Charli XCX has shared a new remix of her recent single “360,” bringing along the Swedish phenoms Robyn and Yung Lean. Check it out below.
“360,” the fourth single from Brat, follows “Von Dutch,” “Club Classics,” and “B2B.” The song came with a video uniting a committee of “hot internet girls,” Julia Fox, Chloë Sevigny, Rachel Sennott, and Hari Nef among them. The new album arrives on June 7. Charli XCX has also announced a fall tour with Troye Sivan.
Last month, Yung Lean released his first collaborative LP with Bladee, Psykos. Robyn most recently released Honey in 2018.
These over-ear noise-canceling headphones were clearly inspired by Apple’s AirPods Max, but they have enough going on their own to warrant a look. The Sonos Ace has a dedicated button that lets you quickly swap the audio from a Sonos soundbar to the headphones. It can also use the soundbar to analyze your room and mimic a surround sound system.
I wish there were more options here. For example, it would be great if the end of one album could result in the start of a similar album, or if I could turn the feature off for albums and on for playlists. Still, it’s nice to have the choice, and I choose to keep this off.
Listen to Multiple Albums by the Same Artist in a Row
I sometimes like to queue up albums by the same artist. There isn’t a straightforward way to do this in Spotify, but it’s not impossible. Head to the profile page for any artist, then scroll down to the Discography section. You should see a Show all link in the top right.
Spotify via David Nield
Click this and you’ll see all albums in order. Click Play on the top one and Spotify will play through every track in every album, from most recent to oldest. You can filter out singles and EPs if you want; just click the arrow by the word All in the top-right corner and select Albums.
Again, this isn’t perfect. I’d prefer to listen to an artist’s catalog in chronological order, as opposed to starting with the most recent album and working my way backward. The only way to get that is to make a playlist, or to search for a playlist made by someone else.
Look for Playlists That Aren’t ‘For You’
Spotify via David Nield
You might think that playlists are the same for everyone, but that’s not true. Many are built automatically by Spotify using your playback history, which, if you’re an album listener, means the playlist is crammed with a hodgepodge of tracks from whatever you’ve got on regular rotation at the moment. This can make all playlists feel the same, but there’s a trick to staying out of this rut: Look for playlists that don’t have the “Made for” marker at the top. These are public playlists curated by actual human Spotify users, not something influenced by your personal listening habits. I find this method of avoiding the algorithmic For You playlists helps me discover new music instead of just rehearing familiar tracks.
Search for Albums Without Using Your Mouse
Finding an album in Spotify using just your mouse can take multiple clicks. Everything is a lot faster if you use the keyboard shortcut Control+K on PC or Command+K on Mac. This will bring up a search bar. Just type what you want to listen to and use the up and down arrow keys to browse to a result.
Spotify via David Nield
From here you can hit Enter to open the album, artist, or playlist page. You can also hit Shift-Enter to immediately start playing the current selection. It’s the fastest way to find and play something, albums included.
Sexyy Red has a new mixtape out today. The 14-track In Sexyy We Trust includes a new song with the St. Louis rapper’s “Rich Baby Daddy” collaborator Drake. Listen to the song, “U My Everything,” below.
Tay Keith and Drumatized served as the executive producers of In Sexyy We Trust, and Keith, in particular, produced “U My Everything.” Midway through Drake’s verse, however, a familiar beat pops up: “BBL Drizzy,” the diss instrumental that St. Louis producer Metro Boomin made available for free earlier this month. At that point in the track, Drake acknowledges the beat, rapping, “BBL Drizzy, they want a new body, they ask me for it.”
Metro Boomin dropped “BBL Drizzy” after Drake dissed him on “Family Matters.” The producer encouraged artists to make their own songs using the instrumental.
With their full-lengths We Don’t Trust You and We Still Don’t Trust You, Metro Boomin and his collaborator Future kickstarted the beef that has engrossed the hip-hop world this spring. Both albums are believed to be filled with veiled shots at Drake, and Kendrick Lamar used his guest verse on the first record’s “Like That” to take aim at the Canadian rapper. An array of diss tracks ensued, including Lamar’s “Euphoria,” which features the line, “When I see you stand by Sexyy Red, I believe you see two bad bitches.”
Cash Cobain continues to collaborate with big-name artists. Following the new “Fisherrr (Remix),” with Ice Spice, he’s got a new track with J. Cole called “Grippy.” Listen to the new song below.
“Grippy” is a new version of Cash Cobain’s “Dunk Contest.” Cobain co-produced the original with Gvrlnd!, and the two also produced “Grippy.”
Disclosure: Our goal is to feature products and services that we think you’ll find interesting and useful. If you purchase them, Entrepreneur may get a small share of the revenue from the sale from our commerce partners.
Sometimes, the office gets a little quiet. We know there are more than a few examples of teams out there that work a little bit better and happier when they have some occasional tunes to groove to. And if your office lacks a proper delivery system for said tunes, then we have just the deal for you.
To help wake everybody up, you can get a TREBLAB HD-360 Portable Bluetooth Speaker on sale for just $99.99 (reg. $159) for a limited time only.
You can count on reaching for this thing whenever you need it because the powerful battery can deliver a full 20 hours of playtime (from fully charged) before needing to be plugged back in. The powerful speaker has a peak power of 90W and offers a full 360-degree surround sound despite its singular, portable design.
For teams that enjoy the occasional outing, the speaker comes with an IPX4 waterproof design, so it should be able to withstand the elements. It also has a built-in mic, which lets you take calls on it, turning your TREBLAB into its own independent conference call service.
08-21 Cambridge, England – Cambridge Junction 08-22 Norwich, England – The Waterfront Norwich 08-23 Holmfirth, England – Picturedome 08-25 Dublin, Ireland – National Museum of Ireland 09-10 Oslo, Norway – Sentrum Scene 09-11 Oslo, Norway – Sentrum Scene 09-13 Stockholm, Sweden – Filadelfia 09-14 Copenhagen, Denmark – Vega 09-15 Copenhagen, Denmark – Vega 09-17 Berlin, Germany – Huxleys Neue Welt 09-18 Cologne, Germany – Carlswerk Victoria 09-19 Brussels, Belgium – Ancienne Belgique 09-21 Antwerp, Belgium – De Roma 09-22 Amsterdam, Netherlands – Paradiso 09-23 Amsterdam, Netherlands – Paradiso 09-25 Edinburgh, Scotland – Usher Hall 09-27 Wolverhampton, England – The Civic at the Halls 09-28 London, England – Alexandra Palace 09-30 Manchester, England – O2 Apollo 10-01 London, England – TBA 10-11 Atlanta, GA – Tabernacle 10-12 Durham, NC – Durham Performing Arts Center 10-14 Washington, D.C. – The Anthem 10-15 Philadelphia, PA – The Fillmore 10-17 New York, NY – Beacon Theatre 10-19 Boston, MA – Orpheum Theatre 10-20 Montreal, Quebec – M Telus 10-22 Toronto, Ontario – Massey Hall 10-23 Detroit, MI – Masonic Cathedral Theatre 10-25 Chicago, IL – The Salt Shed 10-26 Saint Paul, MN – Palace Theatre 10-29 Denver, CO – Mission Ballroom 10-30 Salt Lake City, UT – Eccles Theater 11-02 Seattle, WA – Paramount Theatre 11-03 Portland, OR – Roseland Theater 11-04 Vancouver, British Columbia – Orpheum 11-07 Oakland, CA – Fox Theater 11-08 Los Angeles, CA – Shrine Auditorium 11-14 Auckland, New Zealand – Kiri Te Kanawa 11-16 Melbourne, Australia – Palais Theatre 11-17 Melbourne, Australia – Palais Theatre 11-18 Adelaide, Australia – Hindley Street Music Hall 11-21 Sydney, Australia – Sydney Opera House 11-22 Sydney, Australia – Sydney Opera House 11-23 Brisbane, Australia – Fortitude Music Hall 11-24 Brisbane, Australia – Fortitude Music Hall 11-27 Perth, Australia – Fremantle Arts Centre
All products featured on Pitchfork are independently selected by our editors. However, when you buy something through our retail links, we may earn an affiliate commission.
There’s not much to the new Beats Solo 4 headphones at first glance. Starkly missing in this $200 package is any form of noise canceling or transparency mode. There’s no auto pause feature or water-resistance rating—something you might expect from headphones shown as jogging companions in marketing videos.
Beats seems proud of the Solo 4’s stark minimalism, pointing instead to their slimline design, upgraded sound, and versatile core features. Highlights include up to 50 hours of playback per charge, the ability to plug in with either 3.5-mm or USB-C for lossless audio, and most convenient, in-house features for both Android and Apple phones like one-touch pairing and a headphones tracker.
I was admittedly dismissive of the Solo 4 for their lack of firepower at first, but over multiple days of testing, the sound kept calling me back. Their warm, clean, and buttery performance stems from a redesigned acoustic architecture that proves Apple’s sonic influence on the Beats brand runs deep. You can get a lot more tech from other options, but there’s enough here to make the Solo 4 worth considering for some—especially once the price inevitably drops.
Slick and Simple
The Solo 4’s aesthetic hasn’t strayed far from its roots. You’ll get all the trappings of a modern Beats device here, like matte plastic casing in flamboyant colors and the signature Beats logo on each earcup. The headphones fold down for travel, fitting into a nifty compact case with pockets inside for the included 3.5-mm and USB-C cables.
Photograph: Ryan Waniata
On-ear headphones like the Solo 4 are a rarity these days, and I generally find over-ear headphones more comfortable since they press against your head, not your ears. The Solo 4’s clamping force can cause some discomfort over time, but I was able to wear them for multiple hours without major complaints, and had no trouble throwing on some sunglasses.
The firm grip keeps the headphones in place and provides some solid passive noise isolation—a good thing considering the Solo 4 eschew any form of ambient audio. It’s undeniably odd in 2024 for such sporty-looking headphones to forgo transparency mode so you can hear the world around you when working out. A good water-resistance rating, something most flagship headphones don’t offer, would have been a nice inclusion in its place.
I do like the Solo 4’s simplified control system, offering intuitive volume and playback keys centered around the left-side Beats logo. Like the Studio Pro, the plastic key feels a bit clanky, but it’s less of a concern at this price. The Solo 4’s other major omission that vexed me over multiple days is the lack of auto pause sensors or auto power-down. Once again, it’s not a huge deal given the massive 50-hour battery life, but it’s something I’d expect at this level.
Either/Or
That’s not to say the Solo 4 are without advanced features. They offer an intriguing double dip of tricks for both Android and Apple devices courtesy of the Beats Proprietary Platform. The system, which also drives the Studio Pro (7/10, WIRED Recommends) and many of the latest Beats earbuds, allows for convenient one-touch pairing and Find My features for either device type, while catering to each in a few key ways.
Android-friendly features include auto pairing and audio switching between Google-connected tablets and phones, as well as a Beats app for some basic customization and firmware updates. On the Apple side, you’ll get “Hey Siri” hands-free voice control, basic in-phone customization options, message playback, and audio sharing. They’ll also auto handoff to your Apple Eatch, but don’t allow for automatic switching between iCloud devices like AirPods.
The ongoing rap battle between Drake and Kendrick Lamar continues, with Drake sharing a new song titled “The Heart Part 6” — a reference to the Pulitzer Prize winner’s ongoing single series. “And we know you’re dropping 6 mins after so instead of posting my address you have a lot to address,” he wrote on Instagram. Drake’s track responds to the two singles Lamar dropped over the weekend, Friday’s late-night “Meet the Grahams” and Saturday’s “Not Like Us.” Listen to the new song below.
After Lamar took aim at Drake’s own parents, son, security guard, and label affiliates, the Toronto rapper is now claiming that he intentionally fed false information to people in hopes that Lamar would unknowingly use it in a track. (“The one’s that you’re getting your stories from, they’re all clowns,” Drake raps. “We plotted for a week and then we fed you the information/A daughter that’s 11 years old, I bet he takes it.”) Drake goes on to claim that Lamar’s songs are “trauma for your own confessions” and directly states “I never been with no one under age.”
Drake’s previous diss track, “Family Matters,” came out this past Friday (May 3). At the time, he was responding to Lamar’s successive “Euphoria” and “6:16 in LA.” This months-long beef all began with Lamar’s song “Like That” back in March. Since then, several other rappers have jumped in—and out—of the fight.
Drake has yet to answer Kendrick Lamar’s latest diss, the late-night “Meet the Grahams,” but that’s not stopped Lamar from dropping another new song. The latest, “Not Like Us,” is produced by Mustard. Listen to the track below.
Along with his now-expected Drake disses on “Not Like Us,” Lamar takes aim at some of the rapper’s October’s Very Own (OVO) affiliates. Among the targets are security guard Chubbs (“They tell me Chubbs the only one that get your hand-me-downs”), PartyNextDoor (“And Party at the party playin’ wit’ his nose now”), and sometime rapper Baka Not Nice (“And Baka got a weird case/Why is he around?/Certified Lover Boys, certified pedophiles”).
“Meet the Grahams” arrived within an hour of Drake’s latest Lamar diss, “Family Matters.” At the time, the Canadian musician was responding to Lamar’s successive “Euphoria” and “6:16 in LA.” The whole beef got jumpstarted with Lamar’s “Like That” in March.
Kendrick Lamar is already back with another Drake diss. “Meet the Grahams,” the Compton artist’s third track of the week—following “Euphoria” and “6:16 in LA”—arrives within an hour of Drake’s barbed response, “Family Matters.” Find the latest new song below.
Lamar opens “Meet the Grahams” by addressing Drake’s son, Adonis Graham:
Dear Adonis, I’m sorry that that man is your father, let me be honest It takes a man to be a man, your dad is not responsive I look at him and wish your grandpa woulda wore a condom I’m sorry that you gotta grow up and then stand behind him
Next, Lamar address Drake’s mother, Sandra Graham: “Dear Sandra, your son got some habits/I hope you don’t undermine them.” He saves some harsh words for Drake’s father, Dennis Graham—“You raised a horrible fuckin’ person/The nerve of you, Dennis”—before turning back to Sandra: “Your son’s a sick man with sick thoughts/I think n—-s like him should die/Him and Weinstein should get fucked up in a cell for the rest of they life.” He continues, “And we’ve gotta raise our daughters knowing there’s predators like him lurkin’/Fuck a rap battle, he should die, so all of these women can live with a purpose.”
Later, Lamar raps to a figure he calls “baby girl”: “I’d like to say it’s not your fault that he’s hiding another child/Give him grace/That’s the reason I made Mr. Morale.” The lyrics are, at the very least, in reference to Pusha T’s famous Drake diss “The Story of Adidon.”
Addressing Drake directly, Lamar explains that he’s gone so viciously after Drake because he brought the Californian’s family into the rap beef. “Why you had to stoop so low to discredit some decent people?” he asks, “Guess integrity is lost when the metaphors doesn’t reach you.” He closes the track, “Fuck a rap battle/This a lifelong battle with yourself.”
The ball is back in Drake’s court. After Kendrick Lamar’s back-to-back diss tracks, “Euphoria” and “6:16 in LA,” the For All the Dogs rapper has taken verbal shots at his nemesis with the new song “Family Matters.” Listen to it below.
On “Family Matters,” Drake responds to some of Lamar’s “Euphoria” lyrics. For instance, Lamar questioned Drake’s quality as a father, and Drake answers, “You mentioned my seed, now deal with his dad/I gotta go bad, I gotta go bad.” He also taunts Lamar with name-drops of some of his closest collaborators, Dave Free, Anthony “Top Dawg” Tiffith, and Baby Keem (“K.Dot shit is only hitting hard when Baby Keem put his pen to it”).
Beyond Lamar, Drake calls out some of the other hip-hop figures who’ve taken him to task in recent weeks. He has bars for Metro Boomin (“Leland Wayne, he a fuckin’ lame, so I know he had to be an influence”), Future (“Pluto shit make me sick to my stomach/We ain’t never really been through it”), and Rick Ross (“Ross callin’ me the white boy, and the shit kinda got a ring to it/’Cause all these rappers wavin’ white flags while the whole fuckin’ club sing to it”).
Drake also addresses the legal aftermath of his “Taylor Made Freestyle.” The track, which has been removed from the Canadian musician’s social media pages, was the subject of a cease-and-desist letter from 2Pac’s estate, due to the song’s use of artificial intelligence to emulate the late California rapper’s vocals. On his new track, Drake raps, “A cease-and-desist is for hoes/Can’t listen to lies that come out of your mouth/You called the 2Pac Estate/And begged ’em to sue me and get that shit down.”
One of Drake’s most personal attacks against Lamar comes toward the song’s end when he seems to allege that the Compton artist has domestically abused a partner. “They hired a crisis management team/To clean up the fact that you beat on your queen,” he raps, “The picture you painted ain’t what it seems.” (Beyond Drake’s lines, Kendrick Lamar has not faced public accusations of domestic violence.)
“Family Matters” is Drake’s third anti-Lamar song of the spring, following “Push Ups” and “Taylor Made Freestyle.” He’s been newly upset with Lamar (and Future and Metro Boomin) since the We Don’t Trust You song “Like That.”
Brooklyn label HateToQuit and the artist Hiding Places put the compilation together, also enlisting Little Wings, John Andrews & the Yawns, Magnolia Electric Co.’s Jason Evans Groth, and dozens more.
In a press release, HateToQuit and Hiding Places quoted a poem by June Jordan:
I plan to blossom bloody on an afternoon surrounded by my comrades singing terrible revenge in merciless accelerating rhythms
The compilation organizers went on:
These are the words of anti-apartheid artist, leader, and poet, June Jordan; we as Artists United for a Free Palestine see retaliation as a diversity of tactics; as mutual aid; as solidarity with the people of Palestine; as direct action, if necessary; as an immediate end to the Israeli Occupation Force and a Free Palestine, forever; as a liberated world. Our duty as artists has—and always will be—radical acts of care; the least we can do is send any aid possible to those facing genocide in Palestine, and money to folks on the frontlines of organizing action to get access to lawyers and legal support.
The Holy Presence is Wild Up’s fourth volume of Eastman recordings, following 2021’s Femenine, 2022’s Joy Boy, and 2023’s If You’re So Smart, Why Aren’t You Rich? The new album, according to a press release, finds the ensemble playing Eastman’s “lesser-known works that represent a mystically charged and spiritually reflective vein of his dynamic catalog.”
Julius Eastman, Vol. 4: The Holy Presence:
01 Our Father 02 Piano 2 03 Prelude to the Holy Presence of Joan d’Arc 04 The Holy Presence of Joan d’Arc
Kendrick Lamar’s “Euphoria” begins softly, and the rapper doesn’t address Drake directly until the final lines of his first verse: “Know you a master manipulator and habitual liar, too/But don’t tell no lie ’bout me, and I won’t tell truths ’bout you.”
The beat picks up and Lamar is sharper in his words against the Toronto artist. For instance, he plays on Drake’s name and the Draco Pistol when he raps, “The very first time I shot me a Drac’, the homie had told me to aim it this way/I didn’t point down enough/Today, I show you I learned from those mistakes.” He also makes direct reference to “Taylor Made Freestyle” when he says, “Somebody had told me that you got a ring/On God, I’m ready to double the wage/I’d rather do that than let a Canadian n—a make ’Pac turn in his grave.”
Later, after mentioning J. Cole and Drake by name, Lamar brings up another major Drake nemesis, Pusha T, and questions Drake’s aptitude as a father—something Pusha T famously did on “The Story of Adidon.”
Longtime Lamar collaborator Jay Rock praised “Euphoria” on X, writing, “Now this ain’t no AI… see I know Kdot!! Euphoria.”
Terrence “Punch” Henderson, the president of Lamar’s former label home, Top Dawg Entertainment, posted simply, “Well.”
Anthony “Top Dawg” Tiffith, the founder and CEO of Top Dawg Entertainment, added on X, “We saw everybody that showed their hand. This the family. Dot still the King. TDE.”
Without acknowledging “Euphoria” explicitly, Kendrick Lamar’s “Like That” collaborator Metro Boomin posted on X, “Thank God for the day!” and, “😂😂😂😂😂😂😂😂.”
Network amplifiers are springing up everywhere these days, and why shouldn’t they be? A single device that facilitates everything from your favorite streaming services to TV content over HDMI ARC is fantastically convenient and shouldn’t be reserved for A/V receivers or powered speakers. For listeners after a versatile, high-quality stereo experience, it can make a lot of sense to get everything you need in one refined device.
With a wide field of available options, choosing a heritage audio brand like Rotel also seems to make good sense if you have the cash, and Rotel’s newish RAS-5000 is well stocked for the task. After testing the amplifier for several weeks, I’m happy to report the sound quality is as excellent as you’d expect. Its Hulkish frame provides a similarly Hulkish punch for clear and dynamic sound, muscular bass, and enough wattage to get the most out of high-end speaker pairings.
The RAS-5000 is a capable workhorse with plenty of playback options, but some of the tech is clunkier than I’d expect at this price. Options like Technics’ SU-GX70 (8/10, WIRED Recommends) provide a better user experience for less, with a much handier app. Still, the Rotel has all the tools, and its mix of tactful clarity and brute-force power is formidable. For those with speakers that crave serious power, this amp has plenty to spare.
A Big Ol’ Block
The RAS-5000 arrives in a very large box because it is a very large amplifier. Standing nearly 6 inches tall and 17 inches deep, it easily dwarfs my pint-sized Naim Uniti Atom (8/10, WIRED Recommends) reference amp, and its weight of almost 35 pounds officially requires back support for setup. The overall vibe leans industrial but its rounded edges and shimmering metallic finish add a touch of elegance.
The aesthetic is similar to predecessors like the Rotel RA-1572 MKII, save for the big color screen at the block’s center, which adds a lot of personality. The screen lacks touch controls, a complaint I raised about the Naim Uniti Atom HE headphone amplifier (8/10, WIRED Recommends), but it’s less of an issue here since the RAS-5000 sits on a console, not a desk, and there aren’t that many settings to adjust anyway (more on that later).
Photograph: Ryan Waniata
I like the trend toward flashy screens for previewing album artwork, but the audio nerd in me is more enamored with the Rotel’s constant sampling and bitrate display for everything you play. It’s all the more handy since the RAS-5000’s ESS DAC supports hi-res audio files up to 384-kHz/24-bit when connected to a PC over USB-B with “any supported format by the PC Software.”
How high you fly depends mostly on the source—audio resolution is limited to 192-kHz/24-bit over optical/coaxial input, while Airplay 2 tops out at 48 kHz/24 bit. The system also supports streaming over Chromecast, Spotify Connect, Tidal Connect, and Roon’s high-resolution music management software for those looking to build an accessible hi-res library.
The RAS-5000’s monstrous enclosure leaves room for a similarly monstrous custom toroidal transformer, which will dramatically dim your lights when you fire it up. The hefty powerplant feeds an A/B amplification system that delivers up to 140 watts per channel at 8 ohms and 220 watts per channel at 4 ohms. That should be enough to suitably power virtually any high-end speaker pairing you’ve got (within reason).
Fratti wrote and recorded Sentir Que No Sabes with her partner and Titanic collaborator Héctor Tosta. The new album follows Titanic’s debut, Vidrio, and Fratti’s first album with her Amor Muere collective, A Time to Love, a Time to Die.
Disclosure: Our goal is to feature products and services that we think you’ll find interesting and useful. If you purchase them, Entrepreneur may get a small share of the revenue from the sale from our commerce partners.
Plenty of business leaders and entrepreneurs rely on headphones to zone in with music and take calls throughout a given workday. At the same time, if you’re totally inaccessible with noise-canceling over-ear headphones, that might not make your employees or colleagues feel like they can access you when they need to.
There’s a different type of headphone technology that could be a good middle ground. For a limited time only, you can get these Mercato Open-Ear Bluetooth Headphones for $39.95 (reg. $69) with code GET10.
This is the best price online for these headphones. They work by sitting on top of the ear, allowing the user to hear and interact with the outside world while also saving their inner ears from noise damage. Designed to provide pain-free listening and lasting comfort, the Mercato Open-Ear Bluetooth Headphones have an ergonomic design that loops over the ear.
While an unusual and seemingly indirect design, the Mercatos promise to deliver premium sound with a deep base and a wide range. They’re great for workouts and running outside, so you can stay attuned to the fast-changing environment around you. An IPX5 water-resistant build also makes these headphones ideal for the outdoor adventurer.
Great for wearing at the office and on business trips, the headphones have a lengthy battery life of six hours per full charge. And while they do allow you to access the outside world, they also have dual noise-canceling mics to keep your calls professional and clean.
Mickey Guyton will head out on a North American tour this September. To go with the announcement, the country artist has shared a new song, “Scary Love.” Check that out, along with the dates, below.
Guyton wrote “Scary Love” with Emma-Lee, producer Karen Kosowski, and Victoria Banks in tribute to her three-year-old son. In a press release, she said, “There’s so many types of love, but for parents who truly love their kids, there’s nothing we won’t do for them. That kind of love is so scary because your heart is literally outside of your body and you’re seeing your heart grow up and become somebody. All you want to do is protect this person—that’s the scariest love that you’ll ever experience.”
All products featured on Pitchfork are independently selected by our editors. However, when you buy something through our retail links, we may earn an affiliate commission.
CMT on Tour Presents Mickey Guyton
Mickey Guyton:
06-07 Nashville, TN – CMA Fest 09-18 Atlanta, GA – Buckhead Theatre 09-20 Charlotte, NC – The Underground 09-21 Asheville, NC – The Orange Peel 09-26 Washington, D.C. – Union Stage 09-27 New York, NY – Gramercy Theatre 09-28 Pittsburgh, PA – Thunderbird Café and Music Hall 10-02 Kansas City, MO – Knuckleheads 10-03 Oklahoma City, OK – Beer City Music Hall 10-15 St. Louis, MO – Delmar Hall 10-17 Chicago, IL – Joe’s on Weed St. 10-18 Minneapolis, MN – First Ave 10-19 Des Moines, IA – Wooly’s 10-22 Madison, WI – Majestic Theatre 10-23 Ann Arbor, MI – Blind Pig 10-25 Grand Rapids, MI – The Stache at the Intersection 10-30 Columbus, OH – The Bluestone 11-01 Buffalo, NY – Iron Works 11-02 Toronto, Ontario – Velvet Underground 11-04 Boston, MA – Brighton Music Hall 11-06 Philadelphia, PA – World Cafe Live 11-08 Indianapolis, Indiana – Hi-Fi 11-09 Lexington, KY – Manchester Music Hall
