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Tag: Aunjanue Ellis-Taylor

  • ‘The Deliverance’ Exclusive: Aunjanue Ellis-Taylor Talks Kamala Harris, Sonya Massey And Aligned Timing Of New Netflix Thriller

    ‘The Deliverance’ Exclusive: Aunjanue Ellis-Taylor Talks Kamala Harris, Sonya Massey And Aligned Timing Of New Netflix Thriller

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    Lee Daniels new Netflix thriller The Deliverance is the talk of these internet streets this weekend!

    Source: Courtesy / Netflix

    While the memes and tweets have been entertaining, there is a much more serious side to the film that also deserves to be highlighted.

    Inspired by a true story, the film stars Andra Day as Ebony Jackson, a struggling single mother fighting her personal demons when she moves her family into a new home (their third in a year) for a fresh start. But when strange occurrences inside the home raise the suspicions of Child Protective Services and threaten to tear the family apart, Ebony soon finds herself locked in a battle for her life and the souls of her children.

    Aunjanue Ellis-Taylor plays the concerned Apostle Bernice James who comes to Ebony’s aid in attempt to free her and her family from the clutches of demonic forces. It turns out Ellis-Taylor prepared for the role from an actual apostle who performs similar deliverances in real life.

    “I worked with an Apostle, his name is Apostle Louis and he was extraordinary,” Ellis-Taylor told BOSSIP. “He was and he is extraordinary. And he worked with me and worked with me. I was just like ‘Dude I ain’t gonna get it.’ He just didn’t accept no for an answer. He spoke to me, spoke through me. He was wonderful. He was fantastic. He really prepared me, did his best to prepare me for that moment of rebuking. He was fantastic. That’s what he does, he does those deliverances.”

    Before attempting the film’s ‘deliverance,’ Apostle James cautions Ebony that she must believe every word she speaks and use conviction when addressing the evil possessing her home.

    “I think first before you can be convicted, you have to genuinely care,” Ellis-Taylor told BOSSIP. “When I am in these stories things blur for me, in a good way. I lose sight of that I’m actually just pretending to do something and I feel like I am here to save this woman. I look across the table and I’m looking at Andra, who is I think one of the most honest actors I’ve ever worked with, and it’s easy, it’s easy to do that. It’s easy to be convicted and feel convicted because I naturally care for her and what she’s going through.”‘

    One of the things that resonated most to us about the film was the way it demonstrated how Black women are not believed and supported in the way that they deserve to be.

    “It’s relevant isn’t it?” Ellis-Taylor said. “I’ve been thinking about that a lot you know, and Ms. Harris and Kamala, the timing, it feels a little, I feel like it’s an alignment here a little bit. Hearing her say, ‘Why don’t you believe me? Why am I not worth your belief?’ You’re believing me but also believing in me. I just think it’s a good story to be telling at the moment.”

    The Deliverance production stills

    Source: MATT MILLER / Netflix

    Kamala Harris isn’t the only woman in the public eye who The Deliverance messaging brings to mind. During the deliverance in the film, Ebony uses the very same rebuke of satan that were the last words of Sonya Massey, the Illinois woman recently fatally shot by a deputy.

    “The timing is rich right? It’s really rich,” Ellis-Taylor said. “I’ve heard some ministers trying to speak to this moment. This woman was calling on God. Calling on Jesus, in the moment that she was — I can’t even say it. It just shows what we’re contending with, what we’re up against, that even when we call upon our help, that sometimes it’s not enough, because if you’re doing it by yourself, and so often because we have a culture that doesn’t believe us and doesn’t believe in us, in these moments we’re doing it alone. And I think if I can say what I think about this film, it’s that it is about a community. This group of women who are standing in the balance, standing against and rebuking as a community. So I would think that maybe can help. This idea we rebuke as a community. Doing it alone is not enough.”

    That’s definitely a concept worthy of belief.

    Have you watched The Deliverance? What resonated most for you? What did you enjoy? What did you think could have been better executed? We’re definitely interested to hear what our readers thought of the film.

    The Deliverance is streaming now on Netflix.

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    Janeé Bolden

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  • ‘Exhibiting Forgiveness’ Review: Art, Emotion, And The Journey Of Self-Healing – Sundance Film Festival

    ‘Exhibiting Forgiveness’ Review: Art, Emotion, And The Journey Of Self-Healing – Sundance Film Festival

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    Exhibiting Forgiveness, directed and written by Titus Kaphar, is a thought-provoking film starring Andre Holland, John Earl Jelks, Andra Day, Aunjanue Ellis-Taylor, and Ian Foreman. Set against a backdrop of familial struggle and personal demons, Kaphar’s film navigates the complexities of forgiveness, accountability, and the resilience of the human spirit.

    Tarrell Rodin (Holland), a loving father and husband who resides in the suburbs with his wife Aisha (Day), a singer-songwriter, and their son Jermaine. Renowned in the American art scene for his haunting, personal work, Tarrell dedicates his days to his art studio, using painting to turn his nightmares into art. His devotion to art, coupled with the support of his family and his diligent work ethic, has helped him keep his ugly past at a distance. He aims to take care of his mother Joyce (Ellis-Taylor) and wants to get her out of the neighborhood she lives in, but she’s apprehensive as she wants to stay close to her church. Its only a temporary move nit deep down he hopes Joyce in hopes she can provide support as he struggles with old memories. 

    Life officially unravels when his abusive Father La’Ron (Jelks) appears in his life, free from drugs and alcohol and asking for another chance. Tarrell didn’t ask for any of this. Against his well, Joyce went behind his back to plan this reunion in hopes of putting their family back together again. Now, Tarrell must manage his emotion now that his abuser is back in his life, and put in the work to rectify the past in order to move on to the present to transform generational trauma, into generational healing. 

    There is something to be said for the level of denial that exists among elders in the Black community. Joyce is dealing with hidden issues that she is in denial about. La’ron with bible and explaining away his past. How is Terrell supposed to find closure when dealing with people who cant even be honest? 

    Black men are taught to be unfeeling, unemotional, work through the pain. Titus’s puts it on display to show how cycles of abuse perpetuate themselves, and how there is power in stopping that cycle. There is an appreciation for a Tarell who refuses to be gaslit, and sticks up for himself. Shows emotion when he feels it, and does all the things he wasn’t allowed to do as a young boy. 

    Exhibiting Forgiveness distinguishes itself with a soulful and contemplative score by Jherek Bischoff, and music by Andra Day mirror the nuanced direction of Kaphar. This artistic choice beautifully complements the performances of its talented cast. Holland, Ellis-Taylor, and Day, who are recognized as some of the finest actors in the industry today. Their portrayal in the film is both powerful and emotionally resonant, contributing significantly to the film’s overall impact.

    The issues lie in Kaphar’s narrative. The audience sits through so many traumatic moments and then is asked to find optimism in the experience which may work for some and not for others as it’s just not a simple choice. Maybe it would have worked for me if it were balanced by more levity, but it isn’t. It’s a constant beating. 

    Do those who have committed harsh transgressions have the capacity for good? Sure, but it doesn’t erase their past because accountability has to be taken somewhere. However, Exhibiting Forgiveness proves you do not need other people’s acknowledgement or approval to find forgiveness within yourself.

    It’s ok to find something like art or the bible that helps in the healing process, but that can’t be all. You have to do the work. Giving yourself that grace is so powerful because if not that pain will trickle into other aspects of your life and the cycle will continue. We have to strive to be different than those who came before us. 

    Title: Exhibiting Forgiveness
    Festival Section): U.S. Dramatic Competition
    Director(s): Titus Kaphar
    Screenwriter(s): Titus Kaphar
    Cast: Andre Holland, John Earl Jelks, Andra Day, Aunjanue Ellis-Taylor
    Running time: 1 hr 57 min

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    Valerie Complex

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