse/PhillyVoice

    Chef Ian Graye of Pietramala was awarded a Michelin Green Star for his restaurant’s dedication to sustainability.

    Michaela Althouse

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  • Tom Cruise Is Finally an Oscar Winner at 2025 Governors Awards

    Even in a room full of movie stars, no one shines brighter than Tom Cruise.

    The four-time nominee finally got his Oscar Nov. 16 at the annual Governors Awards—where, in front of a star-studded crowd, he accepted his golden statue while emphasizing his lifelong dedication to the art form. “Making films is not what I do,” Cruise said. “It’s who I am.”

    Along with Cruise, director/choreographer/actor Debbie Allen and production designer Wynn Thomas were given Academy Honorary Awards, while Dolly Parton was honored with the Dean Hersholt Humanitarian Award at the event—an opportunity for the Academy to highlight industry titans who may or may not have received competitive Oscars.

    The annual event at Hollywood’s Ray Dolby ballroom is packed with stars, many of whom are currently on the campaign trail for next year’s Oscars. It’s the sort of event where you’ll walk into a crowded elevator with Guillermo del Toro, Joseph Kosinski, and Jafar Panahi—where the Frankenstein director will tell the Top Gun Maverick filmmaker, “You clean up nice.” Dwayne Johnson makes his way through the crowded ballroom room hand-in-hand with his Smashing Machine co-star Emily Blunt; Austin Butler wanders by to talk to Joe Alwyn and Josh O’Connor; One Battle After Another stars Chase Infiniti and Teyana Taylor are huddled in a corner with Michael B. Jordan and Jacob Elordi. Adam Sandler yells “it’s the boys!” when he sees his Uncut Gems directors, Benny and Josh Safdie across the room, and rushes to give them a warm embrace. Leonardo DiCaprio’s there too, though he doesn’t wander around the room—instead spending most of his time at his table with his One Battle After Another co-star and fellow Oscar winner Benico del Toro.

    But when it was time to honor Cruise, the stars quieted down, and all the focus turned to a man who had built his whole career around movies. After an introduction by director Alejandro iñárritu—Cruise is starring in his next movie—and a montage of clips from his greatest films, Cruise took the stage to accept his award. He spoke very little about himself, instead shining a spotlight on the other honorees, then all the agents, execs, actors, and directors who helped him along the way. Cruise spoke passionately about the unifying quality of watching a movie in theaters. “No matter where we come from in that theater, we laugh, we feel together, we hope together. That is why it matters to me,” he said. “Making films is not what I do – it’s who I am.”

    Cruise, who was previously nominated as an actor for Born on the Fourth of July, Jerry Maguire, and Magnolia and as a producer on Top Gun: Maverick, promised that this lifetime achievement Oscar didn’t mean his moviemaking career was coming to an end.“I want you to know that I will always do everything I can to support and champion new voices, to protect what makes cinema powerful – and hopefully to do it without too many more broken bones,” said Cruise.

    Rebecca Ford

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  • Timothée Chalamet and Adam Sandler Unite for ‘Vanity Fair’ Scene Selection Live

    After watching a scene from Dune: Part Two, Chalamet revealed he had only wrapped filming Part Three of the series four days before. “It’s moving for me that something as out there as Dune has taken a personal resonance for me,” said Chalamet. “I’m tearing up watching that scene. I’ve grown up through those movies.” The film, set to be released at the end of next year, marks the conclusion of the Denis Villeneuve-directed trilogy.

    After watching SNL’s “The Herlihy Boy House-Sitting Service” sketch, Sandler spoke about his relationship with his late friend Chris Farley. “He was by far the funniest dude on the planet,” said Sandler. “Every comedian, it was unanimous that we all said he was the funniest. There was no competition.” Before they taping an episode of SNL, Sandler said that Farley would joke with him backstage that he was going to get him to break—a big no-no for Lorne Michaels.

    Courtesy of Netflix.

    Both actors spoke highly of working with Safdie. Josh and his brother Benny directed Sandler in Uncut Gems, pushing the actor outside his comfort zone. “I’d be scared to do some shit and feel like I couldn’t do it,” said Sandler. “Or I’d feel foolish, or maybe I don’t want to be seen like that. But I just dove in.” Chalamet said he had a similar experience making Marty Supreme. “Josh gave me this opportunity where I feel empowered to be something I would almost be wary of being in this day and age, which is to be openly aspirational. I feel ike the goal of my life is to focus on this acting thing, the way Marty Mauser is locked in on ping pong.”

    The night ended in a surprise two-on-two basketball game, with Sandler and Chalamet taking on two students from the crowd. The actors sparred, but ultimately lost 3-1 while the fans cheered them on. Kid Cudi, who appeared earlier this year in Sandler’s Happy Gilmore 2, and Josh Safdie both attended the conversation as well, with Chalamet giving Cudi a shout-out as one of his major inspirations. The two actors greeted fans after the basketball game as guests left the gymnasium to head back out into the rain. The full video of Sandler and Chalamet’s conversation will be posted in December.

    John Ross

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  • The SAG Awards Get a Facelift: Call Them the Actor Awards Now

    The Screen Actors Guild Awards were first handed out 30 years ago—a lifetime in Hollywood. It’s only natural, then, for the ceremony to get a little nip and tuck. Vanity Fair can exclusively reveal that, as of this year, the annual awards show honoring performers in film and television will be known as the Actor Awards, presented by SAG-AFTRA.

    This major change comes on the heels of several notable shifts for the event, which most people call the SAG Awards. The SAG Awards ditched cable in 2023 to stream live on Netflix’s YouTube channel, moving to the streamer’s actual platform in 2024. Having increased global reach motivated the guild’s leadership to consider a name that felt more universal. “The evolution of this has been a long time coming,” showrunner Jon Brockett tells VF. “We really want the show to grow beyond just a domestic audience, and I think something simple and straightforward like the Actor Awards is a way to identify who we are very quickly and very easily.”

    Conversations about a name change have been percolating since at least 2012, when the Screen Actors Guild (SAG) and the American Federation of Television and Radio Artists (AFTRA) merged to create a single union called SAG-AFTRA. “We were trying to figure out how we now make it clear that our union name has changed, but that we’re still the same show. And the continuity of it is the actor,” says SAG Awards Committee chair JoBeth Williams.

    The new name rolls off the tongue a bit more easily, and is also a logical fit for the show’s priorities. This star-studded event allows actors to honor their peers with a handmade 12-pound bronze statuette that’s also called “the Actor.” The statuette, which features a nude male figure holding both a mask of comedy and a mask of tragedy, has been an emblem of the event since its inception in 1995.

    The SAG Awards are considered by many actors to be one of the most important stops of the season. The awards’ winners sometimes surge in the acting races, though just as often this voting body’s choices don’t align with those of the Academy in closely contested races. Just earlier this year, for example, Conclave won best ensemble at the SAG Awards, while A Complete Unknown’s Timothée Chalamet won for lead actor; neither was victorious in the corresponding categories at the Oscars.

    Rebecca Ford

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  • Charlotte shines at the Michelin awards: Which restaurants were honored?

    The articles discuss the Michelin Guide American South, highlighting how Charlotte restaurants feature prominently in the awards. They reveal which eateries received honors, showcasing the emerging food scene in the Carolinas.

    “Charlotte restaurants win big, celebrate Michelin Guide American South honors” reports that the tasting restaurant Counter- earned both a Michelin Star and a Green Star.

    Additionally, Lang Van received a Bib Gourmand.

    Chef Joe Kindred’s restaurants, including Hello, Sailor, earned recommended status along with Restaurant Constance.

    “All the NC restaurants recognized in the Michelin Guide American South” outlines various recognition levels, such as Michelin Stars, Bib Gourmand, and Recommended. It lists which North Carolina restaurants received these honors across multiple cuisines.

    “Why is there a dash in Counter-? The story behind Charlotte’s Michelin Star restaurant” focuses on Counter-, which won a Michelin Star and a Green Star, as well as its founder’s vision. It describes how the restaurant pushes culinary boundaries with its creative tasting menu.

    Michelin Guides director Gwendal Poullennec, chef/owner Sam Hart of Counter-, executive beverage director Michael Myers of Counter- and Michelin Guide American South ceremony host Java Ingram gather on stage with Michelin Man mascot Bibendum on Monday, Nov. 3 as Counter- was awarded one Michelin Star in addition to a Michelin Green Star. By Heidi Finley

    NO. 1: CHARLOTTE RESTAURANTS WIN BIG, CELEBRATE MICHELIN GUIDE AMERICAN SOUTH HONORS

    Michelin Guide officials announced selections for the new American South version of the little red book on Monday, with several Charlotte eateries highlighted among the region’s best restaurants. | Published November 4, 2025 | Read Full Story by Heidi Finley



    Rada is a new contemporary American restaurant serving up vegetable-forward, European-inspired cuisine on Selwyn Ave. By Laura Pol

    NO. 2: ALL THE NC RESTAURANTS RECOGNIZED IN THE MICHELIN GUIDE AMERICAN SOUTH

    Restaurants named in the Michelin Guide American South have been announced, and now is the perfect time to get a taste of what the food scene has been buzzing about all year. | Published November 3, 2025 | Read Full Story by Heidi Finley



    Gwendal Poullennec, international director of the Michelin Guides, sat down with CharlotteFive for an in-depth interview on Tuesday, Nov. 4 in Greenville, SC, after the announcement of selections for the Michelin Guide American South. By Heidi Finley

    NO. 3: MEET THE REAL MICHELIN MAN, THE FRENCH EXECUTIVE RUNNING THE MICHELIN GUIDES

    With the announcement of the Michelin Guide American South, the Carolinas’ culinary scene is making its presence known. | Published November 4, 2025 | Read Full Story by Heidi Finley



    Joe Cash’s Scoundrel restaurant in Greenville, SC, was awarded one star from Michelin.

    NO. 4: 4 SC RESTAURANTS EARN MICHELIN STARS — A FIRST FOR THE SOUTH. HERE’S WHO WAS HONORED

    Four South Carolina restaurants have been awarded one star in the inaugural selection of the Michelin Guide for the American South. | Published November 4, 2025 | Read Full Story by Lyn Riddle



    A 2021 menu at Counter- restaurant in Charlotte was an origami paper fortune teller design. By Alex Cason

    NO. 5: WHY IS THERE A DASH IN COUNTER-? THE STORY BEHIND CHARLOTTE’S MICHELIN STAR RESTAURANT

    Charlotte’s dining scene reached a new milestone Monday, Nov. | Published November 4, 2025 | Read Full Story by CharlotteFive staff

    The summary above was drafted with the help of AI tools and edited by journalists in our News division. All stories listed were reported, written and edited by McClatchy journalists.

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  • Grammys 2026 Nominations: The Biggest Snubs and Surprises

    Listen here. The 2026 Grammy nominations were announced Friday morning, marking honors for artists such as Lady Gaga—who surpassed her own nomination record this year by getting seven, including album of the year. Super Bowl 2026 halftime performer Bad Bunny did well, scoring six of his own; so did last year’s headliner, Kendrick Lamar, who scooped up nine. Sabrina Carpenter is standing tall with a half-dozen nods, including for album, record, and song of the year—all three of the night’s biggest awards.

    Sure, it’s an honor just to be nominated. But that doesn’t mean we can’t have strong opinions about those nominations, right?

    Vanity Fair’s staff of cultural experts erupted with opinions while taking in the nods this morning: There was jubilation for Addison Rae’s best new artist nod, and a raised eyebrow at the total exclusion of Lorde from the list. There was also confusion: what exactly is the difference between a contemporary country album and a traditional country album? And while we love Doechii’s “Anxiety,” doesn’t that song feel like it’s been around for tens of years—how is it still eligible for Grammys?

    No, we’re not inviting you into our Slack channel—members only! But below, find the VF staff’s hot (and correct) takes on the biggest snubs and surprises of the 2026 Grammy nominations.

    SNUB: Lorde Gets Shut Out

    Lorde is hardly a Grammy virgin, having won two awards for her debut song “Royals”. Since then, she’s had a complicated relationship with the Recording Academy. Her second album, Melodrama, was nominated for album of the year, but she was not asked to perform solo come Grammy night. Fans noticed, and that decision was swept up in the online discourse about how the Recording Academy treats female artists. Since then, Lorde has struggled to get recognition from the group. Her most recent album, Virgin, was seen as a return to form—and while it didn’t produce major hits like “Royals,” it felt in the same vein as Melodrama, an album with a loyal and dedicated fanbase that went on to become very influential in pop music. Sadly, Grammy voters weren’t feeling it for Lorde. She didn’t receive one nomination this morning, not even in the smaller categories. —John Ross

    SURPRISE: Addison Rae Is in for Best New Artist

    “Fame is a Gun,” and Addison Rae has it pointed at the best new artist category. Rae fell on, and then off, every prediction list for this award—but when the announcement was finally made, she clinched the nomination as pop music fans rejoiced. Though her album, Addison, was widely praised by critics, many thought the Grammy voters wouldn’t understand her brand of pop, and the many nods she makes to artists like Lana Del Rey and Britney Spears. Her origin story as a TikTok star, also didn’t help. But it turns out voters liked what she was doing. During the voting period, Rae happened to be on tour; she delivered solid live performances on The Tonight Show and at the Grammy museum, which could have put her over the top. Now please put your headphones on, and listen to one of the best pop albums of the year if you haven’t already. —JR

    SNUB: Elton John & Brandi Carlile’s “Who Believes in Angels?” in Album of the Year

    An album that was made in a factory for Grammy voters was surprisingly snubbed this morning—proof, perhaps, that as the Recording Academy expands its membership, some of these typical shoo-ins are going by the wayside. Elton John has never won album of the year, despite being nominated for the category three times, and the sentiment that he was owed another chance is why many expected his album with Brandi Carlile to be nominated. But this was a very crowded year in music, and unfortunately for Elton, the album never really took off. —JR

    SNUB: “DAISIES” Was Not “Clocking” to Voters

    Despite originating what Alex Warren deniers would call the song of the summer with “Daisies,” Justin Bieber got little love in the Grammys’ big three categories. His surprise R&B album SWAG came on the heels of Bieber’s infamous “standing on business” paparazzi video, offering prodigious instrumentation and an ode to the Rhode lip-gloss-carrier iPhone case—the makings of a great album. And though it was evidently great enough for album of the year, Bieber was blanked in record and song of the year. Maybe that snub is attributable to the subsequent release of his spotty (and shockingly long) SWAG II—evidence that sequels sometimes make things worse. —Abigail Sylvor Greenberg

    SURPRISE: Harlequin Squeaks into Best Traditional Pop Album

    Though it’s no surprise that Mayhem received its flowers on Grammy nomination day, I was a little worried that Gaga’s other most recent album would be left in the shadows of its highly panned companion film, Joker: Folie á Deux. The vocal performances on Harlequin are truly some of Gaga’s best work—including “Happy Mistake,” which I believe is one of her best songs to date. Now to rewatch her performance of “Happy Mistake” on Jimmy Kimmel to celebrate. —Brandon Leung

    SNUB: Jade in Best New Artist

    As a Mixer, I have been standing by this woman for 13 years—but the lack of recognition from this side of the pond has not gotten any easier to stomach. X Factor and Little Mix alum Jade Thirwall had one of the most impressive debuts I’ve seen in years: “Angel of My Dreams” is ambitious and unique.“Fantasy,” “Plastic Box,” “Midnight Cowboy,” “Self Sabotage,” “Lip Service”—the girl didn’t let us breathe! I have a huge respect for artists who fearlessly surrender themselves to their creativity and vision, and Jade is just that. Too bad the Grammys didn’t agree —BL

    SURPRISE: KATSEYE Gets a “Gnarly” Best New Artist Nod

    Demon hunters aren’t the only rising stars in the K-pop space. KATSEYE, the K-pop girl group whose formation was captured on the Netflix reality competition series Pop Star Academy, scored a surprise nomination for best new artist this year. Last summer, the world watched as Lara Raj, Manon Bannerman, Yoonchae, Daniela Avanzini, Megan Skiendiel, and Sophia Laforteza survived a rigorous multi-year audition process before being hand-selected to form the world’s first global K-Pop group. Since their debut, KATSEYE has been steadily rising, with a viral dance for their first single “Touch” taking TikTok by storm and Gap shrewdly hiring the diverse girl group to pose for a jean ad shortly after Sydney Sweeney’s American Eagle debacle. The momentum was clear when KATSEYE pulled off an unexpected win for Push Performance of the Year (whatever that is) at the VMAs in 2025. Still, a best new artist Grammy nod didn’t seem like a sure bet, given their humble reality television beginnings and the fact that other fresh-faced solo pop acts like Olivia Dean and Addison Rae seemed to dominate the discourse this year. But through a combination of talent, hard work, and certified bops, KATSEYE was able to convince the music industry to take them seriously. That’s “Gnarly.” — Chris Murphy

    SURPRISE: PinkPantheress Breaks Through

    Once, it was just her and her permanently shouldered purse against the world. Now PinkPantheress has finally scored her first-ever Grammy nominations: Illegal is up for best dance pop recording, and her mixtape Fancy That was nominated for best dance/electronic album. It’s a huge day for both her and Stateside addicts—her track, now remixed with Zara Larsson (also a long overdue nomination this round), lands just as both artists are catching a fresh lease on U.S. recognition and TikTok obsession. DJ Joe, The Dare to PinkPanthress’s Charli XCX—or maybe the tartan-clad Ryan Evans to her Sharpay, whatever your prerogative—also deserves credit for the Fancy That era that makes her latest work impossible to ignore. (Somehow, best new artist still passed her by—but we’ll take a win when we get one.) —Wengel Gemu

    SNUB: A Big X for BigXThaPlug

    In a lineage of outlaw country artists that includes Lil Nas X (2020), Jelly Roll (2024), and Shaboozey (2025), the Academy seemed primed to recognize yet another crossover country act this year: BigXThaPlug, the Texas rapper whose 2025 album I Hope You’re Happy won hearts, minds, and a place on the Billboard country charts. Indeed, the newly created best contemporary country album prize (which I’m inclined to nickname the Cowboy Carter Memorial Award) seemed designed with BigX in mind. But perhaps BigX proved a bridge too far for the Nashville voting block, because he didn’t make it onto the list. BigX also appeared on many best new artist prediction lists—but a roster of TikTok hitmakers (Olivia Dean, Lola Young) left no room for music’s favorite hip hop upstart turned Ella Langley collaborator. In fact, there was no room at all for rap or country in best new artist this year, and a total shutout of country in the show’s main prizes The Shaboozification of pop is over, it seems—at least for Grammy voters. —ASG

    SNUB: Best New Artist Nominations Run Out For Role Model

    Over the course of the last year, Role Model has convinced everyone from Charli xcx and Olivia Rodrigo to Natalie Portman and Kate Hudson to join him onstage while performing his viral, joy-infused hit, “Sally, When The Wine Runs Out.” But the extremely online singer/songwriter, whose name is actually Tucker Pillsbury, couldn’t charm his way into the highly sought after best new artist category this year. My guess is that the Recording Academy favored new kid on the rock block Sombr in place of Pillsbury’s more folk inspired pop-rock. Which is a huge bummer, considering Pillsbury—who released his first EP in 2017—really came into his own with his heartfelt breakup album Kansas Anymore, after making the risky leap from Soundcloud rapper to the mainstream. Don’t cry for Role Model: He has a role in Lena Dunham‘s upcoming rom-com, and a focus firmly on his next album. As he told Vanity Fair last year on the eve of his album release, “I’m happy with the music I’ve made and where my career is at. I feel like this is my happy ending—finally.” That said, I will be keeping an eye on Pillsbury’s cheeky “enemies list” on Instagram—because the Recording Academy might have just earned itself a spot on it. —Daniela Tijerina

    SNUB: No Flipping Nominations for Benson Boone

    The ubiquity of a pop song does not always translate into a Grammy nomination, much to my surprise, specifically with the case of Benson Boone’s “Mystical Magical.” We, as a people, have been inundated with this record on almost every platform possible, from Midwestern GRWMs and spoofs on TikTok to Spotify’s suspicious habit of repeatedly queuing this song after Radiohead. Because of this virtual inescapability, I had assumed Boone’s song would be nominated for either song or record of the year. I am happy to be wrong, though I fear the era of “moonbeam ice cream” is not yet over: there is still a chance that the Recording Academy could wheel out Benson Boone for a surprise performance at the Grammys, where he backflips continuously to this song. My guess is that I was not the only one for whom this ice cream flavor has run dry. —Wisdom Iheanyichukwu

    SURPRISE: What Does “Traditional” and “Contemporary” Country Even Mean?

    Over the last few years, country music’s long-running war between cowboys and city slickers reached new levels of intensity, as Morgan Wallen and Zach Bryan became megastars while Beyoncé and Post Malone entered the genre. This divide led to some upsets during awards ceremonies, and even Beyoncé was memorably surprised when she took home the country trophy last year. For the 2026 Grammys, a new split between “traditional country” and “contemporary country” was meant to address some hurt feelings—but though they may have made sense in theory, the biggest surprise is that these new categories are incredibly arbitrary in practice.

    Wallen and Bryan both declined to submit their most recent albums for Grammy eligibility, and no further pop stars made an entry into the genre. So the divide is mainly one of vibes. Willie Nelson and his son Lukas Nelson are both on the traditional side. So is their friend and acolyte Margo Price. Considering their attitudes towards major-label Nashville, that all makes sense. Kelsea Ballerini and Eric Church wound up in a logical place on the contemporary side, too. But it’s hard to see how Tyler Childers is considered contemporary when similarly twangy artists Zach Top and Charley Crockett are not. And every Miranda Lambert album focuses on blowing up the binary between traditional and pop country, so either outcome wouldn’t feel quite right for her. In the end, there’s not a bad album in this bunch—even Jelly Roll’s occasionally baffling country-rap extravaganza Beautifully Broken is worth a listen—so I suppose I can be satisfied knowing that there will be two big country moments on stage during this February’s show. —Erin Vanderhoof

    SURPRISE: Knocking on EGOT’s Door

    How about that: Timothée Chalamet just earned his first Grammy nomination for the music of A Complete Unknown. The actor’s rise to the Grammys has been fated ever since that viral “Statistics” video where he first showcased his musical prowess. As a big fan of Bob Dylan, I was very excited for the Dylan Disease (no one calls it that) to take over a new generation thanks to Chalamet’s amazing portrayal of him in the film. Now I implore the Recording Academy, on behalf of all fans of Muad’Dib, to do what the Academy of Motion Picture Arts and Sciences has failed to do and make sure Chalamet does not go home empty-handed that night. When Vogue recently asked if Chalamet would ever return to television, he responded with a simple “No.” That said, an EGOT could still be in his future if Emmy voters agree to revisit his 2012 stint in Homeland and reward him with a retroactive award. (They do that, right?) —WI

    Wengel Gemu, Wisdom Iheanyichukwu, Brandon Leung, Chris Murphy, John Ross, Abigail Sylvor Greenberg, Daniela Tijerina, Erin Vanderhoof, Kase Wickman

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  • British Independent Film Awards: ‘My Father’s Shadow’ and ‘Pillion’ Lead Nominations

    Akinola Davies Jr.’s Lagos-set coming-of-age tale My Father’s Shadow and Harry Lighton’s kinky queer romance Pillion are among the frontrunners at the 2025 British Independent Film Awards (BIFAs), which revealed its nominations Monday.

    Unveiled by actors Ben Hardy and Saura Lightfoot-Leon at One Hundred Shoreditch in London, Davies’ directorial debut leads the BIFA nominations with 12 nods, closely followed by Lighton’s Pillion with 10. Both features premiered at this year’s Cannes Film Festival to rave reviews. Davies and Lighton also scored best debut director nominations, as well as best screenplay and best debut screenwriter nods, among others.

    In the performance categories, big-name nominees include the likes of Jennifer Lawrence for Die My Love (which received eight BIFA nods in total), Cillian Murphy for Steve, as well as David Jonsson and Tom Blyth for Wasteman.

    Harry Melling and Alexander Skarsgard are nominated for best lead and best supporting performance, respectively, for Pillion, while Robert Aramayo will compete with fellow lead actors for his turn in Kirk Jones’ I Swear, which received nine BIFA nominations in total. He’ll go up against Frank Dillane, who is nominated for his turn in Harris Dickinson’s Urchin.

    Elsewhere, Dickinson has netted best debut director and best British independent film nods for Urchin for a total of six nominations. Tim Key and Tom Basden have been nominated for best joint lead performance in The Ballad of Wallis Island (five total), with Andrea Riseborough and Brenda Blethyn nominated in the same category for Paul Andrew Williams’ Dragonfly.

    Ebada Hassan and Safiyya Ingar are also nominated in the best joint lead performance category for Nadia Fall’s debut feature Brides, and both have secured a breakthrough performance nod. In this category, they’ll compete with Posy Sterling for Lollipop and Connor Tompkins for The Son and the Sea.

    Alex Garfield’s boots-on-the-ground military drama Warfare has won best ensemble performance award, it was confirmed Monday, with D’Pharaoh Woon-A-Tai, Will Poulter, Cosmo Jarvis, Kit Connor, Finn Bennett, Joseph Quinn and Charles Melton honored among the film’s six craft nominations.

    In the best international feature category, Jafar Panahi’s It Was Just an Accident goes up against Joachim Trier’s Sentimental Value, Sirāt from Oliver Laxe, Eva Victor’s Sorry, Baby and Mascha Schilinski’s Sound of Falling.

    Breakthrough producer nominations go to Wyn Baptiste for activism documentary Shoot the People, Charlotte Knowles for cross-border doc Palestine Comedy Club, Joann Kushner for screenlife heist movie LifeHack and Dhiraj Mahey for social-realist coming-of-age drama Ish.

    Check out the full list of nominees for the 2025 BIFAs below.

    Best British Independent Film

    The Ballad of Wallis Island
    I Swear
    My Father’s Shadow
    Pillion
    Urchin

    Best Director

    Laura Carreira, On Falling
    Akinola Davies Jr., My Father’s Shadow
    Kirk Jones, I Swear
    Harry Lighton, Pillion
    Lynne Ramsay, Die My Love

    Best Screenplay

    Tom Basden, Tim Key, The Ballad of Wallis Island
    Laura Carreira, On Falling
    Wale Davies, My Father’s Shadow
    Kirk Jones, I Swear
    Harry Lighton, Pillion

    Best Lead Performance

    Robert Aramayo, I Swear
    Frank Dillane, Urchin
    David Jonsson, Wasteman
    Jennifer Lawrence, Die My Love
    Harry Melling, Pillion
    Cillian Murphy, Steve

    Best Supporting Performance

    Tom Blyth, Wasteman
    Scott Ellis Watson, I Swear
    Jay Lycurgo, Steve
    Peter Mullan, I Swear
    Maxine Peake, I Swear
    Alexander Skarsgard, Pillion

    Best Joint Lead Performance

    Ebada Hassan, Saffiya Ingar, Brides
    Tim Key, Tom Basden, The Ballad of Wallis Island
    Andrea Riseborough, Brenda Blethyn, Dragonfly

    Best Ensemble Performance

    D’Pharaoh Woon-A-Tai, Will Poulter, Cosmo Jarvis, Kit Connor, Finn Bennett, Joseph Quinn, Charles Melton, Warfare (WINNER)

    The Douglas Hickox Award (Best Debut Director)

    Laura Carreira, On Falling
    Akinola Davies Jr., My Father’s Shadow
    Harris Dickinson, Urchin
    Harry Lighton, Pillion
    Cal McMau, Wasteman

    Breakthrough Producer

    Wyn Baptiste, Shoot the People
    Charlotte Knowles, Palestine Comedy Club
    Joann Kushner, LifeHack
    Dhiraj Mahey, Ish
    Archie Pearch, Urchin

    Breakthrough Performance

    Scott Ellis Watson, I Swear
    Ebada Hassan, Brides
    Safiyya Ingar, Brides
    Posy Sterling, Lollipop
    Connor Tompkins, The Son and The Sea

    Best Debut Screenwriter

    Hunter Andrews, Eoin Doran, Wasteman
    Tom Basden, Tim Key, The Ballad of Wallis Island
    Laura Carreira, On Falling
    Wale Davies, My Father’s Shadow
    Harry Lighton, Pillion

    Best Debut Director — Feature Documentary

    Myrid Carten, A Want in Her
    Cecile Embleton, Alys Tomlinson, Mother Vera
    Victoria Mapplebeck, Motherboard

    The Raindance Maverick Award

    Foul Evil Deeds, Richard Hunter
    Holloway, Sophie Compton, Daisy-May Hudson, Stella Heath Keir, Alice Hughes, Polly Creed
    Mother Vera, Cecile Embleton, Alys Tomlinson, Laura Shacham
    Motherboard, Victoria Mapplebeck
    A Want in Her, Myrid Carten

    Best Feature Documentary

    Antidote, James Jones, David Moulton
    Mother Vera, Cecile Embleton, Alys Tomlinson, Laura Shacham
    Motherboard, Victoria Mapplebeck
    The Shepherd and The Bear, Max Keegan, Elizabeth Woodward, Amanda McBaine, Jesse Moss
    A Want in Her, Myrid Carten, Tadgh O’Sullivan, Roisin Geraghty, Kat Mansoor

    Best British Short Film

    Flock, Max Nixon, Matt Ashwell, Daley Nixon
    Magid/Zafar, Luis Hindman, Sufiyaan Salam, Aidan Robert Brooks
    A Sisphyean Task, Gus Flind-Henry, George Malcher, George Telfer
    Stomach Bug, Matty Crawford, Karima Sammout Kanellopoulou
    Two Black Boys in Paradise, Ben Jackson, Baz Sells, Dean Atta

    Best International Independent Film

    It Was Just an Accident
    Sentimental Value
    Sirāt
    Sorry, Baby
    Sound of Falling

    Best Casting

    Shaheen Baig, Brides
    Shaheen Baig, Urchin
    Kharmel Cochrane, Warfare
    Laura Evans, I Swear
    Robert Sterne, Steve

    Best Cinematography

    Charlotte Bruus Christensen, H Is for Hawk
    Jermiane Edwards, My Father’s Shadow
    Cecile Embleton, Mother Vera
    Seamus McGarvey, Die My Love
    Piotr Niemyjski, A Pale View of Hills

    Best Costume Design

    Susie Coulthard, 100 Nights of Hero
    Kirsty Halliday, Tornado
    Grace Snell, Pillion
    Sayaka Takahashi, Matthew Price, A Pale View of Hills
    PC Williams, My Father’s Shadow

    Best Editing

    Ronan Corrigan, Aleksandr Kletsov, LifeHack
    Omar Guzman Castro, My Father’s Shadow
    Fin Oates, Warfare
    Sam Rice-Edwards, One to One: John & Yoko
    Gareth C. Scales, Pillion

    Best Effects

    Simon Stanley-Clamp, Ryan Conder, Warfare
    Victor Tomi, Die My Love
    Hayley Williams, Conor O’Sullivan, Martin Malmqvist, The Thing With Feathers

    Best Music Supervision

    Phil Canning, Wasteman
    Ian Neil, Raife Burchell, Die My Love
    Bridget Samuels, Urchin

    Best Make-Up & Hair Design

    Kehinde Are, Feyzo Oyebisi, My Father’s Shadow
    Diandra Ferreira, Pillion
    Paul Gooch, Tristan Versluis, Warfare
    Colleen LaBaff, Miho Suzuki, Die My Love
    Natasha Lawes, 100 Nights of Hero

    Best Original Music

    Tom Basden, Adem Ilhan, The Ballad of Wallis Island
    Bobby Krlic, Anemone
    Jed Kurzel, Tornado
    CJ Mirra, Duval Timothy, My Father’s Shadow
    Steven Price, Ocean With David Attenborough

    Best Production Design

    Jennifer Anti, Pablo Anti, My Father’s Shadow
    Mark Digby, Warfare
    Tim Grimes, Die My Love
    Nathan Parker, Harvest
    Sofia Sacomani, 100 Nights of Hero

    Best Sound

    Steve Fanagan, Stevie Haywood, Anemone
    Tim Burns, Paul Davies, Linda Forsen, Andrew Stirk, Ron Osiowy, Die, My Love
    Nina Hartstone, Jake Whitelee, Jens Petersen, Mike Tehrani, Rob Davidson, Ish
    CJ Mirra, James Ridgway, Joe Jackson, Adele Fletcher, Pius Fatoke, My Father’s Shadow
    Sound Team, Warfare

    The Richard Harris Award for Outstanding Contribution by an Actor to British Film

    To be announced later

    Georg Szalai

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  • Tokyo: Yoji Yamada and Lee Sang-il Talk Japanese Cinema, Craft and Following Anime’s Global Success

    Two generational talents of Japanese cinema shared the stage to discuss each other’s work at Tokyo International Film Festival, where each has been celebrated with an award. Yōji Yamada, 91, has more than 90 directing credits to his name, while Lee Sang-il’s Kokuho is the biggest Japanese live-action box office hit in decades, having passed 16 billion yen ($105 million), and is Japan’s entry for the best international film Oscar.

    Mutual respect was more than evident, and the conversation flowed through analysis of their craft to gentle teasing, mostly from Yamada, at the standing-room only event.

    The veteran director was the first recipient of the festival’s Akira Kurosawa Award in 2004, along with Steven Spielberg. This year, it was Lee’s turn to receive it, with Yamada given the Lifetime Achievement Award the previous day.

    “They’ve introduced our films side by side, but compared with his grand epic, mine feels like quite a lightweight. I’m almost embarrassed to see them together,” said Yamada of his Tokyo Taxi, his reimagining of Christian Carion’s Driving Madeliene (2022).

    Lee, whose film Kokuho translates as national treasure, replied: “If there is such a thing as a living national treasure in filmmaking, Yamada-sensei is definitely one. I just hope to absorb even a little of his dedication.”

    Though there was a moderator on stage, Yamada effectively took his role for the opening stretch of the talk, asking questioning Lee on how he had portrayed Japan’s traditional kabuki theater, and the human drama between two of its practitioners, so vividly and convincingly onscreen.  

    Yamada began by probing into the “dramatic structure” of Kokuho, the story of two kabuki actors whose lives are bound by artistry, desire, and fate.

    “Usually, when you have two male leads, a woman is between them in some sort of triangle. But here, something entirely different lies between them: homosexuality. It’s this irrational romantic force that becomes the very theme of the story. That’s what makes this film extraordinary,” said Yamada.

    That dynamic tension had been created by Shuichi Yoshida, the author of the 2018 novel on which the film is based, noted Lee. The director previously adapted Yoshida’s Akunin (Villain) in 2010 and Ikari (Rage) in 2016, both to acclaim.

    “The tension between bloodline and sexuality creates a fascinating duality. I didn’t want jealousy or rivalry like in Amadeus. Since both men devote themselves to the same suffering, I hoped a kind of transcendent beauty would emerge by the end,” explained Lee.

    For Yamada, that avoidance of conventional melodrama was one of the keys to the film’s power.

    The two leads trained for about a year and a half in total to portray the male kabuki performers of female roles, known as onnagata, noted Lee: “They even practiced on days off during shooting. Their persistence and dedication were incredible.”

    Tanaka Min, who plays the elderly kabuki master in Kokuho, was cast in his first major film role by Yamada in The Twilight Samurai in 2002 (the film won a record 12 Japan Academy Awards and was nominated for the then best foreign language film Oscar).

    “He’s a butoh dancer [postwar avant-garde theater] not an actor, and at first he was terrible,” laughed Yamada. “Completely wooden. But his physicality and voice had such presence that it didn’t matter. Even now he hasn’t really ‘improved’, but that’s what makes him special, like a Noh actor. You don’t need him to act; his just being there is enough.”

    Pushing back against Yamada’s playful ribbing about his reputation as a demanding director, Lee said, “That presence, combined with his movement, gives him a kind of magic. I wasn’t harsh in directing him. He doesn’t change no matter what you say, so instead of forcing it, I’d suggest small adjustments in tone or gesture. His stillness speaks volumes.”

    Aside from its setting in the niche world of highbrow traditional theater, another reason Kokuho’s commercial success has been a surprise is its nearly three-hour runtime. Lee revealed that his initial cut was actually four and a half hours. “All the kabuki scenes were about twice as long; That alone was an extra half hour; we had to trim a lot.”

    Despite Yamada’s best efforts, after an offstage prompt, talk turned to Tokyo Taxi, and how he approached the remake.

    “I simply asked myself, if it were Japan, how would it go? A Japanese taxi driver and an elderly Japanese woman, their relationship would of course be different,” said Yamada.

    Scenes with the taxi driver (Takuya Kimura) at home with his family, which were not part of the original, were singled out for praise by Lee for adding domestic realism.

    “I really wanted to make that breakfast scene,” said Yamada. “The year before, he [Kimura] played a top Paris-trained chef. This time, he’s eating natto [fermented soybeans]. But he’s very earnest and sincere. Always early on set: a true professional.”

    Next it was time for Lee to tease Yamada, asking why he always stands right beside the “Because the actors need to know I’m watching,” replied Yamada. “They can feel the director’s gaze. I don’t understand how some directors give directions from a monitor, sometimes from another room.”
    camera on set.

    Smiling as he did so, Yamada steered the conversation back to Kokuho, asking Lee about the numbers of extras in the kabuki scenes (500), and how he had broken multiple cinematic conventions in creating his tour de force.

    Answering an audience question about the potential for Japanese live-action filmmaking to emulate the international success of anime, Yamada made an impassioned plea for more government backing.

    “Japanese animation is a huge global success, while our live-action films barely register. When I entered the industry 70 years ago, Japanese cinema was vibrant and internationally respected — Kurosawa’s Seven Samurai, Ozu’s Tokyo Story, Mizoguchi’s Ugetsu. Now, Korea and China have surged ahead. It’s painful to watch,” Yamada said. “We need not just filmmakers’ effort but national support. The Korean government truly backs its film industry. Japan should do the same. It’s a matter of cultural policy.”

    Gavin Blair

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  • Exclusive: See Kim Kardashian, Bowen Yang, Kirsten Dunst, and More at the 2025 Academy Museum Gala

    The Academy Museum of Motion Pictures’s annual gala has become one of the most sought-after invitations in Hollywood—and last night’s soiree, which raised over $12 million to support the museum’s exhibitions and initiatives, was no exception. The gala was co-chaired by Jon M. Chu, Common, Viola Davis and Julius Tennon, Robert Downey Jr. and Susan Downey, Jennifer Hudson, and Academy Museum Trustee Alejandro Ramírez Magaña. The affair marks the beginning of a deluge of events leading up to the Oscars in March. But nothing can compare with a party that draws guests like Addison Rae, Ayo Edeberi, Channing Tatum, Charli xcx, Dwayne Johnson, Kim Kardashian (wearing a nude-colored face mask, all in the name of fashion), and director Ryan Coogler, just to name a few.

    Robert Downey Jr. and Susan Downey opened the evening, introducing the Director and President of the Academy Museum, Amy Homma, who welcomed guests. The first presenter of the night was Wim Wenders, who handed director Walter Salles the Luminary Award. The Vantage Award was presented by Wicked director Chu to actor and comedian Bowen Yang. After dinner, the next presenter—recent best supporting actress Oscar winner Zoe Saldaña—presented the Icon Award to another Oscar-winning actress, Penélope Cruz. The final award, the inaugural Legacy Award, was presented by Martin Scorsese to Oscar-winning singer, songwriter, and musician Bruce Springsteen. Before the night was over, George Clooney introduced a special musical performance by The Boss, who closed out the evening singing “Streets of Philadelphia,” “Atlantic City,” and “Land of Hope and Dreams.”

    The gala was presented in partnership with Rolex. Now in its fifth year, the Academy Museum Gala is an annual fundraiser and celebration of the museum, whose goal is to advance the celebration and preservation of cinema.

    John Ross

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  • Opinion | A Nobel for Venezuela’s Iron Lady

    Allies of President Trump are grousing that he didn’t win this year’s Nobel Peace Prize. But it’s hard to fault the admirable choice, announced Friday, of Venezuelan freedom fighter María Corina Machado.

    The Nobel committee called her “one of the most extraordinary examples of civilian courage in Latin America in recent time,” and we’d drop the geographic caveat. In the personal risks and sacrifices she has made for democracy, she sets an example for the world.

    Educated as an industrial engineer, Ms. Machado has been a leader of the democracy movement in Venezuela for more than 20 years. In 2002 she watched Hugo Chávez destroy institutions and consolidate power. She resisted by co-founding the nonprofit Súmate—“Join” in English—to engage Venezuelans to become politically active.

    She was elected to the National Assembly in 2010. In 2013 she was beaten during a legislative session by pro-government members who broke her nose. In March 2014 during a visit to the border with Colombia, she was kidnapped for several hours by armed hoodlums. The following week the regime expelled her from the Assembly.

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    The Editorial Board

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  • The 11th-Hour Campaign to Land Trump a Nobel Peace Prize

    A bid is under way to persuade the Nobel committee to make Trump the fifth American president to receive the honor.

    Brett Forrest

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  • László Krasznahorkai Wins Nobel Prize in Literature

    Hungarian novelist László Krasznahorkai, known for his dense prose and apocalyptic themes, was awarded the Nobel Prize in Literature.

    The Swedish Academy in Stockholm credited Krasznahorkai “for his compelling and visionary oeuvre that, in the midst of apocalyptic terror, reaffirms the power of art.”

    Copyright ©2025 Dow Jones & Company, Inc. All Rights Reserved. 87990cbe856818d5eddac44c7b1cdeb8

    Jeffrey A. Trachtenberg

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  • Trio Wins Nobel Prize in Chemistry for Work on Molecular Construction

    Susumu Kitagawa, Richard Robson and Omar M. Yaghi were awarded the Nobel Prize in Chemistry for developing a new form of molecular architecture called metal-organic frameworks that can harvest water from desert air, capture carbon dioxide, store toxic gases or catalyze chemical reactions.

    The structures, metal ions connected by carbon-based linkers, have large holes that allow other molecules to flow in and out, almost like rooms in a house. They can capture and release gases, water or other substances. Changing the size or shape of its components can make a countless amount of new frameworks designed for specific substances, reactions or to conduct electricity.

    Copyright ©2025 Dow Jones & Company, Inc. All Rights Reserved. 87990cbe856818d5eddac44c7b1cdeb8

    Brianna Abbott

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  • AMPAS Honors 2025 Student Academy Award Winners

    The Academy of Motion Picture Arts and Sciences honored its global student winners at the 52nd Student Academy Awards ceremony on Oct. 6. The celebration, held at the Ziegfeld Ballroom in New York City, featured remarks by Academy CEO Bill Kramer and Academy President Lynette Howell Taylor, as well as awards presentations by filmmakers Craig Brewer, Jon M. Chu and Alex Woo.

    This year’s Student Academy Awards winners were chosen from a total of 3,127 entries received from 988 colleges and universities around the globe. Gold, Silver and Bronze placements were announced in each category, and students were presented with trophies during the ceremony. First-time honors went to the University of Copenhagen, Gobelins, Krzysztof Kieślowski Film School, the Academy of Performing Arts in Bratislava, London College of Communication and the University of the West of England Bristol.

    The Student Academy Awards were established in 1972 to provide an opportunity for emerging talent to showcase their work within the industry. All student Academy Award-winning films are eligible to compete for the 98th Oscars in the categories of animated short film, live action short film or documentary short film. Past winners have gone on to receive 69 Oscar nominations and have won or shared 15 awards.

    See below for the full list of 2025 Student Academy Award winners, listed alphabetically by category.

    Alternative/Experimental
    Gold: Xindi Zhang, “The Song of Drifters,” University of Southern California
    Silver: Vega Moltke-Leth, “Without Perfection,” University of Copenhagen, Denmark
    Bronze: Mati Granica, “flower_gan,” London College of Communication, United Kingdom

    Animation
    Gold: Tobias Eckerlin, “A Sparrow’s Song,” Film Academy Baden-Württemberg, Germany
    Silver: Lucas Ansel, “The 12 Inch Pianist,” Rhode Island School of Design 
    Bronze: Sofiia Chuikovska, Loïck du Plessis D’Argentré & Maud Le Bras, “The Shyness of Trees,” Gobelins, France

    Documentary
    Gold: 
    Tatiana McCabe, “Tides of Life,” University of the West of England Bristol, United Kingdom
    Silver: Rebeka Bizubová, “Confession,” Academy of Performing Arts in Bratislava, Slovakia
    Bronze: Jane Deng, “I Remember,” New York University 

    Narrative
    Gold: Jan Saczek, “Dad’s Not Home,” Krzysztof Kieślowski Film School, Poland
    Silver: Meyer Levinson-Blount, “Butcher’s Stain,” Tel Aviv University, Israel
    Bronze: ZEFAN, “Kubrick, Like I Love You,” Columbia University

    Brande Victorian

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